Richard Barrett
everything has changed/nothing has changed
2013-16 orchestra
everything has changed / nothing has changed
2013-16 for orchestra (72 players)
in memory of David Robert Jones 1947-2016
Auftragswerk des SWR
duration approximately 14 minutes
instrumentation:
The orchestra is divided into three groups, placed from left to right (from the audience’s point of view) in the order 2, 1, 3. In other words, the violins will be laid out more or less traditionally, left and right of the conductor at the front of the orchestra, while violas, cellos and basses are split symmetrically left and right. The positions of all the other instruments in group 1 may be as conventional as this arrangement allows. Since the harps rarely play together it might be found desirable to place them at left and right of group 1.
group 1 piccolo flute oboe english horn clarinet in Bb bass clarinet contrabass clarinet bass oboe or heckelphone soprano saxophone baritone saxophone bassoon contrabassoon
4 horns piccolo trumpet in Bb (with 4 valves) trumpet in C bass trumpet in Bb trombone contrabass trombone bass tuba
3 percussionists (see below for instruments) 2 harps (locally amplified) electric guitar (see below for further specifications)
violins 1-2 violas 1-2 cellos 1-2 contrabasses 1-2
group 2 violins 3-11 violas 3-6 cellos 3-5 contrabasses 3-4
group 3 violins 12-20 violas 7-10 cellos 6-8 contrabasses 5-6
no vibrato unless otherwise indicated.
The score is transposed: piccolo sounds an octave higher than notated, english horn and horns a fifth lower, bass oboe, contrabassoon, electric guitar and contrabasses an octave lower, Bb clarinet and soprano saxophone a major second lower, bass clarinet and bass trumpet a major ninth lower, contrabass clarinet two octaves and a major second lower, baritone saxophone an octave and a major sixth lower, piccolo trumpet a minor seventh lower and crotales two octaves higher.
Muting of brass and string instruments is intended to be as much a change of timbre as a change of dynamic range, so that for example mp on a muted instrument should have the same perceived dynamic level as mp on the same instrument unmuted (that is, by playing more strongly).
] = damp all sound (for bowed strings: stop bow audible on the string)
notations for woodwinds:
Most woodwind trills involve timbral rather than pitch-changes, and the the auxiliary fingering is always given, for example tr (R12) = trill with the first two fingers of the right hand. The woodwind quartertones in the second part of the piece may be realised using fingerings and/or adjustments in embouchure – alterations in timbre shouldn’t be avoided. notations for brass:
Where valves are specified, for example for trills where the pitch doesn’t change, they are indicated thus: Bb23 = second and third valves of the Bb division of the horn. percussion instruments: player 1 crotales
steel drum (soprano pan) anvil (high indistinct pitch) sleighbells 2 woodblocks* glass chimes small sizzle cymbal sandpaper blocks (“high”) maraca (“high”) rainstick (“high”)** snare drum (this is played only by plucking the snares so it can be placed upside down) wind machine player 2 vibraphone Thai gongs, placed horizontally on foam blocks: 2 woodblocks* shell chimes medium sizzle cymbal sandpaper blocks (“medium”) maraca (“medium”) rainstick (“medium”)** large floor tom string drum (“lion’s roar”) small cymbal (used only to scrape edge against skin of floor tom) bunch of twigs (Rute) player 3 thundersheet 4 bell plates (Plattenglocken):
Almglocken:
2 woodblocks* wood chimes large sizzle cymbal sandpaper blocks (“low”) rainstick (“low”)** maraca (“low”) bass drum 2 large smooth stones (one is placed on the bass drum skin and the other moved against it)
* pitch-order of woodblocks from high to low (for players 1-3): 1a 2a 3a 1b 2b 3b ** rainsticks should be clamped to stands so that they can be tilted without having to be picked up electric guitar:
The instrument should have a tremolo bar. A volume pedal and Ebow are required, as well as effects pedals and/or multi-effects unit to achieve the different sound qualities as described in the score. notations for strings: psp, msp = poco and molto sul ponticello respectively, the former already being noticeably different in timbre from nat., the latter being as extreme as possible consistent with the fundamental pitch remaining audible. pst, mst = poco and molto sul tasto (similarly).
= ascending degrees of bow pressure: flautando; “normal”; exaggerated and distorted (pitch only just discernible); completely pitchless scraping. clb = col legno battuto; clt = col legno tratto. notes for conductor:
In part 2 (nothing has changed), the aggregate sounds of group 1 generally involve a dynamic perspective with four levels: ppp (percussion), pp, p and mp. This kind of perspective also occurs in part 1 (everything has changed), for example from bar 8. As far as possible, the dynamics of the different instruments in their different registers should be kept consistent, also when this leads to timbral instability. All instruments in groups 2 and 3 begin together at each of the entries of these groups, each player beginning at the indicated point in the independently-played "loop", playing to the end and then continuing from the beginning. programme note
This composition (like its title) consists of two quasi-independent halves which are so to speak “negatives” of one another. An orchestra of 72 players is divided into three groups: 18 strings on the left, 18 on the right, and 8 solo strings plus the rest of the orchestra in the centre. In the first half the outer groups play a continuously evolving structure and the central group a discontinuous sequence of seven structures, while in the second half the central group plays continuously and the outer groups play a sequence of seven structures, this time becoming increasingly discontinuous. This overall scheme is subject to numerous distortions and exceptions, although one feature which connects all of its elements is a relatively systematic fusion of material, form and orchestration.
The title stems from the lyrics of the 2002 song “Sunday” by David Bowie, to whose memory the work is dedicated, these being the first words that came to my mind on hearing of his death in January 2016. Although to a considerable extent the form of the composition was already clear by that time, at that moment it acquired a new dimension as well as a title. Is this dimension to be heard in the music? Perhaps, as something sounding distantly from far below its surface, in the way one’s musical memories from early life have some kind of persistence despite whatever seemingly divergent evolutions of style and thinking may have taken place. I think of these evolutions not as involving rejection of anything (for example of popular music) but as placing everything in a constantly expanding network of interrelationships and perepctives. It’s this multiplicity which I would like to be what makes my music what it is, where for example rhythmical or harmonic regularity are “special cases”, among an infinitude of modes of musical order and disorder, rather than tokens of eclecticism.
SCORE VERSION 1.3 - 13/02/2017 everything has changed
Richard Barrett q=49 2013-16
7 arco msp II/III, molto vibr.* sul III sub. psp 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ II ° 6:4 6:4 6:4 6:4 6:4 nw™™ nw™™ n>œ-#œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >œ- œ œ œ œ œ œ œ œ œ vn 1 & >- f mf f mp arco psp sub. nat ~II/III,~~~~~~~~~ molto~~~~~~~~ vibr.*~~~~~~~~ sul~~~~ III~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~II~~~ III~~~~ II~~~ III~~~~ etc.~~~~~~ sim.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6:4 6:4 6:4 6:4 6:4 nw™™ nw™™ nœnœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ vn 2 & >- >- >- f mf f mp arco nat sub. psp ~I/II,~~~~~~ molto~~~~~~~~~ vibr.*~~~~~~~ sul~~~~~ II~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~I~~~ II~~~~ I~~ IIetc.sim.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6:4 6:4 6:4 6:4 6:4 I II etc. sim. nw™™ nw™™ nœnœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œnœ #œ œ œ œ œ œ œ œ va 1 & >- >- >- f mf f mp arco msp sub. psp ~I/II,~~~~~~ molto~~~~~~~~~ vibr.*~~~~~~~ sul~~~~~ II~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~I~~~ II~~~~ I~~~ IIetc.sim.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6:4 6:4 6:4 6:4 6:4 nw™™ nw™™ nœnœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ va 2 & >- >- >- f mf f mp arco psp sul I sub. nat vc 1 & nO O O O O O O nO O O nO O O O O >- >- >- f mf f mp arco nat molto~~~~~~~~~ vibr.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~sub.~~~~~~ psp~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
vc 2 ¢& nw- ™™ n˙ œ nœ w > >- >- f mf f mp * "molto vibrato" = somewhat slower and wider than usual
=
sub. nat IV III IV III etc. sim. psp 9:7 7:9 IV 3 ° 3:2 3:2 3:2 10:9 & #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ vn 1 nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ - œ œ œ œ - œ œ >- >- >- >- >- > > œ f p f pp sub.~~~~~~ psp~~~~~(sim.)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9:7 msp III IV III IVetc.sim. 7:9 II 10:9 >- >- >- 3:2 3:2 3:2 > & nœ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ#œ œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ- œ œ œ œ œ œ œ #-œ œ œ vn 2 >- >- > nœ œ
