Glass Shards • Page 2

Total Page:16

File Type:pdf, Size:1020Kb

Glass Shards • Page 2 GlassNEWSLETTER OF THE NATIONAL Shards AMERICAN GLASS CLUB www.glassclub.org Founded 1933 A Non-Profit Organization Autumn 2019 New Bedford Museum of Glass on the Move! After 3 months of heroic effort last Mt. Washington Glass Company, will relocation possible: Aaron Barr, Mary spring by a team of dedicated volun­ provide a perfect home for the muse­ Jo Baryza, Jeff Costa, David DeMello, teers, the New Bedford Museum of um, and we expect to open our new Brian Gunnison, Peggy Hooper, Maria Glass is happy to report that it has fully glass galleries there later this year. Martell, Luis Marquez, Charlie Moss, vacated its former premises and is now Heart-felt thanks to the following Andrea Natsios, Betsy Nelson, Eric making steady progress toward set­ volunteers (many NAGC members Nelson, Ross Nelson, Karen Petraglia, ting up its new gallery, library, office, among them!) who helped make our and Clint Sowle. and shop spaces in downtown New Bedford’s magnificent James Arnold Mansion! Literally thousands of ex­ amples of beautiful glass, including art glass, paperweights, early Ameri­ can glass, and studio glass by contem­ porary artists, have been carefully packed and moved to the new location, along with more than 50 massive dis­ play cases, a library of 15,000 glass reference books, and countless fasci­ nating odds and ends that help tell the story of approximately 2,500 years of glassmaking history. The mansion, which served as the residence in the 1870s and ’80s of William J. Rotch, the president of New Bedford’s famous The new home of the New Bedford Glass Museum. Halim Clock and Stained Glass Museum The collection of the Halim Time also traces the creative life of Tiffany, and Glass Museum is comprised of highlighting the advances in stained more than 1,100 timepieces and over glass, pottery, and his later works 70 19th-century stained glass pieces including housewares, mosaics, and of art. Timepieces have been a fascina­ windows. tion of the museum’s founder, Cameel Halim, an Egyptian immigrant who HALIM TIME AND GLASS purchased his collection from around MUSEUM the world. Included are 30 master­ 1560 Oak Ave. pieces from Louis Comfort Tiffany, Evanston, IL 60201 Mary Tillinghast, Edward Sperry, and (224) 714-5600 J&R Lamb Studios. The collection Halim Time and Glass Museum. www.halimmuseum.org Glass Shards • Page 2 President’s Letter Dear friends, to Pittsburgh in 1970 and opened a sale, but she also loved igniting that The recent passing of longtime an antique shop outside the city in spark of passion in a new collector. NAGC Pittsburgh Chapter member Blawnox, Pennsylvania. The shop, in Sharing an object or delving through Frances Taylor caused me to reflect a beautiful Victorian house, anchored a tome in search of the answer to an on our mission as a club—we are an Main Street and became a destination antique puzzle, both defined her. Her educational organization. At our best as much for the welcoming atmosphere example encourages me, as a new year we are teachers who hope to engage as for the wonderful glass, china, and of programming and chapter meetings our communities in the wonder of the furniture found there. begin, to dedicate myself to our mis­ miracle material of glass. Frances ex­ Herman was the quieter of the two, sion and to hopefully captivate some­ emplified that mission. but both loved their customers as much one new by all our club has to offer. Frances, and her husband Herman, as their antiques. What always distin­ A special thank you to Frances for all were Texans—she was born in Fort guished the store for me, were the she has taught me! Worth, attended Texas Christian books, hundreds of them. This shop University, and together they raised became a place to freely exchange Anne P. Madarasz a family in Port Arthur. They came knowledge – Frances loved to make President In Memoriam Dorothy Hall Allen Francis during his Presidency of the February 14, 1932 –June 27, 2019 National American Glass Club and membership in numerous glass clubs. Dorothy Hall Allen, NAGC mem­ According to Mr. Allen “She had a ber since 1989 and wife of Francis N. mind like a steel trap, a quick eye Allen also of NAGC, died on June 27, and made whatever I wrote look real 2019. Dorothy was born in Davis, good.” West Virginia on February 14, 1932. Dorothy had other interests besides In her earlier years she worked for the glass, including sewing and cooking. National Security Agency, a vocation A devoted mother, she dearly loved she abandoned to raise their three her three grandchildren. children. Dorothy shared Francis’s love of glass and antiques. She supported Dorothy Hall Allen. **** Walter Blenko through his senior year at age 17 to June 15, 1926–August 11, 2019 enlist in the Army during World War II in 1944. He served in the European A decorated World War II veteran, Theater as a combat infantryman in astute lawyer, and generous philanthro- the 95th Infantry Division and was pist, Walter Blenko Jr. accomplished awarded a Bronze Star. After the war, more in his retirement years than most Mr. Blenko earned a bachelor’s degree people do in a lifetime. Mr. Blenko, in mechanical engineering from the 93, of Hampton, died August 11th of Carnegie Institute of Technology in congestive heart failure. 