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Bibliography for the Study of Shakespeare on Film in Asia and Hollywood
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 6 (2004) Issue 1 Article 13 Bibliography for the Study of Shakespeare on Film in Asia and Hollywood Lucian Ghita Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Ghita, Lucian. "Bibliography for the Study of Shakespeare on Film in Asia and Hollywood." CLCWeb: Comparative Literature and Culture 6.1 (2004): <https://doi.org/10.7771/1481-4374.1216> The above text, published by Purdue University Press ©Purdue University, has been downloaded 2531 times as of 11/ 07/19. -
Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
Mels Resume:Update2020
Melissa Street Makeup Artist Film/Television/Theater/Live Events cell: (858) 344-7201 email: [email protected] FILM: 2020 MAKEUP DEPARTMENT HEAD - GIGI - Director: Drew Sackheim. 2018 MAKEUP ARTIST - TOP GUN MAVERICK - PARAMOUNT - Director: Joseph Kosinski - Starring: Tom Cruise, Jennifer Connelly, Jon Hamm, Val Kilmer, Miles Teller. 2016 MAKEUP DEPARTMENT HEAD - THE RIDE - 100 ACRE FILMS - SHORT FILM - Director: Eric Addison 2014 MAKEUP DEPARTMENT HEAD - WALTER - ZERO GRAVITY Director: Anna Mastro - Starring: Andrew J. West, Virginia Madsen, William H. Macy, Leven Rambin, Peter Facinelli, Neve Campbell, Brian White, Jim Gaffigan, Justin Kirk, Milo Ventimiglia. Personal artist to: Virginia Madsen, William H. Macy, Andrew J. West, Peter Facinelli, Neve Campbell, Brian White. 2013 MAKEUP DEPARTMENT HEAD - SUPER ATHLETE - WHITE NIGHT PRODUC- TIONS Director: John Comrie - Starring: Tony Sirico, Christopher Lloyd, Faran Tahir, Cameron Rodriguez, Larry Van- Buren Jr. Personal artist to: Tony Sirico, Christopher Lloyd, Faran Tahir. 2011 KEY MAKEUP ARTIST - WHEN YOU FIND ME - SHORT FILM - PROJECT IMAG- IN8TION/FREESTYLE Director: Bryce Dallas-Howard - Starring: Marianna Palka, Erin Way, Jacy King, Karley Scott Collins, Devon Woods, Zachary James Rukavina. 2010 MAKEUP DEPARTMENT HEAD - THE HEIRESS LETHAL - SHORT FILM - EYE- FULL STUDIOS Director: Michael Brueggemeyer - Starring: Merrick McCartha, Cristyn Chandler, Ron Christopher Jones, Theresa Layne. 2003 MAKEUP DEPARTMENT HEAD - CARROT TOP ROCKS LAS VEGAS - DELTA EN- TERTAINMENT Director: Steve Hanft - Starring: Scott “Carrot Top” Thompson, Penn Jillette, Teller. 1986 UNCREDITED MAKEUP ASSISTANT - INVADERS FROM MARS - CANNON PIC- TURES Director: Tobe Hooper - Starring: Karen Black, Hunter Carson, Timothy Bottoms, James Karen, Laraine Newman. Makeup Assistant to Stan Winston F/X lab team. -
Game Over», L’Innocenza Quecento a Palazzo Vecchio - È Diventato Un Caso Giudiziario
GIOVEDÌ 8 DICEMBRE 2011 il manifesto pagina 13 VISIONI DACIA MARAINI ANDREA SEGRE Sono aperte le iscrizioni alla scuola di drammaturgia abruzzese diretta da Dacia Maraini, che il Nonostante le poche copie in distribuzione, al regista è stato consegnato il premio Fac alle 16 dicembre terrà la prima lezione assieme alla regista Emma Dante. Nata dall’Associazione Giornate Professionali di Cinema a Sorrento, per il film «Io sono li», e anche l’Asti Film Festival Teatro di Gioia, la scuola intende formare dei professionisti nel campo teatrale, dalla regia lo premia come miglior film. Per lanciare il nuovo film «Io voglio vedere», Segre chiede agli all’arte della clownerie. Le lezioni si terranno fino ad agosto, in diverse località abruzzesi. spettatori di compilare un modulo per fare pressione su esercenti e sale cinematografiche. SULMONACINEMA 29 · Vince «L’estate di Giacomo» di Alessandro Comodin ARTE · Leonardo diventa un caso giudiziario La ricerca della «Battaglia di Anghiari» - c’è una sonda che sta «lavorando» da diver- si giorni in una intercapedine di muro, dietro il dipinto del Vasari, nella Sala dei Cin- «Game over», l’innocenza quecento a Palazzo Vecchio - è diventato un caso giudiziario. Dopo l’esposto da parte di Italia Nostra, redatto insieme a un gruppo di intellettuali e studiosi (non solo italiani), la procura di Firenze ha aperto un fascicolo e avviato un’indagine. L’accusa è quella di aver danneggiato l’affresco vasariano (la «Battaglia di Scanna- selvaggia delle immagini gallo») con un procedimento considerato «avventato»: lo staff dell'ingegner Maurizio Seracini, dell'università di San Diego, avrebbe infatti introdotto la microcamera nel- l’opera stessa del pittore, per tentare di scovare il capolavoro del Leonardo perduto da secoli. -
