A TEACHER's PRAYER Lord, I Thank Thee for the Chance to Work at A
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A Festival of Nine Lessons & Carols
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 A FESTIVAL OF NINE LESSONS & CAROLS THE CENTENARY SERVICE Sir Stephen Cleobury SIR STEPHEN CLEOBURY CBE Six months after the centenary service of A Festival of Nine Lessons and Carols, Stephen Cleobury was appointed Knight Bachelor in the Queen’s Birthday Honours. This richly-deserved recognition of his ‘services to choral music’ brought tremendous pleasure and delight to the Choir and College, and to the many more who have attended Chapel services and listened to broadcasts, webcasts and recordings since Stephen became Director of Music in 1982. Since that time, he has chosen and conducted the music for 37 years of choral worship: for Christmas and Easter, as well as for thousands of daily chapel services. The sound of the Choir under his direction has reached the ears and touched the hearts of countless millions of people. Hundreds of boys and young men have been Choristers or Choral Scholars and there have been no fewer than 23 Organ Scholars. His influence as a teacher and a role model to young musicians has been as extraordinary as the way in which he has extended the reach of the Chapel’s music through recording, broadcasting and touring. As the College makes this recording of the Centenary Festival of Nine Lessons and Carols available, we once again salute Sir Stephen’s extraordinary achievements and pay tribute to the qualities of musicianship, leadership, commitment and dedication that lie behind all that he has given, and all that we have so gratefully received. -
New International Manual of Braille Music Notation by the Braille Music Subcommittee World Blind Union
1 New International Manual Of Braille Music Notation by The Braille Music Subcommittee World Blind Union Compiled by Bettye Krolick ISBN 90 9009269 2 1996 2 Contents Preface................................................................................ 6 Official Delegates to the Saanen Conference: February 23-29, 1992 .................................................... 8 Compiler’s Notes ............................................................... 9 Part One: General Signs .......................................... 11 Purpose and General Principles ..................................... 11 I. Basic Signs ................................................................... 13 A. Notes and Rests ........................................................ 13 B. Octave Marks ............................................................. 16 II. Clefs .............................................................................. 19 III. Accidentals, Key & Time Signatures ......................... 22 A. Accidentals ................................................................ 22 B. Key & Time Signatures .............................................. 22 IV. Rhythmic Groups ....................................................... 25 V. Chords .......................................................................... 30 A. Intervals ..................................................................... 30 B. In-accords .................................................................. 34 C. Moving-notes ............................................................ -
The Parish Magazine for the Presteigne Group of Parishes Has Continued to Appear – Either Online Or in Print
Your Parish Magazine Throughout the Covid-19 pandemic crisis, the Parish Magazine for the Presteigne Group of Parishes has continued to appear – either online or in print. The parish magazine Deadline dates for Copy and Artwork For as at 28th April 2021 Presteigne With th Wednesday 19 May June issue Discoed, Kinsham, Lingen and Knill rd Wednesday 23 June July/August issue Wednesday 18th August September issue Here Is your socially-distanced but Colourful We are particularly grateful to the Town Council, our friends in Lingen, our gardener, our new weather reporter and our occasional nature-noter. We include requests for support from community groups and charities. We hope to inform and Online MERRY MONTH OF may 2021 Issue, Fa La perhaps entertain you. The Editor welcomes announcements (remember them?) and appreciates contributions from anyone and everyone from our churches and parishes, groups, schools etc. Artwork (logos, etc) should be not too complicated (one day we will be printing again in black only on a photocopier so please keep designs simple). Articles as well as artwork must be set to fit an A5 page with narrow margins. The editor reserves the right to select and edit down items for which there is insufficient space. While you may be reading this issue on screen, you can print the whole issue, or selected pages, on A4 paper in landscape to both sides (Duplex). We suggest you select ‘short-side stapling’. Note: The ‘inside’ pages have been consecutively numbered on each sheet - unlike the pages which normally make up a magazine. You are encouraged to forward this magazine to others by email or as hard copy, as above – on condition that it is neither added to, nor the text altered, in any way. -
