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Vinaròs.Castelló
VINARÒS.CASTELLÓ “VINARÒS, UN PERFECTO “VINARÒS, UN ÉQUILIBRE “VINARÒS: A PERFECT EQUILIBRIO ENTRE MAR Y PARFAIT ENTRE MER ET BALANCE BETWEEN THE SEA MONTAÑA” MONTAGNE” AND THE MOUNTAINS” Vinaròs, pertenece a la provincia de Castelló y Vinaròs appartient à la province de Castelló et Vinaròs pertains to Castelló province and lies 79 dista 79 km de su capital, Castelló de la Plana. A su se trouve à 79 km de la capitale, Castelló de la km from the capital, Castelló de la Plana. It is, vez, es la capital de la comarca del Baix Maestrat Plana. La ville est à la fois le chef-lieu de la région in turn, the capital of the Baix Maestrat district y es el primer municipio de la zona norte de la du Baix Maestrat et elle est la première ville de and the largest city in the northern area of the Comunidad Valenciana. Vinaròs se sitúa a orillas la zone nord de Valence. La ville de Vinaròs est Valencian Community. Vinaròs stands beside del mar Mediterráneo pero esta muy próxima située au bord de la mer Méditerranée mais très the Mediterranean Sea but is very close to a comarcas montañosas como la Tinença de proche des zones montagneuses de la Tinença de mountainous areas such as Tinença de Benifassà Benifassà o Els Ports. Benifassà ou Els Ports. and Els Ports. VINARÒS.CASTELLÓ 1 “VESTIGIOS DE UN GRAN PASADO HISTÓRICO” Vinaròs, municipio de la Comunidad Valenciana, VINARÒS está situado en el norte de la provincia de Castelló y es la capital de la comarca del Baix Maestrat. -
Tariff Schedules of the United States Alphabetical Index
TARIFF SCHEDULES OF THE UNITED STATES ALPHABETICAL INDEX 447 TARIFF SCHEDULES OF THE UNITED STATES 449 References to References to Tariff Schedules Tariff Schedules A ABACA 30U.02-0U ACID(S) —Continued ABRASIVES AND ABRASIVE ARTICEES Sch 5 Ft IG fatty, of animal or vegetable origin—Con. abrasive wheels mounted on frameworks, salts of— hand or pedal operated 6i<9.39 quaternary ammonium 1+65.15-20 nspf 519.81-86 sodium and potassium 1+65.25-30 ACCESSORIES (see PARTS, specific article of other 1+90.30-50 which accessory, or name of accessory) gluconic, and its compounds 1+37-51-52 ACCORDIONS 725.1U-16 glycerophosphoric, and its compounds 1+37.51+ ACCOUNTING MACHINES incorporating calculating inorganic 1+16.05-1+0 mechanism 676.1S-25 organic, including halogenated, hydroxy, ACENAPHTHENE li01.02 sulfonated and other substituted and ACETALDEHIDE U27.U0 unsubstituted acids 1+25-70-98 ACETALS ii29.00 monohydric alcohol esters of 1+28+50-72 ACETANILIDE— polyhydric alcohol esters of 1+28.30-1+6 suitable for medicinal use U07.02 salts of I+26.IO-I+27.28 other k03.60 salicylic— ACETATE(S) — suitable for medicinal use 1+07.12 amyl lt28.SO other 1+03-60 benzyl 1+08.05 tannic, containing of tannic acid— butyl 1+28.52 under 50 percent 1+25.98 calcium 1+26.10 50 percent or more 1+37-68-69 cellulose 1+1+5.20 ACONITE 1+35-05-10 copper 1+26.28 ACRIDINE 1+01.01+ ethyl 1+28.58 ACRTLATES AND METHACRTLATES 1+28.62-66 lead 1+26.36 ACRYIIC RESINS 1+1+5.05 nickel 1+26.58 ACRTLONITRILE— 1+25.00 sodium 1+26.86 resins l+i+5.10 vinyl 1+28.68 ACTIVATED CLAY 521.87 Other -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
Viimeinen Päivitys 8
Versio 20.10.2012 (222 siv.). HÖYRY-, TEOLLISUUS- JA LIIKENNEHISTORIAA MAAILMALLA. INDUSTRIAL AND TRANSPORTATION HERITAGE IN THE WORLD. (http://www.steamengine.fi/) Suomen Höyrykoneyhdistys ry. The Steam Engine Society of Finland. © Erkki Härö [email protected] Sisältöryhmitys: Index: 1.A. Höyry-yhdistykset, verkostot. Societies, Associations, Networks related to the Steam Heritage. 1.B. Höyrymuseot. Steam Museums. 2. Teollisuusperinneyhdistykset ja verkostot. Industrial Heritage Associations and Networks. 3. Laajat teollisuusmuseot, tiedekeskukset. Main Industrial Museums, Science Centres. 4. Energiantuotanto, voimalat. Energy, Power Stations. 