DOCSLIB.ORG

Band of the Week: the Field Mice | Nouse

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Band of the Week: the Field Mice | Nouse Nouse Web Archives Band of the Week: The Field Mice Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Music › Band of the Week › News Features Reviews Playlists Band of the Week: The Field Mice Resident sound-nerd Tom Killingbeck thumbs through reams of musty vinyl so you don’t have to. Here are his weekly recommendations… Monday 6 December 2010 #5: The Field Mice Who: Bobby Wratten, Michael Hiscock, Harvey Williams, Annemari Davis, Mark Dobson. When: 1980’s-1990’s. Where: UK. Why: With snow a foot deep outside and icy frostbitten winds turning your skin to marble, you’ve probably spent the last week barricaded in your bedrooms, safely away from Yorkshire’s meteorological torments. In which case I present the perfect chilly bedroom band; The Field Mice. Children of Sarah Records, the quintessential jangly 80’s indie-pop label, the band’s poetically minimal lyrics, spacious arrangements and heartfelt melodies shone through a fug of mumbling be-cardiganed peers. Originally a school-formed duo comprising of Robert Wratten and Michael Hiscock, their first efforts, including EP ‘Emma’s House’ and single ‘Sensitive’, brought them Top 20 Indie Chart hits and glowing endorsement from hip priest John Peel. In 1990 they expanded into a five-piece, adding Harvey Williams of cult miserablists Another Sunny Day on guitar, as well as Wratten’s ex-girlfriend Annemari, presumably to increase the atmosphere of lost love and yearning that pervaded the grooves of those early adventures in acetate to new emotional levels. This tactic worked magnificently, as ‘Anyone Else Isn’t You’, ‘A Heart Disease Called Love’ and ‘Willow’ count as a handful of the most aching and lovelorn songs ever recorded. While the band have been unhelpfully placed by careless critics into the dusty attic-box label of ‘twee C86 indie’, The Field Mice were in truth far more interesting than that. Yes, they may have shared sonic space with The Shop Assistants http://nouse.co.uk/2010/12/06/band-of-the-week-the-field-mice Archived 11 Dec 2018 01:02:15 Nouse Web Archives Band of the Week: The Field Mice Page 2 of 3 and The Pastels, but their breed of whimsically, knowingly despondent pop also often incorporated an electronic aspect. Taking a cue from several Factory Records bands in both cover art and textures, songs like ‘Triangle’ and ‘Humblebee’ were rife with sequencers and glacial synths. Indeed, the NME at the time seemed to think that the epic ‘Missing The Moon’ was the first cross- pollination of acid house and indie. While that particular scribe clearly hadn’t heard of A Certain Ratio, this element to their sound did make The Field Mice seem the unlikely love children of The Smiths and New Order. That’s not to say the techno element was extant; plenty of songs merely rely on sparse guitars or mourning cellos. While the band’s crystalline, minimalist sound is immediately arresting and evocative; it’s Wratten’s plaintive, baleful lyrics and spine-tingling melodies that really make this a band to treasure. As for modern relevance, the band are clearly still trickling down the stream of influence – it would be hard to differentiate their classic ‘Sensitive’ from any track off of last year’s celebrated debut LP from The Pains Of Being Pure At Heart. So next time you fancy some mordant jangle to fit the scene outside the window, try The Field Mice for the original deal. Just don’t leave any knives lying around. Influences: New Order, The Velvet Underground, Orchestral Manoeuvres in the Dark, The Byrds. Influenced: Saint Etienne, Belle & Sebastian, The Pains Of Being Pure At Heart, Wild Nothing. Sample Lyric: ‘He doesn’t love you, I’m the one who loves you, he’s the one you love’. Which Record: Coastal (Sarah Records, 1991) One comment Makoto Kawaguchi 9 Dec ’10 at 11:28 pm ‘Kiss and Make Up’ is an excellent song. Report Most Read Discussed 1. Review: Little Mix – LM5 2. Led Astray – The Case Against Greta Van Fleet 3. Review: Some Rap Songs – Earl Sweatshirt 4. Review: Simulation Theory – Muse 5. Live Review: Sigrid @ Albert Hall, Manchester – 8/11/18 6. Band of the Week: Magma Write for Nouse Music Get in touch with the editors Join the Facebook group More in Music Review: Some Rap Songs – Earl Sweatshirt http://nouse.co.uk/2010/12/06/band-of-the-week-the-field-mice Archived 11 Dec 2018 01:02:15 Nouse Web Archives Band of the Week: The Field Mice Page 3 of 3 Review: Little Mix – LM5 Live Review: Sigrid @ Albert Hall, Manchester – 8/11/18 Live Review: Within Temptation @ O2 Academy Birmingham 9/11/18 Radio Gaga: Evolution of a Star Review: Simulation Theory – Muse About Nouse Who’s Nouse Website Credits Contact Us Advertising Archives Student Discounts Print Editions Mini-Sites Nouse on Twitter Nouse on Facebook Nouse on Google+ © 1964–2018 Nouse Policies | http://nouse.co.uk/2010/12/06/band-of-the-week-the-field-mice Archived 11 Dec 2018 01:02:15.
