Military Technology in the 12Th Century
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The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies at 1st Level: Alchemist Basic weapons, Natural, Crossbows, any other 1 Barbarian Basic weapons, Natural, any other 4 Bard Basic weapons, Natural, any other 3 Cavalier Basic weapons, Natural, Spears, any other 3 Cleric Basic weapons, Natural, deity’s weapon group, any other 2(3 groups if not following a deity) Druid Basic weapons, Natural, druid weapons, any other 1 Fighter Basic weapons, Natural, any other 5 Gunslinger Basic weapons, Natural, firearms, any other 3 Monk Basic weapons, and all monk weapons Inquisitor Basic weapons, Natural, deity’s weapon group, Bows or Crossbows, any other 3 (4 groups if not following a deity) Magus Basic weapons, Natural, any other 4 Oracle Basic weapons, Natural, any other 1 (+3 if taking Skill at Arms) Paladin/AntiPaladin Basic weapons, Natural, any other 4 Ranger Basic weapons, Natural, any other 4 Rogue Basic weapons, Natural, any other 3 Sorcerer Basic weapons, Natural, spears, crossbows , any other 1 Summoner Basic weapons, Natural, spears, crossbows , any other 1 Witch Basic weapons, Natural, spears, crossbows , any other 1 Wizard Basic weapons, Natural, spears, crossbows This system doesn’t change Racial Weapon Familiarity. Weapon Group Name: Weapons In Group: Axes bardiche, battleaxe, dwarven waraxe, greataxe, handaxe, heavy pick, hooked axe, knuckle axe, light pick, mattock, orc double axe, pata, and throwing axe Basic club, dagger, quarterstaff, and sling Blades, Heavy bastard sword, chakram, double chicken saber, double -
Medieval Weapons: an Illustrated History of Their Impact
MEDIEVAL WEAPONS Other Titles in ABC-CLIO’s WEAPONS AND WARFARE SERIES Aircraft Carriers, Paul E. Fontenoy Ancient Weapons, James T. Chambers Artillery, Jeff Kinard Ballistic Missiles, Kev Darling Battleships, Stanley Sandler Cruisers and Battle Cruisers, Eric W. Osborne Destroyers, Eric W. Osborne Helicopters, Stanley S. McGowen Machine Guns, James H. Willbanks Military Aircraft in the Jet Age, Justin D. Murphy Military Aircraft, 1919–1945, Justin D. Murphy Military Aircraft, Origins to 1918, Justin D. Murphy Pistols, Jeff Kinard Rifles, David Westwood Submarines, Paul E. Fontenoy Tanks, Spencer C. Tucker MEDIEVAL WEAPONS AN ILLUSTRATED HISTORY OF THEIR IMPACT Kelly DeVries Robert D. Smith Santa Barbara, California • Denver, Colorado • Oxford, England Copyright 2007 by ABC-CLIO, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data DeVries, Kelly, 1956– Medieval weapons : an illustrated history of their impact / Kelly DeVries and Robert D. Smith. p. cm. — (Weapons and warfare series) Includes bibliographical references and index. ISBN-10: 1-85109-526-8 (hard copy : alk. paper) ISBN-10: 1-85109-531-4 (ebook) ISBN-13: 978-1-85109-526-1 (hard copy : alk. paper) ISBN-13: 978-1-85109-531-5 (ebook) 1. Military weapons—Europe—History—To 1500. 2. Military art and science—Europe—History—Medieval, 500-1500. I. Smith, Robert D. (Robert Douglas), 1954– II. -
From Knights' Armour to Smart Work Clothes
September 16, 2020 Suits of steel: from knights’ armour to smart work clothes From traditional metal buttons to futuristic military exoskeletons, which came to the real world from the pages of comics. From the brigandines of medieval dandies to modern fire-resistant clothing for hot work areas. Steel suits have come a long way, and despite a brief retreat caused by a “firearm”, they are again conquering the battlefields and becoming widely used in cutting-edge operations. Ancestors of skins and cotton wool The first armour that existed covered the backs of warriors. For the Germanic tribes who attacked the Roman Empire, it was not considered shameful to escape battle. They protected their chests by dodging, while covering their backs, which became vulnerable when fleeing, with thick animal skins over the shoulders. Soldiers of ancient Egypt and Greece wore multi-layer glued and quilted clothes as armour. Mexican Aztecs faced the