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Read Ebook {PDF EPUB} Here at the New Yorker by Brendan Gill Brendan Gill, Here in Westchester
Read Ebook {PDF EPUB} Here at The New Yorker by Brendan Gill Brendan Gill, Here in Westchester. BRONXVILLE B RENDAN GILL, the urbane drama critic for The New Yorker, is almost as hard to catch up with as the White Rabbit in “Alice in Wonderland—he's usually late for one or another important engagement. In addition to his reviewing responsibilities, Mr. Gill is the author of a biography of Charles A. Lindbergh and a book of short stories, “Ways of Loving.” He has also been a mainstay of historical‐preservation groups in the metropolitan area. A cosmopolitan suburbanite, he rises in his Bronxville here at 6 A.M., shuttles to his office in Manhattan, works through a busy day of appointments and writing, then goes off to see a play. Besides the 40 to 50 Broadway openings he attends during a season, he will see 20 to 30 Off Broadway shows and take trips to visit regional theater groups. He refuses to feel chastened by fairly widespread criticism that his memoir, “Here at The New Yorker,” is a “snobbish” book, laughing it off with the comment that “they always call me that, and I'm always indignant.” He won't be fashionably pessimistic about the future of New York City, and he won't be fashionably cynical about the virtues of suburban life. He recently completed a public lecture series at the Metropolitan Museum of Art on “Utopian Suburbs,” with talks on “Grooming the Wilderness,” about Llewellyn Park in New Jersey and Tuxedo Park in Westchester, “Parnassus by Rail,” about Lawrence Park in Bronxville and Garden City, L.I., and “Ghosts of Green Gardens,” about Forest Hills and Sunnyside in Queens. -
Page Numbers in Italics Refer to Illustrations. Abenad
INDEX Page numbers in italics refer to illustrations. Abenad Corporation, 42 Ballard, William F. R., 247, 252, 270 Abrams, Charles, 191 Barnes, Edward Larabee, 139, 144 Acker, Ed, 359 Barnett, Jonathan, 277 Action Group for Better Architecture in New Bauen + Wohnen, 266 York (AGBANY), 326–327 Beaux-Arts architecture, xiv, 35, 76, 255, 256, Airline industry, xiv, 22, 26, 32, 128, 311, 314, 289, 331, 333, 339, 344, 371. See also 346, 357–360, 361–362, 386 Grand Central Terminal Albers, Josef, 142–143, 153, 228, 296, 354, Belle, John (Beyer Blinder Belle Architects), 407n156 354 American Institute of Architects (AIA), 3, 35, Belluschi, Pietro, 70–77, 71, 80, 223, 237, 328 75, 262, 282, 337 AIA Gold Medal, 277, 281 Conference on Ugliness, 178–179 and the Architectural Record, 188, 190, 233, New York Chapter, 2, 157 235, 277 American Institute of Planners, 157 and art work, Pan Am Building, 141–144 Andrews, Wayne, 175–176, 248, 370 as co-designer of the Pan Am Building, xiii, 2, “Anti-Uglies,” 177, 327 50, 59, 77, 84, 87, 117, 156–157, 159, 160– “Apollo in the democracy” (concept), 67–69, 163, 165, 173, 212, 248, 269, 275, 304, 353, 159. See also Gropius, Walter 376 (see also Gropius/Belluschi/Roth collab- Apollo in the Democracy (book), 294–295. See oration) also Gropius, Walter on collaboration of art and architecture, 142– Collins review of, 294–295 143 Architectural criticism, xiv, xvi, 53, 56, 58, 227, collaboration with Gropius, 72, 75, 104, 282, 232, 257, 384–385, 396n85. See also 397n119 Huxtable, Ada Louise contract with Wolfson, 60–61, -
National Register of Historic Places Inventory -- Nomination Form
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMEN ,. JF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS I NAME HISTORIC Grand Central Terminal AND/OR COMMON Grand Central Terminal LOCATION STREETS,NUMBER 71-105 East 42nd Street _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT New York _ VICINITY OF 18th STATE CODE COUNTY CODE New York New York 36 QCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT —PUBLIC X2DCCUPIED —AGRICULTURE —MUSEUM 2^BUILDING(S) ^PRIVATE _ UNOCCUPIED X.COMMERCIAL _PARK —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE _S!TE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS _ OBJECT _IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED X_YES: UNRESTRICTED —INDUSTRIAL ^-TRANSPORTATION _NO _ MILITARY —OTHER: OWNER OF PROPERTY NAME Pennsylvania Central Transportation Company STREET & NUMBER 466 Lexington Avenue CITY. TOWN STATE New York VICINITY OF New York LOCATION OF LEGAL DESCRIPTION COURTHOUSE, New York County Hall of Records REGISTRY OF DEEDS, ETC. STREET& NUMBER 31 Chambers Street CITY, TOWN STATE New York New York REPRESENTATION IN EXISTING SURVEYS TITLE New York City Landmarks Commission DATE 1967 —FEDERAL —STATE —COUNTY x_LOCAL DEPOSITORY FOR SURVEY RECORDS CITY, TOWN STATE New York New Yn-rlf DESCRIPTION CONDITION CHECK ONE CHECK ONE _EXCELLENT —DETERIORATED —UNALTERED ^-ORIGINAL SITE X_GOOD —RUINS X_ALTERED _MOVED DATE- _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE A complete contemporary description would be lengthy—in the brief: "The terminal has two levels. The upper one of these, 20 ft. -
Journalist in Disguise St
St. Norbert College Digital Commons @ St. Norbert College Pix Media Spring 2009 Journalist in disguise St. Norbert College Follow this and additional works at: https://digitalcommons.snc.edu/pixmedia Recommended Citation St. Norbert College, "Journalist in disguise" (2009). Pix Media. 54. https://digitalcommons.snc.edu/pixmedia/54 This Article is brought to you for free and open access by Digital Commons @ St. Norbert College. It has been accepted for inclusion in Pix Media by an authorized administrator of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. St. Norbert College Magazine - Journalist in disguise: Thomas Kunkel, president of St. Norbert College - St. Norbert College :: ACADEMIC PROGRAMS | ALUMNI | FUTURE STUDENTS | PARENTS | VISITORS (Students, faculty and staff) About SNC | A to Z Index | Directory QUICK LINKS: - Home - Magazine President's message Seven-figure gifts put athletics complex on the fast track Spring 2009 | Finding the Balance Student research goes Galapagos A short course in educationomics Economics lessons find their way to classrooms Journalist in around the world disguise: A look at Mastering the job search two books authored Finding $50 bills in the Web exclusives NFL draft by President Thomas Look here for web-only A short period of Kunkel content that expands economic growth By John Pennington, on topics presented in the An aardvark a day keeps Professor of English the doctor away current St. Norbert College Live! from Schuldes Magazine (PDF). Subscribe “I don’t care what is written about me so long as it isn’t true.” Dorothy Parker (1893- Student research E-newsletter 1967), American writer and goes Galapagos Television Show wit, founding member of the Reporting from one of the Press Releases Algonquin Round Table, and world’s best natural one of the original advisory laboratories. -
M Grand Central Post Office Annex Southwest Corner 45Th Street and -. Lexington Avenue New York City New York HABS No. NY-6302 I
Grand Central Post Office Annex HABS No. NY-6302 m Southwest corner 45th Street and -. Lexington Avenue New York City New York C ip ; PHOTOGRAPHS • WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN BUILDINGS SURVEY MID-ATLANTIC REGION, NATIONAL PARK SERVICE DEPARTMENT OF THE INTERIOR PHILADELPHIA, PENNSYLVANIA 19106 *" HISTORIC AMERICAN BUILDINGS SURVEY GRAND CENTRAL POST OFFICE ANNEX HABS No. NY-6302 Location: The block bounded by 45th Street, Lexington Avenue, Depew Place, and the Graybar Building (the southwest corner of 45th Street and Lexington Avenue), New York City, New York. USGS Central Park Quadrangle, Universal Transverse Mercator Coordinates: 18 .586450 .441166 Present Owner: United States Government Present Occupant: United States Post Office Significance The Grand Central Post Office Annex was envisioned as a key element of the Grand Central Station complex, one of the most important examples of monumental urban planning in the United States. Designed by the nationally significant architectural firm of Warren and Wetmore, in collaboration with the firm of Reed and Stem, the complex was built between 1903 and 1914 for a railroad cartel headed by the mighty New York Central Railroad. It included the massive Terminal itself, surrounded by raised traffic viaduct, the Post Office Annex, railroad offices on 45th Street, and a vast underground network of tracks and platforms. The breadth of the project and the richness of its execution documents not only the tremen- dous wealth of the railroads during the period, but also their influence in shaping the image of American cities. The Annex was constructed as part of the complex to provide railroad-related office space on the upper floors while the lower stories were leased as a postal facility. -
