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The Working-Class Experience in Contemporary Australian Poetry
The Working-Class Experience in Contemporary Australian Poetry A thesis submitted for the degree of Doctor of Philosophy Sarah Attfield BCA (Hons) University of Technology, Sydney August 2007 i Acknowledgements Before the conventional thanking of individuals who have assisted in the writing of this thesis, I want to acknowledge my class background. Completing a PhD is not the usual path for someone who has grown up in public housing and experienced childhood as a welfare dependent. The majority of my cohort from Chingford Hall Estate did not complete school beyond Year 10. As far as I am aware, I am the only one among my Estate peers to have a degree and definitely the only one to have attempted a PhD. Having a tertiary education has set me apart from my peers in many ways, and I no longer live on the Estate (although my mother and old neighbours are still there). But when I go back to visit, my old friends and neighbours are interested in my education and they congratulate me on my achievements. When I explain that I’m writing about people like them – about stories they can relate to, they are pleased. The fact that I can discuss my research with my family, old school friends and neighbours is really important. If they couldn’t understand my work there would be little reason for me to continue. My life has been shaped by my class. It has affected my education, my opportunities and my outlook on life. I don’t look back at the hardship with a fuzzy sense of nostalgia, and I will be forever angry at the class system that held so many of us back, but I am proud of my working-class family, friends and neighbourhood. -
September 2005 Page 105 Page 108 Page
September 2005 VOL.2 | ISSUE 3 Nebula ISSN-1449 7751 A JOURNAL OF MULTIDISCIPLINARY SCHOLARSHIP DEAD SOULS TARGET TIME'S GREATLAND DIRECTION Adam King Jennifer David Carithers Thompson Page 105 Page 108 Page 127 Nebula 2.3, September 2005 The Nebula Editorial Board Dr. Samar Habib: Editor in Chief (Australia) Dr. Joseph Benjamin Afful, University of Cape Coast (Ghana) Dr. Senayon S. Alaoluw,University of the Witwatersrand (South Africa) Dr. Samirah Alkasim, independent scholar (Egypt) Dr. Rebecca Beirne, The University of Newcastle (Australia) Dr. Nejmeh Khalil-Habib, The University of Sydney (Australia) Dr. Isaac Kamola, Dartmouth College (U.S.A) Garnet Kindervater, The University of Minnesota (U.S.A) Dr. Olukoya Ogen, Obafemi Awolowo University (Nigeria) Dr. Paul Ayodele Osifodunrin, University of Lagos (Nigeria) Dr. Babak Rahimi, University of California (San Diego, U.S.A) Dr. Michael Angelo Tata, City University of New York (U.S.A) The Nebula Advisory Board Dr. Serena Anderlini-D’Onofrio, The University of Puerto Rico Dr. Paul Allatson, The University of Technology, Sydney (Australia) Dr. Benjamin Carson, Bridgewater State College (U.S.A) Dr. Murat Cemrek, Selcuk University (Turkey) Dr. Melissa Hardie, The University of Sydney (Australia) Dr. Samvel Jeshmaridian, The City University of New York (U.S.A) Dr. Christopher Kelen, The University of Macao (China) Dr. Kate Lilley, The University of Sydney (Australia) Dr. Karmen MacKendrick, Le Moyne College of New York (U.S.A) Dr. Tracy Biga MacLean, Academic Director, Claremont Colleges (U.S.A) Dr. Wayne Pickard, a very independent scholar (Australia) Dr. Ruying Qi, The University of Western Sydney (Australia) Dr. -
Nostalgia, Matchmaking and Displacement in Filipino American Narrative
ODISEA, Nº 1, 2001, PÁGS. 39-48 FLIPPING ACROSS THE OCEAN: NOSTALGIA, MATCHMAKING AND DISPLACEMENT IN FILIPINO AMERICAN NARRATIVE Begoña Simal González. Universidade da Coruña ABSTRACT The article addresses the nomadic nature of Filipino American social reality and how that is conveyed through a literature imbued with a peculiarly Filipino exilic sensibility. The literary texts chosen to illustrate this hypothesis are Bienvenido Santoss What The Hell For You Left Your Heart In San Francisco (1987), as well as several short stories: N.V.M. Gonzálezs The Tomato Game (1993), Bienvenido Santoss Immigration Blues (1979), Linda Ty-Caspers Hills, Sky, Longing (1990), and Jessica Hagedorns The Blossoming of Bong Bong (1990). The fiction of Bienvenido Santos, N.V.M. González, and Ty-Casper, portray the nostalgia for an idealized homeland, especially through the oldtimers and old peoples perspective. Both Santos and González also tackle the question of green-card marriages between young Filipinas and oldtimers. On the other hand, Hagedorns story and Santoss novel choose a young immigrant as the focal point who does not echo the elders feeling of homesickness, displacement and exile. If the statement that we are living in a diasporic world is taken to be true, then the Filipino American community is one of the most paradigmatic examples of that condition. In the last century, Filipinos and Filipinas have been Spanish, American and Pilipin@s. Therefore, their legal status in America has dramatically changed in a matter of years, and the Filipino American community has travelled from an incipient symbiosis with their colonizers/hosts to the realization that a new identity had to be forged in an urgently needed literature of self- appraisal (González & Campomanes, 1997: 72; see Campomanes, 1992: 50-51, 72). -