Load more

Recommended publications
  • Felix Issue 0888, 1991
    iisiiil • ..... Cover: Rectoi ion Time - The Answ< la, p3 ! Rector's Question Time: 'I don't think that starving is the next option' Sir Eric Ash, Rector of Imperial College, took part in a question and answer session on Monday evening. Over a hundred students listened as Sir Eric fielded questions on a'wide range of student and non student issues. Union President , Mr Paul Shanley, chaired the discussion and took both prepared and spontaneous questions from the floor. Despite the controversial nature of many of the topics raised the atmosphere remained relaxed and somewhat informal. Although many questions centered on student concerns, money and accommodation - the lack of it, the presence of college staff ensured a broader base to the discussion. The most notable aspect of the discussion was the circular nature of many problems facing both student and staff alike; at the centre of that circle was money. In Sir Eric's own words 'people might find it hard to believe but before I came to Imperial I was not obsessed with money.' In answer to the question 'Now that the binary divide has gone, and that some polytechnics in London may achieve University status, is it time that Imperial should reconsider the benefits of London University and investigate opting out?' Sir Eric stated 'we haven't stopped thinking about it (opting out)'. He continued that althrinoh Imrwiiil '^a "6" iO run our own (university)', with Imperial Caught between the Devil and the deep blue sea gaining little benefit in terms of cut price deals organised through the University of investment of a loan.
    [Show full text]
  • Prolegomena to Pastels & Pastellists
    Prolegomena to Pastels & pastellists NEIL JEFFARES Prolegomena to Pastels & pastellists Published online from 2016 Citation: http://www.pastellists.com/misc/prolegomena.pdf, updated 10 August 2021 www.pastellists.com – © Neil Jeffares – all rights reserved 1 updated 10 August 2021 Prolegomena to Pastels & pastellists www.pastellists.com – © Neil Jeffares – all rights reserved 2 updated 10 August 2021 Prolegomena to Pastels & pastellists CONTENTS I. FOREWORD 5 II. THE WORD 7 III. TREATISES 11 IV. THE OBJECT 14 V. CONSERVATION AND TRANSPORT TODAY 51 VI. PASTELLISTS AT WORK 71 VII. THE INSTITUTIONS 80 VIII. EARLY EXHIBITIONS, PATRONAGE AND COLLECTIONS 94 IX. THE SOCIAL FUNCTION OF PASTEL PORTRAITS 101 X. NON-PORTRAIT SUBJECTS 109 XI. PRICES AND PAYMENT 110 XII. COLLECTING AND CRITICAL FORTUNE POST 1800 114 XIII. PRICES POST 1800 125 XIV. HISTORICO-GEOGRAPHICAL SURVEY 128 www.pastellists.com – © Neil Jeffares – all rights reserved 3 updated 10 August 2021 Prolegomena to Pastels & pastellists I. FOREWORD ASTEL IS IN ESSENCE powdered colour rubbed into paper without a liquid vehicle – a process succinctly described in 1760 by the French amateur engraver Claude-Henri Watelet (himself the subject of a portrait by La Tour): P Les crayons mis en poudre imitent les couleurs, Que dans un teint parfait offre l’éclat des fleurs. Sans pinceau le doigt seul place et fond chaque teinte; Le duvet du papier en conserve l’empreinte; Un crystal la défend; ainsi, de la beauté Le Pastel a l’éclat et la fragilité.1 It is at once line and colour – a sort of synthesis of the traditional opposition that had been debated vigorously by theoreticians such as Roger de Piles in the previous century.
