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Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Flag of Oman - a Brief History
Part of the “History of National Flags” Series from Flagmakers Flag of Oman - A Brief History Where In The World Trivia The proportion of the National Flag is 1:2, the State Flag is 4:7, the Ceremony Flag is 5:7 Technical Specification Adopted: 25TH April 1995 Proportion: 1:2 Design: A white-red-green horizontal tricolour with a vertical red band and white national emblem on the left side. Colours: PMS Green: 347 Red: 186 Brief History Between 751 and 1970 Oman Proper, Oman Imamate was part of Oman and a plain white field with a red emblem featuring crossed swords, a khanjar and a belt was adopted as the flag. A plain red field was flown as the flag of the Sultanate of Muscat. In 1820 the Imamate of Oman joined with Muscat to create the Sultanate of Muscat and Oman. The flag adopted was a plain red field similar to the ones flown on the Gulf at the time. The Flag of Oman Proper, Oman Imamate Sultanate of Muscat (751 – 1970) (1650 – 1820) Sultanate of Muscat and Oman (1820 – 1970) The modern national flag of Oman was adopted in 1970. It features a white-red-green horizontal tricolour with a vertical red band and white national emblem featuring crossed swords with a khanjar and belt on the left side. The green colour represents the Jabal al Akdar mountains, the white is the Imam and the red is the traditional colour of Gulf state flags. In 1995 the Proportions of the flag were changed from 2:3 to 1:2 with a thicker horizontal red stripe at the Sultan’s request. -
THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way. -
Pachyderm 44
Probable extinction of the western black rhino Yemen’s attitudes towards rhino horn and jambiyas Lucy Vigne, Esmond Martin PO Box 15510 – 00503, Nairobi, Kenya; email: [email protected] Abstract In 1990 the Marxist government of the south that had banned civilians from possessing weapons, including the jambiya dagger, was ousted. South Yemen united with North Yemen to form one country. Were more people in the south going to emulate the northerners and buy jambiyas once again? Having not been in the southern region since 1993, we surveyed five main southern towns in early 2008 to see if influences from the north had encouraged the southerners to wear jambiyas in recent years. In many ways the southerners are emulating the northerners: they have shed Marxism in favour of capitalism and there has been an increase in traditional Islamic practices, but they still look down on jambiyas. However, the dagger is still a proud sign of being a northern tribesman, and Sanaa remains the centre of the jambiya industry - with rhino horn most favoured for handles; Taiz trails a distant second in importance. We learned more about the attitudes of Yemenis, especially from the younger more prosperous men in Sanaa who are likely to buy a rhino horn jambiya. And we increased public awareness on the plight of the rhino, distributing DVDs on Yemen’s rhino horn trade and supplying other educational materials to Yemenis in Sanaa and Taiz. Résumé En 1990 le gouvernement marxiste du sud qui avait interdit aux civils de posséder des armes, y compris le poignard jambiya, a été évincé. -
COLD ARMS Zoran Markov Dragutin Petrović
COLD ARMS Zoran Markov Dragutin Petrović MUZEUL BANATULUI TIMIŞOARA 2012 PREFACE Authors of the catalog and exhibition: Zoran Markov, Curator, Banat Museum of Timisoara Dragutin Petrović, Museum - Consultant, The City Museum of Vršac Associates at the exhibition: Vesna Stankov, Etnologist, Senior Curator Dragana Lepir, Historian Reviewer: “Regional Centre for the Heritage of Banat — Concordia” is set adopted a draft strategy for long-term research, protection and pro- Eng. Branko Bogdanović up with funds provided by the EU and the Municipality of Vršac, motion of the cultural heritage of Banat, where Banat means a ge- Catalog design: as a cross-border cooperation project between the City Museum ographical region, which politically belongs to Romania, Hungary Javor Rašajski of Vršac (CMV) and Banat Museum in Timisoara (MBT). In im- and Serbia. Photos: plementation of this project, the reconstruction of the building of All the parts of the Banat region have been inextricably linked Milan Šepecan Concordia has a fundamental role. It will house the Regional Centre by cultural relations since the earliest prehistoric times. Owing to Ivan Kalnak and also be a place for the permanent museum exhibition. its specific geographical position, distinctive features and the criss- Technical editor: The main objective of establishing the Regional Centre in crossing rivers Tisza, Tamis and Karas, as the ways used for spread- Ivan Kalnak Concordia is cross-border cooperation between all institutions of ing influence by a number of different cultures, identified in archae- COLD ARMS culture and science in the task of production of a strategic plan ological research, the area of Banat represents today an inexhaust- and creation of best conditions for the preservation and presenta- ible source of information about cultural and historic ties. -