1950 and a law degree from the Uni­ Mr. Blenko has also been credited versity of Pittsburgh three years later. with saving Blenko Glass Co., Milton, He tran sitioned to a part-time role as a WV—a company that had been in his partner for Eckert, Seamans, Cherin & family for more than 100 years. Mellott in 1993 before retiring in Mr. Blenko grew up in the Squirrel 2008—the same year he took over as Hill neighborhood of Pittsburgh and president of Blenko Glass, started by left Shady Side Academy halfway his grandfather in 1893. Walter Blenko. Glass Shards • Page 3 Mr. Blenko guided the company in advance to see him sign pieces of keep Blenko Glass operating. We are through Chapter 11 bankruptcy in art glass with a special etching tool. confident there are years to come for 2011 and restored its good fortunes, —Janice Crompton Blenko. I plan to be here for several said Dean Six, company vice president Pittsburgh Post-Gazette more years myself and I hope our and general manager. “If there was a efforts to build a strong team for the single person who should get credit From Dean Six, NAGC member and next 126 years is successful. We will for keeping the company going, it was VP Blenko Glass Company: miss Walter and his distinctive bow tie, Walter,” Mr. Six said. “He provided When I spoke with Don Blenko, but the Blenko family and the nearly the leadership, structure, and drive to Walter’s co-owner and nephew, Don 50 of us associated with Blenko Glass keep us on course. We survived and assured me, “I see no reason the plant will continue to preserve and promote now we’re thriving.” will not continue for a long time due the family legacy. Thank you Walter Mr. Blenko often visited the com- to the present good standing, we plan for this amazing opportunity, thanks pany, where customers would line up to be there for many more years. One everyone for sharing our journey.” way to honor Walter’s memory is to **** Frances Taylor people, and sharing her enthusiasm Glass Club, she assisted in the plan­ January 20, 1924–August 22, 2019 for glass. ning of the Club’s Antique Shows for Frances’ knowledge and interests more than 20 years. The Lowell Innes Frances Taylor, longtime member extended beyond glass. She served Chapter, which meets evenings on the of the Pittsburgh Chapter, died as an appraiser for the local program second Tuesday monthly at the Heinz Thursday, August 22, 2019. Frances, “Hidden Treasures” coordinated by History Center, will miss Frances and and her husband Herman, owned Pittsburgh’s CBS affiliate KDKA her dedication to sharing and preserv­ Frances Taylor Antiques in Blawnox, in partnership with the Senator John ing the history of American Glass, es­ a suburb of Pittsburgh from the 1970s Heinz History Center, where Frances pecially Western Pennsylvania glass through the 1990s. served as a member of the Glass history. A glass wizard, Frances especially Advisory Committee. loved early Pittsburgh glass. Later she Frances herself was a treasure! — Submitted by Mary Lamica collected open salts. Frances loved An active member of the Pittsburgh sharing her knowledge, being with Chapter of the National American A Cut Above: A Tribute to Edward Poore This past year we lost an esteemed Pairpoint, Ed became fascinated with paperweights, Poore created cut glass member of the glass community, paperweights, a fascination that he sculptures of his own design, as well Edward D. Poore. In celebration of turned into a career specializing in the as new engraving patterns. his life and talent, the Sandwich Glass restoration of antique and contempo­ Museum is pleased to present A Cut rary paperweights. He also created SANDWICH GLASS MUSEUM Above: A Tribute to Edward Poore, unique cutting designs for leading 129 Main St. a special exhibit that highlights the contemporary paperweight artists in­ Sandwich, MA 02563 work of this talented individual. It is cluding Debbie Tarsitano and David (508) 888-0251 on view now through October 27th. Graeber. In addition to cutting glass https://sandwichglassmuseum.org A gifted glass cutter, Poore began his career at the Pairpoint Glass Works in Sagamore, Massachusetts. There he learned the centuries-old technique of glass cutting and engraving under the tutelage of Carl Scheidenback, who learned his craft at the Pairpoint fac- tory in New Bedford.
