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07 July 1980, No 3
AUSTRALIANA SOCIETY NEWSLETTER 1980/3 July 1980 •• • • • •• • •••: •.:• THE AUSTRALIANA SOCIETY NEWSLETTER ISSN 0156.8019 The Australiana Society P.O. Box A 378 Sydney South NSW 2000 1980/3, July 1980 SOCIETY INFORMATION p. k NOTES AND NEWS P-5 EXHIBITIONS P.7 ARTICLES - John Wade: James Cunningham, Sydney Woodcarver p.10 James Broadbent: The Mint and Hyde Park Barracks P.15 Kevin Fahy: Who was Australia's First Silversmith p.20 Ian Rumsey: A Guide to the Later Works of William Kerr and J. M. Wendt p.22 John Wade: Birds in a Basket p.24 NEW BOOKS P.25 LIST OF ILLUSTRATIONS p.14 OUR CONTRIBUTORS p.28 MEMBERSHIP FORM P.30 Registered for posting as a publication - category B Copyright C 1980 The Australiana Society. All material written or illustrative, credited to an author, is copyright. pfwdaction - aJLbmvt Kzmkaw (02) 816 U46 it Society information NEXT MEETING The next meeting of the Society will be at the Kirribilli Neighbourhood Centre, 16 Fitzroy Street, Kirribilli, at 7-30 pm on Thursday, 7th August, 1980. This will be the Annual General Meeting of the Society when all positions will be declared vacant and new office bearers elected. The positions are President, two Vice-Presidents, Secretary, Treasurer, Editor, and two Committee Members. Nominations will be accepted on the night. The Annual General Meeting will be followed by an AUCTION SALE. All vendors are asked to get there early to ensure that items can be catalogued and be available for inspection by all present. Refreshments will be available at a moderate cost. -
Harbour Bridge to South Head and Clovelly
To NEWCASTLE BARRENJOEY A Harbour and Coastal Walk Personal Care This magnificent walk follows the south-east shoreline of Sydney Harbour The walk requires average fitness. Take care as it includes a variety of before turning southwards along ocean beaches and cliffs. It is part of one pathway conditions and terrain including hills and steps. Use sunscreen, of the great urban coast walks of the world, connecting Broken Bay in carry water and wear a hat and good walking shoes. Please observe official SYDNEY HARBOUR Sydney's north to Port Hacking to its south (see Trunk Route diagram), safety and track signs at all times. traversing the rugged headlands and sweeping beaches, bush, lagoons, bays, and harbours of coastal Sydney. Public Transport The walk covered in this map begins at the Circular Quay connection with Public transport is readily available at regular points along the way Harbour Bridge the Harbour Circle Walk and runs to just past coastal Bronte where it joins (see map). This allows considerable flexibility in entering and exiting the Approximate Walking Times in Hours and Minutes another of the series of maps covering this great coastal and harbour route. routes. Note - not all services operate every day. to South Head e.g. 1 hour 45 minutes = 1hr 45 The main 29 km Harbour Bridge (B3) to South Head (H1) and to Clovelly Bus, train and ferry timetables. G8) walk (marked in red on the map) is mostly easy but fascinating walk- Infoline Tel: 131-500 www.131500.com.au 0 8 ing. Cutting a 7km diagonal across the route between Rushcutters Bay (C5) and Clovelly kilometres and Clovelly, is part of the Federation Track (also marked in red) which, in Short Walks using Public Transport Brochure 1 To Manly NARRABEEN full, runs from Queensland to South Australia. -
2013 NSW Museum & Gallery Sector Census and Survey
2013 NSW Museum & Gallery Sector Census and Survey 43-51 Cowper Wharf Road September 2013 Woolloomooloo NSW 2011 w: www.mgnsw.org.au t: 61 2 9358 1760 Introduction • This report is presented in two parts: The 2013 NSW Museum & Gallery Sector Census and the 2013 NSW Small to Medium Museum & Gallery Survey. • The data for both studies was collected in the period February to May 2013. • This report presents the first comprehensive survey of the small to medium museum & gallery sector undertaken by Museums & Galleries NSW since 2008 • It is also the first comprehensive census of the museum & gallery sector undertaken since 1999. Images used by permission. Cover images L to R Glasshouse, Port