Losing Willwalking a Tightrope to Fame
A&E [email protected] thursday, 29 november, 2007 Social Losing Will walking a tightrope to fame intercourSe Joe Vanderhelm talks botched audio, improvising scripts, and hoping that his locally filmed Grant MacEwan/University of Alberta Big Band Concert flick—complete with Edmonton scenery and music—has enough pull to reach cult status Monday, 3 December at 7:30pm John L Haar Theatre (10045 155 Street) filmpreview Performing together on the same stage, the Grant Losing Will MacEwan big band and the University of Alberta Runs 7–9 December big band will combine this coming Monday, creat- Directed by Mike Robertson and Arlen Konopaki ing a band the size of which can’t be described with Starring Arlen Konopaki, Joe Vanderhelm, and a simple adjective like big. Rather, it would require a Julian Faid conglomeration of descriptors, like “ginormous” or Metro Cinema “hugelarge.” Conducted by professors Raymond Baril and Dr Tom Dust, the humungollossal group will play BRYAN SAUNDERS a wide selection of jazz standards and should provide Arts & Entertainment Staff an entertaining night for fans of the genre. As Joe Vanderhelm, one of the stars of Highwire Films’ Losing Will, puts it, producing a local Trooper independent movie is a lot like walking on a Thursday, 29 November at 8pm tightrope. Century Casino (13103 Fort Road) “When you think of [a] high-wire act, there’s the chance of falling and the chance of failure, Here they come, classic rock group Trooper, driving in a but that always just makes it all the more inter- bright white sports car on their way through Edmonton. -
Cinematic Hamlet Arose from Two Convictions
INTRODUCTION Cinematic Hamlet arose from two convictions. The first was a belief, confirmed by the responses of hundreds of university students with whom I have studied the films, that theHamlet s of Lau- rence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda are remarkably success- ful films.1 Numerous filmHamlet s have been made using Shakespeare’s language, but only the four included in this book represent for me out- standing successes. One might admire the fine acting of Nicol Williamson in Tony Richard- son’s 1969 production, or the creative use of ex- treme close-ups of Ian McKellen in Peter Wood’s Hallmark Hall of Fame television production of 1 Introduction 1971, but only four English-language films have thoroughly transformed Shakespeare’s theatrical text into truly effective moving pictures. All four succeed as popularizing treatments accessible to what Olivier’s collabora- tor Alan Dent called “un-Shakespeare-minded audiences.”2 They succeed as highly intelligent and original interpretations of the play capable of delight- ing any audience. Most of all, they are innovative and eloquent translations from the Elizabethan dramatic to the modern cinematic medium. It is clear that these directors have approached adapting Hamlet much as actors have long approached playing the title role, as the ultimate challenge that allows, as Almereyda observes, one’s “reflexes as a film-maker” to be “tested, battered and bettered.”3 An essential factor in the success of the films after Olivier’s is the chal- lenge of tradition. The three films that followed the groundbreaking 1948 version are what a scholar of film remakes labels “true remakes”: works that pay respectful tribute to their predecessors while laboring to surpass them.4 As each has acknowledged explicitly and as my analyses demonstrate, the three later filmmakers self-consciously defined their places in a vigorously evolving tradition of Hamlet films. -
THE “TENET” THEORY Written by Esmarelda Villalobos
