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Mystical“ Traditions in an Apocalyptic Text? : the Throne Vision of Revelation 4 Within the Context of Enochic and Merkavah Texts
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2018 „Mystical“ traditions in an apocalyptic text? : the throne vision of revelation 4 within the context of enochic and merkavah texts Frey, Jörg DOI: https://doi.org/10.1515/9783110597264 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-167157 Book Section Published Version Originally published at: Frey, Jörg (2018). „Mystical“ traditions in an apocalyptic text? : the throne vision of revelation 4 within the context of enochic and merkavah texts. In: Collins, John J; de Villiers, Pieter G R; Collins, Adela Yarbro. Apocalypticism and Mysticism in Ancient Judaism and Early Christianity. Berlin: Walter de Gruyter, 103-127. DOI: https://doi.org/10.1515/9783110597264 Jörg Frey “Mystical” Traditions in an Apocalyptic Text? The Throne Vision of Revelation 4 within the Context of Enochic and Merkavah Texts Introduction: Apocalypticism and Mysticism as Contested Categories The boundaries between apocalypticism and mysticism often appear unclear or blurred. This is not only due to the observation of mystical elements in apo- calyptic texts and of revelatory experiences within the context of mystical religion. It is, even more so, due to the fact that the two terms are scholarly categories subject to definition, and depending on their respective definitions, the group of texts or textual elements attributed to each category varies con- siderably. Furthermore, both terms have a long history of reception in Christian theology and biblical exegesis, and both have been intensely rejected by certain theological traditions. -
DIRECTOR Rof PUBLIC HEALTH R for the YEAR 2009
FOR THE PEOPLE OF ATTENTION BRIGHTON OF THE & HOVE R Annual Report ROF THE DIRECTOR Rof PUBLIC HEALTH R FOR THE YEAR 2009 1 Copyright ©2010 NHS Brighton and Hove 2 R CONTENTS Foreword R Executive Summary Chapter 1 Introduction .............................................................................................. 15 Chapter 2 Public Health in Brighton and Hove ....................................................... 21 2.1 The rush to the sea for thalassotherapy ............................................... 23 2.2 Public health in 19th century Brighton ................................................. 26 2.3 Public health in 20th century Brighton ................................................. 30 2.4 Public health in the latter part of the 20th century in Brighton and early 21st century in Brighton... and Hove ...................... 36 Chapter 3 The population of Brighton and Hove ................................................... 41 3.1 The growth of population of Brighton and Hove ................................. 43 3.2 Age profile through the ages ............................................................... 44 3.3 Population density ............................................................................... 49 Chapter 4 Wider Determinants of Health in Brighton and Hove .......................... 53 4.1 Housing and urban development ........................................................ 55 4.2 The recession and unemployment ....................................................... 67 4.3 Transport ............................................................................................. -
Sussex Partnership Nhs Foundation Trust Meeting of the Board Of
SUSSEX PARTNERSHIP NHS FOUNDATION TRUST MEETING OF THE BOARD OF DIRECTORS HELD IN PUBLIC 29 July 2015 10.30 – 12.40 Training Centre, Trust Headquarters, Swandean, Arundel Road, Worthing, West Sussex, BN13 3EP Contact: Rebecca Huth, Corporate Governance Administrator, [email protected], 01903 843033 BOARD OF DIRECTORS MEETING IN PUBLIC To be held on 29 July 2015 at 10.30 In the Training Centre, Swandean, Arundel Road, Worthing, West Sussex, BN13 3EP AGENDA TBP34 /15 INTRODUCTION 1030 TBP34 .1/15 Chair’s Welcome and Introduction Verbal 1030 TBP34 .2/15 Apologies for Absence & Declaration of Interests Verbal Minutes of the Board of Directors meeting held 24 June 2015 & 1031 TBP34 .3/15 A Action Points (not covered on the agenda) 1032 TBP34 .4/15 Questions from Members of the Public Verbal TBP35 /15 STRATEGY To receive the Revalidation Report 1035 TBP35 .1/15 B (Tim Ojo, Executive Medical Director) To receive the Equality Performance Hub Annual Report (Vincent Badu, Strategic Director of Social Care and Partnerships) 1040 TBP35 .2/15 (Link to Performance Hub: C http://www.sussexpartnership.nhs.uk/equality-performance-hub- equality) To receive and agree the Medical Workforce Strategy 1045 TBP35 .3/15 D (Tim Ojo, Executive Medical Director) TBP36 /15 PERFORMANCE AND QUALITY 1050 TBP36 .1/15 Chief Executive Report E To receive a report on the Performance of the Trust to the end of June 2015 1105 TBP36 .2/15 F (Sally Flint, Executive Director of Finance & Performance, Managing Directors) 1135 TBP36 .3/15 To agree the Q1 in-year -
Fall Concert Featuring KSU Chorale, Men's Ensemble and Chamber
KSU School of Music presents Fall Concert featuring Kennesaw State University Chorale, Men’s Ensemble, and Chamber Singers LESLIE J. BLACKWELL CONDUCTOR SHERRI N. BARRETT ACCOMPANIST Tuesday, September 27, 2016 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Thirteenth Concert of the 2016-17 Concert Season program KENNESAW STATE UNIVERSITY CHORALE Hark, I Hear The Harps Eternal | arr. Alice Parker (b. 1925) Alice Parker studied at Smith College and then received her master’s degree from the Julliard School where she studied choral conducting with Robert Shaw. Ms. Parker arranged many works with Robert Shaw of folksongs, hymns and spirituals, which formed an enduring repertoire for choruses all around the world. One of her many folksong arrangements, Hark, I Hear The Harps Eternal, evokes a strong rhythmic drive with two intriguing juxtaposed motives. This folksong arrangement has been a staple in the choral repertoire for 40 years. Hark, I hear the harps eternal Ringing on the farther shore, As I near those swollen waters With their deep and solemn roar. Hallelujah, hallelujah, Hallelujah, Praise the Lamb! Hallelujah, hallelujah, Glory to the great I AM! And my soul, tho’ stain’d with sorrow, Fading as the light of day, Passes swiftly o’er those waters, To the city far away. Souls have cross’d before me, saintly, To that land of perfect rest; And I hear them singing faintly In the mansions of the blest. Hallelujah, hallelujah, Hallelujah, Praise the Lamb! Hallelujah, hallelujah, Glory to the great I AM! O magnum mysterium | Ivo Antognini (b. 1963) Ivo Antognini is a modern Swiss composer whose works have received numerous accolades and are published all around the world. -
Far from Being Idolatrous: Ancestor Veneration
Dr Alexander Jebadu SVD FAR FROM BEING IDOLATROUS: ANCESTOR VENERATION 2010 ______________________________________________ Steyler Verlaag, Nettetal Bibliografische Information Der Deutchen Bibliotek Die Deutche Bibliotek verzeichnet diese Publikation in der Deutchen Nationalbibliografie; detailierte bibliografische Daten sind im Internet über http://dnb.ddb.de abrufbar. ©Steyler Verlaag Bahnhofstraβe 9 41334 Nettetal Germany [email protected] ISSN 0562-2816 ISBN 978-3-8050-0564-7 DPT: Martina Ludwig, Steyler Missionswissenschaftliches Instutut Druck: Verlaag Franz Schmitt, Siegburg TABLE OF CONTETS AKNOWLEDGEMENTS ……………………………………………………………...iii I. INTRODUCTION …………………………………………………………………...01 1.1. Problem Mapping of This Study …..…………….……………………………..01 1.2. Goal and Scope of This Study …………..….…………………………………..01 1.3. Organization of This Study and Its Methodology……………………….…….03 1.4. The Limitations of This Study ……………………………………………….…04 II. THE RELEVANCE OF THEOLOGY OF ANCESTRAL VENERATION……. FOR THE ASIAN-AFRICAN CATHOLIC CHURCH …………………..….…...06 2.1. Ancestral Veneration Presupposes Faith in Life after Death ……….………..06 2.1.1. Ancestral Veneration in the Work of Herbert Spencer ……….….…..07 2.1.2. Human Soul in the Frame of Edward Burnet Tylor’s Animism ……..10 2.1.2.1. Definition of Religion ………………………………………….….…...11 2.1.2.2. Animism …………………………………………………….………......11 2.1.2.3. The Origin of Belief in the Human Soul …….………………….….…13 2.1.2.3.1. Human Biological Phenomena …….…………………..…..13 2.1.2.3.2. The Unity of Life and Phantom …….….…………………..14 2.1.2.4. Samples of Popular Beliefs in Human Soul ….….………….…….….14 2.1.2.4.1. The Concept of Soul as Shadow ……..…………….….…...14 2.1.2.4.2. The Concept of Soul as the Cause of Life ………….....…...15 2.1.2.4.3. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Sc(|Pllwrmpk0mis* MARY