Macquarie; Eden Killer Whale Museum , Eden; Australian Fossil and Mineral Museum, Bathurst; Lighting Ridge Museum Lightning Ridge; Hawkesbury Gallery, Windsor; Newcastle Museum , Newcastle; Bathurst Regional Gallery, Bathurst; Campbelltown arts Centre, Campbelltown, Armidale Aboriginal Keeping place and Cultural Centre, Armidale; Australian Centre for Photography, Paddington; Australian Country Music Hall of Fame, Tamworth; Powerhouse Museum, Tamworth 2 Table of contents Background 5 Objectives 6 Methodology 7 Definitions 9 2013 Museums and Gallery Sector Census Background 13 Results 15 Catergorisation by Practice 17 2013 Small to Medium Museums & Gallery Sector Survey Executive Summary 21 Results 27 Conclusions 75 Appendices 81 3 Acknowledgements Museums & Galleries NSW (M&G NSW) would like to acknowledge and thank: • The organisations and individuals -
The Story of Barncleuth (Later Kinneil)
PROCEEDINGS OF THE SOCIETY OF ARCHITECTURAL HISTORIANS AUSTRALIA AND NEW ZEALAND VOL. 33 Edited by AnnMarie Brennan and Philip Goad Published in Melbourne, Australia, by SAHANZ, 2016 ISBN: 978-0-7340-5265-0 The bibliographic citation for this paper is: Judith O’Callaghan “Trophy House: The Story of Barncleuth (later Kinneil).” In Proceedings of the Society of Architectural Historians, Australia and New Zealand: 33, Gold, edited by AnnMarie Brennan and Philip Goad, 538-549. Melbourne: SAHANZ, 2016. All efforts have been undertaken to ensure that authors have secured appropriate permissions to reproduce the images illustrating individual contributions. Interested parties may contact the editors. Judith O’Callaghan UNSW Australia TROPHY HOUSE: THE STORY OF BARNCLEUTH (LATER KINNEIL) Kinneil was a rare domestic commission undertaken by the prominent, and often controversial architect, J. J. Clark. Though given little prominence in recent assessments of Clark’s oeuvre, plans and drawings of “Kinneil House,” Elizabeth Bay Road, Sydney, were published as a slim volume in 1891. The arcaded Italianate villa represented was in fact a substantial remodelling of an earlier house on the site, Barncleuth. Built by James Hume for wine merchant John Brown, it had been one of the first of the “city mansions” to be erected on the recently subdivided Macleay Estate in 1852. Brown was a colonial success story and Barncleuth was to be both his crowning glory and parting gesture. Within only two years of the house’s completion he was on his way back to Britain to spend the fortune he had amassed in Sydney. Over the following decades, Barncleuth continued to represent the golden prize for the socially mobile. -
14 April 1982, No 2
THE AUSTRALIANA SOCIETY NEWSLETTER 1982/2 APRIL, 1982 Registered by Australia Post Publication No. NBH 2771 THE AUSTRALIANA SOCIETY NEWSLETTER ISSN 0156.8019 Published by: The Australiana Society 1982/1 Box A 378 April, 1982 Sydney South NSW 2000 EDITORIAL SOCIETY INFORMATION AUSTRALIANA NEWS ARTICLES - Ian Rumsey - The Case of the Oatley Clock: Is There a Case to Answer p. 9 David Dolan - Sydney's Colonial Craftsmen at Elizabeth Bay House p.10 Kai Romot - The Sydney Technical College and Its Architect, W E Kemp. p.12 Ian G Sanker - Richard Daintree, A Note on His Photographs p.16 Juliet Cook - Sydney Harbour Bridge 50th Anniversary p.16 AUSTRALIANA BOOKS p.18 BOOK REVIEWS p.20 LIST OF ILLUSTRATIONS p.15 OUR AUTHORS p. 20 MEMBERSHIP FORM p.21 All editorial correspondence should be addressed to John Wade, Editor, Australiana Society Newslatter, c/- Museum of Applied Arts and Sciences. 659 Harris Street, Ultimo, NSW, 2007. Copyright 1982 The Australiana Society. All material written or illustrative, credited to an author, photographer, draftsman, or artist, is copyright. We gratefully record our thanks to James R Lawson Pty Ltd for their generous donation towards the cost of illustrations. 4 Editorial The quality of this newsletter has little to do with its Editor. It depends much more on the articles and news items which you submit. Fortunately your Editor has a thick hide and a large stick with which to bludgeon those unfortunate enough to get near him, into writing articles. But with travel now restricted by Government cutbacks, we are very much becoming limited to Sydney news and Sydney articles. -