conquistadors in quilted wadded coats a couple of fingers thick. In turn, the Spanish borrowed the idea from the Mexicans. In medieval Europe, such protective clothing was widely used up to the 16th century. The famous Caucasian felt cloak also began life as armour. Made of wool using felting technology, it was invulnerable against steel sabres , arrows and even some types of bullets. Metal armour: milestones Another ancient idea for protective clothing was borrowed from animals. The scaled skin of pangolins was widely used as armour by Indian noble warriors, the Rajputs. They began to replicate a scaly body made of copper back in ancient Mesopotamia, then they began to use brass and later steel. -
Basic-Armouring-2Of4.Pdf
Chapter 8 — Padding Because you need to build your armour around your padding you need to know how to make it first! Gamberson This supplies basic padding under the body armour and something to hang your arm armour off. Some people rely on their gamberson (with a few minor additions such as a kidney belt) as their torso protection. This gives them excellent mobility at the expense of protection. If you are learning to fight, as well as armour, you are liable to get hit a lot so body armour might not be a bad idea—your choice! Making a gamberson is a sewing job; go get a needle and thread or borrow a sewing machine. The material you make it from should be relatively tough (it’s going to take a beating), adsorbent (you are going to sweat into it), colour fast (unless you want to start a new fashion in oddly coloured flesh) and washable (see sweating above). Period gambersons were made from multiple layers of cloth stitched together or padded with raw wool or similar material, modern ones often use an internal fill of cotton or polyester batting to achieve the same look with less weight. A descrip- tion of an arming doublet of the 15th century is “a dowbelet of ffustean (a type of heavy woollen broad cloth) lyned with satene cutte full of hoolis”. A heavy outer material, such as canvas or calico, is therefore appropriate with a softer lining next to the skin. For extra ventilation you can add buttonholes down the quilting seams. -
Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries
Roman Armour Chain Mail Armour Transitional Armour Plate Mail Armour Milanese Armour Gothic Armour Maximilian Armour Greenwich Armour Armour Diagrams Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries. Replaced old chain mail armour. Made up of dozens of small metal plates, and held together by leather laces. Lorica Segmentata Page 1 100AD - 400AD Worn by Roman Officers as protection for the lower legs and knees. Attached to legs by leather straps. Roman Greaves Page 1 ?BC - 400AD Used by Roman Legionaries. Handle is located behind the metal boss, which is in the centre of the shield. The boss protected the legionaries hand. Made from several wooden planks stuck together. Could be red or blue. Roman Shield Page 1 100AD - 400AD Worn by Roman Legionaries. Includes cheek pieces and neck protection. Iron helmet replaced old bronze helmet. Plume made of Hoarse hair. Roman Helmet Page 1 100AD - 400AD Soldier on left is wearing old chain mail and bronze helmet. Soldiers on right wear newer iron helmets and Lorica Segmentata. All soldiers carry shields and gladias’. Roman Legionaries Page 1 400BC - 400AD Used as primary weapon by most Roman soldiers. Was used as a thrusting weapon rather than a slashing weapon Roman Gladias Page 1 400BC - 400AD Worn by Roman Officers. Decorations depict muscles of the body. Made out of a single sheet of metal, and beaten while still hot into shape Roman Cuiruss Page 1 ?- 400AD Chain Mail Armour Page 2 400BC - 1600AD Worn by Vikings, Normans, Saxons and most other West European civilizations of the time. -
The Fight Master, September 1986, Vol. 9 Issue 3
