The Quintessence of Paulinism.1
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Ohio Graduation Tests
---~ Department of Education Student Name OHIO GRADUATION TESTS Reading Spring 2008 This test was originally administered to students in March 2008. This publicly released material is appropriate for use by Ohio teachers in instructional settings. This test is aligned with Ohio’s Academic Content Standards. © 2008 by Ohio Department of Education The Ohio Department of Education does not discriminate on the basis of race, color, national origin, sex, religion, age, or disability in employment or the provision of services. The Ohio Department of Education acknowledges that copyrighted material may contain information that is not currently accurate and assumes no responsibility for material reproduced in this document that reflects such inaccuracies. Form A Reading READING TEST Directions: Each passage in this test is followed by several questions. After reading the passage, choose the correct answer for each multiple-choice question, and then mark the corresponding circle in the Answer Document. If you change an answer, be sure to erase the first mark completely. For the written-response questions, answer completely in the Answer Document in the space provided. You may not need to use the entire space provided. You may refer to the passages as often as necessary. Make sure the number of the question in this test booklet corresponds to the number on the Answer Document. Be sure all your answers are complete and appear in the Answer Document. The Sweat-Soaked Life of a Glamorous Rockette by Susan Dominus 1 One after the other, like beautiful, glittering drones, the Rockettes spilled off an elevator onto the stage level at Radio City Music Hall. -
Mystical“ Traditions in an Apocalyptic Text? : the Throne Vision of Revelation 4 Within the Context of Enochic and Merkavah Texts
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2018 „Mystical“ traditions in an apocalyptic text? : the throne vision of revelation 4 within the context of enochic and merkavah texts Frey, Jörg DOI: https://doi.org/10.1515/9783110597264 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-167157 Book Section Published Version Originally published at: Frey, Jörg (2018). „Mystical“ traditions in an apocalyptic text? : the throne vision of revelation 4 within the context of enochic and merkavah texts. In: Collins, John J; de Villiers, Pieter G R; Collins, Adela Yarbro. Apocalypticism and Mysticism in Ancient Judaism and Early Christianity. Berlin: Walter de Gruyter, 103-127. DOI: https://doi.org/10.1515/9783110597264 Jörg Frey “Mystical” Traditions in an Apocalyptic Text? The Throne Vision of Revelation 4 within the Context of Enochic and Merkavah Texts Introduction: Apocalypticism and Mysticism as Contested Categories The boundaries between apocalypticism and mysticism often appear unclear or blurred. This is not only due to the observation of mystical elements in apo- calyptic texts and of revelatory experiences within the context of mystical religion. It is, even more so, due to the fact that the two terms are scholarly categories subject to definition, and depending on their respective definitions, the group of texts or textual elements attributed to each category varies con- siderably. Furthermore, both terms have a long history of reception in Christian theology and biblical exegesis, and both have been intensely rejected by certain theological traditions. -
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR. -
Fall Concert Featuring KSU Chorale, Men's Ensemble and Chamber
KSU School of Music presents Fall Concert featuring Kennesaw State University Chorale, Men’s Ensemble, and Chamber Singers LESLIE J. BLACKWELL CONDUCTOR SHERRI N. BARRETT ACCOMPANIST Tuesday, September 27, 2016 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Thirteenth Concert of the 2016-17 Concert Season program KENNESAW STATE UNIVERSITY CHORALE Hark, I Hear The Harps Eternal | arr. Alice Parker (b. 1925) Alice Parker studied at Smith College and then received her master’s degree from the Julliard School where she studied choral conducting with Robert Shaw. Ms. Parker arranged many works with Robert Shaw of folksongs, hymns and spirituals, which formed an enduring repertoire for choruses all around the world. One of her many folksong arrangements, Hark, I Hear The Harps Eternal, evokes a strong rhythmic drive with two intriguing juxtaposed motives. This folksong arrangement has been a staple in the choral repertoire for 40 years. Hark, I hear the harps eternal Ringing on the farther shore, As I near those swollen waters With their deep and solemn roar. Hallelujah, hallelujah, Hallelujah, Praise the Lamb! Hallelujah, hallelujah, Glory to the great I AM! And my soul, tho’ stain’d with sorrow, Fading as the light of day, Passes swiftly o’er those waters, To the city far away. Souls have cross’d before me, saintly, To that land of perfect rest; And I hear them singing faintly In the mansions of the blest. Hallelujah, hallelujah, Hallelujah, Praise the Lamb! Hallelujah, hallelujah, Glory to the great I AM! O magnum mysterium | Ivo Antognini (b. 1963) Ivo Antognini is a modern Swiss composer whose works have received numerous accolades and are published all around the world. -
