The Corning Museum of Glass NewGlass Review 11

The Corning Museum of Glass Corning, New York 1990 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within derVoraussetzung ausgewahlt, da(3 sie the 1989 calendar year. innerhalb des Kalenderjahres 1989 entworfen und gefertigt wurden.

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Library of Congress Catalog Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt

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Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 9 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 Is das Jury-Mitglied, das seit dem Beginn der New Glass Review Jury Statements A1976 kein Jahr verpaBt hat, fuhle ich mich immer dazu verpflichtet, neueTrends und Richtungen zu suchen und daruber zu berichten, wel- chen Weg Glas meiner Meinung nach einschlagt. Es scheint mir zum Beispiele, daB es immer mehr Frauen in der Review gibt und daB ihre Arbeiten zu den Besten gehoren. Es scheint aber auch wachsendes s the juror who hasn't missed a year since the New Glass Review Interesse zu geben, das GefaB eher als Symbol denn als zweckmaBigen A began in 1976,1 always feel obliged to look for trends and directions Behalter zu sehen. (Ich zahlte 82 GefaBe in den 100 ausgewahlten Dias. and to report on where I think glass is going. For example, it seems to me MehrereTeilnehmer sandten mehr als eines). Einige dieser GefaBe waren that there are more and more women in the Review and that their work is offensichtlich abgeleitet von antiken Vorbildern. Immerhin waren es 14 among the best. There also seems to be a growing interest in the vessel as Kunstler, deren Arbeiten auf klassische Antiquitaten anspielten. Das ist symbol rather than functional container. (I counted 82 vessels in the 100 ein groBer Prozentsatz, er konnte durch die Bekanntheit der Ausstellung slides reproduced here, several having more than one.) Some of these „Glas der Caesaren" ausgelost sein, aber er konnte auch andeuten, daB vessels were obvious references to ancient prototypes, so with that in das Pendel des Interesses zum Historizismus zuruckschwingt. SchlieB- mind, I counted up the number of artists whose subjects derived from or lich griffen die englischen Kameeschnitzer, die deutschen Emaillierer und alluded to classical antiquity and came up with 14. That is a big percent­ die venezianischen Glasblaser ihre Kunste erst vor einem Jahrhundert age, but it could be a blip caused by the prominence of the exhibition wieder auf (und die Maler taten es auch!) "Glass of the Caesars," or it could indicate that the pendulum of interest Ich glaube, die Vielfalt wachst- was die Identifizierung von Trends is swinging back to historicism. After all, English cameo carvers, German schwieriger macht. Wie die Sterne in unserem Universum, die sich standig enamelers, and Venetian glassblowers were all reviving away just a auseinander und voneinander bewegen, indem sich das Ganze ausdehnt, century ago (and so were painters!) so scheint sich die Anzahl der Glaskunstler zu vervielfachen. Diese I think diversity is increasing (which makes trend identification harder). Anzahl wird starker und unabhangiger als sie es je vor dem „Urknall des Like the stars in our universe continually moving out and away from each Studioglases" war. Material und Inhalt scheinen beide grenzenlos zu sein. other as the whole expands, so glass artists seem to multiply, grow Materialien, die in keinem Zusammenhang miteinander stehen, werden stronger and more independent as time removes them from the "Big mit phantastischen Ergebnissen kombiniert. (Arbeiten mit Federn waren Bang" of studio glass. Both media and subject matter seem limitless. dieses Jahr sehr beliebt, obwohl keine das Finale erreichte). Der MaBstab Unrelated materials are combined with fantastic results (feathers were ist oft nicht offensichtlich: die Arbeiten sind oft groBer oder kleiner als sie very popular this year, although none made it to the finals); scale is often in den Bildern erscheinen. Personliche, rituelle Objekte, geheime Welten not self-evident, and pieces are much larger or smaller than they seem in und winzige Hauser, die oft brennend erscheinen, werden immer kompli- photographs; personal ritual objects, secret worlds, and tiny houses, zierter; Protest und Emporung scheinen abzunehmen; formalistische often on fire, grow increasingly complex; protest and outrage seem to be Anordnungen sind eleganter. diminishing; formalistic arrangements are more elegant. Ich vermisse irgendwelche ernsten und erfolgreichen Versuche, Allge- I miss any serious and successful attempt at universality; no one is meingultigkeit zu erweisen, es gab keine Beobachtung, die mich beson- making an observation that might affect me. Those pieces with some ders beruhrt hatte. Jene Arbeiten, die Inhalte aufzeigten, scheinen auf literal subject matter seem to be reporting on observations that affect or personlichen, wenn nicht privaten Beobachtungen zu beruhen, die den affected the artist, that are personal if not private. I think of Galle and his Kunstler beeinfluBten. Ich denke an Galle und seine glasernen Interpreta- glass commentaries on plants and insects, on sea creatures, on myths tionen von Pflanzen und Insekten, von Meereskreaturen, von Mythen und and poets, even on Pasteur; or of Tiffany and the magic garden, the wings Dichtern. Ich denke auch an Pasteur oder Tiffany und an die magischen of angels, the nature of lava. These images have enhanced the way we Garten, die Flugel von Engeln, die Beschaffenheit von Lava. Diese Bilder experience our common environment of the senses and of ideas. Those haben die Art, wie wir unsere gemeinsame Umwelt erleben, erweitert und of the New Glass Review are admirable in their design and originality; erhoht. Die ausgewahlten Arbeiten der New Glass Review sind wegen some are charming, others amazing or curious or precious or funny or ihres Entwurfs und ihrer Originalitat bewunderswert; einige sind reizend, even beautiful. But I still wait for the one that informs. andere erstaunlich, manche kurios oder kostbar oder komisch oder auch Thomas S. Buechner (TSB) einfach schon. Aber ich warte noch auf diejenige Arbeit, die Aufschlusse Founding Director gibt. The Corning Museum of Glass Thomas S. Buechner (TSB) Grundungsdirektor Corning Glasmuseum

ecause New Glass Review 11 was compiled at the end of a decade, Bit seems appropriate to look back at New Glass Review 1, which documented works from 1979. The jurors for that issue were J. Stewart Johnson of The Museum of Modern Art, New York; Dan Dailey, artist; and eil die New Glass Review 11 am Ende eines Jahrzehnts zusam- William Warmus and Thomas S. Buechner of The Corning Museum of Wmengestellt wurde, scheint es angemessen zu sein, auf New Glass Glass. For the first four issues of New Glass Review, jurors were not Review 1 zuruckzuschauen, die die Arbeit von 1979 dokumentierte. Die asked to write statements. However, the introduction of the 1979 issue Jury-Mitglieder jener Ausgabe waren J. Stewart Johnson (Museum of stated the following purpose of the Review, which has served as a guide Modern Art, New York), Dan Dailey, Kunstler, und William Warmus und for the panel ever since: Thomas S. Buechner vom Corning Glasmuseum. In den ersten vier "New Glass Review 1 is a record of change and adaptation in contem­ Ausgaben muBten die Jury-Mitglieder keine Kommentare schreiben. Die porary glass. Works considered innovative from any of several points of Einleitung der 1979er Ausgabe nannte aber den folgenden Zweck der view - including content, aesthetics, craftsmanship and technique - were Review, der dem Gremium seitdem als Anhaltspunkt gedient hat: selected, as well as objects reflecting traditional themes or techniques „Die New Glass Review 1 ist eine Aufzeichnung von Veranderungen which have been adapted to present-day needs. Within the work of a und Anpassungen in der modernen Glasgestaltung. Arbeiten, die unter single individual or company, the Review intends to record the annual mehreren Gesichtspunkten - einschieBlich Inhalt, Asthetik, Handwerks- modifications indicative of growth and development." kunst undTechnik-als innovatorisch betrachtet worden sind, wurden In 1979,397 glassmakers from 18 countries entered the competition. gewahlt, ebenso Objekte, dietraditionelleThemen oder die heutigen During the years that have followed, the format of 100 final images has Bedurfnisse angepaBtenTechniken wiederspiegeln. Durch die Arbeit remained the same as entries steadily increased (808 artists from 35 eines einzelnen Kunstlers oder einer Firma beabsichtigt die Review, die countries in 1989). jahrlichen Veranderungen aufzuzeichnen, dieaufWachstum und Entwick- This welcome growth in numbers made an already difficult selection lung schlieBen lassen." process even more challenging. It also ruled out the goal of periodically 1979 nahmen 397 Glaskunstler aus 18 Landern an dem Wettbewerb documenting subtle changes in the work of individuals or companies. teil. Wahrend der folgenden Jahre blieb die Aufmachung der letzten 100 That situation is unfortunate because the value of the Review could Bilder die gleiche, indem die Anzahl der Meldungen stieg. (1989 waren es conceivably have been enhanced by choosing 20 artists in 1979 and 808 Kunstler aus 35 Landern). illustrating ah example of their new work each year. However, it is likely Dieses willkommene Zahlenwachstum machte einen schon schwieri- that some of the 20 artists who showed the most promise at that time gen WahlprozeB noch herausfordernder. Es schlieBt jenes Ziel aus, would, 10 years later, no longer be producing the most interesting work. subtile Anderungen in der Arbeit von Einzelpersonen oder Firmen regel- A retrospective look at New Glass Review 1 reveals a number of maBig zu dokumentieren. Diese Situation ist bedauerlich, denn der Wert classic objects in the history of glass in the 1980s; one of Michael Aschen- der Review ware moglicherweise groBer gewesen, wenn man 1979 20 brenner's bone series; a cast machine part that is representative of some Kunstler gewahlt hatte und jedes Jahr ein Beispiel ihrer Arbeit illustriert of Howard Ben Tre's best work; the designs of James Carpenter, David hatte. Auf der anderen Seite ist es jedoch wahrscheinlich, daB einige der Dowler, and Eric Hilton for Steuben; a slumped glass and wire form by 20 Kunstler, die damals zu den besten Hoffnungen berechtigten, 10 Jahre Sydney Cash; Dale Chihuly's "Pilchuck Basket Group"; Dan Dailey's spater nicht mehr die interessantesten Arbeiten machen wurden. Vitrolite construction Cafe; a Michael Glancy electroformed vessel; an Ein Ruckblick auf New Glass Review 1 zeigt eine Anzahl klassischer engraved portrait plaque by Jiff Harcuba; a Robert Kehlman sandblasted Objekte in der Glasgeschichte der achtziger Jahre: eines aus der Kno- and leaded panel drawing; a split piece from the "Fratelli Toso" series by chenserie von Michael Aschenbrenner; ein gegossenes Maschinenteil, Marvin Lipofsky; a Flora Mace and Joey Kirkpatrick blown vessel with das fur einen Teil der besten Arbeit von Howard Ben Tre reprasentativ ist; wire drawing; an early Richard Meitner "Carrot Bottle"; a wonderfully die Entwurfe von James Carpenter, David Dowler und auch Eric Hilton fur minimal Klaus Moje fused bowl; Jay Musler's threatening Grrr bowl; a tall Steuben; eine zusammengesunkene Form aus Glas und Draht von Syd­ Bretislav Novak, Jr. cut Flower; one the "Solar Riser" series by Thomas ney Cash; die „Pilchuck Basket Group" von Dale Chihuly; die Konstruk- Patti; a Johannes Schreiter leaded panel; Mary Shaffer's wire grid and tion Cafe aus Vitrolite von Dan Dailey; einen elektrogeformten Behalter slumped glass hanging piece; Susan Stinsmuehlen's multimedia painted von Michael Glancy; eine eingravierte Portratplakette von JTri Harcuba; panel; an ancient-looking pate de verre ring bowl by KarlaTrinkley; Steve eine sandgestrahlte und bleigefaBteTafelzeichnung von Robert Kehl- Weinberg's internally sculpted block; and Toots Zynsky's Red Wrap, mann; einen gesplittetenTeil von der „FratelliToso"-Serie von Martin displaying the origins of her glass thread nests. Lipofsky; einen geblasenen Behalter von Flora Mace und Joey Kirkpatrik, When looking at these works, I find myself noting how many of the eine fruhe „Karottenflasche" von Richard Meitner; eine wunderbar mini- major figures in the glass world have continued to produce work I find male verschmolzene Schussel von Klaus Moje; die bedrohende Grrr- inspirational, enlightening, and exciting. Subsequent works by the others Schale von Jay Musler; eine hohe, geschnittene Blume von Bretislav have disappointingly proved to be embellished variations of the 1979 Novak, Jr.; eine Arbeit aus der „Solar Riser"-Serie von Thomas Patti; ein themes that lack the growth necessary to make them stimulating today. bleigefaBtes Bild von Johannes Schreiter; eine hangende Arbeit aus How do the two sets of objects compare? The first thing that strikes me Drahtgitter und abgesenktem Glas von Mary Schaffer; die multimedial is the significant increase in mixed-media pieces. There has also been a bemalteTafel von Susan Stinsmuehlen; eine antik aussehende Ring- decline in the number of blown works in favor of kiln-forming. Much of the schussel aus pate de verre von KarlaTrinkley; einen von innen skulptural stained glass has become more painterly and representational, mirroring gearbeiteten Glas-Block von Steve Weinberg und Red Wrap von Toots trends in contemporary painting. In this same vein, narrative imagery Zynski, die die Ursprunge ihrer glasernen Drahtnester zeigen. prevails throughout New Glass Review 11 in contrast to the earlier group. Wenn ich diese Arbeiten anschaue, stelle ich fest, wie viele der groBen The vessel format remains integral to contemporary glass. Most of the Personlichkeiten der Glaswelt fortgefahren haben, Arbeiten zu machen, vessels chosen for both issues have been sculptural rather than strictly die ich inspirierend, erleuchtend und aufregend finde. Bei spateren utilitarian. The United States presence remains heavy at one-half (alt­ Werken von anderen muB man enttauscht feststellen, daB sie verschoner- hough probably not disproportionately, considering the large number of te Variationen der 1979erThemen sind, denen es an dem notwendigen American students), but it is reduced from the two-thirds representation Wachstum fehlt, sie heute als stimulierend zu bezeichnen. in the first issue. It will probably continue to decline slowly as the number Wie lassen sich die zwei Reihen von Objekten miteinander vergleichen? of foreign artists working with glass grows. Das erste ist die bedeutende Zunahme von mixed-media-Arbeiten. Es I have already cited some objects from New Glass Review 1. Here are besteht ein Ruckgang in der Zahl geblasener Arbeiten und ein Zuwachs a few of the many in number 11 that I admire: Bill Boysen's precious Red von ofengeformten Werken. Vieles im Flachglas ist malerischer und Bud, with its outrageous imagery and lipstick-red skin. I read this object reprasentativer geworden, die Trends der modernen Malerei widerspie- as a comment on the fetishizing of the female body (glass seems to be a gelnd. In derselben Art ist die nacherzahlende Metaphorik im Gegensatz choice material for this) as well as on the creepy analogy between Chinese zu der fruheren Gruppe durch die ganze New Glass Review 11 weit foot-binding and lotus buds. Alex Brand and Ann Dee Greenberg's Vase verbreitet. Die GefaBe stellen einen wesentlichenTeil des modernen with Ring Handles is an updated version of an ancient form. It is con­ Glases dar. Die meisten GefaBe, die fur die beiden Ausgaben gewahlt trolled, refined, elegant. I find its restraint and fine craftsmanship to be worden sind, sind eher plastisch als funktional. Die Beteiligung der USA both refreshing and reassuring. Giselle Courtney's wall panel is a new use bleibt mit 50% stark (obwohl dies angesichts der groBen Anzahl amerika- of glass tubing and lampworking. While looking at the overlapping scales nischer Studenten nicht unverhaltnismaBig ist), aber sie hat sich von zwei on their iridescent background, the viewer cannot help being reminded of Dritteln in der ersten Review reduziert. Diese Anzahl wird sich wahr­ the sea and the delicate surface of fish. scheinlich langsam weiter reduzieren, weil die Zahl auslandischer Glas­ All four jurors liked Hanneke Fokkelman's entries and had a difficult kunstler wachst. time choosing the large untitled glass and cement piece you see repro­ Ich habe einige Objekte aus New Glass Review 1 zitiert. Jetzt folgen duced here. Like Picasso's painted bronze Glass of Absinthe, Fokkel­ einige der vielen Arbeiten, die ich in Nummer 11 bewundere: „Red Bud", man's work is torn apart, punched full of holes, propped back together, dasWerkvon Bill Boysen mit seiner ausgefallenen Metaphorik und seiner and made to work as a study of the vessel itself. I am impressed by her lippenstiftroten Haut. Ich interpretiere dieses Objekt als eine Fetischisie- repeated ability to master this difficult exercise. Gun Lindblad's solid rung des weiblichen Korpers (dafur scheint Glas ein geeignetes Material casting turns its back on optical effects. The smooth, compact shape, like zu sein) und auch als unheimliche Analogie zwischen Lotosknospen und a seed pod, is stone plain. We know that it must be clear and rich inside der chinesischen Sitte, die FuBe der Frauen einzubinden. Die „Vase with because the edges allow us to look past the crusted skin and, in doing so, Ring Handles" von Alex Brand und Ann Dee Grenberg ist eine moderni- to experience the real intrigue of the object. James Minson's necklace is a sierte Version einer alten Form. Sie ist beherrscht, vornehm und elegant. good-looking, wearable, and unexpected combination of handmade Ich finde ihre Zuruckhaltung und gute Handwerkskunst gleichzeitig paper (appearing burned and shriveled) and smooth flameworked glass erfrischend und beruhigend. Das Wandbild von Giselle Courtney ist eine eggs. neue Anwendung von Glasrohren und Lampenarbeit. Wahrend der Jaromir Rybak always surprises with his technical virtuosity, whether it Betrachter die uberlappenden Schuppen auf ihrem irisierenden Hinter- be with flat glass, enameling, or kiln-forming. He reaffirms the Czech grund ansieht, wird er einfach an das Meer und die besondere Oberflache mastery of monumental glass with The Fiery Tongue. The arching pink von Fischen erinnert. and blue slab, tapering and resting on its thin edge, illustrates (as does Allen vier Jury-Mitgliedern gefielen die Arbeiten von Hanneke Fokkel- Eva Vlasakova's Turtle Woman) the contribution of a literal, expressive man und es brauchte eine Zeit, die groBe unbetitelte Arbeit aus Glas und point of view by a new generation of artists to the existing superb catalog Beton, die man hier reproduziert sehen kann, auszuwahlen. Genau wie of Czechoslovakian sculpture. Each year, a new jury gravitates toward the die gemalte Bronze von Picasso, Glass of Absinthe, ist die Arbeit von work of the Polish artist Anna Skibska. We know nothing about her except Fokkelman auseinandergerissen, gepragt von vielen Lochern, ist sie auch that she has an ironic viewpoint and a playful sense of humor. Her window eine Studie eines GefaBes. Ich bin von der Fahigkeit der Kunstlerin, diese glass panels are inventive, imaginative, and independent of complex schwierige Aufgabe zu meistern, beeindruckt. Der solide GlasguB von technology. Markku Salo's bottles for littala-Nuutajarvi are soft cylinders Gund Lindblad wendet sich von optischen Effekten ab. Die glatte, kom- blown into dresses with fringed hems and standing on trembly-looking pakte, samenhulsenartige Form ist purer Stein. Wir wissen, daB das legs. They are one of the few truly innovative examples of production Innere klar und reich sein muB. Die Rander erlauben uns, an der verkruste- design entered this year. ten Haut vorbeizuschauen und, indem wir es tun, das wahre Innere des The assembled Vegetable Market box by Emi Choshi is one of the Objekts zu erleben. Die Halskette von James Minson ist eine gutausse- those quirky things that only I liked. I mention it because I believe it is fair hende, tragbare und unerwartete Kombination aus handgemachtem for the conscientious viewer, who struggles to put feelings and observa­ Papier, (das verbrannt und runzlig erscheint) und glatten lampengeblase- tions about an object into words, to admit to sometimes loving or hating nen Glaseiern. an object simply because of a gut reaction. For me, this is one of those Jaromir Rybak uberrascht mich mit seiner technischen Virtuositat cases. Michael Scheiner's Bundle, Quiver, Wrapping stands out as a immer- sei es mit Flachglas, Emailarbeit oder Ofenformen. Er bestatigt particularly good work. Physically, the application of oil paint and graphite mit seinem Werk „The Fiery Tongue" die tschechische Meisterschaft in creates a chalky surface that is enlivened by the natural luminosity of the monumentaler Glasskulptur. Die gewolbte rosarote und blaue Platte, die glass. The dull, soft lead wraps the ends of one cluster, enfolds another, sich zuspitzt und auf ihrer dunnen Kante ruht, illustriert (genau wie Turtle and finally is shed and cast aside. The piece neither makes an issue of its Woman von Eva Vlasakova) einen inhaltlichen expressiven Beitrag einer glass content nor trivializes its presence. neuen Kunstlergeneration zu der bestehenden ausgezeichneten Abfolge Scheiner's work brings up a point that I reaffirm to myself each year Katalog tschechoslowakischer Glasskulptur. Jedes Jahr konzentriert while looking at the thousands of New Glass Review entries: Successful sich eine neue Jury auf die Arbeit der polnischen Kunstlerin Anna Skibska. sculpture, of any material, is first and foremost about form. The downfall Wir wissen nichts uber sie, auBer daB sie einen ironischen Standpunkt of much glass sculpture is that form continues to take a back seat to the und einen bemerkenswerten Sinn fur Humor besitzt. Ihre Fensterglasta- material and technique. Although the unique properties of glass should feln sind erfinderisch, phantasievoll und von komplexerTechnologie contribute to a work (why else use it?), as they do in Scheiner's, they must unabhangig. Die Flaschen von Markku Salo fur littala-Nuutajarvi sind not take precedence. A viewer should feel confident that the artist could weiche Zylinder, die zu Kleidern mit Fransen versehenen Saumen gebla- switch to another material and make equally compelling work. I welcome sen worden sind und so aussehen, als ob sie auf wackeligen Beinen sculpture that has met this first criterion, or objects that were never stehen. Sie sind einer der wenigen wirklich innovativen Beispiele von intended to be sculpture but instead exist as part of design and craft Produkt-Design, die dieses Jahr eingereicht wurden. tradition, to then wallow, bask, and luxuriate in every glorious glass effect Der zusammengebaute Kasten von Emi Chosi, Vegetable Market, ist available to the craftsman and artist. eine jener schrulligen Sachen, die nur mir gefiel. Ich erwahne ihn, weil ich Susanne K. Frantz (SKF) glaube, es sei fur den pflichtbewuBten Betrachter, der kampft, Gefuhle Curator of 20th-century Glass und Bemerkungen uberein Objekt wortlich auszudrucken, fairzuzuge- The Corning Museum of Glass ben, daB ich manchmal ein Objekt einfach wegen einer rein gefuhlsmaBi- gen Reaktion liebe oder hasse. Fur mich ist dies einer jener Falle. Das Werk, Bundle, Quiver, Wrapping, von Michael Scheiner fallt als eine besonders gute Arbeit auf. Physisch schafft die Anwendung von Olfarbe und Graphit eine kalkartige Oberflache, die durch die naturliche Brillanz des Glases belebt wird. Das stumpfe, weiche Blei wickelt die Enden einer Gruppe ein, umhullt eine andere und wird schlieBlich fallengelassen und abgelegt. Die Arbeit bauscht weder seinen Inhalt auf, noch trivialisiert seine Anwesenheit. Die Arbeit von Scheiner stoBt auf einen Punkt, den ich mir jedes Jahr bestatige, indem ich dieTausende Meldungen fur New Glass Review anschaue: Erfolgreiche Skulptur (aus jedem Material) ist vor allem eine Sache von Form. Der Fehler vieler Glasskulpturen ist, daB die Form immer noch nicht so wichtig angesehen wird wie Material und Technik. Obwohl einzigartige Eigenschaften etwas zu einer Arbeit beitragen, (warum soil man es sonst gebrauchen?) wie sie in der Arbeit von Scheiner sichtbar werden, sollten sie der Arbeit gegenuber nicht Vorrang einnehmen. Ein Betrachter soli davon uberzeugt sein, daB der Kunstler auf ein anderes Material wechseln und eine ebenso bezwingende Arbeit machen konnte. Ich sehe gern Skulpturen, auf die dieses erste Kriterium zutrifft, oder auch Objekte, die als Skulptur nie beabsichtigt waren, die aber alsTeil von Design und Handwerkstradition existieren, um dann in alien herrlichen Glaseffekten, die Handwerkern und Kunstlern zur Verfugung stehen, recht wollustig zu schwelgen.

Susanne K. Frantz (SKF) Curator Glas des 20. Jahrhunderts Corning Glasmuseum

uerst dachte ich, der bedeutsamste Aspekt als Jury-Mitglied fur die ZNew Glass Review tatig zu sein, ware die Auswahl von 100 Finalisten aus den mehreren tausend eingereichten Arbeiten. Schwierig war aber die Notwendigkeit, einige personliche Definitionen des Wortes „neu" fur mich selbst zu klaren, zusatzlich zu der ausgezeichneten Definition der Veranstalter der Review. nitially, I thougt the most formidable aspect of serving on the jury for Fur mich ist die beste Kunst jeder Generation diejenige, die sich der New Glass Review might be the process of selecting 100 finalists from Tradition gleichzeitig anschlieBt und sie umsturzt. „Neuigkeit" kommt in the several thousand entries submitted. Equally difficult, however, was kleinen Steigerungen, die manchmal so unmerklich sind, daB wir sie ganz the need to clarify for myself a few personal definitions of the word "new" und gar verpassen. Oft konnen wir erst sehen, was zu einem fruheren beyond the excellent one given by the organizers of the Review. Zeitpunkt neu war, wenn wir zuruckschauen. Vielleicht einmal alle paar For me, the best art of each generation simultaneously joins tradition hundert Jahre zeigt sich etwas Neues. Der Glaskunstler Howard Ben Tre and overturns it. "Newness" comes in small increments, sometimes so druckte sich kurz und bundig aus, als er sich so beschrieb: „lch bin ein impercetible that we miss it entirely! Oftentimes, it is only in the looking groBartiger Abschreiber. Man erfindet nichts Neues; man entdeckt back that we are able to see what was new at an earlier point in time. Sachen." Perhaps once every few hundred years does anything "new" make an Unter den eingereichten Arbeiten schienen einige von Kunstlern zu appearance. The glass artist Howard BenTre put it succinctly when he sein, die ein Gebiet untersuchen, das mich in der modernen Glasbewe- described himself: "I am great lifter. You don't invent anything; you disco­ gung interessiert: die Montage. Wie der verstorbene Christopher Wil­ ver things." marth, kombinieren diese Kunstler Glas mit anderen disparaten Materia- Among the works submitted, there seemed to be some by artists who lien - Holz, Keramik, Metall usw. - in ihren Kompositionen. Ich fand drei were investigating an area that interests me in the contemporary glass Arbeiten, die fur ihren Gebrauch von Glas als integrierten und kritischen movement: assemblage. Like the late Christopher Wilmarth, these artists Faktor in ihrem Ausdruck beachtenswert waren. combine glass with other disparate materials - wood, ceramics, metal, In der Skulptur von Brad Copping, Sitting on a Fence, verwendet der etc. - into their compositions. I found three works particularly noteworthy Kunstler starke Symbole (Haus, Palisadenzaun und Glas), um allgemeine for the use of glass as an integrated and critical factor in their expression. Bedeutungen zu ubermitteln. Copping arrangiert seinen verwitterten In Brad Copping's sculpture Sitting on a Fence, the artist uses potent Zaun in der Form einer Spirale. Die Spirale, eine naturliche Form von symbols (house, picket fence, and glass) to communicate universal Wachstum, ist in vielen Kulturen und in vielen Zeitaltern zum menschli- meanings. Copping arranges his weathered fence in the shape of a spiral. chen Symbol fur die Weiterentwicklung der Seele zu einem ewigen Leben A natural form of growth, the spiral has become, in many cultures and in geworden. Da die Spirale ein kosmisches Symbol ist, stellt Copping seine many ages, man's symbol of the progress of the soul toward eternal life. Arbeit ins Freie, ein Zusammenspiel mit Natur und Himmel. Die langen Because the spiral is a cosmic symbol, Copping places his work in an Graser erhohen den gerichteten Sog zu dem Strudel und auf jeder Palisa­ outdoor setting to interact with nature and the heavens. The long grasses de steht ein in Sand gegossenes Glashaus, ein Symbol von Schutz, eine enhance the directional pull toward the vortex, and perched a top each schutzende Umgebung, die gegen feindliche Machte verteidigt werden picket is a sand-cast glass house, a symbol of shelter, a protective envi­ kann. Dies Haus ist eine Ecke der Welt; es ist unser erstes Universum, ein ronment that may be defended against adverse forces. The home is one's Kosmos in der vollen Bedeutung des Wortes. Die Dauerhaftigkeit und die corner of the world: it is our first universe and a real cosmos in every sense Durchsichtigkeit des Glases, seine lichtsammelnden und reflektierenden of the word. The permanence and transparency of glass, its light-gather- Qualitaten erlauben uns den Eintritt in die Erinnerungen unserer eigenen ing and reflective qualities allow us entry into the memories of our domain. Domane. Fur Copping symbolisiert Glas jenen gefrorenen Augenblick der For Copping, glass symbolizes that frozen moment of time, and he uses Zeit, und er verwendet das Material effektiv, um die Poesie dieser Skulptur the material effectively to communicate the poetry of this sculpture. zu ubermitteln. Christmas Vase by Deborah Murphy incorporates small glass pieces Christmas Vase von Deborah Murphy integriert kleine Glasstucke mit with mosaics and found objects as well as an internal electrical light Mosaiken und gefundenen Objekten, eine innere elektrische Lichtquelle source of dramatic effect. Afestive and celebratory work, Cristmas Vase schafft dramatische Effekte. Christmas Vase, eine festliche und zeremo- has been influenced by the best of folk and naive traditions in craft and nielle Arbeit, ist durch das Beste der volkstumlichen und naiven Tradition art. Murphy's vase precariously teeters on the edge of kitsch. I suspect des Handwerks und der Kunst beeinfluBt worden. Ihre Vase wandert that this is the work of a sophisticated, skilled, and trained artist. For prekar am Rand des Kitsches. Ich vermute, daB dies die Arbeit einer Murphy, the "sparkle" quality of glass, shunned by many of today's glass kultivierten, geschickten und geschulten Kunstlerin ist. Murphy zeigt die artists, turns what many consider to be a liability of the medium into a funkelnde, blitzende Qualitat von Glas in einer Stimmung von Frohlichkeit, joyous asset that communicates the spirit of Christmas. It is the glass die an Weihnachten erinnert, wahrend viele der heutigen Glaskunstler among the several dissimilar materials used here that gives this vase its dies zu vermeiden versuchen, ja als Belastung ihres Ausdrucksmittels vibrancy, charm, and verve. betrachten. Es ist das Glas unter den verschiedenen unahnlichen Materia- In his trio of enigmatic objects, Michael Scheiner creates small, provoc­ lien, das dieser Vase ihre Dynamik, ihren Reiz und ihre Ausdruckskraft ative sculptures with a sense of ritual and mystery, capable of simulta­ verleiht. neously evoking the past, present, and future. Subtly rubbed with graphite In seinen drei „enigmatischen Objekten" schafft Michael Scheiner and oil paint for colorants, Scheiner's tapered glass rods retain their kleine, provozierende Skulpturen mit einem Gefuhl von Ritual und ethereal light-transmitting qualities that only glass can achieve. Bound Geheimnis, diefahig sind, die Vergangenheit, Gegenwart und Zukunft and wrapped for protection by either copper wires or sheaves of ham­ gleichzeitig hervorzurufen. Die spitz zulaufenden Glasstangen von Schei­ mered lead, these glass rods imply the imagery and tools of alchemy, ner, die mit Graphit und Olfarben als Farbstoffe zart gerieben worden shamanism, fetishism, voodooism, and divination. Entitled Bundle, sind, behalten ihre atherischen lichtsendenden Qualitaten, die nur Glas Quiver, Wrapping, they are symbols of completeness of process or state, erreichen kann. Durch Kupferdraht oder Bundel von gehammertem Blei three being the perfect number of the higher planes. als Schutz gebunden und eingewickelt, deuten diese Glasstangen die Although these artists have used additional materials in their work, in Metaphorik undWerkzeuge von Alchemie, Schamanismus, Fetischismus, each case it is the glass element that has been central to the artist's Voodoo-Kult und Weissagung an. Bundle, Quiver, Wrapping genannt, vision. A substitute material would render these works to a lesser realm. sind sie Symbole der Vollstandigkeit von ProzeB oder Zustand - drei This issue of New Glass Review is resplendent with many fine examples Begriffe der Perfektion einer hoheren Ebene. that affirm the senses of discovery, original ideas, and emotions, all of Obwohl diese Kunstler zusatzliches Material in ihrer Arbeit benutzt which have encouraged me to think in unexpected and new directions. haben, ist es in jedem Fall das Glaselement, das das Wesentliche der Michael W. Monroe (MM) Vision des Kiinstlers ist. Ein anderes Material wurde diese Arbeiten auf Curator in Charge eine minderwertige Stufe stellen. Diese Ausgabe der New Glass Review Renwick Gallery hat eine Reihe von vielen guten Beispielen, von Entdeckung, originellen National Museum of American Art Ideen und Emotionen, die mich ermutigt haben, in unerwarteten und Smithsonian Institution neuen Richtungen zu denken.

Michael W. Monroe (MM) Hauptcurator Renwick Gallery Nationales Museum amerikanischer Kunst Smithsonian Institution like the enigmatic, art that invites me to fill in the blank, that lets my mind ch mag das Ratselhafte, Kunst, die mich einladt, eine Lucke selbst and my esthetic will flex, that doesn't allow me to be a couch-cerebel­ Iauszufullen, die meinen Geist und meinen asthetischen Willen anregt, lum. Whether the stimulation is an intellectual one or of a visual lust, die mir nicht erlaubt, meinen Geist erstarren zu lassen. Wichtig ist es haptic sort is not important - just that there is an invitation there. I do not nicht, ob es eine intellektuelle Anregung ist oder von einer Art einfuhlbarer crave visual bludgeoning, or being preached to, or simply dead-ended, visueller Wollust stammt - es muB nur eine Einladung sein. Ich bin nicht driven with a truckload of well meaning images down a cul-de-sac of wild auf visuelle Uberwaltigung, daB man mich zupredigt oder man mich good intentions and abandoned, with nary a dot connect. When looking einfach mit einem Lastwagen voller wohlwollenderVorstellungen in eine at objects, I prefer a connection made, a circle completed, information Sackgasse guter Absichten hineinfahren laBt und mich dort mit etwas transferred, or passion shared. zurucklaBt, mit dem mich kaum etwas verbindet. Wenn ich Objekte So what did I like, given our mission to choose the new? More so than betrachte, ziehe ich es vor, eine Verbindung herzustellen, einen Kreis zu by form or function, some objects are new by virtue of their intense vervollstandigen, Informationen zu ubertragen oder eine Leidenschaft zu beauty, others by the fact that they've managed to change everyday life. teilen. Others by the exquisiteness of their irony, their mystery, their hilarity, or Angesichts unseres Auftrags Neues zu wahlen, was gefiel mir also? their ability to induce wonder. (The thing missing in the jurying of three- Einige Objekte sind mehr aufgrund ihrer intensiven Schonheit als ihrer dimensional objects from slides is sculpture's insistence on a viewer's Form oder ihrer Funktion neu. Andere sind es wegen derTatsache, daB sie bodily self-awareness for meaning.) das alltagliche Leben erfolgreich verandert haben. Andere sind neu durch I liked the figurative work of Karl Hensel, Judy Hill, Robin Grebe, and ihre exquisite Ironie, durch ihr Geheimnis, ihre Heiterkeit oder ihre Fahig- JanuszWalentynowicz. I liked the vessels of Yuko Nakao, Charles Vannat- keit, Verwunderung hervorzurufen. (Was fehlt, wenn man 3-dimensionale ta, Judy Jensen, and Matthew Brod; the reliquary-like work of Einar de la Objekte anhand von Dias beurteilt, ist der skulpturale EinfluB auf die Torre, and Deborah Murphy; the strange shapes from another language of Einstimmung des Betrachters.) ThomasTisch, James Watkins, Ki-Ra Kim Noh, Michael Scheiner, Gun Mir gefielen die gegenstandlichen Arbeiten von Karl Hensel, Judy Hill, Lindblad, Sara Young, and Will Pappenheimer; and finally the sweet maze Robin Grebe und JanuszWalentynowicz. Ich mochte die Behalter von of Brad Copping. Yuko Nakao, Charles Vannatta, Judy Jensen und Matthew Brod; die These objects remind me of the current relevance of Freud's observa­ reliquienschreinartigen Arbeiten von Einar de la Torre und Deborah Mur­ tion that wit is a denial of suffering. This seems especially important to phy; diefremden Formen einer anderen Sprache von Thomas Tisch, note and to remind ourselves (as we stroll into the historically correct fin James Watkins, Ki-Ra Kim Noh, Michael Scheiner, Gun Lindblad, Sara de millennium ennui) that our role as artists has become increasingly Young und Will Pappenheimer und schlieBlich das suBe Labyrinth von obvious and necessary: to jump start the wonder of the slumbering Brad Copping. collective unconscious. Diese Objekte erinnern mich an die Relevanz der Bemerkung von Ginny Ruffner (GR) Sigmund Freud, daB der „Witz eineAblehnung von Leiden" sei. Es scheint Artist mir besonders wichtig zu bemerken und uns daran zu erinnern, (weil wir Seattle, Washington dabei sind, in die historisch begrundete Einode des Jahrtausends hinein- zuschlendern): DaB unsere Rolle als Kunstler immer offensichtlicher und notwendiger wird: die Unwissenheit des schlummernden, kollektiven BewuBtseins durch Starthilfekabel anzuwerfen.

