Lyon Housemuseum Original 80S One-Offs Reworked
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Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Nr. 97 2017 Nr. 97 2017
Nr. 97 Juni/Juli 2017 20.Jahrgang Gratis im Fachhandel WWW.INMUSIC2000.DE inHard_inMusic_S1_S16 18.06.2017 16:23 Uhr Seite 16 Seite Uhr 16:23 18.06.2017 inHard_inMusic_S1_S16 MONATS DES CD ANNA COOGAN FREDDA MARY'S LITTLE LAMB EBBA FORSBERG MORITZ ECKER The Lonely Cry Of Space... Land Elixir For The Drifter Take My Waltz Yes Anna Coogan/Soulfood Le Pop Musik/Groove Attack Rootz Rumble/in-akustik Gamlestans G./Broken Silence Waterfall Rec./Broken Silence ###### ##### ##### ##### ##### Ein echter Geheimtipp ist die Ich mag die Alben der fran- Aus Belgien kommt die fünf- Die Alben der schwedischen Aus Berlin kommt der Sin- aus Boston/USA stammen- zösischen Sängerin und köpfige Tex-Mex, Country Sängerin und Songwriterin ger/Songwriter und Multiin- de Sängerin, Gitarristin und Songwriterin Fredda sehr. und Americana-Truppe Ebba Forsberg waren in der strumentalist (u.a. Gitarre, Meeresbiologin Anna Coo- Das trifft auch auf ihre neu- Mary's Little Lamb, die Vergangenheit allesamt Wurlitzer-Orgel, Drums) Mo- gan, die in ihrer musikali- este Scheibe "Land" zu, zu einem wahre Gänsehaut- empfehlenswert. Besonde- ritz Ecker, der sich auf sei- schen Entwicklung maß- deren Texte sie sich teilwei- schauer über den Rücken re Erwähnung verdienen nem neuen Album von der geblich von Künstlern wie se durch japanische Gedich- jagt. Zu verdanken sind dies hierbei auch ihre beiden skandinavischen Songwriter- Kate Bush, Jane Siberry und te inspirieren ließ. Dazu gibt insbesondere den zwei Coveralben von Bob Dylan Szene, aber auch von Folk- Lene Lovich beeinflusst es atmosphärisches "Wüs- Trompeten im Bandsound (2007) und Tom Waits künstlern der 60iger und wurde. -
Constellation
CONSTELLATION La critica musicale ha spesso identificato alcuni generi musicali con le città nelle quali si erano sviluppati, arrivando a far coincidere musica e toponomastica come nel caso del Canterbury sound o del Madchester. In realtà di solito si è trattato di un tentativo di semplificare la realtà per rendere intelligibili fenomeni la cui complessità sarebbe stata di difficile comprensione alla maggioranza dei lettori delle varie riviste del settore; basti pensare alla San Francisco psichedelica, al country di Nashville, all'elettronica berlinese, alla Seattle grunge o a Londra per il punk, ecc. Detto ciò, in pochi avrebbero immaginato che nel novero di queste “capitali” musicali sarebbe apparso il nome di Montreal, principale città del Quebec canadese. Eppure se dovessimo cercare una città con la quale identificare il post- rock degli anni Duemila non potremmo che guardare verso questa metropoli di più di un milione e mezzo di abitanti, se non altro per l’etichetta discografica indipendente Constellation records che vi ha sede. Nata nel 1997, la Constellation si è fin da subito caratterizzata per le “ostiche” scelte musicali e di marketing, dimostrando negli anni un'ammirevole coerenza che le ha permesso di intercettare le espressioni più avanzate e innovative del movimento post-rock canadese – ovvero il meglio del post-rock tout-court –, distinguendosi commercialmente dalle tante etichette indipendenti grazie a confezioni in digipack dominate da colori tenui e da un’originalità grafica e iconografica che diventa determinante nel trasmettere anche visivamente i contenuti musicali. Ma forse per comprendere il percorso qui proposto occorre partire dall’inizio, ovvero dalla definizione di Post-rock. -
Republican Tax Plan Poses Threat to Higher Education