Gscene out & About
2 FEB 2016 CONTENTS BEAR-PATROL@SUSSEX BEACON S GSCENE magazine N O T ) www.gscene.com H G I R t @gscene B R f O GScene.Brighton T C O D PUBLISHER Peter Storrow TEL 01273 749 947 EDITORIAL [email protected] ADS+ARTWORK [email protected] EDITORIAL TEAM James Ledward, Graham Robson, Sarah Green, Gary Hart, Alice Blezard SPORTS EDITOR Paul Gustafson ARTS EDITOR Michael Hootman SUB EDITOR Graham Robson CHARLES STREET DESIGN Michèle Allardyce FRONT COVER MODEL Old Brighton LGBT photos PHOTOGRAPHS Thanks to Melita NEWS Dennett and Kate Wildblood who own the copyrights 6 News CONTRIBUTORS Simon Adams, Jaq Bayles, Jo Bourne, SCENE LISTINGS Nick Boston, Suchi Chatterjee, Rory Finn, Craig Hanlon-Smith, Samuel 28 Gscene Out & About Hall, Enzo Marra, Carl Oprey, Eric Page, Del Sharp, Gay Socrates, Syd 30 Brighton & Hove Spencer, Brian Stacey, Michael 44 Solent Steinhage, Sugar Swan, Glen Stevens, Duncan Stewart, Craig Storrie, Mike QUEENS ARMS Wall, Netty Wendt, Roger Wheeler, ARTS PHOTOGRAPHERS 46 Arts News Alice Blezard, Jack Lynn, James Ledward, Graham Hobson 47 Arts Jazz @captaincockroachphotographer 47 Arts Matters 48 Classical Notes 49 Page’s Pages REGULARS 45 Dance Music © GSCENE 2017 45 DJ Profile: Screwpulous All work appearing in Gscene Ltd is copyright. It is to be assumed that the 50 Shopping copyright for material rests with the magazine unless otherwise stated on the 51 Geek Scene page concerned. No part of this publication may be 52 Craig’s Thoughts reproduced, stored in an electronic or other retrieval system, transmitted in any 53 Wall’s Words form or by any means, electronic, mechanical, photocopying, recording or 53 Gay Socrates otherwise without the prior knowledge and consent of the publishers. -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
The Quintessence of Ibsenism
2012-11-24 21:11:01 UTC 50acf1ea2c121 89.181.149.9 Portugal THE QUINTESSENCE OF IBSENISM: BY G. BERNARD SHAW. LONDON: WALTER SCOTT 24 WARWICK LANE. 1891 CONTENTiS. PREFACE. Society, IN the spring of 1890, the Fabian finding itself at a loss for a course of lectures to occupy its summer meetings, was pelledcom- to make shift with a series of papers put " forward under the general heading Socialism in Contemporary Literature." The Fabian " Essayists, strongly pressed to do something or other," for the most part shook their heads ; but " in the end Sydney Olivier consented to take Zola"; I consented to "take Ibsen"; and Hubert Bland undertook to read all the Socialist novels of the day, an enterprise the desperate failure of which resulted in the most amusing paper of the series. William Morris, asked to read a paper on himself, flatly declined, but gave us one on Gothic Architecture. Stepniak also came to the rescue with a lecture on modern Russian fiction ; and so the Society tided over the summer without having to close its doors, but also without having added anything what- vi Preface. ever to the general stock of information on Socialism in Contemporary Literature. After this I cannot claim that my paper on Ibsen, which was duly read at the St James's Restaurant on the 1 8th July 1890, under the presidency of Mrs Annie Besant, and which was the first form of this little book, is an original work in the sense of being the result of a spontaneous ternalin- impulse on my part. -
Far from Being Idolatrous: Ancestor Veneration
Dr Alexander Jebadu SVD FAR FROM BEING IDOLATROUS: ANCESTOR VENERATION 2010 ______________________________________________ Steyler Verlaag, Nettetal Bibliografische Information Der Deutchen Bibliotek Die Deutche Bibliotek verzeichnet diese Publikation in der Deutchen Nationalbibliografie; detailierte bibliografische Daten sind im Internet über http://dnb.ddb.de abrufbar. ©Steyler Verlaag Bahnhofstraβe 9 41334 Nettetal Germany [email protected] ISSN 0562-2816 ISBN 978-3-8050-0564-7 DPT: Martina Ludwig, Steyler Missionswissenschaftliches Instutut Druck: Verlaag Franz Schmitt, Siegburg TABLE OF CONTETS AKNOWLEDGEMENTS ……………………………………………………………...iii I. INTRODUCTION …………………………………………………………………...01 1.1. Problem Mapping of This Study …..…………….……………………………..01 1.2. Goal and Scope of This Study …………..….…………………………………..01 1.3. Organization of This Study and Its Methodology……………………….…….03 1.4. The Limitations of This Study ……………………………………………….…04 II. THE RELEVANCE OF THEOLOGY OF ANCESTRAL VENERATION……. FOR THE ASIAN-AFRICAN CATHOLIC CHURCH …………………..….…...06 2.1. Ancestral Veneration Presupposes Faith in Life after Death ……….………..06 2.1.1. Ancestral Veneration in the Work of Herbert Spencer ……….….…..07 2.1.2. Human Soul in the Frame of Edward Burnet Tylor’s Animism ……..10 2.1.2.1. Definition of Religion ………………………………………….….…...11 2.1.2.2. Animism …………………………………………………….………......11 2.1.2.3. The Origin of Belief in the Human Soul …….………………….….…13 2.1.2.3.1. Human Biological Phenomena …….…………………..…..13 2.1.2.3.2. The Unity of Life and Phantom …….….…………………..14 2.1.2.4. Samples of Popular Beliefs in Human Soul ….….………….…….….14 2.1.2.4.1. The Concept of Soul as Shadow ……..…………….….…...14 2.1.2.4.2. The Concept of Soul as the Cause of Life ………….....…...15 2.1.2.4.3. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Sc(|Pllwrmpk0mis* MARY
