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Materialheft Schlussgottesdienst Die Biblische Grundlage: Jesaja 51,1–5
schaut hin – blickt durch – geht los Schlussgottesdienst 3. Ökumenischer Kirchentag Materialheft zum 16. Mai 2021 Impressum Alle Rechte vorbehalten © 2021 3. Ökumenischer Kirchentag Frankfurt 2021 e. V. Verantwortlich: Arnd Schomerus Redaktion: Ilse Müller, Julius Radtke, Arnd Schomerus Layout und Satz: Stephan Gärtner Inhaltsverzeichnis Einführung/Vorwort 4 Die biblische Grundlage: Jesaja 51,1–5 5 Exegetische Skizze 7 Ablauf des Schlussgottesdienstes 16 Leporello 17 Gebet und Fürbitten aus dem Gottesdienst 22 Kollekte 23 Anregungen zum Mitmachen 24 Anhang 32 Einführung/Vorwort Kirchen-, Katholikentage und Ökumenische Kirchentage sind Feste der Gemeinschaft und Begegnung. Besonders bei den Großgottesdiensten ist das immer wieder deutlich zu spüren. Die Corona-Pandemie hat unsere Planungen in diesem Jahr durcheinandergebracht. Wir wollen trotzdem diskutieren, uns digital begegnen und auch Gottesdienste feiern. Das ist wichtig – persönlich, füreinander und für unsere Gesellschaft. Der Schlussgottesdienst des 3. Ökumenische Kirchentages wird vor Ort in Frankfurt am Main auf einer Bühne an der „Weseler Werft“ gefeiert werden. Gleichzeitig wird dieser Gottesdienst live im ZDF übertragen und ein Mitfeiern ist bundesweit möglich. Dieses Mitfeiern wollen wir durch dieses Materialheft unterstützen. Sie finden den Ablauf des Gottesdienstes, die Lieder, eine Druckvorlage für einen „Gottesdienstzettel“ wie auch eine „exegetische Skizze“ für den dem Schlussgottesdienst zugrundeliegenden Bibeltext Jesaja 51,1–5. Darüber hinaus sind auch Ideen beschrieben, wie in einer Kirchengemeinde ein gemeinsames Mitfeiern des Schlussgottesdienstes eingebettet werden kann. „Schaut hin – blickt durch – geht los“. Wir freuen uns, wenn viele am 16. Mai 2021, von 10.00–11.00 Uhr dabei sind! Arnd Schomerus Kirchentagspastor Hinweise zu Aufführungsrechten Bitte beachten Sie die rechtlichen Rahmenbedingungen für Aufführungsrechte, die für Ihre Kirche gelten. -
"... Und Steure Deiner Feinde Mord" : Gewalt Im Kirchenlied
IASL 2015; 40(1): 1–20 Martina Wagner-Egelhaaf „… und steure deiner Feinde Mord“ Gewalt im Kirchenlied Abstract: This essay looks at moments of violence in Christian hymns. It analyzes chants used in the early modern struggle between Catholics and Protestants and in missionary movements which still can be found in contemporary hymnbooks. The article shows that the chants not only direct aggression against an outer enemy but also against the fiend within. As the German word ‘Gewalt’ means both ‘violence’ and ‘power’, the hymns oscillate between both meanings. The ‘Gewalt’ being praised in the hymns often self-reflectively addresses the chants’ own violence and/or power as it is illustrated by a brief look at Heinrich von Kleist’s novella Die heilige Cäcilie oder die Gewalt der Musik. DOI 10.1515/iasl-2015-0001 Kirchenlieder mit Gewalt in Verbindung zu bringen, liegt auf den ersten Blick nicht unbedingt nahe, dient das Kirchenlied doch in erster Linie der gottesdienst- lichen Erbauung und dem Lob Gottes. Und doch gibt es in den Gesangbüchern, die insgesamt ziemlich politisch korrekt geworden sind,1 bis heute Liedtexte, in denen es keineswegs zimperlich zugeht. Dies ist umso mehr in historischen Gesangbüchern der Fall. Es ist ein Leichtes, hier Beispiele zu präsentieren, bei denen man sich fragt, wie sie gesungen werden konnten, ohne dass sich dabei das christliche Gewissen regte. Im Fokus des vorliegenden Beitrags steht jedoch das, was tatsächlich in den Gesangbüchern stehen geblieben ist, was gewisser- maßen die Gewalt-Zensur überstanden hat und vielleicht doch unter dem Vor- zeichen einer gepflegten, impliziten, subtilen, in ihrer Ambiguität vielleicht den- noch wirkmächtigen Gewaltförmigkeit diskutiert werden kann. -
