The Russian Cinema Collection of Mikhail Sul'kin, Film
Total Page:16
File Type:pdf, Size:1020Kb
The Russian Cinema Collection of Mikhail Sul’kin Film historian and managing editor of the journal Iskusstvo kino (Cinema Art) Part I: Books, 1909-1955 Part II: Magazines and Film Newspapers, 1913-1955 Part III: Soviet Playbills, dating primarily from 1918-1935 Part IV: Books and Journals on Soviet cinema published after 1956 Mikhail Sul’kin (1928-2014) Russian journalist and film critic After graduating from the Moscow Polygraphic Institute (School of Media and Journalism), Sul’kin spent roughly ten years as a proofreader in a Moscow printing plant. In 1957 he started work as an editor at the Art of Cinema (Iskusstvo kino) magazine, the country's main publication on the theory and practice of cinema. Sul’kin devoted almost all of his life to this magazine, where for many years, he held the key position of managing editor. For several years in the 1970s, he worked as an editor at the publishing house “Art” (Iskusstvo), and then returned to his beloved magazine. His hard work, erudition, conscientiousness, and goodwill have earned the respect and admiration of many film critics, writers, screenwriters, and film directors. He was dubbed the "walking encyclopedia" because he knew and remembered a colossal amount of names, dates, and films. He began to fill out index cards for films, where he entered relevant data such as crew, synopsis and references. Numerous cardboard boxes were steadily filled, year after year, and over time, the tiny office in his two-bedroom apartment on Koshtoyants Street in Moscow, which also served as his and wife Claudia’s bedroom, turned into a type of scientific library, crowded with books, magazines, and boxes of cards. There were no computers yet and Sul’kin’s dossier had inherent value at the time. Naturally, Sul’kin devoted the lion's share of his time to work and spent hours reading and editing manuscripts and galleys. He has written many articles, reviews, as well as several books and brochures. His areas of special interest were the cinema of East Germany, Mongolia, and Kazakhstan. He traveled to these countries and developed close friendships with multiple film makers. For over thirty years, he methodically expanded his private library of books, magazines, playbills, and cinema newspapers. He bought almost all publications on this topic that were published in the Soviet Union and in post-Soviet Russia. He had a rigorous ritual. Once a week, with a bulky briefcase in hand, he perused several antique bookshops, where sellers knew him well and set aside interesting and rare publications for him. In 1994, Mikhail Sul’kin and his family moved to the United States and settled in a suburb of Boston. He managed to take his entire collection of books and other publications on cinema with him. When he retired in the USA, he spent most of his time reading books and cinema magazines, analyzing programs on Russian-language TV channels, and filling out his cards on movies. THE RUSSIAN CINEMA COLLECTION OF MIKHAIL SUL’KIN, film historian and managing editor of the journal: Iskusstvo Kino (Cinema Art) 2,972 titles in over 3,695 physical volumes Part I: Books, 1909-1955. 