THE “TENET” THEORY Written by Esmarelda VillaLobos WARNING: MAJOR SPOILERS AHEAD. “Tenet” begins with an attack on the arts. It is the first event in the film, right out of the gate, that sets the tone for the rest of the movie. In fact, in this film there are multiple attacks on art, but in the first few minutes of this topsy-turvy ride, we as the audience witness some kind of terrorist attack that occurs during the preparations for an orchestral performance somewhere in Russia, which, given the number of public shootings and horrific terrorist attacks that have plagued the world throughout the last decade, is not that far of a stretch from the truth. The first line of the film is “Time to wake up the Americans” to which we are now introduced to John David Washington’s character as The Protagonist. Through a series of what seems to be party-switching and criss-crossery (if that’s even a word), John David Washington is eventually caught. While under capture and interrogation, The Protagonist decides to sacrifice his own life for the good of the cause and swallow a cyanide pill given to him by the CIA. Cut to black. When we as the audience come back, John David Washington is in a hospital bed on a very large ship, somewhere beyond the sea. Now, on first viewing if you are to watch this film, you believe everything that is said – the cyanide pill is a fake, his taking it was a test to see if he would sacrifice himself in order to avoid torture and potentially give up secrets – which he did. -
A Pinewood Dialogue with Kenneth Branagh and Michael Caine
TRANSCRIPT A PINEWOOD DIALOGUE WITH KENNETH BRANAGH AND MICHAEL CAINE The prolific and legendary actor Michael Caine starred in both the 2007 film version of Sleuth (opposite Jude Law) and the 1972 version (opposite Laurence Olivier). In the new version, an actors’ tour de force directed by Kenneth Branagh and adapted by playwright Harold Pinter, Caine took the role originally played by Olivier. A riveting tale of deception and deadly games, this thriller about an aging crime novelist and a young actor in love with the same woman is essentially about the mysteries of acting and writing. In this discussion, Branagh and Caine discussed their collaboration after a special preview screening. A Pinewood Dialogue following a screening BRANAGH: Rubbish, of course. Rubbish. of Sleuth, moderated by Chief Curator David Schwartz (October 3, 2007): SCHWARTZ: Well, we’ll see, we’ll see. Tell us about how this project came about. It’s an interesting MICHAEL CAINE: (Applause) pedigree, because in a way, it’s a new version, an Good evening. adaptation, of a play. It seems like it’s going to be a remake of the film, but Harold Pinter, of course, KENNETH BRANAGH: Good evening. is the author here. DAVID SCHWARTZ: Welcome and congratulations BRANAGH: As you may have seen from the credits, on a riveting, very entertaining movie. one of the producers is Jude Law. He was the one who had the idea of making a new version, BRANAGH: Thank you. and it was his idea to bring onboard a man he thought he’d never get to do it, but Nobel Prize- CAINE: Thank you. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
ENGINEERING STATEMENT This Engineering Statement Is Prepared
ENGINEERING STATEMENT This engineering statement is prepared on behalf of Media-Com Television, Inc., licensee of Low Power TV Station WAOH-LP - Akron, Ohio, in support of comments in MM Docket 87-268, the DTV allotment proceeding. WAOH-LP operates on Channel 29 with a maximum peak visual effective radiated power of 60.6 kilowatts utilizing a direc- tional antenna. The draft table of DTV allotments contained in the Sixth Further Notice of Proposed Rulemaking in MM Docket 87-268 proposes to allot Channel 29 to Youngstown, Ohio, as a DTV allotment for use by WKBN-TV, whose present NTSC operation is on Channel 27. The WAOH-LP transmitter site lies 21.3 kilometers inside the predicted 43.8 dBu noise limited contour for the proposed DTV operation of WKBN- TV on Channel 29. Thus, it is obvious that continued operation by WAOH-LP on Chan- nel 29 would cause interference to the DTV operation of WKBN-TV proposed in this draft table, since it is impossible to provide the required protection to a cochannel facil- ity, either DTV or NTSC, from a transmitter site located within its protected contour. The WAOH-LP transmitter site also lies within the predicted noise limited contours of the DTV facilities proposed in this draft table for three other stations for which DTV channels have been proposed which could possibly receive interference from the pres- ent operation of WAOH-LP: WQHS-TV Cleveland,OH Channel 28 WBNX-TV Akron,OH Channel 31 WFMJ-TV Youngstown,OH Channel 36 Based upon the DTV system performance capabilities outlined in Appendix A of this Sixth Further Notice, however, it appears extremely unlikely that the present operation of WAOH-LP would result in actual interference to the DTV operations proposed in this ---- CARL E. -