Ginny Ruffner (GR) Kunstlerin Seattle, Washington

Note SchluB bemerkung

n 1989, more than 6,100 copies of the New Glass Review 11 prospectus ehr als 6.100 Exemplare der Einladung zu New Glass Review 11 were mailed. Each entrant could submit a maximum of three slides. A Mwurden 1989 mit der Post versandt. JederTeilnehmer konnte bis zu total of 808 individuals and companies representing 35 countries submit­ drei Dias einreichen. Insgesamt reichten 808 Einzelpersonen und Firmen ted 2,218 slides. The 100 objects illustrated in this Review were selected aus 35 Landern 2.218 Dias ein. Die 100 Objekte, die in dieser Review by the four jurors, whose initials follow the descriptions of the objects they abgebildet sind, wurden von den vier Jury-Mitgliedern ausgewahlt, deren chose. Initialen den Beschreibungen ihrer ausgesuchten Objekte zugefugt sind. All slides submitted to New Glass Review are retained in the Rakow Alle fur New Glass Review eingereichten Dias werden in der Rakow- Library of The Corning Museum of Glass, where they may be viewed by Library des Corning Glas-Museums gesammelt, wo sie der Offentlichkeit the public. Copies of slides published in any of the past Reviews may be zur Besichtigung zur Verfugung stehen. Kopien der Dias, die in jeder der purchased by special order from the Museum's Sales Department. vergangenen Reviews erschienen sind, konnen durch besondere Bestel- Copies of New Glass Review 3 (1982), 7 (1986), 8 (1987), 9 (1988), and 10 lung von derVerkaufsabteilung des Museums gekauft werden. Exemplare (1989) are still available from the Sales Department, which can also der New Glass Review 3 (1982), 7 (1986), 8 (1987), 9 (1988), und 10 (1989) supply all back issues of the Review in black-and-white microfiche. sind von derVerkaufsabteilung noch lieferbar. Diese Abteilung kann auch The coordinator of the New Glass Review competition at The Corning alle alten Ausgaben der Review in schwarz-weiBem Mikrofiche liefern. Museum of Glass would like to thank all of the artists and designers who Der Koordinator des New Glass Review-Wettbewerbs beim Corning submitted their slides for consideration. Special thanks are due to those Glas-Museum mochte sich bei alien Kunstlern und Designern bedanken, who made this publication possible: Louise Bush, Charlene Holland, die ihre Dias zum Wettbewerb eingereicht haben. Ein besonderer Dank Ernestine Kyles, Nina McPhilmy, Barbara Miller, Richard Price, and Violet steht jenen zu, die diese Ausgabe ermoglicht haben: Louise Bush, Charle­ Wilson. ne Holland, Ernestine Kyles, Nina McPhilmy, Barbara Miller, Richard Price und Violet Wilson. Artists and Objects* Kunstler und Objekte*

* Descriptive information has been provided by the artists.

* Die Bildbeschreibungen sind von den Kiinstlern geliefert worden.

Countries Represented/Vertretene Lander

Australia Great Britain Rumania Jensen, Judy Cocks, Deborah Amsel, Galia Cioroiu, Vladimir Serban King, Ruth Courtney, Giselle Davies, lestyn Krasnican, Susie Lyons, Jennifer Hart, Diane Sweden Leap, J. Kenneth Murphy, Deborah Kinnaird, Alison Backstrom, Monica Leone, Denise Stillwaggon Nishi, Etsuko Kramer, Michael Hydman-Vallien, Ulrica Marioni, Paul Malig, Julia Christina Lindblad, Gun Merritt, Edward Canada Matthias, Gayle Vallien, Bertil Pappenheimer, Will Copping, Brad Reekie, David Warff, Goran Patti, Tom Frolic, Irene Williams, Christopher Plum, Susan Switzerland Randal, Seth Czechoslovakia Italy Baumgartner, Hans Robbins, Dana L. Rybak, Jaromir Bubacco, Lucio Roberts, Amy Soukup, Jirl U.S.A. Rubino, Bryan J. Japan Vlasakova, Eva Ackerman, Lysbeth Russell-Pool, Kari Choshi, Emi Bannon, Susan Schaechter, Judith A. Koike, Yasushi Denmark Blank, Martin Scheiner, Michael Minson, James Kanda, Masayuki Boothe, Anna Scott, Rolanda I. Nakao, Yuko Boysen, Bill Simoni, Mary Kay Noda, Osamu Finland Brand, Alex and Ann Greenberg (10) Simpson, Josh Shioya, Naomi Salo, Markku Brockmann, Ruth Stuart, Harry E. Uzawa, Fumiaki Toikka, Oiva Brod, Matthew J. Svenson, David Korea, Republic of Coleman, Brian Swanson, Kurt and Lisa Schwartz (82) France Noh, Ki-Ra Kim Corradetti, Anthony Tedesco, Chris Querin, Henri Dexter, William Tisch, Thomas Zuber, Czeslaw Mexico Farbanish, Thomas Troutner, Ann de la Torre, Einar Farrell, John Van Cline, Mary Germany, Federal Republic of Gazale, Pamela Vannatta, Charles W., III Bartels, Horst The Netherlands Grebe, Robin Walentynowicz, Janusz A. Greb, Hartmann Fokkelman, Hanneke Griffin, Chris Watkins, James C. Lechner, Florian Hensel, Karl C. Wulke, Joy Peretti, Sibylle Poland Higuchi, Yoko Young, Albert Wolff, Hans-Jurgen Skibska, Anna Hill, Judy Young, Sara 1 Lysbeth Ackerman gold leaf, iron stands; acid- Nine North Road etched Corning, New York 14830 Geblasenes Glas mit halben Beschichtungen, Blattgold, Boing Cast glass, copper inclusions, eiserner Sockel, Saure geatzt Tallest: H. 200 cm, W. 150 cm copper tubing TSB, SKF Gegossene Kupfer-Einschlusse, Kupferrohr H. 57 cm, W. 50 cm, D. 20 cm MM, GR Susan Bannon 2607 Western Avenue, #11 Seattle, Washington 98121 Galia Amsel Mammary 28A Jersey Road Blown glass, pate de verre, Leytonstone plaster London E11 4BL, England Geblasen, Pate de verre, Gips H. 26 cm, W. 30 cm, D. 30 cm Viking Boat Form MM{GR abstained) Cast, fused, and slumped glass Geaossenes, verschmolzenes una gesturztes Glas H. 40 cm, W. 85 cm, D. 30 cm 5 HorstBartels MM, GR Hilgert, Federal Republic of Germany Rogaland Spirits Set (flask with four glasses) Monica Backstrom Flameworked glass, pine tray Kosta Boda AB (Flasche mit vier Glasern) 36065 Boda Glasbruk, Sweden Tablett aus Fichtenholz Atlantis Edition H. 37cm, W. 31.5 cm, D. 13.5 cm Blown glass with half overlays, TSB, MM, GR 6 Hans Baumgartner Form-aeblasen, pate de verre, SpannertstraBe 11 Blattsilber CH-6003 Lucerne, Switzerland H. 64 cm, W. 22 cm, D. 27 cm Flache, Liuie Struktur GR Blown glass; cut, ground, polished Geblasen, geschliffen, undurchsicntig, poliert 9 Bill Boysen H. 11 cm, Diam. 28 cm School of Art TSB Southern Illinois University Carbondale, Illinois 62920 Red Bud Martin Blank Pate de verre 3856 Northeast 88th Street H. 20 cm, W. 15.3 cm, D. 7.7 cm Seattle, Washington 98115 TSB, SKF, MM, GR Janus Series Blown and twisted opal glass, hot applications Geblasenes und gedrehtes 10 Alex Brand and Opalglas Ann Greenberg H. 46 cm, W. 35 cm, D. 8 cm Brand and Greenberg Glass Inc. MM, GR 79 West Market Street Corning, New York 14830 Vase with Ring Handles Blown glass, cast foot; assem­ Anna Boothe bled while hot Collegeville, Pennsylvania Geblasen, gegossener Fuf3, heiB Processor verklebt Mold-blown glass, pate de verre, H. 35 cm, W. 17.5 cm, D. 17.5 cm silver leaf TSB, SKF, MM 11 Ruth Brockmann Flute with Figure 1563 Marion SE Flameworked and blown glass; Portland, Oregon 97202 joined while hot Lampengeblasen und geblasen, Guardian Young heiB verklebt Cast frit glass, granite H. 28 cm, W. 12 cm, D. 9 cm Gegossenes Schmelzglas, TSB, GR Granit H. 46 cm, W. 50 cm, D. 21 cm TSB 14 Emi Choshi 4-3-18 Higashiishikiri Higashi Osaka Osaka, Japan 12 Matthew J. Brod Vegetable Market Urbana, Illinois Cut and assembled sheet glass, Untitled wire; sandblasted, engraved Mold-blown glass, copper Geschliffenes und verklebtes element; enameled, bronzed, Flachglas Draht, sandgestrahlt, graviert atinated Pormaeblasen, Kupferelement, H. 15 cm, W. 31 cm, D. 15 cm emailfiert, bronziert, patiniert SKF H. 45 cm TSB, GR 15 Vladimir Serban Cioroiu Bucharest, Rumania Receptacle I Fused opal glass 13 LucioBubacco Verschmolzenes Opal-Glas S. Polo, 1077/A H. 3 cm, W. 18 cm, D. 18 cm 30725 Venice, Italy TSB, GR 16 Deborah Cocks In Sandform gegossen, holzer- 38-40 John Street, Leichhardt ner Zaun Sydney 2040, Australia H. 100 cm, W. 180 cm, D. 180 cm Hoop Heads TSB, GR Cast and painted glass, steel, brass wire Gegossen und bemalt, Stahl, Messingdraht 19 ly< Each: H. 103 cm, W. 122 cm, 1109-111T Hollins Street D. 16 cm Baltimore, Maryland 21223 GR Splash Blown glass, lustres Geblasen, Lustermalerei H. 43 cm, W. 23 cm, D. 21 cm 17 Brian Coleman TSB, SKF, MM 241 32nd Avenue Santa Cruz, California 95062 Twist & Zig Zag Series Lampworked glass, argon, kryp­ 20 Giselle Courtney ton, phosphorescence 48 Judd Street Lampengeblasen, Argon, Oatley, N.S.W., Australia 2223 Krypton, Phosphoreszenz Wailpanei H. 60 cm, W. 40 cm, D. 50 cm Flameworked glass, lustre, heat- GR treated, stainless steel Lampengeblasen, Lustermalerei, heiB verarbeitet, Edelstahl H. 100 cm, W. 150 cm, D. 5 cm 18 Brad Copping SKF, MM, GR Dunsford, Ontario, Canada Sitting on a Fence Glass cast in a sand mold, 16 wooden fence 21 lestyn Davies Coco Osiris Glass Studio Glass blown into a wet clay and Broadfield House Glass Museum wood mold, paint, clay, wooden Barnett Lane fruit Kingswinford, West Midlands, In eine nasseTon- und Holz-Form England geblasenes Glas, Farbe.Ton, Insect Scents holzerne Frucht Blown glass, gold and silver leaf, H. 87.5 cm, W. 37.5 cm, D. 20 cm ground stoppers TSB, SKF Geblasen, Blattgold und Blattsil- ber, Bodenverschlu8 Largest: H. 5 cm, W. 25 cm, D. 18 cm 24 Thomas Farbanish P.O. Box 11 MM, GR Strafford, Vermont 05072 Urn 22 Einar de la Torre Blown glass, enamels A.P.0.1862 Geblasen, Emaille Ensenada, Baja California, H. 67 cm, W. 25 cm, D. 25 cm Mexico TSB Reliquia de una llanta Flameworked and blown glass, automobile parts, enamel paint 25 John Farrell Lampengeblasen und geblasen, 4400 Wallingford Avenue North, Autoteile, Emaillierfarbe #22 H. 57 cm, W. 42 cm, D. 42 cm Seattle, Washington 98103 TSB, MM, GR Mythical Goblet Flameworked and blown glass 23 William Dexter Lampengeblasen und geblasen R.D.2, Box 945 H. 35 cm, W. 12.5 cm, D. 17.5 cm Boyertown, Pennsylvania 19512 TSB, MM, GR 26 Hanneke Fokkelman 28 Pamela Gazale Postbus 10919 P.O. Box 254 1001 EX Amsterdam, The Nether­ Kensington, Maryland 20895 lands Book #7 Untitled Blown and cast glass, steel Glass, cement Geblasen und gegossen, Stahl Glas, Zement H. 27.5 cm, W. 20 cm, D. 7.5 cm H. 50 cm, W. 32 cm SKF, MM, GR TSB, SKF, MM, GR

29 HartmannGreb 27 Irene Frolic Lange Reihe 51 290 Palmerston Avenue D-2000 Hamburg 1, Federal Toronto, Ontario, Canada M6J Republic of Germany 2J4 Untitled Untitled Pate de verre Glass fused in a cire perdue H. 28 cm, W. 6 cm, D. 2.5 cm mold, copper SKF, MM In verlorener Form verschmol- zen, Kupfer H. 27 cm, W. 19 cm, D. 19 cm TSB, SKF, GR 30 Robin Grebe 449 Lowell Avenue, #3 Newton, Massachusetts 02160 Necessity of Loss Pate de verre, carved wood Pate de verre, geschnitztes Holz H. 85 cm, W. 55 cm, D. 23 cm TSB, SKF, MM, GR 26

28

Mi

29 30 15 31 Chris Griffin 34 Karl C. Hensel 230 West 105th Street, #3D Jenner, California New York, New York 10025 Speak with Flowers, Carry Scarabs Music; Pate de verre, wax, clay, paint Build with Nature, Know of Dan­ Pate de verre, Wachs, Ton Farbe ger Overall: H. 102 cm, W. 102 cm Fused glass panels with copper SKF, MM, GR cutouts, grape wood, mixed media Verschmolzene Glaspaneelen mit Kupferausschnitten, 32 Henri Guerin Weinbeerholz, Mixed Media I I H. 145 cm, Plaisancedu Touch, France W. 120 cm, D. 35 cm Italian Chapel, Geneva, Switzer­ TSB, MM, GR land Dalle de verre, engraved glass Dalle de verre, graviert H. 20.6 m, W. 50.2 m, D. 3 cm 35 Yoko Higuchi TSB Penland, North Carolina Untitled ! Flameworked glass, painted steel, wood 33 Diane Hart Geblasenes Glas, aeblasen, 9, The Elms, Ashbrooke bemalter Stahl, HoTz Sunderland SR2 7BZ, England H. 230 cm, W. 40 cm, D. 30 cm Mirror with Grapes and Hearts MM, GR Pate de verre, mirrored glass Pate de verre, Spiegelglas H. 37 cm, W. 68 cm, D. 3.5 cm TSB, SKF, GR 36 Judy Hill 39 Masayuki Kanda 31 Club Lane Guldbergs Plads 10. 4TV Bernardsville, New Jersey 07924 2200 Copenhagen, Denmark Court Egress Asayake Pate de verre, glazed ceramic Glas, colored cement Pate de verre, lasierte Keramik Glas, gefarbter Zement H. 33 cm, W. 22 cm, D. 8 cm H. 30 cm, W. 44 cm, D. 6 cm MM, GR TSB, SKF, MM

37 Ulrica Hydman-Vallien 40 Ruth King Kosta BodaAE^ Sandy Hook, Connecticut BromsVag, 8, Afors 36104 Eriksmala, Sweden L-A-M-P Blown and cast glass, cast-iron Lady of Today fittings, incandescent bulbs Cut and sawed solid glass; Geblasen und gegossen, auBei- painted serne Beschlage, weiBglunende Geschliffen und gesagt Birnen H. 31 cm, W. 24 cm, D. 8 cm H. 46 cm, W. 76 cm, D. 18 cm TSB, GR TSB, MM, GR 38 Judy Jensen 1009 Ruth Avenue Austin, Texas 78757 Plates Reverse painting on glass, mixed media Hinterglasmalerei, Mixed Media Diam. 20 cm TSB, SKF, MM, GR 41 Alison Kinnaird Falkner Road, The Hart (for Steuben) Farnham, Surrey 1, England Shillinghill, Temple Cylinder with Base Midlothian EH23 4SH, Scotland Mold-blown glass, cast base Doppelganger Formgeblasen, gegossener Ful3 Cast and cut glass, copper- H. 33 cm, W. 10 cm, D. 10 cm wheel engraving TSB, GR Gegossen und geschliffen, Kupferradel-Gravierung 44 Susie Krasnican H. 18 cm, W. 6.5 cm, D. 5 cm 7202 Quincy Avenue TSB, SKF, MM, GR Falls Church, Virginia 22042 Fruit Trees 42 Yasushi Koike Drawing with enameled and 3-24-5 Shindo sandblasted plate glass shapes Ibaraki-City Zeichnung mit Emaille bemalten Osaka, Japan 567 und sandstrahlbehandelten lnfinite-„N" Spiegelglasformen Blown glass; cut, sandblasted, H. 110 cm, W. 80 cm, D. 3.8 cm assembled TSB, SKF, MM, GR Geblasen, geschliffen, Sand- strahlbearbeitet, zusammenge- 45 J. Kenneth Leap fugt 1 Washington Avenue H. 20 cm, W. 53 cm, D. 23 cm Runnemede, New Jersey 08078 TSB, SKF, MM, GR Waiting for Alice ..Antique" glass; enameled, 43 Michael Kramer leaded West Surrey College of Art and „Antik"-Glas, emailbemalt, ver- Design bleit H. 36 cm, W. 68 cm 41 TSB, SKF, MM, GR 46 Florian Lechner Untitled Urstall 154 Cast glass 8201 Nussdorf/Steinach, Federal Gegossen Republic of Germany H. 20 cm, W. 40 cm, D. 20 cm Lichtsaule, Augsburg TSB, SKF, GR Heat-formed optical glass, granite HeiB verformtes optisches Glas, 49 Jennifer Lyons c/o Mr. B. M. Lyons Granit H. 6.5 cm, W. 34 cm, D. 0.5 cm 7 Irvine Street TSB, MM Mitcham, Victoria, Australia Simmering Desert „Antique" glass; fused, lami­ nated, sandblasted, engraved, 47 Denise Stillwaggon Leone stained, painted 45 Broad Street „Antik"-Glas, verschmolzen, Hamilton, New York 13346 laminiert, sandstrahlbearbeite- Untitled tes Glas, graviert, gefarbt, Sheet glass, steel, halogen light; bemalt slumped, sandblasted H. 30 cm, W. 37 cm, D. 1 cm Scheibenglas, Stahl, Halogen- TSB Licht, gesturzt, mit Sandstrahl behandelt H. 75 cm, W. 60 cm, D. 20 cm 50 Julia Christina Malig GR Cambridge, England Wawel Blown glass; engraved, enameled 48 Gun Lindblad Geblasen, graviert, emailbemalt Klockarvagen 7NB H. 28 cm, W. 16 cm, D. 26 cm 14147 Huddinge, Sweden TSB, GR

50 19 51 Paul Marioni Of Voyages Past 4136 Meridian Avenue North Glass, copper, wood, paint; Seattle, Washington 98103 slumped, fused, assembled Glas, Kupfer, Holz und Farbe; Spider gesturzt, verschmolzen, verklebt Blown glass, hot-formed inclu­ sions H. 80 cm, W. 300 cm, D. 120 cm Geblasen, heiB geformte Ein- schlusse MM, GR H. 25 cm, W. 25 cm, D. 15 cm TSB, SKF 54 James Minson Tokyo, Japan 52 Gayle Matthias Necklace Woodlands, Clay Lake Flameworked glass, handmade Endon, Stoke-on-Trent ST9 9BT, paper, silver clasp; sandblasted England Lampengeblasen, handgemach- tes Papier, Silber-VerschluB, Gargoyle sandstrahlbearbeitet Kiln-cast crystal, stained glass H. 4.5 cm, inlays; polished Diam. 22 cm HeiB gegossenes Kristall, farbige SKF, GR Glas-Einlagen, poliert H. 21.5 cm, W. 17.8 cm, D.3.4 cm TSB, MM 55 Deborah Murphy Flat 1,175 Mullens Street Balmain, N.S.W., Australia 2041 53 Edward Merritt Christmas Vase Box 714 Glass, mixed media Lenox, Massachusetts 01240 Glas, Mixed Media H. 200 cm, W. 28 cm, D. 28 cm MM, GR 56 Yuko Nakao 59 Ki-Ra Kim Noh 757-37 Katakura-cho, Kanaga- E-5 Kwangmyong Garden wa-ku 129 Dongsoon-Dong, Chongro- Yokohama, Japan 221 Ku Splash Seoul, Republic of Korea Mold-blown glass Still-Life I In der Form geblasen Blown glass, pate de verre; Tallest: H. 21 cm, W. 27 cm cut, assembled, painted SKF, GR Geblasen, pate de verre; geschliffen, verklebt, bemalt H. 36.5 cm, W. 32 cm, D. 11 cm MM, GR 57 Etsuko Nishi 25B Northgate Gardens Forbes Street Turner, A.C.T., Australia 2601 60 Will Pappenheimer Lace Cage 36 Newbury Street Pate de verre, blown glass Somerville, Massachusetts Pate de verre, geblasen 02144 H. 25 cm, Diam. 35 cm Vegetation Wheel SKF, MM, GR Blown and cast glass, oil paint, string, plaster, wood Geblasen und gegossen, Olfar- be, Schnur, Gips, Holz 58 Osamu Noda Diam. 97 cm, D. 13 cm 6 Honson Niijima SKF, MM, GR Tokyo 100-04, Japan Landmark #1 Blown glass Geblasen H. 28 cm, W. 40 cm, D. 28 cm TSB, SKF, MM 61 Tom Patti Flameworked glass, steel base, 89 Maple Street malachite; lustred, sandblasted Plainfield, Massachusetts 01070 Lampengeblasen, Stahl-Sockel, Malachit, Lustermalerei, sand- Santa Fe Windows (interior view) strahlbearbeitet Retro-formed glass H. 77.5 cm, W. 25 cm, D. 16.2 cm Retrogeformtes Glas TSB, GR H. 122 cm, W. 61 cm, D. 2.5 cm TSB, MM, GR

64 Seth Randal P.O. Box 30952 62 Sibylle Peretti New York, New York 10011 Graeffstrasse 2 5000 Cologne 30, Federal Amphora with Ruby Handles Republic of Germany Pate de verre H. 33 Untitled cm, W. 35.5 cm TSB, MM, GR Blown glass, wire; cut, engraved, enameled, lustred Geblasen, Draht, geschliffen, graviert, emailbemalt, Lusterma- 65 David Reekie lerei H. 17 cm, W. 10 cm 48 Earlham Green Lane Norwich, Norfolk NR5 8HE, TSB, SKF England The Vocalists Pate de verre cast in a cire per­ 63 Susan Plum due mold, painted wood base 707 South Snoqualmie, 4E Pate de verre in verlorener Form Seattle, Washington 98108 gegossen, bemalter Holz-Sockel Archaic Visitation Ode to the Bee H. 42.5 cm, W. 44 cm, D. 18 cm Goddess SKF, GR 66 Dana L. Robbins 68 Bryan J. Rubino 14371 Springer Avenue Seattle, Washington Saratoga, California 95070 White Swans with Purple Ribbed Gator Bowl Bowl & Foot Blown glass, cast bronze lid and Blown glass base; sandblasted, painted Geblasen Geblasen, gegossener Bronze- H. 16.5 cm, W. 14 cm deckel und -Sockel, sandstrahl- TSB, MM, GR bearbeitet, bemalt H. 29 cm, W. 21 cm, D. 28 cm TSB, SKF 69 Kari Russell-Pool 2079 Random Road Cleveland, Ohio 44106 67 Amy Roberts Carrot Cage 5637 Old Mill Road Flameworked and blown glass Bainbridge Island, Washington Lampengeblasen und geblasen 98110 H. 90 cm, W. 24 cm, D. 24 cm Crimson Shrine TSB, SKF, MM, GR Glass, mixed media Glas, Mixed Media H. 120 cm, W. 60 cm, D. 30 cm TSB, MM, GR 70 Jaromi'r Rybak Prague, Czechoslovakia The Fiery Tongue Fused glass; cut, etched, polished Verschmolzen, geschliffen, geatzt, poliert H. 20 cm, W. 28 cm, D. 42 cm SKF, MM 71 Markku Salo Glas, Olfarbe, Graphit, Blei, Mes- littala-Nuutajarvi Glass singdraht 31160 Nuutajarvi, Finland Largest: W. 35.5 cm Net Bottles TSB, SKF, MM, GR Glass blown into a net mold In Netzform geblasenes Glas Tallest: H. 70 cm, W. 15 cm TSB, SKF, MM 74 Rolanda I Scott P.O. Box 5693 Richmond, Virginia 23220 Alphabet Soup Bowl 72 Judith A. Schaechter Pate de verre crystal cast in a 1532 Rodman Street cire perdue mold Philadelphia, Pennsylvania 19146 Pate de verre Kristall in verlorener Bee Hive Hell Form gegossen Stained glass, copper foil, lead Diam. 15 cm Farbiges Glas, Kupferfolie, Blei SKF, GR H. 44 cm, W. 120 cm TSB, SKF, MM, GR 75 Naomi Shioya 1 -20-8 Tamagawa, Ota-ku 73 Michael Scheiner Tokyo, Japan 10 Clinton Street Bean Dishes Central Falls, Rhode Island Blown glass; cut, sandblasted 02863 Geblasen, geschliffen, Sand- Bundle, Quiver, Wrapping strahlbehandelt Glass, oil paint, graphite, lead, Average: H. 3 cm, W. 20 cm, brass wire D. 12 cm TSB, GR

. 76 Mary Kay Simoni Geschliffenes Flachglas, aufge- 10611 East Washington Street legtes Element, Glasfaden Chagrin Falls, Ohio 44022 H. 39 cm, W. 28 cm, D. 1 cm NoMo TSB, SKF, GR Laminated plate glass, plexiglass flames Laminiertes Flachglas, Plexiglas- Flammen 79 JiriSoukup H. 55 cm, W. 25 cm, D. 9 cm Rude armady 925 TSB, GR Brandys nad Labem, Czechoslo­ vakia Glass Wall Sheet glass 77 Josh Simpson Flachglas Frank Williams Road H. 200 cm, W. 250 cm, D. 50 cm Shelburne Falls, Massachusetts TSB, GR 01370 Untitled Blown and cast glass Geblasen und gegossen 80 Harry E. Stuart Tallest: H.21 cm, W. 8 cm, D. 4 cm 608 Howard Street TSB, SKF, MM, GR Columbia, South Carolina 29205 Neoteric Wheel Glass cast in a sand mold, glass powders, copper 78 AnnaSkibska In Sandform geblasen, Glas- Wroclaw, Poland staub, Kupfer Sweater of Dog H. 51 cm, W. 61 cm, D. 10 cm Cut sheet glass, applied element, TSB, MM, GR glass thread 81 David Svenson Awakening 4438 Via Padova Glass blown into a ceramic mold; Claremont, California 91711 sandblasted, painted Lizard Sconce In keramischer Form geblasen, Blown and flameworked glass, sandstrahlbehandelt, bemalt wood, neon, mercury H. 20.3 cm, W. 12.3 cm, Geblasen und lampengeblasen, D. 17.8 cm Holz, Neon, Quecksilber GR H. 40 cm, W. 18 cm, D. 10 cm SKF,GR 84 Thomas Tisch 4001 San Leandro Street 82 Kurt Swanson and Oakland, California 94601 Lisa Schwartz Schicksa-Spielzeug RD 10, Church Hill Road Cold-worked glass Carmel, New York 10512 Kalt bearbeitetes Glas H. 11 cm, W. 32 cm, D. 10 cm Table Lamps SKF, MM, GR Blown glass, fabricated glass and steel Geblasen, verfertigtes Glas und Stahl 85 OivaToikka Each: H. 80 cm, W. 25 cm, littala-Nuutaiarvi Glass D. 25 cm 31160 Nuutajarvi, Finland TSB The Queen Leaves France Blown, pressed, and cast glass Geblasen, gepreBt und gegos- 83 Chris Tedesco sen 243 Sims Road Overall: H. 40 cm, W. 150 cm, Santa Cruz, California 95066 D. 30 cm SKF, GR

26 85 86 AnnTroutner 89 Mary Van Cline 4136 Meridian Avenue North 1473 Elliott Avenue West Seattle, Washington 98103 Seattle, Washington 98119 Let's Eat The Restful Nature of Time Cast glass Reverse painting on glass, Gegossen photosensitive plate glass H. 31 cm, W. 18 cm, D. 6 cm Hinterglasmalerei, TSB, SKF, MM photoempfindliches Flachglas H. 101 cm, W. 60 cm, D. 75 cm TSB, MM, GR 87 Fumiaki Uzawa 463-5 Mobara, Mobara-C Chiba, Japan 90 Charles W. Vannatta III Utsuwa #1 Honolulu, Hawaii Blown glass Untitled Installation (detail) Geblasen Blown glass; sandblasted H. 10 cm, Diam. 14 cm Geblasen, sandstrahlbehandelt TSB Overall: H. 384 cm, W. 768 cm TSB, SKF, GR

88 pertil Vallien Afors 36104 Eriksmala, Sweden Willie Willie Glass cast in a sand mold, gran­ ite base In Sandform gegossen, Granit- sockel H. 65 cm, W. 17 cm, D. 14 cm TSB, SKF, MM, GR 91 Eva Vlasakova ground and polished Vranove II. c. 144 Geblasenes Uberfangkristall; 46831 Mala-Skala, Czechoslova­ sandstrahlbehandelt, saurepo- kia liert; Seiten undurchsichtig und Turtle Woman poliert Cast glass H. 175 cm, W. 150 cm, D. 80 cm Gegossen TSB, SKF H. 44 cm, W. 20 cm, D. 12 cm SKF, GR 94 James C. Watkins 10 White Street 92 Janusz A. Walentynowicz Pawtucket, Rhode Island 02860 P.O Box 3792 Bottle and Pitcher Bloomington, Illinois 61702-3792 Pate de verre crystal Untitled with Four Apples Pate de verre, Kristall Cast glass, marble, steel H. 33 cm, W. 26 cm, D. 12 cm Gegossen, Marmor, Stahl SKF, GR H. 32 cm,W. 26 cm, D. 24 cm TSB, SKF, GR 95 Christopher Williams The Glasshouse 93 Goran Warff 65 Long Acre Kosta Boda London WC 2, England Box 38 Green Handle Jug S-36052 Kosta, Sweden Blown crystal Wings Vase Geblasenes Kristall Blown cased crystal; sand­ H. 30 cm, W. 17 cm blasted, acid-polished; sides TSB, SKF 96 Hans-Jurgen Wolff 99 Sara Young Munich, Federal Republic of 234 Armington Street Germany Cranston, Rhode Island 02905 Die Sangerin Untitled Leaded glass Pate de verre, wood, metal Bleiglas Pate de verre, Holz, Metall H. 34 cm, W. 34 cm H. 25 cm, W. 17.5 cm TSB, GR SKF, GR

97 JoyWuIke 100 CzeslawZuber 26 Prospect Hill 32 rue Mouffetard Stony Creek, Connecticut 06409 75005 Paris, France Come On In Honey the Water's Our Prison Is Ignorance r>A Fine Carved and painted optical Sandblasted sheet glass, mirror, glass, metal framework wood, light Geschnitztes und bemaltes opti- Sandstrahlbehandeltes Flach- sches Glas, Metall-Rahmenwerk glas, Spiegel, Holz, Licht H. 37 cm, W. 47 cm, D. 20 cm m H. 147 cm, W. 147 cm, TSB, MM D. 352.8 cm SKF, GR

98 Albert Young Detroit, Michigan Unit Cast glass, bronze, copper Gegossen, Bronze, Kupfer H. 17 cm, W. 17 cm, D. 13 cm MM

•feistl

- 99 100 29 Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS

Bibliographie KORZLICH VEROFFENTLICHTE ARTIKEL UND BUCHER UBER GLAS

This list includes publications added to the Rakow Library of The Corning Museum of Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie der New Glass Glass since the bibliography for New Glass Review 10. Review 10 zu der Rakow-Bucherei des Corning Glas-Museums hinzugefugt worden sind. Contemporary Glass (after 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, Zeitgenossisches Glas (nach 1945) and Stained Glass Flachglas (nach 1945), einschlieBlich architekturbezogenes Glas, Glasmosaik, Technology (after 1945) Glasmalerei und Stained Glas. Films and Videotapes Technologie (nach 1945) Filme und Videobande Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Man kann sie unter dem Autor des rezensierten Werkes finden. The following periodicals are recommended for comprehensive coverage of contem­ porary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitge- nossische Glasgestaltung empfohlen: Glass Art (Japan) Glass Art Magazine Glass Art (Japan) Glass Art Society Journal Glass Art Magazine Glass Review (Czechoslovakia) Glass Art Society Journal Glasswork (Japan) Glass ftew'ew(Tschechoslowakei) Neues Glas/New Glass Glasswork (Japan) New Work Neues Glas/New Glass La Revue de la Ceramique et du Verre New Work Stained Glass Quarterly La Revue de la Ceramique et du verre Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich in dem Journal of Glass Studies, das ebenfalls vom Corning Glas-Museum herausgegeben wurde. Entries beginning with a cardinal or ordinal number, expressed either as a numeral or spelled out, will be found after the alphabetical entries, arranged numerically. Titel, die mit einer Kardinal- Oder Ordinalzahl anfangen und die als Zahl oder als Wort ausgedriickt sind, werden nach den alphabetischen Eintragen zahlenmaBig geord- net.

