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Rubai (Quatrain) As a Classical Form of Poetry in Persian Literature
INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 2, Issue - 4, Apr – 2018 UGC Approved Monthly, Peer-Reviewed, Refereed, Indexed Journal Impact Factor: 3.449 Publication Date: 30/04/2018 Rubai (Quatrain) as a Classical Form of Poetry in Persian Literature Ms. Mina Qarizada Lecturer in Samangan Higher Education, Samangan, Afghanistan Master of Arts in English, Department of English Lovely Professional University, Punjab, India Email – [email protected] Abstract: Studying literature, including poetry and prose writing, in Afghanistan is very significant. Poetry provides some remarkable historical, cultural, and geographical facts and its literary legacy of a particular country. Understanding the poetic forms is important in order to understand the themes and the styles of the poetry of the poets. All the Persian poets in some points of the time composed in the Rubai form which is very common till now among the past and present generation across Afghanistan. This paper is an overview of Rubai as a classical form of Poetry in Persian Literature. Rubai has its significant role in the society with different stylistic and themes related to the cultural, social, political, and gender based issues. The key features of Rubai are to be eloquent, spontaneous and ingenious. In a Rubai the first part is the introduction which is the first three lines that is the sublime for the fourth line of the poem. It represents the idea if sublet, pithy and clever. It also represents the poets’ literary works, poetic themes, styles, and visions. Key Words: Rubai, Classic, Poetry, Persian, Literature, Quatrain, 1. INTRODUCTION: Widespread geography of Persian speakers during the past centuries in the history of Afghanistan like many other countries, it can be seen and felt that only great men were trained in the fields of art and literature. -
12 Swiss Books Recommended for Translation 3
2012 | no. 01 12 swiss Books Recommended foR tRanslation www.12swissbooks.ch 3 12 SWISS BOOKS 5 les ceRcles mémoRiaux / MeMOrIal CIrCleS david collin 7 Wald aus Glas / FOreSt OF GlaSS Hansjörg schertenleib 9 das kalB voR deR GottHaRdpost / The CalF In the path OF the GOtthard MaIl COaCh peter von matt 11 OgroRoG / OGrOrOG alexandre friederich 13 deR Goalie Bin iG / DeR keepeR Bin icH / the GOalIe IS Me pedro lenz 15 a ußeR sicH / BeSIde OurSelveS ursula fricker 17 Rosie GOldSMIth IntervIeWS BOyd tOnKIn 18 COluMnS: urS WIdMer and teSS leWIS 21 die undankBaRe fRemde / the unGrateFul StranGer irena Brežná 23 GoldfiscHGedäcHtnis / GOldFISh MeMOry monique schwitter 25 Sessualità / SexualIty pierre lepori 27 deR mann mit den zwei auGen / the Man WIth tWO eyeS matthias zschokke impRessum 29 la lenteuR de l’auBe / The SlOWneSS OF daWn puBlisHeR pro Helvetia, swiss arts council editoRial TEAM pro Helvetia, literature anne Brécart and society division with Rosie Goldsmith and martin zingg 31 Les couleuRs de l‘HiRondelle / GRapHic desiGn velvet.ch pHotos velvet.ch, p.1 416cyclestyle, p.2 DTP the SWallOW‘S COlOurS PrintinG druckerei odermatt aG marius daniel popescu Print Run 3000 © pro Helvetia, swiss arts council. all rights reserved. Reproduction only by permission 33 8 MOre unMISSaBle SWISS BOOKS of the publisher. all rights to the original texts © the publishers. 34 InFO & neWS 3 edItOrIal 12 Swiss Books: our selection of twelve noteworthy works of contempo rary literature from Switzerland. With this magazine, the Swiss arts Council pro helvetia is launching an annual showcase of literary works which we believe are particularly suited for translation. -
Irreverent Persia
Irreverent Persia IRANIAN IRANIAN SERIES SERIES Poetry expressing criticism of social, political and cultural life is a vital integral part of IRREVERENT PERSIA Persian literary history. Its principal genres – invective, satire and burlesque – have been INVECTIVE, SATIRICAL AND BURLESQUE POETRY very popular with authors in every age. Despite the rich uninterrupted tradition, such texts FROM THE ORIGINS TO THE TIMURID PERIOD have been little studied and rarely translated. Their irreverent tones range from subtle (10TH TO 15TH CENTURIES) irony to crude direct insults, at times involving the use of outrageous and obscene terms. This anthology includes both major and minor poets from the origins of Persian poetry RICCARDO ZIPOLI (10th century) up to the age of Jâmi (15th century), traditionally considered the last great classical Persian poet. In addition to their historical and linguistic