Development Document for Effluent Guidelines & Standards for Pressed & Blown Glass Segment of the Glass Manufacturing Ca
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Quarterly Journal of the All India Glass Manufacturers' Federation
Vol. 3 | No. 4 | January - March 2016 Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual www.aigmf.com Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material An Publication - GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Kanch | Vol. 3 | No. 4 | January-March 2016 2 Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: www.aigmf.com President SANJAY GANJOO Sr. Vice President ARUN KUMAR DUKKIPATI Vice President RAJ KUMAR MITTAL Hon. General Secretary BHARAT SOMANY Hon. Treasurer SANJAY AGARWAL Member Editorial Board A K Bandyopadhyay Quarterly Journal of THE ALL INDIA GLASS MANUFACTURERS’ FEDERATION Former Principal, Govt. College of Engineering & Ceramic Technology-GCECT, Kolkata DEVENDRA KUMAR Prof. & HOD, Dept. of Ceramic, Indian Institute of Technology (Banaras Hindu University) Vol. 3 | No. 4 | January-March 2016 K K SHARMA President, NIGMA and Plant Head, HNG Neemrana, Rajasthan MEMBER ASSOCIatIONS EASTERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (EIGMA) Contents c/o La Opala RG Ltd. Chitrakoot, 10th Floor, 230 A, A.J.C. Bose Road From President's Desk 5 Kolkata - 700 020 President - Sushil Jhunjhunwala Glass as Vital Building Material for Smart / Solar Cities NORTHERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (NIGMA) & c/o Hindustan National Glass & Industries Limited 6 Post Office - Bahadurgarh, Jhajjar, Haryana-124 507 Book Launch: “Glass - A Sustainable Building and Packaging President - KK Sharma Material” Vice President - Jimmy Tyagi Honorary General Secretary - NN Goyal Glass News 13 Secretary & Treasurer - JB Bhardwaj SOUTH INDIA GLASS MANUFACTURERS’ ASSOCIATION (SIGMA) Smart City and Glasses for Flat-Screen Products – Part II 21 c/o AGI Glasspac (An SBU of HSIL Ltd.) Glass Factory Road, Off. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
The Depression Era Pdf, Epub, Ebook
CENTRAL GLASS WORKS: THE DEPRESSION ERA PDF, EPUB, EBOOK Tim Schmidt | 192 pages | 01 Jun 2004 | Schiffer Publishing Ltd | 9780764320163 | English | Atglen, United States Central Glass Works: The Depression Era PDF Book Comic Books. To find a value for your vintage glassware, shop around. Nonetheless, stock prices continued to rise, and by the fall of that year had reached stratospheric levels that could not be justified by expected future earnings. Answer: When we think of Depression Glass, we usually think of the popular dishware manufactured during that period. Lorraine — Also known as pattern No. Model Trains. The early history of the companies and operations which became the Indiana Glass Company are confusing, convoluted and not terribly well documented! And those relief programs for which blacks were eligible on paper were rife with discrimination in practice, since all relief programs were administered locally. Feel the heft of it. Princess is often found in pink and green, followed by yellow and occasionally in light blue. Jobs available to women paid less, but were more stable during the banking crisis: nursing, teaching and domestic work. Many cookie jars were made in colors not originally associated with Mayfair, but the pink and light blue versions can be troublesome for new collectors. It went over to mass production in the s. Consignment shops also must collect a percentage of the sold price. Pyramid — also known as pattern No. For instance, English Hobnail and Miss America can look very similar with just a cursory inspection. Most often found in pink and monax. Lincoln's Depression. Cookie jars and shot glasses have been reproduced in the Mayfair pattern. -
ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2