CONTEMPORARY GLASS (after 1945) / ZEITGENOSSISCHES GLAS (nach 1945)

ANONYMOUS 10. "Art in Glass with Masterful Perfection" 20. "Canadian Clay and Glass Gallery, Waterloo" Continental Homewares, Spring 1989, p. 99, ill. Ontario Craft, v. 14, no. 1, Spring 1989, p. 41. 1. "A. D. Copier: Baanbrekend glaskunstenaar" 3rd International Glass Symposium 1988 in Novy Glas&Keramiek, no. 4, May/June 1989, pp. 14-18, Bor. 21. "Cape Cod Portfolio" ill. In Dutch and English. The Review, Cape Cod's Art & Antiques Magazine, Retrospective Copier exhibition at Leerdam glass 11. "Artist Presentation: Steve Easton" no. 14, Jan./Feb. 1988, pp. 72-73, ill. museum. The Glass Art Society Journal 1988, p. 40, ill. Vase by James Holmes, stained glass by Bonnie Maresh. 2. "ADAC: Nouveaux ateliers, nouvelles 12. "Una artista milanese del vetro" emotions" llluminotecnica, no. 335/336, Nov./Dec. 1988, pp. 22. "CGCA Announces Awards for 1989 Fall L'Atelier, no. 5, Nov./Dec. 1989, pp. 35-38, ill. 354-357, ill. In Italian, French, English. Fellowships" Paris cultural center with glass studios and Laura Morandotti. The Journal, A Newsletter for Friends of Wheaton exhibits. Village, v. 12, no. 3, July/Aug./Sept. 1989, p. 2. 13. "Artists Cast Kiln in a New Role" 3. "Age-Old Artistry: Nachtmann" Glass Art Magazine, v. 4, no. 2, Feb. 1989, pp. 10- 23. "Chandeliers for the Soviet Union" Tableware International, v. 18, no. 11, Dec. 1988/ 15, ill. Glass Review, v. 43, no. 12,1988, p. 31, ill. Jan. 1989, p. 24, ill. Artists using kiln casting: Linda Ethier, Stephen Dale Edwards, Steven Weinberg, Robin 24. "Choice Glass: Glasswork" 4. "Alltid aktuell - Bertil Vallien" Grebe. Glass Art Magazine, v. 4, no. 3, March/April 1989, Glas och Porslin, v. 58, no. 6,1988, p. 25, ill. pp. 42-43, ill. 14. "Aus den Museen: Finnisches Glas-Design" Colorado invitational exhibition of glass sculpture; 5. "Ancient Craft Gains Popularity" Kunst &Antiquitaten, no. 2,1989, p. 75, ill. work by Robert Levin, Brent Kee Young, Richard Glass (U.K.), v. 66, no. 11, Nov. 1989, p. 439, ill. Tapio Wirkkala in brief article. Jolley, John Nickerson. Glass engraving and the Guild of Glass Engravers. 15. "Ausstellung der Gesellenstiicke des 25. "Choice Glass: Kraus Sikes 2nd Annual 6. "Anketa 'Dl SSSR':Tri voprosa o bayerischen Glaserhandwerks American Crafts Awards" stekloplastike" Prufungsjahrgang 1989 in Vilshofen" Glass Art Magazine, v. 4, no. 4, May/June 1989, pp. Dekorativnoe Iskusstvo SSSR, no. 4 (353), 1987, Glas + Rahmen, v. 40, no. 20, Oct. 1989, pp. 1014+, 54-55, ill. pp. 35-36, ill. ill. Statements by glass designers Luba Savelieva, 26. "Christie's Sale a Success" Viktor Shevchenko, and others; piece by B. 16. "Ausstellung/Exhibition. 2. Bayerwald Glas- American Craft, v. 49, no. 2, April/May 1989, p. 12. Fedorov illustrated. Preis" Auction of a private glass collection. Neues Glas, no. 1,1989, pp. 39-42, ill. 7. "Announcements" 27. "Christopher Wilmarth Retrospective" The Glass Art Society Journal 1988, pp. 105-107. 17. "Avantgarde in Glas" New Yorker Magazine, June 12,1989, pp. 15-16. Exhibitions, award winners, etc. Porzellan + Glas, no. 5, May 1989, p. 44, ill. Stanislav Borowski. 28. "Cinque artisti della luce" 8. "ANZ Glass Prize" llluminotecnica, no. 337/338, Jan./Feb. 1989, pp. Ausglass, Spring, 1989, p. 16, ill. 18. "Barcelona Glass Centre" 290-293, ill. In Italian, German, English. 1988 winners, Saabi Forrester and Kirstie Rea. Glass (U.K.), v. 66, no. 3, March 1989, p. 76. Neon exhibit in Milan: Dan Flavin, Joseph Kosuth, New site for stained glass and hot glass Mario Merz, Keith Sonnier, Pier Paolo Calzolari. 9. "Architect Graves Becomes a Glass Pupil" workshops. American Glass Review, v. 110, no. 1, July 1989, p. 29. "Commissions: Bruce Nauman, Vices and 8, ill. 19. "Bertil & Ulrica Vallien" Virtues" Michael Graves designs a collection for Steuben Honoho Geijutsu, no. 23, pp. 128-131,1989, ill. In Sculpture, v. 8, no. 4, July/Aug. 1989, p. 33, ill. glass. Japanese. Neon sculpture at a San Diego university. 30. "Cover: The Branches of Promise" The Score (Spectrum Glass Co., Woodinville, Die Schaulade, v. 64, no. 6, June 1989, p. 43, ill. U.S. Glass, Metal & Glazing, v. 24, no. 6, June 19, Wash.), June 15,1989, pp. 1-2, ill. Hungarian glass at Frauenau. 1989, p. 4, ill. Laminated glass sculpture by Edwina Sandys for 49. "Furniture Design: Glass" • 67. "Glasprofiler: Annas succelinje" Monsanto Co. Design World, no. 17,1989, pp. 6-7, ill. Glas och Porslin, v. 59, no. 4,1989, pp. 26-28, ill. Furniture demonstrating use of patterned and Anna Ehrner of Kosta Boda. 31. "Craftspeople Hit by Quake Ready to textured glass for Pilkington commission. Rebuild" 68. "Glasprofiler: Mats ar Maleras" The Crafts Report, v. 15, no. 165, Dec. 1989, pp. 26- 50. "Gallery: Glass" Glas och Porslin. v. 59, no. 4,1989, pp. 30-31, ill. 27. American Craft, v. 48, no. 4, Aug./Sept. 1988, p. 79, ill. Mats Jonasson at Maleras glassworks, Sweden. John Lewis, Steve Maslach, Annieglass Studio. Maslach, Glancy, Pizzichillo, Lipofsky, Van Deurzen, Clark. 69. "Glass" 32. "La Creativite aux Cristalleries de Saint- Glass & Porselen (formerly Glassposten), no. 4, Louis" 51. "Gallery: Glass" Aug. 1989, pp. 8-13, ill. Revue des Industries d'Art Offrir, no. 257, April American Craft, v. 49, no. 1, Feb./March 1989, p. New sculptural and limited edition pieces from 1989, pp. 92-97, ill. 80, ill. Czech, Scandinavian, and British designers. Curtiss Brock, Dan Hillen, Paul Manners, Steve 33. "Cristallo come 'fuoco Tobin, JanuszWalentynowicz, James White. 70. "Glass and People from Chribska" Abitare, no. 277, Sept. 1989, pp. 327-329, ill. In Glass Review, v. 44, no. 10,1989, pp. 12-13, ill. Italian and English. 52. "Gallery: Glass" "Shell" table by designer Danny Lane. American Craft, v. 49, no. 2, April/May 1989, pp. 71. "Glass Art Draws Attention to Swedish Vodka 78-79, ill. in U.S." 34. "Danny Lane's Atlas Table" 12 glass artists. The Crafts Report, v. 15, no. 162, Sept. 1989, p. 47, ID (International Design), v. 36, no. 1, Jan/Feb. ill. 1989, cover and p. 36, ill. 53. "Gallery: Glass" Hans Godo Frabel. American Craft, v. 49, no. 3, June/July 1989, p. 80, 35. "Daum, un nom, un style" ill. 72. "Glass Artist's Manufacturing Resources Revue des Industries d'Art Offrir, no. 259, June Michael Bokrosh, Ann Weighall, Michael Taylor, Create New Business in Perfume Bottles" 1989, pp. 22-28, ill. Ellen Jacobs, Robert Carlson. American Glass Review, v. 109, no. 9, March 1989, Includes designs by Starck, McConnico. p. 9, ill. 54. "Gallery: Glass" Robert DuGrenier. 36. "Derriere le rideau de verre" American Craft, v. 49, no. 4, Aug./Sept. 1989, p. 87, L'Atelier, no. 1, Jan./Feb. 1989,pp. 34-39, ill. In ill. 73. "Glass by Dominick Labino To Open at the English and French. George Ponzini, Steven Maddy, Karen Naylor, Toledo Museum" Interview with Libensky and Brychtova. Steve Linn, James P. Holmes. Michigan Glass Guild Newsletter, Feb. 1989, p. 2. 37. "Digest: Le Verre grandeur nature" 55. "Gallery: Glass" 74. "Glass Focus Interviews Mary Shaffer" L'Atelier, no. 4, Sept./Oct. 1989, p. 10, ill. American Craft, v. 49, no. 6, Dec. 1989/Jan. 1990, Glass Focus (Morton Grove, III.), Aug./Sept. 1989, Glass sculpture exhibition in Pare Floral, Paris, p. 79, ill. pp. 10-12. sponsored by Corning France. S. Stinsmuehlen-Amend, Robin Grebe, Leonard DiNardo, Liz Marx, Concetta Mason. 75. "Glass-Focus Interviews Stephen Hodder" 38. "Dominick Labino's Legacy" Glass-Focus (Morton Grove, III.), Feb./March 1989, The Toledo Museum of Art Newsletter, Feb./March 56. "Gallery: Glass/Metal" pp. 7-8. 1989, p. 3, ill. American Craft, v. 49, no. 5, Oct./Nov. 1989, p. 87, ill. 76. "Glass Graduates from the West Surrey 39. "Elke Leipold uberTransparente Rolanda Scott, Rachel Josepher Gaspers, Robert College of Art & Design" Raumformen von Helga Oexle" Bellucci. Neues Glas, no. 2,1989, p. 134, ill. In German and Glas + Rahmen, v. 40, no. 1, Jan. 1989, pp. 22-24, English. ill. 57. "Gallery Review" Transparent sculptures by Oexle. Glasswork (Kyoto, Japan), no. 3, Oct. 1989, p. 48, 77. "Glass Sculptures by Zynsky on Display at ill. In Japanese. The Corning Museum of Glass" 40. "Engraved Work by Anne Dybka" Work by five Japanese glass artists. Glas & Keramiek, no. 2, Jan./Feb. 1989, p. 44, ill. Ausglass, Spring, 1989, cover and p. 11, ill. 58. "GAS Review: Student Exhibition" 78. "Glasset har 300 ars tradisjoner i Bohmen" 41. "The Engraver's Art" Glass Gazette, Summer 1989, pp. 8-9. Glass & Porselen (formerly Glassposten), v. 43, no. Swarovski Collector, v. 2, no. 2, Autumn/Winter 5/6,1989, p. 26, ill. 1988, pp. 4-5, ill. 59. "A Gathering of Glass" Brief article on influence of Bohemian glass, past Austrian engraver associated with Swarovski. Collector's Editions, v. 17, no. 3, Fall 1989, pp. 28- and present. 29, ill. 42. "Exhibitions" Nourot Glass Studio. 79. "Glassy Collectible" Craft Arts, no. 14, Dec. 1988/Feb. 1989, pp. 113- Ontario Craft, v. 14, no. 3, Sept. 1989, p. 9, ill. 116, ill. 60. "Gefahrten derTraume" Jamie Sherman makes reproduction of 1839 Work by Stephen Skillitzi, Chris Pantano, Chuck Porzellan + Glas, no. 4, April 1989, p. 33, ill. Canadian pitcher for the Royal Ontario Simpson. Theodor G. Sellner. Museum.

43. "Expositions, actualites: Ales Vasicek" 61. "Geneve: Philip Baldwin et Monica 80. "Die Glitzerwelt der filigranen Glasgebilde" La Revue de la Ceramique et du Verre, no. 46, May/ Guggisberg" Glaswelt, v. 42, no. 12, Dec. 1989, p. 20, ill. June 1989, p. 75, ill. L'Oeil, no. 404, March 1989, p. 80-81, ill. Christmas ornament production in Lauscha. Brief review of exhibit. 44. "Expositions, actualites: Catherine 81. "Der GPK-Fachhandel prasentiert Otmar Alt" Zoritchak" 62. "Geoff's Greek Runner" Die Schaulade, v. 64, no. 10, Oct. 1989, pp. 222- La Revue de la Ceramique et du Verre, no. 46, May/ Pilkington News, Dec. 7,1989, p. 14, ill. 223, ill. June 1989, p. 72, ill. Brief article on a figural glass sculpture by Costas Rosenthal designer in glass and porcelain. Varotsas in an Athens square. 82. "The Grohe Glass Gallery" 45. "Expositions, actualites: Ventrone, 63. "Gilbert Crugnola: Laminiertes Glas? Glass Art Magazine, v. 4, no. 5, July/Aug. 1989, pp. 'Architecture et environnement'" Laminiertes Glas! 74-75, ill. La Revue de la Ceramique etduVerre, no. 44, Jan./ Neues Glas, no. 4,1989, pp. 317-320, ill. In German Curtiss Brock, Josh Simpson, Chris Heilman/ Feb. 1989, p. 39, ill. and English. Joyce Roessler. Sculptures by Ventrone. 64. "Glasblaserin-Goldschmied-Handweberin" 83. "Ground Broken for Canadian Clay and Glass 46. "Ein Festival der Glasmacherkunst mit Schweizer Heimatwerk, v. 54, no. 2,1989, pp. 2-7, Gallery" internationaler Besetzung: 3. Internationales ill. The Crafts Report, v. 15, no. 165, Dec. 1989, p. 13. Glassymposium in Novy Bor/CSSR" Lampworking by Barbara Gfrerer. Porzellan + Glas, no. 1, Jan. 1989, pp. 62-63, ill. 84. "Herb Babcock" 65. "Der Glaserne Wald: Den Baum erkennt man Crafts Newsletter (Center for Creative Studies, 47. "Forme, colore e spazio nell'opera di Oldrich an seiner Frucht..." College of Art and Design, Detroit),Spring 1987, p. Pliva" Glas + Rahmen, v. 40, no. 1, Jan. 1989, p. 27, ill. 5, ill. llluminotecnica, no. 335/336, Nov./Dec. 1988, pp. Glass "trees" by Gerald Koopman in Haaksbergen, 384-391, ill. In Italian, French, English. the Netherlands. 85. "A History of Crystal" Home Lighting & Accessories, v. 72, no. 11, Nov. 48. "Fritz Dreisbach, Glass Technologist at 66. "'Glaskunst aus Ungarn' im Glasmuseum 1989, pp. 46-48, ill. Spectrum" Frauenau" Swarovski chandeliers. 86. "Honorary Professor OivaToikka" 107. "Masterworks Fellowships Awarded" Work by Shunji Omura, Ai Kigoshi, Hideko Masuda, Form-Function-Finland, no. 1,1989, p. 3, ill. The Journal, A Newsletter for Friends of Wheaton Ryoichi Mitsuya, James Minson. Village, v. 12, no. 2, April/May/June 1989, p. 2. 87. "Hostens nyheter fran Kosta Boda" Tagliapietra, Dailey, Pappenheimer, Shaffer, Bruce, 127. "Portfolio: Ann Robinson, Glass Artist" Glas&Porslin, v. 59, no. 5,1989, pp. 18-19, ill. Thorgeirsdottir. New Zealand Crafts, no. 18, Spring 1986, pp. 20- Pieces by Bertil Vallien, Ulrica Hydman-Vallien, 21, ill. Gunnel Sahlin. 108. "A Millionaire's Wish" The Gift Buyer International, v. 26, no. 1, Sept. 128. "Portfolio: BrynhildurThorgeirsdottir, 88. "Hovory o skle" 1989, p. 52, ill. Michiko Miyake,Tsuji Kazumi, Richard LaLonde, Umenia fiemesla, no. 2,1989, p. 73. Engraved glass globe by Midlands craftsman. KidoYoriko" "Speaking of glass." Glasswork (Kyoto, Japan), no. 3, Oct. 1989, pp. 40- 109. "Movement in Seattle" 44, ill. In Japanese. 89. "Im Spannungsfeld von Glas und Edelstahl" Architectural Digest, v. 46, no. 12, Dec. 1989, p. Glaswelt, v. 41, no. 4, April 1988, pp. 20-21, ill. 234, ill. 129. "Portfolio: Curtiss Brock" Glass and steel sculptures by Heide-Astrid Betz- Brief article about Seattle galleries and Pilchuck American Craft, v. 49, no. 4, Aug./Sept. 1989, pp. Schlierer. School. 54-55, ill. 90. "Informationen" 110. "Museum of Modern Art Exhibits Sculptures 130. "Portfolio: Richard LaLonde" Neues Glas, continuing series: no. 1, Jan./March by Christopher Wilmarth" American Craft, v. 49, no. 1, Feb./March 1989, pp. 1989 no. 4, Oct./Dec. 1989. Antiques & The Arts Weekly, v. 17, no. 23, June 9, 56-57, ill. News of exhibitions, conferences, new books, etc. 1989, p. 5. Fused glass panels. Includes biography, discussion of his work. 91. "Isobe Glass Workshop" 131. "Portfolio: Tetsuro Yajima, Keiko Mukaide, Glasswork (Kyoto, Japan), July 2,1989, pp. 26-31, 111. "Naomi Shioya" Ken Watanabe, Emi Choshi" ill. Glasswork (Kyoto, Japan), no. 3, Oct. 1989, pp. 28- Glasswork (Kyoto, Japan), July 2,1989, pp. 42-45, In Japanese and English. 31 +, ill. In Japanese and English. ill. In Japanese.

92. "Jan Johansson - 20 ar pa Orrefors" 112. "Nebuleuses" 132. "President's Bowl" Glas och Porslin, v. 59, no. 2,1989, pp. 6-7, ill. LAtelier, no. 2, March/April/May 1989, p. 9, ill. Glass (U.K.), v. 66, no. 5, May 1989, p. 151, ill. David Ruth sculptures in Paris exhibit. Cut and engraved Waterford bowl presented to 93. "Josef - Direktoren som slangt slipsen" President Bush. Glas och Porslin, v. 59, no. 4,1989, pp. 22-25, ill. 113. "Ein neues Glasgussverfahren" Josef Marcolin of Ronneby, Sweden. Die Schaulade, v. 64, no. 2, Feb. 1989, p. 196, ill. 133. "Previews" Kristian Klepsch. Lalique Magazine, v. 1, no. 1, Spring/Summer 1989, 94. "Jutta Cuny-Franz-Erinnerungspreis" pp. 11-13, ill. Neues Glas, no. 3,1989, pp. 256-257, ill. In 114. "New Lamps for Artemide; New Projects Also in v. 2, no. 2, Fall 1989, pp. 15-17, ill. German and English. from Flos" New editions from Lalique. 1989 glass prize to Swedish artist Kristina Rapp. Ottagono, no. 91, Dec. 1988, pp. 120-128, ill. New Italian lighting. 134. "Prime of the Province: A Window on 95. "Kunst in Glas in meisterlicher Perfektion" Ontario Crafts 89" Porzellan + Glas, no. 2, Feb. 1989, pp. 166-167, ill. 115. "A New Visibility for Glass" Ontario Craft, v. 14, no. 4, Winter 1989, cover and Third International Glass Symposium, ARTnews, v. 88, no. 10, Dec. 1989, p. 72. p. 22, ill. Novy Bor. Brief article about corporate collecting of studio Bowl by John Robinson. glass. 96. "Kunsthandwerk (Keramik, Glas) bei 135. "Production/Artist/Artwork: Benjamin Christie's" 116. "News: Vetro floreale" Moore" Kunst+Handwerk, no. 2, March/April 1989, p. 140. Domus, no. 705, May 1989, u.p., ill. Glasswork (Kyoto, Japan), July 2,1989, pp. 10-14, Auction results. Clock with etched iris by Marie Claude Lalique. ill. In Japanese and English. 97. "Kunsthaus am Museum: Keramik/Glas- 117. "The Niche Award: Stephen Jon Clements" 136. "Profile: Herb Babcock" Auktion" Niche, v. 2, no. 1, Winter 1989, p. 22, ill. Crafts Newsletter (Center for Creative Studies, Kunst + Handwerk, no. 1, Jan./Feb. 1989, p. 71, ill. College of Art and Design, Detroit), Fall 1986, p. 5. Cologne auction of contemporary glass. 118. "Notable Works: John Morrison" Professional Stained Glass, v. 9, no. 5, May 1989, 137. "Rakow Commission 1989 Awarded" 98. "Kurzubersicht/VITAE" pp. 60-61, ill. Glas & Keramiek, no. 4, May/June 1989, p. 27. Neues Glas, continuing series: no. 1, Jan./March Sandblasted sculptures. Diana Hobson. 1989-no. 4, Oct./Dec. 1989. Biographies of artists whose work is presented in 119. "Notes: Rakow Commission Awarded" 138. "Rakow Grant and Commission" each issue. Journal of Glass Studies, v. 31,1989, p. 119. The Corning Museum of Glass Newsletter, Diana Hobson. Summer 1989, p. 4. 99. "Kvinnlighet-sinnlighet" Diana Hobson. Skona Hem, no. 3,1989, pp. 82-83, ill. 120. "Participants in the 3rd International Glass Ulrica Hydman-Vallien, Eva Englund. Symposium at Novy Bor" 139. "Reich geriet die Offerte an Glass Review, v. 44, no. 3,1989, pp. 18-45, ill. Glaserzeugnissen" 100. "Lalique Story..." Brief biographies and work of over 100 artists Glaswelt, v. 41, no. 8, Aug. 1988, p. 72, ill. Revue des Industrie d'Art Offrir, no. 259, June illustrated. Glass at Leipzig fair, 1988. 1989, pp. 29-39, ill. 121. "Pascal Mourgue: 'La Memoire de I'eau"' 140. "Reports and Comments" 101. "Lalique Trophy Turns Heads" Revue des Industries d'Art Offrir, no. 264, Dec. New Work, no. 36, Winter 1989, pp. 8-11. Lalique Magazine, v. 1, no. 1, Spring/Summer 1989, 1989, pp. 100-101. Includes response to 1988 article about Judy Bally pp. 20-21, in. Exhibition at Paris gallery. Jensen. Olympics skating trophy. 122. "People: Herb Babcock" 141. "Rietveld Academy" 102. "Lalique, une collection spectaculaire" InnerViews (College of Art and Design, Detroit, Glasswork (Kyoto, Japan), no. 1, April 1989, pp. 42- Revue des Industries d'Art Offrir, no. 257, April Mich.), v. 9, no. 1, Spring 1989, p. 16, ill. 43, ill. In Japanese. 1989, pp. 86-87, ill. Brief article. 142. "Runaway Glass" 103. "Lampworking Is No Longer Looked At as 123. "Peter Layton Makes a Point at 3rd Ontario Craft, v. 14, no. 2, June 1989, p. 6, ill. Just a Craft: Ginny Ruffner" International Glass Symposium" Glass fashion show at GAS conference. Glass Line, v. 3, no. 1, June/July 1989, p. 1+, ill. Glass Circle News, no. 44, July 1989, p. 8, ill. Sculpture made by Layton at Novy Bor 143. "Saint-Louis, la plus ancienne cristallerie 104. "Leden-Object 1988" symposium. frangaise" Glas & Keramiek, no. 1, Nov./Dec. 1988, p. 44, ill. Revue des Industries d'Art Offrir, no. 259, June Selected piece by Winnie Teschmacher. 124. "The Philadelphia Craft Show" 1989, pp. 40-46, ill. Glass Art, v. 5, no. 1, Nov./Dec. 1989, pp. 18-19, ill. 105. "The Lucia Award' 1988 till Prins Bertil" 144. "Sally Rogers, A Busy Lady" Glas och Porslin, v. 59, no. 1,1989, p. 27, ill. 125. "Point of View" Crafts Newsletter (Center for Creative Studies, Bertil Vallien. Casa Vogue, no. 210, July/Aug. 1989, p. 39, ill. College of Art and Design, Detroit), Spring 1987, p. Glass chair by Luigi Serafini. 6, ill. 106. "Magic Crystal from Hofbauer" Tableware International, v. 18, no. 11, Dec. 1988/ 126. "Portfolio" 145. "Sculptures de cristal de Baccarat" Jan. 1989, p. 23, ill. Glasswork (Kyoto, Japan), no. 1, April 1989, pp. 44- Revue des Industries d'Art Offrir, no. 261, Sept. Glass cars and motorcycles. 48, ill. In Japanese. 1989, pp. 188-193, ill. Designs by Cesar, Dali, Zoritchak, Negreanu, and London Glass Works exhibit at Contemporary 184. "1989 Conference, Melbourne" others. Applied Arts Centre, London. Ausglass, Summer 1988-1989, pp. 4-8, ill. Profiles of the workshop leaders: Deb Cocks, 146. "Se me parla: Tops" 166. "Uralte Handwerkskunst in neuen Garry Nash, Lutz Haufschild, Ginny Ruffner, Anne Casa Vogue, no. 208, May 1989, p. 231, ill. English Verfahren: Kristian Klepsch gibt der Glaskunst eine Dybka and others. summary. neue Dimension" Exhibition of tops and other glass objects by Porzellan + Glas, no. 1, Jan. 1989, pp. 68-71, ill. 185. ABRAHAMSON, UNA designer Peter Shire, Milan. Crafts Canada: The Useful Arts 167. "Vaclavu Ciglerovi bylo uz sedesat" Toronto and Vancouver: Clarke, Irwin & Co., 1974, 147 "Seekers" Umenia fiemesla, no. 3,1989, p. 11. 191 pp, ill. Niche, v. 2, no. 1, Winter 1989, pp. 14-17, ill. Vaclav Cigler. Includes glass and stained glass. Glass collection and gallery in Cambria, Cal. 168. "The Venetians: Modern Glass 1919-1990" 186. ADAMEC, JAROMIR 148. "Selected Works of Mr. Junshiro Sato I" Neues Glas, no. 4,1989, pp. 309-311, ill. "Galerie Hittfeld-na jednicku!" Glass (Tokyo), no. 25, May 1989, p. 9, ill. In German and English. Atelier, no. 24, Nov. 28,1989, p. 6, ill. In Japanese. Exhibition at New York City gallery. Jan Fisar, Milan Handl, and Ivo Rozsypal in Hamburg exhibit. 149. "Showcase" 169. "Venini - Italienische Glasmacher-Kunst" Glass Art Magazine, continuing series: v. 4, no. 2, Die Schaulade, v. 64, no. 10, Oct. 1989, pp. 226- 187. ALBERA, GIOVANNI AND MONTI, Feb. 1989, v. 5, no. 1, Nov./Dec. 1989, ill. 227, ill. NICOLAS New work submitted by readers. Berlin exhibit of Venini work. Italian Modern: A Design Heritage New York: Rizzoli, 1989, 240 pp, ill. 150. "Sklarsky vytvarnik" 170. "Vergabe des 'Zweiten Bayerwald- Tableware by the Memphis designers Carlo Atelier, no. 15, July 25,1989, p. 7. Glaspreises:' Sonderausstellung im Glasmuseum Moretti, Angelo Mangiarotti, Brief note about Pavel Hlava, glass designer. Frauenau" and others, pp. 123-139. Die Schaulade, v. 64, no. 2, Feb. 1989, pp. 308- 151. "Sklo u Mitrovskych" 309, ill. Also in Porzellan + Glas, no. 2, Feb. 1989, p. 188. ALDERSEY-WILLIAMS, HUGH Atelier, no. 23, Nov. 14,1989, p. 4, ill. 169, ill. "Material Culture" Work by Gizela Sabokova in Brno exhibit. Award winners Manfred Homolka, Richard Wurzer, ID (International Design), v. 36, no. 3, May/June Heike Polster. 1989, pp. 58-61, ill. 152. "Soft Color" Danny Lane glass furniture. Glass Line, v. 3, no. 4, Dec. 1989/Jan. 1990, 171. "Vernissager. Skont och utmanande..." p. 1+, ill. Glas och Porslin, v. 59, no. 3,1989, pp. 30-31, ill. 189. AMERICAN CRAFT ENTERPRISES. Lampworking by Shane Fero. Work by Christian von Sydow, Bengt Edenfalk, HANDMADE IN THE USA: 1989ANNUAL Anna Ehrner, Jerker Perssons, Eva Englund, DIRECTORY OF EXHIBITORS, ACC CRAFT FAIRS 153. "Space III" Lindshammer Art Glass. New Paltz, N.Y.: American Craft Enterprises, 1989, Glasswork (Kyoto, Japan), no. 1, April 1989, pp. 49- 120 pp, ill. 53, ill. In Japanese. 172. "Le Verre est enfant de Boheme" Craft fairs at Baltimore, Minneapolis/St. Paul,West Sculptural work by Czech artists, 1986. Table etCadeau, no. 297, Jan. 1989, pp. 125-130, ill. Springfield, San Francisco. Anniversary of Glassexport and 2nd symposium 154. "Steuben Shines Day and Night" of glass at Novy Bor. 190. ANDERSON, NOLA Corning World (Corning Incorporated), v. 1, no. 1, "Kilnformed Glass from Australia" April 1989, p. 19, ill. 173. "Verriers en fete" Craft Arts, no. 15, March/June 1989, pp. 95-96, ill. Piece by David Dowler. Table et Cadeau, no. 297, Jan. 1989, p. 54, ill. French glassmakers work at Stephens, Marinha 191. ANDREANI, CAROLE 155. "Svatekskla" Grande, Portugal. "Expositions actualites: Asa Brandt" Atelier, no. 13, June 27,1989, p. 3, ill. La Revue de la Ceramique et du Verre, no. 48, Libensky/Brychtova sculpture, "Meteor." 174. "Vom Glas-Design bis zur Raumplastik" Sept ./Oct. 1989, p. 49, ill. Porzellan + Glas, no. 6, June 1989, p. 44, ill. Paris exhibit. 156. "Svenskt Glas '89" Work of Hungarian glass artists at Glasmuseum Kulturspridaren, no. 2, April/June 1989, pp. 12-13, Frauenau. 192. "Expositions actualites: Le Verre grandeur ill. nature" Summer exhibit at Vaxjo Glasmuseum. 175. "We're Launched" La Revue de la Ceramique et du Verre, no. 48, Canadian Clay and Glass Gallery Newsletter Sept./Oct. 1989, p. 44, ill. 157. "Svetloprostor" v. 1, no. 1, Summer 1989, p. 1. Paris exhibit of 30 European artists. Atelier, no. 17, Aug. 22,1989, p. 5, ill. New gallery to open in 1991 in Waterloo, Ontario. Glass and enameled sculpture by Oldrich 193. "Expositions actualites: Le Verre grandeur Sembera. 176. "Wszew/od Sarnecki: Projektant szk/a" nature" Szk/o i Ceramika, v. 38, no. 5-6,1987, p. 155, ill. La Revue de la Ceramique et du Verre, no. 49, Nov./ 158. "Le Symposium international de Novy Bor" Tableware by Polish designer. Dec. 1989, pp. 59-61, ill. Revue des Industries d'Art Offrir, no. 256, March Large glass sculptures in Paris park. 1989, p. 58, ill. 177. "Yan et Catherine Zoritchak a la galerie Capazza: Les Magiciens du verre" 194. "Les Paradoxes de Matei Negreanu" 159. "Talenty a nadeje II." Revue des Industries d'Art Offrir, no. 264, Dec. La Revue de la Ceramique et du Verre, no. 49, Nov./ Umenla fiemesla, no. 4,1988, pp. 60-66, ill. 1989, p. 100, ill. Dec. 1989, pp. 32-35, ill. Ivana Solcova, Juraj Steinhiibel, Ivan Mares. 178. "YoshihikoTakahashi" 195. "Le verre tcheque: Un Art plein de vitalite" 160. "Tall Order at Reading" Glasswork (Kyoto, Japan), no. 1, April 1989, pp. 16- La Revue de laCeramique et du Verre, no. 49, Nov./ Glass Age, v. 32, no. 11, Nov. 1989, p. 9, ill. 20, ill. In Japanese and English. Dec. 1989, pp. 23-25, ill. Brief article about 45-ft. high glass sculpture by Alexander Beleschenko in Reading Station, 179. "30 let Jablonecke Bizuterie 1958-1988" 196. ANDREEVA, V. AND ONANOVA, S. England. Sklara Keramik, v. 38, no. 11,1988, inside covers "Metamorfozy: Plastika stekla" and pp. 41-44, ill. Dekorativnoe Iskusstvo SSSR, no. 4 (353), 1987, p. 161. "Tentoonstellings nieuws: Anna Maria 1, ill. Dickinson" 180. "40 Jahre 'Annahutte'" Sculptural pieces by Pobedova, Bokotei, and Glas & Keramiek, no. 2, Jan./Feb. 1989, p. 45. In Die Schaulade, v. 63, no. 12, Dec. 1988, pp. 2760- others. English. 2761, ill. Oberpfalz glassworks. 197. ANDRES, ZDENEK 162. "Tokyo Glass Art Institute" "Josef Hospodka- In Memoriam" Neues Glas, no. 3,1989, p. 258, ill. 181. "94 internationale Kunstler beim Glass Review, v. 44, no. 8,1989, pp. 26-27, ill. In German and English. III. Internationalen Glassymposium in Novy Bor- 1950s glass pieces by Hospodka. Tschechoslowakei" 163. "Transparente Raumformen: Helga Die Schaulade, v. 64, no. 2, Feb. 1989, pp. 184-185, 198. LES ANGLES. LE VIEUX VILLAGE Oexle" ill. Presence des formes 84: Art plastique, creation Glasforum, v. 39, no. 5,1989, pp. 53-56, ill. musicale. 7eme exposition 182. "575 Jahre Glashutte Chribska" Les Angles: LeVieux Village, 1984,160 pp, ill. 164. "Tris di vetro" Die Schaulade, v. 64, no. 12, Dec. 1989, pp. 68-69, ill. 16 French glass artists, 12 international in exhibit Casa Vogue, no. 211, Sept. 1989, u.p., ill. held near Avignon(?). Bottles by Guido Rosati. 183. "1989 CGCA Spring Fellowships Awarded" The Journal, A Newsletter for Friends ofWheaton 199. ANTOINE LEPERLIER: FRAGILES 165. "Un triumvirato di vetro" Village, v. 12, no. 1, Jan./Feb./March 1989, p. 2. COMBATS (Text by Jean-Luc Olivie) Casa Vogue, Feb. 1989, p. 121, ill. Pamela Gazale, Mark Lorenzi, Tracy Glover, Mark [s.1.: the artist], 1989; Imprimerie Leostic, 30 pp, ill. English summary. Fowler. In French and English. 200. ARNOST, FRANTlSEK; Hlava, Pavel; and Competition Sponsored by The Art Glass Alliance Glas der DDR VI Libensky, Stanislav of Maryland Berlin: Staatlicher Kunsthandel der DDR, 1987,46 "The 3rd International Glass Symposium at Novy [Monkton, Md.]: Art Glass Alliance of Maryland, Bor" 1989, 7 pp, ill. Work of 22 German Democratic Republic artists. Glass Review, v. 44, no. 3,1989, pp. 2-3, ill. October, 1988. 218. BANFORD, BOB AND BOBBY 235. BERLOW, ELLEN "Nine Artists' Weight" "Crafts in the Hills of North Carolina" 201. ART IN GLASS FROM CZECHOSLOVAKIA Annual Bulletin of the Paperweight Collectors' RenwickQuarterly, Dec.1989/Jan./Feb. 1990, p. 4. [s.1.: Art Czechoslovakia, 1981]; Severografica Association, 1988, pp. 45-46, ill. Penland School of Crafts. Turnov, 8 pp. Collaboration on creating a paperweight at Biographies of 42 artists. Wheaton Village. 236. BERTSCHINGER, WALTER "Die Vergangenheit und die Zukunft fusionieren: 202. ARTE DEL CRISTALLO IN 219. BARBIERO, DANIEL Die Arbeit des Kunstglasers Jorg Kleiner" CECOSLOVACCHIA "Reviews: John Torreano" Schweizer Heimatwerk, no. 4,1989, pp. 40-46, ill. Rome: Fratelli Palombi, 1989,122 pp, ill. New Art Examiner, v. 16, no. 11, Summer 1989, pp. Fused pieces by Jorg Kleiner. 42-43, ill. 203. ARTEUS, MARGARETA Paintings incorporating glass gems. 237. BESETT, HARRY "Svenskt studioglas presenterat under varen" "Harry Besett" Glas och Porslin, v. 59, no. 3,1989, pp. 14-16, ill. 220. BASQUIN, KIT The Glass Art Society Journal 1988, p. 78, ill. Swedish glass stucjjosTransjo Hytta, "Reviews: Bonnie Biggs" Studioglashyttan i Ahus, and Wilkes Studioglas. New Art Examiner, v. 16, no. 11, Summer 1989, p. 238. BINDER, LEONORE 51, ill. "Matei Negreanu: Glasbilder, Glasskulpturen, 204. "Vardagskonst i utsokt teknik" Gemalde" Glas och Porslin, v. 58, no. 6,1988, pp. 16-17, ill. 221. BATE, ULRICH Glas (Gesellschaft der Freunde der Glaskunst Anne Nilsson, Orrefors. "Beim Blasen, Formen zugeschaut" Richard Sussmuth e. V.), no. 8,1989, pp. 3-9, ill. Glaswelt, v. 41, no. 9, Sept. 1988, p. 166, ill. 205. ATKINS, ROBERT Glassblower Alexander Ottelinger. 239. BLEKEN, METTE "Exhibitions: Mario Merz" "Glasskunstneren Benny Motzfeldt: Jeg er Contemporanea, v. 2, no. 9, Dec. 1989, p. 89, ill. 222. "Eine gute Messe ist immer billedkunstner" Guggenheim exhibit. Fortsetzsgeschichte" Glassposten, v. 43, no. 1,1989, pp. 16-17, ill. Glaswelt, v. 41, no. 8, Aug. 1988, p. 38+, ill. 206. AUER, RUTH Glass at International Frankfurt Fair, 1988. 240. BUCK, BETH; REEKIE, DAVE; AND "1. International Glassymposium Barnbach, BROCKLEHURST, KEITH Austria" 223. "Meister-Schuler und Meister-Lehrer" "British Artists in Glass Conference 1988 - Neues Glas, no. 4,1989, pp. 330-332, ill. Glaswelt. v. 42, no. 9, Sept. 1989, pp. 60-61+, ill. Workshops" In German and English. Work by Hadamar students and instructors at British Artists in Glass Journal, no. 1, Spring 1989, Wertheim glass museum. pp. 8-9, ill. 207. AUGUSTIJN, PIET "Olaf Stevens" 224. BAYLISS, ARLON 241. BLOCH-DERMANT, JANINE Glas&Keramiek, no. 1, Nov./Dec. 1988, pp. 28-30, "Designing for Rosenthal" "Anthony Guibe" ill. In Dutch and English. Craft Arts, no. 14, Dec. 1988/Feb. 1989, pp. 50-52, Neues Glas, no. 4,1989, pp. 322-323, ill. Dutch ceramic and glass artist. ill. In German and English.