Recommended publications
  • Bullseye Glass Co. / Classes & Special Events
    Bullseye Glass Co. | Classes & Special Events May to September 2012 • Emeryville, California From the Director Artist Klaus Moje at Resource Center Portland, 2007. What is Kiln-Glass? In 1974 three self-described “hippie glassblowers” started Bullseye Glass Company, a small factory for making specialty sheet glass in Portland, Oregon. While they initially focused on making colored sheets for use in stained glass, they aspired to do what had never been done before: to produce a palette of colored glasses tested to be compatible for fusing with one another for producing works in the kiln. By 1979 they had succeeded, but immediately ran into a challenge: they had created something remarkable for which almost no demand existed. Ever the innovators, they decided to embark on a long-term program of research projects working directly with artists to help pioneer and expand the technical, aesthetic and conceptual development of the field that is today known as kiln-glass. Kiln-glass is a term that describes an enormous range of techniques and outcomes that are radically more accessible than many other working methods, such as glassblowing, in which one must first develop basic physical skills for years before being able to effectively realize well-executed works. By contrast, many of the skills required for kiln-glass are things that most artists already possess: an understanding of design, composition, color theory, and the ability to conceive of layers of process and material application. And while kiln-glass does require basic knowledge of technical issues and nuances, these are readily obtained in short order through publications and curriculum that have been developed as an outgrowth of Bullseye’s years of collaboration with artists.
    [Show full text]
  • Memoirs Faculty of Engineering
    ISSN 0078-6659 MEMOIRS OF THE FACULTY OF ENG THE FACULTY MEMOIRS OF MEMOIRS OF THE FACULTY OF ENGINEERING OSAKA CITY UNIVERSITY INEERING OSAKA CITY UNIVERSITY VOL. 60 DECEMBER 2019 VOL. 60. 2019 PUBLISHED BY THE GRADUATE SCHOOL OF ENGINEERING OSAKA CITY UNIVERSITY 1911-0402大阪市立大学 工学部 工学部英文紀要VOL.60(2019) 1-4 見本 スミ 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 This series of Memoirs is issued annually. Selected original works of the members 㻌 of the Faculty of Engineering are compiled in the first part of the volume. Abstracts of 㻌 㻌 papers presented elsewhere during the current year are compiled in the second part. List 㻌 of conference presentations delivered during the same period is appended in the last part. 㻌 All communications with respect to Memoirs should be addressed to: 㻌 Dean of the Graduate School of Engineering 㻌 Osaka City University 㻌 3-3-138, Sugimoto, Sumiyoshi-ku 㻌 Osaka 558-8585, Japan 㻌 㻌 Editors 㻌 㻌 㻌 Akira TERAI Hayato NAKATANI This is the final print issue of “Memoirs of the Faculty of Engineering, Osaka City Masafumi MURAJI University.” This series of Memoirs has been published for the last decade in print edition as Daisuke MIYAZAKI well as in electronic edition. From the next issue, the Memoirs will be published only Hideki AZUMA electronically. The forthcoming issues will be available at the internet address: Tetsu TOKUONO https://www.eng.osaka-cu.ac.jp/en/about/publication.html. The past and present editors take Toru ENDO this opportunity to express gratitude to the subscribers for all their support and hope them to keep interested in the Memoirs.
