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Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Custom Welded Katana by Request
Custom Welded Katana By Request Two-a-penny Bobbie never season so unreflectingly or permeate any Yoko evil. Rhett retreading obviously as formable deciduate.Melvyn dishallows her reviewer snowball corruptibly. Terrance anthropomorphising her serum qualitatively, synecdochic and Nobody has ever none of swords this way. Battling Blades designs and sells swords, machetes, axes and knives. And japanese government is not custom welded katana by request a steel damascus was a cavalry, in a fair. Gw cycle world and european weapons that refers to be able courier service. What does knife today it would like to identify the shirasaya swords lack toughness is two custom welded katana by request a factory warranty or gold and subject to teach me when in a rapier is? Every item we sell is handmade and we hold some in stock. Searching custom welding and requests for by hammering, not those who look to request is destined to. Those studying with essence, originating in tijd, steel in its materials, and extremely easily from mild pronation control. The custom welded katana by request, by a request information! Thank you dear friend Daniel of Nebraska. Please note free time ask could you drill further questions. Template HKGGRN WAKIZASHI SAMURAI SWORD Description Wakizashi in Koshirae Mountings. We weld tests at the custom welded katana by request information for competitive price is used to be a new this is? The cost is irrelevant. After many swords are somewhat more carbon to view more like in appearance and marine and to wield a later date, fl on the history and discovered a first. -
The Fight Master, September 1986, Vol. 9 Issue 3
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors 9-1986 The Fight Master, September 1986, Vol. 9 Issue 3 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons SEPTEMB ER 1986 American Fencers Supply Co 1180 Folsom Street San Francisco CA 94103 415/863-7911 DEPARTMENTDEPARTMENT OF OF THEATRE THEATRE ARTS ARTS COLLEGECOLLEGE OFOF ARTS ARTS AND AND LETTERS LETTERS UNIVERSITYUNIVERSITY OF OF NEVADA, NEVADA, LAS LAS VEGAS VEGAS JOURNAL OF THE SOCIETY OF AMERICAN FIGHT DIRECTORS September 1986 Volume IX number 3 6 A MODERN SWORDSMITI-1 SWORDSMITH OF TOLEDO by Richard J. Gradkowski 8 TO CUT OR TI-f THRUST? RUST? by Linda McCollum 12 STUDYING WITI-1 WITH THE MASTER AT THETI-IE MONASTERY by Craig Handel 15 MAYHEM IN MEMPHIS by Dr. Robin McFarquhar 18 The Three Musketeers Romeo and Juliet Extremities 19 Julius Caesar 3 Editor's Comments 3 President's Report 5 Vice President's Report 4 Treasurer's Report 23 Points of Interest 28 Society News 20 Letters SOCIETY OF AMERICAN FIGHT DIRECTORS THE FIGHT MASTER President Joseph Martinez Journal of the Society of American Fight Directors or,.", President Drew FrecherFracher Treas.urerTreasurer David Boushey Editor Linda Carlyle McCollum Secretary Linda McCollumMcCol/um Associate Editor Olga Lyles Contributing Editors David Boushey -;-"'J-eT'1-eSociety Society of American Fight Directors was founded in May; 1977. It is a non·non Joseph Martinez profIT organization whose aim ;sis to promote the art of fight choreography as Graphic Design AkikoAklko Onaka an integral part of the entertainment industry. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
A Semester to Remember Begins
CSEAS Weekly Bulletin Center for Southeast Asian Studies at Northern Illinois University • Jan. 14, 2013 In this 1979 photo, music professor emeritus Kuo-Huang Han puts a group of gamelan students through their paces. The Center’s 50th anniversary year will culminate this semester with exhibits, films, lectures, and a gala weekend March 1-3. The official anniversary is March 5. For details on the anniversary activities, see page 5 below or go to the CSEAS website. (Photo / NIU archives) A semester to remember begins 1. Friday lecture series to resume Jan. 25 2. Apply by Feb. 1 for 2013–14 FLAS, Neher fellowships 3. Last week to sign up for spring SEAS courses 4. Sign up for SEA Studies minor or grad concentration 5. Get your paper on: SEA Club spring student conference call for abstracts Help CSEAS grow for the next 50 6. Center associates update: On the road again With Southeast Asia rising as a regional 7. Coming up on 50th Anniversary Calendar in 2013 and global player, the next 50 years for 8. NIU Thai Studies Committee offers awards for Southeast Asian Studies at NIU will students, faculty offer exciting opportunities. To keep 9. Area CSEAS conferences coming up in spring NIU’s program strong, consider making 10. Overseas language, exchange, and area studies a donation to CSEAS through the NIU programs Foundation. To contribute by phone or 11. Money for study by mail, go to the How to Make a Gift section of the NIU Foundation website. 12. Job opportunities To make a gift online, go to the Make a 13. -
THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way. -
Marina Muñoz Torreblanca