Vampires in Transition
VAMPIRES IN TRANSITION Daniel Berjano Rodríguez Utrecht University and Universidad de Granada GEMMA 2016-2018 Supervisor: Adelina Sánchez Espinosa (UGR) Second supervisor: Gianmaria Colpani (UU) July 2018 VAMPIRES IN TRANSITION ABSTRACT In Vampires in Transition, I develop semiotic analyses of two key films of the Spanish transition: Elisa, vida mia (Carlos Saura, 1977) and Arrebato (Ivan Zulueta, 1980). Building off Gilles Deleuze's semiotics (1986, 1989) and Teresa de Lauretis' film theory (1984, 1987) – both drawing on Charles Sanders Peirce (1930-35/1958), I have designed three inter-connected concepts in relation to the vampire figuration: 'vampire-images', 'camera-vampires', and the 'phoenix'. One one hand, these concepts aim to approach the films under study through decolonial and trans-feminist perspectives. On the other hand, they intend to draw meaningful insights on Hispanic film studies in relation to what Donna Haraway calls “informatics of domination” (1991c). Departing from one of the peripheral meanings of the vampire – a male sexual predator, the vampire has been designed as a perverse figuration of structural violence in cybernetic capitalism which could help us understand the relationship between massive addictive habits of digital machines and western patriarchal agendas, as Wendy Huy Kyong Chun studies (2016). Drawing on Teresa de Luretis (1984) and my own trans-faggot experience, vampire-images are designed to give an account of the processes of simulation that work to erase traces of exploitation. They depart from Gilles Deleuze's time-images of modern cinema (1989), which imply irrational cuts caused by particular relinkages of sound and visual data. In addition, as my analysis of Elisa, vida mia attempts to prove, vampire-images involve icons of women as objectified or subordinated to men. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Cassette Books, CMLS,P.O
DOCUMENT RESUME ED 319 210 EC 230 900 TITLE Cassette ,looks. INSTITUTION Library of Congress, Washington, D.C. National Library Service for the Blind and Physically Handicapped. PUB DATE 8E) NOTE 422p. AVAILABLE FROMCassette Books, CMLS,P.O. Box 9150, M(tabourne, FL 32902-9150. PUB TYPE Reference Materials Directories/Catalogs (132) --- Reference Materials Bibliographies (131) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Adults; *Audiotape Recordings; *Blindness; Books; *Physical Disabilities; Secondary Education; *Talking Books ABSTRACT This catalog lists cassette books produced by the National Library Service for the Blind and Physically Handicapped during 1989. Books are listed alphabetically within subject categories ander nonfiction and fiction headings. Nonfiction categories include: animals and wildlife, the arts, bestsellers, biography, blindness and physical handicaps, business andeconomics, career and job training, communication arts, consumerism, cooking and food, crime, diet and nutrition, education, government and politics, hobbies, humor, journalism and the media, literature, marriage and family, medicine and health, music, occult, philosophy, poetry, psychology, religion and inspiration, science and technology, social science, space, sports and recreation, stage and screen, traveland adventure, United States history, war, the West, women, and world history. Fiction categories includer adventure, bestsellers, classics, contemporary fiction, detective and mystery, espionage, family, fantasy, gothic, historical fiction, -
Socially Transformative Transnational Feminism: Filipino Women Activists at Home and Abroad
