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10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
A Collection Analysis of the African-American Poetry Holdings in the De Grummond Collection Sarah J
SLIS Connecting Volume 2 | Issue 1 Article 9 2013 A Collection Analysis of the African-American Poetry Holdings in the de Grummond Collection Sarah J. Heidelberg Follow this and additional works at: http://aquila.usm.edu/slisconnecting Part of the Library and Information Science Commons Recommended Citation Heidelberg, Sarah J. (2013) "A Collection Analysis of the African-American Poetry Holdings in the de Grummond Collection," SLIS Connecting: Vol. 2: Iss. 1, Article 9. DOI: 10.18785/slis.0201.09 Available at: http://aquila.usm.edu/slisconnecting/vol2/iss1/9 This Article is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in SLIS Connecting by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. A Collection Analysis of the African‐American Poetry Holdings in the de Grummond Collection By Sarah J. Heidelberg Master’s Research Project, November 2010 Performance poetry is part of the new black poetry. Readers: Dr. M.J. Norton This includes spoken word and slam. It has been said Dr. Teresa S. Welsh that the introduction of slam poetry to children can “salvage” an almost broken “relationship with poetry” (Boudreau, 2009, 1). This is because slam Introduction poetry makes a poets’ art more palatable for the Poetry is beneficial for both children and adults; senses and draws people to poetry (Jones, 2003, 17). however, many believe it offers more benefit to Even if the poetry that is spoken at these slams is children (Vardell, 2006, 36). The reading of poetry sometimes not as developed or polished as it would correlates with literacy attainment (Maynard, 2005; be hoped (Jones, 2003, 23). -
September 2005 Page 105 Page 108 Page
September 2005 VOL.2 | ISSUE 3 Nebula ISSN-1449 7751 A JOURNAL OF MULTIDISCIPLINARY SCHOLARSHIP DEAD SOULS TARGET TIME'S GREATLAND DIRECTION Adam King Jennifer David Carithers Thompson Page 105 Page 108 Page 127 Nebula 2.3, September 2005 The Nebula Editorial Board Dr. Samar Habib: Editor in Chief (Australia) Dr. Joseph Benjamin Afful, University of Cape Coast (Ghana) Dr. Senayon S. Alaoluw,University of the Witwatersrand (South Africa) Dr. Samirah Alkasim, independent scholar (Egypt) Dr. Rebecca Beirne, The University of Newcastle (Australia) Dr. Nejmeh Khalil-Habib, The University of Sydney (Australia) Dr. Isaac Kamola, Dartmouth College (U.S.A) Garnet Kindervater, The University of Minnesota (U.S.A) Dr. Olukoya Ogen, Obafemi Awolowo University (Nigeria) Dr. Paul Ayodele Osifodunrin, University of Lagos (Nigeria) Dr. Babak Rahimi, University of California (San Diego, U.S.A) Dr. Michael Angelo Tata, City University of New York (U.S.A) The Nebula Advisory Board Dr. Serena Anderlini-D’Onofrio, The University of Puerto Rico Dr. Paul Allatson, The University of Technology, Sydney (Australia) Dr. Benjamin Carson, Bridgewater State College (U.S.A) Dr. Murat Cemrek, Selcuk University (Turkey) Dr. Melissa Hardie, The University of Sydney (Australia) Dr. Samvel Jeshmaridian, The City University of New York (U.S.A) Dr. Christopher Kelen, The University of Macao (China) Dr. Kate Lilley, The University of Sydney (Australia) Dr. Karmen MacKendrick, Le Moyne College of New York (U.S.A) Dr. Tracy Biga MacLean, Academic Director, Claremont Colleges (U.S.A) Dr. Wayne Pickard, a very independent scholar (Australia) Dr. Ruying Qi, The University of Western Sydney (Australia) Dr. -
Spring 2015 Syllabus V5.1 1 Performance and Video FILM 203B
