The Hermetic Codex
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Winchester Cathedral Record 2020 Number 89
Winchester Cathedral Record 2020 Number 89 Friends of Winchester Cathedral 2 The Close, Winchester, Hampshire SO23 9LS 01962 857 245 [email protected] www.winchester-cathedral.org.uk Registered Charity No. 220218 Friends of Winchester Cathedral 2020 Royal Patron Her Majesty the Queen Patron The Right Reverend Tim Dakin, Bishop of Winchester President The Very Reverend Catherine Ogle, Dean of Winchester Ex Officio Vice-Presidents Nigel Atkinson Esq, HM Lord Lieutenant of Hampshire Cllr Patrick Cunningham, The Right Worshipful, the Mayor of Winchester Ms Jean Ritchie QC, Cathedral Council Chairman Honorary Vice-President Mo Hearn BOARD OF TRUSTEES Bruce Parker, Chairman Tom Watson, Vice-Chairman David Fellowes, Treasurer Jenny Hilton, Natalie Shaw Nigel Spicer, Cindy Wood Ex Officio Chapter Trustees The Very Reverend Catherine Ogle, Dean of Winchester The Reverend Canon Andy Trenier, Precentor and Sacrist STAFF Lucy Hutchin, Director Lesley Mead Leisl Porter Friends’ Prayer Most glorious Lord of life, Who gave to your disciples the precious name of friends: accept our thanks for this Cathedral Church, built and adorned to your glory and alive with prayer and grant that its company of Friends may so serve and honour you in this life that they come to enjoy the fullness of your promises within the eternal fellowship of your grace; and this we ask for your name’s sake. Amen. Welcome What we have all missed most during this dreadfully long pandemic is human contact with others. Our own organisation is what it says in the official title it was given in 1931, an Association of Friends. -
Characters for Classical Latin
Characters for Classical Latin David J. Perry version 13, 2 July 2020 Introduction The purpose of this document is to identify all characters of interest to those who work with Classical Latin, no matter how rare. Epigraphers will want many of these, but I want to collect any character that is needed in any context. Those that are already available in Unicode will be so identified; those that may be available can be debated; and those that are clearly absent and should be proposed can be proposed; and those that are so rare as to be unencodable will be known. If you have any suggestions for additional characters or reactions to the suggestions made here, please email me at [email protected] . No matter how rare, let’s get all possible characters on this list. Version 6 of this document has been updated to reflect the many characters of interest to Latinists encoded as of Unicode version 13.0. Characters are indicated by their Unicode value, a hexadecimal number, and their name printed IN SMALL CAPITALS. Unicode values may be preceded by U+ to set them off from surrounding text. Combining diacritics are printed over a dotted cir- cle ◌ to show that they are intended to be used over a base character. For more basic information about Unicode, see the website of The Unicode Consortium, http://www.unicode.org/ or my book cited below. Please note that abbreviations constructed with lines above or through existing let- ters are not considered separate characters except in unusual circumstances, nor are the space-saving ligatures found in Latin inscriptions unless they have a unique grammatical or phonemic function (which they normally don’t). -
MUFI Character Recommendation V. 3.0: Alphabetical Order
MUFI character recommendation Characters in the official Unicode Standard and in the Private Use Area for Medieval texts written in the Latin alphabet ⁋ ※ ð ƿ ᵹ ᴆ ※ ¶ ※ Part 1: Alphabetical order ※ Version 3.0 (5 July 2009) ※ Compliant with the Unicode Standard version 5.1 ____________________________________________________________________________________________________________________ ※ Medieval Unicode Font Initiative (MUFI) ※ www.mufi.info ISBN 978-82-8088-402-2 ※ Characters on shaded background belong to the Private Use Area. Please read the introduction p. 11 carefully before using any of these characters. MUFI character recommendation ※ Part 1: alphabetical order version 3.0 p. 2 / 165 Editor Odd Einar Haugen, University of Bergen, Norway. Background Version 1.0 of the MUFI recommendation was published electronically and in hard copy on 8 December 2003. It was the result of an almost two-year-long electronic discussion within the Medieval Unicode Font Initiative (http://www.mufi.info), which was established in July 2001 at the International Medi- eval Congress in Leeds. Version 1.0 contained a total of 828 characters, of which 473 characters were selected from various charts in the official part of the Unicode Standard and 355 were located in the Private Use Area. Version 1.0 of the recommendation is compliant with the Unicode Standard version 4.0. Version 2.0 is a major update, published electronically on 22 December 2006. It contains a few corrections of misprints in version 1.0 and 516 additional char- acters (of which 123 are from charts in the official part of the Unicode Standard and 393 are additions to the Private Use Area). -
