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View. Theories and Practices Ofvisual Culture
9 View. Theories and Practices of Visual Culture. title: tMitolen:umentality ephemerated author: aNuintahoSro(s:na source: Vsoieuwrc. eT:heories and Practices ofVisual Culture 9 (2015) URL: hURttLp: ://pismowidok.org/index.php/one/article/view/275/533/ publisher: Ipnusbtiltiushteero:f Literary Research of the Polish Academy of Sciences Institute of Polish Culture, University of Warsaw View. Foundation for Visual Culture Nina Sosna Monumentality ephemerated Monuments, which are generally considered visual, become the object of visual research much less frequently than any other art form. However, closer investigation shows that monuments are an interesting model or even frame of analysis. They are quite peculiar, and paradoxical objects, as they controversially combine many different kinds of things: the immaterial traits of collective imaginaries and the heavy materiality of stone or bronze, fluctuations of memory and the conservation of ideology, object and remnant, arrested past and an attempt to change the future. 1. Russia is currently going through a period of instability that is caused, not only by today's situation of an almost uncontrolled globalized world economy, but also by the transitional form of (post)socialism. There is a temporal factor that affects the very structure of the status quo. What is undergoing a noticeable change are not only the From: Yevgeniya Gershkovich, Yevgeny external conditions of existence, but also the sense of Korneev, eds., Stalin’s Imperial Style time. The “dashing 1990s” were a time to move forward - (Moscow: Trefoil Press, 2006), photo: at least, such was the general feeling. In the 2000s there Krzysztof Pijarski was a kind of break; for some, it was a moment of “looking around” and even backwards. -
01 Schmid Russ Medien.Indd
Facetten der Medienkultur Band 6 Herausgegeben von Manfred Bruhn Vincent Kaufmann Werner Wunderlich Ulrich Schmid (Hrsg.) Russische Medientheorie Aus dem Russischen von Franziska Stöcklin Haupt Verlag Bern Stuttgart Wien Ulrich Schmid (geb. 1965) studierte Slavistik, Germanistik und Politologie an den Universitäten Zürich, Heidelberg und Leningrad. Seit 1993 arbeitet er als freier Mitarbeiter im Feuilleton der Neuen Zürcher Zeitung NZZ. 1995–1996 forschte er als Visiting Fellow an der Harvard University. Von 1992–2000 war er Assistent, von 2000–2003 Assistenzprofessor am Slavischen Seminar der Universität Basel. 2003–2004 Assistenzprofessor am Institut für Slavistik der Universität Bern, seit 2005 Ordinarius für slavische Literaturwissenschaft an der Ruhr-Universität Bochum. Publiziert mit der freundlichen Unterstützung durch die Schweizerische Akademie der Geistes- und Sozialwissenschaften (SAGW) Bibliographische Information der Deutschen Bibliothek: Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Na- tionalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.ddb.de abrufbar. ISBN 3-258-06762-7 Alle Rechte vorbehalten. Copyright © 2005 Haupt Verlag Berne Jede Art der Vervielfältigung ohne Genehmigung des Verlages ist unzulässig. Umschlag: Atelier Mühlberg, Basel Satz: Verlag Die Werkstatt, Göttingen Printed in xxx http://www.haupt.ch Inhalt Einleitung Ulrich Schmid Russische Medientheorien xx Grundlagen einer Medientheorie in Russland Nikolai Tschernyschewski Die ästhetischen Beziehungen der Kunst zur Wirklichkeit (1855) xx Lew Tolstoi Was ist Kunst? (1899) xx Pawel Florenski Die umgekehrte Perspektive (1920) xx Josif Stalin Der Marxismus und die Fragen der Sprachwissenschaft (1950) xx Michail Bachtin Das Problem des Textes in der Linguistik, Philologie und anderen Geisteswissenschaften. Versuch einer philosophischen Analyse (1961) xx Juri Lotman Theatersprache und Malerei. -
Jahresinhalt 2005