f p f pp sub. msp (sim.) III psp 9:7 7:9 3:2 3:2 3:2 III 10:9 #>œ- œ œ œ œ œ œ œ œ >œ- œ œ œ œ œ œ #œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ œ va 1 & nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ nœ œ œ nœ œ œ œ œ œ œ œ œ œ >- œ œ œ œ nœ œ œ >- >- >- >- f p f pp ~sub.~~~~~~ nat~~~~~(sim.)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ psp 9:7 7:9 I II I IIetc.sim. 10:9 > > 3:2 3:2 3:2 nœ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ #œ- nœ œ œ œ œ œ œ œ œ œ- œ œ œ œ œ œ œ œ >œ- œ œ œ œ œ œ œ œ œ œ œ œ va 2 & >- >- >- >-
f p f pp sub. psp II 9:7 7:9 I msp 3:2 3:2 3:2 10:9 >-#œ œ œ œ œ œ œ œ œ >- œ œ œ œ œ œ œ >- œ œ œ >-#œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ vc 1 & nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ nœ œ œ œ œ >- œ œ œ œ >- œ œ >- f p f pp ~sub.~~~~~~ msp~~~~~~(sim.)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~psp~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r r 10:9 #>œ- 3:2 œ 3:2œ œ 3:2 œ >- œ œ œ œ œ œ vc 2 ¢& n-œ™™ nœ ˙ n-˙™ nœ œ nœ œ œ œ œ œ œ œ -œ œ œ > >- > >- > f p f pp
=
psp 4 msp III II III II etc. sim. nat III IV 5 6:4 6:5 5:6 3:2 6:5 6:5 ° 8:7 nœ œ œ œ œ œ œ œ >œ- œ n œ œ œ œ œ œ œ 4 vn 1 & nœ œ œ œ œ œ œ œ œ œ œ œ œ œ >- n-œ œ œ -œ œ œ -œ œ œ -œ œ œ >- œ œ n-œ œ -œ œ -œ œ œ -œ œ œ bœ œ œ œ œ œ œ œ > > > > > > > > >- >- >- >- >- >- >- mf pp mp pp p pp psp psp (sim.) IV II III II IIIetc.som. IV 6:4 6:5 5:6 8:7 nat III 3:2 6:5 6:5 nœ œ œ œ nœ œ œ & #œ œ œ œ œ œ œ œ œnœ œ œ œ œ nœ œ œ œnœ œ œ œ œ œ ------œ vn 2 nœ œ œ œ œ œ œ œ œ -nœ œ œ œ nœ œ œ œ - nœ œ œ - œ œ œ œ > nœ > œ > œ > œ > > > >- >- >- > >- >- >- > >- > >- bœ œ œ p pp mf pp mp pp msp III nat II III II III etc. sim. psp II 5:6 3:2 6:5 6:5 6:4 6:5 8:7 n œ œ œ œ >œ- œ nœ œ œ œ œ œ œ B va 1 & nœ œ œ œ œ œ œ œ œ nœ œ œ œ nœ œ œ œ >- >- œ œ œ >- œ œ œ >- œ œ œn-œ œ œ >- œ œ >- nœ œ >- œ œn-œ œ œ -œ œ œ n-œ œ bœ œ œ œ œ œ œ > > > > >- >- >- >- >- >- mf pp mp pp p pp psp msp III III II III IIetc.sim. nat II III 6:5 5:6 III 6:4 8:7 3:2 6:5 6:5 #>œ- œ œ #œ œ œ œ œ œ œ œ œ œ œ nœ œ œ nœ œ œ va 2 & nœ œ œ - nœ œ œ œ œ œ œ nœ œ œ nœ œ - - - - - B > nœ œ œ >- œ œ œ >- œ œ œ œ -nœ œ - œ œ - œ œ œ - nœ œ œ - nœ - œ > nœ > œ > œ > > >- œ > > > >- > >- > > bœ œ mf pp mp pp p pp IV III etc. sim. psp 6:5 nat I psp II Ietc.sim. 6:4 ne 5:6 II 6:5 6:5 ne 8:7 3:2 >- #œ œ œ ? nœ œ œ nœ œ ne B vc 1 & nO O O O O O O O -O O & nœ œ œ œ œ œ œ nœ œ œ œ n-O O O -O O O -O O O > O O n-œ œ -œ œ -œ œ >- œ œn-œ œ œ n-œ -œ œbœ nO œ O œ O œ O œ O >- > > > > > > > > > >- >- >- >- >- mf pp mp pp p pp III IV etc. sim. 6:5 6:5 nat psp 3:2 msp I II 5:6 ne > 6:4 > 6:5 > 8:7 ne #œ- œ œ œ- œ œ œ- œ œ #œ œ œ œ œ #œ œ œ œ œ œ? nœ œ ne ? vc 2 & nœ œ œ œ œ œ œ œ œ - nO O O O O nO nœ œ œ - - ¢ > œ œ œ œ nœ œ œ œ œ œ >- nO O O >- O nO & - nœ - œ - œ > œ > œ n-O >- >- >- >- >- >- > > > > bœ mf pp p pp mp pp 2
4 q=56 11 Ñ Ü Ñ Ñ Ñ 9 Ü Ü Ü 11
> 3:2 5:4 8 Æ j > > ° 4 -™ bœ 8 nœ-#œÆ 8 8 bœ Œ nœ ˙ Œ Œ™ Œ™ ≈ ‰ ‰ ob & - > ppp mp f >- 3:2j ~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~ 5>-:4 Ÿ-~~~~~~~~~~~~ nœ œ Ÿ Ÿ- n>œ-#œ™ œ engl bœ™ Œ Œ Œ™ Œ #œ nœ œ & nœ #œ nœ œ hn >- J J ppp f Ÿ~~~~~~~~~~~~~~~~~~ ff Ÿ~~~~~~~~~~~ >- 3:2 5>:4 nœ œ bœ - >-nœ-™ nœ œ bœ-™ >- #œ œnœ bass & nœ œ Œ Œ Œ™ Œ ob J J ppp f J ff #œ- - nœ ™ #œ cl in Bb & ‰ ‰ Œ ‰ J legatissimo f p -™ 4:3 >- 3:2 nœ nœ œ nœ œ bœ œ nœ™ œ #œ™ #œ b cl & ‰ ‰ Œ ‰ nœ ‰ ‰ in Bb J J J mf #œ- f #œ- cb cl & ‰ ‰ Œ™ ‰ in Bb mf J mp >- 3:2 > 5>-:4 nœ œ j #œÆ nœ™ œ ˙™ œ sopr & ‰™ nœ Ó Œ Œ™ Œ™ ≈ ‰ ‰ sax ' f R > mp J J > 5:4 ppp nœÆ 3:2j >Æ n>œ-™ œ ˙™ œ nœ-™ #œ bari & Œ nœ ˙ Œ Œ™ Œ™ ≈ ‰ ‰ sax ¢ - J mf > ppp mf J ppp -¯ ± ¯ ± ° #œ nœ ™ horn 1 & ‰ ‰ Œ ‰ #œ J - nœ ff ¯ j m¯f ‰ ‰ Œ™ ‰ horn 2 & #œ - #œ > mf > mp - Æ 4:3 Æ >- 3:2 + sempre nœ j + sempre nœ nœ œ & ‰™ ≈nœ™ œ #œ ≈ Œ ‰ ‰ Œ ‰ ≈ ‰ ≈ ‰ #œ™ horn 3 - >' nœ >- mp R > R R ppp r 7:6 r mp >' >- ™ picc tpt & nœ™™ ‰ ‰ nœ œ œ œ Ó in Bb >- nœ nœ™ ˙™ #œ ' nœ R ppp mf mp nœ™ > >- >' sub. >- ppp >' s>traight mute r j r 7:6 mf >Æ bœÆ > µœ tpt & ≈ ‰ ‰™ ‰ nœ nœ ‰ Ó Œ - in C nœ œ nœ >- bœ™ mf R - >' > mp >' sub. mf >- n>œ-™™ r j >7-:6 > nœ > nœ nœ-™ >- bass tpt & #œ œ #œ-™ Ó Œ nœ™ in Bb - ff > mf sub. straight mute f b>œ- n>œ-™™ r j >7-:6 ˜œ nœ #>œ-™ nœ > B #œ œ >-™ Ó Œ nœ-™ bœ tbn - #œ µœ ff > mf sub. f straight mute r 7:6 r ? >- cb ™™ ‰ ≈ ≈nœ ™ µœ‰ ‰ Œ tbn #-œ Bœ µœ nœ™ ™ nœ > µœ nœ™ ' >- Bœ R f - nœ > ' ppp >' > ppp > p sub. mp r r j r 7:6 ? ≈ ‰ ‰ ≈ ‰ ‰ Ó Œ nœ tba ¢ nœ nœ#œ ' >' nœ œ nœ >- ' #œ™ > f - ' > >- > > 3>:2 mp > 5:4 p sub. > Æ Æ >™ ™ ° anvil (metal hammers) œ œ œ œ œ ˙ œ ] ‰™ ‰ ‰ ] ≈ Ó Œ Œ™ Œ™ ≈ æ ‰ ‰ perc 1 / æ æ æ æ R R æ æJ æJ f mp ppp vibraphone ™A™A (motor always off!) nœ- ‰ ‰ Œ™ ‰ æ perc 2 ¢ / & æ æ æJ #-œ ff ° mf ° n bœœ ? table n # œœ ™ tableb œ hp 2 ‰ ‰ Œ ‰ #n# œœ { J mp mf 4 q=56 11 Ñ Ü Ñ Ñ Ñ 9 Ü Ü Ü 11 - >- > bœ™ nœ œ 4:3 arco - >- 3:2 arco nat. >- bœ œ bœ œ °B 4 8 n>œ-™ œ #œ™ 8 nat. #>œ- 8 vc 1 ‰ ‰ Œ ‰ nœ ‰ ‰ J J >- J mf > f Æ 3:2 r con sord arco psp n>O- OnO(II) 4:3 arco psp >- >Æ >- ? ‰™ n œ œ ‰ ‰ µO ‰ nO bO ‰ nœ nœ bO ≈ ‰ ‰ vc 2 #O™ µ e n œ b œ b œ # -œ ' > mp > mp ppp >- arco msp arco #œ œ > 4:3 > arco >- 3:2 msp arco msp pizz -™ Be pizz Bœ msp nœ œ pizz > ? ™ n>œ™ #œ > nœ-™ bœ cb 1 ‰ ‰ ‰ ‰ ≈ #œ ‰ ‹ J R p ppp mf ppp arco pst pizz > pizz pizz µ>œ arco pst 4:3 - > 3:2 con sord pizz >- µ>œ arco pst nœ nœ > ? ‰™ nœ™ nœ Œ ‰ ‰ Œ ‰ ‰ #œ ‰ ‰ cb 2 nœ Bbœ ¢‹ >- J p mf string groups 2 & 3: bracketed noteheads are reference-points within longer glissandi and are not to be emphasised! arco psp sempre ° µœ µœ vn 3-4 & #˙ ≈ ‰ Œ Ó - R pp o Bœ nœ arco psp sempre µ ™ ™ µœ œ vn 5-7 & Ó ‰ Œ oJ o pp #œ arco Bœ nœ psp sempre psp ™™ ™ ™ ™ vn 8-11 & Œ Œ Ó Œ Œ nœ œ œ R o o o pp mp arco psp sempre B Œ™ Œ™ ‰ va 3-6 nœ o arco psp sempre j ? Œ Œ™ Ó vc 3-5 nœ ™ bœ™ nœ #œ o o p arco psp sempre ? Œ nœ™ ˙ nœ ™ bœŒ™ Œ™ cb 3-4 ¢‹ o p o ™ ° arco psp sempre nœ #œ vn 12-13 & nœ œ ‰ ‰ o p o (sul InIœ!) arco nœ psp sempre nœ™ #œ ™ ™ vn 14-16 & Œ Œ Œ Œ arco J o o p psp sempre #œ œ nœ nœ vn 17-20 & Ó J o p o a-rco psp sempre r B #˙ nœ™ ≈ ‰ Œ Ó va 7-10 J #œ pp o
arco psp sempre nœ™ ? Ó ‰ #œ™™ Bœ™ ‰ vc 6-8 R nœ o pp o arco psp sempre Bœ™ nœ ? Ó nœ™ ‰ Œ™ Œ cb 5-6 ¢ ‹ J o o pp 3
11 Ü Ü Ü Ñ 9 Ü Ü Ü 7 Ñ Ñ Ü 5 7 >-4:3 12 ‹ ™ 3:2 ° 8 >Æ #œ œ > >-™ 8 ™ 8 n>œ >Æ 4 8 & nœ ≈ nœÆ ≈ ‰ nœ œ œ œ ‰ Œ™ nœ ‰ Ó picc R mf ppp mf J >4:3 3:2 Æ > > > nœ B Æ nœÆ >- ™ ™ nœ- #>œ- œ nœ œ œ ˙ & ≈ Œ ‰ ≈ ‰ ‰ Œ ‰ Ó fl J mf R J ppp mf > 4:3 nœ- œ œ >Æ ™ #œ bœ > ™ ™ ™ (gradually ™ >- - ob & Œ Œ ‰ ‰ ‰ Œ Ó ≈ ‰ bœ ˙ œ ‰ Ó close R1) nœ J mp ppp p J Ÿ~~~~~~~~~ Ÿ~~~~ Ÿ~~~~~ ppp > 4:3 nœ- œ j >- j - #œ - nœ engl Œ™ Œ™ ‰ nœ™ ‰ Œ bœ & nœ #œ hn #-œ nœ >- mf > mf > Ÿ~~~~~~~~~~~~ ~~~~~~~~~~nœ- œ >- 4:3 Ÿ-™ Ÿ~~~~~~~~~~~~ j nœ #œ ™ ™ nœ #œ bœ- nœ >- bass & Œ Œ ‰ ‰ Œ #œ nœ ob >- mf J 3:2> mf 5:>4 > nœ- œ #œ-™ œ ˙ ™ nœÆ ™ cl in Bb & Œ ‰ ‰ ≈ ‰ ‰ ‰ Œ Œ Œ ‰ J mf R J ppp mf 5:4 3:2> > >Æ #œ- œ nœÆ cb cl & Œ™ ‰ ‰ #œ ≈ ‰ ‰ ‰ Œ Œ™ Œ ‰ ‰ Œ Ó in Bb R mp R J ppp f >- nœ œ œ™ œ r n>œ- 4:3 >Æ sopr & Œ™ Œ™ ‰ ‰™ ‰ Œ™ Ó nœ ≈ nœ ≈ sax R ' R mp ppp > p > > 4:3 #œÆ nœÆ j j ™ ™ ™ >- bari & Œ Œ ‰ ‰ Œ Ó nœ ≈ ‰ #œ ˙ œ ‰ Ó sax R >- p - mp ppp nœ 6:5 nœ™ j B #œ œ œ ™ ™ >- bsn nœ™ ‰ Œ Ó nœ bœ nœ J >-4:3 mf f #œ™ œ > 3:2 >Æ >Æ n>œ-™ œ œ™ œ nœ- >Æ ? #œ ≈ nœ ≈ ‰ ‰ Œ™ nœ ‰ Ó cbsn ¢ R J mp ppp ¯ ± ¯ f ± j j 3:2 5:4 ° BbØ > ¯ Œ™ ‰ ‰ nœ- nœ #œ™ nœÓ horn 1 & nœ nœ œ - >- nœ J - > f ff 3:2> ¯5:>-4 >-¯ nœÆ #œ™ œ ˙ ™ ? nœ œ œ horn 2 & Œ ‰ ‰ Œ ‰ mp J J J f J >4:3 Æ > > 3:2 + sempre > #œ BÆ + sempre µœÆ >- ™ ™ ? nœ- ≈ Œ ‰ #œ œ ≈ ‰ ‰ Œ ‰ nœ œ œ ˙ Ó horn 4 >- J J mp R f ppp bœ- ˙™ œ™ tpt & Œ™ Œ™ Œ™ ‰ in C J mf#œ- ppp bass tpt & Œ™ Œ™ Œ™ ‰ in Bb J ff - nœ nœ B Œ™ Œ™ Œ™ ‰ tbn J ff - ? Œ™ Œ™ Œ™ ‰ bœ ˙™ œ™ tba ¢ f J ppp > > 4:3 œÆ >œ œÆ >œ ° ™ ™ ™ ] ] perc 1 / Œ Œ ‰ ‰ Œ Ó ≈ ‰ mp R 3:2 J æj æj j p æ 5:æ4 æ Œ™ ‰ ‰ æ æ æ æ æ æ æ Ó perc 2 & æ æ æ #œæ™ œæ bœ œ œ n>œ nœ œ - f - - > °> ø ff ø ø r6:5 r thundersheet (struck) ¢A¢A j j ™ ™ æ perc 3 / ≈ ‰ ≈ ≈ ‰ ‰ Œ Ó ≈ ‰ æ ¢ œ œ œ >œ œ -œ p >' > >' ] mf >' ] > j >4:3 j 3:2 j #œ™ œ ‰ ‰ Œ ‰ Ó hp 1 & nœ nœ { nœ J nœ > > bœ f > ff > > 3:2 table j > table 5:>4 ? Œ™ ‰ ‰ ‰ ‰ ‰ nn#bœœ bœ ‰##nœœ™ Œ Ó hp 2 nb bœœ nn œœ { # >œ J J f n-O 6:5 >-™ mp ° · >- nœ j j >-™ #œ œ œ ‰ Œ™ Ó™ nœ bœ e gtr ¢& nœ >- >- n-œ ‹ effect setting: bright, precise sound without much compression, perhaps with > f a subtle very slow phasing/flanging-type modulation so that the sound mf isn't too unvarying and mechanical; use volume pedal for dynamics! Ü Ü Ü Ñ Ñ Ü 11 Ü Ü Ü Ñ 9 6:5 >- 7 5 7 > nœ™ œ œ™ ˙™™ arco msp nœ- > > > 8 8 n>œ-™ 8 4 #œ- nœ- nœ- 8 ° ™ vn 1 & ≈ Ó mp J J > ppp mp r6:5 Æ r arco msp r (1) nO r r ≈ ‰ BO ≈ ≈ ≈ ‰ ‰ Œ™ Ó™ ≈ ≈ ‰ ≈ vn 2 & nO B œ µµœO µO bO mp n œ ' µ œ b œ 4:3 > R ' ' arco ' arco mp > > ' >- > 3:2 > psp #œ™ µœ æ >- psp >- >- n>œ- Bbœ æ nœ nœ nœ #œ bœ nœ va 1 B æ nœ #œ æ ‰ ‰ Œ æ æ ‰ Ó æ æ æ >- æ æ æ f æJ æJ J æJ 6:5 >- ff r r arco nat. bœ™ œ œ™ ˙™™ B ≈ ≈ ≈ ≈ Ó™ ≈ ≈ va 2 bœ µœ bœ Bœ ¢ b-œ™ >' ' >- ' p > ppp mf > > ™™ n˙ œ #œ psp nœ™ psp ° ™ µœ Bœ ™ ™ vn 3-4 & Œ Œ Œ Œ J o R o mp o f #œ psp psp µœ µœ µœ Bœ ™™ vn 5-7 & ≈ Œ Ó Œ J R R o mp o o
µœ µœ ™ ™ vn 8-11 & ≈ Œ Œ Œ R o j psp r B ‰ ‰ Œ™ Œ Œ™ Bœ™™ va 3-6 #œ™ œ µœ™ o f mp o r ? psp Bœ vc 3-5 Ó ≈ µœ™ ≈ ‰ Œ µœ #œ™ R o mf o