Medieval and Renaissance Manuscripts
THE MORGAN LIBRARY & MUSEUM MASTERWORKS FROM THE MORGAN: MEDIEVAL AND RENAISSANCE MANUSCRIPTS Although Pierpont Morgan acquired medieval and Renaissance manuscripts only during the last dozen years of his life, his collection of some six hundred manuscripts was world renowned. His son, J. P. Morgan, Jr., added two hundred more that matched those of his father in terms of quality and importance. The collection currently numbers nearly fourteen hundred books and leaves. Written by hand and often sumptuously painted or illuminated with gold leaf, these manuscripts reflect the religious, intellectual, and artistic life of their time. Often commissioned by leaders of church and state, they were frequently made of rare and precious materials, requiring the combined skills of parchment makers, scribes, editors, illuminators, and binders. Protected by their bindings, the vivid colors of their miniatures have changed little, making them the best preserved of all medieval and Renaissance paintings. The icons of illumination shown here were selected because each, in some way, is the best of its kind and part of the core of masterworks upon which the Morgan’s international reputation is based. Nativity, in an initial P, leaf from a Gradual (I), in Latin. Italy, Florence, 1392–99, illuminated at Santa Maria degli Angeli by Don Silvestro dei Gherarducci for Paolo Venier, abbot of San Michele à Murano. This large historiated initial and four others in the Morgan come from the same two-volume Gradual, a choir book containing the sung portions of the Mass. The initial P begins the Introit for the Christmas Mass, taken from Isaiah (9:6): Puer natus est nobis (A child is born to us). -
Ashmolean Monumental Latin Inscriptions
18-Sep-17 Ashmolean Monumental Latin Inscriptions Acknowledgements Marta Adsarias (Universiteit van Amsterdam, Universiteitsbibliotheek, Bibliotheek Bijzondere Collecties); Benjamin Altshuler (CSAD); Abigail Baker (ASHLI); Alex Croom (Arbeia Museum); Hannah Cornwell (ASHLI); Charles Crowther (CSAD); Judith Curthoys (Christ Church, Oxford); Harriet Fisher (Corpus Christi College, Oxford); Suzanne Frey- Kupper (Warwick); Jenny Hall (Museum of London); Helen Hovey (Ashmolean Museum); Jane Masséglia (ASHLI); Lorenzo Miletti (University of Naples "Federico II"); Alessandro Moro (Biblioteca Nazionale Marciana, Venice); Ilaria Perzia (Ashmolean Museum); Stefania Peterlini (BSR); Angela Pinto (Biblioteca Nazionale "Vittorio Emanuele III" - Laboratorio fotografico digitale); Philomen Probert (Oxford); Jörg Prüfert (Staatsbibliothek zu Berlin - Preußischer Kulturbesitz: Dept. of Conservation and Digitization); Nicholas Purcell (Brasenose College, Oxford); Paul Roberts (Ashmolean Museum); Maggy Sasanow (CSAD); Valerie Scott (BSR); Margareta Steinby (Helsinki/ Oxford); Will Stenhouse (Yeshiva University); Bryan Sitch (Manchester Museum); Conor Trainor (Warwick); Michael Vickers (Ashmolean Museum); Susan Walker (Ashmolean Museum); John Wilkes (Oxford) 1 18-Sep-17 Epigraphic conventions Abbreviations: a(bc) = An abbreviated word, which the editor has written out in full. a(---) = An abbreviated word, which cannot be completed. a(bc-) = An abbreviated word, which the editor has written out in full, but only the stem of the word is evident. Damage suffered -
Sinai, Zion, and Eden in Byzantine Hymnographic Exegesis1
Bogdan G. Bucur PiĴ sburgh, PA “THE MOUNTAIN OF THE LORD“: SINAI, ZION, AND EDEN IN BYZANTINE HYMNOGRAPHIC EXEGESIS1 Introduction In the manifesto of the “Theophaneia School,“ Alexander Go litzin ventures the following bold statement: Theophany permeates Orthodox Tradition throughout, informing its dogmatic theology and its liturgy. That Jesus, Mary’s son, is the very One who appeared to Moses and the prophets — this is the consistent witness of the ante-Nicene Fathers, and remains founda- tional throughout the fourth century Trinitarian controversies and the later christological disputes.2 In the pages to follow, I would like to show that, aside from the his- tory of creeds, councils, and condemnations, and accompanying the patristic works of Christology or trinitarian theology, the identifi cation of the Son of Mary with “the Lord of Glory whom Moses saw of old“ is also aĜ rmed by the hymnographic tradition of the Christian East. The witness of Byzantine hymnography is extremely relevant, as no single patristic work has been read so extensively and with such uncondi- tional acceptance throughout the ages. Nevertheless, as I will show, the exegetical dimension of Byzantine hymnography is diĜ cult to de- fi ne using the categories commonly used for early Christian exegesis (“allegory,“ “typology,“ etc); I submit that a more suitable category (1) Except where indicated, the English translation of the hymns is taken from The Festal Menaion (trans. Mother Mary and Kallistos Ware; London— Boston: Faber&Faber, 1969) and The Lenten Triodion (trans. Mother Mary and Kallistos Ware; London—Boston: Faber&Faber, 1977), modifi ed only to con- form to contemporary use of pronouns and verbs. -