Mystical“ Traditions in an Apocalyptic Text? : the Throne Vision of Revelation 4 Within the Context of Enochic and Merkavah Texts
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2018 „Mystical“ traditions in an apocalyptic text? : the throne vision of revelation 4 within the context of enochic and merkavah texts Frey, Jörg DOI: https://doi.org/10.1515/9783110597264 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-167157 Book Section Published Version Originally published at: Frey, Jörg (2018). „Mystical“ traditions in an apocalyptic text? : the throne vision of revelation 4 within the context of enochic and merkavah texts. In: Collins, John J; de Villiers, Pieter G R; Collins, Adela Yarbro. Apocalypticism and Mysticism in Ancient Judaism and Early Christianity. Berlin: Walter de Gruyter, 103-127. DOI: https://doi.org/10.1515/9783110597264 Jörg Frey “Mystical” Traditions in an Apocalyptic Text? The Throne Vision of Revelation 4 within the Context of Enochic and Merkavah Texts Introduction: Apocalypticism and Mysticism as Contested Categories The boundaries between apocalypticism and mysticism often appear unclear or blurred. This is not only due to the observation of mystical elements in apo- calyptic texts and of revelatory experiences within the context of mystical religion. It is, even more so, due to the fact that the two terms are scholarly categories subject to definition, and depending on their respective definitions, the group of texts or textual elements attributed to each category varies con- siderably. Furthermore, both terms have a long history of reception in Christian theology and biblical exegesis, and both have been intensely rejected by certain theological traditions. -
Braille Research Newsletter #5, July 1977
/' BRAILLE RESEARCH NEWSLETTER (Braille Automation Newsletter) "pm No. 5, July 1977 edited by J.M. Gill and L.L. Clark WW| yWf awj- Warwick Research Unit for American Foundation for the Blind the Blind University of Warwick 15 West 16th Street Coventry CV4 7AL New York 10011 England U.S.A. •**SHf| Contents Page Editorial 2 Automatic Translation by Computer of Music 5 Notation to Braille by J.B. Humphreys Braille Books from Compositors ' Tapes 13 by C„ Brosamle A Note on Hybrid Braille Production 19 by P.W.F. Coleman The Expansion of Braille Production in Sweden 26 by B. Hampshire and S. Becker Plate Embossing Device by P.D. Gibbons and 32 E.L. Ost Braille Systems by J«E. Sullivan 35 An Analysis of Braille Contractions by 50 J.M. Gill and J.B. Humphreys Using Redundancy for the Syntactic Analysis of 58 Natural Language: Application to the Automatic Correction of French Text by J. Courtin TOBIA 60 Congress in Toronto 60 Recent Publications and Reports 61 Address List 63 - 2 - Editorial With this issue, the Braille Automation Newsletter changes its name to Braille Research Newsletter. We shall continue to use the former heading as a sub-heading for the purpose of continuity in libraries and to identify ourselves as to origin. The reason for a name change is in fact a recognition that the automatic generation of braille depends, from the point of view of optimal design, upon a consideration of the changes that eventually will occur in the braille code as a natural result of continual review by braille authorities to keep the code up-to-date. -
Dictionary of Braille Music Signs by Bettye Krolick
JBN 0-8444-0 9 C D E F G Digitized by the Internet Archive in 2012 with funding from National Federation of the Blind (NFB) http://archive.org/details/dictionaryofbraiOObett LIBRARY IOWA DEPARTMENT FOR THE BLIND 524 Fourth Street Des Moines, Iowa 50309-2364 Dictionary of Braille Music Signs by Bettye Krolick National Library Service for the Blind and Physically Handicapped Library of Congress Washington, D.C. 20542 1979 MT. PLEASANT HIGH SCHOOL LIBRARY Library of Congress Cataloging in Publication Data Krolick, Bettye. Dictionary of braille music signs. At head of title: National Library Service for the Blind and Physically Handicapped, Library of Congress. Bibliography: p. 182-188 Includes index. 1. Braille music-notation. I. National Library Service for the Blind and Physically Handicapped. II. Title. MT38.K76 78L.24 78-21301 ISBN 0-8444-0277-X . TABLE OF CONTENTS FOREWORD vii PREFACE ix HISTORY OF THE BRAILLE MUSIC CODE ... xi HOW TO LOCATE A DEFINITION xviii DICTIONARY OF SIGNS (A sign that contains two or more cells is listed under its first character.) . 1 •* 1 •• 16 • • •• 3 •• 17 •> 6 •• 17 •• •• 7 •• 17 •• 7 •• 17 •• •• 7 •• 17 •• •• 8 •• 18 •• •• 8 •• 18 •• •• 9 •• 19 •• •• 9 •• 19 • • •• 10 •• 20 • • •• 12 •• 20 •• 14 •• 20 •• •• 14 •• 22 • • •• •• 15 • • 27 •• •• •« •• 15 • • 29 •• • • •« 16 30 •• •• 16 • • 30 30 i: 46 ?: 31 11 47 r. 31 ;: 48 •: 31 i? 58 ?: 31 i; 78 ::' 34 :: 79 a 34 ;: si 35 ;? 86 37 ;: 90 39 ':• 96 40 ;: 102 43 i: 105 45 ;: 113 46 FORMATS FOR BRAILLE MUSIC 122 Format Identification Chart 125 Music in Parallels -
