L'édition De Textes De Femmes Anarchistes Du Début Du 20E Siècle

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L'édition De Textes De Femmes Anarchistes Du Début Du 20E Siècle Université de Toulouse 2 – Jean Jaurès Département de Documentation, Archives, Médiathèques et Édition Mémoire de M2 EIE L’édition de textes de femmes anarchistes du début du 20e siècle Pratiques et principes Étudiante : Corinne Chambers (20906406) Directrice de recherches : Nicole Le Pottier Assesseur : Franz Olivié 1 Remerciements : Je souhaite remercier ici toutes les personnes qui ont permis l’écriture de ce mémoire. Tout d’abord l’équipe du CIRA de Lausanne pour leur accueil chaleureux ainsi que la famille de Vargas pour son hébergement. La liste des personnes, connues et anonymes, qui ont aidé au projet, parfois depuis plusieurs années. En particulier Molly et Lexi de AK Press, Oliver, James, Dek, Jamie, Andy, Tom (les deux), David, Marie, Céline, Yves, Mike, Malcolm Archibald, Jesse Cohn et tou-tes les autres. « [L]eur tranquille courage, leur sens de la solidarité, leur aptitude à ne jamais réagir ou se conduire en salauds ont fait autant, sinon plus, pour mon réconfort et mon renforcement dans les idées libertaires que tous les beaux discours entendus à de beaux meetings ». Je souhaite également remercier l’équipe du secrétariat du DDAME pour leur aide face à mon inaptitude face aux démarches administratives et ma directrice de recherches pour avoir accepté d’encadrer ce projet. En dernier lieu je souhaite remercier ma famille, Adrien, Wash et Scruffles pour leur soutien durant la période d’écriture de ce mémoire. 0 Table des matières Introduction..........................................................................................................................................3 Une histoire des femmes dans l'édition anarchiste..........................................................................3 Les femmes anarchistes historiques dans la production éditoriale aujourd'hui...............................5 Pistes pour le dépassement des écueils soulevés.............................................................................8 1. Organisation féministe et émancipatrice.................................................................................9 2. (Ré)édition d'un corpus de « classiques » oubliés...................................................................9 I. Mise en œuvre féministe et anarchiste d’une politique éditoriale...................................................12 1. L’Édition et son monde..............................................................................................................12 1. La recherche de profits de l’édition commerciale.................................................................12 2. Essayer de gagner sa vie grâce à l’édition commerciale : les grands dilemmes d’Alexandre Berkman....................................................................................................................................13 3. L’élitisme de l’édition universitaire......................................................................................16 4. Les contradictions de l’édition « indépendante »..................................................................17 5. La (micro-)édition militante : principes et réalités................................................................22 2. Se situer dans une industrie.......................................................................................................23 1. Prendre forme et prendre position.........................................................................................23 2. Travailler avec les autres acteurs de la chaîne du livre.........................................................24 3. Travailler avec les auteurs.....................................................................................................29 3. Questions éthiques.....................................................................................................................30 1. Les nécessités économiques..................................................................................................30 2. Objectifs anarcha-féministes.................................................................................................34 II. Accumulation de classiques/de thèmes..........................................................................................36 1. L’édition comme machine à légitimation/délégitimation..........................................................36 1. Canonisation – Oublier et rendre invisible............................................................................36 2. S’attaquer au rapports de pouvoir.........................................................................................37 2. Élaboration d’un corpus.............................................................................................................38 1. Textes théoriques et biographies...........................................................................................38 2. Autobiographies....................................................................................................................39 3. Romans..................................................................................................................................40 3. Penser les histoires plurielles.....................................................................................................41 1. Autodidactisme......................................................................................................................41 2. Histoire par en bas, histoire populaire, histoire orale............................................................41 4. Historiographie anarchiste, points de vue féministes, queer, post-coloniaux, l’édition comme chaînon de production du savoir féministe et anarchiste.............................................42 III. Projet éditorial..............................................................................................................................44 Conclusion..........................................................................................................................................47 Annexes..............................................................................................................................................48 Extrait des “ Thèses sur la communauté terrible ”, Tiqqun, 2001.................................................48 Extrait de “ (Re)membering women and (re)minding men : the gender politics of anarchist history ”. Judy Greenway, 2010.....................................................................................................50 Annexe 3 : Table des matières provisoire Forgotten anarchism (circa 2013)................................54 Annexe 4 : Traduction d’un chapitre du livre de Dorothy Gallagher sur Carlo Tresca (2013).....62 Annexe 5 : Deux traductions et une bibliographie pour une brochure pour le CIRA de Lausanne sur les femmes et les luttes anti-carcérales (2016)........................................................................68 Annexe 6 : A (W) Baader, Dulce et decorum est...........................................................................79 Bibliographie......................................................................................................................................81 Le Monde de l’édition....................................................................................................................81 Questions d’organisation...............................................................................................................82 1 Historiographie et construction des savoirs...................................................................................82 Sur les femmes anarchistes............................................................................................................83 2 Introduction Afin d'étudier la place et les représentations des femmes dans l'édition anarchiste, il convient en guise d'introduction de dresser quelques points de référence d'abord sur le mouvement anarchiste historique puis sur les pratiques éditoriales depuis la fin du 20e siècle. Cela nous permettra de définir quelques problèmes autour de cette question ainsi que quelques moyens qui semblent y remédier. Une histoire des femmes dans l'édition anarchiste L'édition anarchiste a une longue histoire : dès le 19e siècle, la propagande écrite sous forme de livres, mais surtout de brochures et de journaux, est essentielle pour le mouvement anarchiste, comme pour le reste du mouvement ouvrier de l'époque. Les femmes jouent un rôle très important dans ces premiers journaux et maisons d'édition.1 Ce rôle des femmes dans la presse anarchiste est intéressant à observer de façon critique : des témoignages font état de la division genrée du travail2 et de la silenciation des femmes3 dans le milieu anarchiste. Si le milieu anarchiste peut être une voie que certaines femmes choisissent pour leur émancipation des normes sociales et de genre 4, il est néanmoins traversé par les rapports de pouvoir entre groupe dominants et dominés et, en particulier ici, par les dynamiques du patriarcat. D'une part, la socialisation des femmes leur donne un accès 1 En Angleterre, en 1886, Charlotte Wilson fonde Freedom et la maison d'édition Freedom Press, et les sœurs Rossetti sont à l'origine de The Torch en 1891. En France, Anna Mahé fonde l'anarchie en 1905 qui est ensuite repris par Rirette Maitrejean, et Marie Kügel fonde L'Ère Nouvelle en 1901. Aux États-Unis, Emma Goldman fonde Mother Earth en 1906 et Lillian Harman Lucifer, the lightbearer en 1883. En Espagne, en 1898, Soledad Gustavo fonde
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