TILLMANNS a Careless Lifestyle

Total Page:16

File Type:pdf, Size:1020Kb

TILLMANNS a Careless Lifestyle Fraction Discs proudly presents: TILLMANNS a careless lifestyle After two 7” singles it’s finally time for the Göteborg duo Tillmanns ARTIST: TILLMANNS first album, and “A Careless Lifestyle“ is a much longed-for debut TITLE: A CARELESS LIFESTYLE CD. Because many of us have missed the sound of winding, ethereal LABEL: FRACTION DISCS guitars and sweeping, synthetic layers over minimalistic beats. The CAT. NO: FRACTION 004 sound is well-known from a golden era when labels such as Sarah DATE OF RELEASE: AUGUST 25TH 2007 Records and Factory spread little grains of gold like The Wake, New Order, The Durutti Column, Stockholm Monsters and The TRACKLIST: Field Mice. 1. HEAVY ROTATION 2. BACKGROUND But, there’s another thread that through the North Sea connects 3. HYPNOSIS the Northern Britain with our West Coast: the eternal lashing of 4. COLD HANDS rain at bus stops, on windscreens and window-ledges. And the light 5. INSTRUMENTAL after the rain: the shimmering, but with a darker undertone. The 6. OPENING art of balancing those contrasts - maybe this is what seizes us and 7. NEW PLACE 8. HERE’S A HIT HIT WITH THEM IN MIND sends us into a soft hypnosis, that actually can make us long for the 9. TWIST autumn to burst into splendid colours: yellow, orange, red... 10. TIME WHAT’S BEEN SAID: PREVIOUS RELEASES BY TILLMANNS: “Indie pop was once my life. Yes, I loved the Field Mice & all that jangly cobblers. Still “RUN EP”, 7” (FRACTION DISCS) 2006 do in fact. A lot of late 80’s sad eyed troubadours took New Order’s breathtaking electro “SUPERFICTION“, 7” (BRACKEN) 2007 shambles to heart & started re-creating such a slew of melancholic lo-fi pop & whimsical genius in their bedrooms all over the rain streaked suburbs of Blighty. Now everyone wants TILLMANNS ON THE INTERNET: to be the Arctic Monkeys or Kanye West or whatever we have to buy our tear stained WWW.TILLMANNS.SE DIY pop back from chillier plains. Sweden for example drips great indie but beyond a tiny WWW.MYSPACE.COM/TILLMANNS handful of acts, no-one beyond Scandinavia really gives a shite. Where a year or two ago we were swooning to the Radio Dept, we now have fellow fuzzers TILLMANNS & even resident jangle hater, Phil, has expressed an interest in this fabulous 4 track 7” on Fraction. Blending prime early Field Mice (rattling drum machine under a blanket of post Sumner strum, wistful lyrics down in the mix & a swelling keyboard with more emotion than the entire England squad. ‘Run’ is also simply an amazing tune. Then you get another 3 New Order inspired gems with hints of other early lesser spotted Factory acts with obvious WWW.FRACTIONDISCS.SE affectionate nods to the juicier elements of the Sarah roster & some fabulous MBV-esque WWW.MYSPACE.COM/FRACTIONDISCS dying tremelo seagull effects on the spine tingling ‘Twist’ (spaced out). This 7” is absolutely E-MAIL: [email protected] essential if you’re a indie fan. Simple as that!” FRACTION DISCS, Norman Records (Leeds, UK) proclaims Tillmanns’ “Run EP“ Single Of The Year VAKTMÄSTAREGÅNGEN 2, 2007 S-413 18 GÖTEBORG, SWEDEN.
