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Study of Various Historical Rapiers from the End of the 16 Century to the Beginning of the 17 Century 

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Study of Various Historical Rapiers from the End of the 16 Century to the Beginning of the 17 Century  STUDY OF VARIOUS HISTORICAL RAPIERS FROM THE END OF THE 16 CENTURY TO THE BEGINNING OF THE 17 CENTURY Guillaume VAUTHIER HE prac !ce #$ %a " R"&a!''a&ce rap!"r $"&ci&( !& HEMA (H!' #r!ca% E*ropea& Mar !a% Ar '+ !' #$ "&, -"ca*'" #$ ." '*r/!/!&( 0(. !&( 1a&*a%', 'p%! !& 2# 'c.##%'3 I a%!a& $"&4 ci&( 'ch##% a&5 Spa&!'. $"&ci&( 'ch##%, -# . #$ ."'" .a/!&( 6*! " a 5!7"r"& *&5"r' a&4 5!&( #$ ." rap!"r 0(. !&(8 9.!ch"/"r 2a: #$ $"&ci&( :#* c.##'" # pract!ce, ."r" !' a%4 2a:' a 6*"' !#& .a "/"r:#&" 1*' a'; a$ "r a !1"3 2.a 2#*%5 -" ." p"r$"ct rap!"r # (" accor5!&( # ." '#*rce'< A' a 1a "r #$ $ac , a&5 a' #pp#'! " # 1#' %: pr"/!#*' 0(. !&( 1a&*a%', =!dea%= 2eap#& 5!1"&'!#&' ar" r"(*%ar%: 'p"ci0"5 -: ." %a " R"&a!''a&ce 1a' "r'8 I .a' # -" &# "5 .a ." a/"ra(" ='pa&!'.= 5!1"&'!#&' ar" #$ "& 5!7"r"& $r#1 .#'" 'p"ci0"5 -: ! a%!a& eac."r'8 Accor5!&( # a $"&ci&( 1a' "r (G>rar5 T.!-a*% 5?A&/"r', Académie de l’Espée, @ABC+, ." ! a%!a& rap!"r' 2#*%5 &# -" r"4 com1a&5"d for a (##d prac !ce of t.e 'pa&!'. sc.##% of rap!"r f"&ci&(8 S#, !' ."r" rea%%: '*ch a 5!7"r"&ce -" 2""& ." .!' or!ca% 'pa&!'. a&5 ! a%!a& rap!"r'< 9.a cou%5 -" ." %"&( . #$ -# . #$ ."1< A&5, 1or" !1p#r a& , 2.a 2#*%5 -" ." =p"r$"ct= rap!"r '!1*%a or # *'" # .a/" .e b"' i a%!a& or spa&!'. prac !ce< I/ A proportions story Rea5!&( ." .!' or!ca% r"a !'"', 2" ca& '"" .a &# pr"ci'" %"&( . )"Dpr"''"5 !& a& *&! #$ 1ea'*r"+ *'"5 t# t"%% a 2eap#& l"&( . — a' opp#'"5 to '#1" h!(.%: 'p"cia%!F"5 s2or5' 5"'cr!-"5 b: F!ore 5"?! L!-"r!, $or "Da1p%"8 E/"r: 1a' "r a%;!&( a-#* ." rap!"r 5!1"&'!#&' E 'pa&!'. #r ! a%!a& E *'"' !& $act ." .*4 1a& -#5: propor !#&' # '!F" ." '2#r58 T.!' !' act*a%%: &# a' '*rpr!'!&(, a' a%% t." *&! ' #$ 1ea'*r" #$ ." !1" 2"r" a;"& $r#1 ." .*1a& -#5:3 pa%1, !&ch"', $"" , a&5 '# #&8 T# "' !1a " ." corr"c %"&( . #$ ." rap!"r, :#* 1*' p* ." !p #& ." G##r a&5 .#%5 ! /"r !ca%%:, ' a&5!&( -ar"$## H*' &"D # ! 8 T."&, 2# 2a:' ca& be u'"5 3 E S#1" 'pa&!'. 1a' "r' (Pac."co 5" Nar/I"F, T.!-a*% 5?A&/"r'+ a5/!'" # (" a rap!"r 2.#'" -%a5" (#"' fr#1 gr#*&d o na/"% J E S#1" ! a%!a& 1a' "r' (Cap# F"rr#, A%0"r!+ ca%% $or a rap!"r $*%% %"&( . )!&cl*5!