SERVING THE UNIVERSITY OF PUGET SOUND NEWS, PAGE 2 NEWS, PAGE 3 FEATURES, PAGE 6 Movie showing sparks Movement for GQS major Puget Sound professor helps VOL. 107 ISSUE 43 SINCE 1910 DECEMBER 8 discussion of ongoing continues to grow choose recipients for prestigious struggle at NWDC local award REPUBLICAN TAX PLAN POSES THREAT TO HIGHER EDUCATION By Marcelle Rutherfurd Senate majority leader Mitch McConnell workshop helping students write letters and include, among other changes, the help the teacher shortage when we can’t announced to radio host Hugh Hewitt on and emails to their senators. They also following: eliminating the student loan afford to get a masters?? Public schools Wednesday that it was “almost certain” the assisted in writing draft phone-call interest deduction and repealing the require it, and if only the wealthy can GOP would pass its proposed reforms. scripts to their senators. They had contact Lifetime Learning Credit; taxing faculty afford it imagine the added disadvantage While there are still differences between information available for each senator. and staff members on the value of tuition for working-class students being taught the bills proposed by the Senate and House, “The political advocacy workshop was assistance received for themselves and/ by those of higher socioeconomic status?” McConnell said he thought a bill would an idea Annie and I first heard from the or their dependents,” President Crawford She continued, “This is probably just cross the President’s desk by Chrsitmas. writing center staff of the University of said in the email. their way of keeping us from fixing the The impact of the proposed reforms could Washington Bothell, whose discussion President Crawford went on already flawed education system, but be dramatic, especially for higher education. -
Delusion by Laurie Anderson
CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, May 7, 2010, 8pm Saturday, May 8, 2010, 8pm Zellerbach Hall Delusion by Laurie Anderson with Special Guest Musicians Colin Stetson & Doug Wieselman Production Credits Laurie Anderson Music Text & Visual Design Colin Stetson Special Guest Musician Doug Wieselman Special Guest Musician Amy Khoshbin Video Design & Live Mix Rus Snelling Production & Lighting Dave Cook Front-of-House Audio Anderson Laurie Maryse Alberti Video Director of Photography Toshiaki Ozawa Additional Video ELUSION is a meditation on life and language. Bob Currie Story Team DConceived as a series of short mystery plays, Rande Brown Story Team Delusion jump-cuts between the everyday and the mythic. Combining violin, electronic puppetry, Shane Koss Audio Rig Design music and visuals, Delusion tells its story in the col- Konrad Kaczmarek Audio Software Design orful and poetic language that has become Laurie Ned Steinberger Violin Design Anderson’s trademark. Brad Hampton Tour Management “The electronically altered voice I have used for many years, the one that turns my voice into a World Premiere February 17, 2010, Cultural Olympiad, male voice, has been gradually evolving from a stock Vancouver, British Columbia voice of authority into a more nuanced one,” says Ms. Anderson. “I have written Delusion as a conver- sation between that voice and my own.” Delusion was commissioned by Vancouver 2010 Cultural Olympiad, Vancouver, and barbicanbite10, London. The stories inDelusion come from ma ny worlds — technical, scientific, personal and mythic—and from Additional support provided by BAM for the 2010 Next Wave Festival; Cal Performances; various states of consciousness, dream and medita- Stanford Lively Arts; and the generosity of Sarah Ratchye and Ed Frank. -
The Advent of an Artist-Composer Movement Exemplified by the Works of Saxophonists Colin Stetson, Evan Parker, and Contemporaries