The Spirit of the Page: Books and Readers at the Abbey of Fécamp, C
Cover Page The handle http://hdl.handle.net/1887/32272 holds various files of this Leiden University dissertation. Author: Weston, Jennifer Ann Title: The Spirit of the Page: Books and Readers at the Abbey of Fécamp, c. 1000-1200 Issue Date: 2015-03-10 Chapter 5 Books for Selective Reading at Fécamp The presence of navigational reading aids in eighteen manuscripts from the Fécamp corpus are suggestive of a reader who needed to locate specific chapters of the book, and, therefore, indicate a mode of reading that was different from the comprehensive approach of lectio divina. The present chapter aims to find an appropriate context of use for these navigational reading aids in the Benedictine monastery. Over the course of this chapter, I examine three book-types from the Fécamp corpus that contain reading aids: Giant Bibles, Gospel Books, and patristic texts. Moreover, I identify three settings where these books (equipped with navigation) would have been used: during the celebration of the liturgy (the Mass and Divine Office), during meal-time reading in the refectory, and during the evening gathering of Collation. Indeed, just as the Fécamp scribes designed many of their books to suit the practice of lectio divina (as shown in Part One of this study), it seems that they also custom-designed some of their books to accommodate a second mode of devotional reading. ! ! 1. Bibles with Navigation There are two Giant Bibles from the Fécamp corpus that include navigational reading aids: Rouen 1 and Rouen 7. As noted in the previous chapter, both books are presented in a large format and each contain a large collection of books from the Old and New Testament: Rouen 1 contains all but the Gospels, and Rouen 7 contains the Old Testament and the Gospels.1 The presence of navigational reading aids in these two Bibles (in the form of chapter tables and running titles) suggest that both of these volumes were designed to support searching and finding throughout the volume. -
SEDULIUS, the PASCHAL SONG and HYMNS Writings from the Greco-Roman World
SEDULIUS, THE PASCHAL SONG AND HYMNS Writings from the Greco-Roman World David Konstan and Johan C. ! om, General Editors Editorial Board Brian E. Daley Erich S. Gruen Wendy Mayer Margaret M. Mitchell Teresa Morgan Ilaria L. E. Ramelli Michael J. Roberts Karin Schlapbach James C. VanderKam Number 35 SEDULIUS, THE PASCHAL SONG AND HYMNS Volume Editor Michael J. Roberts SEDULIUS, THE PASCHAL SONG AND HYMNS Translated with an Introduction and Notes by Carl P. E. Springer Society of Biblical Literature Atlanta SEDULIUS, THE PASCHAL SONG AND HYMNS Copyright © 2013 by the Society of Biblical Literature All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions O! ce, Society of Biblical Literature, 825 Houston Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Sedulius, active 5th century. The Paschal song and hymns / Sedulius ; translated with an introduction >and notes by Carl P. E. Springer. p. cm. — (Society of Biblical Literature. Writings from the Greco-Roman world ; volume 35) Text in Latin and English translation on facing pages; introduction and >notes in English. Includes bibliographical references and index. ISBN 978-1-58983-743-0 (paper binding : alk. paper) — ISBN 978-1-58983-744-7 (electronic format) — ISBN 978-1-58983-768-3 (hardcover binding : alk. -
What Is the Roman Missal?