FILM 203 Performance & Video – Spring 2015 Syllabus v5.1 Performance and Video FILM 203B—Spring 2015 Ben Coonley Wednesdays: 10:10–1:10 PM Email: [email protected] Office: Avery 220 Office Hours: Wednesdays, 1:30–2:30 PM, or by appointment COURSE DESCRIPTION This course examines the intersections of video and performance art. Course participants will be challenged to make artworks that respond to video technology's most fundamental property: its ability to reproduce a stream of real-time synchronized images and sounds. How does video mediate between a human performer and her audience? How can artists interested in creating critical and self-reflexive art utilize and respond to and draw upon video’s immediacy and "liveness"? How can performance artists exploit video technologies (playback devices, displays, projectors, and interactive software) within live performance art? In the first half of the course, you will create performance "tapes" (or tapeless digital recordings), while examining and reflecting on the history of experimental video that has emphasized live performance for the videocamera. The second half of the course will concentrate on the use of video as a central component within live art events. In addition, we will carry on a continued discussion about the larger cultural and psychological impact of video technologies on our understanding of subjectivity and the real. This conversation will be supplemented by readings and viewings of work (screened in class and online) by a wide range of contemporary and historically significant artists in the field. I’ve selected screenings and readings that I hope will challenge you, inspire your creative assignments, and introduce you to significant moments in the history of video and performance art. -
Patricia Highsmith's Queer Disruption: Subverting Gay Tragedy in the 1950S
Patricia Highsmith’s Queer Disruption: Subverting Gay Tragedy in the 1950s By Charlotte Findlay A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2019 ii iii Contents Acknowledgements ………………………………………………………………..……………..iv Abstract……………………………………………………………………………………………v Introduction………………………………………………………………………………………..1 1: Rejoicing in Evil: Queer Ambiguity and Amorality in The Talented Mr Ripley …………..…14 2: “Don’t Do That in Public”: Finding Space for Lesbians in The Price of Salt…………………44 Conclusion ...…………………………………………………………………………………….80 Works Cited …………..…………………………………………………………………………83 iv Acknowledgements Thanks to my supervisor, Jane Stafford, for providing always excellent advice, for helping me clarify my ideas by pointing out which bits of my drafts were in fact good, and for making the whole process surprisingly painless. Thanks to Mum and Tony, for keeping me functional for the last few months (I am sure all the salad improved my writing immensely.) And last but not least, thanks to the ladies of 804 for the support, gossip, pad thai, and niche literary humour I doubt anybody else would appreciate. I hope your year has been as good as mine. v Abstract Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel The Price of Salt, published later as Carol, was the first lesbian novel with a happy ending. It was unusual for depicting lesbians as sympathetic, ordinary women, whose sexuality did not consign them to a life of misery. The novel criticises how 1950s American society worked to suppress lesbianism and women’s agency. It also refuses to let that suppression succeed by giving its lesbian couple a future together. -
Ceramics Monthly Nov83 Cei11
William C. Hunt ........................................ Editor Barbara Tipton ...................... Associate Editor Robert L. Creager ........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo....................... Editorial Assistant Mary Rushley.............. Circulation Manager Connie Belcher ... Advertising Manager Spencer L. Davis.................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year SI 6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man uscript is available upon request. Send man uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti cles are indexed in the December issue. -
Gather Newsletter.Indd
