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A Stranger in a Strange Land: Medea in Roman Republican Tragedy1 Robert Cowan
CHAPTER 3 A Stranger in a Strange Land: Medea in Roman Republican Tragedy1 Robert Cowan The first performance of a Roman version of a Greek tragedy in 240 BC was a momentous event. It was not the beginning of Roman appropriation of Greek culture- Rome had had contact and complex interaction with Greek communities in Magna Graecia and elsewhere from earliest times - but it was an important landmark in the relationship between Greece and Rome. 2 When a tragedy by Livius Andronicus was performed to celebrate victory over Carthage in the First Punic War, a central cultural practice of an alien culture was adopted, adapted, appropriated and transformed to serve as a central cultural practice of Rome. It is significant that the first tragedy celebrated a victory (albeit over Carthage), since the appropriation of Greek tragedy was an act of cultural conquest, as Roman actors marched into and occupied the stage of Attic drama. Yet the event was more complex than that description suggests. In Horace's phrase, captured Greece captured its savage master.3 The writing ofRoman tragedy in the Greek style was simultaneously an act of self-confident literary invasion and of cultural submission to the thrall of a more established theatrical tradition. In terms of literary history, this complex interrelationship marks the beginning of Latin literature, in conjunction with Livius's Latin, Saturnian version of the Odyssey. In terms of culture, the flourishing of Roman drama coincided with the massive expansion of Roman territory and the accompanying challenge to its sense of identity. Dramas were performed at public festivals, /rrdi scaenici, organized by state officials, the aediles, and sponsored by influential elites. -
Introduction: Medea in Greece and Rome
INTRODUCTION: MEDEA IN GREECE AND ROME A J. Boyle maiusque mari Medea malum. Seneca Medea 362 And Medea, evil greater than the sea. Few mythic narratives of the ancient world are more famous than the story of the Colchian princess/sorceress who betrayed her father and family for love of a foreign adventurer and who, when abandoned for another woman, killed in revenge both her rival and her children. Many critics have observed the com plexities and contradictions of the Medea figure—naive princess, knowing witch, faithless and devoted daughter, frightened exile, marginalised alien, dis placed traitor to family and state, helper-màiden, abandoned wife, vengeful lover, caring and filicidal mother, loving and fratricidal sister, oriental 'other', barbarian saviour of Greece, rejuvenator of the bodies of animals and men, killer of kings and princesses, destroyer and restorer of kingdoms, poisonous stepmother, paradigm of beauty and horror, demi-goddess, subhuman monster, priestess of Hecate and granddaughter of the sun, bride of dead Achilles and ancestor of the Medes, rider of a serpent-drawn chariot in the sky—complex ities reflected in her story's fragmented and fragmenting history. That history has been much examined, but, though there are distinguished recent exceptions, comparatively little attention has been devoted to the specifically 'Roman' Medea—the Medea of the Republican tragedians, of Cicero, Varro Atacinus, Ovid, the younger Seneca, Valerius Flaccus, Hosidius Geta and Dracontius, and, beyond the literary field, the Medea of Roman painting and Roman sculp ture. Hence the present volume of Ramus, which aims to draw attention to the complex and fascinating use and abuse of this transcultural heroine in the Ro man intellectual and visual world. -
Oracular Prophecy and Psychology in Ancient Greek Warfare
ORACULAR PROPHECY AND PSYCHOLOGY IN ANCIENT GREEK WARFARE Peter McCallum BA (Hons) MA A thesis submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Classics University of Wales Trinity Saint David June 2017 Director of Studies: Dr Errietta Bissa Second Supervisor: Dr Kyle Erickson Abstract This thesis examines the role of oracular divination in warfare in Archaic, Classical, and Hellenistic Greece, and assesses the extent to which it affected the psychology and military decision-making of ancient Greek poleis. By using a wide range of ancient literary, epigraphical, archaeological, and iconographical evidence and relevant modern scholarship, this thesis will fully