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Nr. 97 Juni/Juli 2017 20.Jahrgang Gratis im Fachhandel WWW.INMUSIC2000.DE inHard_inMusic_S1_S16 18.06.2017 16:23 Uhr Seite 16 Seite Uhr 16:23 18.06.2017 inHard_inMusic_S1_S16 MONATS DES CD ANNA COOGAN FREDDA MARY'S LITTLE LAMB EBBA FORSBERG MORITZ ECKER The Lonely Cry Of Space... Land Elixir For The Drifter Take My Waltz Yes Anna Coogan/Soulfood Le Pop Musik/Groove Attack Rootz Rumble/in-akustik Gamlestans G./Broken Silence Waterfall Rec./Broken Silence ###### ##### ##### ##### ##### Ein echter Geheimtipp ist die Ich mag die Alben der fran- Aus Belgien kommt die fünf- Die Alben der schwedischen Aus Berlin kommt der Sin- aus Boston/USA stammen- zösischen Sängerin und köpfige Tex-Mex, Country Sängerin und Songwriterin ger/Songwriter und Multiin- de Sängerin, Gitarristin und Songwriterin Fredda sehr. und Americana-Truppe Ebba Forsberg waren in der strumentalist (u.a. Gitarre, Meeresbiologin Anna Coo- Das trifft auch auf ihre neu- Mary's Little Lamb, die Vergangenheit allesamt Wurlitzer-Orgel, Drums) Mo- gan, die in ihrer musikali- este Scheibe "Land" zu, zu einem wahre Gänsehaut- empfehlenswert. Besonde- ritz Ecker, der sich auf sei- schen Entwicklung maß- deren Texte sie sich teilwei- schauer über den Rücken re Erwähnung verdienen nem neuen Album von der geblich von Künstlern wie se durch japanische Gedich- jagt. Zu verdanken sind dies hierbei auch ihre beiden skandinavischen Songwriter- Kate Bush, Jane Siberry und te inspirieren ließ. Dazu gibt insbesondere den zwei Coveralben von Bob Dylan Szene, aber auch von Folk- Lene Lovich beeinflusst es atmosphärisches "Wüs- Trompeten im Bandsound (2007) und Tom Waits künstlern der 60iger und wurde. Im Vordergrund ihres tenfeeling", welches den und der melancholisch-dun- (2015). Auf ihrer neuen 70iger Jahre inspirieren ließ. einzigartigen träumerisch Songs in den Waterworks- klen Stimme von Front- Schiebe "Take My Waltz…" Ergebnis ist ein wunderbar flirrenden und wabernden Studios in Tucson/Arizona mann, Gitarrist und Banjo- erweist sie nun dem kürzlich charmantes und handge- (manchmal keyboard-durch- von Produzent Jim Waters Spieler Bart Hendrickx, der verstorbenen Ausnah- machtes Indie-Folk-Album strömten) Indierocks steht (u.a. Calexico) verpasst wur- mitunter wie Nick Cave mekünstler und Songpoeten mit Songs über die Liebe, ihr einzigartiger Gesang, der de. Man höre hierzu nur den klingt. Komplettiert wird die Leonard Cohen den fälligen das Leben, Trennung und vom normalen Stimmtimbe wunderbaren Opener "Ma Formation von einem Bas- Tribut. Mit emotionaler Aus- vom Reisen um die Welt. auch in fast opernhafte Rivière" und das atmos- sisten und Schlagzeuger. Als druckskraft, der nötigen Moritz ist nämlich auch ein Gefilde (aber positiv) abdrif- phärisch-hypnotische "Main- Anspieltipp empfiehlt sich Melancholie und ihrer leicht passionierter Radfahrer, der ten kann. Und auf dem star- tenant" mit dem amerika- das mexikanische Lokalko- dunkel gefärbten Stimme nur mit ein wenig Gepäck ken Titelstück erinnert sie nischen Gitarristen Naim lorit verströmende "Incan- verleiht sie Klassikern wie und seiner Gitarre rund um mich sogar