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Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Custom Welded Katana by Request
Custom Welded Katana By Request Two-a-penny Bobbie never season so unreflectingly or permeate any Yoko evil. Rhett retreading obviously as formable deciduate.Melvyn dishallows her reviewer snowball corruptibly. Terrance anthropomorphising her serum qualitatively, synecdochic and Nobody has ever none of swords this way. Battling Blades designs and sells swords, machetes, axes and knives. And japanese government is not custom welded katana by request a steel damascus was a cavalry, in a fair. Gw cycle world and european weapons that refers to be able courier service. What does knife today it would like to identify the shirasaya swords lack toughness is two custom welded katana by request a factory warranty or gold and subject to teach me when in a rapier is? Every item we sell is handmade and we hold some in stock. Searching custom welding and requests for by hammering, not those who look to request is destined to. Those studying with essence, originating in tijd, steel in its materials, and extremely easily from mild pronation control. The custom welded katana by request, by a request information! Thank you dear friend Daniel of Nebraska. Please note free time ask could you drill further questions. Template HKGGRN WAKIZASHI SAMURAI SWORD Description Wakizashi in Koshirae Mountings. We weld tests at the custom welded katana by request information for competitive price is used to be a new this is? The cost is irrelevant. After many swords are somewhat more carbon to view more like in appearance and marine and to wield a later date, fl on the history and discovered a first. -
Damascus Steel
Damascus steel For Damascus Twist barrels, see Skelp. For the album of blades, and research now shows that carbon nanotubes the same name, see Damascus Steel (album). can be derived from plant fibers,[8] suggesting how the Damascus steel was a type of steel used in Middle East- nanotubes were formed in the steel. Some experts expect to discover such nanotubes in more relics as they are an- alyzed more closely.[6] The origin of the term Damascus steel is somewhat un- certain; it may either refer to swords made or sold in Damascus directly, or it may just refer to the aspect of the typical patterns, by comparison with Damask fabrics (which are in turn named after Damascus).[9][10] 1 History Close-up of an 18th-century Iranian forged Damascus steel sword ern swordmaking. These swords are characterized by dis- tinctive patterns of banding and mottling reminiscent of flowing water. Such blades were reputed to be tough, re- sistant to shattering and capable of being honed to a sharp, resilient edge.[1] Damascus steel was originally made from wootz steel, a steel developed in South India before the Common Era. The original method of producing Damascus steel is not known. Because of differences in raw materials and man- ufacturing techniques, modern attempts to duplicate the metal have not been entirely successful. Despite this, several individuals in modern times have claimed that they have rediscovered the methods by which the original Damascus steel was produced.[2][3] The reputation and history of Damascus steel has given rise to many legends, such as the ability to cut through a rifle barrel or to cut a hair falling across the blade,.[4] A research team in Germany published a report in 2006 re- vealing nanowires and carbon nanotubes in a blade forged A bladesmith from Damascus, ca. -
Kingdom of Northshield Rules for Rapier Combat
Kingdom of Northshield Rules for Rapier Combat Published Summer 2018 Table of Contents 1. RULES OF THE LIST AND OF COMBAT.................................................................................. 1 1.1. Rules of the List .......................................................................................................................2 1.2. Rules of Combat ......................................................................................................................3 2. EQUIPMENT SPECIFICATIONS ............................................................................................. 7 2.1 General Standards ....................................................................................................................7 2.2. Weapons and Parrying Devices ................................................................................................7 2.3. Protective Equipment ............................................................................................................ 10 3. AUTHORIZATIONS ............................................................................................................ 14 3.1. General Requirements ........................................................................................................... 14 3.2. Combat Authorization ............................................................................................................ 15 4. MARSHALLING RAPIER ..................................................................................................... 17 4.1. -
SERFO 2018 Rules