psp ? µœ #œ cb 3-4 ¢‹ nœ œ o o psp nœ mf ° nœ™ œ #œ ™ vn 12-13 & ≈ ‰
o mf o ™ #œ µœ psp #œ ™ nœ ™ ™ vn 14-16 & Œ Œ ≈ Œ o o mf n˙ #œ µœ™ psp vn 17-20 & ‰ Œ Ó J o o mf psp ™ va 7-10 B ‰ Œ Œ #œ™ œ œ nœ
o mp o psp j j ? Œ™ ‰ #œ nœ ≈ ‰ Œ™ vc 6-8 µœ ™ ™ nœ o mp o j psp µ ? Œ™ Œ™ Œ™ œ ™ nœ ™ ‰ Ó cb 5-6 ¢‹ nœ o o mf 4
7 Ü Ñ Ñ 6 2 5 3 13 7:6 >- 4:3 > 16 ‹ 8 4 #œ™ œ™ ˙ œ 4 4 r Æ 4 8 ° ™ #œ picc & Œ ‰ Ó ≈ ≈ J #œ œ™ R mf J ppp p >- 7:6 > nœÆ 4:3 >- > #œ ˙™ ™ ™ nœÆ ™ fl & Œ ‰ ‰ Œ Ó Ó ≈ Œ mf R p R J ppp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ- bœ ˙™ ˙ engl & Œ ‰ hn J ff ppp Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ nœ ˙™ ˙ bass & Œ ‰ ob ff J ppp 6:5 > ™™ > nœ- œ™ ˙ ˙ nœÆ & Œ ‰™ cl in Bb R J ppp mf J ppp #œ- - nœ nœ™ bœ ˙ ˙ b cl & Œ ‰ Œ Ó™ in Bb ff mf ppp 6:5 >- ™ >Æ nœ œ ˙ cb cl & Œ #œ ‰™ in Bb J J >-™™ mp R ppp #œ >- 4:3 - 3:2 j #œ œ >-™ nœ > B Œ Œ nœ ‰ #œ ™™ nœ- ? bsn >- -œ 4:3 > R mf >Æ ff 7:6 > r nœ ? Œ nœ-™ œ™ ˙ œ ‰ Ó™ ? ≈ ≈ cbsn ¢ & #œ œ™ J J >- R mp ppp ± mp 6:5 > ° Bb23 ¯ - Œ nœ µœ‰ Ó horn 1 & #œ >- J R f 6:5 > ™™ ¯ nœÆ ? ˙ #>œ- horn 2 Œ ≈ ≈ ‰ Ó & ppp mp R > >- + se™ mprenœ- ™ + sem™ prenœ ˙ ˙ ˙™ horn 3 & Œ ‰ Œ Ó ‰ f R p R ppp 7:6 > bœÆ r 4:3 >- + sempre + sempre nœ ˙™ ? Œ ‰ ‰ Œ Ó™ Ó™ ≈ Œ™ horn 4 nœ J & mp R mp >' ppp r 4:3 r r 4:3 r j 3:2 picc tpt & ≈ ‰ ‰ nœ ≈ ‰ ‰™ Œ Œ ‰ Œ™™ ‰ ‰ in Bb nœ ˙ nœ #œ >- - ' nœ œ ' nœ #œ > ppp > >- > >' >' mp mp 4:3 3:2 > > 4:3 >- via sord. nœÆ bœÆ >- #œ™ ˙ œ tpt & ≈ Ó™ Œ™ Œ™™ nœ œ Bœ ‰ ≈ ‰ Ó in C #œ™ ' - R n-œ™™ R mp R > J J > > ppp mp 4:3 > #>œ- >- 4:3 >- 3>:2 nœ- bœ nœ- nœ œ nœ- œ bass tpt & nœ™ nœ™™ Ó™ Œ™ Œ™ ‰ in Bb - - mf J > R f J 4:3 > n>œ- >- 4:3 >- 3>:2 nœ- #œ bœ nœ- nœ œ bœ- via sord. B Bœ Ó™ Œ™ Œ™ nœ ‰ tbn n-œ™ nœ™™ nœ >- R mf J f J 4:3 4:3 r j r r r via sord. ? ™ ™™ 3:2 cb ≈ ‰ ‰ #œ ≈ ‰ ‰ Œ Œ ‰ Œ ‰ µœ ‰ tbn >- n-œ bœ Bœ nœ œ ' Bœ > ppp mf ' - > ' nœ > > p > >' 4:3 4:3 r r r 3:2 j j ? nœ ≈ Ó™ Œ™ Œ™™ ‰ ≈ nœ™ ˙ œ ‰ Ó tba ¢ ' nœ nœ œ #œ >- ™ > ' mf - ' #-œ n-œ™™ > > > ppp ° p > > œ perc 1 / Œ ‰ J f æ 6:5 > Œ æ bœ- œ ‰ Ó perc 2 & æ æ nœ æ æ f >- J R r r r ° ø 3:2 j r r æ æ ‰ ≈ ‰ ‰™ ‰ ≈ Œ Œ ≈ ‰ ‰ ≈ perc 3 / æ™™ æ™ ¢ ˙ œ œ œ œ >œ œ œ p >' ] > >' ] f >' ] > ppp ] 7:6 > 4:3 j nœ™ ™ hp 1 & #œ ‰ Œ Ó Œ Œ ‰ bœ œ nœ { J > f mf #œ œ™ 6:5 > table b >œ ? Œ b œ b œ ≈ ‰ Ó hp 2 { b >œ & >- J #œ™™ > 4:3 mp 3:2 ° - >- nœ- j r Œ Œ #œ œ nœ™ ‰ e gtr & #œ nœ™™ n-œ ¢ >- >- > ‹ mf ff ] 7 Ñ Ñ 6 >- 2 5 3 13 Ü nœ™™ >- 4:3 #œ >- 3:2 arco #œ™ ™ #œ arco n>œ- >- #>œ- ° 8 ˙™™ 4 œ™ msp 4 4 4 msp nœ™™ 8 vn 1 & ‰ ‰ Œ ppp mp J mf J R >Æ ppp nO > 3:2 r r arco msp n œ Æ r arco msp j Œ Œ ≈ ‰ ‰™ nnœO ‰ ≈ Œ Œ ≈ ‰ ‰ ≈ vn 2 & µO nO #O R µ œ n œ nO # œ mp R >' mf ' n œ ' 7:6 >- > >' > arco psp nœ™ - 4:3 > bœ- nœ arco psp bœ nœ æ nœ- B ‰ Œ Ó™ Œ Œ ‰ >- æ™ va 1 æ æ bœ µœ æ arco nat æ æJ 4:3 æ æ æ æJ f >- j mf æ æ æ 3:2 r arco nat nœ™™ >Æ æ æ j B Œ Œ nœ ‰ nœ™ œ œ™ ‰ Œ va 2 - nœ nœ arco - > > #œ™™ nœ > p R arco nœ-™ - f ' - >' nat. nœ- ppp nat. bœ œ™ > > B ™ ? vc 1 Œ ‰ Œ Ó ‰ Ó ff mf r ppp arco psp r j arco psp via sord ? Œ ‰™ nO ‰ ‰™ bbœO Ó Ó vc 2 n -œ #nœO > p >' f ppp >- pizz B>œ arco msp nœ ˙ ˙ ˙™ ? Œ ‰™ Œ Ó™ ‰™ cb 1 ‹ mf R mp R ppp > > arco pst nœ- nœ pizz µœ via sord ? Œ ‰™ ‰ ‰™ Œ Œ Ó cb 2 ¢‹ mf R J mp R µœ ppp n˙ µœ psp #œ ° ™ ™ vn 3-4 & ≈ ‰ ‰ Ó Ó Œ R J o o mp o
µœ™ Bœ Bœ psp #œ Bœ™ #œ nœ vn 5-7 & Œ Ó Œ Œ o o o f f Bœ Bœ psp psp nœ Bœ ™ ™ #œ œ #œ vn 8-11 & Œ Œ Œ Ó ≈ ‰ Œ o o R o f fff o B nœ™ œ ‰ Œ va 3-6 J o psp j ? Ó ≈ vc 3-5 nœ™ nœ B œ
o fff psp ? nœ™ Bœ cb 3-4 ¢ b˙ ˙ ‹ o o ff psp nœ ° ™ ™ nœ #œ vn 12-13 & Ó Œ Œ Œ Œ Ó J o o ff #œ psp nœ ™ nœ nœ vn 14-16 & Œ Œ Œ J o ff o
psp nœ œ #œ nœ vn 17-20 & ‰ Œ Œ o J ff o psp r nœ™ œ œ™ B nœ™ ≈ Œ Ó™ va 7-10 J bœ o o ff r ? psp nœ™ ≈ bœ ™ nœ ≈ ‰ Œ vc 6-8 nœ
o ff o psp nœ ? Ó ‰™ nœ™™ cb 5-6 ¢‹ b˙ & R R o ‹ o ff 5
q=63 13 Ñ Ñ Ñ Ñ Ñ Ü 7 Ü Ñ Ñ 11 Ü Ñ Ñ Ñ Ñ 13 - . nœ. nœ. . nœ. . . - 21 8 nœ - - nœ nœ. nœ. nœ nœ. 8 nœ. . nœ nœ 8 - nœ nœ- 8 ° #œ #œ ™ #œ ™ #œ cl in Bb & ≈ ≈ ‰ ≈ Ó ‰ ≈ ≈ ≈ ≈ ≈ Œ Œ ≈ ‰ ≈ ≈ Ó R R R R R R R R R mf . . . r fff r ff f r nœ. nœ. . nœ . nœ nœ. . nœ . nœ. nœ- nœ- - - b cl & #œ. #œ. nœ nœ ≈ nœ ≈ ≈ nœ ≈ #œ ≈ ‰ #œ ≈ ≈ Œ™ Ó ‰ nœ ≈ #œ ≈ ≈ nœ in Bb R R . - R R - R ff f mf ffjf r r r ≈ cb cl & ≈ ‰ ‰ ‰™ Œ Œ™ Œ Œ™ ≈ ≈ ≈ ≈ Ó in Bb nœ nœ nœ. nœ. nœ nœ. nœ nœ nœ - #œ œ #œ - n-œ nœ. . nœ. nœ. #œ . . #œ - n-œ #œ mp - - . - - r mf fff . . ff r nœ. nœ. . nœ- - nœ- nœ- - nœ . nœ. nœ. nœ. . nœ . nœ- nœ- sopr & #œ. ≈ #œ ≈ ≈ nœ ≈ ≈ nœ ≈ ≈ ≈ nœ ‰ Œ™ Œ™ Œ nœ #œ. #œ. nœ #œ. nœ ≈ ‰ Œ ‰ ≈ ≈ ≈ #œ sax . - R R R R R f ff fff f r r r r r r r nœ nœ nœ ™ nœ. bari & n-œ ≈ ≈ ‰ ≈ nœ. #œ . #œ . nœ. #œ . #œ nœ. ≈ nœ. ≈ nœ. ≈ #œ Œ Ó ‰ ≈ ≈ ≈ #œ sax ¢ #-œ #-œ . . . . #œ. #œ. . #œ. . f fff ff R ff r ° Thai gongs ™A™A nœ Œ ‰™ nœ #œ nœ nœ nœ #œ nœ perc 2 & nœ #œ nœ #œ nœ #œ nœ nœ #œ nœ nœ ¢ J nœ mp fff ff legato sempre #œ #œ™ nœ nœ nœ nœ nœ œ #œ hp 2 {&
fff mf q=63 13 Ñ Ñ Ñ Ñ Ñ Ü 7 Ü Ñ Ñ 11 Ü Ñ Ñ Ñ Ñ 13 ° 8 pizz sempre 8 #œ nœ 8 8 B nœ™ ≈ nœ nœ nœ #œ nœ #œ ≈ nœ nœ #œ nœ Ó™ va 1 nœ #œ nœ f fff ff pizz sempre B Ó™ va 2 nœ ™ #œ™ nœ nœ #œ nœ nœ nœ #œ™ nœ ff mp f pizz sempre ? Œ™ Œ vc 1 ¢ nœ nœ nœ nœ nœ #œ nœ nœ œ nœ™ #œ nœ #œ nœ nœ #œ nœ nœ #œ mf ff µœ™ fff n>œ- Bœ µœ ° pizz arco msp & ≈ ‰ Œ™™ ‰ Œ vn 3-4 J >- µœ ff Bœ p arco msp µœ pizz ff ™ ™ vn 5-7 & Œ Œ ≈ ≈ Œ Œ ‰ Ó ff J ff mp >- > >- #œ µœ #œ µœ Bœ-™ arco nat B>œ- arco msp vn 8-11 & ‰ ‰ ≈ Ó ≈ f ppp f ppp J ff p arco msp arco psp >- Bœ nœ mf ™ nœ Bœ va 3-6 B ‰ ≈ ‰ Ó ‰ µ-œ #œ Bœ > ff p ff p > nœ pizz r arco psp nœ- bœ Bœ Bœ ? ™ µœ™ B vc 3-5 ‰ bœ Œ ≈ Ó ≈ ff ff J > bœ µœ Bœ f pp arco nat nœ- nœ nœ ? Ó ‰ Œ Œ™ cb 3-4 ¢‹ n>œ- µ >- f pp nœ œ µœ nœ Bœ #œ µœ arco nat >- Bœ Bœ nœ µœ nœ arco psp arco psp ° #œ ™ vn 12-13 & Œ Œ ‰ ≈ ‰ Œ Œ
f pp ff p ff p B>œ- µœ Bœ #œ µœ #œ Bœ arco psp pizz µœ arco nat ∑ ‰™ bœ ≈ ‰ Œ™ ‰ Œ Œ™ ‰ ≈ ‰ Œ vn 14-16 & nœ µœ #œ >- ff J ppp ff p f >- >- nœ #œ œ œ µœ arco psp arco msp Bœ arco nat ∑ ≈ µ Bœ Œ Œ™ Œ ‰ Œ™ Œ ‰ ‰ vn 17-20 & µœ nœ µœ œ >- J J ff mp mf ppp pizz j f pp arco psp #>œ- #œ Bœ nœ bœ B ‰ ∑ Œ™ ‰™ ‰ Œ B va 7-10 µœ & ff f pp arco bœ nat arco natB>œ- µœ bœ Bœ bœ ? µœ nœ µœ µœ nœ µœ µœ ≈ Œ ‰ Œ™ B vc 6-8 >- f ppp f pp arco nat Ó #œŒ Œ™ cb 5-6 ¢& µœ ‹ >- f ppp 6
13 Ñ Ñ Ñ Ñ Ñ Ü 3 9 Ü Ü Ü 5 . 24 ‹ 8 4 nœ. nœ . nœ. #œ. - 8 #œ- - 4 ° #œ nœ. nœ nœ- nœ ™ picc & ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ Ó R R R R fff ff f r . . r r j #œ. #œ nœ ≈ ≈ #œ- ≈ nœ ‰ nœ- ≈ ‰ Œ Œ™ Ó ≈ #œ . #œ nœ #œ. #œ nœ n-œ ‰ ≈ nœ Œ ob & nœ. . #œ. - - nœ #œ. . . #œ. - #-œ - n-œ fff mf R R f mp r fff - nœ nœ . nœ. . bass & nœ ≈ nœ ≈ Œ #œ nœ #œ . . #œ #œ nœ Œ™ ‰™ #œ #œ ob - . . . nœ. . nœ. . . nœ- - nœ. nfœ. . R nœ. fff - - nœ- nœ œ . nœ . . nœ fff #œ ™ #œ #œ #œ ™ cl in Bb & ‰ ≈ ‰ ≈ Œ Œ ≈ ≈ ≈ ≈ ≈ Œ Ó ‰ ≈ ‰ J R R R R R mp . r . . r ff mf nœ nœ. nœ nœ nœ. nœ- nœ- - nœ- - b cl & ≈ ≈ ≈ #œ ≈ ≈ ≈ ≈ #œ ‰ #œ- ‰ ≈ nœ ‰™ Ó™ ‰ nœ in Bb R R . R R R - R R f mp ff r r r r r r r r ™ cb cl & ≈ ‰ ≈ nœ ≈ ≈ ≈ nœ Ó Œ ≈ nœ ≈ ‰ ≈ ‰ Œ Ó ‰ nœ ≈ ≈ in Bb nœ - n-œ #œ - - n-œ #œ - #œ - - f - f - mf . . r . r nœ nœ nœ. nœ nœ. . nœ. . nœ- nœ- - sopr & Ó™ ≈ ≈ ≈ #œ ≈ #œ. Œ Œ™™ ≈ nœ ≈ ≈ nœ ≈ #œ ≈ ≈ #œ- ≈ ≈ œ Œ™ sax R R R . R R R - R r ff r r ff f r r r nœ- nœ- nœ- nœ- ™ bari & ‰ nœ- ≈ #œ ≈ ≈ ‰ ≈ n-œ ‰ ≈ ‰ ≈ Œ ‰ ≈ ‰ n-œ ≈ ‰ #œ ≈ Œ sax - R R #-œ R #-œ - mf mf f r r r r ? ≈ nœ ≈ ≈ ≈ ≈ ≈ Ó™ bsn ¢ nœ . #œ nœ. #œ nœ œ nœ #œ nœ . . . nœ. . nœ. . . . . ff fff - . . . . - #œ - ff . #œ. nœ nœ. . nœ #œ nœ . ° nœ- nœ #œ ™ #œ #œ #œ ™ horn 1 & ≈ ≈ ≈ ≈ Œ Œ ‰ R R R R + sempre mf f fff r r r (+) r r r r (+) r r ≈ ≈ ≈ ‰ Ó ≈ ≈ ≈ ≈ Œ Œ ≈ ≈ ≈ Œ ≈ horn 2 & #œ. #œ nœ #œ. #œ. #œ. nœ #œ nœ. #œ. #œ nœ. . nœ. . nœ. #œ nœ. #œ. #œ nœ. . #œ nœ. nœ. #œ. - . . f . ff . f ff fff + se#mœ.pre . - - (+) #œ. #œ. . #œ. . - nœ. #œ #œ. nœ- #œ nœ- nœ ™ nœ. #œ. nœ nœ #œ. nœ- nœ #œ- nœ- nœ- horn 3 & ≈ ≈ ≈ ‰ ≈ ‰ Œ Œ Ó ≈ ‰ ≈ Œ R R R R R J fff (= oboe) mf fff (= oboe) f mp j r r r r ? ‰ ≈ ‰ Œ Œ™ ≈ ≈ ≈ Œ tba ¢ nœ mf #œ nœ. #œ nœ - nœ . . nœ. . mp - ff ° crotales ™A™A › nœ nœ nœ œ #œ #œ™ Œ™ Œ™ perc 1 / & #œ nœ nœ nœ œ nœ fff ff f ∑ Œ ≈ nœ™ #œ œ nœ™ perc 2 ¢& nœ œ nœ nœ f mf f nœ #œ nœ #œ ™ ™ nœ nœ nœ nœ n˙ #œ nœ nœ nœ nœ #˙ nœ™ nœ nœ nœ™ œ œ™ hp 2 {& mf J A§ fff G§ G# ff f C§
13 Ñ Ñ Ñ Ñ Ñ Ü 3 9 Ü Ü Ü 5 - . . . - 8 a-rco nat #œ #œ- - nœ- #œ- nœ. nœ #œ . #œ . 4 8 nœ- #œ #œ. 4 ° nœ #œ nœ #œ ™ vn 2 & ‰ ≈ ≈ ‰ ≈ ≈ ≈ ≈ ≈ ≈ ≈ Ó ≈ ≈ ≈ J R R R R R R R R mp f ff mf ff (pizz) nœ nœ nœ ™ nœ ™ va 1 B Ó ≈ #œ nœ™ ‰ Œ ‰ ‰ #œ nœ™ J J mf f mp (pizz) B Ó ≈ nœ Œ™ ≈ Ó ≈ nœ ‰ Œ™ va 2 #œ nœ nœ #œ nœ nœ #œ nœ nœ nœ #œ ff f ff (pizz) ? ∑ Œ Œ ‰ Œ™ Œ ≈ vc 1 nœ #œ nœ nœ nœ #œ œ nœ nœ nœ nœ #œ ff ff arco nat #œ- . . #œ. . nœ. #œ. . #œ. . #œ. . ff . nœ. . ? nœ- #œ #œ. nœ nœ ™ nœ #œ. nœ #œ #œ. nœ ™ #œ. nœ cb 1 ≈ ≈ ≈ ≈ ≈ ≈ ≈ Œ Œ ≈ ‰ Ó ≈ ≈ ‰ ‹ R R R R R R R R ff f fff ff arrco nat r r r r ? ≈ ≈ #œ #œ #œ #œ ≈ ‰ ≈ #œ- ≈ ≈ Ó™ ‰ ‰™ cb 2 - #œ nœ #œ. nœ nœ. . . nœ . nœ #œ ¢‹ n-œ . #œ. . . nœ. #œ. . #-œ - - #-œ mf fff R f f arco nat >- ° nœ #œ ™ vn 3-4 & ‰ ‰ Ó Œ J J mf ppp >- arco psp Bœ Bœ µœ #œ #œ ™ ™ vn 5-7 & ≈ Œ Ó Œ
mf pp µœ arco msp #œ≈ ‰ Ó ‰ Œ™ vn 8-11 & µœ #œ R >- ppp ff mp arco psp >- ™ ™ nœ nœ Bœ ™ va 3-6 B Ó ‰ µœ nœ Œ
#œ mf pizz pp arco msp pizz j pizz j B Ó ‰ Ó Œ™ ‰ ? nœ µœ Œ ‰ Œ™ ‰ ‰ Œ™ vc 3-5 >- Bœ nœ ff J arco psp f mp f f pizz arco msp arco psp >- Bœ µ nœ ? Ó Bœ ‰ ≈ Bœ ‰ ‰ ≈ nœ #œ œ cb 3-4 Bœ Bœ nœ nœ µœ ¢‹ >- #œ >- f J ° arco psp f p f p mf pp ∑ ≈ ≈ Œ vn 12-13 & nœ bœ >- nœ Bœ arco msp >- µœ f p µœ nœ ™ ™ vn 14-16 & Œ ≈ Ó Œ