The Advent of an Artist-Composer Movement Exemplified by the Works of Saxophonists Colin Stetson, Evan Parker, and Contemporaries Item Type text; Electronic Dissertation Authors Herald, Christopher R. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 15:32:12 Link to Item http://hdl.handle.net/10150/625662 THE ADVENT OF AN ARTIST-COMPOSER MOVEMENT EXEMPLIFIED BY THE WORKS OF SAXOPHONISTS COLIN STETSON, EVAN PARKER, AND CONTEMPORARIES by Christopher R. Herald __________________________ Copyright © Christopher Herald 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctoral Document Committee, we certify that we have read the document prepared by Christopher Herald, titled The Advent of an Artist-Composer Movement Exemplified by the Work of Saxophonists Colin Stetson, Evan Parker, and Contemporaries and recommend that it be accepted as fulfilling the document requirement for the degree of Doctor of Musical Arts. _______________________________________________________________________Date: 7/18/2017 Edward Goodman, DMA _______________________________________________________________________Date: 7/18/2017 Sara Fraker, DMA _______________________________________________________________________Date: 7/18/2017 Norman Weinberg, DMA Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. -
DVD #1 1. 2Cellos
DVD #1 1. 2Cellos - Celloverse (Japan Edition) 2. 36 - Void Dance 3. A Swarm of the Sun - The Rifts 4. AaRON - We Cut The Night 5. Abigail's Ghost - Black Plastic Sun 6. Above and Beyond - We Are All We Need 7. Adele - 25 (Target Exclusive Deluxe Edition) 8. Adolf Plays The Jazz – Tinder 9. A-Ha - Cast In Steel (Deluxe Edition) 10. And So I Watch You From Afar – Heirs 11. Ane Brun - When I'm Free (Deluxe) 12. Anekdoten - Until All the Ghosts are Gone 13. Anna von Hausswolff - The Miraculous 14. Anoice - Into The Shadows 15. Antimatter - The Judas Table 16. April Rain - Leave Me No Light 17. Arca – Mutant 18. Arcane - Known – Learned 19. Archive – Restriction 20. Aristocrats - Tres Caballeros 21. Arstidir – Hvel 22. Avatarium - The Girl With The Raven Mask 23. AWOLNATION - Run 24. Baroness – Purple 25. Beach House - Depression Cherry 26. Beach House - Thank Your Lucky Stars 27. Beardfish - +4626-Comfortzone 28. Behaving – Behaving 29. Ben Salisbury & Geoff Barrow – Ex Machina OST 30. Beth Hart - Better Than Home 31. Björk – Vulnicura 32. Blanck Mass - Dumb Flesh 33. Blur - The Magic Whip DVD #2 1. Bon Jovi - Burning Bridges 2. Camouflage – Greyscale 3. Caspian - Dust And Disquiet 4. Chelsea Wolfe – Abyss 5. CHVRCHES - Every Open Eye 6. Circe – Circe 7. Coldplay- A Had Full Of Drams 8. Colin Stetson & Sarah Neufeld - Never Were The Way She Was 9. Courtney Barnett - Sometimes I Sit and Think, and Sometimes I Just Sit 10. Crippled Black Phoenix & Se Delan - Oh Ech-Oes 11. Danny Cavanagh - Memory And Meaning 12. -
ESMERINE Lost Voices CD / 180Glp / DL RELEASE DATE: 16 OCTOBER 2015
ESMERINE Lost Voices CD / 180gLP / DL RELEASE DATE: 16 OCTOBER 2015 Instrumental chamber rock ensemble feat. Bruce Cawdron (Godspeed You! Black Emperor), Rebecca Foon (Silver Mt. Zion) and Jamie Thompson (Unicorns, Islands) Follow-up to their 2014 Juno award-winning album Dalmak (Instrumental Record Of The Year) Montréal chamber rock ensemble Esmerine return with Lost Voices , the most dynamic CST 116 • CONSTELLATION • and incendiary record of the group’s career, following its acclaimed and Juno award- winning 2013 release Dalmak . Led by co-founders Bruce Cawdron (Godspeed You! Black Emperor) on mallet instruments and Rebecca Foon (Thee Silver Mt. Zion, ARTIST: ESMERINE Saltland) on cello, Esmerine also includes drummer Jamie Thompson (The