&( p#11"% a&5 p#4 "& !a%%: p""& -%#c;+ (#!&( $r#1 (r#*&5 # ." ar1p! 8 T# 1: ;&#2%"5(", &# # ."r ! a%!a& 1a' "r (a/" pr"ci'!#&' c#&cer&!&( .!' !dea% %"&( ., -* ." 2##dcu ' $r#1 Gi(a& !?' a&5 Fa-r!'? rea !'"' '""1 to u'e t.e 'a1e ;!&d of pr#p#r !#&'8 T." ! a%!a& /ar!a& '""1' ."& # -" a '%!(. %: %#&("r .a& ." 'pa&!'.8 T." .a&5%" l"&( . -"!&( a%2a:' /"r: cl#'" #& .!' or!ca% "Da1p%"' a&5 cou%5 -" r#*&5%: "' !1a "5 # @K c1, '# ." #&%: para1" "r .a/!&( a ;": !&G*"&ce #& # a% %"&( . !' ." -%a5" %"&( .8 I 2!%% s ar .!' ar !cl" 2! . a ' *5: #$ .!' 5a a #& a& .!' or!ca% p!"ces 'a1p%", ."& 2" 2!%% 5# ." 'a1" #& # ."r !1por a& para1" "r' E 2"!(. , p#!& #$ -a%a&ce, 1aD!4 1*1 -%a5" 2!5 . a&5 5!' a% ap"r8 B* 0r' 2" ca& a'; #*r'"%/"' a 6*"' !#&3 ca& 2" act*a%%: 5!' !&(*!'., #& #*r s a !' !ca% sa1p%", i a%!a& '2or5' a&d spa&!'. s2or5' < II/ Which provenance ? T." a&'2"r !' *&$or *&a "%: &# E ! !' !&5""5 # a%%: !1p#''!-%" # '*r"%: !5"& !$: a 2eap#& *'"5 $or a sp"ci0c t:pe of f"&ci&(8 W" s.#*%d .a/e ;&#2& t." rap!"r' 5!1"&'!#&', -* a%'# i ' #2&"r?' h"!(. a&5 .!' $a/#*r! " :p" #$ $"&ci&( -ac; !& ." !1", 2.!ch !' #$ cour'" &# p#''!-%"8 I& a55! !#&, ." 'pa&!'. a&5 ! a%!a& 'ch##%' #$ $"&ci&( 2"r" &# %!1! "5 # .!' 2# cou& r!"'3 ." 'pa&!'. 'ch##% 2a' pract!ce5 a' $ar a' F%a&5"r', 2.!ch 2"r" par #$ ." L!&(5#1 #$ Spa!&, 2! . T.!-a*% 5?A&/"r', a&5 '#1" ! a%!a& rap!"r rea4 !'"' w"re tra&'%a "d s"/"ra% !1"' i& g"r1a& a&d fr"&ch la&(*a("'8 Mor"#/"r, ." rap!"r'? or!(!& ! '"%$ !', 1#' #$ ." !1", comp#'! "8 I& "7"ct, a 1a& 2!'.!&( a .!(. 6*a%! : '2or5 '.#*%5 .a/" ch#'"& a -%a5" 1a5" !& '#1" r";&#2& ci !"' #$ .!' "ra (S#%!&("& a&5 Pa''a* !& G"r1a&:, T#%"5# !& Spa!&+, a&5 a';"5 a %#ca% #r $a1#*' cra$ '1a& # 1#*& a .a&5%" #& ! 8 9" act*a%%: .a/e s#1e ex"1p%e of rap!"r' o2&"d b: g"r1a& m"&, w! . spa&!'. b%a5"' a&d i a%!a& g*ar5'8 B* ! r"1a!&' r*" .a , "/"& 2! . a -ea* !$*% a&5 5"%!ca "%: #r&a "5 (*ar5, .#'" rap!"r' .a/" $*%%: $*&ct!#&a% a&d da&("r#*' b%a5"'8 T.!' i' w.: I deci5"d o ch##'e t.e h!' #r!ca% "Da1p%"' b%ade l"&( . a' m: 1a!& para1" "r, a&5 &# ." # a% %"&( . E a&5 2.: I 5"ci5"5 # &# $a/#*r a&: ("#(rap.!ca% #r!(!& !& par !c*%ar8 H#2"/"r, ."'" '2or5' 2"r" ch#'"& 2! . a par !cu%ar $actor3 .": ar" a%% "' !1a "5 # a pr"ci'" .!'4 or!ca% p"r!#5, 2.!ch (#"' $r#1 ." "&5 #$ ." @A ce& *r: # ." -"(!&&!&( #$ ." @M, !1" %ap'" #$ a-#* NC y"ar' l#&g (#!&( fr#1 appr#D!1a !