La recepción de “lo primitivo” en las exposiciones celebradas en España hasta 1929 Marina Muñoz Torreblanca TESI DOCTORAL UPF / 2009 DIRECTORA DE LA TESI Dra. Estela Ocampo Siquier, Departament d’Humanitats, Institut Universitari de Cultura de la UPF i Depósito Legal : ISBN: [Espacio reservado para introducir esta información cuando la tesis se publique en la base de datos TDX: Tesis Doctorals en Xarxa] ii A mis padres iii iv L’art negre potser es bo per als anglesos [...] Però nosaltres, que, al contrari, tant ens plau el dialogar, és a dir, saber-nos […] –A nosaltres, la intromissió de l’art negre a les exposicions europees ens fa el mateix efecte, el mateix exactament, que la introducció d’un servidor negre a casa nostra: un efecte de torbació i de malestar. No, no. La pintura i l’escultura blanques, la cambrera o el barber, blancs. Eugeni d’Ors, “L’Art Negre”, Barcelona, La Veu de Catalunya , 17 de febrero de 1921 ¡Yo quiero que vayamos de una vez al pabellón de las Misiones!, protestó Rigmor. El pabellón de las Misiones era muy interesante, pues se trataba de una original exposición del Vaticano. Había que pagar una entrada adicional, y además de eso le mendigaban a uno a cada paso, de forma muy conveniente, tal como suelen hacer todos los representantes del más allá. Sin embargo, allí uno veía algo a cambio de su dinero: lo que los misioneros les habían robado o sacado con mentiras a los pobres pueblos primitivos ad maiorem gloriam del método de producción burgués. Ödön von Horváth (1930), El eterno burgués [ Der ewige Spießer ] v vi Agradecimientos Debo un especial reconocimiento a Estela Ocampo, directora de esta tesis, quien durante años me ha recordado la importancia de la tarea investigadora en un campo casi desconocido para el mundo académico español y me ha dado siempre ánimos para la finalización del proyecto. -
Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade. -
Knives 2019 Amoureux—Armour
custom knifemakers ABEGG—AMOS Uses stainless, salvage wrought iron, brass and copper for fi ttings. Handle materials A include stabilized and natural domestic and exotic fi gured woods, durable synthetics, ABEGG, ARNIE stacked leather. Makes own sheaths. Prices: $300 and up. Remarks: Part-time maker. 5992 Kenwick Cr, Huntington Beach, CA 92648, Phone: 714-848-5697 First knife sold in 2013. Doing business as Aldrich Knife & Tool. Emphasis put on clean ABERNATHY, LANCE lines, fi t and fi nish and performance. Mark: An arched ALDRICH. Sniper Bladeworks, 1924 Linn Ave., North Kansas City, MO 64116, Phone: 816-585- ALEXANDER, EUGENE 1595, [email protected]; Web: www.sniperbladeworks.com Box 540, Ganado, TX 77962-0540, Phone: 512-771-3727 Specialties: Tactical frame-lock and locking-liner folding knives. Alexander,, Oleg, and Cossack Blades ACCAWI, FUAD 15460 Stapleton Way, Wellington, FL 33414, Phone: 443-676-6111, Web: www. 130 Timbercrest Dr., Oak Ridge, TN 37830, Phone: 865-414-4836, gaccawi@ cossackblades.com comcast.net; Web: www.acremetalworks.com Technical: All knives are made from hand-forged Damascus (3-4 types of steel are used to Specialties: I create one of a kind pieces from small working knives to performance create the Damascus) and have a HRC of 60-62. Handle materials are all natural, including blades and swords. Patterns: Styles include, and not limited to hunters, Bowies, daggers, various types of wood, horn, bone and leather. Embellishments include the use of precious swords, folders and camp knives. Technical: I forge primarily 5160, produces own metals and stones, including gold, silver, diamonds, rubies, sapphires and other unique Damascus and does own heat treating. -
Bronze Age Swordsmanship: New Insights from Experiments and Wear Analysis
Journal of Archaeological Method and Theory (2020) 27:1040–1083 https://doi.org/10.1007/s10816-020-09451-0 Bronze Age Swordsmanship: New Insights from Experiments and Wear Analysis Raphael Hermann1 & Andrea Dolfini2 & Rachel J. Crellin3 & Quanyu Wang4 & Marion Uckelmann5 Published online: 17 April 2020 # The Author(s) 2020 Abstract The article presents a new picture of sword fighting in Middle and Late Bronze Age Europe developed through the Bronze Age Combat Project. The project investigated the uses of Bronze Age swords, shields, and spears by combining integrated experi- mental archaeology and metalwork wear analysis. The research is grounded in an explicit and replicable methodology providing a blueprint for future experimentation with, and wear analysis of, prehistoric copper-alloy weapons. We present a four-step experimental methodology including both controlled and actualistic experiments. The experimental results informed the wear analysis of 110 Middle and Late Bronze Age swords from Britain and Italy. The research has generated new understandings of prehistoric combat, including diagnostic and undiagnostic combat marks and how to interpret them; how to hold and use a Bronze Age sword; the degree of skill and training required for proficient combat; the realities of Bronze Age swordplay including the frequency of blade-on-blade contact; the body parts and areas targeted by prehis- toric sword fencers; and the evolution of fighting styles in Britain and Italy from the late 2nd to the early 1st millennia BC. All primary data discussed in the article are available as supplementary material (Appendix) so as to allow scrutiny and validation of the research results. -
1001 Years of Missing Martial Arts
1001 Years of Missing Martial Arts IMPORTANT NOTICE: Author: Master Mohammed Khamouch Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: April 2007 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 683 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2007 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it.