ein wenig an Amor. Neben Jeanne Cher- tation". Ein wunderbar ge- "Dance Me To The End Of die Welt reist. Vom Gesang Dolores O'Riordan von den hal ist Fredda mein derzeiti- schmackvolles Soundelixier. Love", "Suzanne" und "Hal- her erinnert er ein wenig an Cranberries. ger Favorit aus Frankreich! Geheimtipp! lelujah" neuen Glanz. Bob Dylan. Geheimtipp! RAINER GUÉRICH RAINER GUÉRICH DUKLAS FRISCH BERND LORCHER MINKY STEIN SOUND dd ll ww rr hh aa oo rr ee cc nn ii hh bb dd ee hh ll rr hh cc oo nn cc ee éé aa ll ss rr ee ll ii B uu B rr oo hh B öö B F G L T Z ee F G L T Z mm .. .. .. tt .. CHECK .. ii DD RR BB SS UU FF TT inMusic inMUsic inMusic inHard inMusic inMusic inMusic 1. ANNA COOGAN The Lonely Cray Of... Ø: 4,9 4 5 5 6 6 5 3 2. FREDDA Land Ø: 4,7 3 4 5 5 5 5 4 3. MARY’S LITTLE LAMB 4 5 3 5 4 5 5 Elixir For The Drifter Ø: 4,6 PROFESSOR LOUIE & TIM MCMILLAN ROBERT CRAY 4. EBBA FORSBERG Take My Waltz Ø: 4,4 5 3 4 5 4 5 5 THE CROWMATIX Hiraeth Robert Cray & Hi Rhythm 5. MORITZ ECKER Crowin' The Blues T3 Records/Galileo MC Megaforce/H'Art Yes Ø: 4,3 5 4 3 5 5 3 5 Woodstock Records/in-akustik #### ##### 6. ROBERT CRAY ##### & Hi Rhythm Ø: 4,1 4 3 4 5 4 3 5 Tim McMillan ist ein ganz Bluesgitarrist & Sänger besonderer Singer/Song- Robert Cray ist auch nach 7. TIM MCMILLAN 3 4 3 5 4 4 5 „Crowin’ The Blues“ ist das Hiraeth Ø: 4,0 bereits 13-te Album des writer und Gitarrist. Sein (oft vielen Jahren im Musikge- 8. PROF. LOUIE & CROWM. 3 3 4 5 4 4 4 New Yorker Bluessängers & mehrstimmiger) Gesang schäft noch für eine Überra- Crowin’ The Blues Ø: 3,9 Barrelhouse-Pianisten Pro- integriert sich gekonnt in schung gut. So ging er für 9. MAYSA Love Is A Battlefield Ø: 3,7 4 2 4 5 3 4 4 fessor Louie, das er zusam- abwechslungsreiche Gitar- seine neueste Scheibe nach 10. DELTA MOON men mit seiner vierköpfigen renklänge, die mitunter an Memphis, um in den legen- Cabbagetown Ø: 3,6 5 3 4 4 3 3 3 Begleitband "The Crowma- Gitarristen wie Al Di Meola dären Royal Studios zusam- 11. FLO 3 2 4 5 3 3 4 tix" eingespielt hat. Auf dem und Pat Metheny erinnern. men mit Produzent Steve Il Mese Del... Ø: 3,4 Spielplan steht eine unter- Dazu gibt es auch noch Aus- Jordan und Willie Mitchells 12. PIERS FACCINI 3 4 3 4 2 4 3 I Dreamed An... Ø: 3,3 haltsame Mischung aus flüge in Jazz, Folk, Progres- (2010 verstorben) legendä- 13. PENGUIN CAFE Blues, Rock 'n' Roll, Soul, sive Rock und Flamenco. rer "Hi Rhythm"-Band ein The Imperfect Sea Ø: 3,1 3 2 4 3 2 3 5 Roots Music und natürlich Auf der Scheibe sind eine wunderbar warmes und 14. TIM VANTOL 3 3 4 3 3 3 2 auch Zydeco. Man höre hier- Reihe von musikalischen klassisches Soulalbum in Burning Desires Ø: 3,0 zu nur das mit schlangenar- Gästen zu hören, u.a. Matyas bester Memphis-Tradition 15. JUANA MOLINA 2 4 3 3 3 2 4 Halo Ø: 2,9 tigen Shakern/Rasseln ge- Wolter (Pulsar Trio), Phil aufzunehmen. Inklusive Campbell (Motörhead), Whit- einer schmissigen Soulver- 16. LORD ECHO konnt in Szene gesetzte Harmonies Ø: 2,7 3 4 2 4 2 2 2 "Love Is Killin' Me" mit Miss field Crane & Klaus Eich- sion von Bill Withers "The 17. RAUL MIDON 2 3 3 3 3 2 2 Marie am Mikrofon. Eine stadt (beide von Ugly Kid Same Love That Made Me Bad Ass And Blind Ø: 2,6 schöne Empfehlung für alle Joe). Also ruhig auch mal in Laugh" und der atmosphäri- 18. ST. KITTS ROYAL ORCH. eine schöne Scheibe abseits schen Crooner-Ballade "As- Isadora Ø: 2,4 2 2 3 3 2 3 2 Bluesfreunde abseits der gewöhnlichen Blues-Veröf- des gewohnten Mainstre- pen, Colorado" aus der 19. COLIN STETSON All This I Do For... Ø: 2,3 1 2 3 3 2 2 1 fentlichungen. ams hineinhören! Feder von Tony Joe White. 