https://dscoblen.gitlab.io/serfo/ Southeast Renaissance Fencing Open Weapon Rules Table of Contents • Purpose • Sword and Buckler Tournament Rules • Competition Area • Running of a Bout • Minimum Equipment Safety Requirements o Rapier and Sword and Buckler o Rapier o Longsword o Longsword and Sword and Buckler • Injuries • Weapon requirements • Roles of the Staff o Rapier o Referee o Longsword o Scorekeeper o Sword and Buckler o Ring Boss • Rapier Tournament Rules • Roles of the Fencers and Coaches o General Rules o Fencers o Conventional Rapier o Coaches o First Blood Rapier • Notes: • Longsword Tournament Rules o Summary ! Purpose The Southeast Renaissance Fencing Open (SERFO) is a tournament event dedicated to promoting the practice and teaching of Historical European Martial Arts in the region. Most clubs in attendance are based in Georgia, Tennessee, North Carolina, South Carolina, and Florida. Participants come from a variety of backgrounds in terms of their choices of weapons, time periods, and manuals of study. SERFO is a multi-disciplinary event with a focus on Renaissance weapons, and we give equal footing to rapier and longsword fencing. SERFO is known as being a competitive, but friendly and open event. We endeavor every year to being welcoming and supportive to all fencers. While the fencing is at all times intense, and done with a desire to win, we view winning as a secondary aspect of fencing well. A victory for us is the fencer having fun, and improving their overall skill. We hope that you have fun, and wish to come back to SERFO again and again. ! Competition Area • Bouts will take place in an 8m circle with clearly marked edges. -
August 02,1865
PORT PRESS. Uatabliahed June 23, 1862. Yol. 4. WEDNESDAY AUGUST PORTLAND, MORNING, 2, 1865. Term*** 8H „ ____’_ ___’ per annum, in advance. PORTLAND DAILY PRESS: clever agents and plenty of money, are of great Miscellaneous. For Sale and to Let* Wants, Lost and Found. Miscellaneous. importance, the Mayor has placarded Business Cards. JOHN T. GILMAN, Editor, though Business Cards. every dead wall with warnings against illegal I PUBLISHED AT 82} EXCHANGE STREET, BY ‘•bribery treating and under influence,” what- YORK & CUMBERLAND R. R House Lot for Sale. Wanted Immediately. ever The drunken and on the oorner of and BOSS a> that may be. noisy, Deering Henry GOOD BAKER at No. S8 Brackett Street. Late Dep y P. M. N. A. FOSTER & CO. x 100 feet. of a General ol Mo. FEENY, sometimes violent mob of non-voters in Eng- SITUATEDSts, SO Enquire A G. W. H. BROOKS. Notice to Bond-Holders. R. W. ^ ^ as a GAGE, July 27—dlw P The Portland Daily Press is at lish towns strikes me pretty strong argu- TYLER & LAST published july2Sdtfi» 137 Commercial St. _» »_ ere RS, unless it can SAWYER, f 8.00 per year in advance. ment against universal sutfrage, ^±hi±trbrrSQ Notice is hereby given to holders of GENERAL PLAIN AND ORNAMENTAL The Maine State Press is published these men ballots and for issued every be Bhown that giving would vW*^?Bond8 Coupons interest, Boat for Sale. 'Wanted. I>. W. morning, at $2.00 per annum, in advance ; tue loin & Cumberland Railroad bear- __* CLARK, Thursday save them the trouble of heavier and by Company, to to whom STU000 AND if witum six and if throwing date Jan. -
Swords and Sabers During the Early Islamic Period
Gladius XXI, 2001, pp. 193-220 SWORDS AND SABERS DURING THE EARLY ISLAMIC PERIOD POR DAVID ALEXANDER ABSTRACT - RESUMEN The present article offers a discussion on early swords and sabers during the Early Islamic Period, from the Topkapí Sarayi collection to written, iconographic and archeological sources. El presente artículo trata las espadas y sables utilizados en los primeros tiempos del Islam a partir de la co- lección del Topkapí Sarayi y de las fuentes escritas, iconográficas y arqueológicas. KEY WORDS - PALABRAS CLAVE Swords. Sabers. Islam. Topkapí Sarayi, Istambul. Espadas. Sables. Islam. Topkapí Sarayi. Estambul. SWORDS DURING THE EARLY ISLAMIC PERIOD The recent discovery in Spain of a ninth century sword represents a remarkable advance in our knowledge of early Islamic swords. This archaeological find is discussed in detail by Alberto Canto in this volume, the present article offers a discussion of early swords and sa- bers in general. Reference is also made to the so called saif badaw^ used in the investiture of ¿Abbasid caliphs under the Mamluks; and to the origins of the saber which represents an eastern influence on the Islamic world A sword is a weapon with a straight double-edged blade, generally pointed at its tip, and can be used for both cutting and thrusting; the hilt of a sword is generally symmetrical in form. A s ab er ca n b e de fi n ed a s a we a p on wi th a s i ng le - ed ge d b la de , s omet i me s s ha rp en e d a dd it io n al ly al on g t he l o we r pa r t of it s ba c k ed g e, d es i gn ed fo r cu t ti ng an d sl a sh in g .1 Al th ou g h s ab er s a re u s ua ll y c ur ve d , ea rl i er e x ampl es ar e l es s so an d s ome ar e v ir t ua ll y s tr ai g ht . -
THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way. -