Sydney Gateway
Sydney Gateway State Significant Infrastructure Scoping Report BLANK PAGE Sydney Gateway road project State Significant Infrastructure Scoping Report Roads and Maritime Services | November 2018 Prepared by the Gateway to Sydney Joint Venture (WSP Australia Pty Limited and GHD Pty Ltd) and Roads and Maritime Services Copyright: The concepts and information contained in this document are the property of NSW Roads and Maritime Services. Use or copying of this document in whole or in part without the written permission of NSW Roads and Maritime Services constitutes an infringement of copyright. Document controls Approval and authorisation Title Sydney Gateway road project State Significant Infrastructure Scoping Report Accepted on behalf of NSW Fraser Leishman, Roads and Maritime Services Project Director, Sydney Gateway by: Signed: Dated: 16-11-18 Executive summary Overview Sydney Gateway is part of a NSW and Australian Government initiative to improve road and freight rail transport through the important economic gateways of Sydney Airport and Port Botany. Sydney Gateway is comprised of two projects: · Sydney Gateway road project (the project) · Port Botany Rail Duplication – to duplicate a three kilometre section of the Port Botany freight rail line. NSW Roads and Maritime Services (Roads and Maritime) and Sydney Airport Corporation Limited propose to build the Sydney Gateway road project, to provide new direct high capacity road connections linking the Sydney motorway network with Sydney Kingsford Smith Airport (Sydney Airport). The location of Sydney Gateway, including the project, is shown on Figure 1.1. Roads and Maritime has formed the view that the project is likely to significantly affect the environment. On this basis, the project is declared to be State significant infrastructure under Division 5.2 of the NSW Environmental Planning & Assessment Act 1979 (EP&A Act), and needs approval from the NSW Minister for Planning. -
Environment Committee
Significant Tree Listings 21. Darlinghurst © City of Sydney Register of Significant Trees 2013 - Draft for Council Adoption (May 2013) C-124 Significant Tree Listings 21.01 Green Park Address: Historical Notes Darlinghurst Road, Burton Street and Victoria Street, Green Park has high local significance as a rare public open Darlinghurst space in Darlinghurst which was dedicated in 1875. It is an Ownership Type: important townscape feature. The octagonal bandstand (1925), Park and the two memorials, the Gay and Lesbian Holocaust Memorial Owner/ Controlling Authority: (2001) which commemorates gay men and women who lost their City of Sydney lives during World War II, and the memorial to Victor Chang Year of planting (of oldest item / if known) containing a canopied drinking fountain, are important elements c. 1880 within the park. The park was named after Alderman James Green who represented the district from 1869 to 1883. Scheduled Significant Trees The Green Park Group (including the bandstand pavilion, Qty Species Common Name perimeter fence and landscaping) is scheduled in the City of 8 Ficus macrophylla Moreton Bay Fig Sydney Local Environmental Plan 2012, Sydney City Heritage Study and classified by the National Trust of Australia (NSW). 5 Washingtonia robusta Washington Palm The park also adjoins the ‘Victoria Streetscape Area’, an area of high streetscape value scheduled in the LEP. The park is considered to be significant as an integral component of this historic precinct. Description The Park is a rectangular-shaped parcel of public land in the centre of Darlinghurst, is bounded by Darlinghurst Road (west), Burton Street north), Victoria Street (east) and The Sacred Heart Palliative Care & Rehabilitation Centre (south). -
Parramatta Park