765 Books in over 810 volumes puBlished Between 1909 (the first Russian Book on cinema) anD 1956 Part II: Magazines and Film Newspapers, 1913-1955 46 titles in ca. 275 volumes of film magazines anD film newspapers, puBlished in the mostly in the 1920s Part III: Soviet Playbills, Dating primarily from 1918-1935 242 playBills of Soviet anD foreign movies released in Russia Part IV: Books anD journals on Soviet cinema puBlished after 1956 1,919 titles in over 2,370 physical volumes The Russian Cinema Collection of Mikhail Sul’kin Part I: Books, 1909-1955 765 titles in over 810 volumes Item 437. Vystavka iaponskoe kino, designed by El Lissitzky Sul’kin Collection: Part I 1 2 1 (ABRIKOSOV, ANDREI L’VOVICH) KUZNETSOVA, E. Andrei Abrikosov. (Mastera kinoiskusstva.) 30, (2)pp. 3 illus. Sm. 8vo. Orig. wraps. (slightly soiled; front-cover detached). [Moskva] (Goskinoizdat), 1939. 2 ADUEV, NIKOLAI I ARGO. Perepiska druzei, ili, 5 Kino-muzei. Oblozhka i illiustratsii khud. S. Iutkevicha.. 14, 7 ALEKSANDROV, G.V. Burzhuaznaia kine- (2)pp. 16 illus. Sm. 8vo. Orig. dec. wraps. Cover design and matografiia na sluzhbe reaktsii. Stenogramma publichnoi illustrations by the film director and screenwriter Sergei lektsii, prochitannoi v Tsentral’nom Lektorii Obshchestva v Iutkevich. Moskve. 31pp. Lrg. 8vo. Orig. wraps. Moskva/Leningrad (Kinopechat’, Kino-Izdatel’stvo RSFSR), Moskva (Vsesoiuznoe Obshchestvo po Raspostraneniiu 1927. Politicheskikh i Nauchnykh Znanii), 1948. 3 [AKHUSHKOV, SH. (EDITOR).] Vstrechnyi: Kak sozdavalsia fil’m. (Luchshie sovetskie fil’my. Kniga I.) 147, (5)pp. Prof. illus. Lrg. 8vo. Orig. cloth. Khudozhnik I. Krichevskii. Directed by Fridrikh Ermler and Sergei Iutke- vich. Moskva (Kinofotoizdat), 1935. 4 ALEINIKOV, M.N. Puti sovetskogo kino i MKhAT. 189, (3)pp. 30 plates, 14 portrait illus. in text. Lrg. 8vo. Orig. cloth. Moskva (Goskinoizdat), 1947. 5 ALEINIKOV, M.N. & ERMOL’EV, I.N. (EDITORS). Prakticheskoe rukovodstvo po kinematografii. Sostavleno pod obshchei redaktsiei inzhenera M.N. Aleinikova i I.N. Ermol’eva. 406, (2)pp. 200 illus. Sm. 4to. Orig. grey printed wraps. (covers detached; slightly frayed). Uncut. Presentation copy, inscribed by Moisei Aleinikov to the Russian painter and scenographer Viktor Simov (1858- 1935), the principal designer of Stanislavski and Nemirovich’s newly formed Moscow Art Theatre, dated 30/III/18. No copy listed in WorldCat. Moskva (Tipografiia Akts. O-vo “Mosk. Izdatel’stvo”/ [Izdanie 7 M.N. Aleinikova i I.N. Ermol’eva]), 1916. 8 [ALEKSANDROV, GR. (INTRODUCTION).] 6 ALEKSANDROV, B. Taras Shevchenko: O fil’me i Frantsuzskie kinofil’my v SSSR. (36)pp. Prof. illus. 4to. ego sozdateliakh. (Biblioteka sovetskogo kinozritelia.) 37, Orig. wraps. (slightly worn at spine). (1)pp., 4 plates. Sm. 8vo. Orig. dec. wraps. [Moskva (“Iskusstvo”), 1955]. Moskva (Goskinoizdat), 1952. 2 ars libri 9 (ALEKSANDROV, GRIGORII VASIL’EVICH) IURENEV, R. Grigorii Aleksandrov. (Mastera kinoiskusst- va.) 29, (3)pp. Illus. Wraps. Moskva (Goskinoizdat), 1939. 10 (ANDREEV, BORIS FEDOROVICH) KOLODIAZH- NAIA, V. Narodnyi artist RSFSR Boris Fedorovich Andreev. (Mastera sovetskogo kino.) 33, (3)pp., 16 plates. Lrg. 8vo. Wraps. A Chinese-language translation was pub- lished in 1953. Moskva (Goskinoizdat), 1951. 11 (ANDREEV-BURLAK, VASILII NIKOLAEVICH) MOROZOV, M. Vasilii Nikolaevich Andreev-Burlak, 1843- 1888. (Massovaia biblioteka.) 42, (2)pp., 6 plates. Frontis. Sm. 8vo. Orig. wraps. Moskva/Leningrad (Gosudarstvennoe Izdatel’stvo “Iskusst- 12 vo”), 1948. 16 ANOSHCHENKO, A. Tainy kino: Raskrytie chudes ekrana. 