Fairleigh Dickinson University Commencement
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COMMENCEMENT2021 May 14 and 15 | Redwood Bowl
COMMENCEMENT2021 May 14 and 15 | Redwood Bowl Congratulations Graduates! Message from President’s Message the Chancellor to the Graduates Dear Class of 2021: Dear Humboldt Graduates, In this most extraordinary year, I offer There is nothing more meaningful my deep admiration, gratitude and or more significant to a University sincere congratulations to a most than celebrating the moment our extraordinary class of graduates. students complete their degree as As numerous forces upended our Humboldt State University graduates. world, you held your dreams steadily Congratulations and well done! in sight and persisted in your studies Do you remember that first day in through challenges none of us could class? Wondering where classrooms have imagined. Unlike any other CSU graduating class past or were located and not being sure what to expect? Remember future, you have by necessity developed and demonstrated the sights, sounds, smells, and activity around the University skills—far beyond your academic work—that will ensure Center? There was an energy on every clear day, as well as a your continued success: resilience, flexibility, resourcefulness, sense of camaraderie amongst students. Do you remember patience and tenacity. While so much and so many have the t-shirts and sweatshirts you would wear displaying your been lost, your resolve has shone as a symbol of hope and pride in your university? Or, do you remember the moments optimism—and you should be proud. you volunteered your time to help others, in the truest spirit On behalf of the entire California State University of what it means to be a Lumberjack. Each of those moments community, I am certainly proud to present you to the world is a mark you have left upon this University—forever. -
PAUL RANFORD Is a Producer with Over 30 Years Production Experience Across Film and Television. Recent Feature Film Credits
PAUL RANFORD is a producer with over 30 years production experience across film and television. Recent feature film credits include True History of The Kelly Gang from director Justin Kurzel; Ambience Entertainment’s Storm Boy, directed by Shawn Seet; and Sony Pictures’ Will Gluck helmed Peter Rabbit. Recent television credits include the ABC-TV/Netflix six-part series Stateless, starring Cate Blanchett, Dominic West and Yvonne Strahovski and the award-winning series Secret City and Deadline Gallipoli, all in association with Matchbox Pictures and NBCUniversal. Production credits also include the international titles Mad Max: Fury Road, Matrix Revolutions and Matrix Reloaded. Selected Work History: Producer Stateless (TV series) Matchbox Pictures / NBCUniversal / Dirty Films Directors: Emma Freeman, Jocelyn Moorhouse Executive Producers: Cate Blanchett, Tony Ayres, Elise McCredie Producer True History of the Kelly Gang (Feature) Porchlight Films / Daybreak Films/ Film 4/ Memento Films Director: Justin Kurzel Producers: Liz Watts, Hal Vogel, Justin Kurzel Co-Producer Storm Boy (Feature) Ambience Entertainment/ Piccadilly Pictures Director: Shawn Seet Producers: Michael Boughen, Matthew Street Unit Production Manager Peter RaBBit (Feature) Sony Pictures / Animal Logic Director: Will Gluck Producers: Will Gluck, Zareh Nalbandian Line Producer Secret City (TV series) Matchbox Pictures/ NBCUniversal / Foxtel Director: Emma Freeman Producer: Joanna Werner Executive Producers: Penny Chapman, Penny Win Line Producer Deadline Gallipoli (TV series) -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Gandhi's View on Judaism and Zionism in Light of an Interreligious
religions Article Gandhi’s View on Judaism and Zionism in Light of an Interreligious Theology Ephraim Meir 1,2 1 Department of Jewish Philosophy, Bar-Ilan University, Ramat Gan 5290002, Israel; [email protected] 2 Stellenbosch Institute for Advanced Study (STIAS), Wallenberg Research Centre at Stellenbosch University, Stellenbosch 7600, South Africa Abstract: This article describes Gandhi’s view on Judaism and Zionism and places it in the framework of an interreligious theology. In such a theology, the notion of “trans-difference” appreciates the differences between cultures and religions with the aim of building bridges between them. It is argued that Gandhi’s understanding of Judaism was limited, mainly because he looked at Judaism through Christian lenses. He reduced Judaism to a religion without considering its peoplehood dimension. This reduction, together with his political endeavors in favor of the Hindu–Muslim unity and with his advice of satyagraha to the Jews in the 1930s determined his view on Zionism. Notwithstanding Gandhi’s problematic views on Judaism and Zionism, his satyagraha opens a wide-open window to possibilities and challenges in the Near East. In the spirit of an interreligious theology, bridges are built between Gandhi’s satyagraha and Jewish transformational dialogical thinking. Keywords: Gandhi; interreligious theology; Judaism; Zionism; satyagraha satyagraha This article situates Mohandas Karamchand Gandhi’s in the perspective of a Jewish dialogical philosophy and theology. I focus upon the question to what extent Citation: Meir, Ephraim. 