Jane Chedzey University of Reading
Manuscript Production in Medieval Winchester Jane Chedzey University of Reading Manuscripts produced at Winchester include some of the most beautiful ever made. The Benedictional of IEthelwold was made for IEthelwold, Bishop of Winchester (963-984), during the revival of Benedictine monasticism in the second half of the tenth century. I The Winchester Psalter was made c.1150, probably in the Cathedral Priory of S1. Swithun, Winchester. 2 The Winchester Bible is a little later, also made when Henry of Blois was Bishop of Winchester (1129-71), and almost certainly made at the same place 3 Few manuscripts of the priory manuscripts survived the Reformation, and monastic records of S1. Swithun's were pillaged and dispersed during the Civil War. The earliest surviving catalogue of Winchester manuscripts was made in 1622 4 Winchester manuscripts attested to the first half of the twelfth century are almost entirely lacking. In contrast, the scriptorium of S1. Alban's had a prodigious output throughout the reigns of four abbots, documented in the Gesla Abbatum Sci Albani5 Oakeshott attributes the later increase in production at Winchester to the upsurge in interest and patronage of Henry of Blois. Nevertheless, it is dangerous to read too much into the absence of material from Winchester dating from to the early twelfth century. Manuscripts may have existed which do so no longer, or which await discovery even, unlikely as that may seem. It is evident that Winchester was a notable centre of high status manuscript production from the Anglo-Saxon period to the end of the medieval period, with varying levels of output perhaps. -
Of Arms and the Woman in Medieval Europe: Fact
// Madeline H. Caviness OF ARMS AND THE WOMAN IN MEDIEVAL EUROPE: FACT. FICTION. FANTASY. Soon after arranging her husband’s funeral, “the lady shall hand 1) over all the military equipment he owned [and used] until he died: I am indebted to my late colleague Charles G. Nelson for introducing me her husband's sword, his best charger or riding horse with saddle, to this work and to medieval Ger- his best coat of mail and tent, and also the field gear, which consists man culture. I am grateful to Emily Monty and Orsolya Mednyànszky for of an army cot, a pillow, linen sheet, tablecloth, two washbasins, assistance with research and editing, and a towel. This, in general, constitutes the military equipment and to John Fyler for help with Anglo-Saxon. and must be given over by right ... The wife need not supply the articles she does not have as long as she dares to swear that she does not possess them. ... When two or three men are born to one set of arms and armor, the oldest first inherits the sword separa- tely, and then they divide the remaining items equally among them. Where the sons are under age, the eldest agnatic relation of equal birth takes the entire military outfit himself and becomes the guardian of the children until they come of age. At that time he must give it to them along with all their pro- perty.” Sachsenspiegel I.22–23 (Dobozy 1999: 76) This passage in the German law book known as the Sachsenspiegel (<http://digital.lb-oldenburg.de/ssp/ nav/classification/137692>), or the Mirror of the Saxons, written by Eike von Repgow -
Walter Fraser Oakeshott Papers, 1926-1986 (Bulk 1949-1986)
http://oac.cdlib.org/findaid/ark:/13030/tf3p30031z No online items Finding aid for the Walter Fraser Oakeshott papers, 1926-1986 (bulk 1949-1986) Finding aid prepared by Laurie Pesheck. Finding aid for the Walter Fraser 900204 1 Oakeshott papers, 1926-1986 (bulk 1949-1986) ... Descriptive Summary Title: Walter Fraser Oakeshott papers Date (inclusive): 1926-1986 Number: 900204 Creator/Collector: Oakeshott, Walter, 1903-1987 Physical Description: 5.25 linear feet(9 boxes, 1 oversize folder) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: Scholar of Medieval art, distinguished by his work on the 12th-century Winchester Bibles and on Elizabethan England. The papers document much of his work and reflect his lifelong passion for studying and collecting early books and maps. The archive primarily consists of drafts for books, articles, and lectures, along with numerous photographs used for research and the illustration of these publications. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English 1903 Born Nov. 11 to Walter Field Oakeshott, MD, and Kathleen (Fraser) Oakeshott 1924 Received diploma in Classical Moderations from Balliol College, Oxford 1926 Received diploma in Literae Humaniores (Classics) from Balliol College 1928 Married Nöel Rose 1931-1938 Assistant Master at Winchester College 1934 Identified a 15th-century manuscript in Winchester College Library as Malory's Morte d'Arthur 1936-1937 Released for membership in Pilgrim Trust Unemployment Enquiry 1939-1946 High Master of St. -