f p arco nat Ó™ ≈ bœ ≈ Œ™ vn 17-20 & >- nœ #œ µœ µœ nœ > µœ- mf pp arco msp nœ arco msp arco nat j B Ó ‰ Ó Œ™ ≈ Œ Œ Ó™ Œ va 7-10 B-œ nœ µœ nœ > >- ff mp> nœ- f p mp arco psp Bœ nœ µœ arco nat j j arco msp arco psp B Ó ‰ ‰ Œ ‰ ‰ #œ ‰ Œ Œ™ ? ‰ ≈ ≈ ‰ vc 6-8 - nœ µ-œ nœ #œ µœ > nœ #-œ > f p > f p mf ppp f mp j r arco nat arco nat arco nat µœ Bœ ∑ Œ ‰™ ™ ≈ ‰ ‰ ?Bœ µœ nœ Bœ ≈ ‰ µ>œ- nœ Bœ nœ ‰ ‰ cb 5-6 ¢& µ-œ - Bœ nœ nœ & ‹ > Bœ > ‹ mf ppp mf ppp mf pp 7
5 2 7 Ü Ñ Ñ 9 Ü Ü Ü 6 . . 27 ‹ 4 - - 4 . nœ. 8 nœ nœ - #œ- 8 4 ° #œ nœ ™ #œ- nœ- #œ. nœ #œ. nœ nœ- picc & Œ ≈ ≈ ‰ ≈ ‰ Œ ≈ ≈ ≈ ≈ ≈ ‰ ≈ ‰ ≈ ‰ R R R R R R R R R mf mf f r r ff j r Œ™™ #œ ≈ #œ. ≈ Ó Œ #œ ‰ ≈ #œ ≈ ‰ ≈ ≈ #œ- Œ ob & . nœ. - - nœ n-œ mp - ff R R mf r r r r r #œ nœ #œ ™ nœ. engl & #œ. nœ. #œ . . . nœ. Œ ≈ ‰ Œ ‰ ≈ ≈ ≈ #œ ≈ nœ. ≈ ≈ n-œ nœ ≈ hn . #œ. #œ. #œ. nœ. . nœ. #-œ - fff ff R f fff ff mf . r j nœ #œ- nœ- - ™ bass & ≈ ‰ ≈ n-œ ≈ ≈ ‰ nœ ‰ Œ Œ nœ Ó ob R R R J - - - - mp nœ- nfœf nœ- nœ #œ- #œ- nœ cl in Bb & ≈ ‰ ≈ ‰ Œ ‰ ≈ ≈ ≈ ≈ ≈ Œ R R f R R R r r nœ- œ nœ- b cl & ‰™ ≈ ‰ Œ Ó Œ #œ ≈ ‰ #œ ≈ ‰ ≈ Ó in Bb - - R r r mf r r j cb cl & ≈ ≈ Ó Ó Œ™™ ≈ ‰ Ó in Bb nœ nœ œ - n-œ - n-œ nœ- - mp sopr & Ó nœ ‰ Ó sax
r mf r r bari & Œ ‰ nœ ≈ ≈ ≈ nœ Ó sax - #-œ - r f r r r r r ? ‰ #œ ≈ Œ ‰ ≈ #œ ≈ ≈ ≈ ‰ ≈ ≈ ≈ nœ ≈ ≈ ≈ ≈ Œ™ bsn ¢ - . nœ - n-œ nœ nœ. n-œ #-œ - - n-œ f f mf ff f - nœ. . nœ- #œ- . . - nœ nœ- ° #œ nœ nœ ™ #œ #œ- horn 1 & ≈ ≈ Œ ‰ ≈ ≈ ‰ ‰ ‰ ≈ ≈ ≈ ≈ ≈ ≈ ≈ Œ R R R R R R R R ff r r f ff r mfr r f (+) (+) r & ≈ ≈ Ó Ó Œ ≈ #œ ≈ ≈ ≈ #œ ≈ ≈ ≈ ≈ #œ ‰ Œ™ horn 2 n-œ #-œ - nœ n-œ - #-œ - mf mf - (+. ) . - - - f ™™ nœ #œ nœ. nœ #œ - nœ- #œ horn 3 & Œ ≈ ≈ Ó Œ ‰ ≈ nœ ≈ ‰ ≈ ≈ Œ R R R J R R ff mp mf ¯r r r r r r r r ≈ ≈ ≈ ≈ ‰ Ó ‰ ≈ ‰ ≈ ≈ ≈ ≈ ‰™ ≈ ≈ horn 4 & #œ #œ #œ #œ nœ #œ nœ . . #œ. nœ. #-œ nœ - - - n-œ . . - mf fff f f ffr r r r r - ™ tpt & ≈ ≈ ≈ nœ ‰ #-œ ≈ Œ #œ nœ ‰ Œ #œ ≈ Œ Œ Œ ≈ in C #-œ n-œ . . - nœ. R f mf ff f r r r r r ff B ? #œ- ‰ ≈ nœ- ≈ ≈ ‰ nœ ‰™ ‰ ≈ ≈ ≈ ≈ ≈ ≈ #œ- ≈ tbn nœ #œ . #œ #œ nœ #œ. nœ nœ. . . #œ. nœ. #œ. . . . nœ. nœ - #-œ nœ J J fff fff - . R mpr r r r r f ff j mf cb ? ≈ ≈ ‰ ≈ ≈ ≈ ≈ Ó ≈ Œ Œ™ ‰™ ≈ tbn #œ nœ nœ - - n-œ #œ nœ - f . #œ. . #œ. mp ff r r r r r r r r r ff r r ? Œ ≈ ‰ ≈ ‰ ‰ ≈ ≈ ≈ Œ ≈ ≈ ‰ ≈ ≈ Ó™ ‰™ ≈ tba ¢ #œ #œ mf nœ #-œ nœ #œ. n-œ - nœ - nœ f #œ - . f - - - n-œ ° › ff f Œ ≈ ™ Œ ≈ nœ nœ nœ #œ perc 1 & #œ nœ œ #œ œ nœ™ #œ nœ #œ nœ™ nœ f mf mf ff Ó ‰™ nœ œ Œ perc 2 ¢& #œ nœ œ #œ œ #œ™ mp ™ f #œ nœ #œ œ™ #œ & Ó™ ≈ Œ™ ‰ hp 2 { J A# sustain/distort, emphasising mp # f upper frequencies, always j F r r r r r r ° damping at end of sounds j ‰ ≈ ≈ ≈ ‰ ‰™ ‰ ≈ ≈ ≈ ≈ ≈ ≈ ≈ e gtr ¢& #œ nœ nœ #œ nœ #œ ‹ - - nœ. #œ. #œ nœ #œ . #œ. #œ. nœ. nœ . n-œ #œ . - mp . . . . n-œ - nœ. mf fff fff f ff 5 2 7 Ü Ñ Ñ 9 Ü Ü Ü 6 4 . nœ- nœ- 4 nœ- nœ- 8 - nœ- - #œ- 8 4 ° #œ ™ #œ nœ vn 2 & ≈ ‰ ≈ ≈ Œ Ó ≈ ≈ Œ ‰ ≈ ‰ ≈ ≈ ‰ R R R R R R R R R (pizz) f mf f nœ nœ ™ #œ nœ #œ #œ™ va 1 B ‰ ‰ ≈ nœ Ó Œ nœ Ó J J J mf f (pizz) r B ‰ nœ #œ Œ ≈ ‰™ Œ va 2 nœ nœ nœ nœ #œ #œ nœ j f j mf ? ™ vc 1 ‰ Ó ≈ Œ Œ nœ #œ nœ™ nœ (senza sord.) mf mf arco nat . . . - - - ? . . nœ #œ #œ. nœ #œ- - #œ #œ nœ ™ nœ- vc 2 #œ ≈ nœ ≈ ≈ ≈ nœ ‰ Ó ‰ ≈ ‰ ≈ ≈ ≈ ≈ ‰ ≈ ≈ R R R R R R R R . #œ. . . ff #œ- fff f mf #œ- - f ? nœ- #œ nœ #œ nœ- nœ- ™ #œ cb 1 ≈ ‰ Ó ≈ ≈ ≈ ≈ Œ ≈ ≈ ≈ Œ Ó Œ Œ ≈ ‰ ≈ ‰ ‹ R R R R R R R R mf r r ff r r f mf j ? ‰™ ≈ #œ ≈ ≈ ‰ Ó ≈ ≈ Œ Ó™ Œ cb 2 nœ . #œ nœ n-œ ¢‹ . . #-œ - #-œ arco psp ff f f mp >- Bœ bœ arco nat nœ µœ µœ arco psp n>œ- bœ bœ ° ™ ™ >- ™ Bœ ™ ™ #œ µœ ™ vn 3-4 & Ó ‰ bœ ≈ Œ ‰ ‰ Œ Œ ≈ Œ R J mp pp mp ppp mp pp >- nœ™ bœ œ œ nœ > pizz arco nat arco msp nœ- µœ & Œ ≈ Œ ≈ ‰ Œ™ ‰™ ≈ Œ™ vn 5-7 R f J p ppp mf mp >- bœ bœ >- bœ bœ arco psp arco nat nœ #œ Bœ µœ arco nat µœ nœ nœ #œ nœ arco msp > ™ Bœ ™ ™ ™ µœ- vn 8-11 & Ó ≈ nœ µœ nœ ≈ ‰ Œ ‰ Œ ‰ Œ ‰ µœ ‰ >- R mf p > µœ mp pp p ppp mf mp arco msp Bœ- nœ ™ ™ va 3-6 B Ó Œ ≈ ‰ Œ R mf p arco >- msp Bœ µœ ? ‰ Ó Ó cb 3-4 ¢‹ f mp n>œ- bœ Bœ bœ b>œ- arco msp > arco nat nœ µœ arco msp nœ #œ ° µœ- Bœ ™ ™ vn 12-13 & ∑ nœ ≈ ‰ ‰ Œ ‰ ≈ Œ Œ
mf p mp pp mf p arco msp >- bœ œ >- arco msp >- arco nat µœ arco msp Bœ nœ Bœ arco nat >- nœ µ nœ #œ Bœ nœ µ & Ó ‰ nœ Ó œ ‰ ‰ Ó ‰™ Œ œ nœ µœ ≈ vn 14-16 Bœ >- J J f mp mf p p ppp f mp mp ppp > > Bœ- µœ Bœ- bœ nœ Bœ arco nat arco msp #>œ- Bœ arco msp #œ arco nat µœ µœ #œ & Œ ≈ ≈ Ó Œ ‰ Œ™ ≈ Œ ≈ ‰ ‰ Œ™ vn 17-20 Bœ #œ nœ bœ µ-œ Bœ > f mp mf p p ppp j mf pp va 7-10 B Bœ ‰ Œ Ó
ppp arco psp > #œ ? ™ nœ- µœ #œ bœ vc 6-8 ‰ Œ Ó
mf pp arco psp Œ nœ nœ µœ ≈ ‰ Ó ? cb 5-6 ¢& nœ #œ ‹ ‹ >- mf pp 8
6 5 7 Ü Ñ Ñ 4 11 - 31 ‹ 4 nœ 4 8 4 8 ° #œ- ™ picc & ≈ ‰ ≈ ‰ Œ Ó R R mf . nœ. . #œ. nœ. . . nœ. . #œ. nœ. . nœ. #œ. - nœ- r - #œ nœ nœ. #œ ≈ ≈ nœ ≈ ≈ nœ. ≈nœ Ó Œ #œ. ≈ ≈#œ ≈ ≈ ‰ Œ nœ ≈ ≈ ≈nœ- ‰ ≈ Œ Ó™ nœ ≈ ‰ fl & #-œ R R R R R R R R R R fff ff r r rff r f mf - engl & Ó™ Ó ‰ #œ ≈ nœ ≈ ≈ ‰ #œ ≈nœ ≈ ‰ Ó hn - - #-œ - j f R nœ- ™ bass & ≈ ≈ ≈ #-œ ≈ Œ Ó ob J rmp r r r r r r ? ≈ ≈ ≈ ‰ ≈ ≈ Ó ≈ ‰ Œ Œ Ó Ó™ ≈ ‰ cbsn ¢ #œ nœ. nœ #œ nœ nœ nœ. n-œ . . . . nœ#-œ n-œ - ff - ff mp r fff f r r r ° r & ≈ ≈ ‰ Œ Ó ‰™ ‰™ nœ ‰™ Œ Ó horn 4 nœ. #œ - #œ nœ. . n-œ #-œ . mf ff r r r r r r r r r . - ™ picc tpt & #œnœ. nœ#œ. nœ. nœ ≈ ≈ nœ ≈nœ ≈ ≈nœ Ó Œ ≈#œ. nœ. ≈#œ ≈nœ. #œ. ≈ ‰ Œ nœ ≈nœ ≈ ≈ ‰ ≈ Œ Ó nœ ≈ ‰ in Bb . . nœ. . . R #œ. . #œ. . - R #-œ n-œ - fff (= flute!) ff f mf r r r ff r tpt & ‰ #œ ≈ ≈ #œ ‰ Œ Ó nœ ≈ ‰ Ó ‰ ≈ Ó in C - - - nœ r r r r mf f r r r r r r r bass tpt & ≈ ≈ ≈ ≈ Œ Œ ‰ Œ ≈ ≈ Ó Œ ≈ ≈ ≈ ≈ ≈ ≈ ‰ ≈ ≈ ≈ in Bb nœ #œ #œ #œ n-œ nœ #œ. . nœ nœnœ. - nœ - #-œ n-œ #œ n-œ - - fff . - - mf - ff ff ff mf f r r mf r ? Ó nœ- ≈ ‰ ≈ ‰ ≈ ‰ Œ Ó™ ‰ nœ- ≈ ≈ ‰ tbn #œ R - #-œ R n-œ r mf r r mf r r ? ™ ™ cb ¢ Œ ≈ ≈ ≈ ≈ ‰ ≈ Œ Ó ‰ ≈ ≈ ≈ ‰ ‰ Ó tbn #œ nœ œ #œ œ #œ. #œ. n-œ nœ - nœ n-œ #œ nœ ------mp ° › j ff f ≈ nœ Œ Ó™ perc 1 & #œ™ mf Almglocken ™A™A ™ nœ#œ nœ nœnœ #œ ™ #œ œnœ™ œ ™ ? #œ œ nœ nœ #œ nœ nœ Œ #œ nœ#œ™ œ nœ Œ Œ™ Œ ‰ #œ ‰™ nœ Œ perc 3 ¢ J mp ff f mf fff f mf secco sempre - - nœ- bœ nœ- nœ ] bœ - nœ- - nœ #œ ] ] #œ- nœ bœ ] - - nœ ] #œ ] ] #œ ] - - nœ nœ ] nœ ] #œ #œ ] nœ ] ≈ ‰ ≈ ‰ Œ Œ ‰ ‰™ ‰™ ‰ ≈ ≈ Œ Œ™ Œ ‰ ≈ ≈ ‰ ≈ ≈ ≈ Œ ? hp 1 {& R R R R R J R R R mp mf r r rfff Ab Eb A§ f Ab ff r r f ° C# Ó ≈ ‰ ≈ ‰ ≈ ‰ Œ Ó™ ‰ ≈ ≈ ‰ e gtr ¢& nœ nœ ‹ - #œ #œ - nœ mf - - mf - 6 5 7 Ü Ñ Ñ 4 11 a-rco nat nœ- . . . nœ- nœ- - . - nœ- - nœ- 4#œ nœ#œnœ nœ. #œ. nœ. 4 nœ- #œ-#œnœ 8 #œ 4 #œ #œ- nœ- 8 ° ™ ™ ™ vn 1 & ≈ ‰ ≈ ‰ Œ Œ ‰ ‰ ‰ ‰ ≈ ≈ Œ Œ Œ ‰ ≈ ≈ ‰ ≈ ≈ ≈ Œ R R R R R J R R R mp mf fff f ff f r . . nœ- ? ≈nœ. ≈ nœ #œ ‰ Œ Ó ‰™ nœ- ‰™ ‰™ #œ- Œ Ó vc 2 ¢ #œ. R R R f R > mf nœ-Bœ arco msp arco msp ° arco msp bœ ‰ Œ Œ Ó™ ≈ ≈ ‰ nœnœBœ ‰ Ó™ ‰ vn 3-4 & -nœ bœ nœµœBœ > >-µœ >- mf mp mf mp p pp mf mp arco msp arco psp>- Bœ Bœ & Ó™ ≈ Œ Œ Œ™ Œ bœBœ nœ ≈ ‰ Œ Ó vn 5-7 BœBœ R >- nœ #>œ-nœ p pp >-BœBœ mp p arco nat arco msp µœ arco msp ‰ nœ ≈ Œ Œ™ ≈ ‰ ≈ ≈ vn 8-11 & nœbœnœnœBœµœ >- mf mp pp ppp mp p arco nat >- arco nat >- ™ Bœ B Œ™ µœ nœ µœ Bœ µœµœ Bœ ≈ ‰ ≈ ≈ Œ ≈nœ ≈ va 3-6 nœBœ Bœ >- µœ Bœ nœ R J p ppp pp ppp >- p pp Bœ arco msp arco psp arco nat µœ arco psp >- ? ‰ ‰ Ó™ ≈ ≈ ≈ ‰ ‰™ µœ µœBœnœ ≈ vc 3-5 µœ bœnœµœ Bœ J J >-#œ >- #œ p ppp mf mp pp mp p µ>œ-Bœ nœ pizz pizz bœ arco psp bœ ? Ó™ Ó ≈ nœ™ Œ™™ Œ ‰ ‰ cb 3-4 ¢ ‹ J R mf mf mp p > nœbœ j arco nat bœ- µœµœBœ ° pizz ™ vn 12-13 & ≈nœ™ Œ Œ Ó Œ ‰ Œ mf p pp arco msp arco psp > #œ- µ n>œ-bœBœnœµœ œnœ vn 14-16 & ‰ ≈ ≈ Œ >- p pp mp p nœBœnœ nœ arco psp arco na>t Bœ arco psp Ó ≈ ‰ Œ Œ Œ™ ≈µ-nœbœBœ#œnœ Ó™ vn 17-20 & Bœbœnœ œ >- nœ µœ mp p p pp pp ppp r j arco msp B Ó ‰™ µœ ™ ≈ Œ Ó™ ‰ Œ va 7-10 >- bœ nœ >- µœ p ppp mp µ>œ-nœBœBœ mf arco nat Bœnœ arco psp >- arco nat bœ ? nœBœbœ nœ ™ >- b>œ- Bœ nœ nœµœ vc 6-8 ‰ Œ Œ Œ Œ bœ œ œ
p pp mp p pp ppp p pp >- arco nat arco nat Bœ bœ µœ#œ Bœ nœ µ>-bœµ bœBœbœ œ ? ∑ ‰ ‰ œ œ ≈ ‰ Ó cb 5-6 ¢‹
p pp pp ppp 9
q=70
11 Ñ Ñ Ñ Ñ Ü 4 9 Ü Ü Ü sempre 4 7 Ÿ~(~R~~1~~2~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sŸim~~.~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 35 - - Ÿ ° 8 4 8 n˙™ œ™ nœ 4 œ™ n˙-™ 8 & ≈ ≈ fl J J J p mp pp p p pp Ÿ(~R~~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sem~~~p~~r~e~ ~ ~s~i~m~~.~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -™ ™ Ÿ- ™ -™ ob & b˙ œ ≈bœ œ ≈b˙ J J J p mp p pp p pp sempre sim. Ÿ(~R~~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~~~~~~~~~ Ÿj~~~~~~~~~~~~~~~~~~j~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ engl & n˙™ œ™ ≈ nœ œ™ ≈ n˙™ hn ¢ - - - p pp p pp p mp ¯ ± ± ¯ ¯ ± ¯ ± ± ¯ ¯ ± Bb1*------± ¯ ° b˙ µœ µœ bœ bœ µœ bœ ™ µœ µ˙™ ™ bœ bœ ™ µœ µ˙™ bœ horn 1 & ≈ ≈ ≈ ≈ ≈ ≈ J R R R J J J J J mp mf mf mp mf mp mp mf mp mf mf mp mp mf ¯ ± ± ± ± ± ¯ ¯ ± Bb2* - - - - -™ ™ - -±™ b˙ µœ µœ nœ nœ µœ µœ ™ nœ n˙ bœ bœ ™ nœ n˙ µœ horn 2 & ≈ ≈ ≈ ≈ ≈ ≈ J R R R J J J J J mf mp mf mp mp mf mp mf mf mp mp mf mp mf ¯ ± ±r r ± r ±j j j j j BbØ* j ± ± ± n˙ ≈ ≈Bœ ≈ ™ ≈ ™ ™ ≈ ™ ≈B˙™ horn 3 & - #œ #-œ Bœ - nœ n-œ µœ µ-˙ Bœ B-œ Bœ - nœ mp mf mp mf mf mp mf mp mf mp mf mp ¯ ± r r r mp mf Bb3* j ± ± ±j j ± j ±j j ± ≈ ≈ ≈ ≈ ≈ ≈ horn 4 ¢& n˙ Bœ ™ ™ ™ ™ ™ - #œ #-œ Bœ - nœ n-œ µœ µ-˙ Bœ B-œ Bœ B-˙ nœ mf mp mp mf mp mf mf mp mf mp mp mf mf mp