interest, many of these poems deserve to be read for their technical and aesthetic accomplishments, setting them among the masterpieces of Persian literature. Riccardo Zipoli is professor of Persian Language and Literature at Ca’ Foscari University, Venice, where he also teaches Conceiving and Producing Photography. The western cliché about Persian poetry is that it deals with roses, nightingales, wine, hyperbolic love-longing, an awareness of the transience of our existence, and a delicate appreciation of life’s fleeting pleasures. And so a great deal of it does. But there is another side to Persian verse, one that is satirical, sardonic, often obscene, one that delights in ad hominem invective and no-holds barred diatribes. Perhaps surprisingly enough for the uninitiated reader it is frequently the same poets who write both kinds of verse. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
DISTINGUISHED WOMEN in HISTORY of AZERBAIJANI ATABAY, AQ QOYUNLU and SAFAVID STATES Conclusion
42, WINTER 2019 Nargiz F. AKHUNDOVA PhD in History DISTINGUISHED WOMEN IN HISTORY OF AZERBAIJANI ATABAY, AQ QOYUNLU AND SAFAVID STATES Conclusion. See the beginning in IRS-Heritage, № 41, 2019 www.irs-az.com 5 From the past his list of outstanding women’s names could be mon knowledge that the Azerbaijani Ildeniz rulers, in continued. However, the personality of Momine fact, were subsequently at the helm of state. It is note- TKhatun, the wife of Azerbaijani atabay (ruler) worthy that Z. M. Buniyadov made a substantial contri- Ildeniz and mother of prominent Ildenizid rulers Jahan bution to the studies regarding the nearly century-long Pahlavan (1175-1186) and Qizil Arslan, is particularly re- historical period of the Atabay state’s existence. The markable. The concept of women’s governing role in Orientalist conducted extensive research of the avail- the state system in the Atabay state should be generally able sources. The Arabic language sources he studied emphasized as well. included Ibn al-Asir’s (1160-1233) (“al-Kamil fi-t-ta rikh” This personality existed during an earlier era that was or ”Perfect on history”), Sibt al-Jawzi’s (1185-1256) “Mir by far no less tension-filled than that of the previously at az-zaman fi-tarikh al-ayan” (“The mirror of time in the mentioned Sara Khatun and Tajlu Begim, i.e. the epoch chronicle of celebrities”), Sadr ad-Din Ali al-Husayni’s of the Ildenizid state (1136-1225). This time period is of- “Zubdat at-tavarikh fi akhbar al-umara va-l-mulyuk as- ten referred to by historiographers as the Renaissance Seljuqiyya” (“The cream of the crop in the chronicles epoch, which saw the emergence of great poets, po- that contain data about Seljuq Emirs and rulers”), etc. -
USAGES DE NICOLAS BOUVIER Bibliographie Sélective
– Bibliothèque nationale de France direction des collections Octobre 2013 département Littérature et art USAGES DE NICOLAS BOUVIER Bibliographie sélective "C'est le propre des longs voyages que d'en ramener tout autre chose que ce qu'on y allait chercher". L'Usage du Monde, 1963 L'Usage du monde, publié en 1963, est le récit du voyage que firent Nicolas Bouvier et Thierry Vernet de la Yougoslavie à l'Afghanistan en 1953 - 1954. Dans le but de "fuir l'éducation huguenote" de leur Suisse natale, les deux jeunes gens partent à l'aventure non pour faire du tourisme mais pour vivre en nomades, découvrir, "s'attacher et s'arracher", restant des mois dans ces pays, partageant le quotidien des gens. Récit de voyage enrichi d'apports sur l'Histoire et la mythologie des pays traversés, l'Usage du monde est peu remarqué à sa publication il y a 50 ans. Une nouvelle édition datant 1985 en fait un livre culte et fait découvrir au grand public toute la richesse littéraire de l'œuvre de Nicolas Bouvier, principalement axée sur la découverte et le voyage. Le colloque des 10 et 11 octobre 2013 est organisé par le Département du patrimoine et des collections du musée du quai Branly, la Bibliothèque nationale de France et les éditions Zoé-Suisse, sous le patronage de l'Université Paris Diderot et du programme "Pouvoirs des arts" (CNRS/Université Paris-Sorbonne). Il étudie les récits, les poèmes, la correspondance mais aussi le travail de photographe de Nicolas Bouvier. Il propose une réflexion collective sur les philosophies du voyage que met en pratique cet écrivain, sur la place privilégiée donnée à l’Extrême-Orient, notamment au Japon. -
The University of Chicago Poetry