5.A. Paperi ja pahvi. Yhdistykset ja verkostot. Paper and Cardboard History. Associations and Networks. 5.B. Paperi ja pahvi. Museot. Paper and Cardboard. Museums. 6. Puusepänteollisuus, sahat ja uitto jne. Sawmills, Timber Floating, Woodworking, Carpentry etc. 7.A. Metalliruukit, metalliteollisuus. Yhdistykset ja verkostot. Ironworks, Metallurgy. Associations and Networks. 7.B. Ruukki- ja metalliteollisuusmuseot. Ironworks, Metallurgy. Museums. 1 8. Konepajateollisuus, koneet. Yhdistykset ja museot. Mechanical Works, Machinery. Associations and Museums. 9.A. Kaivokset ja louhokset (metallit, savi, kivi, kalkki). Yhdistykset ja verkostot. Mining, Quarrying, Peat etc. Associations and Networks. 9.B. Kaivosmuseot. Mining Museums. 10. Tiiliteollisuus. Brick Industry. 11. Lasiteollisuus, keramiikka. Glass, Clayware etc. 12.A. Tekstiiliteollisuus, nahka. Verkostot. Textile Industry, Leather. Networks. -
Dry Film Photoresist Tips and Tricks
Updated October 2017 Hints and Tips For Use First a couple of notes What is Dry Film. Dry Film is a photo-resist, when strong UV light hits it, where the light hits, it hardens and this hardened form resists etching solutions. The film is comprised of three parts, the blue layer is in the middle, this is the polymer which hardens with UV, on each side of this polymer is a protective transparent film. How do you use it? In very brief summary, one protective layer (the inside of curl generally) is removed, the now uncovered polymer side is attached to the PCB, the PCB is exposed to UV through a 'mask' which has transparent traces to allow UV to harden the “”traces image , the remaining protective layer is removed and the PCB is developed in a solution of washing soda (Sodium Carbonate), then the PCB is etched. The rest of this document gives you all the steps, tips and tricks which I have learned in using Dry Film! Be sure to read it, save yourself lots of experimenting! Practice, Practice, Practice. I advise cutting some small squares of film a couple of cm squared and using these to get the hang of affixing it to a board and developing, use some moderately dense small (section of) artwork with the finest traces you want to do, with the narrowest spaces you want to do etc. You might want to practice 5 or 10 times before doing it for real. If you mess one up, just clean it off, and start again. -
Improving Eucalyptus Pulp and Paper Quality Using Genetic Selection and Good Organization
RESEARCH IMPROVING EUCALYPTUS PULP AND PAPER QUALITY USING GENETIC SELECTION AND GOOD ORGANIZATION PAUL COTTERILL AND SHARMANE MACRAE INTERACTIONS AMONG RESEARCH, FORESTRY, PULP MILL, SALES, AND THE CUSTOMER ARE VERY IMPORTANT. RESEARCH CAN BE THE BOND AMONG THE VARIOUS GROUPS IN DEVELOPING NEW PRODUCTS. UCALYPTUS KRAFT PULPS BEGAN TO APPEAR ON THE and E. grandis (and its hybrid with E. urophylla). world markets in the mid-1960s. Over less than • Why does the industry use so little of what the remark- a decade, eucalyptus pulps evolved to become able genus known as eucalyptus may have to offer? important raw materials for a wide range of printing and writing papers, specialty papers, Why have foresters not established plantations using E and tissue papers. a wider diversity of eucalyptus species? This relative lack It is interesting to analyze the general quality and mar- of diversity is surprising considering the worldwide ket position of eucalyptus pulps today and how eucalyp- increase in eucalyptus plantation area over the last tus pulp products could be developed in the future. This decade. Why has the pulp industry been content with paper focuses on opportunities to develop eucalyptus such a limited product range from eucalyptus? pulps through genetic selection both between and The eucalyptus pulp industry has so far missed con- within species. Attention is also devoted to the need for siderable opportunities by basing wood production on close integration among research and operational people so few species of eucalyptus. involved in the forest, mill, and sales organizations. HOW MUCH VARIABILITY EXISTS BETWEEN WHY DOES THE EUCALYPTUS PULP INDUSTRY USE SO DIFFERENT SPECIES OF EUCALYPTUS FOR WOOD AND LITTLE GENETIC VARIABILITY? PAPER PROPERTIES? Consider the following points: Field and laboratory studies The following results are from a eucalyptus species trial • Eucalyptus is a large genus of plants that includes established on one uniform site. -