2021. Gandhi’s religious outlook and satyagraha, initiated during his period in South Africa, con- Gandhi’s View on Judaism and tribute to intercultural and interreligious understanding and communication. -
Republication, Copying Or Redistribution by Any Means Is
Republication, copying or redistribution by any means is expressly prohibited without the prior written permission of The Economist The Economist April 5th 2008 A special report on Israel 1 The next generation Also in this section Fenced in Short-term safety is not providing long-term security, and sometimes works against it. Page 4 To ght, perchance to die Policing the Palestinians has eroded the soul of Israel’s people’s army. Page 6 Miracles and mirages A strong economy built on weak fundamentals. Page 7 A house of many mansions Israeli Jews are becoming more disparate but also somewhat more tolerant of each other. Page 9 Israel at 60 is as prosperous and secure as it has ever been, but its Hanging on future looks increasingly uncertain, says Gideon Licheld. Can it The settlers are regrouping from their defeat resolve its problems in time? in Gaza. Page 11 HREE years ago, in a slim volume enti- abroad, for Israel to become a fully demo- Ttled Epistle to an Israeli Jewish-Zionist cratic, non-Zionist state and grant some How the other fth lives Leader, Yehezkel Dror, a veteran Israeli form of autonomy to Arab-Israelis. The Arab-Israelis are increasingly treated as the political scientist, set out two contrasting best and brightest have emigrated, leaving enemy within. Page 12 visions of how his country might look in a waning economy. Government coali- the year 2040. tions are fractious and short-lived. The dif- In the rst, it has some 50% more peo- ferent population groups are ghettoised; A systemic problem ple, is home to two-thirds of the world’s wealth gaps yawn. -
Blueprint for the Arts N Music Letter from the Chancellor
Grades PreK - 12 - PreK Grades For Teaching and Learning in Learning and Teaching For Office of Arts and Special Projects New York City Department of Education 52 Chambers Street, Room 205 New York, New York 10007 Phone: 212.374.0300 Fax: 212.374.5598 Email: [email protected] website: schools.nyc.gov/artseducation New York City Department of Education © 2005 Carmen Fariña, Chancellor Second Edition (2008) Contributors Third Edition (2015) Contributors Dorita Gibson, Senior Deputy Chancellor Phil Weinberg, Deputy Chancellor of Teaching Music Curriculum Development Co-Chairs Music Educators, Music Curriculum Development Co-Chairs New York City Department of Education and Learning Barbara Murray, Director of Music Programs Barbara Murray, Director of Music Anna Commitante, Senior Executive Director, Office of Arts and Special Projects, Donald Christiansen Robert Lamont, Music Consultant Curriculum, Instruction & Professional Learning New York City Department of Education Roberta Feldhusen Paul King, Executive Director, Office of Arts and Shellie Bransford, Music Consultant Janet Grice Special Projects Elizabeth Norman, Director of Education, Elizabeth Guglielmo Music Educators, St. Luke’s Orchestra New York City Department of Education First Edition (2004) Contributors Jaime Jacobs Gregory Pierson, Director of Education, Maria Schwab Eric Dalio Music Curriculum Development Co-Chairs Brooklyn Philharmonic Thomas Toriello Elaine Fauria Nancy Shankman, Director of Music/ George Wanat Ian Kanakaris Deputy Senior Instructional Manager for Arts Education Moishe Weidenfeld Music from the Inside Out Contributors Portia Lagares Thomas Cabaniss, Director of Education, Jerome Korman, Project Director, Music Consultant, New York Philharmonic Office of Arts and Special Projects Cultural and University Community Music Educators, Nancy Shankman, Director of Music, Deputy Senior Dr. -
Dr Ruth Harley, CEO Screen Australia Address to 37° South, Melbourne International Film Festival 2013 Thursday 25 July 2013