208. BABEY, MARIE-FRANQOISE 225. BEAUMONT, MARY ROSE 242. "Michel Ventrone: La Conquete de la "Eliakim: Le Coeur et la raison" "London: Americans Abroad" Liberte" Table et Cadeau, no. 297, Jan. 1989, pp. 108-109, Arts Review, v. 39, no. 7, April 1989, p. 268, ill. Neues Glas, no. 2,1989, pp. 113-116, ill. ill. Sculptural piece with blown glass by Liliane Lijn. In German and English. Designer's glass pieces made at Murano. 226. BEAUMONT, THIERRY DE 243. Le Verre en France les annees 80 209. "Scandinavie: La Releve de la nouvelle "Glass on the Rocks: KB4 = Kosta-Boda x 4" Paris: Les Editions de I'Amateur, 1988,157 pp, ill. generation" L'Atelier, no. 4, Sept./Oct. 1989, pp. 44-47, ill. About 80 artists. Table et Cadeau, v. 29, no. 303, Aug./Sept 1989, Glass by Jerker Persson, Ann Wahlstrom, Christian pp. 98-99, ill. von Sydow, Gunnel Sahlin. 244. BLOOMINGTON, ILLINOIS. MCLEAN Gunnel Sahlin, Ann Wahlstrom, Erika Lagerbielke. COUNTY ARTS CENTER 227. "Olivier Gagnere, I'eclaireur" Selections from the Donald & Carol Wiiken 210. "Stars frangaises pour un verrier" L'Atelier, no. 5, Nov./Dec. 1989, pp. 14-19 and p. 65, Contemporary Glass Collection Table et Cadeau, v. 29, no. 303,Aug./Sept. 1989, p. ill. English summary. Bloomington: the center, 1989,15 pp, ill. 100, ill. Paris exhibition of glass by designer Gagnere and Philippe Starck, Garouste et Bonetti. photographs of his glass by Keiichi Tahara. 245. BOCA RATON, FLORIDA. HABATAT GALLERIES 211. BAD PYRMONT. MUSEUM IM SCHLOSS 228. "Les Usines aussi peuvent rever: Art, The Eighth Annual International Glass Invitational Erlesenes Kunsthandwerk(YexX by Dieter Alfter and poesie, marketing ettechnologiedu design italien" Boca Raton: the galleries, 1989, 4 pp, ill. Angela Hollings) Bad Pyrmont: the museum, 1988, L'Atelier, no. 4, Sept./Oct. 1989, pp. 22-26, ill. 48 pp, ill. English summary. 246. BODO, NANCY Glass by nine artists. Danny Lane and FIAM glass furniture. "A Matter of Integrity. Alumni Focus: Neal Drobnis" RISD Views, v. 2, no. 1, Sept. 1989, p. 5, ill. 212. BAHRGLAS 229. BECKMAN, ULF [s.1.: Walter Bahr, 1988]; Diisseldorf: Johannes "Rituell form: Gunnar Cyren" 247. BOMAN, MONICA Hartkopf, 35 pp, ill. Skona Hem, no. 1,1989, pp. 73-77+, ill. "Anne Nilsson" Silver, glass, and glass/silver sculpture by the Form, v. 85, no. 2 (658), 1989, pp. 46-47, ill. English 213. BAILLY, BETTY artist. summary. "Bijoux Pleyel: 'Vos desirs sont les notres'" Graal pears by the Orrefors artist. Le Courrierdes Metiers d'Art, no. 88, Dec. 1989, 230. BELANGER-TAYLOR, DENISE pp. 12-13, ill. "In Review. This Business of Hot Glass: Simpson/ 248. Kvantfysikens formklanger" Jewelry, some with glass, on display at SEMA- Buechner Workshop" Form, v. 85, no. 6 (662), 1989, pp. 40-44, ill. Pleyel, Paris. Glass Gazette, Winter 1989, pp. 3-4. English summary. Matz Borgstrom. 214. BAKER, KENNETH 231. B6LISLE, MARIE "Reviews: Mario Merz" "Metaphores et synecdoques" 249. "Sweden: Objects for Aesthetic Artforum, v. 28, no. 10, Summer 1989, pp. 150-151, Vie desArts, no. 136, Sept. 1989, pp. 73-74, ill. Contemplation?" ill. Review of Frangois Houde exhibition in Rimouski, Form-Function-Finland, no. 1,1989, pp. 10-18, ill. Quebec. Ann Wolff, Eva Englund, Ulrica Hydman-Vallien: pp. 215. BAKER, PATRICIA 10 and 16. "An Interview with Ray Flavell" 232. BERANEK, JAROSLAV The Glass Cone, no. 23, Autumn 1989, pp. 3-4, ill. "Czechoslovak Glass in Australia" 250. "Underverk i glas" Glass Review, v. 44, no. 1,1989, pp. 8-10, ill. Form, v. 85, no. 5 (661), 1989, pp. 46-54, ill. 216. BAKONYVARI, M. AGNES English summary. "Kaleidoszkop" 233. BERG, HERMANN-JOSEF Czech glass: Libensky/Brychtova, Solcova- Muveszet, v. 30, no. 9, Sept. 1989, p. 5, ill. "Was dich packt, das tu" Sramkova, Vizner, Zamecnfkova, Cigler, Karel, Kaleidoscope by Gyorgy Olajos. Glaswelt, v. 42, no. 6, June 1989, pp. 14-16, ill. Vanura, Sabokova. Ingrid Conrad-Lindig. 217. BALTIMORE. [Baltimore City Hall Gallery] 251. BOSTON. INSTITUTE OF Feet of Glass: The Fourth Biennial National 234. BERLIN. GALERIE UNTER DEN LINDEN CONTEMPORARY ART Boston Now: Glass and Clay 269. CASSELMAN, CAROL 290. CIBOT, ELISABETH Boston: the institute, 1989, 26 pp, ill. "Review: Czech Art Glass" "La Fabrique Eisch et le bildwerk" Glass artists Bernard D'Onofrio, Page Hazelgrove, Glass Gazette, Summer 1989, p. 5. La Revue de la Ceramique et du Verre, no. 49, Nov./ Will Pappenheimer, Lowell Vesch. Dec. 1989, pp. 36-39, ill. 270. CHAMBERS, KAREN S. 252. Design in Industry "Modern Alchemist: Mary Shaffer" 291. CLARKE, ALISON JANE Boston: the institute, 1952,16 pp, ill. The World & I, v. 4, no. 2, Feb. 1989, pp. 204-209, ill. "Paul Ysart and His Paperweights" Includes Fostoria Glass Co. and Lightolier. Ysartnews (Monart and Vasart Collectors Club, 271. "New York Letter" London), no. 4, March 1988, pp. 15-19, ill. 253. BRACKET! DONALD Glasswork (Kyoto, Japan), July 2,1989, pp. 46-47, Based on interview with Ysart. "Reviews: Andrew Kuntz" ill. New Work, no. 36, Winter 1989, pp. 34-35, ill. In Japanese. 292. CLEMONS, DANIELA "Glasplastik von Steven de Vries" 254. BRAY, CHARLES 272. "Reviews: BrynhildurThorgeirsdottir" Neues Glas, no. 3,1989, pp. 230-231, ill. "Art Glass in Germany" New Work, no. 37, Spring 1989, p. 37, ill. Glass Technology, v. 30, no. 6, Dec. 1989, pp. 199- 293. CLEVELAND, OHIO. CLEVELAND CENTER 200, ill. 273. "Reviews: Form over Function: The FOR CONTEMPORARY ART Ursula Merker, Florian Lechner. Aesthetics of Studio Glass" Nicholas Africano: Paintings and Figurines New Work, no. 37, Spring 1989, p. 35, ill. Cleveland: the center, 1987, 32 pp, ill. 255. "Glass Exhibitions: Contemporary Cast glass sculptural figures. European Sculpture in Glass" 274. "Reviews: Glass America '89" Glass Technology, v. 30, no. 5, Oct. 1989, p. 147. New Work, no. 37, Spring 1989, pp. 34-35, ill. 294. CLOTHIER, PETER Exhibition in Liege. "A Carnival World of Color" 275. "Reviews: International Glass Invitational" American Ceramics, v. 7, no. 2,1989, pp. 26-33, ill. 256. "The Harvey Littleton - Fujita Exhibition" New Work, no. 38, Summer 1989, p. 32, ill. Peter Shire. Glass Technology, v. 30, no. 5, Oct. 1989, pp. 147- Houston, Texas. 148. 295. COCKS, DEB Review of exhibit at the Glasmuseum, Ebeltoft, 276. "Reviews: Jeffrey T. Chapline; Barry "Exhibition in Review: Shar Feil" Denmark. Sautner" Ausglass, Winter 1988, p. 12, ill. New Work, no. 36, Winter 1989, pp. 36-37, ill. 257. BRITTON, ALISON 296. COLOGNE. GALERIE KARSTEN GREVE "Glass-Works, London" 277. "Reviews: Peter Shire" Lucio Fontana: Bilder/Paintings Neues Glas, no. 3,1989, pp. 222-226, ill. New Work, no. 38, Summer 1989, p. 37, ill. Cologne: the gallery, 1988, 48 pp, ill. In German and English. Includes oil paintings with attached glass pieces. Catherine Hough, Simon Moore, Steven Newell. 278. "Reviews: Richard Lalonde and Stephen Dale Edwards; A Glass for Wine" 297. COLOGNE. KUNSTHAUS AM MUSEUM 258. BROWN, BETTY ANN New Work, no. 36, Winter 1989, pp. 40-41, ill. CAROLAVAN HAM "The Decentered Artist" International Studio-Glaskunst (Catalog by Artweek, v. 20, no. 41, Dec. 7,1989, pp. 15-16, ill. 279. "Reviews: Robert Carlson" Barbara von Malotki) Sculptural work by Claire Falkenstein includes glass. New Work, no. 38, Summer 1989, pp. 32-33, ill. Cologne: the museum, 1989, 52 pp, ill. Work by 25 glass artists. 259. BROWN, KAREN 280. "Reviews: Sydney Cash" "Art glass in 3-D" New Work, no. 38, Summer 1989, pp. 34-35, ill. 298. COOK, JOHN Professional Stained Glass, v. 9, no. 3, March 1989, "William Heaton 1903-1988" pp. 40-42, ill. 281. CHAMBERS, KAREN S. AND HICKEY, British Artists in Glass Journal, no. 1, Spring 1989, Author incorporates dichromate reflection GLORIA p. 23, ill. holograms into glass sculpture. "19th GAS Conference USA in Toronto" Neues Glas, no. 3,1989, pp. 244-248, ill. 299. COOK, MALCOLM 260. BRUGGEN, COOSJE VAN In German and English. "The London Glassblowing Workshop" Bruce Nauman Arts Review, v. 39, no. 7, April 1989, pp. 257-258, ill. New York: Rizzoli, 1988, 304 pp, ill. 282. CHAPMAN, NORMA LIESE Review of anniversary exhibition of work by "Context: Objects and Environment" workshop members. 261. BUMPUS, BERNARD Glass Gazette, Winter 1989, pp. 2-3. "Reviews: Craft Exhibitions" 300. COOKE, GLENN R. Arts Review, v. 41, no. 20, Oct. 6,1989, pp. 699- 283. CHARLEROI, BELGIUM. MUS£E DU VERRE "The Studio Glass Movement in Australia" 700, ill. Exposition Jean Vallieres Craft Arts, no. 15, March/June 1989, pp. 77-80, ill. Two London exhibitions of Scandinavian ceramics Beauport: Ville de Beauport, 1988, 39 pp, ill. and glass. 301. COPELAND, BEVERLY 284. Verrerie d'art de la Republique "Glass Focus Interviews Frances Higgins" 262. BUYERS MARKET OF AMERICAN Democratique Allemande (Text by Glass Focus, Oct./Nov. 1989, pp. 7-10. CRAFTS, VALLEY FORGE, PENNSYLVANIA Gabriele Wittrin, Albin Schaedel, Volkhard Precht) Baltimore, Md.:The Rosen Agency, 1989, 47 pp. Charleroi: the museum, 1981, 40 pp, ill. 302. "Glass Focus Interviews Mark Peiser" Listing of exhibitors. Work of 13 artists: Baz-Dolle, Greiner-Mai, Knye, Glass Focus, Dec. 1989/Jan. 1990, pp. 10-12. Koch, the Oelzners, Precht, and others. 263. BYRD, JOAN FALCONER 303. "Glass Focus Interviews Ron Isaacson" "Mark Peiser" 285. CHEBU. GALERIE UMENIVCHEBU Glass Focus, June/July 1989, pp. 10-12. New Work, no. 37, Spring 1989, pp. 8-13, ill. Frantisek Janak - Sklenea plastika (Text by Jana Hornekova) 304. CORN, ALFRED 264. BYRD, RHONA SHACKLEFORD [Prague: s.n.], 1988,12 pp, ill. "Reveries in Glass and Steel" "Keith Sonnier: A Concise Repertoire of a Complex ARTnews, v. 88, no. 8, Oct. 1989, p. 201, ill. Artist" 286. CHICAGO INTERNATIONAL NEW ART Christopher Wilmarth. The Chrysler Museum Bulletin, v. 18, no. 9, Oct. FORMS EXPOSITION 1989 1988, pp. 3-5, ill. Chicago: the exposition, 1989,169 pp, ill. 305. COTTER, HOLLAND "Review of Exhibitions: Sherrie Levine" 265. BYRUM, JOHN 287. CHRISTIE'S, NEWYORK Art in America, v. 77, no. 11, Nov. 1989, pp.186-187, "Reviews: Contemporary Art Glass of Canada" Contemporary Ceramics and Glass. Comprising ill. New Work, no. 36, Winter 1989, pp. 35-36, ill. the Ceramics Collection of Earl Millard and a Cleveland exhibition. Private Glass Collection... 306. CRAFT NOW: BREAKING BOUNDARIES. New York: Christie, Manson &Woods International, A COLLABORATIVE PROJECT BETWEEN THE 266. CAMERON, NANETTE 1989, 72 pp, ill. VIRGINIA MUSEUM OF FINE ARTS AND THE "Artiture" Sale, February 1989. HAND WORKSHOP New Zealand Crafts, no. 22, Spring 1987, p. 16, ill. Richmond, Va.: Virginia Museum of Fine Arts, 1988, Glass and stone table by Paul van Omnen. 288. Masterworks of Contemporary Glass Sold 35 pp, ill. to Benefit the New York Artmobile project includes glass by Jude 267. CARR, C. Experimental Glass Workshop Schlotzhauer, Mark Anderson. "This Is Only a Test: Chris Burden" New York: Christie's, 1989, 51 pp, ill. Artforum, v. 28, no. 1, Sept. 1989, pp. 117-121, ill. April auction. 307. A CRAFTS PORTFOLIO Glass ship sculpture. Detroit, Mich.: Center for Creative Studies, College 289. CHVALINA, VLADISLAV of Art and Design, 1989,10 leaves in a folder, ill. 268. CARTER, JENNY AND OTHERS "Czechoslovak Fashion Jewellery in the World: Includes glass by Arthur Roy and Richard Ruff. "A Selection of Reviews of 'Scottish Glass Now'" Jablonex" Scottish Glass Society Newsletter, no. 34, Sept. For You from Czechoslovakia, no. 4,1988, pp. 52- 308. CROCKETT, TOM 1989, pp. 4-6. 54, ill. "Reviews: Neon Norfolk" New Art Examiner, v. 16, no. 7, March 1989, p. 50. "Czechoslovak Glass in the Land of the Risinq Exhibit of glassware by Archimede Seguso at Neon exhibit at Old Dominion University; Ken Sun" Tiffany & Co. Daley, Victoria Rivers, and others. Glass Review, v. 44, no. 1,1989, pp. 6-7, ill. 341. DURDOVIC, DUSAN 309. CRUMMETT, MICHAEL 325. DONEFER, LAlJRA "Sklo v hlavm roli" Montana Neon "Glass Education in Canada" Atelier, no. 16, Aug. 8,1989, p. 4, ill. [s.1.: s.n., 1986]; Billings, Mont.: Fenske Printing, 15 The Glass Art Society Journal 1988, pp. 67-69, ill. Review of exhibit of work by Frantisek Janak and PP, ill- Jan Exnar. Traveling photographic exhibition and catalog 326. "In Canadian We Say Colour!" sponsored by the Montana Art Gallery Directors New Work, no. 36, Winter 1989, pp. 16-19, ill. 342. DURHAM, NORTH CAROLINA, GLAXO Association. Work byCrichton, Elford, Forbes, Lewis, Maunsell. INC., RESEARCH TRIANGLE PARK Translucence: North Carolina Art Glass and 310. CUBRDA, ZDENEK 327. DRAHATOVA, OLGA; MATERNOVA, VERA; Tapestry "Trail dimenzeskla" URBANCOVA, JANA; AND STARA, EVA Durham: Glazo Inc., 1989,18 pp, ill. Atelier, no. 22, Oct. 31,1989, p. 5, ill. "O vystavach" Beecham/White, K. and W. Bernstein, Carder, Two Jaroslav Svoboda sculptures. Ars Vitraria, no. 9,1989, pp. 81 -88, ill. Littleton, Vogel, Nielander, Peiser, Woodruff. English summary. 311. CUTLER, DICK Brief exhibit reviews: History of Bohemian glass; 343. DUSSELDORF. EP-GALERIE "Texas Diary: Austin and San Antonio, March 1989" Harrachov Glassworks; Glass by Vaclav Hanus, 15 Jahre EP-Galerie. Malerei, Grafik, Skulptur, New Work, no. 38, Summer 1989, pp. 14-19, ill. Pavel Hlava, Dana Vachtova, Gizela Sabokova; Glas, Keramik Jesse Gregg, July Bally Jensen, Patrick Wadley, Jablonec costume jewelry. Diisseldorf: the gallery, 1985,20 pp, ill. Reji Thomas, Robert Willson, Damian Priour. Glass by Udo Edelmann, Harald Harrer. 328. DREISER, PETER 312. DAMI EN, SOPHIE "The Whittington Loving Cup" 344. DUSSELDORF. KUNSTMUSEUM "Le Salon du Meuble de Milan: Cocooning et The Glass Circle, no. 6,1989, pp. 68-71, ill. Danese Milano 1957 bis heute: Design, Kunst, avant-garde" Commemorative cup, engraved by the author, Spiele L'Oeil, no. 412, Nov. 1989, pp. 60-69, ill. presented to Robert J. Charleston, Nov. 1987. Geisenheim:Teunen &Teunen, 1989, 96 pp, ill. Lamps and lighting, glass table. Includes glass by Enzo Mari, Achille Castiglioni. 329. DRESDEN. NEUE DRESDENER GALERIE 313. DANIELS, MARY Albrecht Greiner-Mai: Glas 345. EBELTOFT, DENMARK. GLASMUSEUM "1989 New Art Forms" Dresden: the gallery; Staatlicher Kunsthandel der Fujita/Littleton (Text by Joan Falconer Byrd, ArtToday, v. 4, no. 3, Fall 1989, pp. 32-35, ill. DDR, 1982,14 pp, ill. Atsushi Takeda) Review of Chicago International New Art Forms Ebeltoft: the museum, 1989,153 pp, ill. Exposition. 330. Hartmut Bechmann: Glasgestaltung, Exhibition of Kyohei Fujita and Harvey Littleton Zeichnungen, Plastik (Text by Gunter Meier) work done in the 1980s. 314. DANISH DESIGN (Ed. by Svend Erik Moller) Dresden: the gallery; Staatlicher Kunsthandel der Copenhagen: Det Danske Selskab, 1974,164 pp, DDR, 1989, 30 pp, ill. 346. EDWARDS, GEOFFREY ill. "4th National Studio Glass Exhibition" Glassware, pp. 105-110. 331. Thomas Reimann: Glasgestaltung Craft Arts, no. 15, March/June 1989, pp. 104-107, ill. Dresden: the gallery; Staatlicher Kunsthandel der Australian exhibit. 315. DAVEY, GRAHAM DDR, 1987,18 pp, ill. "A Farewell Gift to an Ambassador" 347. EINARSON, ANNA LENA The Glass Engraver, no. 54, Spring 1989, pp. 20-21, 332. DU RUSQUEC, CLAIRE "Fargen tillbaka" ill. "LaTheiere: Une Epopee" Skona Hem, no. 2,1989, pp. 90-93, ill. Stipple engraved goblets by James Denison- La Revue de la Ceramique et du Verre, no. 45, English summary. Pender. March/April 1989, pp. 44-49, ill. Revival of 1940s-1950s colored glass: Monica Includes glass teapot by Dominique Guitet and re- Bratt and Venini reproductions; new glass by 316. DAVID, MICHAEL; KARBLER, KIT; AND edition of teapot in the Museum of Modern Art. Gunnel Sahlin, Ann Wahlstrom and Kjell Engman. GUZMAN, MIGUEL "Blake Street Glass" 333. DUBOFF, LEONARD 348. ELLIS, ANITA J. The Glass Art Society Journal 1988, p. 82, ill. "The Wonderful World of Disney Embraces Crafts" "Reflection, Refraction and Illusion" The Crafts Report, v. 15, no. 164, Nov. 1989, p. 8, ill. Schott Information, no. 47,1988, pp. 3-4, ill. 317. DAVID ROELL PRIJS 1987.. .A. D. COPIER Lampworking at Disney World. Optical glass sculptures by Christopher Ries. (Text by Renny Ramakers) [Amsterdam]: Prins Bernhard Fonds, 1987, 24 pp, 334. DUFOUR, MICHELE 349. ENKE, DIETER ill. "Craft Today USA, une love affair" "Leben und Werk des Glaskunstlers Andries Dirk Commemorative biography of Copier on L'Atelier, no. 3, June 15/Aug. 15,1989, pp. 50-52, ill. Copier" presentation of Roell Prize. English summary. Glas (Gesellschaft der Freunde der Glaskunst Interview with Paul Smith. Richard Sussmuth e. V., Immenhausen), no. 5, 318. DAYMOND, HEATHER 1987, pp. 3-7, ill. "Canadian Clay and Glass Gallery Ground- 335. "Lettre de Budapest" Life and work of the Leerdam artist. Breaking Ceremonies" L'Atelier, no. 1, Jan./Feb. 1989, p. 23, ill. Artists in Stained Glass Bulletin, Dec. 1989, p. 3. Zoltan Bohus. 350. ERNOULD-GANDOUET, MARIELLE "Galeries, Paris: Czeslaw Zuber" 319. DEVLIN, ERIC 336. DUITS,THIMOTE L'Oeil, no. 411, Oct. 1989, p. 85, ill. "Le Retour des grandes ecoles" "Diabolo: Een nieuw Nederlands drinkservies" Exhibit of Zuber's work, "Ne soyez pas distraits." Decormag, no. 174, Sept. 1988, pp. 135-137, ill. Glas & Keramiek, no. 1, Nov./Dec. 1988, pp. 23-25, EspaceVerre, Quebec, founded by Ronald Labelle ill. 351. ESSEN. ESSENER GLASGALERIE and Frangois Houde. In Dutch and English. Jaromir Rybak Toine Caris drinking set design for Leerdam. Essen: the gallery, 1988, 20 pp, ill. 320. D'HORTA, VERA "Sao Paulo's Bienal: A First Look" 337. "Glorieus verval: Recent glas van Richard 352. ETIENNE LEPERLIER: CRISTAL DE TEMPS Contemporanea, v. 2, no. 7, Oct. 1989, pp. 74-77, Price" (Text by Daniel Sarver, Frangois-Rene Peril) ill. Glas & Keramiek, no. 1, Nov./Dec. 1988, pp. 37-39, [s.1.: the artist], 1989; [s.1.]: Imprimerie Leostic, 30 Dale Chihuly. ill. pp, ill. In French and English. In Dutch and English. 321. DMITRIINIKOLAEVICH SHUSHKANOV/ 353. FARMINGTON HILLS, MICHIGAN. UUMILA NIKOLAEVNA SHUSHKANOVA: 338. "Recente maskers van Vincent van HABATAT GALLERIES KHUDOZHESTVENNOE STEKLO, KERAMIKA, Ginneke" Australian Kilnformed Glass (Text by Nola DEREVO Glas & Keramiek, no. 4, May/June 1989, pp. 22-24, Anderson, Daniel Schwoerer) Moscow: Izobrazitel'noe Iskusstvo, 1984,47 pp, ill. ill. Farmington Hills: the galleries in cooperation with Glass, ceramic, and wood items by the In Dutch and English. Kurland/Summers Gallery in Los Angeles and the Shushkanovs. Recent masks by van Ginneke. Heller Gallery in New York, 1989, 24 pp, ill. 322. DOLEZ, ALBANE 339. "Veronika Poschl" 354. Klaus Moje "Les Fleurs celestes de Yan Zoritchak" Glas & Keramiek, no. 2, Jan./Feb. 1989, pp. 40-42, Farmington Hills: the galleries, 1989, 8 pp, ill. L'Oeil, no. 412, Nov. 1989, pp. 56-59, ill. ill. In Dutch and English. 355. FASEL, PIERRE 323. "Le Monumental de Zoritchak" Combined glass and clay objects. "Kira Weber" La Revue de la Ceramique et du Verre, no. 48, La Revue de la Ceramique et du Verre, no. 46, May/ Sept./Oct. 1989, pp. 34-37, ill. 340. DUNCAN, ALASTAIR June 1989, pp. 64-65, ill. "Master of Murano" 324. DOMANEK, JAN House & Garden, v. 161, no. 5, May 1989, p. 118, ill. 356. FAXON, ALICIA "Reviews: Boston Now: Glass and Clay" four companies typical of the Swedish art industry 388. GOPPINGEN. NECKARWERKE New Art Examiner, v. 16, no. 11, Summer 1989, p. since the early 1950s..." ESSLINGEN, BEZIRKSSTELLE GOPPINGEN 47. Orrefors, pp. 77-111. Bewegte Kunst/Kunst Bewegt. Kinetik - Kybernetik (Curated by JorgF. Zimmermann) 357. FEENEY, UMMCE 372. FRIDL, FRANTISEK Esslingen: Neckarwerke, 1989, 32 pp, ill. "Some Thoughts on the Subject of Glass "UBOK Celebrates Two Jubilees" Neon, laser light, holograms, and other kinetic art; Education in Australia" Glass Review, v. 44, no. 11,1989, pp. 22-27, ill. includes glass works by Florian Lechner. Ausglass, Winter 1989, pp. 10-11. Glass by Matura, Hlava, Suhajek, and Janak at Prague art center. 389. GORDON, SUSAN 358. FERRIN, LESLIE "Splendor in the Glass" "Fall Auctions Put Craft Sales Over $ 1.5 Million" 373. FURBACHER, ZDEN£K California, v. 14, no. 6, June 1989, p. 119+, ill. The Crafts Report, v. 15, no. 165, Dec. 1989, p. 1+. "TheTradition Painted by the Present" Brief article on California artists Jay Musler, Mark Mensch glass collection. Glass Review, v. 44, no. 4,1989, pp. 8-11, ill. McDonnell, Nancy Monk, Susan Stinsmuehlen- Replicas of 14 Bohemian glasses of 1820-1930 Amend. 359. "Two Benefit Auctions Support New York made by the Exbor Studio. Craft Organizations" 390. GOTLIEB, RACHEL The Crafts Report, v. 15, no. 159, June 1989, p. 7. 374. GAGE, RICHARD "GAS Review: Frangois Houde" Glass sale on behalf of the New York Experimental "Amanda Pierce, Janusz Walentynowicz" Glass Gazette, Summer 1989, p. 6. Glass Workshop. New Art Examiner, v. 16, no. 9, May 1989, pp. 47- 48, ill. 391. GOZAK, ANDREI 360. FIGEE,THEA Review of Chicago exhibit. "Tapio Virkkala - dizalner na vse ruki" "Borek Sipek: Barok vormgever in Hollandse, Dekorativnoe Iskusstvo SSSR, no. 2 (291), 1982, Calvinistisch sobere sferen" 375. GEER, JONATHAN pp. 39-43, ill. Glas & Keramiek, no. 3, March/April 1989, pp. 10- "Colour and Cutting from Harrachov" Includes glass by Tapio Wirkkala. 13, ill. In Dutch and English. Tableware International, v. 19, no. 1, Feb. 1989, pp. 126-127, ill. 392. GRAELLS, STfPHANE 361. "Het hedendaags glas is een grote familie" "Masaki Fujihata" Glas & Keramiek, no. 4, May/June 1989, pp. 10-13, 376. GIBSON, ERIC LAtelier, no. 1, Jan./Feb. 1989, pp. 16-19, ill. ill. In English and Dutch. "Wilmarth and Serra" Japanese computer graphics designer and Exhibition of contemporary European glass at the The New Criterion, v. 8, no. 2, Oct. 1989, pp. 51 -55. sculptor uses glass. Generate Bank in Liege. 377. GIES, JACQUELINE 393. GRAUMAN, BRIGID 362. FISCHER, VOLKER, ed. . .And Glass Doesn't Grow in the Forest'" "Philippe Starck, Future Perfect" Design Now: Industry or Art? (Essays by Volker Neues Glas, no. 2,1989, pp. 130-131, ill. ARTnews, v. 88, no. 6, Summer 1989, pp. 91-92, ill. Albus, Jochen Gros, and MatteoThun) Exhibition at Musee-Chateau Annecy, France. Starck-designed vase for Daum, bottle for Vittel Munich: Prestel Verlag, 1989, 325 pp, ill. water. 378. GILBERT, ANNE 363. THE FRABEL GALLERY 1980 "Studio Art Glass Opens Up a New Collecting 394. GREEN, THEODORA Atlanta, Ga.: the gallery, 1980, 30 pp, ill. Field" "Reviews: Nicholas Africano" HansGodo Frabel. Antique Showcase, v. 25, no. 1, July 1989, p. 43, ill. New Art Examiner, v. 16, no. 11, Summer 1989, p. 40. 364. FRAMINGHAM, MASSACHUSETTS. 379. GLAS FOR HUSHALLET, 600 SVENSKA DANFORTH MUSEUM OF ART GLAS SAMMANSTALLDAAVSVEN ERIK 395. GRENIER, MICHEL-PIERRE Donald Lipski: Recent Work SKAWONIUS "Vive La Difference: Paperweights within the Framingham: the museum, 1989,15 pp, ill. Stockholm: Svenska Slojdforeningen "Form," Canadian Art Glass Movement" Sculptor uses glass. special issue of the periodical Form, Jan. 1960,110 Annual Bulletin of the Paperweight Collectors' PP. ill- Association, 1988, pp. 49-50, ill. 365. FRANKFURT AM MAIN. MUSEUM FUR Household glass by Swedish firms. KUNSTHANDWERK 396. GRENON, ARIANE Tapio Wirkkala: Glas fur Venini (Text by Sigrid 380. GLASGOW. GLASGOW ART GALLERY "Salons... le PAAS" Randa) AND MUSEUM Le Courrierdes Metiers d'Art, no. 87, Nov. 1989, Frankfurt am Main: the museum, 1989, 7 pp. Scottish Glass Now. 10th Anniversary of The pp. 12-15, ill. Scottish Glass Society Includes glass by Jean-Pierre Baquere, Dominique 366. FRANTAL, ZDEN£K Glasgow: Glasgow Museums and Art Galleries, Guittet, M. Durand-Gasselin. "Decorated Christmas" 1989, 35 pp, ill. For You from Czechoslovakia, no. 4,1988, pp. 76- 397. " 'Sourire pour I'etemite'" 77, ill. 381. THE GLASS GUIDE 1989/1990: AN Le Courrierdes Metiers d'Art, no. 84, July/Aug. Ornaments made at Jablonec nad Nisou. INTERNATIONAL DIRECTORYTO GALLERIES 1989, pp. 1-2, ill. AND MUSEUMS Work by Joel Linard. 367. FRANTZ, SUSANNE K. New York: The New York Experimental Glass Contemporary Glass: A World Survey from The Workshop, 1989, 64 pp, ill. 398. "Verre et imaginaire" Corning Museum of Glass Le Courrierdes Metiers d'Art, no. 80, March 1989, New York: Harry N. Abrams, 1989, 264 pp., ill. 382. GLASS IN ARCHITECTURE: Jlfil SOUKUP pp. 6-7, ill. Reviewed by Penelope Hunter-Stiebel \n American Prague: Art Centrum, Czechoslovak Center for Work by Osman, Garouste and Bonetti, Tisseyre, Craft, v. 49, no. 6, Dec. 1989/Jan. 1990, p. 20+; by Fine Arts, [1988-1989?], 22 leaves in a folder, ill. Retif. David C. Watts in Glass Circle News, no. 44, July Lamps and lighting, wall sculptures, free-standing 1989, p. 6; by William Warmus, New Work, no. 37, sculptures. 399. "Verre et verdure" Spring 1989, pp. 40-43. Le Courrierdes Metiers d'Art, no. 88, Dec. 1989, 383. GLASS NOW '89: STUDIO GLASS pp. 16-17, ill. 368. FREEMAN, LINDA EXHIBITION Exhibition of large-scale glass sculptures at Carre "North Carolina Professor ... Shares His [s.1.: Nihon Gakki Seizo Kabushiki Kaisha; Yamaha des Arts, Pare Floral, Paris. Kaleidoscope Enthusiasm" Corporation], 1989, 60 pp, ill. In Japanese and The Crafts Report, v. 15, no. 161, Aug. 1989, p. 14, English. 400. GRIFFITHS, ANNA ill. Traveling exhibition in Japan, May-Sept. 1989. "Artists and Industry: Mark Douglass, Idiom; Neil R. Scott Cole makes kaleidoscopes. Roberts and Stephen Hennessy, Barnes Neon 384. GLASS OBJECTS BYRURYIWATA Signs; Julie Brand, Lightworks; Richard Morrell, 369. FREEMAN, NANCY L. [s.1.: the artist, 1989], 5 photocopied leaves, ill. In Lidi" "Problems Facing Small Businesses" Japanese. Design World (Victoria, Australia), no. 16,1989, pp. The Glass Art Society Journal 1988, pp. 86-87, ill. 58-60, ill. 385. GLASSWORKS BOHEMIA 370. FREUDENHEIM, SUSAN CZECHOSLOVAKIA 401. GROMITZ. SCHLESWIG- "It's Crystal Clear - Glass Art Makes for Impressive Podebrady: the company, 1983, 47 pp, ill. In HOLSTEINISCHES LANDESMUSEUM IM Show" German and English. KLOSTER CISMAR i he Glass Art Society Journal 1988, pp. 59-60, ill. Cut glass. Modernes Glas aus Finnland (Catalog by Kaisa Review of a San Diego exhibition with Lynda Koivisto, Kirsi Niemisto, Uta Lauren, Hermann Benglis, Jay Musler, Therman Statom, Susan 386. GLASSWORKS BOHEMIA Mildenberger) Stinsmuehlen-Amend. CZECHOSLOVAKIA Riihimaki: Suomen Lasimuseo and Schleswig: Podebrady: the company, 1985, 36 pp, ill. Schleswig-Holsteinisches Landesmuseum, 1989, 371. FRICK, GUNILLA Cut glass. 141 pp, ill. Konstnar i industrin [s.1.: s.n., Stockholm: Nordiska Museet?], 1986, 387. GOODMAN, JEFF 402. GROSSMANN, IGOR 240 pp, ill. English summary. "Jeff Goodman" Metamorfozyskla (Text by Lubomir Feldek and Igor .. charts the status of the artist with reference to The Glass Art Society Journal 1988, pp. 41-42, ill. Grossman) [s.1.]: Vydavatel'stvo Osveta, 1988,128 pp, ill. Huntington Woods, Mich.: Elliot Johnston 436. HODGE, SU English summary. Publishers, 1989,143 pp, ill. "Classics at the Craft Centre" Photographs of glass and glassmaking with poetry Work of 96 artists. Craft Arts, no. 14, Dec. 1988/Feb. 1989, p. 94, ill. by modern Slovak poets. Sydney exhibition included work by Tony Hanning, 418. HANDY, LYNDSEY Warren Langley. 403. GRUNENPLAN. GLASMUSEUM "New Zealand Glass" Reverie verre/Glas Ertraumen (Text by Catherine Ausglass, Winter 1988, pp. 10-11 and 19, ill. 437. HOFFMAN, UTE Vaudour) "Dialogue between Glass and Light" Rouen: Editions du FRAC (Fonds Regional d'Art 419. HAPGOOD, SUSAN Schott Information, no. 48,1988, pp. 20-22, ill. Contemporain) de Haute-Normandie, 1987,30 pp, "Language and Its (Dis)Contents" Karl Berg's sculptures using optical glass. ill. Contemporanea, v. 2, no. 7, Oct. 1989, pp. 44-49, ill. 20 glass artists from many countries. Joseph Kosuth. 438. HOHR-GRENZHAUSEN. KERAMIKMUSEUM WESTERWALD 404. THE GUILD: A SOURCEBOOK OF 420. HARRISON, KATHARINE "Objekte '71": X. Kunstausstellung, Gunter Sahm- AMERICAN CRAFTARTISTS (4th ed.) "Sherrie Levine" Rastal Gedachtnisausstellung New York: Kraus Sikes, 1989, 495 pp, ill. Flash Art, no. 149, Nov./Dec. 1989, p. 133, ill. Hohr-Grenzhausen: the museum, 1986, 58 pp. Glass by Erwin Eisch, Pavel Molnar, Willi Pistor, 405. GULBRANDSEN, SISSEL AND OTTESEN, 421. HATAKEYAMA, KOZO Jorg F. Zimmermann. TORUNNW. "International Glass Festival in Niijima Islands" "'Med hilsen fra Ceausescu'" Glass (Tokyo), no. 25, May 1989, pp. 25-28, ill. In 439. Objekte '71: XI Kunstausstellung Glassposten, v. 43, no. 1,1989, pp. 29-30, ill. Japanese. Hohr-Grenzhausen: the museum, 1988, 60 pp, ill. Rumanian glass on display at Oslo store. Isgard Moje-Wohlgemuth, Pavel Molnar, Willi 422. HAVEMEYER, HORACE; SZENASY, Pistor, Jorg F. Zimmermann. 406. GYARFAS, PETER SUSAN S.; AND BARTOLUCCI, MARISA "Uveaszobrok" "Furniture for a New Age" 440. HOLESOVSKY, KAREL Muveszet, no. 1,1989, pp. 1-2, ill. Metropolis, v. 9, no. 2, Sept. 1989, pp. 20-23, ill. "Portretista ceskeho skla" Maria Lugossy, Zoltan Bohus, Gyorgy Buczko in Includes Danny Lane. Umenia fiemesla, no. 3,1989, pp. 44-47, ill. exhibit at Tihanyi Museum. English summary. 423. HAWKES, GRAHAM Czech photographer has recorded post-war 407. GYURE, MICHELLE "Local Identity Needed in Glass Art" Czech glass, including years of Jirf Harcuba's "Glass Art People: Michael Taylor" New Zealand Crafts, no. 18, Spring 1986, pp. 22- work. Glass Art Magazine, v. 4, no. 3, March/April 1989, 23, ill. pp. 10-13+, ilk Billy Morris, judge for 1986 Glass Award, talks 441. HOLLISTER, PAUL about New Zealand glass. "Pate de verre:The French Connection" 408. "Glass Art People: Zoe Adorno" American Craft, v. 48, no. 4, Aug./Sept. 1988, pp. Glass Art Magazine, v. 4, no. 2, Feb. 1989, pp. 26- 424. HEARTNEY, ELEANOR 40-47, ill. 32, ill. "Reviews: Sherrie Levine" Work by the French artists, 1900-1930, pp. 40-44; Dichroic glass sculptures. ARTnews, v. 88, no. 9, Nov. 1989, p. 162, ill. contemporary European and American work, pp. 44-47. 409. "Personal Visions in Public Spaces" 425. HEGAN, CAMPBELL Glass Art Magazine, v. 4, no. 6, Sept./Oct. 1989, "Winstone Crafts Biennale" 442. HRONSKY, STEFAN pp. 38-45, ill. New Zealand Crafts, no. 22, Spring 1987, pp. 10- "A Mutual Confrontation" Percent for Art programs. 13, ill. Glass Review, v. 43, no. 12,1988, pp. 28-30, ill. Bowls by Robert Middlestead, Ann Robinson. Marketing Czech lighting fixtures. 410. HABER, JAN "Scoops on Scopes: 1989 Scope Show, 426. HEIREMANS, MARC 443. HRUSKOVA, MILENA Strathmore Hall" Murano Glas 1945-1970 "Fashion Jewellery Also Has Its Research" The Brewster Society Newscope, v. 4, no. 3, Fall Antwerp: the author, Galerij Novecento, 1989, 79 For You from Czechoslovakia, no. 4, Dec. 1989, pp. 1989, pp. 4-5, ill. pp, ill. In Dutch and English. 18-19, ill. Kaleidoscope designers. Industry at Jablonec nad Nisou. 427. HELLER, DOUGLAS 411. HAFFNER, WENDY "About Galleries" 444. HUGHES, GRAHAM "The Calgary Glass Art Community" The Glass Art Society Journal 1988, pp. 32-33. "Crafts Policy" Glass Gazette, Winter 1989, pp. 17-19. Arts Review, v. 41, no. 1, Jan. 13,1989, p. 21, ill. Studios and individuals working in Western 428. HENRY, CLARE Includes piece by Catherine Hough. Canada. "Reviews. Letter from France II" Arts Review, v. 41, no. 22, Nov. 3,1989, p. 791, ill. 445. HUNTINGTON, WESTVIRGINIA. 412. HALEM, HENRY Larry Bell in Lyon sculpture show. HUNTINGTON MUSEUM OF ART "O. J. Gabbert" Exhibition 280: Works Off Walls. 1989 Catalog The Glass Art Society Journal 1988, pp. 94-95, ill. 429. HENSEL, KARL Huntington: the museum, 1989,18 pp, ill. W. Va. cullet supplier honored by The Glass Art "The Creative Glass Center of America -1989 Includes glass by Nyoka Baker, Fred di Frenzi, Society. Programs" Mark Matthews, Mark J. Sudduth. The Glass Art Society Journal 1988, pp. 71-72, ill. 413. HALL, JAMES 446. HUTH, URSULA "Neo-Geo's Bachelor Artists" 430. HERMAN, LLOYD "Ursula Huth" Art International, no. 9, Winter 1989, pp. 30-35, ill. Color and Image: Recent American Enamels Glasswork (Kyoto, Japan), no. 1, April 1989, pp. 26- Includes Duchamp's "The Large Glass." Hamilton, N.Y.: Gallery Association of New York, 31, ill. In Japanese and English. 1988, 63 pp, ill. 414. HAMBURG. MUSEUM FUR KUNST UND Circulating exhibition of 80 works. 447. IANITSKAIA, MAIA MIKHAILOVNA GEWERBE Khudozhestvennoe Steklo Sovetskoi Belorussii Gold: Art + Design/lnternationaler 431. HERMANS, NICOLE Minsk: "Nauka iTekhnika," 1989, 207 pp, ill. Kunstlerwettbewerb, Benson & Hedges "Sien van Meurs: The Myth of Glass" Glassware from Belorussian Soviet Socialist Hamburg: B.A.T. Cigarettenfabriken; Benson & Neues Glas, no. 1,1989, pp. 22-26, ill. In German Republic, 1940s-1980s, including work of two Hedges, 1988,123 pp, ill. and English. firms and some "creative masters." Competition by Benson & Hedges in cooperation with Gesellschaft fur Goldschmiedekunst e. V.; 432. HICKEY, GLORIA 448. THE INTERNATIONAL DESIGN includes gold and glass pieces by Moje- "GAS Review: John Perrault" YEARBOOK3 (Ed. by Philippe Starck) Wohlgemuth, Lemke, Hloska. Glass Gazette, Summer 1989, pp. 4-5. New York: Abbeville Press, 1987, 239 pp, ill. Lighting, pp. 100-129; tableware, pp. 130-163; etc. 415. HAMMEL, LISA 433. "Human Forms: Figuring Us Out" "New Voyagers" New Work, no. 36, Winter 1989, pp. 12-15, ill. 449. THE INTERNATIONAL DESIGN American Craft, v. 49, no. 4, Aug./Sept. 1989, pp. Work by Canadians Donefer, Lockau, Ouellette, YEARBOOK4 {Ed. by Arata Isozaki) 34-41, ill. Mahut, Frolic. New York: Abbeville Press, 1988, 240 pp, ill. Bertil Vallien, John Roloff, Robert Shay work in Renwick Gallery exhibit, "The Boat Show." 434. HIGHWATER, JAMAKE 450. JACKSON, PAULA RICE "The Experience of Cultural Diversity" "Corporate America Design Awards. Special 416. HAMPSON, FERDINAND The Glass Art Society Journal 1988, pp. 6-10. Honors: Sheer Energy" "Glass: State of the Art" Keynote address at the GAS conference. Interiors, v. 148, no. 9, April 1989, pp. 118-127+, ill. Art Today, v. 4, no. 2, Summer 1989, pp. 18-25, ill. Corning Incorporated buildings and design items, Excerpt from author's book, Glass: The State of the 435. HOBSON, DIANA Steuben glass pieces, etc. Art II. "Diana Hobson" Glasswork (Kyoto, Japan), no. 1, April 1989, pp. 14- 451. JACQUARD, MAX 417. Glass: State of the Art 11 15+, ill. In Japanese and English. "Clifford Rainey:The Savage Approach" British Artists in Glass Journal, no. 1, Spring 1989, "Halds brunn i glasparken" "KajFranck 1911-1989" pp. 24-28, ill. I Varendoch Sunnerbo, v. 30, no. 3,1989, p. 7, ill. Form-Function-Finland, no. 4,1989, pp. 12-13, ill. Smalands park fountain designed by Edward Hald, 452. "Peter Freeman - Neon Sculptor" 1954. 488. KUNSTHANDWERKERINNEN DER British Artists in Glass Journal, no. 1, Spring 1989, GEDOK OFFNENIHRE WERKSTATTEN pp. 20-22, ill. 471. KOEKEBAKKER, BIEN Bonn: Gemeinschaft Deutscher Kunstlerinnen und "Fusing Workshop in Gouda: Glas ontmoet Kunstfreunde (GEDOK) e. V., 1989, 60 pp, ill. 453. "Peter Layton: Catalyst and Pioneer" keramiek" Glass by Bonn women artists Osmana Pohl, Katja British Artists in Glass Journal, no. 1, Spring 1989, Glas&Keramiek, no. 4, May/June 1989, pp. 44-45, Schetting, Irmela Seufert. pp. 4-5, ill. ill. In Dutch. Frank van den Ham, Gil Reynolds. 489. KUROKI, RIKA 454. JANDA, PAVEL "Linda MacNeil" "Sklari u Cervene vody" 472. KOHN, ANNA AND OTHERS Glasswork (Kyoto, Japan), no. 3, Oct. 1989, pp. 16- Atelier, no. 15, July 25,1989, p. 6. "Is Function Good Form?" 21, ill. In Japanese and English. Brief article about Pilchuck and Czech artists who Ontario Craft, v. 14, no. 2, June 1989, pp. 10-15+, have taught there. ill. Interviews with craftspeople, curators, 490. "MiekeGroot" teachers; includes Laura Donefer, MichaelTrimpol, Glasswork (Kyoto, Japan), July 2,1989, pp. 4-9, ill. 455. JERMAN,TIM Gloria Hickey, Robert Jekyll. In Japanese and English. "Jerman Art Glass" Handmade Accents, A Buyer's Guide to American 473. KONSTANZ. KUNSTVEREIN KONSTANZ 491. "Production/Artist/Artwork: Simon Moore" Artisans, no. 10, Spring 1989, pp. 27-29, ill. 10 Jahre Glasdesign der Kollektion: Memphis Glasswork (Kyoto, Japan), July 2,1989, pp. 15-19, Milano (Text by Gian Piero Vincenzo) ill. In Japanese and English. 456. JORG F ZIMMERMANN: DIE INNERE Konstanz: the art center, 1989, 30 pp, ill. ORDNUNG DER DINGE(Text by Helmut Ricke) 492. KUSPIT, DONALD [Leonberg: Leonberger Bausparkasse AG, 1987], 474. KOPECKY, JAN "Exhibitions: Sherrie Levine" offprint from Geschaftsbericht 1987 der "Vytvarmci UBOK Praha" Contemporanea, v. 2, no. 9, Dec. 1989, pp. 90-91, Leonberger Bausparkasse AG, 14 pp, ill. Sklara Keramik, v. 39, no. 5,1989, pp. 146-154, ill. ill. Past and present designers at Prague Institute of 457. KAU\BISOVA, ZDENKA Interior and Fashion Design: Smrckova, Matura, 493. "Reviews: Christopher Wilmarth, Museum "The Aim Is Enrichment of the Market: The Hlava, Sotola, Jelinek, and others. of Modern Art" Contractual Exhibition in Moscow" Artforum, v. 28, no. 2, Oct. 1989, p. 170, ill. Glass Review, v. 44, no. 2,1989, pp. 18-23, ill. 475. "40 let Ustavu bytove a odevni kultury" New Czech tableware. Sklara Keramik, v. 39, no. 5,1989, pp. 142-146, ill. 494. "Reviews: Mario Merz" English summary. Artforum, v. 28, no. 4, Dec. 1989, pp. 135-136, ill. 458. "Interviews [at the 3rd International Glass 40 years of the Institute of Interior and Fashion Guggenheim exhibit. Symposium at Novy Bor]" Design, Prague; glass by Matura, Hlava, Suhajek, Glass Review, v. 44, no. 3,1989, pp. 12-17, ill. Jelinek. 495. KUTAC.V. Impressions by 13 participants (artists, historians, "Z vystavy vybranych exponata z I. a II. gallery owners, collectors). 476. KOPECKY, LADISLAV mezinarodmho sklarskeho sympozia ve "Czechoslovak Glass in the USA" Valdstejnske jfzdarne v Praze" 459. "Jaromir Rybak" Glass Review, v. 44, no. 4,1989, pp. 24-25, ill. Sklara Keramik, v. 39, no. 1,1989, inside cover and La Revue de la Ceramique et du Verre, no. 49, Nov./ insert pp. 2-4, ill. Dec. 1989, pp. 26-31, ill. 477. KOSLOW, FRANCINE A. Glass by Pavel Jezek, Gizela Sabokova, Dana "Boston" Vachtova, and others. 460. KAMENICKYSENOV. SKLAftSKE Contemporanea, v. 2, no. 7, Oct. 1989, pp. 14-15, ill. MUZEUM Sculptural work by Donald Lipski; Cameron Shaw 496. LAIRD, JACK Sklo/Pavel Werner (Text by Jan Krfz) assemblage. "Scandinavian Skills in Nelson" Kamenicky Senov: the museum, a branch of New Zealand Crafts, no. 20, Autumn 1987, pp. 15- Muzea Skla a Bizuterie v Jablonci nad Nisou, 1988, 478. "Reviews: Donald Lipski" 17, ill. 24 pp, ill. English and German summaries. Artforum, v. 28, no. 3, Nov. 1989, p. 155, ill. Ola and Marie Hoglund. Installation with glass modules at the Danforth 461. KAPUSTA, JAN Museum of Art. 497. LAKS, CLAUDIE Jan Cerny: Bildhauer, Glasgestalter/Sculpteur, "Expositions actualites: Olivier Gagnere" artiste de verre/Sculptor, Glass Designer/ 479. KRAMARENKO, LUDMILA La Revue de la Ceramique et du Verre, no. 49, Nov./ Skul'ptor, Khudozhnik po stekly "Dva pocherka v stekle" Dec. 1989, p. 55, ill. Liberec: Skloexport; Policce: Mestske Muzeum a Dekorativnoe Iskusstvo SSSR, no. 2 (363), 1988, Paris exhibit. Galerie, 1978, 54 pp, ill. pp. 20-23, ill. Glass artists S. Razanova and G. Antonova. 498. LAMAR, MICHAEL 462. KEHLMANN, ROBERT "Will Pappenheimer" "The Art of Self-Awareness" 480. KRIZ, JAN New Work, no. 37, Spring 1989, pp. 26-29, ill. The Glass Art Society Journal 1988, pp. 13-14. "Glass Artist Miroslav Cermak" Glass Review, v. 44, no. 5,1989, pp. 22-24, ill. 499. LANGHAMER, ANTONIN 463. "Coming Home: Glass Artists Take Stock at "Engraver Bohuslav Horacek" Kent State Gathering" 481. "Jan Fisar's Dramatic Series" Glass Review, v. 44, no. 5,1989, pp. 14-17, ill. American Craft, v. 48, no. 4, Aug./Sept. 1988, p. Glass Review, v. 44, no. 4,1989, pp. 20-23, ill. 13+. 500. "Meditation on the Results of the 482. "Pavel Werner's Artistic Profile" Symposium" 464. "Coming Home to Kent" Glass Review, v. 44, no. 1,1989, pp. 14-17, ill. Glass Review, v. 44, no. 3,1989, pp. 4-11, ill. The Glass Art Society Journal 1988, pp. 102-104. Novy Bor, October 1988. 483. KRI20VA, KVETA 465. KEPKE, STEPHANIE "Jan Kratochvfl's Glass Illumination Objects, 501. "The Most Sought-after Products of 1987" "Glass: Steven Maslach" Lighting Fixtures and Sculptures" Glass Review, v. 44, no. 1,1989, pp. 2-5, ill. Matter (New York, N.Y.), premier issue, Aug. 1989, Glass Review, v. 43, no. 12,1988, pp. 32-35, ill. Also p. 6, ill. in llluminotecnica, no. 341-342, May/June 1989, 502. "Not Only about the Collective Exhibition of pp. 338-342, ill. Three Artists at Podebrady" 466. KERMER, FRANCE Glass Review, v. 44, no. 6-7,1989, pp. 15-18, ill. "Wilhelm Wagenfeld" 484. KRUEGER, CATRIN Vladimir 2ahour, Jiri ftepasek, Dagmar Kudrova. La Revue de la Ceramique et du Verre, no. 45, "Roberto Niederer" March/April 1989, pp. 20-21, ill. Crafts Council Schweiz/Suisse/Svizzera, v. 4, no. 503. "O prQbehu a vysledcich mezinarodmho 1, March 1989, pp. 4-6, ill. In German and French. sklarskeho sympozia v Novem Boru" 467. KLEIN, DAN Sklara Keramik, v. 39, no. 2,1989, pp. 53-54 and Glass: A Contemporary Art 485. KUALA LUMPUR, MALAYSIA. BALAI SENI insert pp. 5-8, ill. New York: Rizzoli International, 1989, 224 pp, ill. LUKIS NEGARA/NATIONAL ART GALLERY Participants and work at the Novy Bor symposium, Ramon G. Orlina: Naesa Chiaroscuro ll/Glass Oct. 1988. 468. KLIVAR, MIROSLAV Sculpture (Text by Emmanuel Torres) "L'ubomir Blecha's Glass" [Kuala Lumpur: the gallery, 1988], 18 pp, ill. 504. "Pavel Hlava and Bohemian Glass" Glass Review, v. 44, no. 9,1989, pp. 17-19, ill. Glass Review, v. 44, no. 11,1989, pp. 18-21, ill. 486. KUDROVA, DAGMAR 469. "The Sculptural Function of Cased Glass" "Bohemian Cut Lead Crystal in the USA" 505. "Prehlidka skla" Glass Review, v. 44, no. 6-7,1989, pp. 23-25, ill. Glass Review, v. 44, no. 10,1989, pp. 14-16, ill. Atelier, no. 22, Oct. 31,1989, p. 1, ill. Sculptures by Valer Kovac. The author's work. Pavel Hlava retrospective in Prague.