* horns 1-4: each remains throughout this passage (until bar 43) with the indicated steel drum › valves and on the same harmonic, changing the pitch only by different degrees of half-stopping. £A£A ° b˙-™ œ™ bœ- œ™ b˙-™ perc 1 & & æ æ ≈ æ æ ≈ æ ¢ æ æJ æJ æJ æ ] ] p ] pp p pp p mp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ(~s~e~m~~~p~~r~e~ ~s~i~m~~.~)~~~~~~~~~~~~ (nat) j j j Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ hp 1 & ≈ ≈ { b˙™ #œ œ™ bœ œ™ b˙™ - ] - - ] mp ] q=70 p pp ] p pp p Ñ Ñ Ñ Ñ Ü 11 - 4 9 Ü Ü Ü 4 7 8 #˙ œ ™ 4 nœ 8 nœ 4 8 ° nat ™ ™ vn 3-4 & ‰ ‰ Œ Œ J mp sub. sub. m>-sp nat nœ- œ nœ œ™ œ™ Bœ- nat con sord. æ æ vn 5-11 & ‰ æ æ æ æ æ æ J mp J (= vn 3-4) p sub. mf sub. n-at nat ? bw œ™ œ™ µœ‰ Ó vc 3-5 #w- p p nat j j ? Œ™ ™ ™ cb 3-4 ¢‹ n-œ #œ œ œ #œ p na-t bœ- n˙™ œ ™ nœ msp ° ™ ™™ vn 12-13 & ≈ ‰ ‰ Ó æ æJ mf J sub. pp msp >- - µ ™ nœ™ nœ œ™ bœ con sord. nat nœ œ ™ ™ Ó ‰™ æ ‰ vn 14-20 & æ æ R æJ mf pp sub. nat ? ™ - ™ ™ ™ vc 6-8 Œ µœ nœ #œ J pp nat nat ? nœ- œ ™ ™ ‰ Ó #w cb 5-6 ¢‹ nœ - pp pp 10
7 Ñ Ñ Ü 4 7 Ñ Ñ Ü 5 4 3 Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~ 39 ° 8 nœ™ œ œ œ 4 n˙ œ™ nœ 8 œ™ nœ œ™ 4 œ nœ œ™™ nœ-™™ 4 n˙ œ nœ œ 4 fl & ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ J R J mp mf R R J mp p J R mp p mf mp mp p p pp pp p Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ pŸ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~m~~p~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~ -™ - ™ Ÿ- ™ - ™ Ÿ- ™™ -™™ - - ob & ≈bœ œ œ œ ≈ b˙ œ ≈bœ œ ≈bœ œ œ ≈bœ œ ≈bœ ≈ b˙ œ ≈bœ œ J R J R R J J R mf mp pp p p pp p mp mp mf mp p mp p p mp ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~ Ÿj r Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r r Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ j r engl & ≈nœ™ œ œ œ ≈ n˙ œ™ ≈nœ œ™ ≈nœ œ™ œ ≈nœ œ™™ ≈nœ™™ ≈ n˙ œ ≈nœ œ hn ------p mp mf mp mp mf mp p mp p mp p pp p j p r pp bass & ≈ ob n˙ œ nœ œ - - pp pp j p r b cl & ≈ in Bb ¢ n˙ œ nœ œ - - ± ¯ ¯ ± ± ¯ ¯ ± ¯ ± pp p pp -™ - - - ™ - -±™™ ¯ -±™ ¯ ° µœ bœ b˙ ™ µœ µœ ™ bœ bœ µœ bœ ™™ µœ µœ bœ µœ bœ & ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ Œ Ó horn 1 J J J R J p mp R R pp p mp p p mp p pp p m¯p p pp ± ¯ -¯ ± ± ¯ - ± ± ± ¯ -¯ ± µœ-™ bœ b˙ ™ nœ nœ- ™ bœ bœ ™ µœ µœ- ™™ nœ nœ-™™ bœ bœ™ µœ & ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ Œ Ó horn 2 J J J R J mp p R R pp p mp p p mp p mp p pp p pp ¯ ± ± ± ±j r ± j ± ¯ r r j ± j ≈ ™ ≈ b˙ ™ ≈ ™ ≈nœ ™ ≈ ™™ ≈Bœ™™ ≈ ™ ≈ Œ Ó horn 3 & n-œ bœ - µœ µ-œ nœ - nœ n-œ Bœ - Bœ B-œ bœ p pp pp p p mp mp p p mp mp p pp p ±j r ± j ± ±r r j± ¯ ¯ ± ±j ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ Œ Ó horn 4 & ™ ™ Bœ ™ ™™ nœ™™ n-œ™ µœ µ-˙ nœ n-œ Bœ - nœ n-œ nœ - µœ µ-œ™ #œ p pp p pp p mp mp p mp p p mp pp p (3/123) sempre sim. straight mute Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ b˙- œ™ bœ- œ™ bœ- œ™ œ bœ- œ™™ bœ-™™ b˙- œ bœ- œ picc tpt & bœ ≈ ≈ ≈ ≈ ≈ ≈ in Bb J R R J mp p J R p pp p pp mf mp pp p mp p mp cup mute j r bass tpt ¢& ≈ in Bb b˙ œ bœ œ - - pp p pp ° bœ-™ œ œ œ b˙- œ™ bœ- œ™ bœ- œ™ œ bœ- œ™™ bœ-™™ b˙ œ œ œ perc 1 & ≈ æ æ æ æ ≈ æ æ ≈ æ æ ≈ æ æ æ ≈ æ æ ≈ æ ≈ æ æ ≈ æ æ æJ æ æ æ æ æJ æ æ æ æ æ æJ æ æ æ æJ æ æ R R R ] R mp p ] mp mf ] mf mp ] mp p] p mp ] p mp p pp ] pp p ] Thai gongs ¡A j r ≈ perc 2 & & n˙ œ nœ œ - ] - bell plates ¡A p- p- ? ? b˙ œ ≈bœ œ perc 3 ¢ J R ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p ] Ÿ~~~~~~~~~~~~~~~~ Ÿj r Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿr r Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~~~~~ p r ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ hp 1 {& b-œ™ œ œ œ b-˙ œ™ b-œ œ™ b-œ œ™ œ b-œ œ™™ b-œ™™ b-˙ œ b-œ œ ] ] p mp ] pp p] mp p ] mf mp ] mp mf p mp] p mp pp p ] sempre sim. table Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ n˙- bœ œ™ nœ œ™ nœ œ™ œ nœ œ™™ nœ-™™ n˙ œ nœ- œ hp 2 & ≈ ≈ ≈ ≈ ≈ ≈ { J J pp p ] R R J p mp] R p pp ] p mp] mf mp] pp p ] j mfr ° sustain/distort, emphasising low-medium frequencies sul tasto ≈ e gtr ¢& ‹ n-˙ Bbœ ] n-œ p p 7 Ñ Ñ Ü 4 7 Ñ Ñ Ü 5 4 3 r r r ° 8 4 arco msp sul IV j 8 4 j 4 j 4 ™ ≈ ™ ≈ ™ ≈ ™™ ≈ ™™ ≈ ≈ vn 1 & n-O O O n-O O n-O O O n-O O n-O n-O O O n-O O pp p p pp p pp mp p p mp mf mp mp arco msp j r r j j r ≈ ≈ ≈ ≈ ≈ ≈ vn 2 & ™ ™ ™ ™™ b-˙ Bœ µ-œ nœ B-œ bœ n-œ µœ n-œ™™ bœ µ-˙ Bœ b-œ p pp mp p p pp p r rpp p mp mp mf mpr arco msp j j j B ™ ≈ ™ ≈ ™ ≈ ™™ ≈ ≈ ≈ va 1 n-˙ bœ B-œ µœ µ-œ Bœ b-œ nœ B-œ™™ nœ b-˙ µœ B-œ p mp pp p pp p p pp mp p mp mf mf arco msp r j - - - ? b˙ ≈nœ ™ ≈nœ ™ bœ ≈ µœ ™™ ≈ ™™ ≈ b˙ ≈bœ vc 1 ¢ ™ µœ - µœ - - µœ µ-œ µœ nœ J R mp p J R pp p pp p p mp mp mf sub. pp p mf msp sub. -™ n˙™ œ B>œ- n-at µœ Bœ bœ ° nat Ó Œ Œ Ó vn 3-4 & æ æ æ æ æ æ æ æ J mf pp p msp sub. - >- µœ µœ b˙ bœ™ œ ™ nœ nat Œ™ Œ æ æ vn 5-11 & æ æ æ æ æ æ p J J sub. mf sub. msp æ æ nat ? æ æ Bœ- nœ™ œ œ œ™ vc 3-5 nœ œ ‰ Ó ‰ µœŒ Ó >- J J mf sub. pp msp sub. msp - nat j nat æ æ ? Ó Œ µœ µ˙-™ nœ Œ Œ æ æ cb 3-4 æ æ nœ nœ n-œ ¢‹ æJ æ - > pp mf pp sub. mp sub. sub. nat Bœ- na-t™ ° ™ nœ nœ™ #˙ æ ≈ ‰ Ó Œ vn 12-13 & æ J p sub. pp msp nat - >- - nat nœ œ œ Bœ™ bœ™ #œ ‰™ ™ æ æ æ Œ Ó vn 14-20 & æ æ æ mf sub. sub. p pp sub. msp nat j > nat ? Ó Œ nœ ˙™ Bœ- BœŒ Œ µœ- vc 6-8 - æ æ æ æ pp æ æ æ æJ mp sub. mf nat ? #˙ œ œ µœ‰ Ó ‰ nœ ™ Œ Ó cb 5-6 ¢‹ - n˙ ˙ œ mf 11
3 5 Ü Ñ 5 2 5 44 ° 4 r j 8 j 4 j 4 4 bass & ≈ ≈ ≈ ≈ ≈ ob œ™ n-œ œ œ™ n-œ™™ n-œ™ œ™ n-˙ n-œ™ ˙ p p mp p mp pp p p r j mp mp j mf j b cl & ≈ ≈ ≈ ≈ ≈ in Bb ™ ™ ™™ ™ ™ ™ œ n-œ œ œ n-œ n-œ œ n-˙ n-œ ˙ p p mp p mp mp mf p mp ppj p j r j cb cl & ≈ ≈ ≈ in Bb n-˙ n-œ™ ˙ n-œ™ œ n-œ pp p p mp mf mp mf (R123+C) (sempre sim.) Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~ sopr & b˙ ≈ bœ™ ˙ ≈ bœ™ œ ≈ bœ sax J J p pp J R mp p mp mp j j r mf j ? n˙ ≈ nœ™ ˙ ≈ nœ™ œ ≈ nœ bsn - - - - pp p mp mf mp mpj p j r j ? ≈ ≈ ≈ cbsn ¢ ™ ™ #-˙ #-œ ˙ #-œ œ #-œ p pp mp p mf mp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~v~~i~a~ ~s~o~~r~d~~~~~~ mf ° œ™ bœ- œ œ™ bœ-™™ picc tpt & ≈ ≈ ≈ in Bb R J p pp mf mp p r j j j via sord bass tpt & ≈ ≈ ≈ ≈ ≈ in Bb ™ ™ ™™ ™ ™ ™ œ b-œ œ œ b-œ b-œ œ b-˙ b-œ ˙ p p mp p mp pp p p mp mp mf j j r j ? cb ¢ ≈ ≈ ≈ tbn µœ™ n-˙ nœ µ-œ™ µœ - nœ n-œ p pp mp p mp mf mf ° r j j j ≈ ≈ ≈ ≈ ≈ perc 2 & ™ ™ ™™ ™ ™ ™ œ n-œ œ œ n-œ n-œ œ n-˙ n-œ ˙ ] mp ] mp ] ] mp ] ] - m-f p- ? œ™ ≈ bœ œ œ™ ≈ bœ-™™ ≈ bœ™ œ™ ≈ b˙- ≈ bœ™ ˙ perc 3 ¢ ] R J ] mp ] mf J ] mp ] J ] mp p <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ nœ- œ œ™ nŸœ-™™ & ≈ ≈ ≈ hp 2 { J R pp p] mp] ] mpr p ° j j j ≈ ≈ ≈ ≈ ≈ e gtr ¢& ‹ ™ Bbœ (tremolo bar) ™ ™™ (bend) Bbœ ™(bar) ™ (bend) Bbœ ™(bar) ] n-œ µœ ] n-œ ] n-œ µœ] n-˙ ] n-œ µœ ] mp mp mf mp p
3 5 Ü Ñ 5 2 5 r ° 4 j 8 4 4 4 ™ ≈ ™ ≈ ™™ ≈ vn 1 & O n-O O O n-O mf p mp pp p r j ≈ ≈ ≈ vn 2 & ™ ™ µœ n-œ Bœ µ-œ™™ bœ pp p mf p r j mp B ™ ≈ ™ ≈ ≈ va 1 µœ n-œ µœ b-œ™™ Bœ p pp mp p r j mp ? ≈ µœ ™ ≈ ™™ bœ ≈ vc 1 ™ µœ - nœ µ-œ p pp arco pst sempre (distorted by high bow pressure) mp mp p - - - - ? b˙ µœ Bœ™ µœ bœ™ Bœ nœ vc 2 ≈ ≈ ≈ pp p J J R J p mp mf mp mp a-rco pst sempre (distorted by high b-ow pressure) - - ? n˙ ≈ nœ™ ˙ ≈ nœ™ œ ≈ nœ cb 1 ¢‹ pp p J J R J mp p msp mp mf mf - >- nat µœ nœ ˙ nœ ™ µœ- nœ œ nat ° Œ Œ æ æ æ ‰ Œ vn 3-4 & æ æ æ J pp mp sub. nat mf sub. msp nœ- µœ nœ-™ œ n>œ- œ nat æ Œ Ó™ ‰ æ æ vn 5-11 & æ æ æ pp sub. mf pp sub. nat j ? Œ ™ ‰ Ó vc 3-5 n-˙ bœ œ ˙ œ mf msp æ æ nat nat > æ ? æ æ Bœ- nœŒ Œ Ó ‰ bœ- µœ-™ æ cb 3-4 ¢ æ æ ‹ æ æ mf sub. mf msp pp sub. ™ >- ™ m-sp ° ˙ œ œ #œ œ nœ ≈ Œ æ vn 12-13 & æ æ æ æ æ æ J pp mp nat msp sub. - - >- msp #œ ™ µœ nœ Œ Œ ‰™ æ Œ vn 14-20 & æ æ æ æ æR æ æ mf sub. pp sub. mp nat j ? #œ Œ Œ Ó ‰ vc 6-8 bœ b-œ ˙ ˙ sub. p msp nat >- ? Œ nœ- bœ™ bœ ˙ œ ‰ Ó cb 5-6 ¢ æ æ æ ‹ æ æ æJ mf pp sub. 12
5 7 Ñ Ñ Ü 4 7 49 ‹ ° 4 8 #˙- œ™ 4 #œ-™ œ™ #˙- œ œ #œ- œ™™ 4 picc & ≈ ≈ ≈ ≈ mf mp J J R J mp mf - m-f mp m-p mf - n˙ ™ nœ #œ™ ™ Bœ µ˙ µœ nœ ™™ Bœ cl in Bb & ≈ ≈ ≈ ≈ J J mp mf R J j mf mp mf mp mp mf cb cl & ≈ ≈ ≈ ‰ Œ™ in Bb œ™™ n-œ™ n-œ™™ n-œ™ mp mf mp mp mf mp p < >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ Ÿ-~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~ sopr & œ™™ ≈ bœ™ ≈ bœ™™ ≈ bœ™ ‰ Œ™ sax J mf mp mp p mf mp mf j j r j bari & n˙ œ™ ≈ nœ™ œ™ ≈ n˙ œ œ ≈ nœ œ™™ ≈ sax - - - - mp mf mf mp j mf mp mp mf ? ≈ ≈ ≈ ‰ Œ™ bsn œ™™ n-œ™ n-œ™™ n-œ™ mf mfj mp mf mp mp p ? ≈ ≈ ≈ ‰ Œ™ cbsn ¢ œ™™ #-œ™ #-œ™™ #-œ™ mp mf p mp mp mf mp - - ° n˙ µœ µœ-™ nœ µ˙- nœ nœ µœ tpt & ™ ≈ ™ ≈ ≈ ™™ ≈ in C (gliss. with tuning slide) J J mf mp J R mf mp mpj j mf mf rmp j ? ≈ ≈ ≈ ≈ tbn ™ ™ ™™ n-˙ Bœ µ-œ™ nœ µ-˙ nœ n-œ µœ mf mp j mp mf mp mf mp mf cb ? ≈ ≈ ≈ ‰ Œ™ tbn ™™ ™™ ™ µœ n-œ™ µœ n-œ µœ µ-œ µœ mp mf p mp mp mp mf j j r j ? ≈ ≈ ≈ ≈ tba ¢ ™ ™ ™ ™™ #-˙ œ #-œ œ #-˙ œ œ #-œ œ mp mf mf mp mf mp mf mp 5 7 Ñ Ñ Ü 4 7 ° 4 8 arco nat 4 4 B ™ Bœ ≈ Bœ-™ nœ ≈ b˙- µœ ≈ µœ- ≈ va 2 n-˙ ™ ™™ nœ J J J mp mf R mf mp mp mf mf mp -™™ ? ™™ nœ µœ-™ nœ µœ Bœ Bœ-™ bœ ™ vc 2 ≈ ≈ ≈ ‰ Œ J mf mp p mp mf mp mf ? œ™™ nœ-™ nœ-™™ nœ-™ ™ cb 1 ≈ ≈ ≈ ‰ Œ ‹ J mp mp mf p mp mf mp arco nat j j r j ? ≈ ≈ ≈ ≈ cb 2 ™ ™ ™ ™™ ¢‹ #-˙ nœ B-œ bœ µ-˙ µœ n-œ Bbœ mp mf mp mf mf mp mp mf m-sp ™ n-at msp #œ œ œ µœ B>œ- ™ #œ ° Œ ‰ æ æ æ æ ≈ vn 3-4 & æ æ æ æ æ æ æ æJ æ æ æJ pp sub. mp mf sub. nat m>sp Bœ- µœ- #œ
via sord. æ æ Ó vn 5-11 & æ æ æ æ æ æ æ æJ p sub. mp sub. najt msp æ æ æ ? Ó ‰ bœ ˙ œ bœæ œæ™ œæ Œ Ó vc 3-5 - >- p nat j mp sub. nat j mæsp ? ‰ Ó Œ æ cb 3-4 n-˙ bœ n˙™ œ n˙™™ ¢‹ - >- p sub. msp pp mf sub. n-at ˙ n˙ œ œ µ>œ- ™ Bœ ° æ vn 12-13 & æ æ æ ≈ ‰ æ æ æJ p sub. mp sub. msp nat m>sp Bœ-™ n˙-™ Bœ- ™™ nœ ™ æ æ æ vn 14-20 & Ó ‰ æ æ æ æ æ ≈ æ æ æ æ æ J pp sub. mp mf sub. msp j nat j æ ? ‰ Ó Œ ™ æ™™ vc 6-8 ˙ œ b-˙ œ b-˙ msp > j pp mf sub. nat æ æ æ æ ? Ó ‰ bœ æ æ æ æ Œ Ó cb 5-6 ¢‹ - nœ œ n-œ œ œ™ œ p > mp sub.