300 Fun Facts About Hunterdon County
In Celebration of Hunterdon County’s Tricentennial 300 Fun Facts A special thanks to County Historian John Kuhl, the Creator of This Collection Hunterdon County 1714-2014 300 Years of History www.hunterdon300th.org The present day counties of Morris, Sussex, Warren, and the northern half of Mercer, all sit on land that once was Hunterdon’s. The northern portion split off in 1739, the Mercer section in 1838. Hunterdon County 1714 -2014 300 Years of History www.hunterdon300th.org The frigate U.S.S. Philadelphia ran aground on the approaches to Tripoli harbor in today’s Libya. It was burned in 1804 by a U.S. Navy raid to deny its use to the enemy. It was built of oak and hickory timber from Hunterdon. Hunterdon County 1714-2014 300 Years of History www.hunterdon300th.org Lambertville was long the center of the county’s manufactories. From the Civil War to 1872, its railroad shops there built 17 4-4-0 steam locomotives that ran on the Belvidere-Delaware RR line. Hunterdon County 1714-2014 300 Years of History www.hunterdon300th.org From Civil War days through WW I Hunterdon’s black walnut forests were highly prized by the federal government for rifle stocks and wooden airplane propeller blades. Their delicious nuts are a bonus for cookie and cake bakers. Hunterdon County 1714 -2014 300 Years of History www.hunterdon300th.org William Griffith of Three Bridges was featured on 1937 ABC radio as the inventor of pink lemonade. Wind had blown the fat lady’s pink tights into his vat of circus lemonade. -
Spotlight on Grace: a Preview of Lessons & Carols
Weekly E-News from Grace Episcopal Church December 1, 2016 Spotlight on Grace: A Preview of Lessons & Carols Please join us on Sunday, December 4 at 5 PM for A Service of Lessons and Carols for Advent. This moving and beautiful service has its roots (as do many of our services) in England. Here is a bit of history courtesy of St. Thomas Episcopal Church in Houston Texas: The Procession with Carols on Advent Sunday originated at King's College, Cambridge, England in 1934, composed by Dean Eric Milner-White (who had also been responsible nine years earlier for the more widely known Festival of Nine Lessons and Carols for Christmas Eve). In his Preface to the Advent Sunday service, Dean Milner- White wrote: 'In the old English liturgies, the Advent Offices made a preparation for the coming of our Lord to this earth far more vivid and eager than those of our present [1662] Prayer Book. So an Advent Carol Service, if without precedent, is not without suitability, if it helps to express "the desire of all nations and ages."' The purpose of the service is 'not to celebrate Christmas, but to expect it.' At Grace, we begin the service with a candle-lit church and the choir gathered in the narthex for the singing of Palestrina's great Matin Responsory. During the hymn "Come, thou, redeemer of the earth" the choir moves into the chancel. What follows is a sequence of readings, hymns and carols, with the choir processing around the nave of the church and singing from various locations. -
Christmas Angel
Christmas Angel Leslea Wahl CHRISTMAS ANGEL Copyright © 2020 Leslea Wahl ALL RIGHTS RESERVED No portion of this book may be reproduced in any form without permission from the author and/or publisher, except for short quotes used in reviews, and as permitted by U.S. copyright law. Christmas Angel THE SANCTUARY SPARKLES BRILLIANTLY. Twinkling purple lights peek from boughs of greenery. The tastefully festive adornment inspires a joyous atmosphere within the church. A single tall Advent candle flickers, casting a warm glow on the wooden creche next to it. The first Sunday of Advent means we have arrived at my favorite time of year. The Christmas season is upon us. At last. I’m giddy with expectation as I try to focus on the celebration of the Mass. For weeks now, I’ve looked forward to hearing festive carols fill the airways and watching sappy, romantic holiday movies. The youth group will hold its secret Santa party, and my family will take its annual outing to see The Nutcracker performed. Mom and I will soon spend hours baking and decorating dozens of scrumptious cookies. My mouth waters just thinking about the frosted treats. Ah, truly the most wonderful time of year. “I want to leave you with one final thought.” Father Brady’s baritone voice shatters my Sugar Plum Fairy reverie. I straighten in my pew. Had I missed everything he’d said? Come on, Meg, focus. His slow scan of the congregation fills the priest’s dramatic pause. His roaming gaze seems to stop when he focuses on mine. -