470. KNUTSSON, CHRISTER 487. KULVIK, BARBRO 506. LANGMUUR, H.J. "Misha Ignis en de verstilde natuur" Bruce Nauman For You from Czechoslovakia, no. 4,1988, pp. 68- Glas&Keramiek, no. 2, Jan./Feb. 1989, pp. 32-35, London: the gallery, 1986, 88 pp, ill. 69, ill. ill. In Dutch and English. Exhibit with neon also shown in Basel and Paris. Glass by Misha Ignis. 541. "New, but with a History" 523. LOREDANO ROSIN: SCULTUREIN VETRO/ For You from Czechoslovakia, no. 4,1988, pp. 66- 507. LAUDANI, MARTA GLASS SCULPTURE (JEXT BY LOUISE E. 67, ill. "De Pas, D'Urbino, Lomazzi: La 'scala del cielo'" BERNDT) Cut glass from Bohemia Podebrady corporation. Domus, no. 705, May 1989, p. 8, ill. In Italian and Murano, Venice: the artist, 1989,51 pp, ill. In Italian English. and English. 542. "Novy Bor for the Third Time" Glass bookshelf staircase designed by De Pas, ForYou from Czechoslovakia, no. 2, June 1989, pp. D'Urbino, and Lomazzi forTonelli. 524. LORT, KIT 58-63, ill. "Empire: Irene Frolic" 3rd International Glass Symposium, 1988. 508. LEE, VINNY Ontario Craft, v. 14, no. 2, June 1989, p. 29, ill. "Talking Heads through the Looking Glass" Review of Toronto exhibit. 543. MARTIN, RUPERT Scottish Glass Society Newsletter, no. 34, Sept. "Reviews: Giuseppe Penone" 1989, pp. 6-7. 525. "In Review: Dale Chihuly, Sculpture and Flash Art, no. 146, May/June 1989, p. 122, ill. Sculptor David Reekie. Drawings" Installations include glass. Ontario Craft, v. 14, no. 4, Winter 1989, pp. 32-33, 509. LEHNER, JAN ill. 544. MATANO, KOJI "Nejlepsf vyrobky ministerstva prSmyslu CSR roku Toronto exhibit. "AonoTakeichi" 1988" Glasswork(Kyoto, Japan), no. 3, Oct. 1989, pp. 22- Sklara Keramik, v. 39, no. 7,1989, pp. 209-212, ill. 526. "In Review: Vitrix" 27+, ill. In Japanese and English. 1988 tableware, jewelry, and lighting designs from Ontario Craft, v. 14, no. 3, Sept. 1989, p. 29, ill. the Czech firms. Toronto exhibition of work by the Glass Art 545. "Production/Artist/Artwork: Richard Association of Canada. Marquis" 510. LEVERETT, MASSACHUSETTS. LEVERETT Glasswork (Kyoto), July 2,1989, pp. 20-25, ill. In CENTER 527. LOS ANGELES. KURLAND/SUMMERS Japanese and English. New Directions in Contemporary Crafts GALLERY Leverett: Leverett Crafts & Arts, 1988,15 pp, ill. Australian KiInformed Glass (Text by Nola 546. MAURIS, PATRICK Includes work by Josh Simpson. Anderson and Daniel Schwoerer) "A Breath of Venice" Los Angeles: the gallery, 1989, 24 pp, ill. FMR, v. 9, no. 41, Dec. 1989, pp. 49-64, ill. 511. LEVERKUSEN, FEDERAL REPUBLIC OF Glass by Fulvio Bianconi, Gio Ponti, Tomaso Buzzi. GERMANY. MUSEUM MORSBROICH 528. LUTTEMAN, HELENA DAHLBACK Kunst-Form-Design: Beispiele von Rosenthal "Spanstigt" 547. MAYER, BARBARA Leverkusen: the museum, 1989, 86 pp, ill. Form, v. 85, no. 8 (664), 1989, pp. 4-5, ill. "Craft Art 1989, A Status Report" Michael Boehm, Arlon Bayliss, Nanny Still Includes glass by designer Hans Johanssons. Art Today (Wichita, Kan.), v. 3, no. 4, Winter 1988- McKinney, Stuart Garfoot. 1989, pp. 22-28, ill. 529. LYNGGAARD, FINN Includes pieces by Ginny Ruffner, Harvey Littleton. 512. LICITRA PONTI, LISA "Exhibition Glass Museum Ebeltoft: Fujita, "Merz, il museo, I'architettura" Littleton" 548. MCCOY, MARY Domus, no. 711, Dec. 1989, pp. 12-13, ill. In Italian Neues Glas, no. 2,1989, p. 129, ill. In German and "Reviews: The Boat Show" and English. English. New Art Examiner, v. 16, no. 11, Summer 1989, p. 43, ill. Mario Merz exhibit at The Guggenheim Museum. Exhibit included glass ship by John Roloff. 530. LYON. MUSEE DES ARTS DECORATIFS 513. LIEFKES, REINO Borek Sipek a Lyon IV1988 549. MCFARLAND, SHANNON Copier: Glasontwerper, Glaskunstenaar/Glass Lyon: Musee desTissus, 1988, 58 pp, ill. "Button Up" Designer, Glass Artist The Heritage Newsletter, v. 20, no. 8, Oct. 1989, p. Amsterdam: SDU Uitgeverij/Openbaar Kunstbezit, 531. MACKE, PETR 4, ill. 1989,111 pp, ill. "Spring at Bohemia Podebrady" Paperweight buttons. Glass Review, v. 44, no. 5,1989, pp. 1 -7, ill. 514. LllzGE. GENERALE BANK 550. MCGREEVY, LINDA Contemporary European Sculptures in Crystal and 532. MAGAGNOLI, MARIA LUISA "The Janus Strategy: Keith Sonnier Looks East and Glass (Text by Joseph Philippe) "Onde di cristallo in piatti, coppe e candelieri" West" Liege: Generale Bank, 1989, 407 pp, ill. Gioielli, supplement to no. 108 of Antiquariato, Oct. Arts Magazine, v. 64, no. 2, Oct. 1989, pp. 52-57, ill. 1989, p. 77, ill. 515. LINDSAY, SARAH Paloma Picasso glass tableware designs for 551. MELBY, RICK "Carol Cohen" Villeroy & Boch. "On the Wall" Braniff Magazine, v. 1, no. 9, Sept. 1989, pp. 12-15, ill. Professional Stained Glass, v. 9, no. 6, June 1989, 533. MAHONEY, ROBERT pp. 19-21, ill. 516. LIPPUNER, ROSMARIE "JohnTorreano" Wall lights by the author. "Guggisberg-Baldwin: La Verrerie de Nonfoux" Arts Magazine, v. 64, no. 1, Sept. 1989, p. 99, ill. La Revue de la Ceramique et duVerre, no. 46, May/ Painter uses glass jewels. 552. MERKER, GERNOTH. June 1989, pp. 66-67, ill. "Ernst Krebs... laBt das Glas nicht allein/He Does 534. "New York in Review: Sherrie Levine" Not Leave Glass Alone" 517. "Un Musee, une collection" Arts Magazine, v. 64, no. 4, Dec. 1989, pp. 92-93, Neues Glas, no. 2,1989, pp. 108-112, ill. La Revue de la Ceramique et du Verre, no. 46, May/ ill. June 1989, pp. 60-63, ill. English summary. 553. "Glasschliff in Deutschland" The contemporary glass collection in the 535. MALARCHER, PATRICIA Neues Glas, no. 2,1989, pp. 118-119+, ill. In Lausanne Museum for Decorative Arts. "Gatherings: Re Criticism" German and English. New Work, no. 38, Summer 1989, pp. 22-25. 130 pieces of glass cutting done by industry and 518. " Le Verre en mouvement" craftsmen/artists in exhibition atTheuern. La Revue de la Ceramique etduVerre, no. 46, May/ 536. MANCHESTER, NEW HAMPSHIRE. THE June 1989, p. 59, ill. CURRIER GALLERY OF ART 554. MIAMI, FLORIDA. THE ART MUSEUM AT New interest in glass in Switzerland. New Artists: The Gloria Wilcher Memorial FLORIDA INTERNATIONAL UNIVERSITY Exhibition Ellen Jacobs: Metalwork and Glass 519. LOCKAU, KEVIN Manchester: the gallery, 1989, 40 pp, ill. Miami: the museum, 1989, 6 pp, ill. "A Dog Is a Dog" Pate de verre by Sara Young. The Glass Art Society Journal 1988, p. 43, ill. 555. MICHELOTTI, FULVIO; BONIFACINO, Author's work. 537. MARKS, BEN GIANNI; AND REBELLA MONICA "How Things Work" "Attualita del pensiero futurista: 'Piena liberta di 520. "Who Is Your Audience?" Artweek, v. 20, no. 44, Dec. 28,1989, p. 12, ill. espressione all'arte'" Glass Gazette, Summer 1989, pp. 10-11. Sculpture using glass by Jon Kessler. Alte Vitrie, v. 2, no. 2, July 1989, pp. 19-21, ill. English summary. 521. LOFFELHARDT, HEINZ 538. "L.A. Diary" "Futuristic" pieces by Raffaello Bormioli. Hausrat aus Keramik, Glas, Metall, Holz. New Work, no. 38, Summer 1989, pp. 8-13, ill. Bearbeitet im Referat Formgestaltung des Bottle Village and artists DeWain Valentine, Frank 556. MICHIGAN GLASS MONTH, APRIL 1989 Landesgewerbeamtes Stuttgart Gehry, Cesar Pelli, Stinsmuehlen-Amend. [s.1.]: Committee for Michigan Glass Month, 1989, Stuttgart: Verlaa Gerd Hatje, 1951,147 pp, ill. 3-p. folder. 1950s household glassware designed by 539. "Reviews: Paul J. Stankard" List of exhibitions. Wagenfeld, von Poschinger, Sussmuth, and New Work, no. 37, Spring 1989, pp. 36-37, ill. others, pp. 57-94. 557. MICKELSEN, ROBERTA. 540. MARSlKOVA, JAROMIRA "Footprints of Robert A. Mickelsen" 522. LONDON. WHITECHAPEL ART GALLERY "The Individual Glass of Jitka Forejtova" Glass Line, v. 2, no. 6, April/May 1989, p. 1+, ill. 558. MIELKE, HEINZ-PETER "Reviews: Concetta Mason, Reconstructed 590. "International Exhibition in Liege: "Diatretglaser von Josef Welzel im Glasmuseum" Vessels" Contemporary European Sculptures in Crystal and [in] New Work, no. 36, Winter 1989, p. 37+. Glass" Wertheimer Panorama: Kunst, Kultur und Neues Glas, no. 2,1989, pp. 126-128, ill. In German Zeitgeschehen, no. 1, Dec. 1978, pp. 26-27, ill. 574. MORLOT, VALERIE and English. Re-created diatreta glasses by Josef Welzel of "Expositions actualites: Craft Today USA" Review of the Spring 1989 exhibition. Wertheim. La Revue de la Ceramique et du Verre, no. 47, July/ Aug. 1989, p. 76, ill. 591. "Jorg F. Zimmermann - Neue Farbigkeit" 559. MILAN. CASTELLO SFORZESCO, SALA Neues Glas,no. 4,1989, pp. 314-315, ill. In German VISCONTEA 575. "Expositions actualites: Magic Room, and English. Timo Sarpaneva: Sculture in vetro verriers slovaques" [s.1.: s.n.], 1987, (Savypaino), 78 pp, ill. La Revue de la Ceramique et du Verre, no. 47, July/ 592. "Manu Factum '89" Exhibition organized by Comune di Milano, Settore Aug. 1989, p. 77, ill. Kunst + Handwerk, no. 5, Sept./Oct. 1989, pp. CulturaSpettacolo, and Museum of Industrial Arts, 322-325, ill. Helsinki. 576. MORRISON, ROSALYN J. Bowl by Heinz Oswald Krause. "Interview with Frangois Houde" 560. MILLER, BONNIE J. New Work, no. 36, Winter 1989, pp. 30-31, ill. 593. NICOLETTI, F. "Double Vision" "Decorative Glass and Its Optical Design" American Craft, v. 49, no. 5, Oct./Nov. 1989, pp. 577. "The New Canadian Context" Journal of Non-Crystalline Solids, v. 47, no. 1, 40-45, ill. New Work, no. 36, Winter 1989, pp. 24-27, ill. 1982, PP. 47-56, ill. Joey Kirkpatrick and Flora Mace. Overview of Canadian studio glass movement. Venetian decorative glass techniques and examples by Seguso, Barbini, Moretti, Barovier & 561. "Ginny Ruffner: Provocative Glass Sculptor" 578. MOYER, KATHY M. Toso, Vistosi. The World & I, v. 4, no. 5, May 1989, pp. 192-197, ill. "Edward D. Poore: a Multi-Faceted Career" Annual Bulletin of the Paperweight Collectors' 594. NIENBURG/WESER, GERMAN 562. "Reviews: The Northwest Invitational: Association, 1988, pp. 32-36, ill. DEMOCRATIC REPUBLIC. MUSEUM NIENBURG Paperweight cutter and restorer now designing Gestaltetes Glas: Werke der Familie Precht aus New Work, no. 38, Summer 1989, pp. 33-34, ill. prismatic sculptural pieces. Lauscha/Thuringer Wald (Text by Rolf Kober) Seattle, Washington. Nienburg/Weser: the museum, 1989,116 pp, ill. 579. "A 35th Anniversary Salute - The Rebirth of 563. "Transforming Time: A Closer Look at Mary Paperweight Making: 1953" 595. NIKOLAEVA, NATALYA Van Cline" Annual Bulletin of the Paperweight Collectors' "Prostranstvennye liki stekla" Neues Glas, no. 2,1989, pp. 97-102, ill. In English Association, 1988, pp. 4-8, ill. Dekorativnoe Iskusstvo SSSR, no. 2 (291), 1982, and German. Baccarat, St. Louis, and individual artists revive pp. 11-15, ill. lost techniques, 1950s. Russian artists A. Bokotei, L. Savelieva, F. 564. MILLER, BONNIE J. AND VAN CLINE, Ibragimov, G. Ivanova, A. Ivanov. MARY 580. MUNICH. FOYER DER BAYERISCHEN "Niijima, Japan: The Island of Glass" VERSICHERUNGSKAMMER 596. NILSSON, EDGAR Neues Glas, no, 4,1989, pp. 304-308, ill. In "Dazwischen": Kunsthandwerk im Spannungsfeld "Psykodynamiskt ljus i Goran Warffs glas" German and English. Munich: Benno undTherese Danner'sche Glas och Porslin, v. 59, no. 2,1989, pp. 10-11, ill. Glass Art center and work of Osamu and Yumiko Kunstgewerbestiftung, 1989, 33 pp, ill. Noda. "Glas" by Gemot H. Merker, pp. 24-27: Bottles, 597. NORRIE, JANE flasks, decanters by German firms and designers. "Masterworks in Glass and Textiles" 565. MIZUTA, JUNKO Arts Review, v. 41, no. 10, May 19,1989, pp. 379- "On Studio glass Movement in USA" 581. NAITO, MASAO 380. Glass (Tokyo), no. 25, May 1989, pp. 22-24, ill. In "The Career and Lifeworks of Mr. Junshiro Sato II" Review of London exhibit: Sam Herman, Peter Japanese. Glass (Tokyo), no. 26, Nov. 1989, pp. 15-20, ill. In Layton, Anthony and Patrick Stern, Peter Dreiser, Japanese. and others. 566. MOGLIA, MICHEL "Expositions, actualites: France-verre-Portugal. 582. NAITO, MASAO AND INOUE, AKIKO 598. NORTH YORK, ONTARIO. THE KOFFLER Les Rencontres franco-portugaises du verre" "The Career and Lifeworks of Mr. Junshiro Sato I" GALLERY La Revue de laCeramique et duVerre, no. 44, Jan./ Glass (Tokyo), no. 25, May 1989, pp. 7-8. In Glass in Sculpture, A Canadian Contribution/Le Feb. 1989, pp. 40-41, ill. Japanese. Verre dans la sculpture, une contribution French glass artists working at Cristallerie canadienne/Lasi ja veistos, Kanadalaisia ilmeita Stephens, Marinha Grande in Nov. 1988. 583. NEW GLASS REVIEW 10 (Text by Gloria Hickey and Annu Mallinick) Corning, N.Y.: The Corning Museum of Glass, North York: the gallery, 1989, 80 pp, ill. 567. "Jean Linard" 1989,54 pp, ill. Exhibition also circulating to Riihimaki, Finland and La Revue de la Ceramique et du Verre, no. 47, July/ [Also added to Neues Glas, no. 2,1989]. Baden, Federal Republic of Germany. Work of 18 Aug. 1989, pp. 30-32, ill. artists. Mirrored and mosaic sculptures. 584. NEWYORK. HELLER GALLERY Michael Glancy, June 1989 (Text by Lisa Hammel) 599. NOVOTNY, JIRI 568. "Joel Linard, le verre enchante" [s.1.]: Michael Glancy, 1989, 37 pp, ill. "The Autumn Offer for Frankfurt" La Revue de la Ceramique et du Verre, no. 47, July/ Glass Review, v. 44, no. 4,1989, pp. 1-7, ill. Aug. 1989, pp. 52-57, ill. 585. NEWYORK. SOLOMON R. GUGGENHEIM Designs for Crystalex by Milan Metelak, Jiff MUSEUM Suhajek, Jaroslav Taraba, and others. 569. MONCHENGLADBACH. STADTISCHES Mario Merz{Text by Germano Celant) MUSEUM ABTEIBERG New York: the museum; Milan: Electa, 1989, 297 600. "[Work of Czech Glass Designers]" Barry Le Va: Glass, Bullets, Cleavers, 1968-1970/ PP. ill- Glass Review, v. 44, no. 12,1989, pp. 1-38, ill. Glas, Geschosse. Beile, 1968-1970 (Text by Barry Biographies and work by 28 Czech glass artists. LeVa, Marcia Tucker, Elaine A. King) 586. NICOLA, K. G0NTER Monchengladbach: the museum, 1989, 31 pp, ill. "Expressions en Verre 2" 601. NYBERG, ANNIKA In German and English. Neues Glas, no. 3,1989, pp. 252-255, ill. In "Craft Today USA" German and English. Form-Function-Finland, no. 4,1989, pp. 14-17, ill. 570. MONE, JOEL; ZORITCHAK, CATHERINE; Also in Kunst and Handwerk, no. 5, Sept./Oct. Comments on the exhibition and interview with ANDDUCREUX, ANNIE 1989, pp. 320-321, ill. Paul J. Smith. "Le Verre" Exhibition in Lausanne. Metiers d'Art Rhone-Alpes, no. 36, March 1989, 602. "Let It Be a Stimulus" pp. 67-72, ill. 587. "Die gute Form in Handwerk - Handwerker Form-Function-Finland, no. 2,1989, pp. 10-13, ill. Glass artists and activities in the Rhone Alps qestalten" Glass designs by Brita Flander. region. Kunst + Handwerk, no. 2, March/April 1989, p. 115, ill. 603. OBER, JERVEN 571. MONTREAL. CIAC, CENTRE Glass sculpture by Sabine Ramershoven awarded "Vormen in glas" INTERNATIONAL D'ARTCONTEMPORAIN prize. Glas & Keramiek, no. 1, Nov./Dec. 1988, pp. 18-19, Lumieres: Perception-projection. Les Cents jours ill. d'art contemporain 588. "IHM Munchen: Jugend gestaltet" Work of 16 Dutch artists in circulating exhibit. Montreal: CIAC, 1986,186 pp, ill. Kunst + Handwerk, no. 3, May/June 1989, pp. 151 - 156, ill. 604. O'BRIEN, JOHN 572. MOORMAN, MARGARET Glass by Florian Ladstatter, Anna Dickinson, Ivana "Playing with Ambivalences" "Reviews: Stephen Antonakos" Masitova. Artweek, v. 20, no. 36, Nov. 4,1989, p. 3, ill. ARTnews, v. 88, no. 9, Nov. 1989, p. 164, ill. Multi-media sculpture by Joel Otterson. Panels with neon. 589. "Int. Handwerksmesse Munchen-Talent- Borse/lnt. Crafts Fair Munich-Talent Market" 605. OBYTOVA, MIROSLAVA 573. MORGAN, ROBERTC. Neues Glas, no. 2,1989, p. 135, ill. "Christmas Decorations of the Present" For You from Czechoslovakia, no. 4, Dec. 1989, pp. Antonin Langhamer) 639. "LeTalent du naturel: Stefano Poletti" 51-53, ill. Novy Bor: Crystalex, 1986, 35 pp, ill. English L'Atelier, no. 3, June 15/Aug. 15,1989, pp. 45-47, Hand-blown ornaments. summary. ill. English summary. Life and work of Hlava. Glass jewelry. 606. O'CONNOR, D.THOMAS "A Family of Glassmakers" 622. PEACE, DAVID AND EGERTON, 640. PIOTROBSKAIA, OLGA Glass Collector's Digest, v. 3, no. 4, Dec. 1989/Jan. ROSAMUND "Liudmila Kuchinskaia" 1990, pp. 6-11, ill. "Exhibition at Castle Howard" Dekorativnoe Iskusstvo SSSR, no. 10 (359), 1987, Charles Lotton. The Glass Engraver, no. 56, Autumn 1989, pp. 21- pp. 26-27, ill. 26, ill. Ceramics and glass designer. 607. ODOM, MICHAEL "Thurman Statom" 623. PEPICH, BRUCE W. 641. PITTSBURGH, PENNSYLVANIA.THE New Art Examiner, v. 16, no. 9, May 1989, pp. 52- "Chicago International New Art Forms Exposition, SOCIETY FOR ART IN CRAFTS 53, ill. Decorative and Applied Arts at Navy Pier" New York Experimental Glass Review of Pittsburgh exhibition. Art Gallery International, v. 10, no. 6, Oct. 1989, pp. Pittsburgh: the society, 1989,47 pp, ill. 34-39, ill. 608. ODONI, GIOVANNI Includes work by Eva Potfajova-llkovicova, Kyohei 642. PLOWMAN, ALLAN "La fusione fredda" Fujita, Josh Simpson, Peter Shire. "Art or Craft?" Casa Vogue, no. 210, July/Aug. 1989, pp. 94-97, ill. Glass Age, v. 31, no. 12, Dec. 1988, p. 27, ill. English summary. 624. PERREAULT, JOHN "Craft Classics" exhibition, Crafts Council Gallery, New drinking sets designed by David Palterer, "Mary Shaffer: A Discourse on Innovation" London. Sergio Mian, Hilton McConnico, and others. New Work, no. 37, Spring 1989, pp. 14-17, ill. 643. POLAK, ADA 609. O'DWYER, JESSICA 625. PETAJANIEMI, KIRSTI "Christie's avholder den forste auksjon over "When Neon Signs Were Art" "Markku Salo, Visionary of Glassmaking" 'Scandinavian Design'" Americana, v. 17, no. 2, May/June 1989, pp. 50-55, Form-Function-Finland, no. 1,1989, pp. 44-47, Glass & Porselen (formerly Glassposten), v. 43, no. ill. ill. 4,1989, pp. 24-27, ill. Philadelphia signs restored and re-installed. Auction results; includes glass designed by Vicke 626. PETRI, GUNILLA Lindstrand, Gunnel Nyman, Anna Boberg. 610. OGISHI, SETSUKO "Design skolor i USA: Pilchuck Glass School - "Portfolio No. 61: Setsuko Ogishi" eldorado for blasare" 644. POLI, FRANCESCO Craft Arts, no. 15, March/June 1989, cover and p. Form, v. 85, no. 5 (661), 1989, p. 41. "Reflections Unlimited" 90, ill. Contemporanea, v. 2, no. 9, Dec. 1989, pp. 40-49, 627. PETROVA, SYLVA ill. 611. OHLSON, KARIN "Bohumil Elias: Optik and Kinetik" Sculptures utilizing mirrors by Michelangelo "Valliens glas fortrollar varlden" Neues Glas, no. 2,1989, pp. 103-107, ill. In English Pistoletto. Antik&Auktion, no. 6, June 1989, pp. 44-50, ill. and German. Ulrica Hydman-Vallien and Bertil Vallien. 645. "Reviews: Giuseppe Penone" 628. "A Confrontation of Three Artists" Contemporanea, v. 2, no. 7, Oct. 1989, p. 94, ill. 612. OLDS, ANDREW Glass Review, v. 44, no. 5,1989, pp. 18-21, ill. Sculptor uses glass. "Design History: Joe Colombo" Frantisek Janak, Pavel Trnka, and Pavel Werner ID (International Design), v. 36, no. 5, Sept./Oct. exhibit work done at Durk Valkema's studio in the 646. POLYANSKAYA, ARINA 1989, pp. 66-69, ill. Hague, 1986. "Ivan Machnev" Designer of "Smoke" and "Assimetrico" drinking Dekorativnoe Iskusstvo SSSR, no. 4 (353), 1987, glasses, 1964. 629. "An Exhibition of Contemporary Bohemian pp. 26-27, ill. Glass in Finland" 613. OSBORNE, PEGGY Glass Review, v. 44, no. 1,1989, pp. 11-13, ill. 647. "Khrustal'naia muzyka diustr" "Lowell Calkin: Maker of Paperweight Buttons" Dekorativnoe Iskusstvo SSSR, no. 1 (326), 1985, The National Button Bulletin, v. 48, no. 2, May 1989, 630. "Jiri Suhajek - sklo, obrazy, kresby" pp. 6-9, ill. English summary. pp. 52-54, ill. Umeni a Remesla, no. 3,1989, pp. 5-6. Ceiling lamps designed by L. Fomina andT. Sazhin. 614. PAGGI, MARIO LORENZO 631. "Milan Handl" 648. POORE, EDWARD D. "Memoria e arte del vetro" Glass Review, v. 44, no. 10,1989, pp. 22-26, ill. "The Art of Cutting the Gingham Paperweight" Alte Vitrie, v. 2, no. 1, March 1989, pp. 3-7, ill. Annual Bulletin of the Paperweight Collectors' Interview with Altare artistic lampworker, Sandro 632. "Salon uziteho umeni '89" Association, 1988, pp. 37-39, ill. Bormioli. Atelier, no. 16, Aug. 8,1989, p. 5, ill. Author cuts overlay weights made by Bob and Ray Review of the glass at Prague's large craft exhibit; Banford. 615. PARIS. CARRE DES ARTS DU PARC Pavel Hlava piece illustrated. FLORAL 649. POPKIN, J. M. Le Verre grandeur nature 633. "Tendence ceskeho skla" The Finzi Bowl Paris: L'AAPPFP; La Societe Corning France; La Atelier, no. 14, July 11,1989, p. 1+, ill. Oxford: Ashmolean Museum, 1986,10 pp, ill. Galerie Quartz Diffusion, 1989, 73 pp, ill. In French Includes Libensky, Brychtova glass from a Bowl engraved by Laurence and Simon Whistler, and English. retrospective exhibition in Prague. 1981. Large-scale glass sculptures by 30 European artists in a Paris park. 634. "Vystavy skla 1988" 650. PRAGUE. DOME UMENI MANES Umeni a Remesla, no. 1,1989, pp. 2-4, ill. Pavel Hlava (Text by Jirf Kotalik, Zdenek Kostka, 616. PARIS. CLARASCREMINI GALLERY Glass exhibits in 1988; work by Jirl Harcuba. Antonin Langhamer) [Liberec?: Antonin MateiNegreanu (Text by Philippe Carteron, Langhamer, Gallery of Art?], 1989,18 pp. one set Nathalie Darzac) 635. PHILIPPE, JOSEPH English, one set Czech. Paris: the gallery, 1989, 36 pp, ill. "Sculture contemporanee in cristallo e in vetro Two sets of three articles each concerning Hlava's d'Europa' e I'ltaliaM/feWf/ve, v. 2, no. 2, July 1989, life and work to accompany retrospective 617. S. Libensky, J. Brychtova(Text by Dan Klein, pp. 15-18, ill. English summary. exhibition in Prague, 1989. Nane Stern, Sylva Petrova) Review of Liege exhibition "European Paris: the gallery, 1988, 43 pp, ill. In French and Contemporary Sculpture in Crystal 651. PRAGUE. VALDSTEJNSKAJIZDARNA English. and Glass" and the Italian artists exhibiting. Stanislav Libensky - Jaroslava Brychtova: Tvorba z let 1945-1989 (Text by Sylva Petrova, Vaclav 618. PARIS. GALERIE D. M. SARVER 636. PILCHUCK GLASS SCHOOL, Erben, Radomfra Sedlakova) Czeslaw Zuber: Ne vous laissez pas distraire!/ INTERNATIONAL COUNCIL. MINUTES OF Prague: Narodni Galerie v Praze; Don't Be Distracted! (Text by Elhanen Motzkin) MEETINGS 1984-1988 Umeleckoprflmyslove Muzeum v Praze; Svaz Paris: the gallery, 1989, 36 pp, ill. [Seattle, Wash.: Pilchuck School, 1988]. Four Ceskych Vytvarnych Umelc0,1989, 96 pp, ill. reports: Aug. 29-Sept.1, 1984; March 2, 1985; English summary. 619. PAVEL HLAVA March 3, 1986; Oct. 19, 1988. [Prague: Manes, 1989], 39 pp, ill. In Czech and 652. PREMOLI, FRANCESCA English. 637. PINAULT, CAROLINE "Nel segno di Starck" Catalog of retrospective exhibition in Prague, Oct.- "Expositions actualites: KB4" Casa Vogue, no. 207, April 1989, pp. 188-193, ill. Nov. 1989. La Revue de la Ceramique et du Verre, no. 48, English summary. Sept./Oct. 1989, p. 45, ill. Glass table, vases by Philippe Starck. 620. PAVEL HLAVA Exhibition of Swedish work, "Kosta Boda 4," at [s.1.: s.n., 1989], 5 pp. In Czech. Espace INOV, Paris. 653. PRYTHERCH, DAVID Check list of 236 pieces (from 1957 to 1989) in the "British Artists in Glass Conference 1988, High retrospective exhibition in Prague, 1989. 638. "Sweet Shire" Wycombe" L'Atelier, no. 2, March/April/May 1989, p. 8, ill. British Artists in Glass Journal, no. 1, Spring 1989, 621. PAVEL HLAVA: llVOTA PRACE (Text by Peter Shire sculptures in Paris exhibit. pp. 10-19, ill. 654. RACEKOVA, JARMILA 669. RIIHIMAKI. SUOMEN LASIMUSEO/THE 687. L'Emergence d'un genie secret: Joel Contemporary Glass Sculpture in Slovakia FINNISH GLASS MUSEUM Linard" Bratislava: the author, 1989, 21 typescript pp. Oiva Toikka: Lasia/Glas/Glass (Text by Timo L'Atelier, no. 2, March/April/May 1989, pp. 44-48, Simanainen) ill. 655. Contemporary Slovak Glass Sculpture Riihimaki: the museum, 1988, 96 pp, ill. [Bratislava: the author, n.d.], album of 688. "France/Portugal" transparencies showing work of 17 glass artists. 670. RIMANELLI, DAVID L'Atelier, no. 1, Jan./Feb. 1989, pp. 40-41, ill. "Reviews: Sherrie Levine" Collaboration between French and Portuguese 656. "Sucasne umelecke sklo na Slovensku" Artforum, v. 28, no. 3, Nov. 1989, p. 147, ill. glass artists at old Marinha Grande glassworks. Ars (Revue d'histoire de I'art de I'Aacademie slovaque des sciences, Bratislava), [n.d., about 671. RINALDI, PAOLO 689. "Generation verre" 1980?], pp. 140-174, ill. Russian summary. Czech "Archimede Seguso" L'Atelier, no. 5, Nov./Dec. 1989, pp. 52-56, ill. tableware and sculptural pieces, 1959-1970s Casa Vogue, no. 207, April 1989, p. 168, ill. English summary. (JaroslavTaraba, L'uborrnr Blecha, Ivan Polak, and Review of Paris exhibits: Monumental glass others). 672. ROBERTS, MARK RAYNES sculptures in Le Pare Floral and Czech glass at "Engraved Glass: Raynes and Glasbey" Musee des Arts Decoratifs. 657. RAMSAY, CAROLINE C. Glass Gazette, Summer 1989, pp. 12-13. The International Directory of Resources for 690. SAVELIEVA, LUBAAND IBRAG I MOV, Artisans 673. ROBINSON, JOAN SEEMAN FIDAIL Washington, D.C.:The Crafts Center, 1988,116 pp. "Reviews: 'Material + Spirit,' Houston" "Art Glass in the U.S.S.R." Arts organizations, government agencies, Sculpture, v. 8, no. 4, July/Aug. 1989, pp. 38-39, The Glass Art Society Journal 1988, pp. 25-28, marketing organizations, suppliers, etc. ill. ill. Glass and metal piece by Rebecca Horn. 658. RANKIN, SUE 691. "V gostiakh u amerikanskikh "Glass in Sculpture, A Canadian Contribution" 674. ROGERS, KATHERINE K. stekol'shchikov" Glass Gazette, Winter 1989, p. 11. "Reviews: Liese Pfeifer" Dekorativnoe Iskusstvo SSSR, no. 2,1989, pp. 42- Exhibition held in Toronto and in the Finnish Glass New Work, no. 38, Summer 1989, pp. 35-36. ill. 45, ill. Museum, Riihimaki. Authors' visit to the U.S. as "guests of American 675. R0NNE, DENMARK. BORNHOLMS glassmakers." 659. RAOS, PETER MUSEUM "The NZ Society of Artists in Glass" Gloden fra Bornholm: Studioglas i 10 ar 692. SAWYER, JON New Zealand Crafts, no. 28, Winter 1989, pp. 18- Ronne: the museum, 1987, 46 pp, ill. English "Studio Profile: Jon Sawyer Glass" 20, ill. summary. Glass Gazette, Winter 1989, pp. 5-6. "The Glow from Bornholm [Danish island]: 10 Years 660. REAY-YOUNG, HELGAAND HUTH, of Studio Glass." 693. SCHECHTER, LAURIE URSULA "Living: Spirited Wood Work, Luminous Glass" "2. Salon International du Vitrail, Chartres" 676. ROSENFELD, DANIEL Vogue, Jan. 1989, p. 132, ill. Neues Glas, no. 4,1989, pp. 297-303, ill. "Jay Musler Boat" Danny Lane, Deborah Thomas, Peter Manga. In German and English. Rhode Island School of Design Museum Notes, v. 76, no. 1, Oct. 1989, p. 30, ill. 694. SCHEPERS, WOLFGANG 661. RESEARCH TRIANGLE PARK, NORTH Gift to the museum. "Design. Kunst. Spiele: Danese Milano 1957- CAROLINA. GLAXO INC. heute" Translucence: North Carolina Art Glass and 677. ROSSINI, PAVLA DRDACKA Kunst + Handwerk, no. 6, Nov./Dec. 1989, pp. 397- Tapestry (Text by Joan Falconer Byrd and Silvia "International Glass Symposium at Novy Bor, 401, ill. Heyden) Czechoslovakia" Exhibition of work by Danese design firm at Research Triangle Park: Glaxo Inc., 1989,18 pp, Glas&Keramiek, no. 1, Nov./Dec. 1988, pp. 26-27, ill. Dusseldorf; includes glass by Achille Castiglioni. ill. Third symposium, October 1988. 12 glass artists. 695. SCHIPPER, K. 678. "News from Scandinavia: Two Important "Glass Is a Way of Life in the Crystal City" 662. RESTANY, PIERRE Exhibitions" Glass Art Magazine, v. 4, no. 2, Feb. 1989, pp. 4-8, "La Stuart Collection: Un'idea originate per il Glas & Keramiek, no. 1, Nov./Dec. 1988, pp. 10-11, ill. campus dell'University of California, San Diego" ill. Corning, N.Y. Domus, no. 705, May 1989, p. 16, ill. In Italian and "Glow from Bornholm" exhibit in Denmark and English. Oiva Toikka show at Riihimaki glass museum. 696. "Sculpting Glass and Students by Bruce Nauman neon sculpture. Design" 679. "Overgrown Symposiums with Wonderful Glass Art Magazine, v. 4, no. 2, Feb. 1989, pp. 34- 663. REYNOLDS, LUCILLE Potential - Novy Bor" 36+, ill. "Today's Paperweights as Made by St. Clair and Glas & Keramiek, no. 3, March/April 1989, pp. 35- Glass department at Rhode Island School of Joe Rice" 37, ill. Design. American Glass Quarterly, v. 1, no. 2, Fall 1989, pp. 28-29, ill. 680. RClRl: TlMI/TIME (Text by Gunnar B. 697. SCHOUWALOFF, ALEXANDRA Kvaran) "Timo Sarpaneva" 664. RHEBERGEN, ROBI Reykjavik: Run, 1987, 36 pp, ill. Connaissance des Arts, no. 445, March 1989, pp. "Expositions, actualites: Le Verre dans I'art Mixed media sculptures by the artist. 142-149, ill. contemporain" La Revue de la Ceramique et du Verre, no. 45, 681. SAKALOVSKY, LOUIS 698. SCHWEIZERISCHE March/April 1989, p. 66, ill. Louis Sakalovsky: Sculptures in Glass ARBEITSGEMEINSCHAFT GESTALTENDES Bert van Loo pieces at a Rotterdam gallery. [Jerusalem: the artist]; Buki Ltd., 1989,11 pp, ill. HANDWERK 1989. STANDORT1989/FORUM 1989 665. RHEINBACH. STAATLICHE 682. SANDQVIST, GERTRUD [Lucerne]: S.A.G.H., 1989, 82pp, ill. GLASFACHSCHULE "Formrevy" Includes three glass artists (work not illustrated). 40 Jahre Staatliche Glasfachschule Rheinbach. Form, v. 85, no. 2 (658), 1989, p. 53, ill. Exponate seit 1948 Glass fruit and vegetables by Gunnel Sahlins, 699. SCOTT, RUSTY Rheinbach: the school, 1987,143 pp, ill. Kosta Boda. "LaurieThai: Blown Glass at Its Best" Highlights of Rheinbach shows since 1948: Handmade Accents, no. 12, Fall 1989, pp. 32-33, ill. engraving, cutting, stained glass, etc. 683. "MaariaWirkkala" Form-Function-Finland, no. 3,1989, pp. 16-21, 700. SEATTLE, WASHINGTON. SEATTLE ART 666. RICHMOND, VIRGINIA. HAND ill. MUSEUM WORKSHOP Installations, some with glass. Figures of Translucence (Text by Patterson Sims) Reordered Realities Seattle: the museum, 1989, (Documents Richmond: the workshop, 1989, 31 pp, ill. 684. SAO PAULO. MUSEU DE ARTE DE SAO Northwest: The Poncho Series), 8 pp, ill. MarkAnderson, Kent Ipsen, Susie Krasnican, Jude PAULO Joey Kirkpatrick, Flora Mace, Nancy Mee, William Schlotzhauer. Arte em vidro suecia Morris. Sao Paulo: the museum, 1989, 35 pp, ill. 667. RICKE, HELMUT Work of 13 Swedish artists. 701. SEDLACEK, DUSAN "Coburg: Museum fur Modernes Glas eroffnet/ "Salon uziteho umenf 89" A New Glass Center for Europe" 685. SAVE, COLETTE Atelier, no. 13, June 27,1989, p. 1, ill. Neues Glas, no. 4,1989, pp. 325-327, ill. "L'Art de I'autoroute: Les 9 colonnes de verre Glass torso by Jaroslav Svoboda at Prague fair. realisees par Bernard Dejonghe" 668. "Tendenzen in Europa/From the Fifties to L'Atelier, no. 4, Sept./Oct. 1989, pp. 31-38, ill. 702. SEIDEL, MIRIAM the Sixties" "Cork Marcheschi" Neues Glas, no. 1,1989, pp. 6-11, ill. 686. "Cristal au plomb: Matei Negreanu" New Art Examiner, v. 16, no. 9, May 1989, p. 53. Erwin Eisch, Alois Gangkofner, and others. L'Atelier, no. 4, Sept./Oct. 1989, pp. 60-61, ill. Review of Philadelphia exhibit. 703. SEKORA, ONDftEJ J. Glass Line, v. 3, no. 3, Oct./Nov. 1989, p. 1+, ill. pp. 18-19+, ill. "IGS potreti" Lampworker Mike Marsh makes 140 breeds of Designer for Royal Brierley. Umeni a fiemesla, no. 2,1989, pp. 27-28, ill. dogs. English summary. 740. "Kosta Boda Soars with Artglass Third Interglass Symposium at Novy Bor. 722. SNEJDAR, JOSEF AND OTHERS Program" Narodni Divadlo 1983. Rekonstrukce a Dostavba China, Glass & Tableware, v. 107, no. 8, Aug. 1989, 704. "O umeleckem remesle nejen ve Okoli (Text by Josef Snejdar a Kolektiv: Jan Benes pp. 16-19, ill. Stuttgartu" and others) Limited edition collection by 12 Kosta Boda artists. Umeni a fiemesla, no. 2,1989, pp. 21-26, ill. Prague: Pozemnl Stavby, Narodni Podnik, Ceske English summary. Budejovice, Nositel ftadu Prace, 1983, 355 pp, 741. STEIR, PAT Pieces by Frantisek Janak, Richard Price. ill. "The Word Unspoken" Renovation of Prague's national theater: facade by Artforum, v. 28, no. 4, Dec. 1989, pp. 125-127, ill. 705. SELMAN, LAWRENCE H. Stanislav Libensky and five-story lighting fixture Includes a Bruce Nauman neon. "Gilbert Poillerat" by Vera Liskova. Paperweight News, v. 11, no. 1, Jan. 1989, p. 5, ill. 742. STENSMAN, MAILIS AND LEWENHAUPT, Obituary of the sulphide cameo maker. 723. SPlSSKA NOVAVES, CZECHOSLOVAKIA. ANN GALERIA UMELCOV SPlSA "Konsthantverk" 706. "Harold Hacker" Imaginacia: Eva Fiserova (Text by Viktor Jasan) Form, v. 85, no. 4 (660), 1989, pp. 48 and 50, ill. Paperweight News, v. 11, no. 2, June 1989, p. 5, Spisska NovaVes: the gallery, 1989, 50 pp, ill. Text Stockholm exhibit of Kosta Boda work. ill. in five languages. Lampworker and paperweight creator. 743. STEPANIN, NONNA 724. SPORBORG, ALISON "Vystavka 6-ti: Steklo reshaet 'ne svoi' zadachi" 707. "Innovations in the Paperweight Form" "Ed Poore's Contemporary Art Glass" Dekorativnoe Iskusstvo SSSR, no. 8 (369), 1988, Paperweight News, v. 11, no. 2, June 1989, pp. 1- The Review, Cape Cod's Arts & Antiques pp. 11-15, ill. 2+, ill. Magazine, no. 11, July/Aug. 1987, pp. 86-89, ill. Work by Russian artists Fidail Ibragimov, Luba Savelieva, Andrei Bokotei, Galina Ivanova, Franz 708. "Ken Rosenfeld: Evolution of an Artist" 725. STAAL, GERT Cherniak, Aleksandr Ivanov. Annual Bulletin of the Paperweight Collectors' "Sette vasi per sette paesi" Association, 1988, pp. 40-44, ill. Casa Vogue, no. 210, July/Aug. 1989, pp. 88-93, ill. 744. STEWART, PATRICIA English summary. "Review of Exhibitions: Harry Anderson" 709. "New Work from Tarsitano Studios" Project. "Seven Vases for Seven Countries," by Art in America, v. 77, no. 5, May 1989, p. 207, ill. Paperweight News, v. 11, no. 1, Jan. 1989, p. 11, Borek Sipek. Lamps. ill. 726. STANKARD, PAUL 745. STOCKHOLM. NATIONALMUSEUM 710. SERVET, MICHEL "To Pay Homage to the Wildflowers" The Lunning Prize 1951-1970 Michel Mourlot et LyaneAllibert Paperweight News, v. 11, no. 3, Sept. 1989, pp. 6-7, Stockholm: the museum, 1986, 215 pp, ill. Toulouse: Traces; Galerie Michel Servet, [1989], 9 ill. Prize given to Scandinavian designers, two per PP, ill- year, from 1951 to 1970. 727. "Whatever Happened to the Decorative 711. SHEBOYGAN, WISCONSIN. JOHN Arts?" 746. STUTTGART. DESIGN CENTER MICHAEL KOHLER ARTS CENTER The Glass Art Society Journal 1988, p. 29. Design-Auswahl '87/Design Selection '87. The Vessel: Explorations in Contemporary Glass Ausstellung gut aestalteter Industrieprodukte/ (Text by Joan M. Krueger) 728. STAPLETON, CONSTANCE Exhibition of Well Designed Industrial Products Sheboygan: the center, 1980, 4 pp, ill. Crafts of America Stuttgart: Design Center Stuttgart des Richard Marquis, Tom Patti, Jim Harmon, Robert New York: Harper & Row, 1988, 384 pp, ill. Landesgewerbeamts Levin. Buying guide. Glass, pp. 117-123. Baden-Wurttemberg, 1987, 464 pp, ill. Tableware, lighting. 712. SHEFFIELD. RUSKIN CRAFT GALLERY 729. STARA, EVA Glassworks "The Best Products of the Ministry of Industry of 747. SULLIVAN, J. M. Sheffield: the gallery, 1989, 4 pp, ill. the Czech Socialist Republic" "Exhibitions: James Grace" Work by eight British women. Glass Review, v. 44, no. 6-7,1989, pp. 1-9, ill. Arts Atlantic, v. 9, no. 1 (33), 1989, pp. 20-21, ill. Glass and metal sculptures by Toronto artist. 713. SHERMAN, ELLY 730. "The History and the Present of Lednicke "Glass Symposium Frauenau: A Report" Rovne" 748. SWAROVSKI COLLECTOR (Feldmeilen, The Glass Art Society Journal 1988, pp. 73-75, For You from Czechoslovakia, no. 4, Dec. 1989, pp. Switzerland: Swarovski Collectors Society), v. 3, ill. 66-69, ill. no. 2, Autumn/Winter 1989, 23 pp, ill.