Monsignor Fulton J. Sheen, in the preface, calls it "Masterly." LATEST COMPLETE EDITION MARY sC(|PllWRMPK0MIS* MARY IN HER SCAPULAR PROMISE by John Mathias Haffert PREFACE B Y M s g r . F u l t o n J. S h e e n , Ph.D., LL.D., S.T.D. SECOND EDITION T h e S c a p u l a r P r e s s SEA ISLE CITY, N. J. 1942 Nihil Obstat Jacobus Bulfin Censor Deputatus Im prim atur *Bartholom aeus Joseph Episcopus Camdensis Copyright, 1940, 1942, and 1947, by John Mathias Haffeit Printed in the U. S. A. By the Garden State Publishing Company, Sea Isle City, N. J. CONTENTS Preface .. vii Acknowledgments ...... xi Invocation ....... xiii I Origin of the Promise .... 1 II Meaning of the Promise 12 III Historicity of the Promise . 25 IV How the Promise Is Kept . 41 V M ary’s Sacrament .... 54 VI Scapular Prayer and Communication of Benefits ...... 64 VII The Promise Extended into Purgatory 74 VIII The Church Adds Lustre to the Promise 84 IX S o u l s .............................................................. 97 X A Heavenly Garment .... 112 XI A Sign of Victory .... 124 XII Mary, Our Way ..... 133 XIII Saint Joseph, Father and Model . 146 XIV All Good Things Have Come to Me With H e r .................................................... 161 XV “And She Shall Crush Thy Head” 184 Summary ....... 207 Epilogue ....... 209 Bibliography ....... 215 References ....... 233 PREFACE T he perfections of God are so infinite that no single creature could possibly reflect His Power and Goodness. God therefore multiplied creatures that what one failed to reveal the other might declare. -
Livree 1.Pdf
p i L BRAR ES PUBLIC LIBRARY THE BRANCH 3 3333 02373 0530 --&~f- JL b y SB>^^ "- * A BOOK OF MARIONETTES c o -o o ^ I a _= z ~ c/i 4-1 (LI O. o. 3 a. A BOOK ofj MARIONETTES by HELEN HAIMAN JOSEPH SX I -'* **'} v >. ...... York B. W. HUEBSCH COPYRIGHT, 1920, BY B. W. HUEBSCH To my Father ELIAS HAIMAN With pride and love for the brave simplicity and gentle nobility of his life '* . i . i > - > * -, .* .*- ',. r?rs; : V .*' , ", -;-- Note THE story of the marionette is endless, in fact it has neither beginning nor end. The marionette has been everywhere and is everywhere. One cannot write of the puppets without saying more than one had in- tended and less than one desired: there is such a piquant insistency in them. The purpose of this book is altogether modest, but the length of it has grown to be presumptuous. As to its merit, that must be found in the subject matter and in the sources from which the material was gathered. If this volume is but a sign-post pointing the way to better historians and friends of the puppets and through them on to more puppet play it will have proven merit enough. The bibliography appended is a far from complete list of puppet literature. It includes, however, the most important works of modern times upon mario- nettes and much comment, besides, that is casual or curious or close at hand. The author is under obligation to those friendly individuals who generously gave of their time and NOTE interest and whose suggestions, explanations and kind assistance have made possible this publication. -
Tot El Catàleg De Cd's Pel Títol a 2/2/2020 CODI VALISA 30048
GRUP ESPORTIU CULTURAL BBVA http://www.cgtbarcelona.org/gdcbbva/ Tot el catàleg de cd’s pel Títol a 2/2/2020 Bon dia, companys/es Us lliurem actualitació dels catàlegs del GDCBBVA. Si us plau, passeu-lo als vostres companys/es, perquè tothom s’assebenti de l'existència del GDCBBVA, Grupo Deportivo y Cultural BBVA. Fem que ho conegui tothom. Moltes gràcies. Recordeu que cal ser soci i només paguem 21 euros a l'any i que el lloguer és totalment gratuït. Aquells que sou socis de l'Agrupació Sant Jordi, podeu utilitzar de franc els serveis de Biblioteca (Llibres, CD'S i DVD'S), no cal que us feu del GDCBBVA. Feu les vostres comandes extenses, que guardem llista d’espera, via email a Robert Santos [email protected] o [email protected] i per valisa us ho lliurarem. A cada document hi ha els links amb els diferents ordres per consultar tots els catàlegs. Per consultar les activitats que es fan a l'Agrupació Sant Jordi, podeu visitar la seva pàgina WEB amb les notícies més destacades de la seva activitat, www.agrup-st-jordi.org, i està oberta a tothom. També podeu fer-lis consultes per correu electrònic a [email protected], o al seu telèfon 934538027. La cultura és per a tothom. És molt interessant pels companys BBVA-CX, familiars i amics. Passa-ho al teu company!!! Us relacionem les 400 darreres adquisicions dels catàlegs de CD’S, DVD’S i LLIBRES ordenats per codi referència. Si heu de tornar quelcom, feu-lo per valisa a l’atenció d’en ROBERT SANTOS C/Calàbria 168 entl. -