THE UNIVERSITY OF CHICAGO POETRY AND PEDAGOGY: THE HOMILETIC VERSE OF FARID AL-DIN ʿAṬṬÂR A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF NEAR EASTERN LANGUAGES AND CIVILIZATIONS BY AUSTIN O’MALLEY CHICAGO, ILLINOIS MARCH 2017 © Austin O’Malley 2017 All Rights Reserved For Nazafarin and Almas Table of Contents List of Tables .......................................................................................................................................vi Note on Transliteration ...................................................................................................................vii Acknowledgments...........................................................................................................................viii Introduction..........................................................................................................................................1 I. ʿAṭṭâr, Preacher and Poet.................................................................................................................10 ʿAṭṭâr’s Oeuvre and the Problem of Spurious Atributions..............................................12 Te Shiʿi ʿAṭṭâr.......................................................................................................................15 Te Case of the Wandering Titles.......................................................................................22 Biography and Social Milieu....................................................................................................30 -
Quatrains of Mahsati of Ganja, Literary Imagination Rebecca Gould
From the SelectedWorks of Rebecca Ruth Gould Spring 2011 Quatrains of Mahsati of Ganja, Literary Imagination Rebecca Gould Available at: https://works.bepress.com/r_gould/4/ Literary Imagination Advance Access published March 26, 2011 Literary Imagination, pp. 1–3 1 doi:10.1093/litimag/imr013 Mahsatı¯ of Ganja’s Wandering Quatrains: Translator’s Introduction REBECCA GOULD* Downloaded from Mahsatı¯of Ganja, whose name combines the old Persian words for moon (mah) and lady (satı¯), is among the most famous of all classical Persian woman poets. Born in early twelfth century Ganja, at that time the literary capital of Azerbaijan, Mahsatı¯pioneered the ruba¯’ı¯yya¯t (quatrain) form. Best known to an Anglophone reading public from Edward Fitzgerald’s translations of Omar Khayya¯m (d. 1131), ruba¯’ı¯yya¯t is the plural litimag.oxfordjournals.org of ruba¯’ı¯(“four”), an Arabic word denoting two verses bound together by an aaba rhyme scheme. The rhyme scheme admits of variations, such as aaaa (employed in four out of the ten poems translated here). Mahsatı¯ shares much in common with the elder poet-astronomer: a pessimistic orientation to life, distaste for organized religion, impa- tience with social mores, a predilection for transgressing convention through wine-drinking, and a preference for authorial anonymity, which has accounted for many misattributed poems in the case of both poets (see Sharma 2007; Davidson 2004). at Freie Universitaet Berlin on March 28, 2011 Mahsatı¯is distinguished from Omar Khayya¯m, and, for that matter from most of her Persian predecessors and contemporaries, by one major biographical detail: alone of the major medieval Persian poets, she was a woman. -
2013-Azetouri-043
MINISTRY OF CULTURE AND TOURISM OF THE REPUBLIC OF AZERBAIJAN PROJECT No.2013-AZETOURI-043 “CITIES OF COMMON CULTURAL HERITAGE” SCIENTIFIC-RESEARCH REPORT PROJECT MANAGER AYDIN ISMIYEV RESEARCHERS DR. FARIZ KHALILLI TARLAN GULIYEV 1 BAKU - 2014 CONTENTS INTRODUCTION ABOUT THE “CITIES OF COMMON CULTURAL HERITAGE” PROJECT EXECUTIVE SUMMARY 1. TURKEY 1.1. Van 1.2. Ahlat 1.3. Erzurum 1.4. Amasya 2. AZERBAIJAN 2.1. Ganja 2.2. Shamkir 2.3. Gabala 2.4. Shamakhi 2.5. Aghsu 3. KAZAKHSTAN 3.1. Esik 3.2. Tamgali 3.3. Taraz 3.4. Turkistan 3.5. Otrar 4. UZBEKISTAN 4.1. Samarkand 4.3. Shahrisabz 4.4. Termez 4.5. Bukhara 4.6. Khiva CONCLUSION RECOMMENDATIONS ANNEX 1. Accomodation establishments ANNEX 2. Travel agencies ANNEX 3. Tour program 1 ANNEX 4. Tour program 2 ANNEX 5. Template Questionnaire ANNEX 6. Questionnaire results REFERENCES PHOTOS 2 INTRODUCTION Archaeological tourism is a new field within cultural tourism that has developed as a result of people’s interest in the past. Archaeological tourism consists of two main activities: visits to archaeological excavation sites and participation in the studies undertaken there. The target group of archaeological tourism includes intellectuals and various people having an interest in archaeology. Any politician, bank employee, doctor, artist or other professional or working person can now spend their vacation at the archaeological excavation site of which they’ve dreamed. The development of this tourism focus area presents a novel product to the tourism economy and increases innovation in archaeology. Three main paths must be followed in order to successfully offer an archaeological tourism product: research, conservation and promotion. -