What Happens to Cellulosic Fibers During Papermaking and Recycling? a Review
PEER-REVIEWED REVIEW ARTICLE ncsu.edu/bioresources WHAT HAPPENS TO CELLULOSIC FIBERS DURING PAPERMAKING AND RECYCLING? A REVIEW Martin A. Hubbe,* Richard A. Venditti, and Orlando J. Rojas Both reversible and irreversible changes take place as cellulosic fibers are manufactured into paper products one or more times. This review considers both physical and chemical changes. It is proposed that by understanding these changes one can make better use of cellulosic fibers at various stages of their life cycles, achieving a broad range of paper performance characteristics. Some of the changes that occur as a result of recycling are inherent to the fibers themselves. Other changes may result from the presence of various contaminants associated with the fibers as a result of manufacturing processes and uses. The former category includes an expected loss of swelling ability and decreased wet-flexibility, especially after kraft fibers are dried. The latter category includes effects of inks, de-inking agents, stickies, and additives used during previous cycles of papermaking. Keywords: Paper recycling, Drying, Deinking, Hornification, Inter-fiber bonding, Refining, Fines, Fiber length, Conformability Contact information: Department of Forest Biomaterials Science and Engineering, Box 8005, North Carolina State University, Raleigh, NC 27695-8005, USA; *Corresponding author: [email protected] INTRODUCTION Cellulosic fibers can change significantly when formed into a wet web of paper and subsequently subjected to such processes as pressing, drying, printing, storage, repulping, and deinking. Some of the changes can be subtle. Often it is possible to substitute recovered fibers in place of virgin fibers used for the production of paper or paperboard. On the other hand, characteristic differences between recycled fibers and virgin fibers (fresh from pulping wood, not recycled) can be expected; many of these can be attributed to drying. -
Tensile Properties of Paper and Paperboard (Using Constant Rate of Elongation Apparatus) (Revision of T 494 Om-01)
WI 050808.09 T 494 DRAFT NO. 2 DATE June 13, 2006 TAPPI WORKING GROUP CHAIRMAN D Muchorski SUBJECT CATEGORY Physical Properties RELATED METHODS See “Additional Information” CAUTION: This Test Method may include safety precautions which are believed to be appropriate at the time of publication of the method. The intent of these is to alert the user of the method to safety issues related to such use. The user is responsible for determining that the safety precautions are complete and are appropriate to their use of the method, and for ensuring that suitable safety practices have not changed since publication of the method. This method may require the use, disposal, or both, of chemicals which may present serious health hazards to humans. Procedures for the handling of such substances are set forth on Material Safety Data Sheets which must be developed by all manufacturers and importers of potentially hazardous chemicals and maintained by all distributors of potentially hazardous chemicals. Prior to the use of this method, the user must determine whether any of the chemicals to be used or disposed of are potentially hazardous and, if so, must follow strictly the procedures specified by both the manufacturer, as well as local, state, and federal authorities for safe use and disposal of these chemicals. Tensile properties of paper and paperboard (using constant rate of elongation apparatus) (Revision of T 494 om-01) (Underlines indicated changes/corrections since last draft) 1. Scope 1.1 This test method describes the procedure, using constant-rate-of-elongation equipment, for determining four tensile breaking properties of paper and paperboard: tensile strength, stretch, tensile energy absorption, and tensile stiffness. -