=
q=77 all accented notes in this section should be highly percussive 7 (especially once the percussion instruments drop out! 6 5 6 4:3 b>œ- ™ nœ nœ bœ œ n>œ- bœ™ 53 ° ‹ 4 4 4 nœ 4 ≈ ≈ picc ¢& R R ppp mp sfz ppp mpsfz ° ¯ 3:2 j & ≈ horn 1 n˙™ #œ nœ™ >- >- nœ nœ ppp mp sfz sfz ppp r 6:5 picc tpt & nœ ≈ #œ œ #œ œnœ™ bœ n˙ in Bb >- >- sfz sfz ppp ppp mp j j 3:2 tpt ¢& nœ™ ≈ #˙ nœ ≈#œ nœ œnœ in C >- >- #œ crotales sfz ppp mp sfz › > ¢A¢A > > > > ppp mp ° nw œ™ nœ™ n w™ n˙™ n˙ bœ™ bw b˙™ perc 1 & nw œ™ n˙ sfz sfz sfz sfz sfz vibrap>hone ¢A¢A n>œ™ > n>˙ & #w œ™ # œ™ #w™ #˙™ # ˙ perc 2 ™ n w™ ™ nw œ sfz sfz n˙ sfz sfz > sfz bell plates¢A¢A > ? bw> œ™ nw™ n˙ perc 3 ¢ ™ #œ™ ™ #˙™ nw œ n >œ nw n >˙ n>˙ sfz sfz sfz sfz sfz 7 q=77 6 5 6 psp r nœ™™ ° 4 nat 4 Bœ 4 4 bO™™ O O™ ‰ Œ Ó #œ‰ Œ Œ vn 3-4 & n œ™™ œ œ™ J o mp o R o mp o (senza nœ œ™ œ™ œ Bœ sord.) psp 5. solo msp #œ™ & Œ™™ ≈ ‰ Œ Œ™™ µœ≈ ‰ vn 5-7 J Ro R o R R mp o mp o (senza nœ™ œ œ™™ sord.) nat psp ™ ™ ™ #œ µœ™ vn 8-11 & Ó ‰ Ó ‰ nœŒ Œ Ó R o mp o o mp o ™™ ™™ µ ™ msp b O O nat œ nœ™™ nœ™™ œ™™ BO Bœ va 3-6 B ∑ Œ ≈ B œ≈ Œ Ó ≈ ≈ Ó o mp o J o mp o unis. 3. solo ™™ nœ Bœ nat ? psp ™ Bœ vc 3-5 Œ R J o mp o
msp j ? Œ Œ™™ Bœ ™ Bœ cb 3-4 ¢‹ & ‹ R o 12. solo n˙ œ™ œ ˙ œ mp ° nat vn 12-13 & ‰ Œ J o mp o via sord. psp r j r Ó ‰™ bO O O O™ nO ≈ ‰ Œ Ó™ vn 14-16 & n œ ˙ œ œ™ œ #O # œ o mp o nœ™ œ via sord. msp #œ™™ ™ µœ vn 17-20 & Ó Ó ‰ Œ Œ R o mp o unis. 7. solo #œ™™ msp j nat µ˙ B Œ ≈ ™ #œ va 7-10 & Bœ™ o mp o o mp 6. solo nat psp µ O j Bœ™ ? µ˙ #O Ó™ Œ ™ # œ BO vc 6-8 B œ
o mp o
? cb 5-6 ¢‹ 13
6 4 11 Ñ Ñ Ñ Ñ Ü 5 4 3:2 3:2 6:5 3:2 ™ ™ 5:4 b>œ- bœ™™ ˙™ n>˙- bœbœ œbœ bw>- œ™ b>œ- nœ bœ œ bœ œ bœ 56 ° ‹ 4 4 nœ œ nœ nœ 8 4 nœ œ 4 & ≈ ≈ ≈ picc J sfz ppp mp sfz R sfz ppp R R ppp mp ppp mp 3:2 3:2 j sfz cb cl & nœ nœ#œnœ™ ≈ #˙ œ™ n-˙™ ˙ in Bb ¢ >-nœ > ppp mp sfz ppp sfz r 7:6 7:8 8:7 6:5 j ° j j j ≈ ≈ ≈ ≈ horn 1 & nœ ™ #œ™ œ ™ nœ™ ™ n-œ nœ œ #œ œ b-œ™ n˙™ n-œ nœ œ nœ œ nœ™ œ bœ n-˙ œ n˙ > > mp > > ppp ppp mp sfz ppp mp sfz sfz sfz ppp mp ¯ r j ≈ ≈ horn 2 & b˙™ œ nœ œ™ #œnœnœ n˙ ˙ >- >- sfz ppp mp sfz ppp mp 7:6 ¯ >- n˙™ œ™ >- #œ #œ10:7 & ? nœ™ ≈ nœ ≈ nœ™ œ™ nœ™ nœ œ œ horn 4 J sfz ppp mp R J R sfz ppp mp 7:6 5:6 j 3:2 3:2 4:5 r r r ™ >-™ ™ >- ™ picc tpt & nœ œbœ œ#œ œ nœ™ ≈n˙ bœ nœ œ nœ œ bœ nœ≈ n˙™™ œ™ b-œ œ ≈ bœ ˙ in Bb >- R > sfz ppp ppp mp sfz ppp mp sfz ppp mp sfz r 11:8 j j 4:3 >-™™ tpt & nw™ œ ≈˙™™ nœ bœ™ nœ nœ ≈bœ™ œ™ bœ nœ œ œ#œ™ œ™ in C ¢ >- >- >- nœ nœ œ sfz ppp sfz ppp mp mp sfz ppp sfz ppp vary tempo freely between the given limits, q=35-105 individually › nw> ™ nw> n w> œ™ nœ. abruptly or gradually and at any point - ° bw œ™ ™A always damp sound immediately! bw™ í™ ≈ ‰ ™î perc 1 & nw ppp R sfz sfz sfz vary tempo freely between the given limits, q=35-105 individually abruptly or gradually and at any point - > nw> > ¡A . always damp sound immediately! & #w™ # w #w œ™ í™#œ ≈ ‰ ™î perc 2 ™ n w œ™ nw sfz sfz ppp R sfz vary tempo freely between the given limits, q=35r-105 individually abruptly or gradually and at any point - > ¡A always damp sound immediately! ? > nw í™ ≈ ‰ ™î perc 3 ¢ bw™ > ™ ™ nw™ nw n#w œ™ nœ ppp . sfz sfz sfz (sim.) 5:6 8:7 b >œ- bœ œ #œ œ bœ (sim.b) >˙-™ œ #œ 5:b6œ table (with ∏ n œ nœ œ œ ∏ n ˙ ™ œ ∏ nb œœ ] ∏ nb ˙˙ œœ nœ ∏ n œ ∏ n ˙™ œ
plectrum) ∏ ∏ ∏ ≈ ∏ ≈ hp 1 {& R J R J J R R sfz ppp mp sfz ppp mp “” n>œ- œ™ bœ 9:8 nœ œ nœ œ™ b>œ-™™ ° almost untreated sound, to combine with harp nœ™ nœ ˙ & ≈ e gtr ¢ J J ‹ sfz ppp mp sfz ppp (with volume pedal!) 6 4 11 Ñ Ñ Ñ Ñ Ü 5 4 unis. 3. solo msp psp 4 msp r 4 j psp r 8 nat r j 4 j r 4 °? bœ™™ vc 3-5 µœ™™ R nœ nœ nœ™ œ œ™™ nœ™™ œ œ™ nœ œ œ œ œ™ nœ œ œ œ™™ o mp mp o mp o mp o mp o mp o unis. psp 3.solo psp 3. solo msp nat r ™™ nat j r r j j r msp ? µœ nœ cb 3-4 ¢& bœ™™ ‹ nœ œ™ œ nœ™™ œ™™ nœ œ™ œ œ œ œ œ™ œ œ œ nœ™™ R ‹ mp o mp o mp o o mp o mp o r ° ™ va 7-10 & ≈ ‰ Œ Ó bœ o unis. nat psp j r j r ? bœ™™ msp vc 6-8 R #˙ nœ™ œ œ œ™ nœ ˙ œ œ™™ œ nœ ˙ œ œ™™ œ mp o mp o mp o mp o
5. solo unis. nat psp bœ™™ j r msp j r psp ? Œ ≈ #˙ nœ™ nœ œ œ™ œ ˙ œ nœ™™ œ œ ˙ œ nœ™™ œ cb 5-6 ¢‹ o mp o mp o mp o 14
4 11 Ñ Ñ Ñ Ñ Ü 5 13 q=35-105 individuallyvary tempo freely between the given limits, bœ. abruptly or gradually and at any point - 60 ‹ 4 vary pitch (up to 1/4 tone higher/lower) ad lib. 8 4 8 ° ™ ™ picc & í™ ≈ ‰ ™î
ppp R 5:6 > 3:2 bœ- nœ œ nœ™ œ bœ œ bœ b>œ- n>œ-™ bœnœ bœ œ nœ nœ œ™ b>œ-™ bœ œ™ b & ≈ ≈ ≈ ‰ Œ cl in B J R R sfz ppp R R sfz ppp mp sfz ppp mp sfz ppp mp vary tempo freely between the given limits, q=35-105 individually 7:6 5:4 abruptly or gradually and at any point - 3:2 3:2 3:2 r r 3:2 r r j j j j vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. cb cl ™ ™ & nœ™ ≈nœnœ#œ œnœ nœ nœ œ n-œ #œ ≈ nœ #œ nœ œ œ#œ œ nœ í™#œ ≈ ‰ ™î in Bb ¢ >- > >- . ppp sfz ppp sfz ppp sfz ppp mp
q=35-105 individually vary tempo freely between the given limits, r abruptly or gradually and at any point - ° ™ ™ vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. horn 1 & í™ ≈ ‰ ™î nœ. vary tempo freely between the given limits, ppp q=35-105 individually 3:2 abruptly or gradually and at any point - r j 4:3 3:2 j j r vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. & ≈ #œ ≈ í™ ≈ ‰ ™î horn 2 n-œ nœ ˙ n-œnœ nœ n-œ #œ œ œ™ #œ œ nœ œ nœ. > ppp mp > > ppp sfz sfz ppp sfz ppp vary tempo freely between the given limits, 4:5 q=35-105 individually abruptly or gradually and at any point - >- ™ > nœ >-™ . vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ? #œnœ œnœ nœ ≈ nœ nœ- nœ nœ ≈nœ ˙ í™nœ ≈ ‰ ™î horn 4 J sfz pppR mp R sfz ppp sfz ppp ppp
q=35-105 individually vary tempo freely between the given limits, abruptly or gradually and at any point - r vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. picc tpt & í™nœ ≈ ‰ ™î in Bb . ppp q=35-105 individually vary tempo freely between the given limits, abruptly or gradually and at any point - r vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. tpt & í™ ≈ ‰ ™î in C nœ. ppp r 3:2 r r 4:5 bass tpt & ≈ ≈ ≈ ‰ Œ in Bb nœ™ n-œ nœ nœ #˙™ œ™ nœ nœ #œ œ œnœ >- nœ ˙ >#œ >- >- nœ œ œ sfz ppp mp sfz ppp sfz sfz ppp mp > 4:3 6:7 4:3 ? µ>˙-™ nœ™ nœ- µœ nœ n>œ- Bœ œ#œnœ œ B>œ-µœnœ Bœ bœ™ œ™ tbn ≈ ≈ ≈#œ ≈ ‰ Œ J J J R J sfz ppp mp sfz ppp sfz ppp mp sfz ppp mp j r r 3:2 r 3:2 j 3:2 5:4 5:4 j ? ≈ ≈ ≈ ‰ Œ tba ¢ nœ nœ œnœbœ #œ™ nœ œ nœ œ nœ bœ œ nœ™ bœnœ œ >- nœ ˙™ >- >- nœ bœ >- nœ sfz ppp mp sfz ppp sfz ppp mp sfz mp
° › perc 1 & (ppp)
perc 2 & (ppp) ? perc 3 ¢ (ppp) >- >- #œ >- q=3.5-105 individually vary tempo freely between the given limits, ∏ ∏ b ˙™ œ b ˙ œ ∏
n ˙ œ ∏ ˙ œ #œ ∏ ™ abruptly or gradually and at any point - n ˙ ∏ œ ˙ œ
b ˙ œ ∏ b ˙ œ ∏ ] n ˙™ ∏ œ ˙ œ
∏ ∏ #œ œ ∏ always damp immediately, vary timbre ad lib. ∏ ∏ ∏ ≈ ≈ í™ ≈ ‰ ™î hp 1 {& ™ ™ sfz J R sfz J R R sfz ppp ppp ppp q=35-105 individually vary tempo freely between the given limits, <“> abruptly or gradually and at any point - n>œ- œ nœ œbœ nœn>œ- bœ n>œ-™ ™ b7œ:8 nœ nœ. always damp immediately, vary pitch (up to 1/4 tone higher/lower) ad lib. ° bœ #œ nœ & ≈ ≈ ≈ í™ ≈ ‰ ™î e gtr ¢ J J ‹ sfz R R J R ppp mp sfz ppp sfz ppp mp ppp
3:2 4:3 Ñ Ñ Ñ Ñ Ü 4 >- 4:3 ™ 11 > 3:2 > 5 >- 13 nœ bœ œ œ nœ™ œ#œ œ œ#œ™ nœ- Bœ#œ nœ#œ- µœ™ œ œ™ #˙ œ™ nœ ° 4 arco nat. 8 4 8 vn 1 & ≈ ≈ ≈ ‰ Œ J R R R J J J mp sfz ppp sfz ppp sfz ppp sfz ppp mp 5:4 5:4 > 7:5 nœ- Bœ œ >- >- 4:3 >- ™ arco nat. #œ µœ µœ œ #œ™ µœ nœ Bœ™ œnœ™ #œ œ œnœµœ µœ Bœ œ œ va 1 B ≈ ≈ ≈ ‰ Œ R R J R J R mp sfz ppp sfz ppp sfz ppp mp sfz ppp mp arco nat. r j 10:7 j r j j 9:8 j j ? ≈ ≈ ≈ ≈ ‰ Œ vc 1 ¢ #œ nœ œ Bœ nœ nœ œ #œ n-œ Bœ #˙™ œ µœ™ nœ nœ™ µœBœ #œ µœ™ œ >- > >- >- sfz ppp mp sfz sfz ppp mp ppp mp sfz nat ° ™ vn 5-7 & Ó Œ Bœ o msp j vn 8-11 & Ó ≈ Bœ™ Bœ
o mp 3. solo r j r unis. msp psp B ™ Bœ B ‰™ ≈ Œ ‰ nœ œ Œ va 3-6 ™ bœ Bœ #œ J o o o mp o mp Bœ nat r msp psp nat bœ nœ ? ™ Bœ ™ #œ‰ Œ ≈ ≈ ‰ Ó vc 3-5 µ ™ µœ nœ™™ œ œ œ #œ œ R R o mp o mp o mp o mp o
unis. r nat psp psp µœ ™ Bœ j ? µœ™ ≈ Œ™ bœ nœ‰ Œ Œ Ó ? cb 3-4 ¢ œ™™ nœ œ œ #œ & #œ ‹ ‹ J ‹ J mp o mp o mp o o mp o
14. solo ° msp j ≈ vn 14-16 & Bœ™ #œ o mp nat Ó™ Ó vn 17-20 & ™ B ™ #œ nœ œ
o mp o msp j psp & B ≈ ™ Bœ≈ ‰ Œ Œ #˙ va 7-10 µœ™ nœ & R o o o 6. solo mp psp msp j ? nœ ™ vc 6-8 µœ™ Œ Œ n˙ œ™ œ œ ™ #œ mp o
mp o
nat µœ ? #œ ≈ ‰ Ó™ Œ™ cb 5-6 ¢ ˙ œ™ nœ œ ™ ‹ J R mp o mp o 15 13 Ñ Ñ Ñ Ñ Ñ Ü 5 Ü Ñ 4 7 9 64 ° ‹ 8 8 4 4 8 picc & (ppp) ff sub.! ppp 8:7 > > bœ- nœ bœnœ nœ œnœnœ-bœbœ bœ ˙