/"%: @KMK to A@K8 III/ Sources T." .!' or!ca% rap!"r' #$ 2.!ch I 2a' a-%" # acces' 1ea'*r"1"& ' "''"& !a%%: com" $r#1 '#1" 1*4 '"*1'8 T.": are l!' "d ."r"3 E T.e Wallace Collection Museum (L#&5#&, UL+J E T.e Metropolitan Museum of Art (N"2 Y#r;, USA+J E T.e Staatlic e Kunstsammlun"en (Dr"'5"&, G"r1a&:+J E T." Hofjagd- a&5 Rust%&mmer )V!"&&a, A*' r!a+, .r#*(. ." ar !cl" A Comparison of 'ate ()*+ to Earl, (-*+ Centur, Rapiers wit Modern Reproductions [For &"r a&5 Sc.ra "&"c;"rP )c$8 -!-%!#(ra4 p.:+J E T.e Musée Renaissance (Qcou"&, Fra&ce); E T.e Musée de l’Histoire du Fer (Rar/!%%"4%a4Ma%(ra&(", Fra&ce). T." %a' 'p"ci1"&' 2"r" $#*&5 #& 2# a*ct!#& .#*'"' 2"-'! "'3 ." F!'ch"r Ga%%"r: (S2! F"r%a&5+ a&5 H!'4 or!ca Ar1a (G"r1a&:+8 A%% 5a a' 2"r" c#1p!%"5 !& ." a&&"D"5 a-%"'8 I 1*' 'p"ci$: .a a%% ."'" rap!"r' 2"r" &# p"r'#&&a%%: 1ea'*r"5 -: 1:'"%$, b* -: .e 1*'"*1' s a$$' E 2! . ." 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Histogram: Vincent Le Chevalier T.e ex r"1e va%*"' of o*r sa1p%e are t.e f#%%#2!&(3 E M!&!1*1 l"&( .3 SS,Ac1 E MaD!1*1 l"&( .3 TA,Nc1 So w" ha/e a A,Uc1 d!7"r"&ce b" 2""& t.e l#&("' a&d t.e s.#r "' b%a5"'8 I& /!"2 #$ ." 2# 1a!& 'ch##% #$ $"&ci&( a .!' !1", each #$ *' #7"r!&( *' 5!7"r"& -%a5" %"&( .' (a =%#&(= a&5 a ='.#r =+, 2" cou%5 .a/" "Dp"ct"5 ." pr"'"&ce #$ 2# ' r#&(%: r"pr"'"& "5 -%a5" %"&( .' E a&5 '# ar" .": 0(*r"5 -: 2# pea;'8 H#2"/"r, ! !' !& "r"' !&( # &# " .a .#'" pea;' ar" &# rea%%: '"pa4 ra "5, a&d t.a ! s""1' to ha/e a grea n*1-"r of i& "r1"5!a e l"&( .'8 A p#''!-%" .:p# ."'!' # "Dp%a!& .!' $ac !' # .!&; a .*1a& pr#p#r !#&'8 H*1a& -"!&(' ar" a%% #$ a 5!7"r"& ."!(. , a&5, "/"& a .!' !1", ."r" 2"r" '1a%% a&5 a%% p"#p%"8 I$ a 1aHor! : #$ ." '2or5 #2&"r 5!5 -*: a '2or5 accor5!&( # ."!r #2& -#5: '!F", '# ." ='.#r = rap!"r' #$ ." a%%"r p"r'#&' 2"r" !& $act a' %#&( a' ." =%#&(= /"r'!#& 1a5" $or '1a%%"r p"op%"8 Fact*a%%:, ." 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  • A Brief Essay About the Traditions of the Occidental Martial Arts
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  • The Virtual Tour
    Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2012 The irV tual Tour Elizabeth Laura Mayor Worcester Polytechnic Institute Justin Henry McLaughlin Worcester Polytechnic Institute Kai He Worcester Polytechnic Institute Seth Michael Lipkind Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Mayor, E. L., McLaughlin, J. H., He, K., & Lipkind, S. M. (2012). The Virtual Tour. Retrieved from https://digitalcommons.wpi.edu/ iqp-all/2641 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. The Virtual Tour Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in partial fulfillment of the requirements for graduation by Runzi Gao Kai He Seth Lipkind Elizabeth Mayor Justin McLaughlin Professor Jeffrey L. Forgeng, Major Advisor ii iii Abstract This project integrated technology and history to transform the visitor experience at the Higgins Armory Museum. The team upgraded the museum’s “Virtual Armory” website, creating a Virtual Tour with interactive and multimedia content for over a dozen pieces in the Higgins collection, including videos, animations, interactive graphics, and a Flash-based minigame. The team
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  • Chiswick Auctions
    Chiswick Auctions Medals and Militaria 1 Colville Road, London COMPLETE - Lots and images are continually uploaded until W3 8BL Saturday evening. United Kingdom Started 15 Mar 2016 11:00 GMT Lot Description Gènèral Charles Emmanuel Mast (1899-1977), an important French group of medals and awards to Gen. Mast The Chief of Staff of the 1 10th Army Corps, Head of the Algiers Division and 3rd North African Infantry Division. As a Major General he participated in the liberation of North Africa i ...[more] WWI Military Cross medal group awarded to WWII casualty Captain J.R. West , Berks Yeo (Berkshire Yeomanry) and later of 5th 2 Battalion Dorset Home Guard; GV Military Cross, 1914-15 Star, British War and Victory medals and miniatures. Captain West died as a result of friendly fire as he, along with ma ...[more] WWI Military Cross Officer's medal group, awarded to M R Orr Ewing R.F.A. / Royal Artillery, George V Military Cross, 1914 Mons Star, 3 British War, Victory and India General Service Medal, North West Frontier 1930/31 clasp, (RM strike), Orr-Ewing mentioned in dispatches, Lieutenant in 1914 to Major i ...[more] China Republic medal; Cao Kun Inauguration medal 1923, silver gilt with enamel peonies encircling five point star, central photographic 4 image of President Cao Kun, reverse enamel has disc of Army & China 1912-28 flags Chinese Embassy to France bronze medal, 1919, obverse; a blacksmith working in clogs at an anvil, marks B.U, reverse translates 5 'each is the blacksmith of his fate forging one builds of his country', reverse; the same in Chinese, 5.9cm diameter.
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