Ruth Harley 37° South address, Melbourne International Film Festival 2013 ‘The Power of Australian Film’ Dr Ruth Harley, CEO Screen Australia Address to 37° South, Melbourne International Film Festival 2013 Thursday 25 July 2013 I am very pleased to be here for the fifth year in a row to address the 37° South market. As many of you know, this will be my last as CEO of Screen Australia as my term ends in November. Now then, is an opportunity to reflect and to look forward. I will take you through some of the things I’ve learned in my time with the agency and some thoughts for the future. There is much to be proud of in Australian screen production over the last five years. We’ve seen the successful introduction of the Producer Offset and concurrent increase in overall film and TV production, up 58% to just under $3 billion according to ABS data released last month. We’ve seen an increase in employment in the sector of 23% to 13,414 people. 1 Ruth Harley 37° South address, Melbourne International Film Festival 2013 We’ve seen an increase of local box office of 64% compared to the previous five year average. And we’ve seen some amazing screen stories. I’d like to share with you now a reel of some of the Screen Australia slate from the past five years, with some familiar faces from our sector describing Australian content matters. The Power of Australian Storytelling clip [CLIP] We’ve also seen, in the last five years a shift in some of the commentary about Australian screen stories. -
2020–21 Commencement Program
Commencement UNIVERSITY OF COLORADO BOULDER MAY 6, 2021 One Hundred Forty-Fifth Year of the University NORLIN CHARGE TO THE GRADUATES The first commencement at the University of Colorado was held for six graduates on June 8, 1882, in the chapel of Old Main. It was not until 40 years later, on September 4, 1922, that the first summer commencement was held. Since the first commencement in 1882, the University of Colorado Boulder has awarded more than 350,000 degrees. The traditional Norlin Charge to the graduates was first read by President George Norlin to the June 1935 graduating class. You are now certified to the world at large as alumni of the university. She is your kindly mother and you her cherished sons and daughters. This exercise denotes not your severance from her, but your union with her. Commencement does not mean, as many wrongly think, the breaking of ties and the beginning of life apart. Rather it marks your initiation in the fullest sense into the fellowship of the university, as bearers of her torch, as centers of her influence, as promoters of her spirit. The university is not the campus, not the buildings on campus, not the faculties, not the students of any one time—not one of these or all of them. The university consists of all who come into and go forth from her halls, who are touched by her influence, and who carry on her spirit. Wherever you go, the university goes with you. Wherever you are at work, there is the university at work. -
Paul King | Director of Photography
PAUL KING DIRECTOR OF PHOTOGRAPHY Commercials Alexandra Burke Album TVC Alexa Mini Whitewolf Director of Photography Leon Paul ‘Wireless’ Alexa Mini Produkt Director of Photography Dulux ‘Fading Walls’ Amira Redwoood Director of Photography Quaker ‘We own the morning’ Red Epic MPH Director of Photography Emelda May Album TVC Sony F5 Whitewolf Director of Photography Barclays B Welcome Red Epic Redwood Director of Photography Ryobi Various TVC’s Alexa Mini Pixelbox Director of Photography Volvo History Amira Redwood Director of Photography Olay ‘You’re Best Beautiful’ C300 Cherry Duck Director of Photography Asda Spot the difference Alexa VCCP Director of Photography Volvo T6 Sony F55 Redwood Director of Photography UGG Creative Council Sony F55 Redwood Director of Photography Barclays B Welcome C300 Redwood Director of photography Cif Power Naturals Red Epic 12 Yard Productions Director of Photography Canon Live Streaming C300 Sting Director of Photography Bruno Mars TVC Red Epic Steam Director of Photography Barclays Pingit Red Epic Redwood Director of Photography Barclays Feature Store C300 Redwood Director of Photography Toyota Yaris Red MX MPH Director of Photography Currys/PC World Red Epic Wam London Director of Photography Canon G1X Alexa Still Moving Director of Photography Sony Playstation Move Red MX MPH Director of Photography Puma Deadmau5 Alexa Wam London Director of Photography Barclaycard Visa Red MX MPH Director of Photography Chiva Regal Red MX Spring Director of Photography Bally clothing Red MX Spring Director of Photography -
For Everyone in the Business of Music Tom Jones