    [Show full text]
  • Madrid Es Ruido 2018
    MADRID ES RUIDO 2018 23 Y 24 NOVIEMBRE EN MADRID, MOBYDICK CLUB 21:30 TERCERA EDICIÓN DEL FESTIVAL SHOEGAZE MÁS IMPORTANTE DE ESPAÑA ENTRADAS 17€ ENTRADA DE DÍA / 32€ ABONO DOS DÍAS PUNTOS DE VENTA : ESCRIDISCOS, LA INTEGRAL, MOLAR DISCOS Y DISCOS BAJO EL VOLCÁN ENTRADAS EN TICKETEA.COM AIR FORMATION | SUSSEX - ENGLAND | SHOEGAZING - DREAM POP Drive-in Records, Clirecords, Club AC30, Distant Noise Air Formation: Matt Bartram (Guitarras & Vocals), Ben Pierce (Bajo), James Harrison (batería), Ian Sheridan (Guitarras) and Richard Parks (teclados). Air Formation se formó en 2000, mucho antes de que bandas ahora tan fundamentales como Spiritualized, Slowdive y Loop se considerarán influencias aceptables. Desde que firmaron con la discográfica Club AC30, bastión del llamado shoegaze moderno, la banda ha ganado seguidores devotos y ha sido aclamada por la crítica, como por ejemplo la publicación Drowned In Sound, que describe a la banda como "uno de los conjuntos más consistentes del país”. Sus grandes shows en vivo, han conseguido que hayan sido seleccionados para tocar con bandas como Chapterhouse. Air Formation lanzó su aclamado quinto LP 'Near Miss' en marzo de 2018 y lo presentará en Madrid, ciudad en la que tocarán por primera vez en toda su carrera, por lo que este será un concierto muy especial para ellos. influencias: Flying Saucer Attack, The Cure, My Bloody Valentine, Spacemen 3, Spiritualized, Spectrum, The Velvet Underground, Slowdive, Mogwai, Yo La Tengo, The Raveonettes, Mahogany, Jesus and Mary Chain, Nick Drake, Sonic Youth.
    [Show full text]
  • Artist of the Year
    THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come.
    [Show full text]
  • The Primitons: All My Friends Pure Joy: Ocean
    w/ Cover Page All My Friends The Verge: Tradition The Primitons: from the EP Habitual from the EP The Primitons c. 1983 No Crust Records c. 1985 Throbbing Lobster The Verge were a relatively short-lived Albany, NY post-punk trio who recorded a small body of work during their early-80s lifespan, with an even The Primitons were an Alabama-based outfit active roughly more minute segment of those recordings having been made available for between 1984 to 1990. Because of their pop-country public consumption. The band married jagged, but sweet echoing guitar influences, jangly guitar and Mitch Easter production, they licks with Thomas Rella's dissonant vocals. The result were surprisingly were usually lumped in with Lets Active, Guadalcanal Diary and intoxicating, not unlike what Killing Joke and Middle Class were dispensing R.E.M. in the outburst of Southern guitar pop of the mid 1980s. around the same time. Definitely a must for all you KBD fans out there. They found many devoted fans locally and in the music press, but troubles with record labels folding, lackluster production, and weak marketing kept the Primitons from reaching deserved Crash Course in Science: Cardboard Lamb stardom. All Primitons material was re-issued by The Arena Rock Recording Company in 2008/2009. from the EP Signals From Pier 13 c. 1981 Press Records Crash Course in Science were a post punk band formed in 1979 in Philadelphia. They avoided the sounds of conventional instrumentation by Pure Joy: Ocean using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats.
    [Show full text]
  • Mapping the Music Industry in Scotland
    Mapping the music industry in Scotland: A report John Williamson (Queen Margaret University College/ Sano Management) Martin Cloonan (University of Glasgow) and Simon Frith (University of Stirling) Report commissioned by: Scottish Enterprise February 2003 Contents Page Acknowledgements iii Executive Summary iv Preface vii Introduction 1 Literature Review 4 Chapter One: The Scottish Music Industry 11 (i) Artists and Composers 12 (ii) Live Music 26 (iii) The Recording Industry 37 (iv) The Media 45 (v) Other Creative Industries 51 (vi) Ancillary Services 59 (vii) Education 67 (viii) Retail 70 (ix) Overall Figures 78 Chapter 2: The Stakeholders 80 Chapter 3: Case Studies of Scottish Music Industry Businesses 103 (1) Chemikal Undergrond 104 (2) DF Concerts 106 (3) Fence Records 109 (4) Fopp 111 (5) Lismor Records 113 (6) The Paragon Ensemble 116 (7) Simbiotic 119 i Overview of Case Studies 121 Conclusion and Final Thoughts 125 Appendix A: Schedule for Stakeholder Interviews 128 Appendix B: Schedule for Case Study Interviews 129 Appendix C: Scottish Enterprise Creative Industries Cluster: Music Activities 2002 130 Appendix D: Highlands and Island Enterprise: Support to the Music Industry in 2002 132 Appendix E: Questionnaire results 134 Bibliography 150 ii Acknowledgements This report would not have been possible without the financial support of Scottish Enterprise (SE), Highlands and Islands Enterprise (HIE) and Scottish Development International (SDI). We wish to acknowledge that support as evidence of the commitment of these organisations to developing the music industry within Scotland. During this research we have benefited from the support of staff at SE, HIE and SDI and we would particularly like to thank Sue Jones, Mary Walker, Iain Hamilton and Emma Harcus for their help.