30.3 COVERs 3/18/07 2:03 PM Page 1 992-994_30.3_ADS 3/18/07 1:16 PM Page 992 01-011_30.3_ADS 3/16/07 5:18 PM Page 1 JACQUES CARCANAGUES, INC. LEEKAN DESIGNS 21 Greene Street New York, NY 10013 BEADS AND ASIAN FOLKART Jewelry, Textiles, Clothing and Baskets Furniture, Religious and Domestic Artifacts from more than twenty countries. WHOLESALE Retail Gallery 11:30 AM-7:00 PM every day & RETAIL (212) 925-8110 (212) 925-8112 fax Wholesale Showroom by appointment only 93 MERCER STREET, NEW YORK, NY 10012 (212) 431-3116 (212) 274-8780 fax 212.226.7226 fax: 212.226.3419 [email protected] E-mail: [email protected] WHOLESALE CATALOG $5 & TAX I.D. Warehouse 1761 Walnut Street El Cerrito, CA 94530 Office 510.965.9956 Pema & Thupten Fax 510.965.9937 By appointment only Cell 510.812.4241 Call 510.812.4241 [email protected] www.tibetanbeads.com 1 ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2 volumecontents 30 no. 3 Ornament features 34 2007 smithsonian craft show by Carl Little 38 candiss cole. Reaching for the Exceptional by Leslie Clark 42 yazzie johnson and gail bird. Aesthetic Companions by Diana Pardue 48 Biba Schutz 48 biba schutz. Haunting Beauties by Robin Updike Candiss Cole 38 52 mariska karasz. Modern Threads by Ashley Callahan 56 tutankhamun’s beadwork by Jolanda Bos-Seldenthuis 60 carol sauvion’s craft in america by Carolyn L.E. Benesh 64 kristina logan. Master Class in Glass Beadmaking by Jill DeDominicis Cover: BUTTERFLY PINS by Yazzie Johnson and Gail Bir d, from top to bottom: Morenci tur quoise and tufa-cast eighteen karat gold, 7.0 centimeters wide, 2005; Morenci turquoise, lapis, azurite and fourteen karat gold, 5.1 centimeters wide, 1987; Morenci turquoise and tufa-cast eighteen karat gold, 5.7 centimeters wide, 2005; Tyrone turquoise, coral and tufa- cast eighteen karat gold, 7.6 centimeters wide, 2006; Laguna agates and silver, 7.6 centimeters wide, 1986. -
Quarterly Journal of the All India Glass Manufacturers' Federation Inside
Vol. 4 | No. 1 | April - June 2016 www.aigmf.com Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Inside Interview Special Feature Yoshihiko Sano • Sustainability in Glass President of Nipro Corporation • A Note on Closed Glass Companies in the USA • Nipro Injects Innovation into Pre- for Artistic Appreciation filled Syringes and Targets US Expansion • Efficient Workflow: Automation and Digitisation Reduce Production and Handling Costs Upcoming Events (Sept 2, 2016) • FEA Studies of Impact Loads on NNPB Refillable • Enhancing Profitability by Empowering Workforce Bottles • Business Opportunities for Indian Glass Companies at Port of Duqm, • Energy Efficient Renovation Boost for Added- Sultanate of Oman Value Glazing • AIGMF Executive Committee Meeting / AGM Main Story Glass Packaging Supporting Swachh Bharat Abhiyaan (Clean India Campaign) event at Central Glass and Ceramic Research Institute (CSIR-CGCRI), Kolkata Page No. 6 Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material - An Publication GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: PORT OF DUQM Duqm, 100% Foreign Ownership the preferred Tax -exemption for 30 years Free Repatriation of Capital Special Economic & profi ts No minimum capital requirement No currency restrictions Zone for your No personal income tax Exemption from import & overseas export duties Usufruct agreements up to 50 years renewable investment One-stop station service For more information, contact: Port of Duqm Company SAOC Tel: (+968) 24342800 | Fax: (+968) 24587343 | [email protected] | www.portduqm.com 2 Kanch | Vol. -
Les Verres Opalins D'époque Contemporaine Issus Du Site Du
Revue archéologique de l’Est Tome 68 | 2019 n° 191 Les verres opalins d’époque contemporaine issus du site du Puisoz à Vénissieux (Rhône) Stéphane Brouillaud Édition électronique URL : http://journals.openedition.org/rae/13262 ISSN : 1760-7264 Éditeur Société archéologique de l’Est Édition imprimée Date de publication : 1 décembre 2019 Pagination : 355-366 ISSN : 1266-7706 Référence électronique Stéphane Brouillaud, « Les verres opalins d’époque contemporaine issus du site du Puisoz à Vénissieux (Rhône) », Revue archéologique de l’Est [En ligne], Tome 68 | 2019, mis en ligne le 11 décembre 2020, consulté le 25 janvier 2021. URL : http://journals.openedition.org/rae/13262 © Tous droits réservés LES VERRES opalins D’Époque CONTEMPORAINE ISSUS DU SITE DU PUISOZ À VÉNISSIEUX (RHÔNE) Stéphane BROUILLAUD* Mots-clés Vénissieux, dépotoir, production, consommation, verre opalin, opaline, époque contemporaine. Keywords Vénissieux, waste zone, production, consumption, opaline glass, opaline, contemporary era. Schlagwörter Vénissieux, Abfallgrube, Produktion, Konsum, getrübtes Glas, Milchglas, Moderne. Résumé Une campagne de fouille archéologique préalable à un projet d’urbanisme a été menée en août 2015 au lieu-dit Le Puisoz à Vénissieux (Rhône). Cette opération a permis de mettre au jour un dépotoir de 400 m², découvert dans le fossé défensif de la seconde enceinte de fortifications de la ville de Lyon. Daté de la fin du premier quart du XXe s., son comblement est composé dans sa quasi- totalité de céramiques et de verres. Il témoigne ainsi de la politique de tri sélectif mise en place à Lyon à cette époque. Le mobilier en verre se distingue d’une part par des rejets d’une production industrielle et d’autre part, par de la verrerie domestique. -