explore the role of the Oracle in warfare, especially the influence of the major Oracles at Delphi, Dodona, Olympia, Didyma, and Ammon on the foreign policies and military strategies of poleis and their psychological preparation for war; as well as the effect of oracular prophecies on a commander’s decision- making and tactics on the battlefield, and on the psychology and reactions of soldiers before and during battle. This thesis contends that oracular prophecy played a fundamental and integral part in ancient Greek warfare, and that the act of consulting the Oracles, and the subsequent prognostications issued by the Oracles, had powerful psychological effects on both the polis citizenry and soldiery, which in turn had a major influence and impact upon military strategy and tactics, and ultimately on the outcome of conflicts in the ancient Greek world. Declarations/Statements DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. -
S Mythological Network
RESEARCH ARTICLE The Odyssey's mythological network Pedro Jeferson Miranda1, Murilo Silva Baptista2, Sandro Ely de Souza Pinto1* 1 Department of Physics, State University of de Ponta Grossa, ParanaÂ, Brazil, 2 Institute for Complex System and Mathematical Biology, SUPA, University of Aberdeen, Aberdeen, United Kingdom * [email protected] Abstract In this work, we study the mythological network of Odyssey of Homer. We use ordinary sta- a1111111111 a1111111111 tistical quantifiers in order to classify the network as real or fictional. We also introduce an a1111111111 analysis of communities which allows us to see how network properties shall emerge. We a1111111111 found that Odyssey can be classified both as real and fictional network. This statement is a1111111111 supported as far as mythological characters are removed, which results in a network with real properties. The community analysis indicated to us that there is a power-law relation- ship based on the max degree of each community. These results allow us to conclude that Odyssey might be an amalgam of myth and of historical facts, with communities playing a OPEN ACCESS central role. Citation: Miranda PJ, Baptista MS, de Souza Pinto SE (2018) The Odyssey's mythological network. PLoS ONE 13(7): e0200703. https://doi.org/ 10.1371/journal.pone.0200703 Editor: Satoru Hayasaka, University of Texas at Austin, UNITED STATES Introduction Received: April 3, 2018 The paradigm's shift from reductionism to holism stands for a stepping stone that is taking researcher's interests to the interdisciplinary approach. This process is accomplished as far as Accepted: July 2, 2018 the fundamental concepts of complex network theory are applied to problems that may arise Published: July 30, 2018 from many areas of study. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
Con El Viento a Favor • with a Fair Wind
fundacion esteyco CON EL VIENTO A FAVOR • WITH A FAIR WIND Even today not everyone realises that wind energy, No todo el mundo al día de hoy tiene la percepción which at the onset was green but costly, is still green de que la energía eólica, que en sus orígenes se WITH A FAIR WIND WITH A FAIR RAMÓN LÓPEZ MENDIZABAL but with time has become a tremendously competitive • trataba de una energía verde aunque cara, se ha ido source of electric power. transformando paulatinamente en una energía que se mantiene todavía verde, pero que además genera Much of the ‘blame’ for that transformation lies CONSUELO ALONSO· ALBERTO CEÑA· MIGUEL ÁNGEL FERNÁNDEZ· JAUME MASCARÓ electricidad a un precio tremendamente competitivo. with the technological improvements introduced in FRANCESCO MICELI· JOAN MORENO· JORDI MORELLÓ· JAVIER MUÑOZ turbines and other components. Thanks to those MIGUEL NÚÑEZ· MANFRED PETERSEN· JUAN CARLOS ROSA· JAVIER RUI-WAMBA Buena culpa de esta transformación la tienen las advances, in many of the wind farms we see from time MIGUEL ÁNGEL RUIZ· RAMÓN SAGARRA· DAVID SARRASÍN· JOSE SERNA mejoras tecnológicas que se han ido introduciendo to time from the car or train, each and every one of the en las turbinas y resto de componentes, que han machines produces enough power to cover the entire conseguido que muchas de las máquinas eólicas que demand generated by two thousand households. Such con cierta frecuencia dejamos a nuestro lado cuando a significant output has made wind one of the most circulamos por las carreteras o líneas férreas, sean reliable alternatives to perishable fossil fuels. -