St. Paul Walking Tour
Cass Gilbert Society Walking Tour Fall 2004 CASS GILBERT SOCIETY WALKING TOUR, FALL 2004 This walking tour has been adapted by Marjorie Pearson from the tours prepared for the Cass Gilbert Society by Tom Blanck and Charles Locks in 1999 and 2000 and is based on their copyrighted material. This tour focuses on ten houses and two churches designed by Cass Gilbert. Also included are the home of his partner, James Knox Taylor, and the home of his chief draftsman and protege Thomas Holyoke. Several other buildings and sites that have personal or professional connections with Gilbert are noted. The tour begins at the intersection of Summit Avenue and Portland Avenue by the statue of Nathan Hale. Looking northeast from the statue of Nathan Hale is: 76 Western Avenue North, James Knox Taylor residence. Taylor was Gilbert's partner from 1884 to 1892, served as Supervising Architect of the Treasury from 1898 to 1912, and was head of the Department of Architecture at MIT from 1912 to 1914. The house has been remodeled, and simplified since Taylor’s residence. The Colonial Revival trim on the upper-level front windows and the Queen Anne sash on stairwell window on the north side are details indicative of Taylor's era. Walking east on Summit on the left is: Cochran Park (1924). Among the last works of Thomas Holyoke, Cochran Park was designed the year before he died. The fountain, landscaping materials, curving paths, and the placement of the shelter are inspired by the City Beautiful movement. The shelter, with its corner quoins, tracery, beamed ceiling, and slate roof, might be described as Beaux-Arts. -
• ' R« , R .I--" "F.';;:NO",';.~Bo/· \0""' ',-.' '10:'~3F" ~J 9; 37 Ss 1~Ltn'l'i~~'STATES DE"AR~ .Nl'bfthe INTERIOR J
• ' r« , r .i--" "F.';;:NO",';.~bo/· \0""' ',-.' '10:'~3f" ~J 9; 37 ss 1~ltN'l'i~~'STATES DE"AR~ .Nl'bFTHE INTERIOR J :. '/..._ NATIONAL PARK SERVICE " NA TION-AL REGISTER OF mSTORIC PLACES / ')/:' ., , INVENTORY -- NOMINATION FORM .,.. ,'-'~ SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS oNAME HISTORIC i!;: AND/OR COMMON Union Depot/Warehouse Historic District BLOCATION STREET & NUM BER NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Tacoma VICINITY OF 3rd-Dona1d L. Bonker STATE CODE COUNTY CODE Hashinqton 053 Pi erce 053 DCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE -XDISTRICT _PUBLIC X.OCCUPIED -AGRICULTURE __ MUSEUM _BUILDINGISI x..-PRIVATE X.UNOCCUPIED llCDMMERCIAL _PARK _STRUCTURE _BOTH _WORK IN PROGRESS _EDUCATIONAL _PRIVATE RESIDENCE _SITE PUBLIC ACQUISITION ACCESSIBLE _ENTERTAINMENT _RELIGIOUS _OBJECT _IN PROCESS _YES: RESTRICTED _GOVERNMENT _SCIENTIFIC _BEING CONSIDERED _ YES: UNRESTRICTED _INDUSTRIAL XTRANSPORTATION ~~l~' _NO --,-MILITARY _OTHER: DOWNER OF PROPERTY ~ NAME Multiple (see continuation sheet) STREET & NUMBER CITY. TOWN STATE VICINITY OF IDLOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS,ETC. Pierce County Assessor STREET & NUMBER 2401 South 35th Street CITY. TOWN STATE Tacoma Washington 98409 DREPRESENTATION IN EXISTING SURVEYS' TITLE A Survey of Cu1 tura1 Resources Along SR 509 SR-5 Pacific Avenue Interchange to SR-5 Port of Tacoma Road Int~r.~.cdh~a~n~g~e~.__u(D~auvui~dLDH~~St~rua~t~t~orrnLBannnd_G~o~r~d~o~nLBB~'-LVa~rue~Y~)L DATE 1978 _FEDERAL ASTATE _COUNTY _LOCAL DEPOSITORY FOR Washi ngton Archaeo 1ogi ca 1 Research Center SURVEY RECORDS Washington State Unjversity CITY, TOWN STATE Pullman 'Washington 99163...:...::.-=----- .: \, '., J ~" Form t·io;"10-300a . -
Narrative Statement of Significance the Pioneer Square-Skid Road