20. TORA FABIAN HAUCK DUKLAS FRISCH Take A Rest Ø: 2,1 2 232122 RAINER GUÉRICH 2 INMUSIC 06/17 - 07/17 inHard_inMusic_S1_S16 18.06.2017 16:23 Uhr Seite 15 Seite Uhr 16:23 18.06.2017 inHard_inMusic_S1_S16 ERIC ANDERSEN RAY DAVIES TIM ENGELHARDT Menge Atmosphäre, pluggenden ger als Produzenten-Legende EROC Mingle With The Universe: Americana Moments Of Truth Parts und bedrohlichen Klangku- zuständig. Die einzelnen Nummern The Worlds Of Lord Byron Legacy/Sony Music Poker Flat Recordings lissen. Mit diesen Klängen könnte gehen sehr gut ins Ohr und erinnern Meyer Records/Rough Trade ##### #### auch ein düster-geheimnisvoller auf Stücken wie "Skywalker" und #### Science Fiction-Film untermalt wer- "Fresh Air" manchmal auch an das Ray Davies kennt man natürlich als Der Kölner DJ und Producer Tim den! Alan Parsons Project. Zum prägnant Eine dunkel-melancholische Folk- ehemaligen Sänger und Gitarristen Engelhardt legt mit „Moments Of DUKLAS FRISCH stimmigen Sound trägt auch das blues-Stimme, die einem wahre der Kinks. Mit "Americana" legt er Truth“ sein Debütalbum vor. Ent- tolle E-Gitarrenspiel von Holger Gänsehaut- nun nach 9 standen ist ein atmosphärisches, FLO Strausberg bei. Auf einigen Stücken schauer über Jahren wieder melancholisches und pluggendes Il Mese Del Rosario sind auch noch Saxophon, Flöte, den Rücken mal ein neues Elektronikalbum, das sich hören las- Agualoca Record/Indigo Akustikgitarre oder Oboe zu hören. laufen lässt. Soloalbum sen kann. Anspieltipp hierzu ist das ##### Fein! So könnte vor, zu dem er wie ein geschmierter Motor nach RAINER GUÉRICH man den durch seine vorne treibende „Solitude. Hinter dem Logo "Flo" verbirgt sich rauen Gesang zahlreichen SIGGI MAYEN die aus Neapel stammende Sän- HUNDLING von Sänger Reisen durch gerin und Songwriterin Floriana Can- giano, die Gestern oder im 3. Stock und Songwriter Eric Andersen Amerika inspiriert wurde. Ergebnis ESTBEL Donnerwetter Musik/Cargo beschreiben. Auf seiner neuen ist ein gelungenes Singer/Son- Saar mittlerweile #### Scheibe beschäftigt er sich mit dem gwriter Album mit üntrüglichem Alt- FOLK AVANT zu einer der Schaffen des exzentrisch-exzessi- Country + Folk-Charme. Das wun- Gryningsland angesagte- Wie bereits auf ihrem Debüt „Ois ven britischen Dichter Lord Byron. dert aber auch nicht, da Ray im Stu- Nordic Notes sten Künstle- Chicago“ (2015) zeigt sich die Mün- 2 Songs stammen hierbei aus der dio von den Jayhawks als Begleit- ##### rinnen inner- chener Combo als stilistisch offene band unterstützt wurde. Alles rich- halb der itali- Truppe, die im Feder Andersens, die restlichen 12 Aus Estland kommt die vierköpfige tig gemacht! enischen gepflegten Stücke basieren auf Versen von Folk-Band ESTBEL, die ihren tradi- Byron.
