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Ike Sturm John Clayton Ed Cherry Roseanna Vitro 165201_HH_Jan_0 12/24/15 9:04 AM Page 1 THE LATIN SIDE OF HOT HOUSE P39 January 2016 www.hothousejazz.com Jazz at Kitano Page 21 The 9th Note Page 25 Roseanna Vitro Ed Cherry John Clayton Ike Sturm APAP Page 10 Saint Peter's Church Page 10 Where To Go & Who To See Since 1982 165201_HH_Jan_0 12/24/15 9:04 AM Page 2 2 165201_HH_Jan_0 12/24/15 9:04 AM Page 3 3 165201_HH_Jan_0 12/24/15 9:04 AM Page 4 4 165201_HH_Jan_0 12/24/15 9:04 AM Page 5 5 165201_HH_Jan_0 12/24/15 9:04 AM Page 6 WWW.BLUENOTEJAZZ.COM 6 165201_HH_Jan_0 12/24/15 9:04 AM Page 7 7 165201_HH_Jan_0 12/24/15 9:30 AM Page 8 8 165201_HH_Jan_0 12/24/15 9:04 AM Page 9 9 165201_HH_Jan_0 12/24/15 9:04 AM Page 10 WINNING SPINS By George Kanzler ITH MANY WAYS TO APPROACH tional spiritual at all, but Jerome Kern's the spiritual impulse in music, two "Old Man River" from the Broadway musi - bWassists take very different routes to reli - cal Showboat. Jones fashions an impro - gion-based music on the albums compris - vised intro over a repeating high range ing this Winning Spins. One is quite litur - ostinato from Clayton's bass, easing into gical, the other more homespun and folksy, the familiar melody in octaves and chords; but both are rooted in jazz. then the two weave improvised lines John Clayton enlists the late pianist around the tune in a fast repartee, each Hank Jones for a duet session dominated soloing before returning for a more skeletal by traditional Negro Spirituals, while Ike rendering of the refrain. It is a jazz duo Sturm, director of music for the Jazz performance that ranks among the very Ministry at Saint Peter's Church in best on record. Manhattan, presents his nonet, Evergreen, Shelter of Trees , Ike Sturm & in a program of mostly liturgically inspired Evergreen (Kilde), is the latest from jazz originals. Sturm's group, Evergreen. The ensemble Parlor Series Vol. II: The Negro includes alto saxophonist Loren Stillman, Spirituals Dialogue , John Clayton & Hank pianist Fabian Almazan, guitarist Jesse Jones (ArtistShare), is pianist Jones' sec - Lewis, vibraphonist Chris Dingman, ond foray into this repertoire, having drummer Jared Schonig, composer Sturm released Steal Away with the late bassist on bass and three singers: Misty Ann Charlie Haden in the mid-1990s. This CD, Sturm, Chanda Rule and Melissa part of Clayton's series of home-recorded Stylianou. It follows a recent Jazz Mass duets with pianists, was recorded in 2008, CD and continues in the vein of sacred the year Jones turned 90 (he died in 2010). music, often celebratory or incantatory. It is a worthy companion piece to the Two of the tracks are settings of texts fre - Haden duets, again demonstrating Jones' quently found in liturgical music: effortless command of the spirit and sub - "Sanctus" and "Psalm 23." And the opener, stance of the material. "Rejoice," is a praise song of jubilation The album opens with a sumptuous, extolling "the greatness of the Lord." contemplative rendition of "Amazing There's a pastoral mood to "River," with Grace," the pianist's stately intoning of the waves of guitar, piano and vibes flowing melody anchored by deep bass tones, under alto sax lead to usher in lyrics in Clayton delivering his own chorus on har mony from the vocal trio. The feel is bowed bass, and Jones ending the tune evanescent on "Origins," with wordless coo - with a sprinkling of pianistic stardust. ing vocals mixing with vibes and bass solos. Concluding the ten-track recital is an Lewis plays acoustic, folksy guitar on in-the-pocket steady "Woke Up This the round-like "Turning Point," voices Morning," an old spiritual repositioned as segueing in and out of vibes and piano a Civil Rights freedom anthem in the solos before ending with long, sighing 1960s, featuring the CD's only trading of chords. The title song explores a jazz-rock fours by piano and pizzicato bass. groove, albeit a mild one, the snare laying Jones is at his lucid, elegant best down a backbeat and alto sax assertively throughout the album; he does not play a soloing over jangly, rock-like rhythms. superfluous note or chord, each one flows Other tracks continue the opaque, lay - on to the next with deft logic. Clayton is a ered tones created by the blend of chordal perfect foil and partner to the pianist, his instruments, sax and voices, culminating basslines deepening and complementing in "Sanctus." One impressive exception is Jones, his leads, often bowed, enhancing "Family," a powerfully simple celebration the minimalist ensemble feel of the music. of that concept as "my Northern star, my For a program based in a specific tradi - guiding