714. SIEN VAN MEURS: OBJECTEN (Text by 731. "Ivana Solcova Exhibits" 749. TACOMA, WASHINGTON. TACOMA ART Carin Reinders, Cees Straus) Glass Review, v. 44, no. 10,1989, pp. 27-28, ill. MUSEUM Almelo, the Netherlands: the artist, 1989, 31 pp, Washington Crafts Then & Now ill. 732. "KapkaTouskova's New Work" Tacoma: the museum, 1989, 30 pp, ill. Glass Review, v. 44, no. 4,1989, p. 26, ill. Includes glass and beads; also "tribute" to 715. SILVERSTOLPE, INGER Chihuly. "Glansande Graalglas" 733. "New Impulses of Young Artists" Antik etAuktion, ng. 11, Nov. 1989, p. 88, ill. Glass Review, v. 44, no. 9,1989, pp. 14-16, ill. 750. TAKAHASHI, YOSHIHIKO Hanne Dreutler of Ahus, Sweden. "LinoTagliapietra" 734. "Novelties from Skrdlovice" Glasswork (Kyoto, Japan), no. 3, Oct. 1989, pp. 11 - 716. SlMERDOVA, MARIE Glass Review, v. 44, no. 9,1989, pp. 1 -7, ill. 15, ill. In Japanese and English. "France and Bohemian Glass and Crystal" Glass Review, v. 44, no. 11,1989, pp. 2-7, ill. 735. STARA, EVAAND MACKE, PETR 751. TAPIO WIRKKALA "New Models in the Spring Collection for Frankfurt Helsinki: The Finnish Society of Crafts and Design, 717. SINZ, DAGMAR Fair" 2nd ed., 1985, 210 pp, ill. "Gerard Koch: Philosophie, Musik und Glas" Glass Review, v. 44, no. 2,1989, pp. 2-6, ill. Neues Glas, no. 3,1989, pp. 227-229, ill. In 752. TARAGIN, DAVIRAS. German and English. 736. STAROSTA, JOSEF "How Museums Select Work" "Lead Crystal Chandeliers-Their History and The Glass Art Society Journal 1988, pp. 30-31. 718. "Yan Zoritchak: The 4th Dimension" Present" Neues Glas, no. 1,1989, pp. 17-21, ill. In German For You from Czechoslovakia, no. 1, March 1989, 753. TAYLOR, GAY LECLEIRE and English. pp. 51-53, ill. "Robert R. Banford: Pioneer Paperweight Artist" Annual Bulletin of the Paperweight Collectors' 719. SISTO, MADDALENA 737. STAVIS, AMY Association, 1988, pp. 27-31, ill. "Marie Claude Lalique" "A Crystal Class Act" Casa Vogue, no. 207, April 1989, p. 168, ill. China, Glass & Tableware, v. 107, no. 8, Aug. 1989, 754. TAYLOR, JOHN RUSSELL Two recent pieces. pp. 24-27, ill. "At the Cutting Edge" Royal Brierley. Country Life, v. 183, no. 45, Nov. 9,1989, pp. 80-81, 720. SKARLANTOVA, JANA ill. "Young Glassmakers" 738. "Designer Spotlight: Paloma Picasso" Studio glass moves from functional to sculptural; Glass Review, v. 44, no. 8,1989, pp. 7-11, ill. China, Glass & Tableware, v. 107, no. 2, Feb. 1989, work by Rainey, Adams, Eisch, Parriott. Apprentices at the Secondary School of pp. 8-9, ill. Glassmaking at Novy Bor. Vases for Villeroy & Boch. 755. TAYLOR, MICHAEL "Glass Education in the USA. Part II" 721. SLAGLE, JOANNE 739. "Designer Spotlight: Will Cort" Neues Glas, no. 1,1989, pp. 27-32, ill. Part 3: no. 3, "Lampworking Has Gone to the Dogs" China, Glass & Tableware, v. 107, no. 4, April 1989, 1989, pp. 232-238, ill. In German and English. 756. T6SINA, MIROSLAV Work by Wood and Kepkiewicz, Sheila Mahut, Max 10-16, ill. "A Unique Lighting Fixture from Kamenicky Leser, and the author. Carole Sharpe, Michael David/Kit Karbler, Steve Senov" De Vries, John Nickerson, Kathy Bradford, J. B. Glass Review, v. 43, no. 12,1988, p. 30, ill. 771. TURNER, JOHN F. Barrett, Randy Leever. Replica of the chandelier used in Lenin's study Howard Finster: Man of Visions made for Kremlin display. New York: Alfred A. Knopf, 1989, 242 pp, ill. 788. "Joya del desierto/Jewel of the Desert: The Folk artist uses glass. Artists of Central and Northern New Mexico" 757. TETLOW, KARIN Glass Art Magazine, v. 4, no. 3, March/April 1989, "Beyond the Labels" 772. URBANCOVA, JANA pp. 54-57, ill. Interiors, v. 149, no. 1,Aug. 1989, pp. 126-129, ill. "575 Years of the Glassworks at Chribska" Includes Thermon Statom chair. Glass Review, v. 44, no. 10,1989, pp. 2-11, ill. 789. "San Jose State University Glass Program" 758. THAL, LAURIE 773. URSULA MERKER: "CRYSTAL Glass Art Magazine, v. 4, no. 4, May/June 1989, pp. "Laurie Thai" PARTERRES - DER GLASERNE 50-53, ill. The Glass Art Society Journal 1988, p. 46, ill. SCHLOSSGARTEN" (Text by Kurt Hofner) Theuern: Bergbau- und Industriemuseum 790. "TheTalismanic Glass Jewel: Techniques of 759. THEUERN. BERGBAU- UND Ostbayern, 1989, 5 pp, ill. Blown and Fused Jewelry" INDUSTRIEMUSEUM OSTBAYERN Glass Art Magazine, v. 4, no. 4, May/June 1989, pp. Glasschliff in Deutschland. Geschliffenes Glas aus 774. VENCLlK, ZDENEK 66-72, ill. Kunst, Handwerk und Industrie/Glass Cutting in "180 let sklarny v Janstejne" Sara Young, Dudley Giberson, DeniseBloch, Ethier Germany. Cut Glass in Arts, Crafts and Industry Sklara Keramik, v. 39, no. 8,1989, pp. 242-243. O'Neill, Que Pasa. (Text by Gemot H. Merker) Theuern: the museum, 1989,198 pp, ill. 775. VENICE. GALLERIA D'ARTE MODERNA 791. WAGNER'S RING: THOMAS S. Exhibit presenting overview of glass cutting in the RAVAGNAN BUECHNER, SR. Federal Republic of Germany since 1945. Robert Willson: Glass Sculptures/Sculture in Vetro New York: Heller Gallery, 1989, 32 pp, ill. (Text by Paolo Rizzi) 760. THINGWOLD, JAMES Venice: Edizioni Galleria Ravagnan, 1989, 31 pp, 792. WALDEN, KATJA "Collections by Gruba" ill. "Det bortglomda konsthantverket" Glass Line, v. 2, no. 5, Feb./March 1989, p. 1 +, ill. Skona Hem, no. 3,1989, pp. 180-181, ill. Lampworker. 776. VENINI. 1989 (Text by Fulvio Rinter) Pieces by Gunnar Cyren, Christian von Sydow. Murano: Venini, 1988, 29 pp, ill. 761. TICKELL, DAVID Bound calendar/appointment book. 793. WALTER BAHR: GLAS "Exhibition in Review: Inaugural Glass [Wertheim-Sachsenhausen: Walter Bahr, 1988?], Exhibition" 777. VENTURI, FRANCESCA 38 pp, ill. Ausglass, Summer 1988-1989, p. 11, ill. "In viaggio con Glassexport" Heritage Festival of the Arts in Queensland, Casa Stile, no. 172, Jan. 1989, pp. 168-169, ill. 794. WALTHAM, MASSACHUSETTS. ROSE ART Australia. Czech qlassmaking at Harrachov and at GALLERY, BRANDEIS UNIVERSITY international symposium, Novy Bor. Stephen Antonakos: Neons and Drawings 762. TILBURG,THE NETHERLANDS. Waltham: the museum, 1986, 48 pp, ill. ZOUAVENLAAN 77, CENTRUM VOOR KUNST EN 778. VESCOVO, MARISA VORMGEVING "Reviews: Keith Sonnier" 795. WARD, LILLIAN Vormen in glas (Text by Jerven Ober) Contemporanea, v. 2, no. 9, Dec. 1989, p. 96, ill. "A Glassblower Talks with Lillian Ward" Tilburg: Centrum voor Kunst en Vormgeving, 1988, The Chicago Tribune Magazine, May 7,1989, p. 54, 80 pp, ill. English summary. 779. VIDRIO, CERAMICAY METALES ill. 16 Dutch glass artists. Single issue of Artes de Mexico, v. 13, no. 83,1966. Lampworker John W. Kreis. Mexico: Artes de Mexico y del Mundo, 1966,80 pp, 763. TOGNINI, JOYCE ill. Summary in 3 languages. 796. WARMUS, WILLIAM "Glass Art Society in Toronto" Cristal de Plomo de Monterrey, pp. 31-38, and "Paul Stsnksrd" American Craft, v. 49, no 4, Aug./Sept. 1989, p. other glass, pp. 77-80. New Work, no. 37, Spring 1989, pp. 20-21, ill. 72+, ill. 780. VIESNIK, PETER 797. WARNIA, PIERRE 764. TOKYO. THE GLASS GALLERY KUDAN "Reg Kempton" "Tchecoslovaquie" 2nd Japan Pate de verre Competition New Zealand Crafts, no. 24, Winter 1988, pp. 28- Revue des Industries d'Art Offrir, no. 254, Jan. Kawasaki-shi: Tokyo Glass Art Institute; The Glass 29, ill. 1989, pp. 226-243, ill. Loving People's Association, 1985, 32 pp, ill. Glassmaker who established first glassblowing Novy Bor 3rd symposium. Harrachov glassworks, In Japanese and English. shop in New Zealand. the museum of decorative arts in Prague, etc. 765. TOKYO. MARUZEN 4F ART GALLERY, 781. VOLF, PETR 798. "Tchecoslovaquie: Les Traditions anciennes NIHONBASHI "[Czech Lighting Fixtures:] Lustry Kamenicky et modernes du verre artistique tcheque" Glass Works 7/6, Exhibition: Graduation 1989 Senov, Jablonecke Sklarny Desna, Preciosa Revue des Industries d'Art Offrir, no. 255, Feb. Kawasaki-shi, Kanagawa-ken: Tokyo Glass Art Jablonec nad Nisou, 2eleznobrodske Sklo, 1989, pp. 60-69, ill. Institute, 1989, 72 pp, ill. Osvetlovaci SkloValasske Mezinci" Old and new Czech glass. Work by "the 7th graduates and the 6th Glass Review, v. 43, no. 12,1988, pp. 6-27, ill. postgraduates." 799. "LeTrophee Lalique" 782. VONDRA, VIKTOR Revue des Industries d'Art Offrir, no. 254, Jan. 766. TOKYO. MITSUKOSHI NIHOMBASHI ART "The Work of Pavel Trnka" 1989, pp. 105-115, ill. GALLERY Glass Review, v. 44, no. 1,1989, pp. 18-19, ill. Hisatoshi Iwata 800. "Le Verre a un pays: La Tchecoslovaquie" Tokyo: Mitsukoshi Nihombashi Main Store, 1989, 783. WAGGONER, SHAWN Revue des Industries d'Art Offrir, no. 256, March 68 pp, ill. "The Flash of Glass Furniture: Formats for the 1989, pp. 60-80, ill. Recent work by Iwata. Future" Factories at Lednicke-Rovne, Poltar, Katarinska Glass Art Magazine, v. 4, no. 3, March/April 1989, Huta, Zlatno; new museum of Czech glass at 767. TOKYO. TOKYO GLASS ART INSTITUTE pp. 4-9, ill. Lednicke-Rovne. Extravaganza: Graduation '85. Students Graduate Rick Melby, Carmen Spera, Danny Lane, Kerry Works of Tokyo Glass Art Institute Feldman. 801. "Verre et cristal: Lalique" Kawasaki-shi: the institute, 1985, 30 pp, ill. Revue des Industries d'Art Offrir, no. 256, March In Japanese, some English. 784. "Glass Art People: David Hopper" 1989, pp. 81-92, ill. Glass Art Magazine, v. 4, no. 6, Sept./Oct. 1989, 768. Glass Works: Graduation '86 pp. 46-49, ill. 802. WASHINGTON, D. C. GALLERY ONE, THE Kawasaki-shi: the institute, 1986, 35 pp, ill. CORCORAN GALLERY OF ART In Japanese, some English. 785. "Glass Art People: Toots Zynsky" John Torreano: Natural Models and Material Glass Art Magazine, v. 4, no. 5, July/Aug.1989, pp. Illusions 769. TORCHIA, RICHARD AND MERKER, 86-89, ill. Washington: the gallery, 1989, 6 pp, ill. URSULA Glass gems incorporated into paintings. "Glass Gardens" 786. "The Glass Canvas: Cold and Reverse Neues Glas, no. 3,1989, pp. 216-221, ill. Painting" 803. WASHINGTON, D. C. HIRSHHORN In German and English. Glass Art Magazine, v. 4, no. 6, Sept./Oct. 1989, MUSEUM AND SCULPTURE GARDEN, Sculptural work by Steve Tobin and Ursula pp. 4-10, ill. SMITHSONIAN INSTITUTION Merker. Work by Judy Bally Jensen, Robert Carlson, Mary Keith Sonnier: Neon B. White. Washington: the museum, 1989, 6 pp, ill. 770. TRIMPOL, MICHAEL "Made in Canada: The Passion for Production" 787. "The Glass Minds of Colorado" 804. WASHINGTON, D. C. MAURINE New Work, no. 36, Winter 1989, pp. 21-23, ill. Glass Art Magazine, v. 5, no. 1, Nov./Dec. 1989, pp. LITTLETON GALLERY Colin Reid "Contemporary European Sculptures in Crystal Glass Collector's Digest, v. 3, no. 4, Dec. 1989/Jan. Washington: the gallery, 1989, 6 pp, ill. and Glass" 1990, pp. 84-93, ill. Bulletin van de Vereniging van Vrienden van Lorenz Studio in Connecticut. 805. Richard Jolley Modern Glas, v. 3, no. 2, May 1989, pp. 12-13. In Washington: the gallery, 1989,10 pp, ill. Dutch. 839. ZIMMER, JENNY Exhibit at Generale de Banque, Liege. "Australia - 4th National Studio Glass 806. WASHINGTON, D. C.THE PHILLIPS Exhibition" COLLECTION 823. "Dale Chihuly: I Am Working with Neues Glas, no. 1,1989, pp. 34-38, ill. Howard Ben Tre: Contemporary Sculpture (Text by Spontaneity" In German and English. Linda L. Johnson) Glas & Keramiek, no. 2, Jan./Feb. 1989, pp. 10-13, Washington: the collection, 1989, 48 pp, ill. ill. In Dutch and English. 840. "Opening of the 4th National Studio Glass Exhibition -Wagga Wagga 807. WASHINGTON, D. C. WASHINGTON 824. "Dale Chihuly in Rotterdam" City Art Gallery, September 1988" SQUARE Bulletin van de Vereniging van Vrienden van Ausglass, Winter 1989, pp. 17-18. Sculpture '89 at Washington Square Modern Glas, v. 3, no. 1, Feb. 1989, pp. 6-8, ill. Washington: Washington Square, 1989, 8 pp, ill. In Dutch. 841. ZIMMERMANN, JORG Includes work by Daniel Clayman, Craig Kraft, Exhibit at Boymans-van Beuningen Museum. "4th Glass Artists Symposium in Lauscha Mary Shaffer, SteveTobin. (GDR)" 825. "Interview met Frank van den Ham" Neues Glas, no. 3,1989, p. 249, ill. 808. WATTS, R. Bulletin van de Vereniging van Vrienden van In German and English. "Dawn Mist and Moon Shadow" Modern Glas, v. 3, no. 2, May 1989, pp.8-10, ill. Glass Circle News, no. 43, Jan. 1989, p. 9. 842. ZINSKY [SIC], TOOTS lestin Davies and his studio adjacent to Broadfield 826. "Overzichtstentoonstelling Copier" "Toots Zinsky" House Glass Museum. Bulletin van de Vereniging van Vrienden van Glasswork (Kyoto, Japan), no. 1, April 1989, pp. 21 - Modern Glas, v. 3, no. 2, May 1989, pp. 4-6, ill. 25, ill. 809. "Glass Tour in Czechoslovakia" A. D. Copier exhibit at Nationaal Glasmuseum, In Japanese and English. Glass Circle News, no. 43, Jan. 1989, pp. 4-6, ill. Leerdam. 843. ZUURMAN.THEO 810. WEINGART, CHRISTAL 827. "Russisch glas" "Bernard Heesen 'Ik wil in het object treden'" "Exhibition Review: The Sixth Direct Design Show Bulletin van de Vereniging van Vrienden van Bulletin van de Vereniging van Vrienden van and the Second British Contemporary Furniture Modern Glas, v. 3, no. 4, Dec. 1989, pp. 3-6, ill. Modern Glas, v. 3, no. 3, Sept. 1989, pp. 4-7, ill. Show" In Dutch. In Dutch. British Artists in Glass Journal, no. 1, Spring 1989, Fidail Ibragimov and the glass scene in Russia. Exhibit at a Rotterdam gallery. p. 6, ill. 828. WILD, REBEKKA 844. ZWEITER BAYERWALD GLAS-PREIS 811. WEISS, DICK "Licht" Frauenau: Glasmuseum, 1988,107 pp, ill. "Charles Parriott" Schweizer Heimatwerk, no. 4,1989, pp. 27-33, Second Bayerwald competition. Glasswork(Kyoto, Japan), no. 3, Oct. 1989, pp.4-9, ill. ill. In Japanese and English. Includes glass candleholders by Eka Haberling, 845. 30 JAHRE ARBEITSGEMEINSCHAFT Guido Stadelmann. KUNSTHANDWERK BREMEN (Ed. by Rosemarie 812. "Letter from the Northwest" Pohl-Weber) Glasswork (Kyoto, Japan), July 2,1989, pp. 39-41, 829. WILDE, DAVID Bremen: Bremer Landesmuseum fur Kunst und ill. In Japanese. "Canadian Clay & Glass Gallery Update" Kulturgeschichte, 1989,144 pp, ill. Glass Gazette, Winter 1989, pp. 9-10. Includes glass by Heinz Lilienthal, Isgard Moje- 813. "Letter from the Northwest: Amos Zook, Wohlgemuth, Roderich Wohlgemuth, Jurgens Walter Lieberman, John Dewit, Paul Marioni" 830. WILSON, DENISE Wilkens. Glasswork (Kyoto, Japan), no. 3, Oct. 1989, pp. 45- "Glass Artist Breaks Barrier Between Art and 47, ill. In Japanese. Marketing" 846. 1989 OHIO DESIGNER CRAFTSMEN The Crafts Report, v. 15, no. 165, Dec. 1989, p. 10, BUYERS GUIDE 814. WERENKO, JOHN D., ed. ill. Columbus, O.: Ohio Designer Craftsmen, 1989, 24 Guide to American Art Schools Fred Munro. PP, ill. New York: Penguin Books, 1987, 281 pp. Includes glass artists. Includes glass programs. 831. WOLGENSINGER, JACQUES "Expositions actualites: Joel Linard" 815. WERTHER, BETTY La Revue de la Ceramique et du Verre, no. 47, July/ "Craft Today USA" Aug. 1989, p. 77. American Craft, v. 49, no. 5, Oct./Nov. 1989, pp. 32-39, ill. 832. WOOD, TIMOTHY J. French reaction to the exhibit when displayed at "DebbieTarsitano's Glass Gardens" the Musee des Arts Decoratifs. The Review, Cape Cod's Art & Antiques Magazine, no. 14, Jan./Feb. 1988, pp. 36-37, ill. 816. WHITE, CHERYL Paperweights. "Hank Murta Adams/Dorothy Weiss Gallery" American Craft, v. 49, no. 5, Oct./Nov. 1989, pp. 833. WYE, PAMELA 80-81, ill. "Splendor in the Glass: Mary Bauermeister's Boxes and Gardens" 817. WHITTEMORE, FRANCIS Arts Magazine, v. 64, no. 3, Nov. 1989, pp. 74-78, Glassware in Miniature: A Sketchbook ill. Lansdale, Pa.: the author, 1988,15 pp, ill. Catalog and price list of miniatures made by the 834. YANZORITCHAK: LE VERRE, L'ESPACEET author. L'HOMME/GLASS, SPACE AND MAN Geneva: GalerieTrois, 1989, 24 pp, ill. 818. WICKMAN, KERSTIN In French and English. "Formrevy: Kosta Boda" Form, v. 84, no. 8 (662), 1988, pp. 52-53, ill. 835. YELLE,TINA Review of exhibit at Oslo and Malmo. "The Emerging Artist" The Glass Art Society Journal 1988, p. 70, ill. 819. "To Show transparency" New York Experimental Glass Workshop. Form, no. 7 (663), 1989, pp. 34-39+, ill. Orrefors Gallery, Stockholm. 836. YERACE, BARBARA "Member Focus: Boyer Glassworks" 820. WICKMAN, KERSTIN AND MJOBERG, Michigan Glass Guild Newsletter, April 1989, p. LOTTE "Formrevy: Christian von Sydow; Eva Ullberg" Form, v. 85, no. 8 (664), 1989, p. 8, ill. 837. ZHURAVLEVA, S. P.; MALTSEVA, V. F.; AND Exhibition reviews. KATS, R.YA. "Obnovlenie assortimenta - zalog uspekha" 821. WIENER, DANIEL Steklo i Keramika, no. 11,1988, inside cover and p. "Reviews: Christopher Wilmarth" 4. Flash Art, no. 149, Nov./Dec. 1989, pp. 142-143, Tableware and other items from Raduya factory. ill. 838. ZIEGLER, ROSERITA 822. WIGLEVEN, KITTY "Art Glass in Sculptural Form" FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass/