Final Paper Products Recovered Materials Advisory Notice Response to Public Comments
FINAL PAPER PRODUCTS RECOVERED MATERIALS ADVISORY NOTICE Response to Public Comments Office of Solid Waste U.S. Environmental Protection Agency April 1996 CONTENTS I. Introduction . 1 A. The Draft Paper Products Recovered Materials Advisory Notice . 1 B. Overview of the RCRA Requirements . 1 C. Overview of the Executive Order Provisions for Paper . 3 II. Applicability . 5 A. Background. 5 B. Comments and Agency Response. 5 III. EPA's Objectives . 7 A. Background. 7 B. Comments and Agency Response. 7 IV. EPA's Approach to Recommendations. 11 A. Background . 11 B. Comments and Agency Response . 11 V. EPA's Methodology . 14 A. Background . 14 B. Comments and Agency Response . 14 VI. Recommendations for Printing and Writing Papers. 15 A. Background . 15 B. Comments and Agency Response . 19 VII. Recommendations for Newsprint . 27 A. Background . 27 B. Comments and Agency Response . 27 VIII. Recommendations for Tissue Products. 31 A. Background . 31 B. Comments and Agency Response . 32 IX. Recommendations for Paperboard and Packaging Products . 36 A. Background . 36 B. Comments and Agency Response . 38 X. Recommendations for Miscellaneous Paper Products. 45 A. Background . 45 B. Comments and Agency Response . 45 XI. Recommendations for Measurement. 46 A. Background . 46 B. Comments and Agency Response . 46 XII. Recommendations for Specifications. 48 A. Background . 48 B. Comments and Agency Response . 48 XIII. Recommendations for Recyclability. 49 A. Background . 49 B. Comments and Agency Response . 49 XIV. Definitions . 51 A. Background . 51 B. Comments and Agency Response . 51 XV. Certification and Verification . 54 A. Background . 55 B. Comments and Agency Response . 55 XVI. Sawdust as Recovered Fiber. -
Articles of Paper Pulp, of Paper Or of Paperboard
Chapter 48 Paper and paperboard; articles of paper pulp, of paper or of paperboard Notes. 1.- For the purposes of this Chapter, except where the context otherwise requires, a reference to “paper” includes references to paperboard (irrespective of thickness or weight per m²). 2.- This Chapter does not cover : (a) Articles of Chapter 30; (b) Stamping foils of heading 32.12; (c) Perfumed papers or papers impregnated or coated with cosmetics (Chapter 33); (d) Paper or cellulose wadding impregnated, coated or covered with soap or detergent (heading 34.01), or with polishes, creams or similar preparations (heading 34.05); (e) Sensitised paper or paperboard of headings 37.01 to 37.04; (f) Paper impregnated with diagnostic or laboratory reagents (heading 38.22); (g) Paper-reinforced stratified sheeting of plastics, or one layer of paper or paperboard coated or covered with a layer of plastics, the latter constituting more than half the total thickness, or articles of such materials, other than wall coverings of heading 48.14 (Chapter 39); (h) Articles of heading 42.02 (for example, travel goods); (ij) Articles of Chapter 46 (manufactures of plaiting material); (k) Paper yarn or textile articles of paper yarn (Section XI); (l) Articles of Chapter 64 or Chapter 65; (m) Abrasive paper or paperboard (heading 68.05) or paper- or paperboard-backed mica (heading 68.14) (paper and paperboard coated with mica powder are, however, to be classified in this Chapter); (n) Metal foil backed with paper or paperboard (generally Section XIV or XV); (o) Articles of heading 92.09; (p) Articles of Chapter 95 (for example, toys, games, sports requisites); or (q) Articles of Chapter 96 (for example, buttons, sanitary towels (pads) and tampons, napkins (diapers) and napkin liners for babies). -