Canterbury Manuscripts in Lambeth Palace Library Introduction This
Canterbury manuscripts in Lambeth Palace Library Introduction This information was compiled by Teresa Lane (The Courtauld Institute of Art) during a placement as part of the CHASE programme in 2018-19 which reviewed methods for describing the Library’s medieval manuscripts. A group of books – the Canterbury manuscripts – was selected and a catalogue of these manuscripts created. This augments the existing catalogue by M. R. James, A Descriptive Catalogue of the Manuscripts in the Library of Lambeth Palace: The Medieval Manuscripts (1932), copies of which entries are available in the Library’s online catalogue: https://archives.lambethpalacelibrary.org.uk/CalmView These new descriptions below comprise headings in the existing catalogue, supplemented with those used by the British Library catalogue. In particular, the James descriptions of decoration have been enriched and certain gaps filled. Where scholars post-James have questioned dating or attribution this has been highlighted – for example, MSS 3 and 200 – and bibliographic information has been updated. The descriptions below also indicate where images from these manuscripts were produced by the Courtauld Institute, and which are available in the Library’s online image system, LUNA: http://images.lambethpalacelibrary.org.uk However, please note that the image system is updated with new images, so images may become available which are additional to this inventory. These digital images are additional to the microfilm copies of the manuscripts recorded in the main archives catalogue. N. R. Ker in Medieval Libraries of Great Britain. A List of Surviving Books (London, 1964) and Supplement to the Second Edition (1987) identifies thirty Canterbury manuscripts in the collection which emanated from the libraries of the Benedictine Cathedral Priory of Christ Church and the Benedictine Priory of St Augustine’s. -
PRESS IMAGES Pages of Gold: Medieval Illuminations from the Morgan June 19 Through September 13, 2009
PRESS IMAGES Pages of Gold: Medieval Illuminations from the Morgan June 19 through September 13, 2009 1. 2. Scenes from the Life of David Scenes from the Life of Samuel Leaf from the Winchester Bible, in Latin. Leaf from the Winchester Bible, in Latin. England, Winchester, Cathedral Priory of St. Swithin, ca. 1160–80 England, Winchester, Cathedral Priory of St. Swithin, ca. 1160–80 Drawn by the Apocrypha Master and illuminated by the Master of Drawn by the Apocrypha Master and illuminated by the Master of the the Morgan Leaf. Morgan Leaf. Purchased by Pierpont Morgan, 1912; MS M.619 (verso) Purchased by Pierpont Morgan, 1912; MS M.619 (recto) 3. 4. Montage of cuttings from Sistine Chapel manuscripts made for Pope Nativity, in an initial P, leaf from a Gradual (I), in Latin. Clement VII (1523–34), with a miniature by Vincenzo Raimondi Italy, Florence, Santa Maria degli Angeli, 1392–99, illuminated by depicting the pope asperging a congregation before Mass. Italy, Don Silvestro dei Gherarducci for Paolo Venier, abbot of San Rome, 1523. Michele à Murano. Purchased on the E. Clark Stillman Fund, 2003. MS M.1134. Purchased by Pierpont Morgan, 1909. MS M.653.1. 5. 6. Virgin and Child with Female Saints, leaf from a devotional book. Christ in Majesty, leaf from a Laudario, in Italian. Italy, Florence, ca. Belgium, Bruges, illuminated by Gerard David, beginning of the 1340, illuminated by Pacino di Bonaguida for the Compagnia di sixteenth century. Sant’Agnese, a lay confraternity affiliated with the church of Santa Purchased by J. P. Morgan, Jr., 1926 or before. -
The Unicode Standard 5.2 Code Charts
Number Forms Range: 2150–218F The Unicode Standard, Version 5.2 This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 5.2. Characters in this chart that are new for The Unicode Standard, Version 5.2 are shown in conjunction with any existing characters. For ease of reference, the new characters have been highlighted in the chart grid and in the names list. This file will not be updated with errata, or when additional characters are assigned to the Unicode Standard. See http://www.unicode.org/errata/ for an up-to-date list of errata. See http://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See http://www.unicode.org/charts/PDF/Unicode-5.2/ for charts showing only the characters added in Unicode 5.2. See http://www.unicode.org/Public/5.2.0/charts/ for a complete archived file of character code charts for Unicode 5.2. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 5.2 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 5.2, online at http://www.unicode.org/versions/Unicode5.2.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, and #44, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online.