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth and Fourth Centuries BC Edmund Stewart Abstract This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performance context. As a result, it has become all the more important to establish both when and how tragedy first became popular across the Greek world. This study aims to provide detailed answers to these questions. In doing so, the thesis challenges the prevailing assumption that tragedy was, in its origins, an exclusively Athenian cultural product, and that its ‘export’ outside Attica only occurred at a later period. Instead, I argue that the dissemination of tragedy took place simultaneously with its development and growth at Athens. We will see, through an examination of both the material and literary evidence, that non-Athenian Greeks were aware of the works of Athenian tragedians from at least the first half of the fifth century. In order to explain how this came about, I suggest that tragic playwrights should be seen in the context of the ancient tradition of wandering poets, and that travel was a usual and even necessary part of a poet’s work. I consider the evidence for the travels of Athenian and non-Athenian poets, as well as actors, and examine their motives for travelling and their activities on the road. In doing so, I attempt to reconstruct, as far as possible, the circuit of festivals and patrons, on which both tragedians and other poetic professionals moved. -
Durham E-Theses
Durham E-Theses The dorian dilemma: Problems and interpretations of social change in late Helladic iii c and dark age Greece with reference to the archaeological and literary evidence Dierckx, Heidi How to cite: Dierckx, Heidi (1986) The dorian dilemma: Problems and interpretations of social change in late Helladic iii c and dark age Greece with reference to the archaeological and literary evidence, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6880/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 l ABSTRACT Early Greek history, i.e. Greek history prior to about the mid-sixth century B.C., is as obscure to modern historians as it was to the ancient ones. One of the events which has been mentioned and described by ancient sources and is supposed to have happened during this period is the "Dorian Invasion". -
The History and Antiquities of the Doric Race, Vol. 1 of 2 by Karl Otfried Müller
The Project Gutenberg EBook of The History and Antiquities of the Doric Race, Vol. 1 of 2 by Karl Otfried Müller This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The History and Antiquities of the Doric Race, Vol. 1 of 2 Author: Karl Otfried Müller Release Date: September 17, 2010 [Ebook 33743] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE HISTORY AND ANTIQUITIES OF THE DORIC RACE, VOL. 1 OF 2*** The History and Antiquities Of The Doric Race by Karl Otfried Müller Professor in the University of Göttingen Translated From the German by Henry Tufnell, Esq. And George Cornewall Lewis, Esq., A.M. Student of Christ Church. Second Edition, Revised. Vol. I London: John Murray, Albemarle Street. 1839. Contents Extract From The Translators' Preface To The First Edition.2 Advertisement To The Second Edition. .5 Introduction. .6 Book I. History Of The Doric Race, From The Earliest Times To The End Of The Peloponnesian War. 22 Chapter I. 22 Chapter II. 39 Chapter III. 50 Chapter IV. 70 Chapter V. 83 Chapter VI. 105 Chapter VII. 132 Chapter VIII. 163 Chapter IX. 181 Book II. Religion And Mythology Of The Dorians. 202 Chapter I. 202 Chapter II. 216 Chapter III. 244 Chapter IV. 261 Chapter V. 270 Chapter VI. 278 Chapter VII. 292 Chapter VIII. 302 Chapter IX. -
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth and Fourth Centuries BC Edmund Stewart Abstract This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performance context. As a result, it has become all the more important to establish both when and how tragedy first became popular across the Greek world. This study aims to provide detailed answers to these questions. In doing so, the thesis challenges the prevailing assumption that tragedy was, in its origins, an exclusively Athenian cultural product, and that its „export‟ outside Attica only occurred at a later period. Instead, I argue that the dissemination of tragedy took place simultaneously with its development and growth at Athens. We