Recommended publications
  • The Primitons: All My Friends Pure Joy: Ocean
    w/ Cover Page All My Friends The Verge: Tradition The Primitons: from the EP Habitual from the EP The Primitons c. 1983 No Crust Records c. 1985 Throbbing Lobster The Verge were a relatively short-lived Albany, NY post-punk trio who recorded a small body of work during their early-80s lifespan, with an even The Primitons were an Alabama-based outfit active roughly more minute segment of those recordings having been made available for between 1984 to 1990. Because of their pop-country public consumption. The band married jagged, but sweet echoing guitar influences, jangly guitar and Mitch Easter production, they licks with Thomas Rella's dissonant vocals. The result were surprisingly were usually lumped in with Lets Active, Guadalcanal Diary and intoxicating, not unlike what Killing Joke and Middle Class were dispensing R.E.M. in the outburst of Southern guitar pop of the mid 1980s. around the same time. Definitely a must for all you KBD fans out there. They found many devoted fans locally and in the music press, but troubles with record labels folding, lackluster production, and weak marketing kept the Primitons from reaching deserved Crash Course in Science: Cardboard Lamb stardom. All Primitons material was re-issued by The Arena Rock Recording Company in 2008/2009. from the EP Signals From Pier 13 c. 1981 Press Records Crash Course in Science were a post punk band formed in 1979 in Philadelphia. They avoided the sounds of conventional instrumentation by Pure Joy: Ocean using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats.
    [Show full text]
  • View the Booklet Here
    B 1. The Sarah Palin Theme Song - In My Scene 2. The Quiet Hearts - Bluebird 3. Kitten Club - Så Säkert Nu 4. Coquelicot - Can’t Say Goodbye 5. The Carlisles - Japanese Embassy 6. Mikroflïrt - Girl in a Tree 7. The Strumpets - Oranges are Orange 8. The Grave Lobby - Singing Pines 9. The Orchestrals of Normandy - If I come to you 10. Featherfin ft. The Seven Twenty - Autumn Leaves, Summer Breeze 11. Shekon & Anna - She Chromatic License: All songs on this album are licensed under Creative Commons (Attribution – Noncommercial – No Derivative Works), except the songB by The Grave Lobby (copyright Bears/Starlet). This means that you are free to share – to copy, distribute and transmit the work, as long as the use is non- commercial, and as long as you credit the artist, and as long as you don’t edit the artist’s work in any way. If you want to use the song in other ways than the ones mentioned above, you have to get the artist’s permission to do so. More info here: www.creativecommons.org/licenses/by-nc-nd/3.0 The songs explicitly mentioned above as not licensed under Creative Commons can not be shared freely outside of this compilation. 1 So, what can you expect on Volume B? We released the first volume of This arrived early, and became an early Bears and Starlet are two of my personal favourite of ours as well. favourite bands, and I am so happy that the new Between Two Waves they found together, in spite of a huge th compilation on Tuesday 27 of The volume continues with a classic, jangly geographical distance.
    [Show full text]
  • Contents the ANTS of ISLE ROYALE, MICHIGAN
    AN ECOLOGICAL SURVEY OF ISLE ROYALE, ridges, running about on the surface and through the thin deposits of soil. The specimens of No. 73 were from the LAKE SUPERIOR rock pools on the shore just south of Tonkin Bay." This ant, like the preceding, extends its range into the PREPARED UNDER THE DIRECTION OF Northern and Eastern States, but it is by no means CHAS. C. ADAMS. common. It is abundant, however, at higher elevations A Report from the University of Michigan Museum, published (8000-9000 ft.) in the Rocky Mountains and at lower by the State Biological Survey, as a part of the Report of the elevations in Nova Scotia. Board of the Geological Survey for 1908. LANSING, MICHIGAN WYNKOOP HALLENBECK CRAWFORD CO., STATE PRINTERS Subfamily Dolochoderinae. 1909 3. Tapinoma sessile Say. Workers from a single colony: 132 (V, 2) C. C. Adams, "under Cladonia." This is the only Dolichoderine ant which ascends to high latitudes Contents and elevations. I have found it nesting under stones at 8. The Ants of Isle Royale, Michigan, by Dr. William altitudes of over 10,000 ft. near Cripple Creek, Morton Wheeler.. ............................................................. 1 Colorado., and it is common in the Canadian zone throughout the Rocky Mountains. In the Northeastern 9. The Cold Blooded Vertebrates of Isle Royale, by States it descends to sea-level. Dr. A. G. Ruthven. ........................................................... 3 10. Annotated List of the Birds of Isle Royale, by Subfamily Camponotinae. Max Minor Peet................................................................ 6 4. Lasius niger L. var. neoniger Emery. Workers from I. Introduction................................................................ 6 five colonies: 20 (I, 5) C.