Représentât^148500014 / Reçu CLT/CIH / ITH ICH-02 - Form Le United Nations
Représentât^148500014 / Reçu CLT/CIH / ITH ICH-02 - Form Le United Nations . Intangible - 8 MARS 2019 Educational, Scientific and . Cultural Cultural Organization . Héritage REPRESENTATIVE LIST 0F THE INTANGIBLE CULTURAL HERITAGE 0F HUMANITY Deadline31 March 2019 for possible inscription in 2020 Instructions for completing thé nomination form are available at: htt s://ich. unesco.or /en/forms Nominations not complying with those instructions and those found below will be considered incomplète and cannot be accepted. States Parties are further encouraged to consult thé aide-mémoirefor completing a nomination to thé Représentative List of thé Intangible Cultural Héritage of Humanity, which is available on thé same webpage. A. State(s) Party<ies) .\^T For multinational nominations, States Parties should be listed in thé order on which they hâve mutually agreed. SultanateOfOman B, Name of thé élément B. 1. Name of thé élément in English or French Indicate thé officiai name of thé élément that will appear in published material. Not to exceed 200 characters Oman! Khanjar: thé symbol ofAuthenticity and national cultural identity. B. 2. Name of thé élément in thé language and script of thé community concerned, if applicable Indicate thé officiai name of thé élément in thé vernacular language corresponding to thé officiai name in English or French (point B.1). Not to exceed 200 characters 4jsl£î| A^jA AJj^Jlj ^SL^ÏI Joj : ^Lull ^=J| B.3. Other name(s) of thé élément, if any In additionto thé officiainame(s) of théélément (point B.1), mention alternate name(s), ifany, by whichthé élément is known. Saidi Khanj'ar Form ICH-02-2020-EN- revised on 21/03/2018- page 1 Nizwani Khanjar Suri Khanjar Batini Khanjar (Sahli Khanjar) Sadahia khanjar (Janbiya) C. -
Wholesale Generic Viagra
The Social Economics of Small Craft Production: The Sword and Knife Makers of Kassala, Eastern Sudan September 1984 Edwin Hunley, Ph.D. State University of New York at Binghamton Binghamton, NY 13901 Modified October 2010 Copyright © 1988-2010 Dr. Edwin Hunley Table of Contents Introduction ................................................................. 3 Blacksmith's Market ........................................................ 4 Suq Products ........................................................ 5 Organization of Production ................................................ 8 Knife Production System .......................................... 9 Sword Production ................................................. 12 Micro-economics of Production .......................................... 13 Knife Economics ................................................... 14 Sword Economics.................................................. 15 Income Ranking ................................................... 17 Suq Governance ............................................................ 18 Non-Economic Bonds Within the Suq ................................... 21 The Islamic Guild Tradition............................................... 21 The Social Character of Blacksmithing ................................. 22 The Ethnic Component of Blacksmithing in Kassala .................. 24 Potential for Industrialization of the Suq .............................. 30 Conclusion: The Suq as a Replicable Model ............................ 33 Appendix I The Cultural -
Zanzibar: Its History and Its People
Zanzibar: its history and its people http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.PUHC025 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Zanzibar: its history and its people Author/Creator Ingrams, W.H. Publisher Frank Cass & Co., Ltd. Date 1967 Resource type Books Language English Subject Coverage (spatial) Northern Swahili Coast, Tanzania, United Republic of, Zanzibar Stone Town, Tanzania Source Princeton University Library 1855.991.49 Rights By kind permission of Leila Ingrams. Description Contents: Preface; Introductory; Zanzibar; The People; Historical; Early History and External Influences; Visitors from the Far East; The Rise and Fall of the Portuguese; Later History of the Native Tribes; History of Modern Zanzibar. -