Inhaltsverzeichnis 2005 Heft Seite Al’tman, Il’ja Shoah: Gedenken verboten! Der weite Weg vom Sowjettabu zur Erinnerung 4–6 149 Ananieva, Anna Der Garten im zarischen Rußland. Wechselspiel von Raum und Text 3 136 Anhelm, Fritz Erich Differenzierung tut not. Politische Bildung und die Neugliederung Osteuropas 8 59 Anweiler, Oskar „Mein Rätebuch kursierte als Raubdruck“. Eine tour d’horizon 12 49 Auer, Stefan Macht und Gewalt. 1989, die Ukraine und die Idee der gewaltfreien Revolution 9 3 Bakuła, Bogusław An den Schlagbäumen Europas und Asiens. Der Dichter Jarosław Iwaszkiewicz 9 61 Bauer, Michael W. Damit ist ein Staat zu machen. Verwaltungsstudium in Ostmitteleuropa 11 55 Beyrau, Dietrich Ein unauffälliges Drama. Die Zeitschrift OSTEUROPA im Nationalsozialismus 12 57 Białkowski, Bła¡ ej Die Souveränität Polens. Zum deutsch-polnischen Historikerdialog 3 113 Bock, Ivo „Zur Veröffentlichung nicht geeignet“. Tschechische Literaturzensur 1948–1968 7 123 Boroznjak, Erinnerungsschübe. Vergangenheitsbewälti- Aleksandr gung in der Bundesrepublik Deutschland 4–6 20 Brahm, Heinz Drehscheibe der Osteuropaforschung. Das BIOst in Köln 12 163 Brandon, Ray „Politische Einstellung: Jude“. Wolfgang J. Leppmann (1902–1943) 12 87 Burkhart, Dagmar Das Phantasma des Mantels. Gogol’, Timm, Makanin 11 95 III Chmel’nickij, Der Kampf um die sowjetische Architektur. Dmitrij Ausländische Architekten in der UdSSR der Stalin-Ära 9 91 Dakowska, Dorota Wissen geben, Wissen nehmen. Deutsche parteinahe Stiftungen in Polen 8 126 Danilova, Natalija Kontinuität und Wandel. Die Denkmäler des Afghanistankrieges 4–6 367 Dokumentation „Das ist ein Angriff auf unser Land“. Fernsehan- sprache des rußländischen Präsidenten, Vladimir Putin, am 4. September 2004 – nach Beslan 1 112 Dokumentation Parlamentarische Versammlung des Europarats. -
Names in Multi-Lingual, -Cultural and -Ethic Contact
Oliviu Felecan, Romania 399 Romanian-Ukrainian Connections in the Anthroponymy of the Northwestern Part of Romania Oliviu Felecan Romania Abstract The first contacts between Romance speakers and the Slavic people took place between the 7th and the 11th centuries both to the North and to the South of the Danube. These contacts continued through the centuries till now. This paper approaches the Romanian – Ukrainian connection from the perspective of the contemporary names given in the Northwestern part of Romania. The linguistic contact is very significant in regions like Maramureş and Bukovina. We have chosen to study the Maramureş area, as its ethnic composition is a very appropriate starting point for our research. The unity or the coherence in the field of anthroponymy in any of the pilot localities may be the result of the multiculturalism that is typical for the Central European area, a phenomenon that is fairly reflected at the linguistic and onomastic level. Several languages are used simultaneously, and people sometimes mix words so that speakers of different ethnic origins can send a message and make themselves understood in a better way. At the same time, there are common first names (Adrian, Ana, Daniel, Florin, Gheorghe, Maria, Mihai, Ştefan) and others borrowed from English (Brian Ronald, Johny, Nicolas, Richard, Ray), Romance languages (Alessandro, Daniele, Anne, Marie, Carlos, Miguel, Joao), German (Adolf, Michaela), and other languages. *** The first contacts between the Romance natives and the Slavic people took place between the 7th and the 11th centuries both to the North and to the South of the Danube. As a result, some words from all the fields of onomasiology were borrowed, and the phonological system was changed, once the consonants h, j and z entered the language. -
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Adiaphora: The New Culture of Russians and Eastern Jews in Berlin Brian Poole (For Nadja, the indifferent one) Looking up at the stars, I know quite well That for all they care, I can go to hell, But on earth indifference is the least We have to dread from man or beast. (W. H. Auden, "The More Loving One") Indifference has a bad reputation these days. It is considered to be a pas- sive and pessimistic attitude. Those who are indifferent or apathetic don't help others, they don't get involved-they don't care. The proverbial bane of indifference reappears in sociological studies of urban modernity in the guise of a seemingly nonchalant tolerance for the most heinous crimes of our last century. Indifference purportedly reflects the spiritual vacuum of urban man caught in the cogwheels of an ostensibly autonomous bureau- cracy. It is the mirror image of the ethically degenerated and politically disenfranchised subject, able but unwilling to act, and incapable of expressing sympathy and