will see, through an examination of both the material and literary evidence, that non-Athenian Greeks were aware of the works of Athenian tragedians from at least the first half of the fifth century. In order to explain how this came about, I suggest that tragic playwrights should be seen in the context of the ancient tradition of wandering poets, and that travel was a usual and even necessary part of a poet‟s work. I consider the evidence for the travels of Athenian and non-Athenian poets, as well as actors, and examine their motives for travelling and their activities on the road. In doing so, I attempt to reconstruct, as far as possible, the circuit of festivals and patrons, on which both tragedians and other poetic professionals moved. -
Ovid: the Poems of Exile (Tristia, Ex Ponto, Ibis)
Ovid: The Poems Of Exile (Tristia, Ex Ponto, Ibis) Home Download Translated by A. S. Kline 2003 All Rights Reserved This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non-commercial purpose. 2 Contents Tristia Book I.................................................................. 11 Book TI.I:1-68 The Poet to His Book: Its Nature ........... 11 Book TI.I:70-128 The Poet to His Book: His Works...... 14 Book TI.II:1-74 The Journey: Storm at Sea.................... 17 Book TI.II:75-110 The Journey: The Destination........... 21 Book TI.III:1-46 The Final Night in Rome: Preparation 23 Book TI.III:47-102 The Final Night in Rome: Departure25 Book TI.IV:1-28 Troubled Waters.................................. 28 Book TI.V:1-44 Loyalty in Friendship ........................... 30 Book TI.V:45-84 His Odyssey........................................ 32 Book TI.VI:1-36 His Wife: Her Immortality .................. 34 Book TI.VII:1-40 His Portrait: The Metamorphoses ...... 37 Book TI.VIII:1-50 A Friend’s Treachery........................ 39 Book TI.IX:1-66 A Faithful Friend................................. 41 Book TI.X:1-50 Ovid’s Journey to Tomis ...................... 44 Book TI.XI:1-44 Ovid’s Apology for the Work ............. 46 Tristia Book II................................................................. 48 Book TII:1-43 His Plea: His Poetry................................ 48 Book TII:43-76 His Plea: His Loyalty............................ 50 Book TII:77-120 His Plea: His ‘Fault’............................ 53 Book TII:120-154 His Plea: The Sentence ..................... 55 Book TII:155-206 His Plea: His Prayer.......................... 57 Book TII:207-252 His Plea: ‘Carmen et Error’............... 59 Book TII:253-312 His Plea: His Defence ...................... -
Chapter 2 Investigates the Extended Catalogue of Curses in Ovid’S Ibis in Relation to Both the Mythographic Tradition and Ovid’S Own Poetic Corpus
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Mythic Recursions: Doubling and Variation in the Mythological Works of Ovid and Valerius Flaccus Permalink https://escholarship.org/uc/item/11r709mb Author Krasne, Darcy Anne Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Mythic Recursions: Doubling and Variation in the Mythological Works of Ovid and Valerius Flaccus by Darcy Anne Krasne A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University Of California, Berkeley Committee in charge: Professor Ellen Oliensis, Chair Professor Anthony Bulloch Professor Christopher Hallett Professor John Lindow Professor Andrew Zissos Spring 2011 Mythic Recursions: Doubling and Variation in the Mythological Works of Ovid and Valerius Flaccus Copyright 2011 by Darcy Anne Krasne 1 Abstract Mythic Recursions: Doubling and Variation in the Mythological Works of Ovid and Valerius Flaccus by Darcy Anne Krasne Doctor of Philosophy in Classics University of California, Berkeley Professor Ellen Oliensis, Chair This dissertation explores the ways Latin poetry reworks the mythological tradition of which it itself is a part. I approach this broad topic primarily from the angle of mythological variation— that is, the competing and sometimes contradictory versions of individual myths which are an inherent component of the Greek and Roman mythological system. In Greece, myths and their variants played an important role in interfacing religion with politics. Through three “case studies” on the works of Ovid and Valerius Flaccus, I demonstrate different ways in which Roman poets, too, could utilize the pluralities of the tradition for their own poetic and political ends.