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors 9-1986 The Fight Master, September 1986, Vol. 9 Issue 3 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons SEPTEMB ER 1986 American Fencers Supply Co 1180 Folsom Street San Francisco CA 94103 415/863-7911 DEPARTMENTDEPARTMENT OF OF THEATRE THEATRE ARTS ARTS COLLEGECOLLEGE OFOF ARTS ARTS AND AND LETTERS LETTERS UNIVERSITYUNIVERSITY OF OF NEVADA, NEVADA, LAS LAS VEGAS VEGAS JOURNAL OF THE SOCIETY OF AMERICAN FIGHT DIRECTORS September 1986 Volume IX number 3 6 A MODERN SWORDSMITI-1 SWORDSMITH OF TOLEDO by Richard J. Gradkowski 8 TO CUT OR TI-f THRUST? RUST? by Linda McCollum 12 STUDYING WITI-1 WITH THE MASTER AT THETI-IE MONASTERY by Craig Handel 15 MAYHEM IN MEMPHIS by Dr. Robin McFarquhar 18 The Three Musketeers Romeo and Juliet Extremities 19 Julius Caesar 3 Editor's Comments 3 President's Report 5 Vice President's Report 4 Treasurer's Report 23 Points of Interest 28 Society News 20 Letters SOCIETY OF AMERICAN FIGHT DIRECTORS THE FIGHT MASTER President Joseph Martinez Journal of the Society of American Fight Directors or,.", President Drew FrecherFracher Treas.urerTreasurer David Boushey Editor Linda Carlyle McCollum Secretary Linda McCollumMcCol/um Associate Editor Olga Lyles Contributing Editors David Boushey -;-"'J-eT'1-eSociety Society of American Fight Directors was founded in May; 1977. It is a non·non Joseph Martinez profIT organization whose aim ;sis to promote the art of fight choreography as Graphic Design AkikoAklko Onaka an integral part of the entertainment industry. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Kings of War Historical Ancient Combat Viking Age!
An Hour of Wolves and Shattered Shields – www.HourOfWolves.org Kings of War Historical Ancient Combat Viking Age! This Supplement is not published by Mantic Games. Kings of War and all associated logos are property of Mantic Games and are used without permission. No challenge to Mantic’s intellectual property is intended. This set of rules was made possible thanks to Mantic Games and their excellent Kings of War 2nd edition rule set. To use this supplement, you must have a copy of the Kings of War rule set, which is available from the Mantic Games website. http://www.manticgames.com Written by Neldoreth of An Hour or Wolves and Shattered Shields http://www.hourofwolves.org Contributors include Stephen Patten of the Warhammer Ancient Battles Shieldwall supplement fame, among others. Thanks to everyone for their input. Last Updated: February 2016 Update Notes: Updated for Kings of War 2nd Edition 1 An Hour of Wolves and Shattered Shields – www.HourOfWolves.org Table of Contents BINTRODUCTION ..................................................................................................................................... 3 THE ARMIES ............................................................................................................................................... 3 UNITS AND UNIT BASE SIZES ............................................................................................................... 3 SPECIAL RULES ........................................................................................................................................ -
Computational Modeling of Primary Blast Effects on the Human Brain
Computational Modeling of Primary Blast Effects on the Human Brain by Michelle K. Nyein S.B., Chemistry, Massachusetts Institute of Technology (2004) J.D., Harvard University (2007) S.M., Aeronautics and Astronautics, Massachusetts Institute of Technology (2010) Submitted to the Department of Aeronautics and Astronautics in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Aeronautics and Astronautics at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2013 c Massachusetts Institute of Technology 2013. All rights reserved. Author............................................. ...................................... Department of Aeronautics and Astronautics March 4, 2013 Certified by.......................................... ..................................... Ra´ul Radovitzky Professor of Aeronautics and Astronautics Thesis Supervisor Certified by.......................................... ..................................... Dava J. Newman Professor of Aeronautics and Astronautics Certified by.......................................... ..................................... Laurence R. Young Apollo Program Professor of Aeronautics and Astronautics Certified by.......................................... ..................................... Simona Socrate Principal Research Scientist, Institute for Soldier Nanotechnologies Certified by.......................................... ..................................... David F. Moore Attending Neurologist, Baylor University Medical Center Accepted by........................................ -