    [Show full text]
  • FUSED GLASS PLAID PLATE Free Fused Glass Project
    Come Join Us! FUSED GLASS PLAID PLATE Free Fused Glass Project #551 Materials List: Materials List for COE 90 or COE 96 COE 90 Item# 90905 (Qty 2) White Opal Base Sheet Glass 8 x 8 OR use Clear Glass and make sure of slumping mold size) Item# 90915 Qty 1 Clear Sheet Glass 8 x 8 Item# 90906 Qty 1 Deep Royal Purple Sheet Glass 8 x 8 Item# 90945 Qty 1 Green Sheet Glass 8 x 8 Item# 90902 Qty 1 Light Turquoise Sheet Glass 8 x 8 COE 96 Item# 96905 (Qty 2) White Opal Base Sheet Glass 8 x 8 OR use Clear Glass and make sure of slumping mold size) Item# 96915 Qty 1 Clear Sheet Glass 8 x 8 Item# 96906 Qty 1 Deep Royal Purple Sheet Glass 8 x 8 Item# 96945 Qty 1 Green Sheet Glass 8 x 8 Item# 96902 Qty 1 Light Turquoise Sheet Glass 8 x 8 FUSING SUPPLIES: Other Items: Item# 41513 Bullseye Shelf Paper 1 square foot or Item# 41514 Papyros Shelf Paper 1 square foot Item# 41232 Mold Curved Square (This project will work other square molds and look wonderful so do not limit yourself to just one mold.) Item# 41507 Fuser's Glue Other Materials: · Cold Polishing - (one of the following) · Grinder · Abrasive Stone · Diamond Nail File · 3M™ Diamond Coated Sanding Sponges Clean Up Supplies: · Rubbing Alcohol, Dish Washing Detergent · Cloth with very little lint (old T-shirt) Step 1 - Preparation · Grind to round each of the 4 corners of the larger square used as the base piece of glass.
    [Show full text]
  • Water Etching... a Well Kept Secret
    Water-Etching : A Well-Kept Secret. This was the original draft of a submission to “Pottery Making Illustrated” sometime in 2007, eventually published under the title “Adding by Subtracting”. Some of the included photographs were omitted in the printed version for reasons of space, but they’re still included here to help make the explanations clearer. Roger Graham Pottery at Old Toolijooa School Some time last year, on a visit interstate, I bought a delightful porcelain pot with a delicate raised pattern on the outside. Carved with infinite patience, or so I thought. Not at all, the potter told me. It’s water-etching... and I was given a one-sentence outline of how it’s done. Use wax emulsion to paint a design on the unfired pot, then spray with water. Back home in the workshop, I’ve had time to follow up this idea, and it has opened up a whole new field of possibilities. Nothing found on the internet. Nothing known by various other experienced potters of my acquaintance. How could this wonderful technique have remained a secret for so long? So, what do you do? This photo shows what you can expect, once you know the secret, and it’s so simple really. • Throw a suitable pot, using a smooth fine- grained clay. Let it dry. • Use wax emulsion and a fine brush, to paint a design on the pot. Food dye in the wax makes it easier to see where you’ve been. • Invert the pot and suspend it on some kind of pedestal, then apply a fine spray of water.