FOR EVERYONE IN THE BUSINESS OF MUSIC TOM JONES ^OBBIE WILLIAIIIS THE CARDIGANS CEHYS FROM CATATWHA STEREOPHONICS NATAL!E l/fy SI TOM JONES RELOAD 27 September 1999 The much anticipated album of collaborations with Tom Jones will be released on Gut Records on 27 September. With unique interprétations of covers as well as original material, this project spans générations and genres • 'An Audience With Tom • Live on Zoë Ball's A major éditorial campaign Jones' (ITV) Breakfast Show (Radio 1) is underway which includes: • The National Lottery, New • Co-host on the Lunchtime • Loaded - feature Saturday Edition (BBC1) Show with Jo Whiley • Q - feature • TFI Friday (Channel 4) (Radio 1) • Mojo-feature • Jerry Springer UK Spécial • Morning Show 'Record Of • Observer Life - Cover fea- (ITV) The Week' (Radio 1) ture • Live & Kicking (Mot Seat) • Breakfast Show 'Record of • Big Issue - Cover feature (BBC1) The Week' (Virgin Radio) • Times Métro - Cover fea- • The O Zone (BBC2) • Spécial guest on Chris ture • MTV/VH-1 specials Tarrant's Breakfast Show • NME - Feature VH-1 Artist of the Month (Capital Radio) • The Source - Cover fea- • Later with Jools Holland • 'Tom Jones Weekend' 9th- ture (The Sun) (BBC2) 10th October (Capital • The Look - Cover feature • The Big Breakfast Radio) • Select-Think Tank fea- (Channel 4) • Guest on the Pepsi Chart ture • CD/UK People's Choice Show (ILR) • Daily Mail - Night & Day (ITV) • Spécial guest on the Cover feature • The Jo Whiiey Show Jonathan Ross Show (Channel 4) (Radio 2) • A two part Tom Jones • e-mailable -
FALL COMMENCEMENT 2020 CELEBRATING the GRADUATING CLASS So Enter That Daily Thou Mayest Grow in Knowledge Wisdom and Love
FALL COMMENCEMENT 2020 CELEBRATING THE GRADUATING CLASS So enter that daily thou mayest grow in knowledge wisdom and love. To the Class of 2020, Congratulations on your graduation from Ohio University! You are one of the fortunate who has experienced the nation’s best transformative learning experience. This year has not been what any of us had planned, as the COVID-19 global pandemic changed all of our lives. I want to thank you for boldly responding to these historic changes by continuing to learn together, work together and support one another. You have shown great resilience as you navigated the many challenges of 2020 and I am very proud of you. Your class is truly special and will always be remembered at Ohio University for your spirit and fortitude. Your time at Ohio University prepared you for your future, and now you and your classmates are beginning your careers, advancing in new academic programs or taking on other challenges. I want you to know, though, that your transformation is not yet complete. For a true education does not stop with a diploma; it continues throughout every day of your life. I encourage you to take the lessons you have learned at Ohio University and expand upon them in the years to come. As you have already learned, the OHIO alumni network is a vast enterprise – accomplished in their respectable professions, loyal to their alma mater, and always willing to help a fellow Bobcat land that next job or find an apartment/realtor in a new city. I urge you to seek out your nearest alumni chapter or a special interest society of alumni and friends, to reach out through social media (#ohioalumni), and to stay connected to Ohio University. -
Le Gruyère European Curling Championships 2011
LE GRUYÈRE EUROPEAN CURLING CHAMPIONSHIPS 2011 A GROUP MEN TEAMS - CONFIRMED - as of 2/12/2011 CZECH REPUBLIC (CZE) DENMARK (DEN) Fourth Jiri Snítil (Skip) Fourth Rasmus Stjerne (Skip) Third Martin Snítil Third Johnny Frederiksen Second Jindřich Kitzberger Second Mikkel Poulsen Lead Marek Vydra Lead Troels Harry Alternate Samuel Mokriš Alternate Lars Vilandt Team Coach Ellery Robichaud Team Coach James Dryburgh FRANCE (FRA) GERMANY (GER) Fourth Tony Angiboust Fourth Felix Schulze Third Thomas Dufour (Skip) Third John Jahr (Skip) Second Lionel Roux Second Christopher Bartsch Lead Wilfrid Coulot Lead Sven Goldemann Alternate Jérémy Frarier Alternate Peter Rickmers Team Coach Björn Schröder Bjoern Schroeder Team Coach Martin Beiser ITALY (ITA) LATVIA (LAT) Fourth Joel Retornaz (Skip) Fourth Ritvars Gulbis (Skip) Third Silvio Zanotelli Third Ainârs Gulbis Second Davide Zanotelli Second Normunds Šaršūns Lead Marco Mariani Lead Aivars Avotins Alternate Marco Pascale Alternate Team Coach Daniel Rafael Team Coach Iveta Staša-Šaršūne NORWAY (NOR) SCOTLAND (SCO) Fourth Thomas Ulsrud (Skip) Fourth David Murdoch (Skip) Third Torger Nergård Nergaard Third Glen Muirhead Second Christoffer Svae Second Ross Paterson Lead Håvard Vad Petersson Haavard Lead Richard Woods Alternate Thomas Løvold Alternate David Edwards Team Coach Ole Ingvaldsen Team Coach David Ramsay SWEDEN (SWE) SWITZERLAND (SUI) Fourth Niklas Edin (Skip) Fourth Sven Michel (Skip) Third Sebastian Kraupp Third Claudio Pätz Second Fredrik Lindberg Second Sandro Trolliet Lead Viktor Kjäll Kjaell Lead Simon Gempeler Alternate Oskar Eriksson Alternate Benoît Schwarz Team Coach Marcus Hasselborg Team Coach Andreas Schwaller World Curling Federation [email protected] www.worldcurling.org 03/12/2011.