Glass Circle Publications
INDEXOF GLASS CIRCLE PUBLICATIONS by Hazel Bell Incorporating and modifying the previous indexes by Peter Lole Indexed publications Key Glass Circle News Issues 1-140 (1977–2016) 1.1 (Issue no.page no(s);) The Glass Circle Journal 1-11 (1972-2009) JL The Centenary Supplement (2004) CS GCN (2004) Ex. ExFromcerpts Palace from to the Parlour first 99(2003) issues of PP The Glass Circle Diamond Jubilee 1937–1997 DJ Glass Collectors and their Collections (1999) Col. Strange and Rare: 50th Anniversary Exhibition 1937–1987 SR Major references to a topic are given in bold type Abbreviations used: c. GCN for Glass Circle News. Notesexh. for exhibition; for century; GC for Glass Circle; Short forms of article and book titles are used. Article titles, and titlesin ofitalics talks reported, are given ‘in quotes’ under the names of the speakers. Book titles are given under the names of the authors, except for multi-author books, listed under their titles. GlassReviewers Circle of books,News andreferences writers of are letters given and in obituaries, the form: are rarely included. Issue number.page number(s) with the Issue numbers followed by stops; page numbers in the same issue separated by commas; Issue numbers separated by semi-colons. Newsletters for April and July 1983 are both numbered 26; references to those issues are given in the index as 26A and 26Jy. The first page of Issue 115, 2 June 2008, shows Issue number as 114. Announcements of coming events, advertisements, auctions, fairs, and sales reports are not indexed; of exhibitions, only major ones are indexed. -
Glass Production
Technical Support Document for the Glass Manufacturing Sector: Proposed Rule for Mandatory Reporting of Greenhouse Gases Office of Air and Radiation U.S. Environmental Protection Agency January 22, 2009 Technical Support Document for Glass: Proposed Rule for Mandatory Reporting of Greenhouse Gases CONTENTS 1. Industry Description............................................................................................................ 1 2. Total Emissions ................................................................................................................... 1 2.1 Process Emissions ................................................................................................... 1 2.2 Stationary Combustion ............................................................................................ 2 3. Review of Existing Programs and Methodologies .............................................................. 2 4. Options Considered for Reporting Threshold ..................................................................... 4 4.1 Emissions Thresholds ............................................................................................. 4 4.2 Capacity Thresholds................................................................................................ 4 4.3 No Emissions Threshold ......................................................................................... 4 5. Options for Monitoring Methods........................................................................................ 7 5.1 Option 1: Default -
Glass Shards • Page 2
GlassNEWSLETTER OF THE NATIONAL Shards AMERICAN GLASS CLUB www.glassclub.org Founded 1933 A Non-Profit Organization Autumn 2019 New Bedford Museum of Glass on the Move! After 3 months of heroic effort last Mt. Washington Glass Company, will relocation possible: Aaron Barr, Mary spring by a team of dedicated volun provide a perfect home for the muse Jo Baryza, Jeff Costa, David DeMello, teers, the New Bedford Museum of um, and we expect to open our new Brian Gunnison, Peggy Hooper, Maria Glass is happy to report that it has fully glass galleries there later this year. Martell, Luis Marquez, Charlie Moss, vacated its former premises and is now Heart-felt thanks to the following Andrea