Downloaded and Shared for Private Use Only – Republication, in Part Or in Whole, in Print Or Online, Is Expressly Forbidden Without the Written Consent of the Author
The International Armizare Society Presents: Beginning Armizare An Introduction to Medieval Swordsmanship Gregory D. Mele © 2001 - 2016 Beginning Armizare: An Introduction to Medieval Swordsmanship Copyright Notice: © 2014 Gregory D. Mele, All Rights Reserved. This document may be downloaded and shared for private use only – republication, in part or in whole, in print or online, is expressly forbidden without the written consent of the author. ©2001-2016 Gregory D. Mele Page 2 Beginning Armizare: An Introduction to Medieval Swordsmanship TABLE OF CONTENTS Foreword 4 Introduction: The Medieval Art of Arms 5 I. Spada a Dui Mani: The Longsword 7 II. Stance and Footwork 9 III. Poste: The Guards of the Longsword 14 IV. Learning to Cut with the Longsword 17 V. Defending with the Fendente 23 VI. Complex Blade Actions 25 VII. Parrata e Risposta 25 Appendix A: Glossary 28 Appendix B: Bibliography 30 Appendix C: Armizare Introductory Class Lesson Plan 31 ©2001-2016 Gregory D. Mele Page 3 Beginning Armizare: An Introduction to Medieval Swordsmanship FOREWORD The following document was originally developed as a study guide and training companion for students in the popular "Taste of the Knightly Arts" course taught by the Chicago Swordplay Guild. It has been slightly revised, complete with the 12 class outline used in that course in order to assist new teachers, small study groups or independent students looking for a way to begin their study of armizare. Readers should note that by no means is this a complete curriculum. There is none of the detailed discussion of body mechanics, weight distribution or cutting mechanics that occurs during classroom instruction, nor an explanation of the number of paired exercises that are used to develop student's basic skills, outside of the paired techniques, or "set-plays," themselves. -
OKCA 32Nd Annual • April 14-15
OKCA 32nd Annual • April 14-15 KNIFE SHOW Lane Events Center & Fairgrounds • Eugene, Oregon April 2007 Ourinternational membership is happily involved with “Anything that goes ‘cut’!” You Could Win... a new Brand Name knife or other valuable prize, just for filling out a door prize coupon. Do it now so you don't forget! You can also... buy tickets in our Saturday (only) RAFFLE for chances to WIN even more fabulous knife prizes. Stop at the OKCA table before 5:00 p.m. Saturday. Tickets are only $1 each, or 6 for $5. Join in the Silent Auction... Saturday only we will have a display case filled with very special knives for bidding. Put in your bid and see if you will take home a very special prize. Free Identification & Appraisal Ask for Bernard Levine, author of Levine's Guide to Knives and Their Values, at table N-01. ELCOME to the Oregon Knife have Blade Forging, sword demonstrations, the raffle. See the display case by the exit to Collectors Association Special Show Scrimshaw, Engraving, Knife Sharpening, purchase tickets and see the items that you could WKnewslettter. On Saturday, April 14 Blade Grinding Competition, Wood Carving, win. and Sunday, April 15, we want to welcome you Balisong and Flint Knapping. And don't miss Along the side walls, we will have more than a and your friends and family to the famous and the FREE knife identification and appraisal by score of MUSEUM QUALITY KNIFE AND spectacular OREGON KNIFE SHOW & SALE. knife author BERNARD LEVINE SWORD COLLECTIONS ON DISPLAY for Now the Largest Knife Show in the World! (Table N-01). -
Knife World Books
SPRING 2019, Issue 55 ® JOURNAL OF THE AMERICAN BLADESMITH SOCIETY, INC. Officers Board of Directors In This Issue Editor’s Note Harvey Dean (04) Robert Calvert (07) 4 Chairman 911 Julia Street 5 ABS Calendar 3266 CR 232 Rayville, LA 71269 5 School Calendars Rockdale,TX 76567-4302 318-348-4490 6 Chairman’s Corner 512-446-3111, [email protected] 8 Annual Meeting Schedule [email protected] 9 Auction Knife Descriptions Kevin R. Cashen (11) 10 Mid America Symposium Info Steve Dunn (03) 5615 Tyler Street 11 New England Symposium Flyer Vice Chairman Hubbardston, Michigan 48845-9708 376 Bigger Staff Road 989-981-6780 13 Art of Steel Show Awards Smiths Grove, KY 42171 [email protected] 18 Great Smoky Mountain Hammer-in 270-563-9830, 21 Alabama Forge Council [email protected] Mark Zalesky (11) 26 AD Index 4152 Forest Glen Drive Billy Ray Hughes (76) Knoxville, TN 37919 Carolyn Hughes, Editor Secretary & Founder 865-540-4189 305 Phillips Circle [email protected] American Bladesmith is published 3 times a year Wake Village, TX 75501 by the American Bladesmith Society, PO Box 903-838-0134, James Rodebaugh (15) 160, Grand Rapids, OH 43522 and is printed [email protected] P.O. Box 404 by NeTex Printing, 3101 New Boston Rd., Carpenter, WY 82054 Texarkana, TX 75501. The publishers and staff of Bill Wiggins (09) 307-649-2394 American Bladesmith are not responsible for any Treasurer [email protected] mishaps which might occur from use of published 105 Kaolin Lane information. No part of the publication may be Canton, NC 28716 Robert Wilson (18) reproduced without written permission from the 828-226-2551 3659 Battle Road editor.