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  • Soul Power, (2008, USA, Director Jeffrey Levy-Hinte)

    Soul Power, (2008, USA, Director Jeffrey Levy-Hinte)

    Soul Power, (2008, USA, Director Jeffrey Levy-Hinte) Review In 1974, as a warm-up to the legendary ‘Rumble in the Jungle’ heavy-weight title fight between Muhammad Ali and George Foreman in Kinshasa, Zaire (now Democratic Republic of Congo), a music festival took place that brought together some of the finest African and African-American artists of the 1970s. Soul Power is a record of this event, and the sheer scale of musical talent showcased within it - from B. B. King, Miriam Makeba and Bill Withers to Tabu Ley Rochereaux and James Brown – is enough to demand one’s immediate attention. For fans of black music, this film is essential viewing. For those unfortunate, aurally impoverished people not already familiar with these musicians, Soul Power is about the best audio-visual introduction available (along with Wattstax (1973), Mel Stuart’s film of the ‘black Woodstock’ festival the year before). And yet this film was very nearly not available at all. Every second of footage in Soul Power was shot thirty-six years ago by Leon Gast’s crew for what was to become When We Were Kings (1996), the academy-award winning documentary of the Ali- Foreman bout. Tragically, the images of the festival were dropped in order to maintain the King’s focus on the fight and its socio-cultural and political significance. In rescuing the images that constitute Soul Power, then, Jeffrey Levy-Hinte and co. do a service to the history of black music on film. This was no light undertaking. ‘Zaire ‘74’, as the festival was named, took place over three days.
  • COLIN STETSON PROGRAM Saxophone

    COLIN STETSON PROGRAM Saxophone

    Saxophone COLIN STETSON Visiting Artist Series presents ARTIST PARTNER PROGRAM November 9, 2017 . 8PM @ MilkBoy ArtHouse VISITINGVAS ARTIST 1SERIES The Clarice Smith Performing Arts Center's Visiting Artist Series presents COLIN STETSON PROGRAM Saxophone This performance will last approximately 1 hour. Join the artists for a conversation during the performance. Program to be selected from: Spindrift Judges Between Water and Wind All this I do for Glory The love it took to leave you In the clinches Strike your forge and grin 2 Colin Stetson was born and raised in Ann Arbor, spent a decade ABOUT THE ARTIST in San Francisco and Brooklyn honing his formidable talents as a horn player, eventually settling in Montreal in 2007. Over the years he has worked extensively live and in studio with a wide range of bands and musicians including Tom Waits, Arcade Fire, Bon Iver, TV On The Radio, Feist, Laurie Anderson, Lou Reed, Bill Laswell, Evan Parker, The Chemical Brothers, Animal Collective, Hamid Drake, LCD Soundsystem, The National, Angelique Kidjo, Fink, and David Gilmour. Meanwhile he has developed an utterly unique voice as a soloist, principally on saxophones and clarinets, his intense technical prowess matched by his exhilarating and emotionally gripping skills as a songwriter. Stetson’s astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stetson is equally at home in the avant jazz tradition of players who have pushed the boundaries of the instrument through circular breathing, embouchure, etc. (i.e.