• • A HOUSE FULL OF ARTEFACTS OR • ARTEFACTS FOR THE HOUSE ? • papers from a semlnar about the interpretation and presentation of Old Government House, Parramatta • 14 & 15 February, 1985. • • • TH1e National Must of Australia (N SW) • • • ARTEFACTS • o~ • . ~ pa er~. fro~a seminar about the inter et~(}on and presentation of Old Govern~nt House, Parramatta 14 & 15 February, 1985. • • • • rue NationaR Must ofp\U]stnilia (NSW) • • • • • A HOUSE FULL OF ARTEFACTS • OR ARTEFACTS FOR THE HOUSE ? • papers from a seminar about the interpretation and presentation of Old Government House, Parramatta 14 & 15 February, 1985. • • • • The National Trust of Australia (NSW) • • .' • A HOUSE FULL OF ARTEFACTS OR ARTEFACTS FOR THE HOUSE? • papers from a seminar about the interpretation and presentation of Old Government House, Parramatta. CONTENTS. • FOREWORD Richard Rowe? OPENING Pat McDonald • PART 1. OLD GOVERNMENT HOUSE TODAY 1.1 BACKGROUND PAPER Meredith Walker • 1.2 CURRENT INTERPRETATION AND PRESENTATION OPERATION AND VISITORS Chris Levins 1.3 CURRENT "INTERPRETATION AND PRESENTATION THE DISPLAY Patricia McDonald • 1.4 HISTORY OF THE DISPLAY Kevin Fahy 1.5 HISTORICAL INTERIORS AND THE FURNITURE Kevin Fahy • 1.6 HISTORICAL INVENTORIES AND ROOM USAGE AT OLD GOVERNMENT HOUSE James Broadbent 1.7 BUILDING CONDITIONS AND PROBLEMS Alan Croker • PART 2. THE CULTURAL SIGNIFICANCE OF OLD GOVERNMENT HOUSE AND ITS INTERPRETATION AND PRESENTATION. • 2.1 ON RECONSIDERING THE SIGNIFICANCE OF OLD GOVERNMENT HOUSE Helen Proudfoot 2.2 THE ARCHAEOLOGICAL SIGNIFICANCE OF OLD GOVERNMENT HOUSE Richard Mackay • 2.3 THE ARCHITECTURAL SIGNIFICANCE OF OLD GOVERNMENT HOUSE James Broadbent 2.4 THE SIGNIFICANCE OF THE FURNITURE Kevin Fahy • 2.5 THE HISTORY OF THE GARDEN AND ITS SIGNIFICANCE Joanna Capon • • 2.6 THE FUTURE OF THE PAST IN NEW GOVERNMENT HOUSE, PARRAMATTA: • PRESENTING THE INTERIOR Jessie Serle 2.7 PRESERVING AND PRESENTING THE ARTEFACTS Donna Midwinter • 2.8 DRAFT STATEMENT OF SIGNIFICANCE Ian Stapleton '. -
Australian Silhouettes
from the Collection of the Sydney Living Museums Australian Silhouettes Complied by Lauren Muney, “Silhouettes By Hand” For use at the Lost Trades Fair Kyneton, VIC D'Arcy Wentworth Silhouette of D'Arcy Wentworth (1762-1827) / artist unknown Date: [c1815] 1 framed silhouette painted on glass : bronzed ; 8 x 5.5 cm Handwritten on back: 'Believed to be / Darcy Wentworth / sometime prior to / 1827'. D'Arcy Wentworth (1762-1827), was born near Portadown, Ireland, the sixth of the eight children of D'Arcy Wentworth and his wife, Martha Dickson. He served as an ensign in the First Armagh Company of the Irish Volunteers while also serving an apprenticeship for the medical profession. Later, while living in London, he found himself in financial difficulties and at the Old Bailey sessions beginning on 12 December 1787 he was thrice charged with highway robbery: twice he was found not guilty and in the third acquitted for lack of evidence. At the conclusion of the case the prosecutor informed the judge: 'My Lord, Mr. Wentworth, the prisoner at the Bar, has taken a passage to go in a fleet to Botany Bay and has obtained an appointment in it as Assistant Surgeon and desires to be discharged immediately'. Wentworth arrived at Port Jackson in the transport Neptune on 28 June 1790. On 1 August he sailed in the Surprize for Norfolk Island where he began his Australian career as an assistant in the hospital. He was appointed superintendent of convicts at Norfolk Island from 10 September 1791, returning to Sydney in February 1796 where he was appointed one of the assistant surgeons of the colony and later principal surgeon of the Civil Medical Department. -
The First 40 Years MAFC of NSW .Pub
THE FIRST FORTY YEARS - The Model A Ford Club Of NSW Inc - A summary of what we did or what happened taken from the pages of the Club magazine. Decemberal 1970 / January 1971 - The Going Thing. Meeting Reports: The inaugural meeting of the Club was held at the High Club, 81 York St Sydney on Friday 6th November 1970. Those present were Ann Buggie, Geoff Buggie, Susan Alexander, Brian Brown, Jim Wilson, Allan Crouch, Angus McKenzie, D McKenzie, W. Bownsd (sic), Trevor Davis, John McMurray, G Addison, Russell Barrett, J Wong, R Cole, Phillip Haynes, Ken Quarmby, Bruce Lawson, Mal Bradley, John Pryde, Keith Cook, John Corby (CVVTMC), Jim Alexander & Chris McSorley. (NB. The minutes omitted recording the attendance of J Allingham). John Corboy, as a repre- sentative of the CVV TMC, was invited