    [Show full text]
  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
    [Show full text]
  • Newcastle University School of Arts and Cultures British Independent
    Newcastle University School of Arts and Cultures British Independent Record Labels, Memory and Mediation – Situating Music Objects in Physical and Digital Contexts Elodie Amandine Roy Submitted in partial fulfilment of the degree of PhD May 2014 ii Abstract This thesis examines the changing relationship between the material culture of music (in the form of recorded music objects) and memory (as it is sedimented in, and mediated by, the work of a selection of British independent record labels). The principal aim of this work is to explore the significant but often-overlooked material paradigm of recorded music, from Edison’s invention of the phonograph in 1877 up until the early twenty-first century, increasingly characterised by the digital archiving, collecting and consumption of music. Drawing from a broad range of cultural theorists (including Benjamin, Straw, Sterne, Kittler, Gitelman and Huyssen), this research seeks to situate recorded sound within broader discourses on memory and mediation, technology and cultural transmission. The thesis is structured around the analyses of several British independent record labels from the recent past and the present: Sarah Records (1987- 1995), Ghost Box Records (2004-) and reissue record labels, including Finders Keepers (2004-). By focusing on specific record labels and situated configurations of the material culture of music, both physical and digital, I identify and map various aspects of the music object and clarify the particular socio-technological contexts within which such configurations arise. iii Acknowledgements I would like to thank my supervisor Dr. Ian Biddle for his pragmatic approach to the research process and reading suggestions. Dr. Richard Elliott has been an inspiring mentor even since we first met in the Spring of 2010; he did not spare his encouragements, advice, or time despite being far away.
    [Show full text]
  • Band of the Week: the Field Mice | Nouse
    Nouse Web Archives Band of the Week: The Field Mice Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Music › Band of the Week › News Features Reviews Playlists Band of the Week: The Field Mice Resident sound-nerd Tom Killingbeck thumbs through reams of musty vinyl so you don’t have to. Here are his weekly recommendations… Monday 6 December 2010 #5: The Field Mice Who: Bobby Wratten, Michael Hiscock, Harvey Williams, Annemari Davis, Mark Dobson. When: 1980’s-1990’s. Where: UK. Why: With snow a foot deep outside and icy frostbitten winds turning your skin to marble, you’ve probably spent the last week barricaded in your bedrooms, safely away from Yorkshire’s meteorological torments. In which case I present the perfect chilly bedroom band; The Field Mice. Children of Sarah Records, the quintessential jangly 80’s indie-pop label, the band’s poetically minimal lyrics, spacious arrangements and heartfelt melodies shone through a fug of mumbling be-cardiganed peers. Originally a school-formed duo comprising of Robert Wratten and Michael Hiscock, their first efforts, including EP ‘Emma’s House’ and single ‘Sensitive’, brought them Top 20 Indie Chart hits and glowing endorsement from hip priest John Peel. In 1990 they expanded into a five-piece, adding Harvey Williams of cult miserablists Another Sunny Day on guitar, as well as Wratten’s ex-girlfriend Annemari, presumably to increase the atmosphere of lost love and yearning that pervaded the grooves of those early adventures in acetate to new emotional levels. This tactic worked magnificently, as ‘Anyone Else Isn’t You’, ‘A Heart Disease Called Love’ and ‘Willow’ count as a handful of the most aching and lovelorn songs ever recorded.