Roman Missal Bulletin Insert Series #1 WHAT IS THE ROMAN MISSAL? Book of the Gospels (Evangeliary) for the scripture readings, and additional books for the chants and antiphons. Slight changes and additions developed as manuscripts were handed on and hand scribed. Eventually the chants, scripture readings, prayer texts, and instructions were compiled into a single volume, the Missale Plenum (complete Missal). When Johannes Gutenberg invented the movable printing press in 1470, this allowed the Mass texts to become standardized and published universally. In 1474, the first Missale Romanum (Roman Missal) was printed in Latin and the texts contained in this volume evolved over the five ensuing centuries. Because the amount of scripture proclaimed at Mass increased following the Second Vatican Council (1962-1965), the Missal was divided into two separate books so that its size would not be overwhelming. The Sacramentary contained the instructions (rubrics), the prayers (the Gloria, the Creed, the Eucharistic Prayer, the Our Father, etc.), Over the past several months, you may have and the chants and dialogues (the entrance heard a lot about the revised translation of antiphons, The Lord be with you, etc.). The The Roman Missal. Some may be wondering, Lectionary contained the readings for ―What is The Roman MissaI and how does Sundays, Feast Days and weekdays. It is this new translation affect me?‖ the former of these books, the Sacramentary First of all, it is important to note that the that has been retranslated. With this structure of the Mass is not changing. The translation, the name of the book will change Biblical readings will not change either, but from The Sacramentary to The Roman some of the prayers we say (and sing) and Missal, a translation of the Latin title, the prayers the priest says will be changed Missale Romanum. -
Liturgical Press Style Guide
STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript. -
Saint Pius V Altar Server Dictionary Promulgated During the Pontificate of Francis, 266Th Successor to the Apostle Peter
1 Saint Pius V Altar Server Dictionary Promulgated during the Pontificate of Francis, 266th successor to the Apostle Peter. 1. The main areas of the church with which you should be concerned: 1. The sanctuary is the area in the center and toward the front of the church where the altar, the ambo, and the priest’s and altar server’s chairs are located. 2. The sacristy is the room where the priest, deacon and altar servers vest and prepare for Mass. Many of the items used in the celebration of the Mass are stored there. 3. Other areas include the baptistry, where the baptismal font is located and where baptisms may be celebrated; the vestibule, the entrance to our church; and our four confessionals, where the sacrament of penance is celebrated. 2. Books used at Holy Mass: 1. The Lectionary is the large book containing the Bible readings. There may be a separate Book of the Gospels, called the evangeliary. 2. The Roman Missal is the large book used by the priest when standing at his chair and at the altar during Mass. 3. Other books may be used too in the sanctuary, including a hymnal, a binder containing general intercessions, ritual books for the various sacraments, and a binder of announcements. Our binders are different colors, matching the liturgical color of the day/season. 3. Vessels used at Holy Mass: 1. The chalice is the cup that holds the wine for consecration and communion. 2. The paten is a plate that holds the hosts for consecration and communion. -
The General Instruction of the Roman Missal Introduction
THE GENERAL INSTRUCTION OF THE ROmAN mISSAL INTRODUCTION 1. As christ the Lord was about to celebrate with the disciples the paschal supper in which he insti- tuted the Sacrifice of hisb ody and blood, he commanded that a large, furnished upper room be prepared (Lk 22:12). indeed, the church has always judged that this command also applied to herself whenever she decided about things related to the disposition of people’s minds, and of places, rites and texts for the celebration of the Most holy eucharist. the present norms, too, prescribed in keeping with the will of the Second vatican council, together with the new Missal with which the church of the roman rite will henceforth celebrate the Mass, are again a demonstration of this same solicitude of the church, of her faith and her unaltered love for the supreme mystery of the eucharist, and also attest to her continu- ous and consistent tradition, even though certain new elements have been introduced. Testimony of an Unaltered Faith 2. The sacrificial nature of the Mass, solemnly defended by thec ouncil of trent, because it accords with the universal tradition of the church,1 was once more stated by the Second vatican council, which pronounced these clear words about the Mass: “at the Last Supper, our Savior instituted the eucharistic Sacrifice of his body and blood, by which the Sacrifice of his cross is perpetuated until he comes again; and till then he entrusts the memorial of his Death and resurrection to his beloved spouse, the church.”2 What is taught in this way by the council is consistently expressed in the formulas of the Mass. -
Kingdom Stewardship