FLACHGLAS (nach 1945) einschlieBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Stained Glass

ANONYMOUS 862. "Fruhmorgens um vier hangt die zahe Professional Stained Glass, v. 9, no. 1, Jan. 1989, Glasschmelze an der Pfeife" pp. 44-45, ill. 847. "Architectural Glass Review: Catherine Glaswelt, v. 42, no. 2, Feb. 1989, pp. 12-13, ill. Thompson, MountlakeTerrace Library" Making antique glass at Glashutte Lamberts in 877. "Notable Works: Ellen Miret-Jayson" Glasswork(Kyoto), July 2,1989, p. 48, ill. In Waldsassen. Professional Stained Glass, v. 9, no. 10, Oct. 1989, Japanese. pp. 52-53, ill. 863. "G & G's 'Progress'" 848. "Caps Off to Domed Art" Glass Age, v. 32, no. 1, Jan. 1989, p. 3, ill. 878. "Notable Works: Leslie Perlis" Ontario Craft, v. 14, no. 2, June 1989, p. 7, ill. Goddard & Gibbs window commemorating 300th Professional Stained Glass, v. 9, no. 6, June 1989, Lutz Haufschild cast glass frieze at Toronto sports anniversary of John Bunyan's Pilgrim's Progress. pp. 60-61, ill. stadium. 864. "Ganz Paris schwarmt von der Pyramide" 879. "Notable Works: Loren Pedersen" 849. "Centre International du Vitrail, France" Art (Hamburg), no. 2, Feb. 1989, pp. 44-50, ill. Professional Stained Glass, v. 9, no. 2, Feb. 1989, Artists in Stained Glass Bulletin, Dec. 1989, p. 1, Louvre pyramid building. pp. 60-61, ill. ill. 865. "Glaskunstarbejde indsat pa stastedet og 880. "Notable Works: Mary Jane Gregory" 850. "Commissions" filmet" Professional Stained Glass, v. 9, no. 9, Sept. 1989, American Craft, v. 49, no. 2, April/May 1989, p. 82, Glarmestertidende, v. 73, no. 10, Oct. 1989, p. 145, pp. 60-61, ill. ill. ill. Window by Saara Gallin. Pavilion with stained glass panels designed by 881. "Notable Works: Rachel Josepher Bjorn Norgaard. Gaspers" 851. "Commissions" Professional Stained Glass, v. 9, no. 8, Aug. 1989, American Craft, v. 49, no. 5, Oct./Nov. 1989, p. 91, 866. "Glaskunsten: Nu i Odense" pp. 52-53, ill. ill. Glarmestertidende, v. 73, no. 5, May 1989, p. 73, Panels by Linda Lichtman. ill. 882. "Notable Works: Shawn Athari" Panel by Peter Brandes. Professional Stained Glass, v. 9, no. 11, Nov. 1989, 852. "Commissions" pp. 44-45, ill. American Craft, v. 49, no. 6, Dec. 1989/Jan. 1990, 867. "Glasmosaikforsvundetfra p. 82, ill. Glarmesterskolen" 883. "Notable Works: Terry Bell" Window by Janet Christensen. Glarmestertidende, v. 73, no. 5, May 1989, p. 67, Professional Stained Glass, v. 9, no. 4, April 1989, ill. pp. 60-61, ill. 853. "Commissions: John Gilbert Luebtow" American Craft, v. 49, no. 3, June/July 1989, p. 72, 868. "Glass Sets New Standards for Mausoleum 884. "Oil Company Acquires Stained Glass" ill. Design" Glass (U.K.), v. 66, no. 10, Oct. 1989, p. 422, ill. Glass fountain, San Francisco. American Glass Review, v. 109, no. 12, June 1989, Goddard & Gibbs panels in Hemel Hemstead. p. 6, ill. 854. "Commissions: John Gilbert Luebtow, Judson Studios installation in Altadena, 885. "Pigerne kan ogsa" Fountain" California. Glarmestertidende, v. 73, no. 3, March 1989, p. 45, Sculpture, v. 8, no. 3, May/June 1989, p. 86, ill. ill. Fountain with sheets of curved slumped glass for a 869. "Guest Designer: Terra Parma" Panel by Eva Weis Bentzon. San Francisco terrace. Glass Patterns Quarterly, v. 4, no. 4, Winter 1988/ 1989, pp. 10-12+, ill. 886. "Portfolio: Arthur Stern" 855. "Community Care" American Craft, v. 49, no. 6, Dec. 1989/Jan. 1990, Glass Age, v. 32, no. 1, Jan. 1989, p. 28, ill. 870. "Joachim Edgar Klos" pp. 58-59, ill. Memorial window by Jonathan Butler, London. Ausglass, Winter 1989, p. 26, ill. Brief biography. 887. "President's Premier Present Is Cut Glass 856. "Design Education Survey: Chisholm Bowl" Institute of Technology" 871. "Law of Glass" The Hobstar, v. 11, no. 6, March 1989, p. 1+. Design World, no. 15,1988, p. 99, ill. Ontario Craft, v. 14, no. 2, June 1989, p. 9, ill. Lenox Crystal bowl engraved by Jan Stained glass panels by Gisela Hanesch-Hunter; The origins of law in 10 Toronto stained glass Lewczenko. teapot by Carrie Westcott. windows by Christopher Wallis. 888. "Profiles: Jim Schlitz, Paul Crist, Rick Melby, 857. "East Meets West: Terry Smith-Lamothe" 872. "Mayer Opens Europe-Style Glass and Joe Porcelli" Artists in Stained Glass Bulletin, April 1989, p. 6. Mosaic Studio" Professional Stained Glass, v. 9, no. 6, June 1989, The Crafts Report, v. 15, no. 165, Dec. 1989, p. pp. 6-13, ill. 858. "Educational Conference a Success" 15. Four lamp makers. Stained Glass Quarterly, v. 84, no. 2, Summer 1989, Franz Mayer of Munich. p. 116. 889. "Recent work" First International Environmental Glass 873. "Michigan Glass Month: Galleria Glass New Zealand Crafts, no. 27, Autumn 1989, p. 37, Conference in Oklahoma City. '90" ill. Stained Glass Quarterly, v. 84, no. 4, Winter 1989, Window by Rena Jarosewitsch. 859. "Exhibition by Members of the Guild of pp. 302-303, ill. Glass Engravers" Upcoming 1990 juried exhibition; representative 890. "Recreating the Style of Tiffany" Christie's International Magazine, July/Aug. 1989, works from 1989 entries. Glass (U.K.), v. 66, no. 2, Feb. 1989, p. 37, ill. pp. 5-8, ill. Replica of zinnia lamp by Christopher Wray. At Castle Howard, York. 874. "Mosaics in Glass" Glass Technology, v. 29, no. 6, Dec. 1988, pp. 212- 891. "Rose Window Unveiled" 860. "Expositions, actualites: Licata-Marzi-Galli, 213, ill. Glass (U.K.), v. 66, no. 11, Nov. 1989, p. 466, ill. Mosaiques de Ravenne" British mosaicist Richard Reffell. Window in St. Albans Abbey, Hertfordshire, by Alan La Revue de la Ceramique etduVerre, no. 44, Jan./ Younger. Feb. 1989, p. 39, ill. 875. "The Most Controversial Glass Structure in the World" 892. "Sheet Glass/Material mit Handschrift" 861. "Les Femmes et le vitrail" Glass Digest, v. 68, no. 11, Oct. 15,1989, pp. 62-63, Neues Glas, no. 1,1989, p. 55, ill. In German and Revue des Industries dArt Offrir, no. 261, Sept. ill. English. 1989, p. 160, ill. Louvre pyramid. Antique glass sheets made by cylinder process. Exhibition of stained glass by 36 women from 12 countries. 876. "Notable Works: Delia Yuhas" 893. "Showcase: Curtiss Olson" Glass Art Magazine, v. 4, no. 2, Feb. 1989, p. 60, Glaswelt, v. 42, no. 10, Oct. 1989, pp. 112-114, ill. 923. DARMSTADT. HESSISCHES ill. Work by Heinz-ErichThoma, Iris Schmitz, and LANDESMUSEUM others at association gathering, Duisburg. Brian Clarke: Malerei und Farbfenster 1977-1988 894. "Something to Revel about" (Catalog by Suzanne Beeh-Lustenberger) Glass Age, v. 31, no. 12, Dec. 1988, p. 30, ill. 910. BEEH, SUZANNE Darmstadt: the museum, 1988,142 pp, ill. Stained glass studio in Romford, Essex. "36 femmes de 12 pays: Vitrail international" Vitrea, v. 1, no. 3,1989, pp. 44-46, ill. 924. DARZAC, NATHALIE 895. "Spotlight on Members: Sarah Hall" Exhibit at Le Centre International du Vitrail and "Udo Zembok: Lichtfanger/Lightcatcher" Artists in Stained Glass Bulletin, Oct. 1989, p. 2, other sites in Europe. Neues Glas, no. 2,1989, pp. 90-96, ill. ill. 911. BEHN, BERIN 925. DEATON, HOLLY LISLE 896. "'Springtime' in Japan" "Commentary: Imitation vs. Real Stained Glass" "The Glassmaster" Stained Glass 1989 (The Magazine of the British Ausglass, Winter 1988, pp. 4-5. Stained Glass Quarterly v. 84, no. 3, Fall 1989, p. Society of Master Glass-Painters), Autumn, p. 17, 184+, ill. ill. 912. BERING-JENSEN, HELLE Fictional story. Window designed by Lydia Marouf. "Glass Tips atop a National Treasure" Insight, v. 5, no. 27, July 3,1989, pp. 58-59, ill. 926. DENKER, ELLEN 897. "Stained Glass Dome for Bahrain Louvre pyramid. "Lenox Crystal Bowl Inaugurates Bush Mosque" Presidency" Glass (U.K.), v. 66, no. 12, Dec. 1989, p. 501. 913. BREMEN, MONICATRUJEN [Gallery] The Glass Club Bulletin, no. 158, Spring 1989, p. 9, Dome (diameter 8.5 meters) by Goddard and Internationales Flachglas: 36 Frauen aus 12 ill. Gibbs. Landern (Text by Suzanne Beeh-Lustenberger) Designed by Barbara Handyside and engraved by Bremen: the gallery, 1988, 96 pp, ill. Jan Lewczenko. 898. "Stained Glass Exhibit" Exhibition of flat glass by 36 women circulated in The Corning Museum of Glass Newsletter, Spring Federal Republic of Germany, 1988-1989. 927. DOBBINS, NORM 1989, p. 5, ill. "Blast into Residential Commissions" Nine panels on display at the museum. 914. BROTHERSON, DEIRDRE Glass Art, v. 4, no. 6, Sept./Oct. 1989, pp. 14-21, ill. "Pattern Books" Sandblasted work; Debra Oxley. 899. "Stained Glass Window Project Professional Stained Glass, v. 9, no. 5, May 1989, Commemorates Voyages of Samuel de p. 34+, ill. 928. DOLL, CURTIS R. Champlain" Late 19th- and early 20th-c. stained glass "Sixty-one Years of Collaboration" Canadian Antiquer and Collector, v. 14, no. 7, Jan. companies' catalogs as design sources for Stained Glass Quarterly v. 84, no. 3, Fall 1989, pp. 1989, p. 3, ill. today. 210-215, ill. Window by Ontario artist Stephen Taylor. Windows for a Columbus, Ohio synagogue by 915. BRUSSELS. CENTRE DE CONFERENCE Franklin Art Glass Studios, 1927-1988. 900. "Stor interesse om glaskunsten" ALBERT BORSCHETTE Glarmestertidende, v. 73, no. 1, Jan. 1989, p. 13, Matieres - Lumiere: Le Nouvel art verrier frangais/ 929. EERLINGEN-VAN CAUWELAERT, ill. Licht und Materie: MARLEEN Panel by Lars Ravn. Die neue franzdsische Glaskunst "Dix annees d'acquisitions/tien jaar aanwinsten: [Chartres]: Centre International du Vitrail, 1989, 78 Vitraux et etain/Glasramen en tin" 901. "Swiss Research Centre for Stained pp, ill. In French and German. Bulletin des Musees Royaux d'Art et d'Histoire, v. Glass" Exhibition of 12 French stained glass artists 59,1988, pp. 163-170, ill. Ausglass, Summer 1988-1989, p. 12. organized by the Centre International and the Panels by Armand and Herman Blondeel, Pierre Romont, Switzerland. Commission des Communautes Europeennes. Majerus. 902. "Swiss Stained Glass Research Center Now 916. BUNGERZ, SANDRA; GONG, NANCY; AND 930. ELSKUS, ALBINAS Open" SULLIVAN, ANNE "Lasting Changes Spring from Experimentation" Stained Glass Quarterly, v. 84, no. 1, Spring 1989, "Review: Oklahoma" Stained Glass Quarterlyv. 84, no. 2, Summer 1989, p. 24, ill. Professional Stained Glass, v. 9, no. 8, Aug. 1989, pp. 100-101, ill. Center concerned with documentation and pp. 21-24. Author's address at a conference on environmental conservation of Swiss stained glass. Review of 1st International Conference on glass, Oklahoma. Environmental Glass, May 1989. 903. "UK's Tallest Stained Glass Window" 931. ENAUD, FRANQOIS Glass (U.K.), v. 66, no. 1, Jan. 1989, p. 30, ill.Also in 917. BUSSE, HANS-BUSSOVON "Vitraux modernes edifices anciens" Glass Age, v. 31, no. 12, Dec. 1988, p. 22, ill. "'Kongresshaus Rosengarten' in Coburg" Monuments Historiques, no. 161, Jan./Feb. 1989, Goddard & Gibbs window in new London bank Glasforum, v. 38, no. 5,1988, pp. 11-20, ill. pp. 91-94, ill. building. Building includes work by Rene Roubicek, Renato Church windows by Chagall, Jean Cocteau, Alfred Santarossa, Florian Lechner. Manessier, Lardeur, Bazaine. 904. "Vitraux pour une cathedrale" Le Courrierdes Metiers d'Art, no. 87, Nov. 1989, p. 918. CAMPBELL, JANE 932. ERFURT, GERMAN DEMOCRATIC 20. "Churchill Fellowship 1988" REPUBLIC. GALERIE AM FISCHMARKT Brief article about new stained glass for the Stained Glass 1989 (The Magazine of the British ERFURT cathedral at Nevers. Society of Master Glass-Painters), Spring, pp. 16- Architekturbezogene Glasgestaltung in der DDR 1949-1986, eine Obersicht (Text by Eva Mahn) 905. "Vitrum '89" Author describes tour of U.S. and Canadian Erfurt: the gallery; Ministerium fur Kultur der DDR; Abitare, no. 279, Nov. 1989, p. 102+, ill. In Italian stained glass studios and visits to architectural Verband Bildender Kunstler der DDR; Rat des and English. glass artists. Bezirkes Erfurt, 1988, 84 pp, ill. Winners of competition for design of architectural elements using decorative glass. 919. CAVANAUGH, MARGARET 933. ERGMANN, RAOUL "Member Focus: Margaret Cavanaugh" "Grand Louvre" 906. "The 1988 IFRAA Awards" Michigan Glass Guild Newsletter, Dec. 1989, pp. Connaissance des Arts, no. 445, March 1989, pp. Faith and Form (Journal of the Interfaith Forum on 4-5, ill. 82-93, ill. Religion, Art & Architecture), v. 22, Winter 1988/ Includes I. M. Pei pyramid. 1989, pp. 23-24, ill. 920. CIARAN, FIONA Windows by David Wilson, Jean Myers, Maureen "Trusttum" 934. FENTON, DAN AND BRADFORD, KATHY McGuire. New Zealand Crafts, no. 24, Winter 1988, pp. 24- "Surface Decoration on Sandblasted Glass" 25, ill. Professional Stained Glass, v. 9, no. 2, Feb. 1989, 907. ANDREANI, CAROLE Work by New Zealand artist Philip Trusttum. pp. 13-18, ill. "Le Cristal bleu de Michele Blondel" La Revue de la Ceramique et du Verre. no. 48, 921. CLAUSEN, VALERIE 935. FOUCAULT, MARIE Sept./Oct. 1989, pp. 30-33, ill. "Fabric and Glass... Unlikely Combination" "French Contemporary" Fountains by Blondel. Stained Glass Ouarterly, v. 84, no. 1, Spring 1989, Professional Stained Glass, v. 9, no. 4, April 1989, pp. 16-21, ill. pp. 6-11, ill. 908. ATKINS, ROBERT Collaborative work by Spokane artists Louise Work from "Vitrail et architecture" biennale exhibit, "In Search of Meaning: Thoughts on 'Architectural Kodis and David Glass. 1988. Art'" The Glass Art Society Journal 1988, pp. 48-52, 922. CORRIN, ADELLE 936. FRANKFURT AM MAIN. JUDISCHES ill. "'The Search for Meaning' Conference on Stained MUSEUM Review of exhibition held at the American Craft Glass" Samson Schames 1898-1967. Bilderund Museum. Stained Glass 1989 (The Magazine of the British Mosaiken, Frankfurt, London, New York (Catalog Society of Master Glass-Painters), Autumn, pp. 16- by Cordula Frowein and others) 909. BATE, ULRICH 17, ill. Frankfurt: the museum, 1989, 206 pp, ill. "Freisprechung in Duisburg" London conference, May 1989. Includes glass mosaics. 937. FREDENSBORG, DENMARK. GALLERI 952. HAUFSCHILD, LUTZ STEPHANIE BRANDT "Lyrical Geometry: Teutonic Glass and the Work of "Play is Serious for Joachim Klos" Glaskunst & Billede: L. Frese & Sonner, et Karl-HeinzTraut" New Zealand Crafts, no. 29, Spring 1989, pp. 26- vaerksted pa Frederiksberg Stained Glass Quarterly, v. 84, no. 3, Fall 1989, pp. 29, ill. Frederiksberg, Denmark: L. Freese & Sonner, 1988, 201-206, ill. 23 pp, ill. New synagogue at Mannheim, Germany, and other 967. JEKYLL, ROBERT Nine artists show results from a workshop held at work byTraut. "Unwelcome Guests in the House of the glaziers Frese & Sons near Copenhagen. Architecture" 953. HEBSGAARD, PER STEEN Ontario Craft, v. 14, no. 1, Spring 1989, pp. 31 -34. 938. GAL, R&3IS Ny Dansk Glaskunst. Le Nouvel art verrier du "Expositions actualites: lie Salon International du Danemark/The Art of Modern Danish Glass/Die 968. JODIDIO, PHILIP Vitrail" neue Danische Glaskunst "Le Louvre selon I. M. Pei" La Revue de la Ceramique et du Verre, no. 48, [s.1. Copenhagen?]: Hebsgaard, 1988,108 pp, ill. ConnaissancedesArts, no. 444, Feb, 1989, pp. 82- Sept./Oct. 1989, pp. 48-49, ill. 93, ill. Exhibit at Chartres and Nimes. 954. HELLMANN, ROLAND A. "Glaspyramide am Louvre in Paris" 969. KADA, KLAUS 939. "La Porte du vent. Une nouvelle technique: Glasforum, v. 38, no. 6,1988, pp. 11-20, ill. "'Glas und Kohle.' Ausstellungsgebaude und Silovitrail" Glasmuseum der Landesausstenung 1988 in La Revue de la Ceramique et du Verre, no. 44, Jan./ 955. HICKEY, GLORIA Barnbach/Steiermark" Feb. 1989, pp. 30-31, ill. "Glasarchitektur der National Gallery of Glasforum, v. 38, no. 5,1988, pp. 29-34, ill. Collage technique by Daniel and Michel Canada" Exhibit building, site of "Glass and Coal" show. Bataillou. Neues Glas, no. 3,1989, pp. 239-242, ill. In German and English. 970. KEHLMANN, ROBERT 940. GANDOLFI, FIORA "20th Century Stained Glass" "Vetrate a piombo" 956. HISCOTT, AMBER Glasswork (Kyoto, Japan), no. 3, Oct. 1989, pp. 32- Casa Vogue, no. 211, Sept. 1989, u.p., ill. "Circling around the Issue of Imagery in 39, ill. In Japanese. Guido Farinati, Venetian stained glass artist. Architectural Glass" Leadline (Artists in Stained Glass,Toronto), 1989, 971. KOPPEL, UTA 941. GEHR, CHRISTA pp. 18-20, ill. "Die Freude im Herzen aller Betrachter" "Streng, locker, gelost" Glaswelt, v. 42, no. 10, Oct. 1989, pp. 96-98, ill. Glaswelt, v. 41, no. 9, Sept. 1988, pp. 84-85, ill. 957. HOFFMANN, UTE Otto Peters workshop for stained glass and Flat and mirrored glass pieces by designer Ludwig "Neue Romantik in der Gestaltung mit Glas" mosaic, Paderborn. Mang. Glaswelt, v. 42, no. 1, Jan. 1989, p. 18, ill. Windows for residences, restaurants, etc., by 972. KRUGER, LINDA 942. GEORG MEISTERMANN: DIE Detlef Graw and others. "Artworks by DeGrazia Reproduced on Stained KIRCHENFENSTERfJext by Karl Ruhrberg) Glass" Freiburg im Breisgau: Herder, 1986,144 pp, ill. 958. HOLZER, THOMAS Collectors News, v. 30, no. 3, July 1989, p. 1+, ill. Meistermann's biography, church windows from "Architectural Glass Design: A Need for Quality 1944 to 1986. Material" 973. KULKA, ROBERT AND SCHMITT, Glass Art, v. 4, no. 5, July/Aug. 1989, pp. 82-83, GUNTHER 943. GERKE, HANS AND VOLP, RAINER, eds. ill. "Im glasernen Loffel wachst ein hoher Die Glasbilder von Johannes Schreiter/The Krautergarten" Stained Glass Art of Johannes Schreiter 959. HOOVER, RICHARD L. Glas + Rahmen, v. 39, no. 24, Dec. 2,1988, pp. Darmstadt: Verlag Das Beispiel, 1988, 311 pp, ill. "The Judson Studios" 1218-1219, ill. Stained Glass Quarterly, v. 84, no. 2, Summer 1989, Stained glass panel for Bonn railway station by 944. GILBEY, PETER pp. 121-128, ill. Rudolf and Jurgen Maur. "AThing of Beauty... and Practical, Too" History and 1970s-1980s work of the California Church Building, Christmas 1985, p. 29, ill. studio. 974. LEWIS, ALBERT Engraved screens and doors in churches; work by "36/12/89" David Peace. 960. "The Luminous Basilica" Professional Stained Glass, v. 9, no. 11, Nov. 1989, Stained Glass Quarterly, v. 84, no. 4, Winter 1989, pp. 6-11, ill. 945. GOODDEN,TED pp. 281-288, ill. Exhibition "36 Frauen aus 12 Landern" that "On Re-reading Old Leadlines" Largest stained glass installation in the world by circulated in Europe in 1988-1989. Leadline (Artists in Stained Glass, Toronto), 1989, France Vitrail International for a basilica, Ivory pp. 20-22, ill. Coast. 975. LITTLETON, GREGORY "A Reintroduction of Frank Lloyd Wright's 946. GRENON, ARIANE 961. "Stained Glass Marketing at Dollywood Windows" "Vitrail an II" Theme Park a Boon to SGAA Members" Interiors, v. 148, no. 8,1989, p. 54, ill. Le Courrierdes Metiers d'Art, no. 85, Sept. 1989, Stained Glass Quarterly, v. 84, no. 2, Summer 1989, Wisconsin studio reproducing Wright panels. pp. 3-5, ill. p. 114, ill. Review of exhibition "lie Salon International du Glassblowing and stained glass studios 976. LONDON. THE TATE GALLERY Vitrail," Chartres and NTmes. demonstrate the crafts at Tennessee park. John Piper London: Tate Gallery Publications Dept., 1983,152 947. GRIMSHAW, ROSALIND 962. HOUTZAGER-VAN WIJNGAARDEN, pp, hi. "Visit to Hartley Wood Portobello Glassworks, MIREILLE Sunderland" "Shattering Preconceptions" 977. LORIERS, MARIE CHRISTINE Stained Glass 1989 {The Magazine of the British Stained Glass Quarterly, v. 84, no. 4, Winter 1989, "The Pyramid Prevails" Society of Master Glass-Painters), Autumn, p. 15, pp. 291-294, ill. Progressive Architecture, v. 70, no. 6, June 1989, ill. Free-standing Passion panel and other work by pp. 37-38, ill. Jan-Willem Van Zijst and Angela Van der Burght of Pei's Louvre building. 948. GUILD OFGLASS ENGRAVERS: GLASS AT Belgium. LLOYD'S 978. MAHONEY, CLAUDIA [s.1. London?]: Comprend (Software), 1989,4 pp. 963. HYAMS, HARRIET "Knight Visions: Glass" Check list of April 1989 exhibit at Lloyd's of "From Gallery to Galley" The Review, Cape Cod's Arts & Antiques London. Stained Glass Quarterly, v. 84, no. 2, Summer 1989, Magazine, no. 6, Sept./Oct. 1986, pp. 48-49, ill. pp. 135-136, ill. Stained glass by John and Donna Knight. 949. GYURE, MICHELLE Author's work. "Glass Art People: Paul Marioni" 979. MALLARD, GENE Glass Art Magazine, v. 4, no. 4, May/June 1989, pp. 964. ISMATOV, A. A. AND ZENKHUM, M. A. "A Brush with History" 10-16, ill. "Okrashennye stekla dlia dekorativnogo Professional Stained Glass, v. 9, no. 10, Oct. 1989, oformleniai zdaniT" pp. 6-8, ill. 950. HALIFAX, NOVA SCOTIA. ART GALLERY, Steklo i Keramika, no. 3,1989, pp. 23-24, ill. John Nussbaum, stained glass painter and MOUNT SAINTVINCENT UNIVERSITY "Colored glasses for decorative styling of restorer. Elements: An Exhibit of Glass Works byT. E. Smith- buildings. Lamothe 980. "Master of the Glass Canvas" Halifax: the university, 1986, 4 pp, ill. 965. JAROSEWITSCH, RENA Professional Stained Glass, v. 9, no. 9, Sept. 1989, "The Purpose of Art...' at Pilchuck" pp. 6-11, ill. 951. HANDY, LYNDSEY New Zealand Crafts, no. 27, Autumn 1989, pp. 23- Albinas Elskus. "Colour, Culture and a Dream Come True" 27, ill. New Zealand Crafts, no. 19, Summer 1986, pp. 4- Author describes workshop with Johannes 981. "Simple and Elegant Octagons" 6, ill. Schreiter. Professional Stained Glass, v. 9, no. 11, Nov. 1989, Author attends 2nd architectural stained glass pp. 12-13, ill. seminar in Kevelaer, W. Germany. 966. JAROSEWITSCH, RENAAND KING, Windows by the author. 982. MANDELBAUM, ELLEN 998. NICOLAS, JOEP "Art Smart" "The Second International Exhibition of Stained "So You're Going To Be a Stained Glass Man" Interiors, v. 149, no. 4, Nov. 1989, pp. 92-93, ill. Glass" Stained Glass Ouarterly, v. 84, no. 3, Fall 1989, pp. Panel by Gyorgy Kepes in Cambridge, Mass., Stained Glass Quarterly, v. 84, no. 3, Fall 1989, p. 182-183. underground bus station. 200+, ill. Reprinted from Stained Glass Quarterly, Winter Work of 154 artists in exhibits held in Chartres and 1949-1950. 1014. ROSENBERG, JEANNINE NTmes, 1989. What is right and wrong with stained glass "Narcissus Quagliata" windows, the makers, and the critics. Artists in Stained Glass Bulletin, Oct. 1989, p. 983. MAYLEN, DAVID M., Ill 1 +. "The dalle de verre Work of Mark Bleshenski" 999. PATTE, JEANNE Description of aToronto workshop. Professional Stained Glass, v. 9, no. 8, Aug. 1989, "Vitraux au cours preparatoire avec Michel pp. 6-11, ill. Bataillou" 1015. RUFI, BEN La Revue de la Ceramique et du Verre, no. 44, Jan./ "Stained Glass Workshop with Joachim Klos, 984. MCMULLAN, JEAN Feb. 1989, pp. 32-33, ill. Sydney College of the Arts" "Paul Dufour: Line and Lucidity" Ausglass, Spring, 1989, p. 14. American Craft, v. 49, no. 3, June/July 1989, pp. 1000. PEACE, DAVID 40-45, ill. "Engraved Glass" 1016. RUS, MAYER Church Building, Christmas 1985, p. 28, ill. "Grand Opening" 985. MENNEKES, FRIEDHELM Potential for use of engraved glass in churches. Interior Design, May 1989, p. 64, ill. "Die Fenster der Paulskirche/Stained Glass Louvre glass pyramid. Windows in Frankfurt" 1001. PETERSON, CHRIS Neues Glas, no. 2,1989, pp. 138-139, ill. "Art at a Gallop" 1017. RUSSELL, EDWARD Wilhelm Buschulte. Professional Stained Glass, v. 9, no. 3, March 1989, "Community Glass in Australia" pp. 6-9, ill. Stained Glass 1989 [The Magazine of the British 986. MESRAHI, RACHEL Screens by Newy Fagan Graves. Society of Master Glass-Painters), Spring, pp. 12- "Metamorphosis in Glass" 13, ill. Stained Glass Quarterly, v. 84, no. 4, Winter 1989, 1002. "Blessed Bevels" Work under direction of Cedar Prest. pp. 267-271, ill. Professional Stained Glass, v. 9, no. 5, May 1989, Stained glass by Janet Christensen. pp. 12-14, ill. 1018. SANDS, R. Minnesota chapel window by Pegasus Stained "Craftsmen in Glass" 987. "A Worldly Project" Glass Studio. Church Building, Christmas 1985, pp. 32-33, ill. Professional Stained Glass, v. 9, no. 2, Feb. 1989, pp. 11-12, ill. 1003. "In Search of Unity" 1019. SCHAECHTER, JUDITH A. Sandblasted world map by Narcissus Quagliata Professional Stained Glass, v. 9, no. 5, May 1989, "Judith A. Schaechter" and the author. pp. 6-11, ill. The Glass Art Society Journal 1988, pp. 44-45, Kenneth von Roenn. ill. 988. MEUNIER, DAVID V. "Glass with a Conscience" 1004. "Profile: Eternal Style" 1020. SCHMITT, PETER Stained Glass Quarterly, v. 84, no. 2, Summer 1989, Professional Stained Glass, v. 9, no. 1, Jan. 1989, "III. Interglass Symposium Novy Bor/Architecture pp. 117-119, ill. pp. 6-9, ill. Convention, Prague" Holocaust windows, Houston, Texas. Arthur Stern. Neues Glas, no. 1,1989, pp. 47-51, ill. In German and English. 989. MILHAU, DENIS 1005. POWELL, JENKYN "Expositions, actualites: Regis Gal/Patrice "Glass in the Third Dimension: An Introduction to 1021. SCOTT, STAN Guyomard, intervention au cloitre des Sculptural Leaded Glass" "Letters: Worth More than a Brief Augustins" Glass Art, v. 4, no. 6, Sept./Oct. 1989, pp. 11-12, Announcement" La Revue de la Ceramique et du Verre, no. 44, Jan./ ill. Pilkington News, Oct. 11,1989, p. 2. Feb. 1989, p. 42, ill. Work by the author. Demise of Hartley Wood & Co., colored glass producers. 990. MILLARD, RICHARD 1006. QUAGLIATA, NARCISSUS "Stained Glass: Copper Foil vs. Lead" "The Design Process" 1022. SHAW, PHILLIDA U.S. Glass, Metal & Glazing, v. 24, no. 5, May 22, Professional Stained Glass, v. 9, no. 8, Aug. 1989, "Glasspainting Skills Still in Demand. A Profile of 1989. pp. 24-25+. pp. 41-44, ill. Peter Archer" Stained Glass 1989 (The Magazine of the British 991. "Stained Glass: Estimating Repair Work" 1007. "Making a Living from Your Art" Society of Master Glass-Painters), Spring, pp. 6-7, U.S. Glass, Metal & Glazing, v. 24, no. 2, Feb. 21, Glass Art, v. 5, no. 1, Nov./Dec. 1989, pp. 4-6, ill. ill. 1989, p. 30+. Author's work. 1023. SHAW, PHILLIDA; FISHER, ALFRED; AND 992. "Stained Glass: Structural Reinforcement 1008. raCekovA, jarmila SALMOND, CHRISTOPHER Considerations" "Sklo v monumentalno-dekoratlvnej tvorbe na "The Closure of Hartley Wood" U.S. Glass, Metal & Glazing, v. 24, no. 6, June 19, Slovensku v rokoch 1948-1973" Stained Glass 1989 (The Magazine of the British 1989, pp. 32-33. Ars (Revue d'histoire de I'art de I'Academie Society of Master Glass-Painters), Autumn, pp. 12- slovaque des sciences, Bratislava), no. 2,1985, pp. 14, ill. 993. MIZUTA, YORIKO 67-83, ill. Russian and English summaries. "Kazumi Ikemoto: Painted Glass" Architectural glass in Slovakia, 1948-1973. 1024. SINZ, DAGMAR Glasswork(Kyoto, Japan), no. 1, April 1989, pp. 4- "The Glasspyramid in the Louvre" 9, ill. In Japanese and English. 1009. RAYNES Neues Glas, no. 1,1989, p. 43, ill. In German and Toronto: Raynes and Glasbey, [1988?], 15 pp, ill. English. 994. MOOR, ANDREW Engraved glass by Mark Raynes Roberts. Architectural Glass: A Guide for Design 1025. SKEAT, FRANCIS W. Professionals 1010. REAY-YOUNG, HELGA "The Dark Cloister, Westminster Abbey" New York: Whitney Library of Design, Watson- "Internationaal vlakglas: 36 vrouwen uit 12 Stained Glass 1989 (The Magazine of the British Guptill, 1989,144 pp, ill. landen" Society of Master Glass-Painters), Spring, p. 8, Reviewed by Richard L. Hoover in Stained Glass Glas&Keramiek, no. 1, Nov./Dec. 1988, pp. 31 -33, ill. Quarterly, v. 84, no. 4, Winter 1989, pp. 274-275. ill. In Dutch and English. St. Francis of Assisi window (by author?) recently Exhibit of flat glass by 36 women from 12 unveiled. 995. MURPHY, BETSY countries. "How Deep Is Deep?" 1026. SMITH, JEFF Professional Stained Glass, v. 9, no. 2, Feb. 1989, 1011. REID, STUART "New Light at the Hard Rock Cafe" pp. 6-9, ill. "Promise, Promises & Problems" Professional Stained Glass, v. 9, no. 9, Sept. 1989, Sandblast artist Thomas Harth Ames. Leadline (Artists in Stained Glass, Toronto), 1989, pp. 28-36, ill. pp. 13-17, ill. Dallas project. 996. NDAVU, EVA Mimi Gellman and Lutz Haufschild commissions "From the Wilds" for Toronto's Skydome. 1027. STARR, PENELOPE COMFORT Stained Glass Ouarterly, v. 84, no. 2, Summer 1989, "A Colorful Saga" pp. 143-146, ill. 1012. REYNTIENS, PATRICK Professional Stained Glass, v. 9, no. 3, March 1989, Stained glass mural by Nani Croze, Nairobi, Kenya. "Cutting the Knot" pp. 14+, ill. Leadline (Artists in Stained Glass, Toronto), 1989, Screen by author and William Ollinger. 997. NETZER, SUZANNE pp. 4-12, ill. "Prints from Glass Plates" Traces "the loss of image [in stained glass] to the 1028. STEWART, PATRICIA ICOMNewsletter, March 1989, pp. [8-11]. loss of cultural memory." "Review of Exhibitions: Judith Schaechter at Harvey Littleton and others make prints from Nexus" sandblasted glass plates. 1013. RICHARDS, KRISTEN Art in America, v. 77, no. 3, March 1989, p. 155, ill. 1029. STINSMUEHLEN-AMEND, SUSAN pp. 14-17, ill. Review of exhibition of contemporary Swiss "Private Doors, Public Gates" Panels by the author. stained glass, especially work of Michel Professional Stained Glass, v. 9, no. 3, March 1989, Eltschinger. pp. 10-13, ill. 1036. VALCKE, JOHAN Screens by the author. "Michel Martens, Monumentale Glaskunst/ 1043. WEIS, HELENE Monumental Glass Art" "Beyond the Stars" 1030. STONE, DAN Neues Glas, no. 4,1989, pp. 290-296, ill. Stained Glass Quarterly, v. 84, no. 2, Summer 1989, "The New 'Court Window' at the Washington pp. 131-134, ill. Cathedral" 1037. WAGGONER, SHAWN James Carpenter. Stained Glass Ouarterly v. 84, no. 4, Winter 1989, "A Journey through the World of Architectural pp. 264-265, ill. Glass" 1044. "Non-Objective Design for Stained Designed by Rowan LeCompte and fabricated at Glass Art Magazine, v. 4, no. 4, May/June 1989, pp. Glass" Peter Mollica's California studios. 4-8+, ill. Stained Glass Quarterly, v. 84, no. 3, Fall 1989, pp. Dick Weiss, Elizabeth Mapelli, James Carpenter. 194-195, ill. 1031. STOTT, FELICIATALLEY "Dallas Stained Glass Association Holds Juried 1038. "Who's Who in Hoosier Studios:The Artists 1045. WELBORN, FLORENCE, ed. Show" of Central Indiana" The Stained Glass Association of America U.S. Glass, Metal & Glazing, v. 24, no. 2, Feb. 21, Glass Art, v. 4, no. 5, July/Aug. 1989, pp. 4-7, ill. Reference and Technical Manual 1989, pp. 50-52, ill. Five stained glass studios in Indiana. St. Louis, Mo.: Stained Glass Association of America, 1988, 2 vols. Reviewed by Albert Lewis 1032. TAKEDA, ATSUSHI 1039. WALLER, SYDNEY LANCASTER and others in Professional Stained Glass, v. 9, no. "Contemporary Stained Glass in Japan" "The Figure in Leaded Glass" 6, June 1989, pp. 27-42. Neues Glas, no. 1,1989, pp. 12-16, ill. In German Stained Glass Quarterly, v. 84, no. 1, Spring 1989, and English. pp. 25-32, ill. 1046. WHITWELL, HUGH David Wilson. "The Vintners Hall Window" 1033. TUSCHER, FRANQOISE The Glass Engraver, no. 53, Winter 1988/1989, pp. "Mosaique contemporaine: L'Ecole de 1040. WATERMAN, DANIEL 17-24, ill. Ravenne" "Light Motifs" Engraved window by the author. Le Courrierdes Metiers d'Art, no. 79, Jan./Feb. ARTnews, v. 88, no. 5, May 1989, p. 28, ill. 1989, pp. 7-8, ill. Installation at Nashville airport by sculptor Dale 1047. WICHERT, GEOFFREY Riccardo Licata,Verdiano Marzi, Giovanna Galli. Eldred. "Dick Weiss" New Work, no. 37, Spring 1989, pp. 22-25, ill. 1034. TYSER, PATRICIA 1041. WAUGH, DAVE "A Bright and Shining Commission" "Jacob Scott" 1048. ZURICH. GALERIE NATHAN Professional Stained Glass, v. 9, no. 5, May 1989, New Zealand Crafts, no. 23, Autumn 1988, pp. 25- Georg Meistermann (Text by Peter Nathan and pp. 31-33, ill. 26, ill. Hans van der Grinten) Beveled installation by the author. Zurich: the gallery, 1988, 65 pp, ill. In four 1042. WEINSTEIN, STEVE languages. 1035. "Ribbons as Accents" "InSites: The Splendor of the Swiss Institute" Exhibit of drawings and paintings by the stained Professional Stained Glass, v. 9, no. 11, Nov. 1989, Metropolis, v. 8, no. 10, June 1989, p. 27, ill. glass artist.