light" from singer Misty Ann tional repertoire, the two find a variety of Sturm over spare acoustic guitar with cym - rhythmic and harmonic approaches. A gen - bal accents. tly rocking, get-down feel animates "Down by the Riverside;" a similar jaunty tempo John Clayton appears at the Jazz informs "Wade in the Water." There is a Connect Conference Jan. 14-15, and febrile intensity in "Sometimes I Feel Like plays at a jam session at APAP’s a Motherless Child," heightened by the Yamaha Artists Services, on Jan. 16. frisson of Clayton's bowed melody. Ike Sturm & Evergreen play at Saint Other spirituals are given stately, Peter’s Church on Jan. 14 and 31. solemnly soulful interpretations. However, the centerpiece of this album is not a tra - Clayton cover photo by Fran Kaufman. 10 165201_HH_Jan_0 12/24/15 9:04 AM Page 11 Sign-up for our E-ALERT at www.hothousejazz.com and be the 1st to know when the latest Hot House is available on line PUBLISHER/MANAGING EDITOR: For advertising requests and Gwen Kelley (formerly Calvier ) listing info contact Gwen Kelley [email protected] Toll Free Phone: COPY EDITOR: Yvonne Ervin 888-899-800 7/[email protected] [email protected] Hot House Jazz Magazine is published monthly and all PRODUCTION & ART DIRECTOR: copyrights are the property of Gwen Kelley. All rights Karen Pica [email protected] reserved. No material may be reproduced without written CONTRIBUTING WRITERS: permission of the President. No unsolicited manuscripts will be returned unless enclosed with a self addressed Ken Dryden, Yvonne Ervin, Ken Franckling, stamped envelope. Domestic subscriptions areavailable for Seton Hawkins, Eugene Holley Jr., $37 annually (sent first class). For Canada $39 and Stephanie Jones, Nathan Kamal, international $50. George Kanzler, Elzy Kolb, Brian Le Meur, PUBLISHER EMERITUS: Dave N Dittmann Ralph A. Miriello, Michael G. Nastos, Emelie Pons, CO-FOUNDERS: Gene Kalbacher, Cary Tone, Gary Walker, Eric Wendell Lynn Taterka & Jeff Levenson PROOF READER: Robert Abel For press releases and CD revues send a copy to CONTRIBUTING PHOTOGRAPHER: Fran Kaufman Gwen Kelley: PO Box 20212 - New York, NY 10025 11 165201_HH_Jan_0 12/24/15 9:04 AM Page 12 CLUBS & HALLS UPPER MANHATTAN (Above 70th Street) SUPPORT THE JAZZ MUSEUM IN HARLEM www.jazzmuseuminharlem.org 92Y: 1395 Lexington Av at 92nd St. 212-415- 5500. www.92y.org. Jan 13: 8pm Jazz Combos; 27: 7:30pm Bucky Pizzarelli 90th- B’day celebration feat Bucky Pizzarelli, John Pizzarelli, Barbara Carroll, Russ Kassoff, Ken Peplowski, Harry Allen, Aaron Weinstein, Russell Malone, Jay Leonhart, Tony Tedesco. AMERICAN LEGION POST: 248W 132nd St (bet 7th & 8th Avs). 212-283-9701. www.colchasyoungharlempost398.com. Sun&Wed-Thurs: 7:30pm-12am Jam. ANNEX: Hargrave House. 111W 71st St (bet Columbus & Amsterdam Avs). 212-580-0888. Fri: 7-10:30pm $10 adm Open Mic w/Frank Owens. BAR THALIA: At Symphony Space. 2537 Bway at 95th St. 646-597-7340. http://barthalia.org/. Thurs: 9-11pm John Lang Jazz series; Fri: 8- 11pm $5 adm Experimental Jazz Party & Jam w/Mimi Jones. Jan 3: 7-9pm Mostly Marcus feat Marcus Goldhaber; 17&31: 7-10pm New York Jazzharmonic Trio; 23: 9-11pm Tessa Souter. BARAWINE HARLEM: 200 Malcolm X Blvd at 120th St. 646-756-4154. www.barawine.com. Sun 6-9pm & Tues 7-10pm: free adm Jerome Harris & Dave Baron. BEACON BAR: 2130 Bway at W75th St. 212- 787-1100. www.beaconhotel.com. Tues: 7- 10pm Benny Benack. BEMELMANS: At Carlyle Hotel. 35E 76th St at Madison. www.thecarlyle.com. 212-744- 1600. BILL’S PLACE: 148W 133rd St (bet Lenox & 7th Avs). www.billsplaceharlem.com. 212-281- 0777. Fri-Sat: 8&10pm $20 don Bill Saxton Bebop Band. BILLIE’S BLACK RESTAURANT & LOUNGE: 271W 119th St (bet St. Nicholas Av & Frederick Douglass Blvd). 212-280- 2248. www.billiesblack.com. BISTRO TEN 18: 1018 Amsterdam Av at 110th St. 212-662-7600. www.bistroten18.com. Thurs: 9:30pm-12am Morningside Jazz Collective. CAFÉ CARLYLE: At Carlyle Hotel. 35E 76th St at Madison. www.thecarlyle.com. 212-744- 1600. Mon: except 01/4 8:45pm Woody Allen & Eddy Davis New Orleans Jazz Band. CAMPAGNOLA: 1382 1st Av at 74th St. 212- 861-1102. Fri-Sat: 8pm-12am Effie Jansen. CASSANDRA’S JAZZ & GALLERY: 2256 7th Av (bet 132nd & 133rd Sts). 917-435-2250. www.cassandrasjazz.com. Sun: 4pm $20 don Janice Marie Robinson & friends; Mon: 8pm-12am Jam; Wed: 8&10pm $10 adm Donald Smith & friends; Thurs: 8-11pm $5/1 drink min Jam w/Dr. Dwight Qrt; Fri-Sat: except 01/15-16 9&11pm $10 Dr. Dwight Qrt w/spec guests. Jan 15-16: 8&10pm $25 adm/$20 min Gary Bartz Qrt. CHÉRI: 231 Lenox Av (bet 121st & 122nd Sts). www.cheriharlem.com. 212-662-4374. Sets: Sun 12-3pm, Fri-Sat 8-11pm.
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