Unicorns, Islands, Little Scream) and multi-instrumentalist Brian Sanderson. TITLE: Lost Voices Lost Voices is the result of multiple recording sessions led by Vid Cousins (Kid Koala, TRACKLIST: Amon Tobin, Colin Stetson) and was mixed/produced by Jace Lasek (The Besnard 01 The Neighbourhoods Rise Lakes) at his Breakglass Studio in Montréal. The album features several tracks that are 02 A River Runs Through This City hands down among the band’s most rocking, making newfound use of electric guitars 03 Pas Trop Pas Tropes (courtesy a variety of guest players) alongside the group’s nucleus of marimba, strings 04 19/14 and percussion. Esmerine also welcomes bassist Jeremi Roy (who began touring with 05 A Trick Of The Light the group in 2013) as an official member; his contrabass work adds potent low-end to 06 My Mamma Pinned A Rose On Me the heavier jams on the new album. -
COLIN STETSON PROGRAM Saxophone
Saxophone COLIN STETSON Visiting Artist Series presents ARTIST PARTNER PROGRAM November 9, 2017 . 8PM @ MilkBoy ArtHouse VISITINGVAS ARTIST 1SERIES The Clarice Smith Performing Arts Center's Visiting Artist Series presents COLIN STETSON PROGRAM Saxophone This performance will last approximately 1 hour. Join the artists for a conversation during the performance. Program to be selected from: Spindrift Judges Between Water and Wind All this I do for Glory The love it took to leave you In the clinches Strike your forge and grin 2 Colin Stetson was born and raised in Ann Arbor, spent a decade ABOUT THE ARTIST in San Francisco and Brooklyn honing his formidable talents as a horn player, eventually settling in Montreal in 2007. Over the years he has worked extensively live and in studio with a wide range of bands and musicians including Tom Waits, Arcade Fire, Bon Iver, TV On The Radio, Feist, Laurie Anderson, Lou Reed, Bill Laswell, Evan Parker, The Chemical Brothers, Animal Collective, Hamid Drake, LCD Soundsystem, The National, Angelique Kidjo, Fink, and David Gilmour. Meanwhile he has developed an utterly unique voice as a soloist, principally on saxophones and clarinets, his intense technical prowess matched by his exhilarating and emotionally gripping skills as a songwriter. Stetson’s astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stetson is equally at home in the avant jazz tradition of players who have pushed the boundaries of the instrument through circular breathing, embouchure, etc. (i.e. -
Rebecca Foon Biography 2017
REBECCA FOON BIOGRAPHY 2017 Cellist and composer Rebecca Foon has been a fixture of the Montréal music community for two decades, since moving to the city from her native Vancouver in the late 1990s. She co-founded the Juno Award- winning contemporary chamber group Esmerine in 2002 and was a core member of the celebrated cult post-punk band Thee Silver Mt. Zion Memorial Orchestra from 2001-2008 and the experimental instrumental collective Set Fire To Flames. Foon was also a founding member of the instrumental trios The Mile End Ladies String Auxiliary and Fifths of Seven. Alongside over a dozen albums as a composer and player with the aforementioned projects, Foon has a long list of recording and performing credits as a guest player, and several soundtrack projects under her belt (including the award-winning tar sands documentary H2Oil). Most recently, she has been a member of Colin Stetson’s acclaimed “Sorrow” orchestra (performing Gorecki’s 3rd Symphony) and part of the band for the live documentary performances of filmmakers Sam Green and Brent Green. Saltland is Foon’s ‘solo’ project, the seeds of which were planted with a series of local Montréal performances under her own name in 2010- 2011. As a first album took shape in 2012, Foon wished to give the music its own moniker and identity, and to leave room for the project to take on various members and configurations. Saltland’s 2013 debut record I Thought It Was Us But It Was All Of Us was released to broad critical acclaim and featured a long list of Foon’s friends and past collaborators as guest musicians, including Jamie Thompson (The Unicorns, Islands), Richard Reed Parry and Sarah Neufeld (Arcade Fire), Mishka Stein (Patrick Watson) and Laurel Sprengelmeyer (Little Scream). -