solidarity. Thus the indifferent appear to be more than pliant subjects attempting to recede from the winds of time and the whims of social pressures. Pliant, they appear-for lack of oppo- sition-to comply, to abet, to condone. In short, indifference is the crime of the century. When social critics and sociologists speak of urban indif- ference, the Holocaust and German history is not far 0ff.l There are, of course, other forms of indifference. The antique Stoic tra- dition of indifference was one of the strongest and most productive ethi- cal currents in philosophy; it commanded the respect of philosophers from the classical Greek age to the end of the Enlightenment and beyond. -
View Ildar's Resume
DR. I L D A R D . KHANNANOV Ph.D. in Music Theory, UCSB 2003 Professor of Music Theory Peabody Institute of the Johns Hopkins University 110 NW 39th Street, Apt. 604, Baltimore, MD 21210 Ph: (410) 818 6794; email: [email protected] EDUCATION 1997-2003 University of California, Santa Barbara Ph. D. in Music Theory, conferred December 11, 2003. Master’s Degree in Theory, conferred December 11, 2003. Dissertation: “Russian Methodology of Music Theory and Analysis,” supervisor Pieter C. van den Toorn, committee: Yuri Kholopov, Michael Beckerman, and Patricia Hall. 1998-2002 University of California, Irvine Seminars in philosophy with Jacques Derrida. 1990-93 Post-Graduate School, aspirantura, Moscow State Tchaikovsky Conservatory Equivalent of Ph. D. in Music Theory, June, 1993. Graduated summa cum laude in 1993. Dissertation: “Non-Verbal Specificity of Music” with Yuri Kholopov. The text of the dissertation is published in Russian language: Non-Verbal Specificity of Music. Moscow: Logos, 2019. 1990-93 Greek-Latin Academy, branch of Moscow State University Ancient Greek Language and Literature. Supervisor Dr. Yuri Schichalin. 1982-1988 Moscow State Tchaikovsky Conservatory, Department of Theory and Composition Diplom (Equivalent of Master’s Degree) in Music Theory, conferred June, 1988. Thesis: “Non-Verbal Specificity of Musical Language” with Yuri Kholopov (Theory) and Semyon Rappoport (Philosophy). PHONE : (410) 818 67 94• E - MAIL [email protected] 1 1 0 N W 3 9 TH S T R E E T , A P T 604, BALTIMORE, MD 21210 1971-1982 Ufa Specialized Music School, 11-year cycle, branch of the Ufa State Institute of Arts, Bashkortostan, Russia Diplom in Piano, Music Theory and Composition (Equivalent of Bachelor’s Degree). -
Sing 2018 Tempestuous Affair.Pdf
Muslims and Capitalism – An Uneasy Relationship? Edited by Béatrice Hendrich KULTUR, RECHT UND POLITIK IN MUSLIMISCHEN GESELLSCHAFTEN Herausgegeben von Thomas Bauer, Stephan Conermann, Sabine Damir-Geilsdorf, Gudrun Krämer, Anke von Kügelgen, Eva Orthmann, Anja Pistor-Hatam, Irene Schneider, Reinhard Schulze Band 39 ERGON VERLAG Muslims and Capitalism – An Uneasy Relationship? Edited by Béatrice Hendrich ERGON VERLAG Gedruckt mit freundlicher Unterstützung der Fritz Thyssen Stiftung, Köln Umschlagabbildung: Claudia Bülbül, Feldforschung 2014, AKM Şura, Ort: KA-MU-DER Vakfı Fatih İstanbul Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © Ergon – ein Verlag in der Nomos Verlagsgesellschaft, Baden-Baden 2018 Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb des Urheberrechtsgesetzes bedarf der Zustimmung des Verlages. Das gilt insbesondere für Vervielfältigungen jeder Art, Übersetzungen, Mikroverfilmungen und für Einspeicherungen in elektronische Systeme. Gedruckt auf alterungsbeständigem Papier. Umschlaggestaltung: Jan von Hugo Satz: Thomas Breier www.ergon-verlag.de ISBN 978-3-95650-463-1 (Print) ISBN 978-3-95650-464-8 (ePDF) ISSN 1863-9801 Table of Contents Béatrice Hendrich Introduction: Exalting the Past, Rebelling against the Present, and Struggling for a (Better) Future? ............................................................ -
Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2015-07-10 Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988 Khmelnitsky, Michael Khmelnitsky, M. (2015). Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988 (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27766 http://hdl.handle.net/11023/2348 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca Allegorie der Übersetzung (2015) Michael G. Khmelnitsky acrylic on canvas (30.4 cm x 30.4 cm) The private collection of Dr. Hollie Adams. M. G. Khmelnitsky ALLEGORY OF TRANSLATION IB №281 A 00276 Sent to typesetting 17.II.15. Signed for printing 20.II.15. Format 12x12. Linen canvas. Order №14. Print run 1. Price 3,119 r. 3 k. Publishing House «Soiuzmedkot» Calgary UNIVERSITY OF CALGARY Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988 by Michael Khmelnitsky A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH CALGARY, ALBERTA JULY, 2015 © Michael Khmelnitsky 2015 Abstract My thesis investigates the various ideological and political forces that placed pressures on cultural producers, specifically translators in the U.S.S.R., during the Era of Stagnation (1964- 1988). -
Also in This Issue Gated Communities in Poland Report from Prussian
BALTIC A quarterly scholarly journal and news magazine. December 2012. Vol. V:3–4. 1 From the Centre for Baltic and East European Studies (CBEES) Book review: WO Södertörn University, Stockholm Naimark’s “Genocide” R LDS December 2012. Vol. V:3–4. BALTIC WORLDSbalticworlds.com Gated communities in Poland Modernizing marginal Russia Report from Prussian Posen Wolves in myth and reality Cities in the Baltic also in this issue Illustration: KG Nilson RUSSIAN HUMAN RIGHTS FIGHTERS / DISSIDENCE IN VILNIUS / BERLIN FASHION / KRAKÓW STREET ART / ANDREI PLEşU & JÜRGEN KOCKA short takes Encounter between East and West Painting “RUSSIAN CULTURE IN philosophy of language COVER ARTIST KG Nilson is EXILE (1921–1953)” was the and artistic expressionism a renowned Swedish paint- theme of a two-day confer- in the young, exiled Roman er who for several years ence at the Courtauld Insti- Jakobson. was a professor at the tute in London (November Robert Chandler, poet Royal Swedish Academy 2–3, 2012). The conference and translator of the likes of of Fine Arts. His studios are invitation was adorned with Alexander Pushkin, Nikolai in Stockholm (in the same an illustration for an article Leskov, Vasily Gross- apartment where Anders in Baltic Worlds (IV:3), writ- man, Andrei Platonov, and Zorn used to reside) and ten by Karl Schlögel, about Varlam Shalamov, gave in Bästekille, on Sweden’s Russian emigration to an address in which he southern Baltic shore. ≈ Berlin and the West. Karin showed how the question Sunvisson’s illustration is that Chernyshevsky once republished here. posed and Lenin tried to Conference organizer answer, Shto delat? (What Natalia Murray took the op- is to be done?), was kept portunity to launch a book, alive, albeit in an ironic way, The Unsung Hero of the in Russian émigré literary Russian Avant-Garde: The circles – in this case by Life and Times of Nikolay the writer Nadezhda Teffi Punin, on a key figure in (1872–1952). -
University of Copenhagen
A hundred years later streetcars are still rattling in Baltic cities Lundén, Thomas; Balogh, Peter; Börén, Thomas; Chekalina, Tatiana; Gentile, Michael; Kravchenko, Zhanna; Lindström, Jonas; Polanska, Dominika V.; Vaattovaara, Mari; Matthiessen, Christian Wichmann; Svensson, Ragni Published in: Baltic Worlds Publication date: 2012 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Lundén, T., Balogh, P., Börén, T., Chekalina, T., Gentile, M., Kravchenko, Z., Lindström, J., Polanska, D. V., Vaattovaara, M., Matthiessen, C. W., & Svensson, R. (2012). A hundred years later streetcars are still rattling in Baltic cities. Baltic Worlds, 3-4, 37-44. http://balticworlds.com/wp-content/uploads/2012/12/Pdf-till-Ninna.pdf Download date: 26. Sep. 2021 BALTIC A quarterly scholarly journal and news magazine. December 2012. Vol. V:3–4. 1 From the Centre for Baltic and East European Studies (CBEES) Book review: WO Södertörn University, Stockholm Naimark’s “Genocide” R LDS December 2012. Vol. V:3–4. BALTIC WORLDSbalticworlds.com Gated communities in Poland Modernizing marginal Russia Report from Prussian Posen Wolves in myth and reality Cities in the Baltic also in this issue Illustration: KG Nilson RUSSIAN HUMAN RIGHTS FIGHTERS / DISSIDENCE IN VILNIUS / BERLIN FASHION / KRAKÓW STREET ART / ANDREI PLEşU & JÜRGEN KOCKA short takes Encounter between East and West Painting “RUSSIAN CULTURE IN philosophy of language COVER ARTIST KG Nilson is EXILE (1921–1953)” was the and artistic expressionism a renowned Swedish paint- theme of a two-day confer- in the young, exiled Roman er who for several years ence at the Courtauld Insti- Jakobson. was a professor at the tute in London (November Robert Chandler, poet Royal Swedish Academy 2–3, 2012). -
