Political Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico Author(s): Nicolai Rubinstein Reviewed work(s): Source: Journal of the Warburg and Courtauld Institutes, Vol. 21, No. 3/4 (Jul. - Dec., 1958), pp. 179-207 Published by: The Warburg Institute Stable URL: http://www.jstor.org/stable/750823 . Accessed: 04/06/2012 06:07 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The Warburg Institute is collaborating with JSTOR to digitize, preserve and extend access to Journal of the Warburg and Courtauld Institutes. http://www.jstor.org POLITICAL IDEAS IN SIENESE ART: THE FRESCOES BY AMBROGIO LORENZETTI AND TADDEO DI BARTOLO IN THE PALAZZO PUBBLICO By Nicolai Rubinstein I hen between 1337 and 1340 the government of Siena commissioned W Ambrogio Lorenzetti to adorn their council chamber in the Palazzo Pubblico,1 the frescoing of town halls and palaces had already become fairly widespread in Italy. Few of these early frescoes in secular buildings have sur- vived, but the evidence we possess shows that they were frequently meant to serve political and didactic purposes.2 Inscriptions often helped to press home the message of the paintings.