TECHNOLOGY (after 1945)/ Technologien (nach 1945)

ANONYMOUS Neon ABC: Alphabets by Dean Blazek. Book 1: Play" Single Stroke and Double Stroke Collectors News, v. 30, no. 5, Sept. 1989, p. 8, ill. 1049. "Glass Music International" Cincinnati, O.: ST Publications, 1989,149 pp, ill. Experimental Musical Instruments, v. 3, no. 4, Dec. 1064. DOBBINS, NORMAN AND OXLEY, DEBRA 1987, p. 16. 1057. BRADFORD, KATHY FELBERG Organization founded in 1986. "Blasted Heat" Glass Etching: Surface Techniques and Designs Professional Stained Glass, v. 9, no. 4, April 1989, Olympia, Wash.: CKE Publications, 1988, 96 pp, 1050. "Polariscope: Viewing the Stress in pp. 12-14, ill. ill. Glass" Sandblasting fused glass pieces. Glass Line, v. 2, no. 5, Feb./March 1989, pp. 11-14, 1065. DRAGGE, ALLEN O. ill. 1058. BRANCH, MARKALDEN "A New Shine on Old Skylights" "Garden in the Machine" Professional Stained Glass, v. 9, no. 1, Jan. 1989, 1051. "Stephen Smith's Conduit Marimbas and Progressive Architecture, v. 70, no. 3, March 1989, pp. 10-13, ill. Glass Marimbas" pp. 92-97, ill. Restoring domed skylights. Experimental Musical Instruments, v. 2, no.1, June Myriad Gardens Crystal Bridge, Oklahoma City. 1986, pp. 4-9, ill. 1066. FERGUSON, CARY 1059. CALLIGAN, JOHN "Smoothing Your Way to a Perfect Bevel" 1052. "World's Largest Camera Lens" "Designing for dalles" Professional Stained Glass, v. 9, no. 8, Aug. 1989, Glass (U.K.), v. 66, no. 5, May 1989, p. 151, ill. Professional Stained Glass, v. 9, no. 8, Aug. 1989, pp. 26-29, ill. Pilkington lens now in Bradford museum of pp. 12-17, ill. photography. 1067. FIEDLER, LARRY 1060. CHRISTENSEN, BOB "Pate deVerre" 1053. "Zerbrechlichkeit der Glasklange" "Controlling Dust from Sandblast Cabinets" The Glass Art Society Journal 1988, pp. 83-85. Glaswelt, v. 42, no. 12, Dec. 1989, pp. 24-25, ill. Professional Stained Glass, v. 9, no. 10, Oct. 1989, Glass musical instruments. pp. 26-28, ill. 1068. FROST, JIM "Planning a Glassblowing Workshop" 1054. ALTON, MARY 1061. CONSERVATION AND RESTORATION OF Glass (U.K.), v. 66, no. 5, May 1989, pp. 175-176, "Glass Eats Light" STAINED GLASS: AN OWNER'S GUIDE ill. Glass Gazette, Winter 1989, pp. 13-14. [s.1. Worcester, Mass.?]: The Census of Stained "Designed to serve a research or teaching Holography. Glass Windows in America, 1988, 40 pp, ill. establishment."

1055. ANDRIEUX, CHRISTIANE AND 1062. CORRELL, CHARLES M. 1069. GEIGER, S. AND URBANEK, P. PHILIPPE "Recuperation and Insulation in Glassmaking: An "Decorating glass Using Laser Technology" La Maitrise du vitrail Overview" Glass International, March 1988, pp. 39-40, ill. Paris: Dessain etToIra, 1988, 64 pp, ill. The Glass Art Society Journal 1988, pp. 79-81. Stained glass techniques. 1070. GRUENIG, DAVID AND DUGGER, BETH 1063. DEVANNEY, JOSEPH J. The Independent Glassblower (A Hot Glass 1056. BLAZEK, DEAN "Kaleidoscope Collecting Is Not Just Child's Information Exchange) (West Barnet, Vt.), nine newsletters: no. 6, Jan. Experimental Musical Instruments, v. 2, no. 4, Dec. 1103. SINZ, DAGMAR 1989-no. 13, Oct./Nov. 1989. 1986, pp. 6-9, ill. "Paris: GlaserneTiirme, Bibliotheque de France/ Hot glass technical information. Brief history of armonicas and contemporary Glass Towers, Library of France" instruments made by Gerhard Finkenbeiner. Neues Glas, no. 4,1989, p. 324, ill. 1071. GYURE, MICHELLE Design for new library by Dominique Perrault. "An Interview with Peter Gibson" 1087. MILLAN, ERIC AND GRARD, OLIVIER Glass Art, v. 5, no. 1, Nov./Dec. 1989, pp. 46-51, Nouvelles techniques de peinture sur verre 1104. SKILLITZI, STEPHEN ill. Paris: Dessain etToIra, 1986, 63 pp, ill. "The Case for Directional Heat Sources for Kiln British stained glass restorer/conservator. Glass Firing" 1088. MOORMAN, SHAR Ausglass, Winter 1988, pp. 8-9 and 13, ill. 1072. "Learn from the Masters" Warm Glass: Kiln-fired Glass Forming Glass Art Magazine, v. 4, no. 2, Feb. 1989, pp. 50- Techniques 1105. "Stephen Skillitzi's Glass Furnace" 56, ill. Olympia, Wash.: CKE Publications, 1988,127 pp, Ausglass, Winter 1988, pp. 6-7, ill. Stained glass restoration. ill. Reviewed by Larry M. Fielder in Professional 1106. "Tempered Glass - An Outline" 1073. HOFFMANN, UTE Stained Glass, v. 9, no. 4, April 1989, p. 17. Ausglass, Spring, 1989, pp. 12-13, ill. "Das von der Walze zur Platte gebugelte Glas" Glaswelt, v. 41, no. 5, May 1988, pp. 138-139, ill. 1089. MORSE, NATALEE 1107. SLOAN, JULIE L. Production of mouth-blown antique specialty "Beveled Doorways" "The Dangers of Poor Restoration" glass. Professional Stained Glass, v. 9, no. 11, Nov. 1989, Professional Stained Glass, v. 9, no. 5, May 1989, pp. 18-21, ill. pp. 49+, ill. 1074. HOPKIN, BART "Structures Sonores: Instruments of Bernard and 1090. "Beveled Glass Skylights" 1108. Restoring Stained Glass: Terms, Potential Frangois Baschet" Professional Stained Glass, v. 9, no. 1, Jan. 1989, Problems, & Suggested Approaches Experimental Musical Instruments, v. 3, no. 3, Oct. pp. 22-24, ill. [s.1.]: Julie L. Sloan, 1988, 28 pp, ill. 1987, pp. 4-10, ill. Collection of articles previously printed in Stained Paris brothers develop musical instruments and 1091. MUELLER, LAURA Glass, Professional Stained Glass, and other vibrating systems that incorporate glass. "Diamonds in the Sky" journals. Professional Stained Glass, v. 9, no. 1, Jan. 1989, 1075. JENNINGS, MARTIN p. 14+, ill. 1109. SMYLIE, THOMAS "Glass - Decorated with Diamonds" Designing and executing a beveled oval glass "Technical Talk" Glass International, March 1989, p. 33+, ill. dome for a California residence. Artists in Stained Glass Bulletin, Feb. 1989, pp. 5- Diamond point engraving and the tools. 7. Part 2: Dec. 1989, p. 3. 1092. NEWTON, ROY Includes safety advice for using chemicals and for 1076. KALLENBERGER, KREG "Letter to the Editor" safe abrasive blasting in stained glassmaking. Garth Gaffer: Glass Blower Stained Glass 1989 (The Magazine of the British Naperville, III.: Ed Hoy's, 1989, 34 pp, ill. Society of Master Glass-Painters), Spring, p. 19. 1110. STARR, PENELOPE COMFORT Beginner's handbook of glassblowing to be used Stained glass conservation practices, funding, "Review: Glass Craft Expo '89 Trade Show" with demonstrations and lectures. literature, etc. Professional Stained Glass, v. 9, no. 9, Sept. 1989, p. 45+, ill. 1077. KEITH, BILL 1093. PALMER, STUART Las Vegas exposition. "Glass Specialties Assure Survival in Western "Safety and the engraver" Pennsylvania" The Glass Engraver, no. 53, Winter 1988/1989, pp. 1111. TRIGGS, JOHNW. American Glass Review, v. 110, no. 5, Nov. 1989, 9-14. "The Care and Feeding of Cadmium Sulfo- pp. 8-9, ill. Selenide Glasses" Past and present production at Jeannette, St. 1094. PLAIT, KARL The Glass Art Society Journal 1988, p. 92. George, Lenox Crystal, L. E. Smith, Anchor. "Hot Glass: Basic Principles of Melting Glass" Glass Art Magazine, v. 4, no. 4, May/June 1989, pp. 1112. VAGEN, VERUSKA 1078. LUNDBERG, JAMES 27-34, ill. "Painting with Pencils" "Some Hot Tips on Melting Glass from Batch" Professional Stained Glass, v. 9, no. 9, Sept. 1989, The Glass Art Society Journal 1988, pp. 88-89. 1095. PLATT, KARL AND MORALES, R. A. pp. 12-13, ill. "In Search of the Ideal Refractory Investment for 1079. LUNDSTROM, BOYCE Glass Casting" 1113. WEINER, KAY BAIN "Advanced Fusing Techniques" Glass Art, v. 5, no. 1, Nov./Dec. 1989, pp. 20-21+. Solder Magic Book Glass Art, v. 4, no. 5, July/Aug. 1989, pp. 10-17+, [s.1.j: Eastman, 1989, 64 pp, ill. ill. 1096. POWELL, JENKYN A. "Kilnwork: The Fear of Frying" 1114. WYSOCKI, ROBERT J. 1080. MALLARD, GENE Glass Art Magazine, v. 4, no. 2, Feb. 1989, pp. 16- "Qualified Stained Glass Restorers" "Creative Strip Cutting" 18, ill. Stained Glass Quarterly, v. 84, no. 3, Fall 1989, pp. Professional Stained Glass, v. 9, no. 8, Aug. 1989, 216-217. pp. 30-34, ill. 1097. PROFESSIONAL STAINED GLASS TECHNICAL MANUAL 1115. "Some Consequences of Plastic 1081. "Modern Stenciling" New York: Professional Stained Glass, 1989,112 Glazing" Professional Stained Glass, v. 9, no. 9, Sept. 1989, reprints in binder, ill. Stained Glass Quarterly, v. 84, no. 4, Winter 1989, pp. 20-23, ill. Notebook containing reprints of the technical p. 278, ill. articles from Professional Stained Glass Glazing over stained glass windows. 1082. MANDELBAUM, ELLEN magazine. "Beyond Matting and Tracing" Professional Stained Glass, v. 9, no. 9, Sept. 1989, 1098. PROFESSIONAL STAINED GLASS pp. 14-19, ill. TECHNICAL MANUAL, REPRINTS NOS. 113- 200 1083. MAYS, VERNON Brewster, N.Y.:The Edge, 1989, 87 reprints in "P/ATechnics: The Uses of Glass" notebook, ill. Progressive Architecture, v. 70, no. 3, March 1989, pp. 106-112, ill. 1099. PUGLISI, ATTILIO Architectural glass projects by Ed Carpenter, Dan "Intaglio Cutting" Dailey, and others. Glass Art, v. 5, no. 1, Nov./Dec. 1989, pp. 36-39, ill. 1084. MEADOWS, MICHAEL Work by the author. "Letters: Michael Meadows" Experimental Musical Instruments, v. 3, no. 1, June 1100. REYNOLDS, GIL 1987, pp. 4-5, ill. "Breaking Up Is Easy to Do" Glass harmonicas and vibrational patterns. Professional Stained Glass, v. 9, no. 4, April 1989, pp. 19-23, ill. 1085. MESSNER, WALTER "40 Jahre Staatliche Glasfachschule Hadamar" 1101. ROSSOL, MONONA Glas + Rahmen, v. 40, no. 18, Sept. 2,1989, p. "Safety in Mold-making and Kilnworking" 921+, ill. Professional Stained Glass, v. 9, no. 8, Aug. 1989, 40 years of the school for glassworking at pp. 19-20. Hadamar. 1102. SINOTTE, STEPHEN R. 1086. MEYER, VERA "Electric Glass Melting Furnaces" "The Glass Harmonica" The Glass Art Society Journal 1988, pp. 90-91, ill. FILMS AND VIDEOTAPES/

Filme und Videokassetten

1116. Art Enterprise in Small Vermont Town 1126. Glass in Abstract. Marvin Lipofsky: His The company's products and services for sand CBS Sunday Night News, 1982 Work in His Words carving and sandblasting. 3 min., sound, color. Instructional Media Center, California State Simon Pierce, Irish glass artist. University, Chico, 1989 1136. Robert Jekyll, Artist in Stained Glass 28 min., sound, color. Henry Dunsmore for Ontario Crafts Council, 1117. Art Glass Construction Lipofsky forms glass and then uses cold-working 1980 Vicki and Chris Payne/Cutters Art Glass, 1988 techniques (grinding; sandblasting, acid baths). 33 min., sound, color. 60 min., sound, color. Construction of windows using lead cames and 1127. Glassworks 1137. Sandblast Glass Etching copper-foil methods. Peter Maynard, 1982 Norm Dobbins/National Sandblast Systems, 25 min., sound, color. 1987-1988 1118. The Basics of SBX Canadian glass artists Dan Crichton, Karl Schantz, Four tapes, sound, color: Chromaline Corporation, 198? and Peter Keogh discuss their creative insights. 1. Surface Etching Techniques, 87 min. 18 min., sound, color. 2. Carving and Multilevel Techniques, 87 min. The SBX Decorative Sandblast System. 1128. Introduccion al Vidro Soplado 3. Techniques for Shaded Etching, 98 min. School without Walls, 1988 4. Designing for Glass Etching, 60 min. 1119. Beginner's Guide to Stained Glass 20 min., sound, color. Mark Alyn tor Shades of Glass, 1988 Work of Gerardo Selva. 1138. Solder Magic 66 min., sound, color. North Star Video Production for Canfield Quality An introductory course for making a stained glass 1129. Jerry Hovanek Solder, 1988 window. News Center 10 and National Arts, n.d. (1989?) 40 min., sound, color. 16 min., sound, color. Technical aspects of soldering; equipment and 1120. DIGITTV Compilation of two television features about the supplies for lead and foil work. Nancy Meli Walker, 1988 glass artist. 4 min., sound, color. 1139. Stacked Glass Sculpture of Carol Cohen Ms. Walker's work, which includes pate de verre 1130. Karl Schantz, Glassblower Tamarah Martin/Porterhouse Productions, 1989 and stained glass. Henry Dunsmore for Ontario Crafts Council, 1980 10 min., sound, color. 28 min., sound, color. Her philosophy of working, but not actual 1121. 8 GlassArtists from Czechoslovakia, 1988- instruction. 1989 1131. Louis Leloup: Glass Artist from Liege Peter Kohutiar, 1988? Service des Affairs Culturelles, Liege, 1985 1140. Stained Glass Restoration 18 min., sound, color. 38 min., sound, color. Preservation Techniques, Inc., 1988? Video exhibit of works by contemporary artists. The Belgian glass artist is shown at work. 37 min., sound, color. Restoration of a 1926 window. 1122. Fabrication of Faceted Glass 1132. Making Stained Glass Windows Heritage Glass, 1988? Sonoma and Ashland Video Productions, 1986 1141. Stephen Skillitzi 27 min., sound, color. 96 min., sound, color. Stephen Skillitzi, 1989 How to make windows using dalle de verre. Tim Yockey demonstrates how to do a simple 27 min., sound, color. project. Work of the Australian glass artist. 1123. Glass Bio wing at Haystack School, Maine 1133. Nature in Glass: The Private World of Paul 1142. Uncut Bob Hanson for American Crafts Council, 1971 J. Stankard Susan Lascelles, 1986 13 min., sound, color. Lawrence Selman/Paperweight Press, 1989 3 min., sound, color. Dale Chihuly and Jamie Carpenter. 28 min., sound, color. Animated film that uses mostly cut glass and sheet The paperweight artist is interviewed and shown glass figures. 1124. Glass from the Attic at work. Cutaway Productions, 1988 27 min., sound, color. 1134. Painting with Light A list of films and videotapes in the Rakow Library Collection of Bohemian glass owned by Joseph David Leach/Black Elk Films, 1978 of The Corning Museum of Glass is available from Markovic. 20 min., sound, color. the Sales Department. Stained glass artist Robert Jekyll. 1125. Glass Fusion I Eine Liste der sich in der Rakow Bucherei des Vicki and Chris Payne/Cutters Art Glass, 1989 1135. Rayzist Photomask, Inc. Corning Museums of Glass befindlichen Filme und 45 min., sound, color. Rayzist Photomask, 1988 Videokassetten ist in der Making kiln-formed glass. 53 min., sound, color. dortigen Verkaufsabteilung erhaltlich.

A SELECTIVE INDEX OF PROPER NAMES AND PLACES AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliography" of New Es handelt sich im folgenden um ein Sachregister ausfindig zu machen, die von einem Kunstler Glass Review 11. The numbers following the names zur „Bibliographie" der New Glass Review 11. Die geschrieben wurden; sollte direkt in der below are keyed to the numbers preceding theindividual Zahlen hinter den Namen entsprechen den Zahlen, „Bibliographie" nachgesehen werden; dieTitel "Bibliography" entries in which these persons and die den Eintragungen der einzelnen Beitrage der sind in jedem abgeschlossenenTeil der places are discussed. To find a book or periodical article „Bibliographie" vorgestellt sind, in denen die „Bibliographie" nach den Namen der Autoren in written by an artist, consult the "Bibliography" directly; entsprechenden Personen oder Orte behandelt alphabetischer Reihenfolge geordnet. the entries in each section are arranged alphabetically by author. werden. Um ein Buch oder eine Zeitschrift

Adams, Hank Murta, 754, 816 Anderson, Harry, 744 Baldwin, Philip, 61, 516 Adorno, Zoe, 408 Anderson, Mark, 306, 666 Banford, Ray, 648 Africano, Nicholas, 293, 394 Antonakos, Stephen, 572, 794 Banford, Robert R., 648, 753 Allibert, Lyane, 710 Babcock, Herb, 84,122,136 Bayliss, Arlon, 224, 511 Alt, Otmar, 81 Baccarat, 145, 579 Bechmann, Hartmut, 330 Anderson, Doug, 441 Bahr, Walter, 212, 793 Beecham, Gary, 342, 661 Belanger-Taylor, Denise, 472 Finster, Howard, 771 Krasnican, Susie, 666 Bell, Larry, 428 Fisar, Jan, 186, 481 Krebs, Ernst, 552 BenTre, Howard, 806 Fiserova, Eva, 723 Kudrova, Dagmar, 486, 502 Benglis, Lynda, 370 Flavell, Ray, 215 Kuntz, Andrew, 253 Berg, Karl, 437 Frabel, Hans Godo, 71,363 Labino, Dominick, 38, 73 Bernstein, Katherine, 342, 661 Franck, Kaj, 487 Lalique, 100,101,102,116,133, 719, 799, 801 Bernstein, William, 342, 661 Frauenau,66,170,174, 713 Lalonde, Richard, 128,130, 278 Berwick, Rachel, 441 Freeman, Peter, 452 Lane, Danny, 33, 34,188, 228, 422, 693, 783 Besett, Harry, 237 Frolic, Irene, 433, 524 Layton, Peter, 123,453, 597 Biggs, Bonnie, 220 Fujita, Kyohei, 256, 345, 529, 623 Le Va, Barry, 569 Blecha, L'ubomir, 468, 656 Gagnere, Olivier, 227, 497 Lechner, Florian, 254, 388, 399, 917 Boehm, Michael, 511 Gal, Regis, 989 Leperlier, Antoine, 199 Bohus, Zoltan, 335, 406 Gaspers, Rachel Josepher, 56, 881 Leperlier, Etienne, 352 Bokotei, 196, 595, 743 Gellman, Mimi, 1011 Levin, Robert, 24, 711 Bormioli, Raffaello, 555 Glancy, Michael, 50, 584 Levine, Sherrie, 305,420, 424, 492, 534, 670 Bormioli, Sandro, 614 Glass Art Association of Canada, 526, 577 Lewis, John, 31 Borowski, Stanislav, 17 Glass Art Society, 58,142, 269, 281, 390, 412, 432, Libensky, Stanislav, 36,155,250, 617, 633, 651, Bradford, Kathy, 787, 934,1057 434,763 722 Brandt, Asa, 191 Goodman, Jeff, 387 Linard, Joel, 397, 568, 687, 831 Brisbane, Amanda, 642, 712 Grebe, Robin, 13, 55 Lipofsky, Marvin, 50,1126 British Artists in Glass, 240, 653 Gregory, Mary Jane, 880 Lipski, Donald, 364,477,478 Brock, Curtiss, 51, 52, 82,129 Greiner-Mai, Albrecht, 284, 329 Liskova, Vera, 722 Brocklehurst, Keith, 240 Groot, Mieke, 490 Littleton, Harvey, 256,345, 529, 547, 997 Brychtova, Jaroslava, 36,155,250,617,633,651 Gueltzl, Marco de, 688 Littleton, John, 211, 342, 661 Buczko, Gyorgy, 174, 406 Guggisberg, Monica, 61, 516 Lockau, Kevin, 433, 519, 520 Buechner, Thomas S., 791, 997 Guibe, Anthony, 241 Lotton, Charles, 606 Buechner,Tom, III, 230 Guild of Glass Engravers, 5, 622, 859, 948 Luebtow, John Gilbert, 853, 854 Carder, Ken, 342, 661 Hadamar, 223,1085 Lugossy, Maria, 399,406 Carlson, Robert, 53,279, 786 Handl, Milan, 186, 631 Lyngaard, Finn, 529 Carpenter, James, 1037,1043,1083,1123 Harcuba, Jin, 440, 634 Mace, Flora, 560, 700 Cash, Sydney, 280 Harmon, Jim, 711 MacNeil, Linda, 489 Castiglioni, Achille, 344, 694 Harrer, Harald, 343 Mandelbaum, Ellen, 982,1082 Cermak, Miroslav, 480 Haufschild, Lutz, 184, 848, 952,1011 Manners, Paul, 51 Cerny, Jan, 461 Hazelgrove, Page, 251 Marcheschi, Cork, 702 Chapline, Jeffrey, 276 Heesen, Bernard, 843 Maresh, Bonnie, 21 Chihuly, Dale, 52, 320, 525, 749, 823, 824, 997, Heilman, Chris, 82 Marioni, Paul, 813, 949 1123 Herman, Sam, 597 Marouf, Lydia, 896 Christensen, Janet, 52, 852, 986 Hickey, Gloria, 472, 598 Marquis, Richard, 545, 711 Cigler, Vaclav, 167, 250 Higgins, Frances, 301 Martens, Michel, 1036 Clarke, Brian, 923 Hlava, Pavel, 150, 200,327, 372,474,475, 504, Marx, Liz, 55,441 Clayman, Daniel, 52, 807 505,619, 620, 621,632,650 Maslach, Steven, 31, 50,465 Clements, Stephen Jon, 117 Hobson, Diana, 119,137,138, 435, 441 Mason, Concetta, 55, 573 Cohen, Carol, 515,1139 Hodder, Stephan, 75 Matura, 372, 474, 475 Copier, Andries Dirk, 1,317, 349, 513, 826 Holmes, James, 21, 54 Meistermann, Georg, 942,1048 Creative Glass Center of America, 22,107,183, Hopper, David, 784 Melby, Rick, 52, 551, 783, 888 429 Horacek, Bohuslav, 499 Memphis, 187,473 Crichton, Daniel, 326,1127 Houde, Frangois, 231, 319, 390, 576 Merker, Ursula, 254, 769, 773 Crugnola, Gilbert, 63 Hough, Catherine, 165, 257,444 Merz, Mario, 28, 205,214, 494, 512 Cyren, Gunnar, 229, 792 Huth, Ursula, 446, 660 Mesrahi, Rachel, 986, 987 Dai ley, Dan, 107,1083 Hyams, Harriet, 963 Moje, Klaus, 354 Daum, 35, 393 Hydman-Vallien, Ulrica, 19, 87, 99, 249, 611 Moje-Wohlgemuth, Isgard, 414,439, 845 David, Michael, 211, 316, 787 Ibragimov, Fidail, 595, 690, 691, 743, 827 Molnar, Pavel, 438,439 Davies, lestin, 808 Ipsen, Kent, 666 Moore, Benjamin, 135 deVries, Steven, 292, 787 Ivanov, Aleksandr, 595, 743 Moore, Simon, 165,257,491 Dickinson, Anna Maria, 161, 588, 712 Ivanova, Galina, 595, 743 Morris, William, 423, 700 Donefer, Laura, 142, 325,326, 433, 472 Iwata, Hisatoshi, 766 Mourgue, Pascal, 121 D'Onofrio, Bernard, 251 Iwata, Rury, 384 Mourlot, Michel, 710 Dowler, David, 154 Jacobs, Ellen, 53, 554 Musler, Jay, 370, 389, 676 Dreisbach, Fritz, 48 Janak, Frantisek, 285, 341,372, 474, 628, 704 Naumam, Bruce, 29,260, 522, 662, 741 Drobnis, Neal, 246 Jekyll, Robert, 472, 967,1134,1136 Negreanu, Matei, 145,194, 238, 399, 616, 686 Dufour, Paul, 984 Jelinek, Vladimir, 10, 474,475 New York Experimental Glass Workshop, 288,359, Dybka, Anne, 40,184 Jensen, Judy Bally, 140, 311, 786 381, 641, 835 Ebeltoft, 256, 345, 529 Jolley, Richard, 24,211, 805 Newell, Steven, 165, 257 Edelmann, Udo, 343 Karbler, Kit, 211,316, 787 Nickerson, John, 24, 787 Edwards, Stephen Dale, 13,278 Kehlmann, Robert, 462, 463,464, 970 Niederer, Roberto, 484 Ehrner, Anna, 67,171 Kirkpatrick, Joey, 560, 700 Nielander, Joe, 342,661 Eisch, Erwin, 290, 438, 668, 754, 997 Klepsch, Kristian, 113,166 Niijima Glass Art Center, 421, 564 Elias, Bohumil, 627 Klos, Joachim, 870, 966,1015 Nilsson, Anne, 204, 247 Elskus, Albinas, 930, 980 Koch, Gerard, 284, 717 Novy Bor, 10, 46, 95,120,123,158,172,181, 200, Englund, Eva, 99,171, 249, 684 Kosta Boda, 67, 87, 226, 637, 682, 740, 742, 818 458, 500, 503, 542, 677, 679, 703, 720, 777, 797, Engman, Kjell, 347 Kosuth, Joseph, 28, 419 1020 Exnar, Jan, 341 Kovac, Valer, 469 Oexle, Helga, 39,163 Orrefors, 92, 204, 247, 371, 819 Salo, Markku, 625 Vachtova, Dana, 327,495 Oxley, Debra, 927,1064 Sarpaneva, Timo, 559, 697 Valkema, Durk, 628 Pappenheimer, Will, 107, 251,498 Sautner, Barry, 276 Vallien, Bertil, 4,19, 87, 415, 611 Parriott, Charles, 754, 811 Savelieva, Luba, 6, 595, 690, 691, 743 Van Cline, Mary, 563, 564 Patti,Tom, 711 Schaechter, Judith, 1019,1028 van den Ham, Frank, 471, 825 Peace, David, 622, 944,1000 Schantz, Karl, 1127,1130 van Ginneke, Vincent, 338 Peiser, Mark, 263, 302, 342, 661 Schlotzhauer, Jude, 306, 666 van Loo, Bert, 664 Penland School, 235 Schreiter, Johannes, 943, 965 van Meurs, Sien, 431, 714 Penone, Giuseppe, 645 Seguso, Archimede, 340, 593, 671 Vasicek, Ales, 43 Persson, Jerker, 171,226 Sellner, Theodor G., 60 Venini, 169, 347, 776 Pfeifer, Liese, 674 Shaffer, Mary, 74,107, 270, 624, 807 Ventrone, Michel, 45,242 Pierce, Simon, 1116 Sharpe, Carole, 52, 787 Vogel, Kate, 211,342, 661 Pilchuck, 109, 454, 626, 636, 965 Shire, Peter, 146, 277, 294, 623, 638 von Sydow, Christian, 171, 226, 792, 820 Piper, John, 976 Simpson Josh, 82, 230, 510, 623 von Roenn, Kenneth, 1003 Pistor, Willi, 438, 439 Sfpek, Borek, 312, 360, 530, 725 Wadley, Patrick, 311 Pliva, Oldrich, 47 Skillitzi, Stephen, 42,1104,1105,1106,1141 Wagenfeld, Wilhelm, 466, 521 Poore, Ed, 578, 724 Smith-Lamothe, Terry, 857, 950 Wahlstrom, Ann, 209, 226, 347 Powell, Jenkyn, 1005,1096 Solcova, Ivana, 159,250, 731 Walentynowicz, Janusz, 51,211, 374 Precht, 284, 594 Sonnier, Keith, 28, 264, 550, 778, 803 Walker, Nancy Meli, 1120 Prest, Cedar, 1017 Soukup, Jin, 382 Wallis, Christopher, 871 Priour, Damian, 311 Stankard, Paul, 539, 726, 727, 796,1133 Warff, Goran, 596 Puglisi, Attilio, 1099 Statom,Thermon, 370, 607, 757 Weber, Kira, 355 Quagliata, Narcissus, 987,1006,1007,1014 Stern, Arthur, 886,1004 Weinberg, Steven, 13 Rainey, Clifford, 451, 754 Steuben, 9,154, 450 Weiss, Dick, 811, 812, 813,1037,1047 Rapp, Kristina, 94 Stinsmuehlen-Amend, Susan, 55, 370, 389, 538, Welzel, Josef, 558 Reekie, David, 240, 508 1029 Werner, Pavel, 460,482, 628 Reid, Colin, 804 Suhajek, Jin, 10, 372, 474,475, 599, 630 Wheaton Village, 22,107,183, 218 Reimann, Thomas, 331 Svoboda, Jaroslav, 310, 701 Whistler, Laurence, 649 Reyntiens, Patrick, 1012 Tagliapietra, Lino, 107, 750 Whistler, Simon, 649 Ries, Christopher, 348 Takeichi, Aono, 544 White, Mary B., 342, 661, 786 Ritter, Richard, 661 Tarsitano, 709, 832 Willson, Robert, 311, 775 Robinson, Ann, 127,425 Taylor, Michael, 53, 407, 755 Wilmarth, Christopher, 27,110, 304, 376, 493, 821 Roessler, Joyce, 82 Thai, Laurie, 699, 758 Wilson, David, 1039 Roloff, John, 415, 548 Thompson, Catherine, 847 Wirkkala, Tapio, 14, 365, 391, 751 Rosin, Loredano, 523 Thorgeirsdottir, Brynhildur, 107,128,272 Wolff, Ann, 249, 997 Roubicek, Rene, 10, 917 Tobin, Steve, 51,769,807 Woodruff, 342, 661 Rozsypal, 10,186 Toikka, Oiva, 86, 669, 67$ Zembok, Udo, 924 Ruffner, Ginny, 103,184, 547, 561 Torreano, John, 219, 532, 802 Zimmerman, Jorg, 388, 438, 439,456, 591, 841 Run,680 Trimpol, Michael, 472, 770 Zoritchak, Catherine, 44,177, 570 Rybak, Jaromir, 351, 459 Trinkley, Karla, 441 Zoritchak, Yan, 145,177,322,323,399,718,834 Sabokova, Gizela, 151, 250, 327, 495 Trnka, Pavel, 628, 782 Zuber, Czeslaw, 350, 618 Sahlin, Gunnel, 87, 226, 209, 347, 682 Ullberg, 684, 820 Zynsky, Toots, 77, 785, 842