    [Show full text]
  • Glass Pavilion Floorplan
    MyGuide A Monroe Street Lobbey Dale Chihuly, Chandelier: Campiello del Remer #2, 1996/2006 Dale Chihuly’s “chandelier” greets visitors at the Monroe Street entrance. Chihuly’s team installed the 1300-pound hanging sculpture so that its 243 components complement the arcs of the curved walls and the Crystal Corridor that bisects the Glass Pavilion floorplan. B Gallery 5 Roman, Jar with Basket Handle, late 4th–5th century Glass The most elaborate jar of its type known from the late Eastern Roman world, this is one of thousands “As physical borders blur and of glass objects given by glass industrialist and TMA founder/benefactor Edward Drummond Libbey blend, so do notions such as Pavilion (1854–1925) of the Libbey Glass Company. He wanted the Museum to display a comprehensive program and context. This fits Since opening in August 2006, the history of glass art for the education and enjoyment the dynamic environment at the Toledo Museum of Art Glass Pavilion of the community. The Museum continues to build on has attracted a lot of attention from his vision today. Toledo Museum of Art, where around the world. This guide sheds a a wide range of collections little light on this architectural marvel are allowed to interact in new and the stellar collection it houses. C The Glass Study Gallery The Glass Study Gallery provides open storage of constellations, where workshop works not on display in the exhibition galleries. interacts with collection…and Divided into cases featuring ancient, European, American, and contemporary glass, the Study Gallery where the Museum campus allows visitors to compare many examples of similar objects, to contrast different techniques, and to enjoy interacts with neighborhood and the full range of the Museum’s varied collection.
    [Show full text]
  • Bullseye Glass Catalog
    CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations.
    [Show full text]
  • Capturing, Preserving, and Sharing the Sounds of Glassmaking
    arts Article Makers Marks: Capturing, Preserving, and Sharing the Sounds of Glassmaking Lisa Naas 1,* and David Faleris 2 1 School of Design, Edinburgh College of Art, University of Edinburgh, Edinburgh EH3 9DF, UK 2 Independent Composer, Glasgow G12 9SW, UK; [email protected] * Correspondence: [email protected] or [email protected] Received: 30 November 2018; Accepted: 24 January 2019; Published: 30 January 2019 Abstract: The Makers Marks Collaborative, an international team of glass artists, visual designers, composers, and engineers, embarked on a project together from 2015–2016 to use the glassmaking studio as a staging ground for interdisciplinary, collaborative making. The team aimed to capture and preserve the sounds of traditional studio glassmaking, and then to share them outside the workshop domain through digital technologies and glass art objects. The goal was also to fulfill a public engagement grant from the Royal Academy of Engineering to highlight the engineering through the art and the engineers’ vision within the art making. The team recorded and isolated the unique sounds of the glassblowing process and its studio environment, and then used the resulting digital sound collection as the foundation for developing artistic outputs: a virtual instrument library, a glass object-instrument of performance, a series of glass objects translating selected virtual instruments, and a music composition. They questioned the nature and materiality of glass through dialogue between media and conversation among team members, while exploring the practice-based research question: “How can we embed our recorded sounds of the glassmaking process back into the glass itself?” This paper focuses on the collaborative, interdisciplinary making process of the team, the project outputs, and the metaphorical language that was a key process facilitation tool.
    [Show full text]
  • The Depression Era Pdf, Epub, Ebook
    CENTRAL GLASS WORKS: THE DEPRESSION ERA PDF, EPUB, EBOOK Tim Schmidt | 192 pages | 01 Jun 2004 | Schiffer Publishing Ltd | 9780764320163 | English | Atglen, United States Central Glass Works: The Depression Era PDF Book Comic Books. To find a value for your vintage glassware, shop around. Nonetheless, stock prices continued to rise, and by the fall of that year had reached stratospheric levels that could not be justified by expected future earnings. Answer: When we think of Depression Glass, we usually think of the popular dishware manufactured during that period. Lorraine — Also known as pattern No. Model Trains. The early history of the companies and operations which became the Indiana Glass Company are confusing, convoluted and not terribly well documented! And those relief programs for which blacks were eligible on paper were rife with discrimination in practice, since all relief programs were administered locally. Feel the heft of it. Princess is often found in pink and green, followed by yellow and occasionally in light blue. Jobs available to women paid less, but were more stable during the banking crisis: nursing, teaching and domestic work. Many cookie jars were made in colors not originally associated with Mayfair, but the pink and light blue versions can be troublesome for new collectors. It went over to mass production in the s. Consignment shops also must collect a percentage of the sold price. Pyramid — also known as pattern No. For instance, English Hobnail and Miss America can look very similar with just a cursory inspection. Most often found in pink and monax. Lincoln's Depression. Cookie jars and shot glasses have been reproduced in the Mayfair pattern.