15, (1)pp. 18 illus. Sm. 4to. Orig. wraps. (small tear in front-cover). Moskva (Izdatel’stvo “KinoMoskva”), 1924. 17 ANOSHCHENKO, N.D. Kino. (Biblioteka “Izobre- tatelia.”) 47pp. Illus. Sm. 8vo. Orig. dec. wraps. Intermittent light staining and spotting. Moskva (Izdanie Akts. Izd. O-va “Ogonek”), 1929. 18 ANOSHCHENKO, N.D. Kino v Germanii. 271, (1)pp. 108 illus. Sm. 4to. Orig. dec. wraps. (slightly darkened). Uncut. “One of the key figures in these early days was Niko- lai Anoshchenko, a camera operator by training who had spent a year on secondment in Berlin and on his return pro- duced a book that detailed the latest technological develop- 17 16 ments in the Weimar film industry; this included a short chapter on the color processes that he had encountered during his stay...” (Phil Cavendish in Birgit Beumers [ed.], “A 12 ANDRIEVSKII, A. Postroenie tonfil’ma. 84, (2)pp. Companion to Russian Cinema,” p. 274). Lrg. 8vo. Orig. wraps. “Postroenie tonfil’ma” [Constructing a Moskva (Kinopechat’, Kino-Izdatel’stvo RSFSR), 1927. Soundfilm] was published in the same year the first Soviet sound film, Nikolai Ekk’s “Putevka v zhizn’” [Road to Life] was released; a Japanese translation was issued in 1933. Uncut. Moskva/Leningrad (Gosudarstvennoe Izdatel’stvo Khudozh- estvennoi Literatury), 1931. 13 (ANDROVSKAIA, OL’GA NIKOLAEVNA) POZHARSKAIA, M. Ol’ga Nikolaevna Androvskaia. 86, (2)pp., 10 plates. Frontis. Sm. 8vo. Wraps. Moskva (Gosudarstvennoe Izdatel’stvo “Iskusstvo”), 1951. 14 (ANDZHAPARIDZE, VERIKO) OLENIN, A. Narodna- ia artistka SSSR Veriko Iulianovna Andzhaparidze. (Mas- tera sovetskogo kino.) 25, (3)pp., 8 plates. Lrg. 8vo. Wraps. Moskva (Goskinoizdat), 1952. 15 (ANISIMOVA, NINA ALEKSANDROVNA) FRAN- GOPULO, M. Zasluzhennaia artistka RSFSR, Laureat Stalinskoi premii Nina Aleksandrovna Anisimova. (Mas- tera Leningradskoi stseny: Monografii.) 57, (1)pp. 10 plates. Lrg. 8vo. Orig. wraps. Slightly water-damaged. Leningrad (VTO [Vserossiiskoe Teatral’noe Obshchestvo, Leningradskoe Otdelenie]), 1951. 18 Sul’kin Collection: Part I 3 19 20 23 19 ANOSHCHENKO, N.D. Obshchii kurs kine- matografii: Rukovodstvo kino-liubitelia. 2 vols. 445, (3)pp. 233 illus.; 445, (3)pp. 179 illus. Orig. cloth. Final page (=advertisement) of vol. I torn with loss of text. [Moskva] (Tea-Kino-Pechat’), 1929. 20 ANOSHCHENKO, N.D. Zvuchashchaia fil’ma v SSSR i za granitsei. 103, (1)pp. 23 illus. Sm. 8vo. Orig. wraps. (detached). With the ex libris stamp of Il’ia Semen- ovich Dzhigit. [Moskva] (Teakinopechat’), 1930. 24 25 21 ANUR, I. O fil’me “Moguchii potok.” (Biblioteka sovetskogo kinozritelia. 23.) 25, (3)pp. 10 illus. 12mo. Orig. wraps. [Moskva] (Goskinoizdat), 1939. 22 (ARBUCKLE, ROSCOE) KOLOMAROV, B. Fatti (Roscoe Arbuckle). 15, (1)pp. 3 plates. 12mo. Later boards, orig. illus. wraps. bound in. Moskva/Leningrad (Tea-Kino-Pechat’), 1928. 23 ARDOV, VIKTOR. Krupnym planom: Kino- rasskazy. 47, (1)pp. Oblong 8vo. Orig. dec. wraps. Cover design by Sergei Iutkevich. Moskva/Leningrad (Kinopechat’, Kino-Izdatel’stvo RSFSR), 1926. 27 28 27 ARNOL’DI, E. Komicheskoe v kino. Predislovie Vl. 24 ARDOV, VIKTOR EFIMOVICH. Naselenie kino- Nedobrovo. 30, (2)pp. Sm. 8vo. Orig. dec. wraps. Cover respubliki: Kino rasskazy. (Bibliotechka “Sovetskogo design by Iakov Guminer. ekrana.”) 23, (1)pp. Sm. 8vo. Orig. dec. wraps. Oblozhka Moskva/Leningrad (Kinopechat’, Kino-Izdatel’stvo RSFSR), khud. A. Ushina. 1928. Moskva/Leningrad (Tea-Kino-Pechat’), 1929.