fl & ≈ J sfz ppp sfz ppp mp vary tempo freely between the given limits, 4:3 q=35-105 individually >- n>œ- >- abruptly or gradually and at any point - #œ œ nœ nœ#œ bœnœ™ #œ œ œ™ nœ™ œ nœ. vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. & ≈ ≈ í™ ≈ ‰ ™î ob J R R sfz ppp ppp R sfz ppp sfz ppp mp 3:2 3:2 vary tempo freely between the given limits, q=35-105 individually > 4:3 7:6 n>œ- abruptly or gradually and at any point - #œ-™™ #>œ- nœ#œnœ œ nœ œ™ nœ #œnœ œ#œnœ œ #œ™ #œ. vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. engl & ≈ ≈ ≈ í™ ≈ ‰ ™î hn J J J sfz ppp sfz ppp R ppp mp sfz ppp mp j 6:7 bass & nœ ≈ ≈ ob -bœ#œ n˙ œ nœ™ bœnœ™ > >- nœ vary tempo freely between the given limits, sfz ppp sfz ppp mp q=35-105 individually abruptly or gradually and at any point - nœ. vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ™ ™ cl in Bb & í™ ≈ ‰ ™î R ff sub.! ppp 5:6 ppp > > #œ-™ nœ œ œ #œ- nœ nœ #œ œ #œ œ b cl & ≈ ≈ in Bb sfz ppp R J J R mp sfz ppp cb cl & in Bb (ppp) ff sub.! ppp >- 6:5 >- nœ nœ #œ™ nœ œ œ œnœnœ œ #œ ˙ sopr & ≈ ≈ sax R R R sfz ppp mp sfz ppp mp vary tempo freely between the given limits, q=35-105 individually abruptly or gradually and at any point - 3:2 3:2 4:3 r j r r vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. bari & nœ nœ ≈ nœ ≈ ≈ í™ ≈ ‰ ™î sax >-bœ #œ nœb˙ œ n˙ bœ™ œ nœ bœ nœ #œ >- >- . sfz ppp sfz ppp mp sfz ppp ppp vary tempo freely between the given limits, 3:2 q=35-105 individually abruptly or gradually and at any point - > > 3:2 3:2 vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ? nœ- bœ™ n>œ- nœ œ œ ™ #œ œ bœ nœ-™ nœ œ#œ nœnœ ™nœ. ™ bsn ≈ nœ œ ≈ ≈ nœ í™ ≈ ‰ ™î J J J J R ppp ppp R sfz ppp mp sfz sfz ppp 9:8 ? nœ cbsn n˙™ œ nœ ≈ nœ œ bœ nœ ¢ >- >- sfz ppp sfz ppp mp ° horn 1 & (ppp) ff sub.! ppp
horn 2 & (ppp) ff sub.! ppp + >- > 3:2 ™ n˙ nœ™ œ #œ- œ nœ #œ œ nœ horn 3 & ≈ ≈ sfz ppp sfz ppp R mp ? horn 4 (ppp) ff sub.! ppp picc tpt & in Bb (ppp) ff sub.! ppp tpt & in C (ppp) ff sub.! ppp vary tempo freely between the given limits, q=35-105 individually abruptly or gradually and at any point - r vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. bass tpt & í™ ≈ ‰ ™î in Bb nœ ppp . ff sub.! ppp vary tempo freely between the given limits, q=35-105 individually abruptly or gradually and at any point - ? ™nœ. ™ vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. tbn í™ ≈ ‰ ™î ppp R ff sub.! ppp 5:4 j ? cb Bœ ≈Bœ œ tbn >- #œnœ#œ œ µœ #-œ ˙™ ppp > vary tempo freely between the given limits, sfz ppp q=35-105 individually abruptly or gradually and at any point - sfz r vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ? í™ ≈ ‰ ™î tba ¢ ™ ™ ppp nœ. ff sub.! ppp ° › perc 1 & (ppp) ff sub.! ppp
perc 2 & (ppp) ff sub.! ppp ? perc 3 ¢ (ppp) ff sub.! ppp hp 1 {& (ppp) “” ff sub.! ppp 6:5 >- #œ >-™ b>œ- nœ nat. bœ nœ b˙ œ™ bœ non arp. nœ ≈ n˙™ œ™ nœ #œ ≈ nœ hp 2 {& # œ nœ n ˙™ œ™ n œ n œ #Jœ bœ #˙™ œ™ #œ nœ #œ F§ sfz sfz Fb ppp mp sfz ppp ° B# e gtr ¢& ‹ (ppp) ff sub.! ppp Ñ Ñ Ñ Ñ Ñ Ü 13 vary tempo freely between the given limits, 5 Ü Ñ 4 7 9 q=35-105 individually ” abruptly or gradually and at any point - “ bœ. vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ° 8 8 4 4 8 & í™ ≈ ‰ ™î vn 1 R ppp ff sub.! ppp vary tempo freely between the given limits, arco psp > 8:7 q=35-105 individually >-™ nœ B˙-™ œ™ >- #œ nœ. abruptly or gradually and at any point - µœ bœ nœ nœ nœ µœ bœ™ vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ™ ™ vn 2 & ≈ ≈ í™ ≈ ‰ ™î sfz R sfz ppp ppp R ppp sfz ppp mp q=35-105 individually vary tempo freely between the given limits, #œ. abruptly or gradually and at any point - ™ ™ vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. va 1 B í™ ≈ ‰ ™î R ppp ff sub.! ppp 3:2 > >- 4:3 Bœ- nœ œ µœ nœ œ nœBœ ˙ µœ nœnœ va 2 B & ≈ ≈ B J R J vary tempo freely between the given limits, sfz ppp mp sfz ppp mp q=35-105 individually abruptly or gradually and at any point - r vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ? í™ ≈ ‰ ™î vc 1 #œ. ppp ff sub.! ppp arco psp vary tempo freely between the given limits, q=35-105 individually > 3:2 5:4 4:3 abruptly or gradually and at any point - nœ-bœ Bœ Bœ µ>- µœ œ Bœnœ nœ œ ™ ™ b>œ- Bœ œ nœ. vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ? nœ ≈ œ ≈ #œ œ ≈ í™ ≈ ‰ ™î vc 2 J R R J sfz ppp R mp ppp R sfz ppp sfz ppp mp 3:2 6:5 > j ? nœ- ≈ ≈ bœ™ ˙ ? cb 1 & #œ œnœ nœ™ œ™ µœB-œ ‹ J > J pppsfz sfz ppp mp arco psp vary tempo freely between the given limits, q=35-105 individually 5:4 > 3:2 3:2 > . abruptly or gradually and at any point - n>œ-™ #œ µœ œ Bœ nœ b˙-™ bœbœ bœBœ nœ bœ- µœ œ bœ vary pitch (up to 1/4 tone higher/lower) and timbre ad lib. ? ≈ ≈ í™ ≈ ‰ ™î cb 2 ¢‹ R sfz ppp R R mp ppp sfz ppp mp sfz
3. solo µœ bœ œ œ™ nœ unis. Bœ ° ms™p µœ ™ nœ ™ nat vn 3-4 & ‰ ≈ ‰ Œ Œ ≈ ≈‰ Œ R J R R J R o mp o o mp o psp bœ œbœ™ msp bœ µœ nœ Bœ™™ µœ ™ µœ vn 5-7 & ™ ‰ Ó Œ J J R mp o o mp o mp o nat nœ™ bœ µœ 8. solBoœ™™ µœ msp µœ™™ vn 8-11 & ™ ≈ Ó Œ ≈ ≈ Œ Ó ≈ ≈ Œ ∑ J J J R bœ o mp o o o mp o psp nat µ ™™ j j ™ bO œ B Ó ‰ nO nnœO™ b œ‰ bœ ‰ Œ Ó va 3-6 n œ µœ o mp o R o mp o psp bœ r ? ™™ µœ vc 3-5 Œ ≈ ‰ Œ R µœ
o mp o
msp µœ ? Ó™ ‰ µœ™™ cb 3-4 ¢ µ œ ‹ J R unis. nœ o mp o msp µœ™ ° ™ µœ vn 12-13 & ‰ ≈ R J R o mp o bœ nat nœ µœ™ ™ µœ vn 14-16 & ™ ≈ Ó ‰ J o o mp o
17. solo bœ œ œ™ psp nœ ™ ™ µœ vn 17-20 & ∑ Œ Œ ≈ ≈ Œ R J J o mp o bœ œ™ µœ msp ™ µ µœ ™ œ ™ va 7-10 & ™ ‰ Œ Œ ‰ Œ ∑ J J µœ mp o o mp o µœ ™ ™ r ? ™ B µœ vc 6-8 Ó ‰ ≈ ‰ Ó R #œ o mp o µœ™ 5. solo psp #œ™ ? Œ™ cb 5-6 ¢‹ µœ o mp o 16
q=84 9 Ñ Ñ Ñ Ü 5 11 Ü Ñ Ñ Ñ Ñ 2 11 10:7 9:6 3:2 legato sempre! #œ™ œ nœ 4:3 nœ œ #œ œ 4:5 68 j 8:7 nœ #œ bœ 8 4 #œ œnœ 5:4 8 nœ 4 #œ 8 & nœ œ™ nœ œ nœ #œ J R R R nœ œ hp 1 nœ 3:2 j {? nœ œ nœ™ nœ œ™ #œ nœ™ nœ #œ™ œ nœ œ C§ F# Bb f legato sempre! ™ nœ 3:2 bœ œ 3:2 4:3 4:3 bœ 3:2 #œ r nœ œ™ 4:3 ™4:3 j j nœ nœ œ #œ nœ œ ™ ™ nœ™ & #œ œ nœ nœ #œ nœ œ nœ nœ J j hp 2 ? bœ bœ bœ™ { #œ œ œ œ bœ bœ œ™ nœ™ œ nœ œ F§ C# B§ f
q=84 Ñ Ñ Ñ Ü 9 pizz sempre 5 11 Ü Ñ Ñ Ñ Ñ 2 11 nœ™ œ™ œ™ œ™ œ™ œ™ nœ™ µœ™ ™ nœ µœ™ Bœ™ ° 8 4 bœ™ Bœ 8 4 8 vn 3-4 & f sempre µœ™ Bœ™ ™ pizz sempre bœ Bœ bœ™ vn 5-7 & Ó ≈ ≈ µœ ∑
f sempre pizz sempre bœ™ Bœ j Ó™ ‰™ ≈ bœ™ µœ ≈ Ó vn 8-11 & #œ™ µœ f sempre pizz bœ™ sempre µœ ™ B ≈ ≈#œ µœ va 3-6 µœ nœ J f sempre µœ ? ™ pizz sempre µœ nœ vc 3-5 Œ Œ nœ œ f sempre nœ nœ œ ? Œ™ Ó™ pizz sempre cb 3-4 ¢‹ f sempre ° pizz sempre j j ? ‰ ‰ µœ ‰™ µœ ‰ ®#œ™ cb 5-6 ¢ bœ œ œ œ œ bœ œ œ œ œ bœ œ œ œ #œ™™ ‹ R R f sempre
=
11 Ñ Ñ Ñ Ñ Ü 5 4 7 9:7 9:8 - - 8:7 - 4:3 72 ‹ nœ nœ œ nœ- - bœ 3:2 nœ- - 5:4 j 8 - - bœ 4 - - nœ œ œ - 4 - nœ - 3:2 3:2 8 ° #œnœ™™ œ - nœ- - nœ œ #œ œ #œ- #œ œ #œ - #œ- œ nœ œnœ- œ - picc & bœ™ nœ œ œ nœ nœ œ ¢ J J mf
4:3 4:3 10:7 7:6 4:5 3:2 7:8 r r 8:7 ° r ? bœ œ œ nœ nœ nœ #œ tbn ¢ nœ nœ œ - bœ™ nœnœ™ œ #œ - - nœ œ #œ bœ nœ #œ - - bœ œ œ - - n-œ - - - n-œn-œ œ #œ™ #œ œ - n-œ œ - - n-œ n-œ œ ------mf
4:3 4:3 Almglockennœ£A£A 5:4 3:2 3:2 bœ nœ bœ œ 4:5 bœ bœ °? #œ œ™ nœ bœnœ™ #œ nœ œ bœ œ nœ #œ nœ nœ™ #œ œ nœ nœ nœ #œ nœ œ nœ nœ perc 3 ¢ J J J mf
5:6 nœ 3:2 3:2 7:5 4:5 j 4 nœ œ bœ 3:2 nœ :n3œ œ nœ œ nœ nœ nœ nœ & bœ œ #œ bœ nœ œ #œ nœ bœ #œ bœ #œ nœ bœ J nœ J nœ nœ nœ #œ hp 1 nœ bœ ™ bœ bœ œ {? nœ #œ œ D§ Ab B§ D# C# F§
8:7 3:2 #œ™7:5 7:6 9:7 7:5 r #œ œ œ r nœ œ nœ nœ nœ œ 3:2 nœ™ œ nœ œ #œ #œ nœ œnœ bœ™ nœ & œ bœ nœ nœ ™ nœ ™ #œ nœ œ nœ #œ œ R J #œ nœ #œ nœ nœ hp 2 nœ nœ œ {? nœ nœ œ #œ
D# A§ C§ F# Bb
metallic, and percussive, perhaps with inharmonic overtones 3:2 4:5 - 9:8 6:7 - -™ 7:6 - - 3:2 #œ- - - bœ - - #œ- - - nœ - -™ nœ œ - nœ- nœ - nœ™ œ - ° nœ nœ œ œ nœ œ™ bœ œ nœnœ #œ nœ #œ-nœ- œ bœ œ #œ- nœ œ nœ #œ- nœ- e gtr ¢& ‹ J R J mf
11 Ñ Ñ Ñ Ñ Ü 5 4 7 ™ ™ ™ ™ ™ ™ ™ ™ ™ ° 8 (pizz) nœ Bœ 4 #œ œ œ œ œ œ 4 #œ œ œ œ œ 8 & ∑ ‰ ≈ vn 3-4 J mf sempre (pizz) Bœ #œ œ™ œ™ œ™ œ™ œ #œ™ œ™ œ™ œ™ œ™ ™ nœ vn 5-7 & Ó µœ ‰ ≈ J (pizz) mf sempre Bœ Œ µœ nœ vn 8-11 & #œ #œ J mf sempre (pizz) B #œ #œ Œ Œ™ va 3-6 µœ mf sempre #œ #œ ? µœ ™ vc 3-5 Œ Œ
(f) µœ ? Ó™ Œ™ cb 3-4 ¢‹ (f) ° pizz sempre vn 14-16 & Ó ‰ µœ µœ K mf sempre J pizz sempre r r r Ó ‰™™ ‰™ ‰ ® ‰ µœ vn 17-20 & ™ µœ µœ µœ nœ nœ Bœ J mf sempre j pizz sempre ™ µœ µœ µœ µœ ∑ B ‰ ≈ ® nœ ‰™ nœ ‰ ® Bœ ‰ va 7-10 & nœ nœ™ Bœ™™ Bœ™™ Bœ™™ R R J mf sempre rK Bœ™ µœ pizz sempre j j Bœ™™ Bœ™™ nœ nœ ? ‰ ≈™ ‰ ≈ ® µœ™™ Bœ™™ nœ ‰ ≈ nœ™ ® ‰™ ‰ ® ‰ Œ Ó vc 6-8 #œ µœ µœ™ J R R J mf sempre B ™™ nœ nœ™ Bœ™™ µœ µœ™ µœ™™ œ ? ‰ #œ ≈™ ‰ ≈ ® ‰ ≈ ® Œ Ó cb 5-6 ¢‹ J ÔR J J J (f) 17
7 Ü Ñ Ñ 6 11 75 ° ‹ 8 nœ- - 4 8 bœ ‰ ‰ Ó picc ¢&
p cup mute - 4:3 4:3 ° nœ-™™ nœ œ œ œ nœ œ œ tpt & nœ #œ œ - nœ in C R J - - mp
cup mute 3-:2 6:7 bass tpt & n˙ œ #œ œ n-œ nœ œ œ nœ œ in Bb - R - - mp
5:4 5:4 ? œ nœ Œ tbn ¢ - n-œ #œ œ J - n-œ n-œ
p œ #œ 9:8 3:2 #œ œ 3:2 nœ 5:4 7:5 nœ nœ 6:5 °? nœ™ nœ nœ bœ nœ nœ nœ nœ nœ nœ bœ nœ nœ nœ bœ nœ nœ #œ nœ bœ nœ nœ #œ bœ nœ perc 3 ¢ J J p
3:2 3:2 5:4 #œ #œ #œ & nœ nœ nœ œ nœ nœ ‰ Œ hp 1 {? A§ mp
3:2 3:2 bœ nœ bœ nœ ‰ Œ & nœ nœ nœ #œ bœ hp 2 {?