TECHNICAL REPORT – PATENT ANALYSIS Enhancing Productivity in the Indian Paper and Pulp Sector
TECHNICAL REPORT – PATENT ANALYSIS Enhancing Productivity in the Indian Paper and Pulp Sector 2018 TABLE OF contEnts ACKNOWLEDGEMENTS 10 EXECUTIVE SUMMARY 11 1 INTRODUCTION 13 2 OVERVIEW OF THE PULP AND PAPER SECTOR 15 2.1. Status of the Indian Paper Industry 15 2.2. Overview of the Pulp and Papermaking Process 20 2.3. Patenting in the Paper and Pulp Industry: A Historical Perspective 22 2.4. Environmental Impact of the Pulp and Paper Industry 25 3 METHODOLOGY 27 3.1. Search Strategy 27 4 ANALYSIS OF PATENT DOCUMENTS USING GPI 31 4.1. Papermaking; Production of Cellulose (IPC or CPC class D21) 31 4.2. Analysis of Patenting Activity in Different Technology Areas using GPI 38 5 ANALYSIS OF THE INDIAN PATENT SCENARIO WITHIN THE CONTEXT OF THIS REPORT 81 5.1. Analysis of Patents Filed in India 81 6 CONCLUDING REMARKS 91 REFERENCES 93 ANNEXURE 94 Annexure 1. Technologies related to paper manufacturing 94 Annexure 2. Sustainable/green technologies related to pulp and paper sector 119 Annexure 3. Emerging Technology Areas 127 List OF FIGURES Figure 2.1: Geographical Spread of Figure 4.11: (d) Applicant vs. Date of Indian Paper Mills .................................16 Priority Graph: Paper-Making Machines Figure 2.2: Share of Different Segments and Methods ........................................42 in Total Paper Production .......................19 Figure 4.11: (e) Applicant vs. Date of Figure 2.3: Variety Wise Production of Priority Graph: Calendars and Accessories ..43 Paper from Different Raw Materials ........19 Figure 4.11: (f) Applicant vs. Date of Figure 2.4: Different Varieties of Paper Priority Graph: Pulp or Paper Comprising Made from Various Raw Materials ..........19 Synthetic Cellulose or Non-Cellulose Fibres ..43 Figure 2.5: Diagram of a Process Block Figure 4.11: (g) Applicant vs. -
How to Make a Collage 4 Free Mixed Media Collage Techniques Presented by Cloth Paper Scissors®
how to make a collage 4 free mixed media collage techniques presented by cloth paper scissors® 1 3 4 2 collage to order: objects of my desire: 1 create with words 3 making sewn paper SUSAN BLACK collage collections JENNY COCHRAN LEE the elements of collage: 2 putting it all together reverse collage painting: NICOLE PAISLEY MARTENSEN 4 a bright spot on a winter day HOLLY CHRISTINE MOODY In “Objects of My Desire: Making Sewn Paper Collage Collections,” Jenny Cochran Lee explores how to How to Make a Collage: turn paper scraps into collage art 4 Free Mixed Media treasures. Collage Techniques presented by Finally, Holly Christine Moody Cloth Paper Scissors® offers an easy collage project that ONLINE EDITOR Cate Prato will help you whittle down your decorative paper stash in a fun CREATIVE SERVICES way. In “Reverse Collage Painting,” DIVISION ART DIRECTOR Larissa Davis PHOTOGRAPHER Larry Stein you make a paper collage on a substrate, apply gel medium, Projects and information are for inspiration and personal use only. Interweave Press is not responsible hat is collage art? A and then paint over it. The magic for any liability arising from errors, omissions, or whole lot of fun! At happens when you swipe away mistakes contained in this eBook, and readers should proceed cautiously, especially with respect to technical the most basic level, some of the paint to reveal the information. wyou can make a collage with paper, collage designs below. © F+W Media, Inc. All rights reserved. F+W Media glue, and a substrate like a canvas grants permission for any or all pages in this eBook to With How to Make a Collage: 4 Free or watercolor paper.