The Moscow Trials
MILO RAU / IIPM – INTERNATIONAL INSTITUTE OF POLITICAL MURDER THE MOSCOW TRIALS > 1-3 March 2013, Sakharov Center, Moscow, Three-day court show > 14-16 March 2013, Gessnerallee Zurich, Preview of film version and video installation > 11 May - 10 June 2013, Wiener Festwochen, permanent video installation > 14-16 June 2013, Konzert Theater Bern, Final exhibition and film premiere When punk activists “Pussy Riot” were sentenced to two years in a penal camp this summer for their unannounced appearance in Moscow's Cathedral of Christ the Sav- iour, it sparked protest rallies across the globe. But this was just the end of what have been 10 years of show trials against artists and dissidents, trials which Putin's system used to hinder any kind of democratic change whatsoever. The project “The Moscow Trials” attempts to inject impetus into rigid Russian circumstances through the form of political theatre. In Moscow's Sakharov Center a court is being set up in which a three- day trial show will provide the stage for the exponents of Russia's cultural war. There are no actors on stage; instead there are real-life protagonists: Artists, politicians, church leaders, proper lawyers and a proper judge. A lay court made up of six Moscow residents will reach a verdict: For or against democracy, for or against artistic freedom. Concept and artistic & stage direction: Milo Rau Curating and production: Jens Dietrich Co-curating – Weimar/Bern: Sophie-Thérèse Krempl Film co-production: Arne Birkenstock Stage: Anton Lukas Sound: Jens Baudisch Camera: Markus Tomsche PR: Yven Augustin External consulting: Sandra Frimmel Dramatisation and production management: Milena Kipfmüller Assistant director: Yanina Kochtova (Moscow), Swaantje Kleff (Weimar) Casting - Moscow: Anastasia Patlay Corporate design: Nina Wolters Online programming: Jonas Weissbrodt >>> PRESS CONTACT: AUGUSTINPR │ YVEN AUGUSTIN │ LITTENSTRASSE 106-107 │ 10179 BERLIN Tel. -
New Humanist (Rationalist Association) - Discussing Humanism, Rationalism, Atheism and Free Thought
New Humanist (Rationalist Association) - discussing humanism, rationalism, atheism and free thought Share Report Abuse Next Blog» Create Blog Sign In Ideas for godless people NEW HUMANIST MAGAZINE | BLOG Thursday, 12 May 2011 Where to buy New Humanist New campaign launches after school invites creationist preacher to revision day As part of new campaign, Creationism In Schools Isn't Science (CrISIS), launched with the backing of the British Centre for Science Education, the Christian think-tank Ekklesia and the National Secular Society, a group of leading scientists, educators and campaigners have today written to the Education Secretary, Michael Gove, urging him to clarify government guidelines preventing the teaching of creationism as science in British Twitter Schools. New Humanist The launch of CrISIS was prompted by NewHumanist Laura Horner, a parent of children at St Peter's Church of England School in Exeter. In March, Philip Bell, an evangelical preacher who @teachingofsci You are right- runs the UK arm of the young-earth creationist organisation Creation its a problem with Blogger, Ministries International, was invited by St Peters to lecture at a revision which I hope they can fix day for GCSE RE pupils. When Horner complained to the school, she 3 days ago · reply · retweet · favorite received a letter which described modern biology as "evolutionism" and Is it a noble instinct or a Bell as a “scientist” who “presented arguments based on scientific destructive desire? Delving into theory for his case". the pathology of collecting: http://bit.ly/kFZ72q Speaking about the launch of CrISIS, Horner said: 3 days ago · reply · retweet · favorite "I was appalled to find out that my children had been exposed to @robbiechicago Shame it was preserved for posterity then: this dangerous nonsense and I am determined that the Secretary http://bit.ly/iTPJyx of State for Education should urgently plug the loophole that 3 days ago · reply · retweet · favorite allows creationists to do this.