Study of Various Historical Rapiers from the End of the 16 Century to the Beginning of the 17 Century 

Study of Various Historical Rapiers from the End of the 16 Century to the Beginning of the 17 Century 

STUDY OF VARIOUS HISTORICAL RAPIERS FROM THE END OF THE 16 CENTURY TO THE BEGINNING OF THE 17 CENTURY Guillaume VAUTHIER HE prac !ce #$ %a " R"&a!''a&ce rap!"r $"&ci&( !& HEMA (H!' #r!ca% E*ropea& Mar !a% Ar '+ !' #$ "&, -"ca*'" #$ ." '*r/!/!&( 0(. !&( 1a&*a%', 'p%! !& 2# 'c.##%'3 I a%!a& $"&4 ci&( 'ch##% a&5 Spa&!'. $"&ci&( 'ch##%, -# . #$ ."'" .a/!&( 6*! " a 5!7"r"& *&5"r' a&4 5!&( #$ ." rap!"r 0(. !&(8 9.!ch"/"r 2a: #$ $"&ci&( :#* c.##'" # pract!ce, ."r" !' a%4 2a:' a 6*"' !#& .a "/"r:#&" 1*' a'; a$ "r a !1"3 2.a 2#*%5 -" ." p"r$"ct rap!"r # (" accor5!&( # ." '#*rce'< A' a 1a "r #$ $ac , a&5 a' #pp#'! " # 1#' %: pr"/!#*' 0(. !&( 1a&*a%', =!dea%= 2eap#& 5!1"&'!#&' ar" r"(*%ar%: 'p"ci0"5 -: ." %a " R"&a!''a&ce 1a' "r'8 I .a' # -" &# "5 .a ." a/"ra(" ='pa&!'.= 5!1"&'!#&' ar" #$ "& 5!7"r"& $r#1 .#'" 'p"ci0"5 -: ! a%!a& eac."r'8 Accor5!&( # a $"&ci&( 1a' "r (G>rar5 T.!-a*% 5?A&/"r', Académie de l’Espée, @ABC+, ." ! a%!a& rap!"r' 2#*%5 &# -" r"4 com1a&5"d for a (##d prac !ce of t.e 'pa&!'. sc.##% of rap!"r f"&ci&(8 S#, !' ."r" rea%%: '*ch a 5!7"r"&ce -" 2""& ." .!' or!ca% 'pa&!'. a&5 ! a%!a& rap!"r'< 9.a cou%5 -" ." %"&( . #$ -# . #$ ."1< A&5, 1or" !1p#r a& , 2.a 2#*%5 -" ." =p"r$"ct= rap!"r '!1*%a or # *'" # .a/" .e b"' i a%!a& or spa&!'. prac !ce< I/ A proportions story Rea5!&( ." .!' or!ca% r"a !'"', 2" ca& '"" .a &# pr"ci'" %"&( . )"Dpr"''"5 !& a& *&! #$ 1ea'*r"+ *'"5 t# t"%% a 2eap#& l"&( . — a' opp#'"5 to '#1" h!(.%: 'p"cia%!F"5 s2or5' 5"'cr!-"5 b: F!ore 5"?! 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'pa&!'.8 T." .a&5%" l"&( . -"!&( a%2a:' /"r: cl#'" #& .!' or!ca% "Da1p%"' a&5 cou%5 -" r#*&5%: "' !1a "5 # @K c1, '# ." #&%: para1" "r .a/!&( a ;": !&G*"&ce #& # a% %"&( . !' ." -%a5" %"&( .8 I 2!%% s ar .!' ar !cl" 2! . a ' *5: #$ .!' 5a a #& a& .!' or!ca% p!"ces 'a1p%", ."& 2" 2!%% 5# ." 'a1" #& # ."r !1por a& para1" "r' E 2"!(. , p#!& #$ -a%a&ce, 1aD!4 1*1 -%a5" 2!5 . a&5 5!' a% ap"r8 B* 0r' 2" ca& a'; #*r'"%/"' a 6*"' !#&3 ca& 2" act*a%%: 5!' !&(*!'., #& #*r s a !' !ca% sa1p%", i a%!a& '2or5' a&d spa&!'. s2or5' < II/ Which provenance ? T." a&'2"r !' *&$or *&a "%: &# E ! !' !&5""5 # a%%: !1p#''!