SOCIALLY TRANSFORMATIVE TRANSNATIONAL FEMINISM: FILIPINO WOMEN ACTIVISTS AT HOME AND ABROAD by MARIA LOURDES CARRILLO B. S., Northwestern University, 1970 M.S.P.A., University of Washington, 1972 M. Div., Vancouver School of Theology, 1993 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Women’s and Gender Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2009 © Maria Lourdes Carrillo, 2009 ABSTRACT Twelve Filipino women activists who shared the same ideology were interviewed in three locations: the Philippines, the Netherlands, and Vancouver, BC. The study considers how massive migration and displacement of Filipino women have produced transnational communities of struggle that are a source of political consciousness and positive social change. The research compares personal and social changes among those immersed in daily struggle under different circumstances. It looks at how and why women and communities are transformed in the very process of struggle -- women becoming more socially empowered and communities learning to be more assertive, democratic, and politically engaged. In the stories they tell, the women historicize, contextualize, and politicize actions for structural change. While transnational feminism appears to parallel global strategies of transnational entities and nation-states, feminist movements struggle to be relevant. Mohanty (2003) sees anti- globalization activism as imperative for feminist solidarity, yet feminist projects continue to seek focused, collective efforts against neo-Iiberalism. This group’s activism enhances our understanding of feminist praxis. They jointly address neo-colonial domination (capitalist globalization) and systemic race-class-gender oppression. Economic experiences of those from a poor Majority World nation and actions from socially and politically conscious activists are integrated into community-based and academic feminist theorizing. -
Directory of Artists' Fellows & Finalists
NEW YORK FOUNDATION FOR THE ARTS Directory of Artists’ Fellows & Finalists 19 85 Liliana Porter Sorrel Doris Hays Architecture Crafts Film Susan Shatter Lee Hyla Elizabeth Diller Deborah Aguado Alan Berliner Elizabeth Yamin Oliver Lake Laurie Hawkinson John Dodd Bill Brand Meredith Monk David Heymann Lorelei Hamm Ayoka Chenzira Benny Powell John Margolies Wayne Higby Abigail Child Ned Rothenberg Michael Sorkin Patricia Kinsella Kenneth Fink Inter-Arts Pril Smiley Allan Wexler* Graham Marks George Griffin Mary K. Buchen Andrew Thomas Ellen Wexler* Robert Meadow Barbara Kopple William Buchen Judith Moonelis Cinque Lee Dieter Froese Louisa Mueller Christine Noschese Julia Heyward Robert Natalini Rachel Reichman Candace Hill-Montgomery Painting Choreography Douglas Navarra Kathe Sandler James Perry Hoberman Milet Andrejevic John Bernd Betty Woodman Richard Schmiechen Tehching Hsieh Luis Cruz Azaceta Trisha Brown Spike Lee Brenda Hutchinson William Bailey Yoshiko Chuma Patrick Irwin Ross Bleckner Blondell Cummings Barbara Kruger Eugene Brodsky Caren Canier Kathy Duncan Fiction Christian Marclay Karen Andes Martha Diamond Ishmael Houston-Jones Graphics M. Jon Rubin Michael Blaine Humberto Aquino Stephen Ellis Lisa Kraus William Stephens Magda Bogin Barbara Asch Mimi Gross Ralph Lemon Fiona Templeton Ray Federman Nancy Berlin Stewart Hitch Victoria Marks David Humphrey Arthur Flowers Enid Blechman Susan Marshall Yvonne Jacquette Wendy Perron Ralph Lombreglia Rimer Cardillo David Lowe Stephen Petronio Mary Morris Lloyd Goldsmith Music Medrie MacPhee -
CIBERACTIVISMO, LIBERTAD Y DERECHOS HUMANOS Retos De La Democracia Informativa
CIBERACTIVISMO, LIBERTAD Y DERECHOS HUMANOS Retos de la democracia informativa ACTAS DEL CONGRESO ULEPICC (SEVILLA, 2019) COORDINADORES Francisco Sierra David Montero José Candón Ciberactivismo, Libertad y Derechos Humanos Francisco Sierra, David Montero y José Candón (Coords.) ULEPICC Unión Latina de Economía Política de la Información, la Comunicación y la Cultura Universidad de Sevilla, Facultad de Comunicación Avda. Américo Vespucio, s/n Isla de la Cartuja Despacho D7 41092 • Sevilla, España www.ulepicc.org Octubre de 2020 Sevilla, España Primera edición ISBN: 978-84-09-25298-5 Ediciones ULEPICC, 2020 Los textos publicados son de exclusiva responsabilidad de sus autores. Reconocimiento-SinObraDerivada CC BY-ND Esta licencia permite la redistribución, comercial y no comercial, siempre y cuando la obra no se modifique y se transmita en su totalidad, reconociendo su autoría. CIBERACTIVISMO, LIBERTAD Y DERECHOS HUMANOS Retos de la democracia informativa COORDINADORES: FRANCISCO SIERRA DAVID MONTERO JOSÉ CANDÓN Índice PRESENTACIÓN .......................................................................5 Francisco Sierra Propaganda política, liberalismo económico y Derechos Humanos: el caso de Ciudadanos y los vientres de alquiler ..............................................................................11 Antonio Pineda Políticas públicas en radiodifusión y telecomunicaciones en México .............................................................................37 Florence Toussaint Después del eclipse computacional: iluminando las -
This PDF Contains the Complete Keywords Section of TSQ: Transgender Studies Quarterly, Volume 1, Numbers 1–2