Narrative Statement of Significance The Pioneer Square-Skid Road National Historic District Introduction The City of Seattle Pioneer Square Preservation District was created in 1970, although the original nomination was presented to the Seattle City Council in 1969 and rejected. The district, with slightly different boundaries, was also listed in the National Register of Historic Places in 1970. Since then, there have been two subsequent boundary expansions, one in 1978 and one in 1988. All of the buildings in the district date from after the Great Fire of June 6, 1889, which reduced roughly 30 blocks or more of the original City of Seattle to ashes. Buildings within the district date from four successive periods of significance. The first period of significance spans from right after the Great Fire of June 6, 1889 to 1899, during which Seattle’s commercial district, known as the “burnt district,” was rebuilt. The second period, a time of explosive growth, spans from 1900 to 1910. In the original nominations, the third period spanned from 1911 to 1916 and a final pre-World War I surge of construction. For this update, the third period has been extended to encompass buildings associated with the war effort during World War I and/ or completed between 1911 and 1927. A fourth period, from 1928 to 1931, is associated with the Second Avenue Extension, a public works project which continued to have far-reaching consequences on the open spaces and architecture in the district until 1931. It created not only the Second Avenue Extension and modified buildings in its path, but it also caused important changes in the streetscape along 4th Avenue South, between Yesler Way and King Street. -
Phase Ii Architectural History Investigation for the Proposed Central Transit Corridor, Hennepin and Ramsey Counties, Minnesota
PHASE II ARCHITECTURAL HISTORY INVESTIGATION FOR THE PROPOSED CENTRAL TRANSIT CORRIDOR, HENNEPIN AND RAMSEY COUNTIES, MINNESOTA Submitted to: Ramsey County Regional Railroad Authority Submitted by: The 106 Group Ltd. September 2004 PHASE II ARCHITECTURAL HISTORY INVESTIGATION FOR THE PROPOSED CENTRAL TRANSIT CORRIDOR, HENNEPIN AND RAMSEY COUNTIES, MINNESOTA SHPO File No. 96-0059PA The 106 Group Project No. 02-34 Submitted to: Ramsey County Regional Railroad Authority 665 Ramsey County Government Center West 50 West Kellogg Boulevard St. Paul, MN 55102 Submitted by: The 106 Group Ltd. The Dacotah Building 370 Selby Avenue St. Paul, MN 55102 Project Manager: Anne Ketz, M.A., RPA Principal Investigator Betsy H. Bradley, Ph.D. Report Authors Betsy H. Bradley, Ph.D. Jennifer L. Bring, B.A. Andrea Vermeer, M.A., RPA September 2004 Central Transit Corridor Phase II Architectural History Investigation Page i MANAGEMENT SUMMARY From May to August of 2004, The 106 Group Ltd. (The 106 Group) conducted a Phase II architectural history investigation for the Central Transit Corridor (Central Corridor) project in Minneapolis, Hennepin County, and St. Paul, Ramsey County, Minnesota. The proposed project is a multi-agency undertaking being led by the Ramsey County Regional Railroad Authority (RCRRA). The Phase II investigation was conducted under contract with the RCRRA. The proposed action is a Light Rail Transit (LRT) or Bus Rapid Transit (BRT) facility for the Central Corridor, a transportation corridor that extends approximately 11 miles between downtown Minneapolis and downtown St. Paul, Minnesota. The project will be receiving federal permitting and funding, along with state funding, and, therefore, must comply with Section 106 of the National Historic Preservation Act of 1966, as amended, and with applicable state laws. -
Trinity Tripod, 1984-05-20
Commencement Issue The Vol. LXXXII, Issue 25 TRINITY COLLEGE, HARTFORD, CONNECTICUT May 20,1984 Honorary Degrees Awarded At Commencement Gill To Speak At Commencement Hartford, CT — Trinity College Bailyn's seven books include served as a curate in churches in will award six persons honorary two for which he received major New York before coming to Con- degrees at the College's 158th awards. The Ideologiacal Origins necticut as rector of St. Mark's Commencement Sunday, May 20, of the American Revolution won Church, Bridgeport, in 1966, 1984. the Pulitzer and Bancroft prizes where he served until 1981. He The names of the recipients in 1968, and The Ordeal of was elected a