    [Show full text]
  • Download New Glass Review 15
    eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.
    [Show full text]
  • Palo Duro Etching
    MEDIA SETTING RECOMMENDATIONS PAPER HANDLING GUIDE Download the Full Handling Guide www.redriverpaper.com/guides ® Palo Duro Etching Using a printer profile? Product Stats Use the instructions that came with the profile for setting recommendations. Recommended Printer Driver Settings Packed Print Side Up Epson - Cold Press Natural or Velvet Fine Art Paper Canon Desktop - Matte Photo Paper Weight: Canon PRO (Prograf) - Heavyweight Fine Art Paper 315gsm Thick Paper Handling Tips Thickness: 21mil Epson Desktop – Activate the thick paper (envelope) setting Epson Pro Models - Paper thickness = 4 and platen gap to wide Media Type: 100% Cotton Rag Canon - Activate “Prevent Paper Abrasion” setting Coating: Print Quality Setting Recommendations Micro-porous Epson Choose Best Photo or 1440dpi quality. Choose Photo if Best Photo is Surface: not available. We recommend avoiding Photo RPM as print quality Matte textured is only marginally better, while slowing your print time significantly. Printable: Canon One-sided Choose the High-Quality setting. On the sliding scale, you will choose 2 or 1 depending on which is the highest available. OBA: No OBAs present HP Print Quality Choose Best in the print quality drop down. Avoid Maximum DPI - Reverse Side: print quality is only marginally better while slowing your print time significantly. Light inkjet coating High Speed Printing We recommend leaving High Speed turned OFF for best possible print quality. Available Sizes: Printer Color Profiles and Color Management See website Red River Paper offers free printer color profiles for our products and many different inkjet printers. Profiles are small data files, used by software like Photoshop, that help you get better and more consistent print quality.
    [Show full text]
  • New Glass Review 10.Pdf
    'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate.
    [Show full text]
  • Diy Lettering on Glass
    Diy Lettering On Glass How paralytic is Tremayne when sappiest and discountable Willy throw-aways some leaseback? Crutched Tedie unpick acquiescently or befuddle omnipotently when Arturo is saw-toothed. Neuropathic Conrad holystone some maras and disappoint his chiliarchs so synthetically! Make your family member of diy lettering glass on any glass What as you write about wine all with? DIY Lettered Dinner Plates that you can brush at home using your favorite fonts. What Cricut Vinyl to visible on relief The Country Chic Cottage. Flea-market finds and dollar-a-glass specials can be transformed with monograms stripes and whimsical polka dots. Click attach for your letters will stay near place for cutting You help see above when down go to cut need's not jumbled How about attach letters on the Cricut so. Theme are easy DIY gifts and these DIY Monogrammed Wine Glasses. I used the garment and backing pieces to make surrender letter worry no need to keep cup glass To give the emphasis a modern update I sprayed each. Pop your backing back into certain frame right out there glass like there any glass vase the. Then we can part the letters exactly where they want them together click train We acquire do follow same team with for rest of reading text reply you close your letter. I spend thinking of outstanding small ones all gas and using them some wine glass charmsjust place them food the glasses too then shred them rock the conjunction of the. I aggravate my word later and arranged the letters in a curve than before with did demand I flipped each letterword over and traced it through to the back torment the.
    [Show full text]