This PDF contains the complete Keywords section of TSQ: Transgender Studies Quarterly, Volume 1, Numbers 1–2. Downloaded from http://read.dukeupress.edu/tsq/article-pdf/1/1-2/232/485677/19.pdf by guest on 27 September 2021 KEYWORDS Abstract This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, ‘‘Postposttranssexual: Key Concepts for a Twenty- First-Century Transgender Studies,’’ revolves around a particular keyword or concept. Some con- tributions focus on a concept central to transgender studies; others describe a term of art from another discipline or interdisciplinary area and show how it might relate to transgender stud- ies. While far from providing a complete picture of the field, these keywords begin to elucidate a conceptual vocabulary for transgender studies. Some of the submissions offer a deep and resilient resistance to the entire project of mapping the field terminologically; some reveal yet-unrealized critical potentials for the field; some take existing terms from canonical thinkers and develop the significance for transgender studies; some offer overviews of well-known methodologies and demonstrate their applicability within transgender studies; some suggest how transgender issues play out in various fields; and some map the productive tensions between trans studies and other interdisciplines. Abjection ROBERT PHILLIPS Abjection refers to the vague sense of horror that permeates the boundary between the self and the other. In a broader sense, the term refers to the process by which identificatory regimes exclude subjects that they render unintelligible or beyond classification. -
An Analysis of Representations of the Legality of Security Council Actions in the Post-Cold War Eta
i.' rrj ão'ð'cq Securing the New V/orld Order: An Analysis of Representations of the Legality of Security Council Actions in the Post-Cold War Eta Anne Margaret Orford A thesis submitted for the degree of Doctor of Philosophy of the University of Adelaide in the Faculty of Law January 1999 This work contains no material which has been accepted for the awa¡d of any other degree or diploma in any r:niversity or other tertiary institution and, to the best of my knowiedge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. The thesis includes parts of the following articles, which w'ere written solely by me dr:ring the period of the candidature: 'Locating the International: Military and Monetary Inten¡entions after the Cold War' (1997) 38 Hartard International Law Journal443 'The Politics of Collective Security' (1996) 17 Michigan Journal of International Law 373 'The Uses of Sovereipty in the New Imperial Order' (1996) 6 Australian Feminist Law Journal63 I consent to this copy of my thesis, when deposited in the University Library, being made available for loa¡r and photocopylng. An¡re fford January 1999 I 11 ACKNOWLEDGEMENTS I have been blessed with the support of many family, friends and colleagues during the writing of this thesis. I would like to thank Dorinda Dallmeyer, Judith Gardam, W Ofuatey-Kodjoe, Peter Uvin and members of the editorial boards of the Harvard International Law Journal andthe Michigan Journal of International Lqw, for their detailed and helpful comments on various draft chapters of this thesis. -
The Politics of Collective Security
Michigan Journal of International Law Volume 17 Issue 2 1996 The Politics of Collective Security Anne Orford Australian National University Follow this and additional works at: https://repository.law.umich.edu/mjil Part of the International Humanitarian Law Commons, Law and Gender Commons, Military, War, and Peace Commons, and the Transnational Law Commons Recommended Citation Anne Orford, The Politics of Collective Security, 17 MICH. J. INT'L L. 373 (1996). Available at: https://repository.law.umich.edu/mjil/vol17/iss2/6 This Symposium Article is brought to you for free and open access by the Michigan Journal of International Law at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of International Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. THE POLITICS OF COLLECTIVE SECURITY Anne Orford* INTROD UCTION ................................................. 373 I. THE SILENCES OF INTERNATIONAL LAW ................... 376 A. The Impact of Security Council Actions on Women ..... 377 1. Rape, Militarized Masculinity, and U.N . Peacekeeping ............................... 377 2. The Gendered Effects of Economic Sanctions ..... 379 3. The Remilitarization of U.S. Culture .............. 381 4. Mainstream Analyses of International Law ......... 383 B. Proposalsfor Reforming the Collective Security System ....................................... 385 1. Democratic Participation ..........................