as the returning officer for committee elections: Election of 1971 Committee: Geoff Buggie Club President & Acting editor , Mal Bradley Vice Presi- dent , Keith Cook Secretary , Ann Buggie Treasurer , Chris McSorley Committee member , Social & Events Committee Brian Brown with one extra to be elected later, Vehicle Registration & Competition Committee Jim Alexander, Jim Wilson and Mal Bradley. Annual subscription was set at $7.00. A pro- posed constitution as circulated was moved for adoption and carried. Family membership was discussed. An approach is to be made to the CVV TMC for membership and provision of club plates. Proposed that a club emblem is to be designed and some thought of a club shirt was suggested. Club Events: A slide show was held at Ann and Geoff Buggie’s home attended by 20 members. -
85 Harrington Street, the Rocks Aboriginal and Historical Archaeological Assessment
85 HARRINGTON STREET, THE ROCKS ABORIGINAL AND HISTORICAL ARCHAEOLOGICAL ASSESSMENT 11 NOVEMBER 2019 SA7415 PREPARED FOR TIME & PLACE URBIS STAFF RESPONSIBLE FOR THIS REPORT WERE: Associate Director Balazs Hansel Senior Consultant Holly Maclean | Edward Green Consultant Jessica Boman Project Code SA7415 Report Number 1 – 27.09.2019 2 – 11.11.2019 © Urbis Pty Ltd ABN 50 105 256 228 All Rights Reserved. No material may be reproduced without prior permission. You must read the important disclaimer appearing within the body of this report. urbis.com.au CONTENTS TABLE OF CONTENTS Executive Summary ............................................................................................................................................. i 1. Introduction ........................................................................................................................................... 1 1.1. Background ........................................................................................................................................... 1 1.2. Site Location ......................................................................................................................................... 1 1.3. Heritage Listings ................................................................................................................................... 2 1.4. Author Identification .............................................................................................................................. 2 1.5. Methodology ........................................................................................................................................ -
Drawing the Line Between Native and Stranger
DRAWING THE LINE BETWEEN NATIVE AND STRANGER Thesis submitted in accordance with the requirements of the University of New South Wales for the degree of Master of Fine Arts by Research by Fiona Melanay MacDonald March 2010 ABSTRACT Drawing the Line between Native and Stranger Fiona MacDonald The Research Project Drawing the Line between Native and Stranger explores the repercussions of the foundational meeting at Botany Bay through a culture of protest and opposition. The project took form as sets of print works presented in an exhibition and thus the work contributes to the ongoing body of Art produced about the ways that this foundational meeting has shaped our culture. The Research Project is set out in three broad overlapping categories: Natives and Strangers indicated in the artwork by the use of Sydney Language and specific historic texts; Environment; the cultural clash over land use, and Continuing Contest — the cycle of exploitation and loss. These categories are also integrated within a Legend that details historical material that was used in the development of the key compositional elements of the print folio. The relationship between Native and Stranger resonates in the work of many Australian artists. To create a sense of the scope, range and depth of the dialogue between Native and Stranger, artists whose heritage informs their work were discussed to throw some light from their particular points of view. In conclusion, a document and suite of print-based work traces the interaction and transformation of both Native and Stranger