Monsignor Fulton J. Sheen, in the preface, calls it "Masterly." LATEST COMPLETE EDITION MARY sC(|PllWRMPK0MIS* MARY IN HER SCAPULAR PROMISE by John Mathias Haffert PREFACE B Y M s g r . F u l t o n J. S h e e n , Ph.D., LL.D., S.T.D. SECOND EDITION T h e S c a p u l a r P r e s s SEA ISLE CITY, N. J. 1942 Nihil Obstat Jacobus Bulfin Censor Deputatus Im prim atur *Bartholom aeus Joseph Episcopus Camdensis Copyright, 1940, 1942, and 1947, by John Mathias Haffeit Printed in the U. S. A. By the Garden State Publishing Company, Sea Isle City, N. J. CONTENTS Preface .. vii Acknowledgments ...... xi Invocation ....... xiii I Origin of the Promise .... 1 II Meaning of the Promise 12 III Historicity of the Promise . 25 IV How the Promise Is Kept . 41 V M ary’s Sacrament .... 54 VI Scapular Prayer and Communication of Benefits ...... 64 VII The Promise Extended into Purgatory 74 VIII The Church Adds Lustre to the Promise 84 IX S o u l s .............................................................. 97 X A Heavenly Garment .... 112 XI A Sign of Victory .... 124 XII Mary, Our Way ..... 133 XIII Saint Joseph, Father and Model . 146 XIV All Good Things Have Come to Me With H e r .................................................... 161 XV “And She Shall Crush Thy Head” 184 Summary ....... 207 Epilogue ....... 209 Bibliography ....... 215 References ....... 233 PREFACE T he perfections of God are so infinite that no single creature could possibly reflect His Power and Goodness. God therefore multiplied creatures that what one failed to reveal the other might declare. -
Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago Adam Zanolini The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1617 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SACRED FREEDOM: SUSTAINING AFROCENTRIC SPIRITUAL JAZZ IN 21ST CENTURY CHICAGO by ADAM ZANOLINI A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 ADAM ZANOLINI All Rights Reserved ii Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _________________ __________________________________________ DATE David Grubbs Chair of Examining Committee _________________ __________________________________________ DATE Norman Carey Executive Officer Supervisory Committee: _________________ __________________________________________ DATE Jeffrey Taylor _________________ __________________________________________ DATE Fred Moten _________________ __________________________________________ DATE Michele Wallace iii ABSTRACT Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini Advisor: Jeffrey Taylor This dissertation explores the historical and ideological headwaters of a certain form of Great Black Music that I call Afrocentric spiritual jazz in Chicago. However, that label is quickly expended as the work begins by examining the resistance of these Black musicians to any label. -
Livree 1.Pdf
p i L BRAR ES PUBLIC LIBRARY THE BRANCH 3 3333 02373 0530 --&~f- JL b y SB>^^ "- * A BOOK OF MARIONETTES c o -o o ^ I a _= z ~ c/i 4-1 (LI O. o. 3 a. A BOOK ofj MARIONETTES by HELEN HAIMAN JOSEPH SX I -'* **'} v >. ...... York B. W. HUEBSCH COPYRIGHT, 1920, BY B. W. HUEBSCH To my Father ELIAS HAIMAN With pride and love for the brave simplicity and gentle nobility of his life '* . i . i > - > * -, .* .*- ',. r?rs; : V .*' , ", -;-- Note THE story of the marionette is endless, in fact it has neither beginning nor end. The marionette has been everywhere and is everywhere. One cannot write of the puppets without saying more than one had in- tended and less than one desired: there is such a piquant insistency in them. The purpose of this book is altogether modest, but the length of it has grown to be presumptuous. As to its merit, that must be found in the subject matter and in the sources from which the material was gathered. If this volume is but a sign-post pointing the way to better historians and friends of the puppets and through them on to more puppet play it will have proven merit enough. The bibliography appended is a far from complete list of puppet literature. It includes, however, the most important works of modern times upon mario- nettes and much comment, besides, that is casual or curious or close at hand. The author is under obligation to those friendly individuals who generously gave of their time and NOTE interest and whose suggestions, explanations and kind assistance have made possible this publication.