20210824 Recensieoverzichtplaten69tmheden
ARTIEST PLAAT LABEL RECENSENT NR. 1000+1 Butterfly Garden El Negocito Fluitman 224 3 Brave Souls 3 Brave Souls Challenge Korten 191 3/4 Peace 3/4 Peace El Negocito Loo, te 207 3/4 Peace Rainy Days On The Common Land El Negocito Loo, te 250 37 Fern 37 Fern TryTone Loo, te 348 3Hands Clapping Shaman Dance Juice Junk Records Korten 99 3times7 Squeeze The Lemon Eigen Beheer Hollebrandse 281 4Beat6 Plays The Music Of Benny Goodman Vol. 1 Eigen Beheer Lammen 85 4tet Different Song Leo Records Loo, te 178 5 Up High 5 Up High Timeless Fluitman 273 6 Spoons, 1 Kitchen Blend LopLop Beetz 201 6ix Almost Even Further Leo Records Loo, te 187 A A.G.N.Z. (Azzolina, Govoni, Nussbaum & Zinno) Chance Meeting Whaling City Sound Fluitman 264 Aagre, Froy Cycle Of Silence ACT Fluitman 133 Aardvark Jazz Orchestra American Agonistes Leo Records Loo, te 100 Aardvark Jazz Orchestra Evocations Leo Records Loo, te 181 Aardvark Jazz Orchestra Impressions Leo Records Loo, te 226 Abate, Greg Magic Dance Whaling City Sound Valk, de 353 Abate, Greg & Phil Woods Kindred Spirits Live At Chan's Whaling City Sound Fluitman 257 Abate, Greg & Tim Ray Trio Road To Forever Whaling City Sound Fluitman 274 Abdelnour/Schild La Louve Wide Ear Loo, te 322 Abercrombie Quartet, John Wait Till You See Her ECM Korten 128 Abercrombie Quartet, John Within A Song ECM Korten 183 Abercrombie Quartet, John 39 Steps ECM Beetz 209 Abercrombie, John The Third Quartet ECM Korten 76 Abercrombie, John & John Ruocco Topics Challenge Fluitman 90 Ablanedo, Pablo ReContraDoble Creative Nation Music Fluitman 197 Abou-Khalil, Rabih Em Português Enja Loo, te 101 Abou-Khalil, Rabih Selection Enja Loo, te 131 Abou-Khalil, Rabih Trouble In Jerusalem Enja Loo, te 150 Abrams, Jess Growing Up Challenge Huser 93 Abrams, Muhal Richard Sound Dance Pi Recordings Loo, te 161 Absolute Ensemble (ft. -
Belgic Confession – Notes
N O T E S on the Belgic Confession Designed in 18 lessons for a Senior Catechism Class with assignments and spot-check questions Introduction These NOTES were handed out to Senior Catechism Class students in 2005–2006. The summarized comments are generally based on J. VanBruggen's The Church Says Amen. Lessons included assignments to memorize Bible texts and Question and Answers of the Heidelberg Catechism (in review), that is, QA 3,4,5,6,7 ,8,9, 10,11, 17,21, 24,25, ,27,28, 35,36, 37, 43, 49,52,54,55, 61,62,63, 65,66, 70,76,83,85 ,91,104. Some extra reading was at times added, as also shown below between brackets or as added to these handouts, such as overviews of the Law and our Liturgy. (Graphic guides about Facts, Events and Origin of the Bible, Two Ways into Eternity and an Intro to the Church Order had been added as well, along with a write-up of The Disaster of 1944 and the Consequent Liberation (see elsewhere for copies). A brief written quiz was given at the start of the next class shown at the end.. Dennis Teitsma, (edited December 2016) Lesson B.C. article HC Q&A 1. Introduction – One God known from His Work and Word 1,2 26 2. The divinely inspired canonical Bible (CoD. III/IV, 6-8) 3-7 21 3. God's Unity and Trinity (Athanasian Creed) 8,9 24,25 4. The Deity of the second and third Person of Trinity (CoD. III/IV12; RE #8 )10,11 17 5. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Iconography analysis of the representations of the Last Judgement in late medieval France S.F Ho Master of Philosophy in History of Art 2011 Declaration I hereby declare that this thesis is my own work and has not been submitted for any other degree or professional qualification except as specified. Abstract The aim of this thesis is to analyse the iconographic elements in large-scale representations of the Last Judgement in late medieval France, c. 1380 – c. 1520. The study begins by examining the sudden surge of the subject in question that occurred in the second half of the fifteenth century and its iconographic evolution across geographical regions in France. Numerous depictions of the Last Judgement and iconographic differences have prompted speculation concerning its role in society.