    [Show full text]
  • Scenes from a Bedroom:Situating British
    CRITICAL SCENES FROM A BEDROOM: SITUATING BRITISH INDEPENDENT MUSIC, 1979-1995 Elodie Amandine Roy, Newcastle University Elodie Amandine Roy is currently in the third year of her PhD in Music at Newcastle University. Her research focuses on the material culture of music in the twentieth-century. She is especially interested in the relationships between media, matter and memory. Email: [email protected] ABSTRACT This article deals with the real and symbolic centrality of the bedroom in the development of independent music in the UK (1979-1995). Drawing from Bachelard’s Poetics of Space (1958), Bollnow’s Human Spaces (1953) and also cultural and music theorists such as Susan Stewart and Wendy Fonarow, I argue that the bedroom can be read as (1) a space of creation, (2) a place of mediation and self-mediation and (3) a political space. The bedroom is notably, but not exclusively, examined in the songs of The Smiths and the later ‘bedroom pop’ movement (as embodied by Sarah Records). This article aims to situate British independent music, showing that it is not primarily or initially a genre or a sound, but should rather be defined in its relationship to a lived, everyday environment. The article especially focuses on the material culture of the bedroom (with analyses of the radio and the mixtape), and its dissemination beyond the bedroom. The bedroom is seen as both fragment and miniature of the world; as a transitive, and potentially subversive space, which proves instrumental in the making and establishing of independent music. --- ‘Oh the alcoholic afternoons when we sat in your room they meant more to me than any than any living thing on earth they had more worth than any living thing on earth’1 There is a famous series of pictures of Ian McCulloch, the singer of Echo & the Bunnymen, allegedly sitting on his bedroom floor.
    [Show full text]
  • Final Fantasy Mike Patton the Pipettes the Coup Dubstep
    01 cover.qxd 26/05/2006 14:48 Page 1 park attack black lips alex smoke last.fm matmos the drips jana hunter final fantasy violins, videogames and a virtuoso nerdfox image • music • text mike patton the pipettes ‘It’s not a dark, disturbing, perverted record’ the coup issue 12 £3.30 dubstep 0 6 9 771744 243015 june/july 2006 ‘How does it feel to be style icons? Fan-bloody-tastic!’ 001-005 CONTENTSfmm ETREAD.qxd 23/05/2006 19:07 Page 2 Ray Davies - Other People’s Lives Josh Ritter - The Animal Years Isobel Campbell & Mark Lanegan “it’s never less than fascinating “His voice... boasts the same wry glow as early Jackson Browne, Ballad Of The Broken Seas and it’s frequently sublime” Mojo John Prine or James Taylor... - Uncut ‘An Instant Classic’ - NME (9/10) out now out now out now dEUS - Pocket Revolution Semifinalists Declan O’Rourke - Since Kyabram “A rare blend of the abstract NME “A series of hypnotically melancholy songs” WORD and the affecting” Mojo (4*) “One of the best debut records of 2006” out now out now 29TH MAY Duels - The Bright Lights... Rough Trade Shops Amusement Parks On Fire From the series of must have compilations lovingly Out Of The Angeles “Star Gazing Brilliance” NME put together by Rough Trade Shops A dizzying blast of psychedlic rock, inspired by the sonic 19th JUNE adventures of the Pixies, Sigur Ros & My Bloody Valentine. out now 5TH JULY Ron Sexsmith - Time Being Every Move A Picture Grandaddy - Just Like The Fambly Cat A masterclass in melody with effortless songwriting, this Heart = Weapon The fourth, final and most fabulous album from one of the Americas truly visionary bands.
    [Show full text]
  • Capitals of Punk: Paris, DC, and the Circulation of Urban Counternarratives
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2017 Capitals of Punk: Paris, DC, and the Circulation of Urban Counternarratives Tyler William Sonnichsen University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the American Popular Culture Commons, Ethnomusicology Commons, Human Geography Commons, and the Other Film and Media Studies Commons Recommended Citation Sonnichsen, Tyler William, "Capitals of Punk: Paris, DC, and the Circulation of Urban Counternarratives. " PhD diss., University of Tennessee, 2017. https://trace.tennessee.edu/utk_graddiss/4426 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Tyler William Sonnichsen entitled "Capitals of Punk: Paris, DC, and the Circulation of Urban Counternarratives." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Geography. Derek H. Alderman, Major Professor We have read this dissertation and recommend its acceptance: Micheline Van Riemsdijk, Leslie C. Gay, Thomas Bell Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Capitals of Punk: Paris, DC, and the Circulation of Urban Counternarratives A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Tyler William Sonnichsen May 2017 Acknowledgements I've never been known as a man of few words.
    [Show full text]