HBO Announces New Seasons for Their Successful Series ENTOURAGE 6 and BIG LOVE 4
HBO announces new seasons for their successful series ENTOURAGE 6 and BIG LOVE 4 Miami, January 13th, 2010. - HBO Latin America announced that this upcoming January 24th 2010 would mark the beginning of the 4th season of its controversial, Emmy and 2010 Golden Globe Award nominated series, Big Love. Additionally, on February 4th, HBO will be premiering the sixth season of the famous, multiple Emmy award-winning and Golden Globe nominated series, Entourage.A 2010 Golden Globe nominee for Best Comedy and for Best Supporting Actor, Jeremy Piven from Entourage returns to the screen along with the young and charismatic actor Vincent Chase (Adrian Grenier), who continues to enjoy being a Hollywood celebrity along with his 3 inseparable, childhood friends: his manager Eric (Kevin Connolly), his half-brother Drama (Kevin Dillon) and the naive Turtle (Jerry Ferrara), as well as his superstar entertainment agent Ari (Jeremy Piven’s character) and his assistant Lloyd (Rex Lee).During the course of one of the wittiest and most emotional seasons to date, Eric professes his love for Sloan, Drama continues questioning his life’s true purpose and Ari keeps growing his business. Finally and well deserved, Lloyd’s professional career takes off. Meanwhile, Turtle and Jamie Lynn overcome obstacles in their romance. The series consists of 12 episodes, each one 25 minutes long, and guest stars actor David Schwimmer, football star Tom Brady, actor Bob Saget, and famous comedian Jay Leno, among others.The upcoming fourth season of the fun and controversial series, Big Love, nominated at the 2010 Golden Globe Awards for Best Dramatic Series, Best Lead Actor (Bill Paxton) and Best Supporting Actress (Chloë Sevigny), promises to continue offering viewers a juicy plot which questions the values of marriage through an uncommon family from Salt Lake City. -
Culture in Con Ict / Culture on the Move
Culture in Con◊ict / Culture on the Move November 13 – 15, 2008 Cercle de l’Union Interalliée 33, rue du Faubourg Saint-Honoré Paris VIII, France An Annual Convening of the Aspen Institute Global Initiative on Arts, Culture, and Society Culture in Con◊ict / Culture on the Move Presented by THE ARTS ARENA galleries & collections | center for writers & trans lators | forum for culture & society | the film place | performing arts space | museum GLOBAL INITIATIVE ON ARTS, cooperative | publications/media site | CULTURE, AND SOCIETY Supported by THE RUTH & FRANK STANTON FUND Table of Content Introduction Cultural Diplomacy Pledge · 4 Welcome to the Aspen Cultural Diplomacy Forum in Paris · 5 Program Pre-Forum Activities · 6 Program overview · 7 Daily Schedule · 8 Aspen Cultural Diplomacy Awards Ceremony · 15 The House is Small – The Welcome is Big: Photo Exhibition · 16 Presenters Forum Presenters List · 18 Biographies · 22 General Information The Aspen Institute Global Initiative · 49 Upcoming Aspen Institute Public Events · 50 Cercle de l’Union Interalliée 33, rue du Faubourg Saint-Honoré, Paris VIII The Council of Women World Leaders · 51 The Arts Arena · 52 Acknowledgments Special Thanks · 54 Cultural Diplomacy Forum Team · 54 Cultural Welcome to the Diplomacy Pledge Aspen Cultural Diplomacy Forum At the first public meeting held in Aspen in June 1949, to celebrate the life and It gives me a great pleasure to welcome you to the inauguration of the Aspen work of German humanist Johann von Goethe, participants signed a resolution, Cultural Diplomacy Forum. We are delighted that you have chosen, at this read by Thornton Wilder at the closing assembly, calling for “the formation of a particular moment in history, to join us in launching this unprecedented global world council of international relations to continue the work pioneered at these convening that we hope to organize annually in different locations.