-%" # '*r"%: !5"& !$: a 2eap#& *'"5 $or a sp"ci0c t:pe of f"&ci&(8 W" s.#*%d .a/e ;&#2& t." rap!"r' 5!1"&'!#&', -* a%'# i ' #2&"r?' h"!(. a&5 .!' $a/#*r! " :p" #$ $"&ci&( -ac; !& ." !1", 2.!ch !' #$ cour'" &# p#''!-%"8 I& a55! !#&, ." 'pa&!'. a&5 ! a%!a& 'ch##%' #$ $"&ci&( 2"r" &# %!1! "5 # .!' 2# cou& r!"'3 ." 'pa&!'. 'ch##% 2a' pract!ce5 a' $ar a' F%a&5"r', 2.!ch 2"r" par #$ ." L!&(5#1 #$ Spa!&, 2! . T.!-a*% 5?A&/"r', a&5 '#1" ! a%!a& rap!"r rea4 !'"' w"re tra&'%a "d s"/"ra% !1"' i& g"r1a& a&d fr"&ch la&(*a("'8 Mor"#/"r, ." rap!"r'? or!(!& ! '"%$ !', 1#' #$ ." !1", comp#'! "8 I& "7"ct, a 1a& 2!'.!&( a .!(. 6*a%! : '2or5 '.#*%5 .a/" ch#'"& a -%a5" 1a5" !& '#1" r";&#2& ci !"' #$ .!' "ra (S#%!&("& a&5 Pa''a* !& G"r1a&:, T#%"5# !& Spa!&+, a&5 a';"5 a %#ca% #r $a1#*' cra$ '1a& # 1#*& a .a&5%" #& ! 8 9" act*a%%: .a/e s#1e ex"1p%e of rap!"r' o2&"d b: g"r1a& m"&, w! . spa&!'. b%a5"' a&d i a%!a& g*ar5'8 B* ! r"1a!&' r*" .a , "/"& 2! . a -ea* !$*% a&5 5"%!ca "%: #r&a "5 (*ar5, .#'" rap!"r' .a/" $*%%: $*&ct!#&a% a&d da&("r#*' b%a5"'8 T.!' i' w.: I deci5"d o ch##'e t.e h!' #r!ca% "Da1p%"' b%ade l"&( . a' m: 1a!& para1" "r, a&5 &# ." # a% %"&( . E a&5 2.: I 5"ci5"5 # &# $a/#*r a&: ("#(rap.!ca% #r!(!& !& par !c*%ar8 H#2"/"r, ."'" '2or5' 2"r" ch#'"& 2! . a par !cu%ar $actor3 .": ar" a%% "' !1a "5 # a pr"ci'" .!'4 or!ca% p"r!#5, 2.!ch (#"' $r#1 ." "&5 #$ ." @A ce& *r: # ." -"(!&&!&( #$ ." @M, !1" %ap'" #$ a-#* NC y"ar' l#&g (#!&( fr#1 appr#D!1a !/"%: @KMK to A@K8 III/ Sources T." .!' or!ca% rap!"r' #$ 2.!ch I 2a' a-%" # acces' 1ea'*r"1"& ' "''"& !a%%: com" $r#1 '#1" 1*4 '"*1'8 T.": are l!' "d ."r"3 E T.e Wallace Collection Museum (L#&5#&, UL+J E T.e Metropolitan Museum of Art (N"2 Y#r;, USA+J E T.e Staatlic e Kunstsammlun"en (Dr"'5"&, G"r1a&:+J E T." Hofjagd- a&5 Rust%&mmer )V!"&&a, A*' r!a+, .r#*(. ." ar !cl" A Comparison of 'ate ()*+ to Earl, (-*+ Centur, Rapiers wit Modern Reproductions [For &"r a&5 Sc.ra "&"c;"rP )c$8 -!-%!#(ra4 p.:+J E T.e Musée Renaissance (Qcou"&, Fra&ce); E T.e Musée de l’Histoire du Fer (Rar/!%%"4%a4Ma%(ra&(", Fra&ce). T." %a' 'p"ci1"&' 2"r" $#*&5 #& 2# a*ct!#& .#*'"' 2"-'! "'3 ." F!'ch"r Ga%%"r: (S2! F"r%a&5+ a&5 H!'4 or!ca Ar1a (G"r1a&:+8 A%% 5a a' 2"r" c#1p!%"5 !& ." a&&"D"5 a-%"'8 I 1*' 'p"ci$: .a a%% ."'" rap!"r' 2"r" &# p"r'#&&a%%: 1ea'*r"5 -: 1:'"%$, b* -: .e 1*'"*1' s a$$' E 2! . ." "Dcep !