    [Show full text]
  • Teacher and Adult Helper Notes
    Teacher and adult helper notes Contents 1 Visiting the exhibition 2 Exhibition content 3 Suggested activities within the exhibition 4 Activities and resources to use in class 5 Questions and feedback Introduction Discover the story of Scottish pop music as we take you on a musical journey from the 1950s to the present day. This is the first major exhibition dedicated to Scottish pop music, exploring the musical culture of the nation over more than half a century, from influential indie pioneers to global superstars. From the days of the dancehalls and folk clubs to the emergence of pop in an explosion of colour in the 1960s, through the 1970s/early 1980s New Wave and post-punk, Rip It Up features global stars and independent local heroes from pop’s early days right up to today’s outstanding newcomers. Artists and bands featured include Lonnie Donegan, Gerry Rafferty, the Sensational Alex Harvey Band, Lulu, The Rezillos, Midge Ure, Simple Minds, The Skids, Big Country, Garbage, Franz Ferdinand, Young Fathers, and many more. The exhibition contains original stage outfits and instruments, many loaned by the artists themselves, plus memorabilia, props, film, videos and, of course, music. 1. Visiting the exhibition Important information (Ensure each teacher/adult accompanying the group reads this information beforehand) • In the Scottish Voices section of this exhibition, there is a display on the band Frightened Rabbit and the recent death of their lead singer Scott Hutchison. If you, or any pupils visiting with you, are affected by the issues discussed in this display, please visit samh.org.uk/find-help • This exhibition contains two instances of swearing.
    [Show full text]
  • View the Booklet Here
    B 1. The Sarah Palin Theme Song - In My Scene 2. The Quiet Hearts - Bluebird 3. Kitten Club - Så Säkert Nu 4. Coquelicot - Can’t Say Goodbye 5. The Carlisles - Japanese Embassy 6. Mikroflïrt - Girl in a Tree 7. The Strumpets - Oranges are Orange 8. The Grave Lobby - Singing Pines 9. The Orchestrals of Normandy - If I come to you 10. Featherfin ft. The Seven Twenty - Autumn Leaves, Summer Breeze 11. Shekon & Anna - She Chromatic License: All songs on this album are licensed under Creative Commons (Attribution – Noncommercial – No Derivative Works), except the songB by The Grave Lobby (copyright Bears/Starlet). This means that you are free to share – to copy, distribute and transmit the work, as long as the use is non- commercial, and as long as you credit the artist, and as long as you don’t edit the artist’s work in any way. If you want to use the song in other ways than the ones mentioned above, you have to get the artist’s permission to do so. More info here: www.creativecommons.org/licenses/by-nc-nd/3.0 The songs explicitly mentioned above as not licensed under Creative Commons can not be shared freely outside of this compilation. 1 So, what can you expect on Volume B? We released the first volume of This arrived early, and became an early Bears and Starlet are two of my personal favourite of ours as well. favourite bands, and I am so happy that the new Between Two Waves they found together, in spite of a huge th compilation on Tuesday 27 of The volume continues with a classic, jangly geographical distance.
    [Show full text]
  • Contents the ANTS of ISLE ROYALE, MICHIGAN
    AN ECOLOGICAL SURVEY OF ISLE ROYALE, ridges, running about on the surface and through the thin deposits of soil. The specimens of No. 73 were from the LAKE SUPERIOR rock pools on the shore just south of Tonkin Bay." This ant, like the preceding, extends its range into the PREPARED UNDER THE DIRECTION OF Northern and Eastern States, but it is by no means CHAS. C. ADAMS. common. It is abundant, however, at higher elevations A Report from the University of Michigan Museum, published (8000-9000 ft.) in the Rocky Mountains and at lower by the State Biological Survey, as a part of the Report of the elevations in Nova Scotia. Board of the Geological Survey for 1908. LANSING, MICHIGAN WYNKOOP HALLENBECK CRAWFORD CO., STATE PRINTERS Subfamily Dolochoderinae. 1909 3. Tapinoma sessile Say. Workers from a single colony: 132 (V, 2) C. C. Adams, "under Cladonia." This is the only Dolichoderine ant which ascends to high latitudes Contents and elevations. I have found it nesting under stones at 8. The Ants of Isle Royale, Michigan, by Dr. William altitudes of over 10,000 ft. near Cripple Creek, Morton Wheeler.. ............................................................. 1 Colorado., and it is common in the Canadian zone throughout the Rocky Mountains. In the Northeastern 9. The Cold Blooded Vertebrates of Isle Royale, by States it descends to sea-level. Dr. A. G. Ruthven. ........................................................... 3 10. Annotated List of the Birds of Isle Royale, by Subfamily Camponotinae. Max Minor Peet................................................................ 6 4. Lasius niger L. var. neoniger Emery. Workers from I. Introduction................................................................ 6 five colonies: 20 (I, 5) C.