Spring/Summer 2006 “Glass of the Maharajahs” the opens May 19 Heineman Family Donates Contemporary Glass Collection Rare Colored Cut Glass in Gather “Splitting the Rainbow” C o r n i n g M u s e u m o f G l a s s DIRECTOR’S LETTER Museum News One of the pleasures of working at The Corning Museum of Glass is the fact that the Museum never stands still. We are ambitious, and Corning Incorporated and our other supporters allow us— within reason—to turn many of our dreams into reality. Online Database Details Glass Exhibitions Worldwide New Museum Publication and Video Available Contemporary glass is a vital part of our collection and exhibitions. A new online database, compiled and maintained by the Rakow We were thrilled, therefore, at the beginning of the year, to receive Research Library, offers web users the ability to search for past, A new publication from The the largest gift of contemporary glass in the Museum’s history. present and upcoming temporary glass exhibitions around the Corning Museum of Glass Photo by Frank J. Borkowski. world. The Worldwide Glass Exhibition Database can be found at explores the past 25 years of www.cmog.org/exhibitionsdatabase. contemporary glass, and a new Ben Heineman Sr. and his wife Natalie have spent more than 20 years building video produced by The Studio one of the most distinguished private collections of contemporary glass, and have “The Rakow’s mission is to collect, maintain and provide public introduces glass students to the collected with a consummate sense of what is best among the countless works access to all glass-related resources," says Diane Dolbashian, art of flameworking. -
Bam 2016 Annual Report
BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016. -
Graduate Celebration
2021 GRADUATE CELEBRATION GRADUATE CELEBRATION PROGRAM Friday, June 11, 2021 CLASS OF 2021 DEPARTMENT OF THEATER MUSICAL PERFORMANCE WHEN I GROW UP, FROM MATILDA THE MUSICAL MUSIC AND LYRICS BY TIM MINCHIN PERFORMED BY WALKER BRINSKELE, RIVA BABE BRODY, KIARAH DAVIS, TALIA GLOSTER, JOI MCCOY, CAROLINE PERNICK, HANNAH ROSE, ABE SOANE WELCOME AND RECOGNITION OF MARSHALS BRIAN KITE INTERIM DEAN, UCLA SCHOOL OF THEATER, FILM AND TELEVISION 2021 SPEECHES GENE BLOCK UCLA CHANCELLOR STEVE ANDERSON INTERIM CHAIR, DEPARTMENT OF FILM, TELEVISION AND DIGITAL MEDIA DOMINIC TAYLOR ACTING CHAIR, DEPARTMENT OF THEATER DEMI RENEE KIRKBY VALEDICTORIAN, DEPARTMENT OF THEATER TIFFANY MARGARET ROWSE VALEDICTORIAN, DEPARTMENT OF FILM, TELEVISION AND DIGITAL MEDIA LATIN HONORS RECOGNITION BRIAN KITE KEYNOTE SPEAKER NILO CRUZ PULITZER PRIZE-WINNING PLAYWRIGHT RECOGNITIONS BRIAN KITE CELEBRATION VIDEO UCLA SCHOOL OF THEATER, FILM AND TELEVISION PRESENTATION OF DEGREE CANDIDATES BRIAN KITE FINAL REMARKS UCLA SCHOOL OF THEATER, FILM AND TELEVISION ACKNOWLEDGES THE GABRIELINO/TONGVA PEOPLES AS THE TRADITIONAL LAND CARETAKERS OF THE LOS ANGELES BASIN AND SOUTHERN CHANNEL ISLANDS. AS A LAND GRANT INSTITUTION, UCLA ALSO PAYS RESPECT TO TONGVA ANCESTORS, ELDERS AND RELATIVES - PAST, PRESENT AND EMERGING. LETTER FROM THE PRESIDENT MICHAEL V. DRAKE, M.D. Congratulations, UCLA Class of 2021! It is my honor to join your family, friends, and the entire University of California community in celebrating you and your wonderful accomplishment. Amid historically challenging circumstances across the globe, you have worked hard, persisted and persevered, in pursuit of your UC education. I hope you will always take great pride in what you have achieved at the University of California, and in being a part of the UC family for life. -
The Civilians"
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2012 A Versatile Group of Investigative Theater Practitioners: An Examination and Analysis of "The Civilians" Kimberly Suzanne Peterson San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Peterson, Kimberly Suzanne, "A Versatile Group of Investigative Theater Practitioners: An Examination and Analysis of "The Civilians"" (2012). Master's Theses. 4158. DOI: https://doi.org/10.31979/etd.n3bg-cmnv https://scholarworks.sjsu.edu/etd_theses/4158 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. A VERSATILE GROUP OF INVESTIGATIVE THEATER PRACTITIONERS: AN EXAMINATION AND ANALYSIS OF “THE CIVILIANS” A Thesis Presented to The Faculty of the Department of Theater Arts San José State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Kimberly Peterson May 2012 © 2012 Kimberly Peterson ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled A VERSATILE GROUP OF INVESTIGATIVE THEATER PRACTITIONERS: AN EXAMINATION AND ANALYSIS OF “THE CIVILIANS” by Kimberly Peterson APPROVED FOR THE DEPARTMENT OF THEATRE, RADIO-TELEVISION-FILM, ANIMATION & ILLUSTRATION SAN JOSÉ STATE UNIVERSITY May