THE SUBURBS De ARCADE FIRE GAGNE LE PRIX DE MUSIQUE POLARIS 2011
THE SUBURBS de ARCADE FIRE GAGNE LE PRIX DE MUSIQUE POLARIS 2011 Pour diffusion immediate Toronto, ON (19 septembre 2011) - Ce soir, au gala qui avait lieu à la maison-mère de MTV Canada, le hall de concert situé au Masonic Temple à Toronto, The Suburbs, de Arcade Fire (Montréal, Québec) a été couronné grand gagnant du Prix de musique Polaris 2011. Arcade Fire a remporté le prix de 30 000$ offert par le commanditaire présentateur: la radio satellite SiriusXM. Les neuf autres nommés de la courte liste se sont quant à eux mérité 2 000$ chacun, gracieuseté de Slaight Music. La cérémonie a présenté des prestations de Austra, Braids, Galaxie, Hey Rosetta!, Ron Sexmith et Timber Timbre, tous nommés à la courte liste. Certains membres d’Arcade Fire étaient aussi présents sur place (Win Butler, Jeremy Gara, Richard Reed Parry). À cette sixième édition du Polaris, Arcade Fire se joint aux rangs des grands gagnants des années précédentes dont Karkwa de Montréal (2010) pour Les Chemins De Verre, Fucked Up de Toronto (2009) pour The Chemistry Of Common Life, Caribou de Dundas (2008) pour Andorra, Patrick Watson de Montréal (2007) pour Close To Paradise et Final Fantasy de Toronto (2006) pour He Poos Clouds. « Nous sommes vraiment touchés de recevoir un prix choisi uniquement sur le mérite artistique. Nous croyons que composer des albums peut faire une différence et nous sommes reconnaissants envers le Prix de musique Polaris d'avoir reconnu nos efforts et ceux de tant d'artistes canadiens! » – Arcade Fire Les banlieues ont toujours tracé le chemin à des poètes qui fuient vers les grandes villes. -
Black Mountain Songs Provided Lighting Designer Ben Stanton by Robert L
BAM 2014 Next Wave Festival #BlackMountainSongs Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, Black President Joseph V. Melillo, Executive Producer Mountain Songs BAM Harvey Theater Nov 20—22 at 7:30pm; Nov 23 at 3pm Running time: one hour and 30 minutes, no intermission Brooklyn Youth Chorus Choral director and conductor Dianne Berkun-Menaker Creator Bryce Dessner Co-curators Bryce Dessner & Richard Reed Parry Director Maureen Towey Season Sponsor: Music composers Jherek Bischoff, Bryce Dessner, Tim Hecker, John King, Nico Muhly, Richard Reed Parry, Caroline Shaw, and Aleksandra Vrebalov Time Warner is the BAM 2014 Choreographer Jenny Shore Butler Next Wave Festival Sponsor Filmmaker Matt Wolf Set designer Mimi Lien Viacom is the BAM 2014 Music Sponsor Costume designer Sarah Maiorino Major support for Black Mountain Songs provided Lighting designer Ben Stanton by Robert L. Turner Sound designer Jamie McElhinney Video & projection designer Grant McDonald Support of works by women composers provided Dramaturgy Anne Erbe by Virginia B. Toulmin Foundation Leadership support for music at BAM provided by: Co-commissioned by BAM and Brooklyn Youth Chorus Frances Bermanzohn & Alan Roseman for the 2014 Next Wave Festival Pablo J. Salame This engagement is dedicated to the late Mary The 2014 Richard B. Fisher Next Wave Award honors Anne Yancey, former Board Chair of Brooklyn Brooklyn Youth Chorus and the production of