    [Show full text]
  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
    [Show full text]
  • 'Shambles' Page
    --- RLBOTRKE GLASGOW GALLERY . HERALD --- Old College NEW WORKS AWARD by JOHN McLEAN 1he ArtiSt'" ResideKe u the UiYtrslty olEdnugh lDec-20 Dec WINNER ~the&til)itionthe.AnistwiHbe~inginthe GalleryMon-Sit lO :rn-Spm .. s..bsilistd by the ScottishAru CoU'd Motions calling for the 1 renaming of the Student 1 Centre as 'The Mandela. Centre', and condemning Glasgow Rangers FC's secta­ rian policy towards Catholics, were among six passed quorately at the EUSA AGM on Monday in the McE- wan Hall. · , . With an attendance of 560 Lady Victoria students, the AGM also pas­ sed quorately and without a Colliery vote motions on Gartcosh and Ravenscraig, Scottish CND, Social Security cuts and Waste Paper. All these motions are now EUSA pol­ icy. Two other motions, on Palestinian Rights and Local Government, were passed inquorately after being amended and taken to a vote. This weekend. the Scottish Mining Museum opens it s second site, the "Donald?" . "Yes Mike" . "What's a budget?" Lady Victoria Colliery at Newton­ 1· EUSA Accounts grange. Julia Morrice previews the opening of this relic of Scotland·s The AGM opened with EUSA industrial heyday. Treasurer Donald Pollock pre­ sented the Annual Accounts for -page 13 1984/85 and Budget 1985/6. The EUSA Accounts are split into Action-packed Grant Aided and Trading activities. While the latter made a David Puttnam profit of £8539 this year, the EUSACO had made a bigger than approval, those of EUSACO Ravenscraig steelworks. expected trading loss·of £62,163, were presented for its information Srudent brings you an exclusive former, which are those ·activities interview with David Puttnam, the this was due to the two new travel only.
    [Show full text]
  • Dream Calendar
    Painted, spoken edited by Richard Price number 23 Painted, spoken is edited, typeset, and published by Richard Price. Please send an A5 stamped self-addressed envelope for a free copy (two first class stamps please). Painted, spoken's editorial policy is constituted in instalments by the contents of Painted, spoken Earlier issues are available digitally at www.hydrohotel.net/mags Painted, spoken appears occasionally, from 24 Sirdar Rd, Wood Green, London N22 6RG Other related projects are outlined at www.hydrohotel.net Contributors James Aitchison was born in Stirlingshire in 1938 and educated at Glasgow and Strathclyde Universities. He has published five collections of poetry and the critical study The Golden Harvester: the vision of Edwin Muir. Simon Barraclough’s collections include the Forward shortlisted Los Alamos Mon Amor and Neptune Blue. Chris Beckett is a Curator at the British Library. Recent poetry in Black Market Review and Cordite Poetry Review. Recent essays on M J Tambimuttu, Bob Cobbing and J G Ballard in the Electronic British Library Journal. Katy Evans-Bush’s poetry collections are Me and the Dead (2008) and Egg Printing Explained (2011), from Salt, and the pamphlet Oscar & Henry (2010, Rack Press). She is a freelance writer and poetry tutor, and writes the blog Baroque in Hackney. ‘Analogue’ was commissioned as part of an art installation called 'Infinite Playback', in which a turntable plays an LP recorded with the sound of its own making. The poem was read aloud to the LP at the private view of SWITCH/OVER at Wimbledon Space, 18 April 2012. Antony John’s poetry has appeared in VLAK, Veers Away, Off and About, the Poetry and Revolution International Conference anthology, Herbarium, Greatworks, Freaklung, Writers Forearm and AND.
    [Show full text]