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Elizabeth Bay House Was Once the Summer Semester 2018 Finest House in the Colony, Set Within a Garden of the Most Remarkable Extravagance and Fancy

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Elizabeth Bay House Was Once the Summer Semester 2018 Finest House in the Colony, Set Within a Garden of the Most Remarkable Extravagance and Fancy TOP EDUCATION INSTITUTE Built at a ‘very considerable expense’, Elizabeth Bay House was once the Summer Semester 2018 finest house in the colony, set within a garden of the most remarkable extravagance and fancy. Yet it tells a familiar Sydney story: of ambition and passion over-stretched, of riches to ruin. With commanding views over Sydney Harbor, Elizabeth Bay House gleams like a Greek temple. Once surrounded by famous landscaped gardens, ELIZABETH it is one of the most splendid private houses ever built in Australia and still arouses our delight and astonishment. Its elegant rooms and fine proportions, sweeping staircase and lavish furnishings reveal the tastes and aspirations of its original owner, Alexander Macleay, after the governor, the BAY HOUSE most important public official in colonial Sydney. But it was his magnificent gardens which most keenly expressed his tastes and passions, and in the economic downturn of the 1840s pushed him towards ruin. Elizabeth Bay House is an iconic Sydney home, with an iconic Sydney back-story of obsession for property and position stretched beyond means and undone by changing financial times. For more information on Elizabeth Bay House please visit the website below: STUDENT FIELD TRIP sydneylivingmuseums.com.au/elizabeth-bay-house History Elizabeth Bay House was built for NSW Colonial Secretary Alexander Macleay between 1835 and 1839 on land granted in 1826 by Governor Ralph Darling. The designer of the house is uncertain, with recent research suggesting that the accomplished colonial architect John Verge (1788–1861) was the main designer, but that he was presented with an imported scheme that he modified for Macleay. The fine detailing demonstrates the role of Verge’s partner John Bibb. The house’s facade is severe, owing to its incomplete nature: like many colonial houses begun in the late 1830s, the house is unfinished, the victim of Macleay’s growing financial distress and the severe economic depression of the 1840s.[3] It was originally intended to have an encircling single-storey Doric colonnade (included in Drawing Room several views by Conrad Martens, and akin to the colonnade at Vineyard, designed by Verge for Hannibal Hawkins Macarthur); the small portico was only added in the early 20th century. Donald Friend, an Australian artist, was a resident of the house after it was vacated by the Macleay family and converted into residential flats. The main axis of the house is aligned with the winter solstice. Though no documents are known to discuss this feature, it is unlikely to be an accident. A rear service wing (since demolished) contained a kitchen, laundry and servants’ accommodation, and a large stables (also demolished) was sited elsewhere on the estate. A design for a proposed bathing pavilion imitated the Tower of the Winds in Athens. The pavilion was intended for the extremity of nearby Macleay Point, facing Rushcutters Bay and which was poetically named Cape Sunium after the peninsula east of Athens with its picturesque ruined temple. Images Sourced from: Dining Room https://sydneylivingmuseums.com.au/venues/weddings-elizabeth-bay-house http://collection.hht.net.au/firsthhtpictures/resbyfield..
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