The Virtual Tour
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2012 The irV tual Tour Elizabeth Laura Mayor Worcester Polytechnic Institute Justin Henry McLaughlin Worcester Polytechnic Institute Kai He Worcester Polytechnic Institute Seth Michael Lipkind Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Mayor, E. L., McLaughlin, J. H., He, K., & Lipkind, S. M. (2012). The Virtual Tour. Retrieved from https://digitalcommons.wpi.edu/ iqp-all/2641 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. The Virtual Tour Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in partial fulfillment of the requirements for graduation by Runzi Gao Kai He Seth Lipkind Elizabeth Mayor Justin McLaughlin Professor Jeffrey L. Forgeng, Major Advisor ii iii Abstract This project integrated technology and history to transform the visitor experience at the Higgins Armory Museum. The team upgraded the museum’s “Virtual Armory” website, creating a Virtual Tour with interactive and multimedia content for over a dozen pieces in the Higgins collection, including videos, animations, interactive graphics, and a Flash-based minigame. The team -
Teemu Nurmela Finnish Army
THE SOCIAL BATTLESPACE OF STABILIZATION OPERATIONS – ACTION AMONGST THE PEOPLE Major (GS) Teemu Nurmela Finnish Army Finnish National Defence University Department of Tactics and Operational Art Series 1 No 1/2010 Front cover: A Finnish dismounted patrol handing out leaflets in Kholm, Afghanistan, in the summer of 2009. (Antti Saarelma / Finnish Defence Forces. Used with permission.) © Teemu Nurmela National Defence University, Department of Tactics and Operational Art ISBN 978-951-25-2081-7 ISSN 1238-2744 Edita Prima Oy Helsinki 2010 3 FOREWORD Due to the complexity of conflicts, the human dimension in peacekeeping and stabiliza- tion operations has increased its significance. At the same time understanding of human dimension has not improved at the same rate. The lessons learnt from different missions differ from country to country and from mission to mission. Before this study, very little Finnish or international research exists on the human terrain of a conflict. The purpose of this study is to explore the human dimension of the tactical land operating environment (battlespace) in stabilization operations and thereby interpret the tactical reality of deployed ground troops. This study gives a new perspective and significant information understanding of the actors and situation in operating environment which usually is more than compli- cated. On behalf of department of tactics and operational art, I would like to thank Teemu Nurmela for providing new scientific information to the broad field of military sciences. Santahamina 25.1.2010 -
Antique Oriental and Arab Weapons and Armour - the Manstreshinskiy Collection
SPeCIaL ReVIeW 01 omani khanjar dagger from the 19th century with the typical shape of the handle with a flat top and an l-shaped scabbard. 02 persian tabar-e dosar (double- headed Axe) from the 19th century. the axehead is made of plain steel and beautifully etched with four different scenes. ANDARMS THE ANTIQUE ORIENTAl AND ArAb WEAPONS AND ARMOUR - THE MANSTRESHINSKIY COLLECTION Reena abRaham Any reseArcher of Arms And Armor who works on A collection be it A royAl collection of kings housed in A museum, A museum collection or A privAte collection does not only AnAlyze the pieces but he stArts to get close to eAch item. by AnAlyzing different decorAtion methods, forging techniques And wAys of Assembly, A reseArcher stArts to listen to the inner voice of eAch ArtifAct. this voice grows in significAnce when A piece hAs inscriptions. Dr. mAnouchehr moshtAgh khorAsAni 01 02 038 a PeaRL of LuxuRy SPeCIaL ReVIeW 05 04 04 imitry and Suzana Streshinskiy, noted (European) swords and hence one can see Arab 03 this indian kard features 03 06 07 Russian antique weapons and armor collectors swords with European military sword blades. The magnificent enameled handles with intricate detailing of pink flowers and launched a unique book, Antique Oriental and collection also bears imported French pistols, green branches, from the early 20th DArab Weapons and Armour - The Streshinskiy adjusted for the Algerian market and inscribed century. Collection, in collaboration with Abu Dhabi with Arabic scripts, Ottoman pistols with French 04 indian pishqabz with a typical Publisher Antiga Arabia, at the Abu Dhabi designs and a Caucasian flintlock musket equipped s-shaped blade.