Fribourg Vu Par Les Écrivains
Michel Dousse Claudio Fedrigo Fribourg vu par les écrivains Extraits de l’anthologie et de l’exposition de la Bibliothèque cantonale et universitaire de Fribourg, 2015 Fribourg vu par les écrivains : exposition et anthologie Quels sont les livres qui, à travers les siècles, ont décrit la ville et le canton de Fribourg ? Quels écrivains ont parlé de Fribourg ? Quels voyageurs ont passé par Fribourg ? Nous ont-ils laissé un récit de leur découverte ? Et les Fribourgeois, ont-ils évoqué leur pays ? Quelle image du pays fribourgeois s’en dégage-t-il ? Jusqu’au XVIIIe siècle, les voyageurs passent plutôt par Morat, pour découvrir l’ossuaire des Bourguignons, vestige de la fameuse bataille de Morat (1476). A la fin du XVIIIe et au début du XIXe siècles, ils parcourent volontiers la Veveyse et la Gruyère pour admirer les paysages pastoraux situés au- dessus de Clarens et de Vevey, rendus célèbres par La Nouvelle Héloïse de Rousseau (1761). Au XIXe siècle, outre l’ermitage de la Madeleine, ce sont l’orgue d’Aloys Mooser (1834) et les ponts suspendus de Joseph Chaley (1834, 1840) qui attirent les voyageurs romantiques dans la capitale. Au XXe siècle, la Seconde Guerre mondiale et l’exil transforment Fribourg en un foyer culturel, où séjournent et passent bon nombre d’écrivains. A travers ces trois siècles, nombreux sont les auteurs qui ont décrit le canton de Fribourg, dans les genres littéraires les plus variés. On trouvera dans la nouvelle édition illustrée de cette anthologie une centaine d’extraits de leurs œuvres, accompagnés de portraits, ainsi qu’une introduction et une bibliographie. -
Nicolas Bouvier Ou La Réinvention Du Voyage En Orient Au Xxe Siècle
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by HAL-ENS-LYON Nicolas Bouvier ou la r´einvention du voyage en Orient au XXe si`ecle Sarga Moussa To cite this version: Sarga Moussa. Nicolas Bouvier ou la r´einvention du voyage en Orient au XXe si`ecle.Mehmet Emin Ozcan.¨ Le Voyage et l'Orient, Jul 2003, Ankara, Turquie. Ankara Universitesi¨ Basimevi, p. 164-176, 2004. <halshs-00257255> HAL Id: halshs-00257255 https://halshs.archives-ouvertes.fr/halshs-00257255 Submitted on 18 Feb 2008 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. 1 Nicolas Bouvier ou la réinvention du voyage en Orient au XXe siècle Nicolas Bouvier, mort à Genève, sa ville natale, en 1998, fit entre 1953 et 1956 un immense périple à travers l’Asie. Parti dans une petite Fiat avec son ami le peintre Thierry Vernet, il traversa la Serbie, la Macédoine, la Turquie, l’Iran, pour aboutir– provisoirement– en Afghanistan. C’est l’itinéraire raconté dans L’Usage du monde, son premier ouvrage, paru en 1963, et considéré comme un chef-d’œuvre de la littérature de voyage du XXe siècle. -
Article Reference
Article Nicolas Bouvier "romancier": de l'épreuve du monde à l'invention de soi DUPUIS, Sylviane Reference DUPUIS, Sylviane. Nicolas Bouvier "romancier": de l'épreuve du monde à l'invention de soi. Ginevra - Napoli : quaderno di letteratura, Lingua e cultura, 2010, no. 1, p. 67-71 Available at: http://archive-ouverte.unige.ch/unige:14390 Disclaimer: layout of this document may differ from the published version. 1 / 1 Nicolas Bouvier « romancier » : de l’épreuve du monde à l’invention de soi SYLVIANE DUPUIS « Il faut bien [donner] une forme à son malheur. […] Par moments c’est à se demander si ce n’est pas expressément pour cela que nous sommes tous ici. » N. Bouvier, Le Poisson-Scorpion « Il est clair que la vérité que je cherche [est] en moi. […] Grave incertitude, […] quand lui, le chercheur, est tout ensemble le pays obscur où il doit chercher et où tout son bagage ne lui sera de rien… » M. Proust, Du côté de chez Swann Dans ses suggestives Réflexions sur la littérature, Thibaudet1 remarque en passant que les moralistes français du XVIème et du XVIIème, et tout particulièrement Montaigne, s’ils étaient nés quelques siècles plus tard, « eussent été probablement des romanciers ». Il distingue ensuite deux types de romans : le « roman de reproduction » (qui n’« invente » pas, et dont Montaigne « eût été »), et le « roman de production, ou de création », où l’imagination est première (celui d’un Balzac ou d’un Stendhal). Je propose d’appliquer la remarque (en la transposant) à Nicolas Bouvier – dont on sait que les Essais de Montaigne