Bishop Suffragan in were announced to the faculty Thomas Hutchinson recieved a 1981, and as such has pastoral ov- May 8 by President James F. Eng- National Book Award in 1975. ersight of the western part of the lish, Jr. Bailyn was president of the diocese, from Litchfield to Green- Those to be honored are: Dr. American Historical Association wich. Bernard Bailyn, Adams Univer- in 1981. He holds honorary de- Bishop Coleridge is a Diplo- sity Professor, Harvard Univer- grees from eight colleges and uni- mate of the American Association sity; The Right Reverend Clarence versities. of Pastoral Counselors and super- N. Coleridge, Bishop Suffragan of Clarence N. Coleridge will re- vises pastoral counselors in train- the Episcopal Diocese of Con- ceive a Doctor of Divinity degree ing. He is a member of the necticut; S. Herbert Evison '12, a (D.D.). A native of Guyana, he is Academy of Certified Social conservationist; Brendan Gill, the a graduate of Howard University Workers. -
Item More Personal, More Unique, And, Therefore More Representative of the Experience of the Book Itself
Q&B Quill & Brush (301) 874-3200 Fax: (301)874-0824 E-mail: [email protected] Home Page: http://www.qbbooks.com A dear friend of ours, who is herself an author, once asked, “But why do these people want me to sign their books?” I didn’t have a ready answer, but have reflected on the question ever since. Why Signed Books? Reading is pure pleasure, and we tend to develop affection for the people who bring us such pleasure. Even when we discuss books for a living, or in a book club, or with our spouses or co- workers, reading is still a very personal, solo pursuit. For most collectors, a signature in a book is one way to make a mass-produced item more personal, more unique, and, therefore more representative of the experience of the book itself. Few of us have the opportunity to meet the authors we love face-to-face, but a book signed by an author is often the next best thing—it brings us that much closer to the author, proof positive that they have held it in their own hands. Of course, for others, there is a cost analysis, a running thought-process that goes something like this: “If I’m going to invest in a book, I might as well buy a first edition, and if I’m going to invest in a first edition, I might as well buy a signed copy.” In other words we want the best possible copy—if nothing else, it is at least one way to hedge the bet that the book will go up in value, or, nowadays, retain its value. -
The Elusive Object and the Fading Craft of Theatre Criticism: a Conversation with Gordon Rogoff
Fall 2010 99 The Elusive Object and the Fading Craft of Theatre Criticism: A Conversation with Gordon Rogoff Bert Cardullo A cofounder and editor of Encore Magazine (London) in the 1950s and Administrative Director of The Actors’ Studio, New York (1959-1962), Gordon Rogoff (1931-) was a dramaturg with The Open Theatre during the 1960s. He is Professor Emeritus at Brooklyn College and the Graduate Center of the City University of New York (CUNY), and Professor of Dramaturgy and Dramatic Criticism at the Yale School of Drama, a position he assumed in 1987. He has been Associate Dean of the Yale School of Drama (1966-1969), chair of two departments of drama (State University of New York [SUNY] at Buffalo and Brooklyn College of CUNY), and Adjunct Professor of Humanities at The Cooper Union. From 1995-1999, he was Co-Director of Exiles, a school for theatre training in Ireland. Mr. Rogoff has directed plays Off-Broadway and in Chicago, as well as in Williamstown and Stockbridge, Massachusetts. He directed his own adaptation of six stories from Italo Calvino’s Cosmicomics, in Buffalo, New York, and Off- Broadway. In 1976, he won an Obie Award for his direction of Morton Lichter’s Old Timers’ Sexual Symphony (and Other Notes). His honors include a Guggenheim Fellowship, the Morton Dauwen Zabel Award of the American Academy of Arts and Letters, and the George Jean Nathan Award for Dramatic Criticism. He has contributed numerous essays and reviews to such periodicals as American Theatre, Theater, The Village Voice, Parnassus, The New Republic, The Nation, and Plays and Players.