Natsios, Betsy Nelson, Eric making steady progress toward set volunteers (many NAGC members Nelson, Ross Nelson, Karen Petraglia, ting up its new gallery, library, office, among them!) who helped make our and Clint Sowle. and shop spaces in downtown New Bedford’s magnificent James Arnold Mansion! Literally thousands of ex amples of beautiful glass, including art glass, paperweights, early Ameri can glass, and studio glass by contem porary artists, have been carefully packed and moved to the new location, along with more than 50 massive dis play cases, a library of 15,000 glass reference books, and countless fasci nating odds and ends that help tell the story of approximately 2,500 years of glassmaking history. The mansion, which served as the residence in the 1870s and ’80s of William J. Rotch, the president of New Bedford’s famous The new home of the New Bedford Glass Museum. -
Antique Glass by Company 121
ANTIQUE GLASS BY COMPANY 121 Blenko Glass: 1962-1971 Catalogs. Leslie Corning Pyroceram® Cookware. Randy Fenton Glass Compendium: 1970-1985. Piña. Recently, Blenko glass designs from the 1950s & Debbie Coe. A detailed account of Corning’s John Walk. Over 1,160 color photos display and 1960s have caught collectors’ eyes. This book Pyroceram® cookware. 60 plus patterns are Fenton art glass wares, ranging from baskets presents an exact, full-color reprinting of the yearly listed and shown in over 400 color photos. and bells to special order items and vases, made Blenko company catalogs from 1962 through 1971, Reprints of catalogs, brochures, and historical from 1970 through 1985. Every color, form, thus offering a complete, well-illustrated record of material, and a detailed bibliography provide and glass decorating motif is detailed. The text Blenko glass products, including original retail prices much additional information. An index gives easy includes the production history of the beautiful and up-to-date prices. access to the contents. Current values included. art wares produced during this period. Values Size: 8 1/2" x 11" • 180 color photos Size: 8 1/2" x 11" • 423 color photos • Price Guide/ are in the captions and in tables. Price Guide • 160 pp. Index • 160 pp. Size: 8 1/2" x 11" • 1,164 color photos ISBN: 0-7643-1026-7 • hard cover • $29.95 ISBN: 978-0-7643-3139-8 • soft cover • $29.99 Price Guide • 240 pp. ISBN: 0-7643-1344-4 • hard cover • $29.95 Blenko 1972-1983 Catalogs. Introduction by Leslie Piña. This reprint of the twelve 1972-1983 The Artistic Glassware of Dalzell, Gilmore Fenton Glass Compendium: 1985-Present. -
Sandwich Redux San(D)-Wich Re-Duks N
SANDWICH Redux san(d)-wich re-duks n. Glass artist invitational to re-interpret iconic Sandwich Glass with distinctive flair. Chris Belleau v Ricky Bernstein v Ed Branson v William Gudenrath v Eben Horton Sidney Hutter v Benton Jones v Jon Kuhn v Fritz Lauenstein v Michael Magyar Yukimi Matsumoto v Billy Mayer v David McDermott v Jim Poore v Chris Sherwin Josh Simpson v Debbie Tarsitano v Nancy Tobey v Beth Williams Gaffer Robert Matthews seated at the gaffer’s bench is shaping the foot of a goblet. Matthews worked at the Boston & Sandwich Glass Company from 1875 until its closing in 1888. The photograph was taken c. 1880. From the Collections of the Sandwich Glass Museum. SANDWICH REDUX he traditions of glassmaking have changed little over the centuries. During the 19th century, the Boston & Sandwich Glass Company was one of the largest producers of glassware Tin the world. The functional wares that the factory produced were innovative for their time. Today, new innovations in glassmaking are tested in small studios where hot glass is used as a medium for artists to produce new works of creative endeavor. This year, 2012, marks the 50th Anniversary of the Founding of the Contemporary Studio Glass Movement. In 1962 ceramics professor Harvey Littleton and chemist Dominick Labino began an experiment to produce hot glass in a studio setting as opposed to the traditional factory. Their success led the way for many of today’s glass artists, many of whom Littleton went on to teach and train. In honor of this event the Sandwich Glass Museum invited glassmakers of national and international fame to look to the past, to draw inspiration from the glassware produced in Sandwich during the 19th and early 20th centuries and to create a new work for the 21st century.