Dictionnaire Des Épées Célèbres
Dictionnaire des épées célèbres Laurent BONNOT, V3d 2016 'épée est un symbole de pouvoir, auquel on confère souvent une âme et donne un Lnom. e livret vous permettra peut-être de compléter vos savoirs sur l'histoire de célèbres épées (pas toujours) légendaires, telles que les indestructibles Durandal ou Excalibur, et de faire connaissance avec d'autres lames moins connues telles que Courtain, Flamberge ou l'imprononçable mais réelle Szczerbiec. vertissement: deux erreurs (enfin … au moins deux) se sont glissées parmi Aces définitions. Un grand merci à Caroline pour sa relecture et ses corrections éclairées. Publié sur http://bonnot.laurent.free.fr Un commentaire ? Une suggestion ? [email protected] ‹‹ Dictionnaire des épées célèbres – édition 3d déc. 2016 © LB - page 1 / 33 Le catalogue du râ telier 1ère partie : épées de légendes historiques............................................................................4 Le nom de certaines épées est suivi d'un code de trois caractères placé entre crochets: [ART] pour les épées citées dans le mythe arthurien [CEL] pour les épées citées dans la mythologie celtique [HIS] pour les épées ayant réellement existé [MAS] pour les épées citées dans la mythologie anglo-saxonne [MGE] pour la mythologie germanique [MNO] pour la mythologie nordique [ROL] pour les épées citées dans la chanson de Roland Al-Adb, Al-Battar, Al-Ma'thur, Al-Mikhdham, Al-Rasub, Al-Qadib [HIS].................................--)------- 4 Almace [ROL]...............................................................................................................................--)------- -
Cost-Effective Levee Design for Cases Along the Meuse River Including Uncertain- Ties in Hydraulic Loads
Cost-effective levee design for cases along the Meuse river including uncertain- ties in hydraulic loads B. Broers Delft University of Technology . Cost-effective levee design for cases along the Meuse river including uncertainties in hydraulic loads by Ing. B. Broers in partial fulfilment of the requirements for the degree of Master of Science in Civil Engineering at the Delft University of Technology, Faculty of Civil Engineering and Geosciences to be defended publicly on January 15, 2015 Student number: 4184408 Supervisor: Prof. dr. ir. M. Kok, TU Delft - Hydraulic Engineering section Thesis committee: Dr. ir. T. Schweckendiek, TU Delft - Hydraulic Engineering section Ir. drs. J. G. Verlaan, TU Delft - Construction Management and Engineering section Ir. S.A. van Lammeren, Royal HaskoningDHV Ir. drs. E. R. Kuipers, Waterschap Peel en Maasvallei An electronic version of this thesis is available at http://repository.tudelft.nl/. Preface This MSc Thesis reflects the final part of the Master of Science degree in Hydraulic Engineering at the Civil Engineering and Geosciences Faculty of the Delft University of Technology. The research is per- formed under guidance of the Delft University of Technology in cooperation with Royal HaskoningDHV and Waterschap Peel & Maasvallei. I like to thank many people for their support and cooperation during my graduation thesis. In the first place I thank my direct supervisors: Timo Schweckendiek, Enno Kuipers and Bas van Lammeren for their helpful feedback, enthusiasm and guidance during the thesis. Many thanks to Prof. Matthijs Kok for his support and advice. My thanks to Jules Verlaan too, who helped me especially in the field of LCCA.