Kingdom Stewardship A Steward’s Prayer and Reflection Journal The Gospel of Luke Prepared by the Stewardship Office of The Catholic Diocese of Cleveland, Ohio Scripture texts in this work are taken from the New American Bible with Revised New Testament and Revised Psalms © 1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, D.C. and are used by permission of the copyright owner. Images in this work are taken from, 120 Great Paintings from Medieval Illuminated Books, Dover Publications, INC. Mineola, New York Copyright © 2008 by Dover Publications, Inc. All rights reserved. Information on Illuminated Manuscripts was taken from www.bl.uk. Prayers in this work are available at http://www.scborromeo.org/prayers.htm. © September 2009 Diocese of Cleveland, Ohio Permission is given to duplicate with acknowledgment given to the Stewardship Office of the Catholic Diocese of Cleveland, Ohio. For a free PDF file, please contact the Stewardship Office at: Stewardship Office Catholic Diocese of Cleveland 1027 Superior Ave. Cleveland, OH 44114 800-869-6525 X2120 [email protected] 2 55 Kingdom Stewardship Stewardship A Steward’s Prayer Time and Reflection Journal Talent The Gospel of Luke Treasure Name: _____________________ Date: ________________________ 54 3 A Steward’s 30 Day Prayer Journal Illuminations This Prayer Journal was created specifically and prayerfully Week 4: The Lamentation Following The Crucifixion for you by the Stewardship Office of The Catholic Diocese of Cleveland, Ohio. Our hope is that it will assist, inspire, and The Lamentation Following The Crucifixionis from the Rohan encourage you as you live out your life of Stewardship. As the Hours. -
The Jeu D'adam: MS Tours 927 and the Provenance of the Play
Western Michigan University ScholarWorks at WMU Early Drama, Art, and Music Medieval Institute Publications 11-30-2017 The Jeu d'Adam: MS Tours 927 and the Provenance of the Play Christophe Chaguinian Follow this and additional works at: https://scholarworks.wmich.edu/mip_edam Part of the Dramatic Literature, Criticism and Theory Commons, and the Medieval Studies Commons Recommended Citation Chaguinian, Christophe, "The Jeu d'Adam: MS Tours 927 and the Provenance of the Play" (2017). Early Drama, Art, and Music. 2. https://scholarworks.wmich.edu/mip_edam/2 This Edited Collection is brought to you for free and open access by the Medieval Institute Publications at ScholarWorks at WMU. It has been accepted for inclusion in Early Drama, Art, and Music by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. The Jeu d’Adam EARLY DRAMA, ART, AND MUSIC Series Editors David Bevington University of Chicago Robert Clark Kansas State University Jesse Hurlbut Independent Scholar Alexandra Johnston University of Toronto Veronique B. Plesch Colby College ME Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences The Jeu d’Adam MS Tours 927 and the Provenance of the Play Edited by Christophe Chaguinian Early Drama, Art, and Music MedievaL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2017 by the Board of Trustees of Western Michigan University Library of Congress Cataloging-in-Publication Data Names: Chaguinian, Christophe, editor. Title: The Jeu d’Adam : MS Tours 927 and the provenance of the play / edited by Christophe Chaguinian. Description: Kalamazoo : Medieval Institute Publications, Western Michigan University, [2017] | Series: Early drama, art, and music monograph series | Includes bibliographical references. -
Universiv Microtlms International 300 N
INFORMATION TO USERS This reproduction was made from a copy o f a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note w ill appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin film ing at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. I f necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
General Instruction of the Roman Missal
Copyright © 2003, United States Catholic Conference, Inc., Washington, D.C. All rights reserved. General Instruction of the Roman Missal Including Adaptations for the Dioceses of the United States of America Concordat cum originali: Msgr. James Patrick Moroney Executive Director, Secretariat for the Liturgy United States Conference of Catholic Bishops The English translation of the General Instruction of the Roman Missal (Third Typical Edition) © 2002, International Committee on English in the Liturgy, Inc. All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright holder. This text is confirmed for use in the Dioceses of the United States of America. Persons from other nations should consult the local Episcopal Conference regarding the appropriate text for their nation. 1 CONTENTS FOREWORD TO THIS EDITION DECREE OF CONFIRMATION DECREE OF PUBLICATION THE GENERAL INSTRUCTION OF THE ROMAN MISSAL PREAMBLE A Witness to Unchanged Faith A Witness to Unbroken Tradition Accommodation to New Conditions CHAPTER I THE IMPORTANCE AND DIGNITY OF THE EUCHARISTIC CELEBRATION CHAPTER II THE STRUCTURE OF THE MASS, ITS ELEMENTS AND ITS PARTS I. THE GENERAL STRUCTURE OF THE MASS II. THE DIFFERENT ELEMENTS OF THE MASS Reading and Explaining the Word of God The Prayers and Other Parts Pertaining to the Priest The Other Formulas in the Celebration The Vocal Expression of the Different Texts The Importance of Singing Movements and Posture Silence III. THE INDIVIDUAL PARTS OF THE MASS A.