Brian Burke Television
Brian Burke Television: NEW YEARS EVE GALA EXECUTIVE CREATIVE Hunan TV 2016 PRODUCER LA BANDA SEASON 1 CO-EXECUTIVE PRODUCER UNIVISION (INTERNATIONAL EMMY NOMINATION) Marc Anthony & Gente De Creative Director Zona "Traidora" Ricky Martin "Perdoname" Creative Director Wisin "Medley" Creative Director Pitbull "Medley" Creative Director Reik "Medley" Creative Director Luis Coronel "Nada Mas Por Creative Director Eso" Laura Pausini "Lado Derecho Creative Director del Corazon" Alejandro Sanz "Capitan Creative Director Tapon" Calibre 50 "Contigo" Creative Director Jesse Y Joy "Ecos de Amor" Creative Director LITTLE BIG SHOTS SEASON CREATIVE PRODUCER NBC 2 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 12 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 11 Stevie Nicks "Landslide" Creative Director II Volo "Nessun Dorma" Creative Director Pitbull & LunchMoney Lewis Creative Director "Greenlight" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 10 Omi "Cheerleader" Creative Director Rachel Platten "Fight Song" Creative Director Flo Rida & The Rockettes "I Creative Director Don't Like It I Love It" Yolanda Adams & The Harlem Creative Director Gospel Choir "I Want To Know What Love Is" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 9 Lenny Kravits Creative Director "Chamber/American Woman" Ed Sheeran "Don't" Creative Director Pitbull & The Rockettes Creative Director "Fireball" Cyndi Lauper "True Colors" Creative Director Jackie Evancho "Think Of Me" Creative Director Train "Drops Of Jupiter/Angel Creative Director In Blue Jeans" AMERICA'S -
Les Sirènes Female Chamber Choir There Is No Rose
Les Sirènes Female Chamber Choir There is No Rose NI6249 Les Sirènes Royal Conservatoire of Scotland At the Royal Conservatoire we are creating the Female Chamber Choir future for performance. There is No Rose We provide vocational education at the highest professional level in dance, drama, music, production, and screen. We offer an extraordinary blend of intensive BENJAMIN BRITTEN (1913-1976) TARIK O’REGAN (b.1978) tuition, world-class facilities, a full performance A Ceremony of Carols, Op.28 (23:25) 16. Bring Rest, Sweet Dreaming Child (4:25) schedule, the space to collaborate across the disciplines, 1. Procession (1:51) teaching from renowned staff and industry practitioners, 2. Wolcum Yole! (1:21) TRADITIONAL arranged LIONEL SALTER (1914-2000) and unrivalled professional partnerships. 3. There is no rose (2:44) 17. The Coventry Carol (2:44) 4. That yongë child (1:43) World premiere recording We have over 900 students from around the world 5. Balulalow (1:28) studying on our specialist undergraduate and postgraduate degree programmes. Alongside, we offer 6. As dew in Aprille (1:01) GUSTAV HOLST (1874-1934) evening and weekend classes, short courses, summer 7. This little babe (1:30) 18. Jesu, thou the Virgin-born (2:56) schools, and a programme of continuing professional 8. Interlude (3:46) development. Our Junior Conservatoire for 7-18 year 9. In freezing winter night (3:38) SIR PHILIP LEDGER (1937-2012) olds nurtures young musical talent and we also organise 10. Spring carol (1:14) 19. Matthew, Mark, Luke and John (2:46) the Royal Conservatoire Music Centres programme, 11. -
Balaam and the End-Time Church (Part 2) by Richard T
Balaam and the End-Time Church (Part 2) by Richard T. Ritenbaugh (http://www.cgg.org) Balaam And The End-Time Church (Part 2) Parallels With The Laodicean Richard T. Ritenbaugh Given 25-Jan-03; Sermon #594 In the last sermon, Balaam and The End-Time Church, Part 1, we began discussing the story of Balaam. It is a part of scripture that most people, I think, treat as a story—just another thing that happened to the children of Israel on their way to the Promised Land. Maybe if people look at it in terms of having a moral, they may think that Balaam was greedy and that we shouldn't be greedy. But, I hope last week I was able to convey (in some small way) that Balaam's story has important parallels with our own time, and our own experience. It should give us insight, knowing a bit more about the details of this story and the common worldly mindset, because I mentioned that the way Balaam approached God is the way most people seem to approach God. Balaam's story should also make us aware of some of the dangers that even we may face as chosen sons of God with His Holy Spirit. We still have some of these same tendencies. We have brought some of these things in from the world. And because the world is so always pressing at us, there could be a very good chance that we will pick them back up, even if we have thrown them off in the past! So it is a good reminder, and maybe we can get some good lessons out of it.