#& #$ .e '2ord com!&( $r#1 .e Musée de l’Histoire du Fer8 I had to u'e t.e da a' a/a!%a-%e i& ex!' !&g s#*rces, b##;' or 2"-'! "'8 IV/ Blade length Accor5!&( # ." "D!' !&( 5#cu1"& ', ." -%a5" %"&( . 2"r" 1ea'*r"5 $r#1 cr#''(*ar5 # ." !p, !&cl*5!&g t.e r!ca''#8 O-/!#*'%:, i& '#1e ca'"', t.e %ack of # a% %"&( . co*%5 ma!& a!& a& a1-!(*! : o& t.!' %"&( . )!' ." r!ca''# !&cl*5"5 #r &# <+, -* I r!"5 # '*ppr"'' .!' 5#*- ' *'!&( '#1" r"%!a-%"' '#*rces )c$8 -!-%!#(rap.:+8 9."& ." # a% %"&( . ca& -" $#*&5, a '!1p%" '*- rac !#& -" 2""& .!' %"&( . a&5 ." -%a5" %"&( . ca& t"%% u' !$ t.e ha&5%e l"&( . i' cl#'e to t.e a/"ra(e @Kc18 Ha/!&g br#*(. #(" ."r @@@ rap!"r' a' #*r 'a1p%", a%% com!&( fr#1 t.e a5"6*a e h!' or!ca% p"r!#5, I 5"ci5"5 # p* a%% ."!r -%a5" %"&( . #& a '!&(%" .!' #(ra18 T.!' char 2a' co&' ! * "5 *'!&( /ar!#*' %"&( . ca "(or!"' i& or5"r # -" "r !%%*' ra " ." $r"6*"&c: #$ ." d!7"r"& -%a5" '!F"', a&5 # (" a 1or" 1ea&!&( 4 $*% grap.8 Blade lengths frequency y c n e u q e r F Blade length (cm) Figure — Histogram of the blade sizes repartition. Histogram: Vincent Le Chevalier T.e ex r"1e va%*"' of o*r sa1p%e are t.e f#%%#2!&(3 E M!&!1*1 l"&( .3 SS,Ac1 E MaD!1*1 l"&( .3 TA,Nc1 So w" ha/e a A,Uc1 d!7"r"&ce b" 2""& t.e l#&("' a&d t.e s.#r "' b%a5"'8 I& /!"2 #$ ." 2# 1a!& 'ch##% #$ $"&ci&( a .!' !1", each #$ *' #7"r!&( *' 5!7"r"& -%a5" %"&( .' (a =%#&(= a&5 a ='.#r =+, 2" cou%5 .a/" "Dp"ct"5 ." pr"'"&ce #$ 2# ' r#&(%: r"pr"'"& "5 -%a5" %"&( .' E a&5 '# ar" .": 0(*r"5 -: 2# pea;'8 H#2"/"r, ! !' !& "r"' !&( # &# " .a .#'" pea;' ar" &# rea%%: '"pa4 ra "5, a&d t.a ! s""1' to ha/e a grea n*1-"r of i& "r1"5!a e l"&( .'8 A p#''!-%" .:p# ."'!' # "Dp%a!& .!' $ac !' # .!&; a .*1a& pr#p#r !#&'8 H*1a& -"!&(' ar" a%% #$ a 5!7"r"& ."!(. , a&5, "/"& a .!' !1", ."r" 2"r" '1a%% a&5 a%% p"#p%"8 I$ a 1aHor! : #$ ." '2or5 #2&"r 5!5 -*: a '2or5 accor5!&( # ."!r #2& -#5: '!F", '# ." ='.#r = rap!"r' #$ ." a%%"r p"r'#&' 2"r" !& $act a' %#&( a' ." =%#&(= /"r'!#& 1a5" $or '1a%%"r p"op%"8 Fact*a%%:, ." '!F" 5!7"r"&ce -" 2""& ." =%#&(= a&5 ='.or = v"r'!#&' i' l"'' t.a& @Cc1 i& t.e grea maHor! : of t.e ca'"'8 A&# ."r p#''!-!%! : 2#*%5 -" # 'a: .a , -ac; !& ." !1", ." cra$ '1"& 5!5 &# .a/" !&5*' r!a% 1ac.!&"r: o b" a' pr"ci'e a' n#28 A%% t.e b%a5"' w"r" 1ade b: ha&d a&d p"r$orce s.#2"d '#1e l"&( .

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