D§ Ab mp 5:4 -3:2 - #œ nœ- œ - nœ- - nœ- #œ- œ #œ nœ- - - #œ- 4:3 ° #œ-™ nœ #œ- bœ #œ- nœ nœ œ - œ #œ ≈ ‰ Ó™ e gtr ¢& ‹ p
7 Ü Ñ Ñ 6 11 con sord. arco nat ° 8 4 j - 8 ™ #œ œ™ nœ œ™ #œ - vn 2 & #-œ - - #œ œ mp (senza sord!) arco msp sul II sempre nœ- 3:2 - 3:2 - #œ 3:2 j #œ- ? B nœ - vc 1 nœ ™ nœ J J - mp con sord. arco nat 7:8 #œ™ ? B - #œ #œ œ™ #-œ œ vc 2 ¢ - n-œ™ œ œ - ™ ° #œ bœ™ µœ mp vn 3-4 & ‰ Œ #œ™ ™ bœ µœ™ µœ™ & nœ ≈ nœ™ Bœ Œ Ó™ vn 5-7 J (pizz) bœ™ µœ™ ‰™ µœ™ nœ ≈ nœ™ Œ Œ vn 8-11 & Bœ nœ J #œ mf sempre (pizz) nœ nœ™ Bœ B Œ™ Œ ‰ ≈ nœ #œ va 3-6 µœ µœ mp sempre J J nœ ? (pizz) #œ µœ µœ vc 3-5 Ó mp sempre µœ (pizz) µœ ? Ó™ Œ cb 3-4 ¢‹ mp sempre nœ nœ #œ pizz sempre #œ nœ ° ™ #œ #œ vn 12-13 & Œ Œ mp sempre nœ nœ nœ #œ Bœ Bœ #œ #œ #œ vn 14-16 & ‰ #œ nœ Bœ Bœ #œ #œ ™ vn 17-20 & ‰ Ó
Bœ B ‰ Ó va 7-10 ¢
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11 Ñ Ñ Ñ Ñ Ü 5 3 via 77 r 4:5 8:7 8:7 3:2 5:4 8 r 4 r - sord. 4 ° #œ-™ nœ-™ #œ- #œ œ #œ tpt & #œ œ œ™ n-œ nœ nœ œ n-œ #œ #œ nœ- nœ #œ - #œ n-œ ‰ in C - - - J - - - - - n-œ pp 5:4 via j 5:4 - r 4:5 4:3 - 9:8 - 3:2- nœ œ nœ- nœ- - nœ- sord. bass tpt - nœ™ - nœ #œ œ œ #œ- - #œ- - #œ #œ- - ¢& œ nœ nœ œ nœ nœ nœ™ #-œ™ nœ nœ ‰ in Bb J R - - pp
11 Ñ Ñ Ñ Ñ Ü 5 3 4:3 j 3:2 j 3:2 ° 8 3:2 - 9:7 4 4:3 - via sord. 4 #œ #œ œ œ nœ- - #œ œ nœ- œ™ nœ nœ nœ nœ nœ ‰ vn 2 & œ #œ œ nœ - #œ nœ œ nœ - - - #-œ nœ - #-œ - nœ - J - R - - - - pp 3:2 4:3 - 4:3 5:4 #œ-™ 9:8 - 6:5 #œ™ - - 3:2 #œ- nœ nœ- # œ- #œ n œ - - nœ B ------nœ #œ vc 1 nœ #œ #œ nœ nœ™ #œ #œ nœ ‰ R J - - pp
5:4 3:2 3:2 5:4 j r 5:4 j via sord. - 4:5- - 3:2 B œ nœ #œ - #œ- nœ #œ- #œ nœ #œ ‰ vc 2 ¢ #-œ™ nœ #œ œ #œ œ œ œ n-œ nœ n-œ nœ #œ - - nœ #œ œ - - - R - J - - - - pp (pizz) ° ™ ™ nœ vn 5-7 & Ó Œ p sempre J (pizz) Ó™ ™ nœ vn 8-11 & µœ™ #œ mp sempre (pizz) ™ nœ µœ™ #œ va 3-6 B Ó ≈ Bœ™
mp sempre (pizz) Bœ™ µœ™ ? nœ Œ™ Œ ‰ µœ™ ≈ Œ vc 3-5 Bœ Bœ nœ mp sempre Bœ™ nœ Bœ µœ™ ? Bœ bœ œ œ ‰ nœ Ó cb 3-4 ¢‹ J #œ œ™™ œ œ œ™ œ™™ œ #œ #œ™ bœ bœ bœ™ ° ™ ™ ™ vn 12-13 & ‰ ‰ ® ‰ ‰ ‰ ® ‰ ≈ ‰ ≈ R R R R J ÔR J #œ œ™™ œ œ œ™ œ™™ œ #œ #œ™ bœ bœ bœ™ ™ ™ ™ vn 14-16 & ‰ ‰ ® ‰ ‰ ‰ ® ‰ ≈ ‰ ≈ R R R R J ÔR J (pizz) bœ™ Ó™ Œ ≈ vn 17-20 ¢& J p sempre 18
3 7 5 6
79 10:7 7:6 4:5 4 4 3:2 4 4 ° #œ œ œ #œ nœ-#œ- œ -™ nœ- nœ nœ sopr ¢& nœ™™ nœ - nœ-™ œ - nœ œ #œ œ n-œ œ bœ #œ nœ - nœ b-œ - sax - - - - R J - - - pp mp 4:3 - 4:3 3:2 3:2 con sord. nœ™ œ™ 3-:2 - 5:6 - #œ- - - #œ- via sord. ° #œ-™ œ #œ- -™ nœ œ œ #œnœ- œ nœ- - nœ- - #œ #œ #œ - nœ- horn 1 & nœ œ bœ œ nœ nœ œ J J J pp mp
con sord. 2 8:7 3:2 j 3: j 3:2 via sord. #œ œ œ #œ œ œ nœ horn 3 ¢& #-œ - nœ™ n-œ nœ™ œ - nœ nœ n-œ œ n-œ™ n-œ nœ nœ - n-œ œ - - #-œ œ - - #-œ - -#-œ pp mp vibraphone (without pedal!£A) £A 3:2 5:6 4:3 r 4:3 ° j r j j perc 2 ¢& nœ™ œ ™ nœ bœ nœ bœ bœ œ bœ™ œ bœ nœ nœ bœ #œ bœ nœ nœ bœ œnœ nœ pp mp 3 7 5 6 (senza sord!) arco msp :8 3:2 3:2 r 11 7:6 r 3:2 - 4:5 - ° 4 - 4 nœ- - #œ - - #œ 4 4 B #œ #œ #œ #œ- n œ nœ - nœ nœ- nœ va 1 nœ nœ™ #œ™ nœ - nœ n œ - - - - J - n-œ J - R pp mp con sord arco nat 3:2 5:4 - 9:8 - 5-:4 -™ - - #œ œ -™ - #œ - -nœ™ - - via sord. nœ- #œ nœ™ œ nœ-nœ œ œ nœ-nœ nœ œ #œ- œ nœ- nœ œ bœ nœbœ bœ va 2 B R J J J R pp mp con sord 9:8 arco nat 4:3 5:6 4:5 j 7:5 via sord. nœ- #œ- nœ nœ-™ #œ nœ bœ- nœ- nœ cb 2 ¢& nœ œ nœ™ œ™ - nœ œ - n-œ™ #œ nœ - n-œ #œ - #œ ‹ - - J - - - - - pp mp nœ™ œ™ œ™ œ™ œ™ œ™ œ™ œ œ nœ œ œ œ œ ™ #œ Bœ™ nœ ° (pizz) µœ™ & ≈ ≈ ‰ ‰ vn 3-4 J J (p) ™ B ™ nœ µœ™ œ vn 5-7 & ≈ ‰ (p) µœ™ ≈ Œ Œ vn 8-11 ¢& (mp)J ° µœ™™ vn 12-13 & ® Œ Œ J (mp) r µœ™™ µœ™™ µœ ™ vn 14-16 & ® ‰ µœ ‰ ® Bœ™ Œ Œ ∑ J R (mf) r µœ™™ µœ™™ µœ ™ vn 17-20 & ® ‰ µœ ‰ ® Bœ™ Œ Œ ∑ J R (p) (pizz) µœ µœ Bœ™ B Œ ‰™™ ‰™ ‰ ® ‰ #œ #œ nœ j va 7-10 µœ Bœ R Bœ p sempre Ô R R #œ (pizz) #œ nœ µ j ? Œ ‰ œ Bœ Bœ ‰ vc 6-8 µœ nœ œ œ œ J p sempre µœ Bœ (pizz) Bœ µœ ? ∑ ‰ ‰ nœ œ œ œ cb 5-6 ¢‹ p sempre J J
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6 - 7 Ü Ñ Ñ Ñ Ñ Ü 9 Ü Ü Ü 7 nœ-4:3 nœ 82 nœ- ° 4 6:5 - 8 8 8 & ≈ ‰ ‰ ‰™ nœ œ™ œ ‰ #œ fl #-œ œ œ - p mf - #œ- 5:4 #œ- #œ œ™ 4:5 nœ-™ œ - ob & Œ ‰ ≈ ‰ - nœ J R R nœ
p mf 7:6 - nœ- nœ - engl & Œ™ ‰ ≈ Œ™ ≈ #œ hn mp R mf R f R 5:4 8:7 r - ™ ™ bass & bœ œ ≈ Œ ‰ b-œ™ ≈ b-œ ob b-œ n-œ n-œ p mf #5œ-:4 - 6:5 - nœ 6:7 - nœ Œ #œ œ œ ≈ ≈ ‰ - cl in Bb & nœ œ œ #œ J R R - p mf r 11:8 - nœ- 6:5 b cl & ‰ Ó ≈bœ ≈ ‰ ≈ ‰ ‰ bœ in Bb - - 3:2 mp R mf R f nœ™ œ#œ- nœ-4:3 cb cl & ‰ ≈ ‰ ‰ #œ œ™ œ ‰ nœ in Bb - - n-œ p mf nœ- nœ- - bari & ≈ Œ Œ™ Œ #œ sax mp R mf f 11:8 3:2 - 3:2 nœ-™™ r ? nœ œ œ bœ- nœ- - bsn Œ Œ ‰ ≈ nœ J n-œ 5:4 p mf r 4:3 nœ- ? Œ ‰ Œ™ ‰ ‰™ nœ- cbsn ¢ n-œ mp R R ¯r r mf fr ° & Œ ≈ Œ™ ≈ ‰™ nœ horn 2 nœ n-œ - - f mp mf ¯ 3-:2 nœ-4:3 Œ ≈ ‰ ?≈nœ œ™ œ ‰ nœ horn 4 & nœ œ nœ - - #-œ J J - p mf r 8r:7 r ™ picc tpt & Œ ≈ ‰ Œ #œ ≈ ‰ in Bb - #œ #-œ mf - r mp f ? cb Œ ≈ Œ™ Œ nœ tbn - nœ n-œ mf - mp f 9:7 r 4:3 r r ? ‰™ Ó ‰ ‰ ‰™ tba ¢ n-œ bœ mp nœ - anvil (metal hammer) - › 9:8 - - mf f- ° œ ] œ ] œ ] › Œ™™ ≈ ‰ ≈ Œ ≈ perc 1 ¢& / & R R R mp mf f 6 nœ- 7 Ü Ñ Ñ Ñ Ñ Ü 9 Ü Ü Ü 7 arco 3:2 - nat nœ - 4 7:8 - nœ 8 8 8 ° nœ #œ- œ vn 1 & ≈ nœ œ Œ Œ - J J p mf 6:7 r 4:3r r arco nat. ? ‰™ Œ ≈ #œ ‰ ≈ ‰ ≈ ≈ cb 1 ¢ - nœ nœ mp - - mf f nœ œ œ œ œ œ nœ™ œ œ™ œ™ œ nœ œ™ œ™ œ™ œ™ œ™ œ™ œ™ œ™ œ™ ° & ‰ ≈ ≈ ‰ ≈ vn 3-4 ¢ J (p) J nœ™™ œ™™ œ œ™ nœ™™ œ œ œ œ™™ µœ µœ (pizz) ™™ Bœ ° µœ ™ ™ ™ vn 12-13 & ® ≈ ‰ ≈ ‰ ® ‰ ® ≈ ‰ ≈ ‰ ® R R J R R J pp sempre Ô Ô K µœ µœ (pizz) r ™™ Bœ ™ ™ nœ™ µœ ™ vn 14-16 & Ó Œ ≈ nœ ‰ ≈ ® ≈ ‰ ≈ ‰ J pp sempre ÔR R rK (pizz) j ™™ Bœ ™ nœ™ µœ vn 17-20 & Ó ‰ ≈ nœ ‰ ≈ ® Ó nœ µœ J pp sempre ™ (pizz) nœ nœ B Œ ‰ nœ µœ ≈™ ‰ ≈ va 7-10 nœ pp sempre J ÔR J nœ µœ ? ‰ nœ nœ Ó vc 6-8 J (p) nœ nœ ? ‰ Œ Ó™ cb 5-6 ¢‹ (p) J 19
q=91 ‚ · 7 Ñ Ñ Ü Â ‰ Ê · ‚ · ‰ 4:3 5:4 Ê 3:2 3:2 3:2 · · · ‰ -#œ œ 7:8 ‰ 6:5 9:7 Ê nœ #œ „ „ ‚ · Ê Â ‚ > ‚ 7-:8 - 86 Ê r r j ne nœ >- #œ nœbœbœ 4:3 r „ - · bœ- nœ - nœ bœ ° 8 #e™ ™ nœ + œ nœ œ nœ - nœ- - -bœ - „ bœ ‚ bœ nœ nœ œ nœ nœ - nœ bœ bœ nœnœ - nœ- e gtr ¢& - nO O O - - nœ #œ nœ - nœ #œ nœ nœ ‹ bœ œ œ œ nœ œ#-œ - #O™ O J >- - #œ nœ - >- >- - n-œ >- - sfzp sound similar to bars 58-67 though with a little distortion dynamic level = entire string section! q=91 Ñ Ñ Ü arco 7 pst psp
3:2 nat 8 j 3:2 3:2 3:2 3:2 3:2 j æj ° æ æ æ æ vn 3-4 & ‰ ‰ æ æ æ ‰ nœ ™ #œ ™ nœ #œ Bœ nœ µœ nœ nœ nœ µœ µœ Bœ bœ bœ nœ bœ bœ nœ B-œ nœ >- sfzp f p p f psp arco pst msp psp j 3:2 næat æ æ 3:2 & ‰ æ æ æ Œ ‰ Œ vn 5-7 ™ nœ ™ Bœ nœ µœ bœ - - - n-œ #œ Bœ µœ nœ #œ nœ µœ nœ µ-œ œ œ ' Bœ ' ' #œ nœ - > ' ' ' p sfzp f p p f f p arco psp pst
vn 8-11 & ™ ™ nœ ™ #œ ™ nœ #œ nœ Bœ #œ Bœ #œ >- sfzp f arco psp pst j B bœ µœ nœ µœ #œ #œ va 3-6 nœ ™ #œ ™ nœ µœ µœ Bœ µœ bœ bœ Bœ µœ µœ >- sfzp f arco pst > ? nœ- ™ #œ ™ nœ ™ #œ ™ nœ ™ vc 3-5 ¢ sfzp
arco psp pst msp psp pizz r j r 4:3 ° 7:6 nat æ nat ‰ æ æ æ ≈ ‰ ‰ ≈ ‰ ‰ ‰ vn 12-13 & æ æ æ Bœ ™ nœ Bœ nœ bœ µœ #œ Bœ nœ n-œ #œ Bœ µœ #œ µœ µœ nœ B-œ nœ µœ ' bœ ' µœ - - - - - > ' ' ' p f f sfzp f p p f f p arco psp pst vn 14-16 & ™ nœ ™ #œ ™ nœ bœ Bœ Bœ bœ nœ µœ nœ Bœ #œ #œ Bœ nœ Bœ >- sfzp f arco psp pst
j nat ‰ ‰ æ æ æ æ ‰ vn 17-20 & Bœ nœ µœ æ æ æ æ nœ ™ nœ Bœ µœ nœ #œ µœ Bœ nœ #œ n-œ™ nœ >- sfzp f p p f arco pst B ™ ™ va 7-10 nœ ™ #œ ™ nœ ™ #œ nœ >- sfzp arco pst > ? nœ- ™ #œ ™ nœ ™ #œ ™ nœ ™ vc 6-8 ¢ sfzp
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9 Ü Ü Ü 5 Ü Ñ 7
91 #œ œ™ œ™ #œ™ œ œ r #œ ° 8 8 8 engl & ≈ ≈ hn nœ™ œ œ nœ œ™ œ nœ œ™ œ >- J >- >- mp r nœ œ™ œ™ nœ™ œ œ nœ bass & ≈ ≈ ob ¢ #œ™ œ œ #œ œ™ œ #œ œ™ œ >- J >- >- mp r ° Thai gongs ¡A¡A æ æ æ æ ™ æ æ æ æ nœ œ™ œ™ ≈ æ æ nœ œ œ ≈ æ æ nœ perc 2 ¢& #œ™ œ œ æ æ #œ œ™ œ æ æ #œ œ™ œ > æ æ æ æJ > æ æ æ æ > æ æ æ æ æ æ æ æ mp  ‰ „ „ · ‰ Ê ‚ Ê :6 · · 3:2 „ 7:5  5 ‚ ‰ · 4:3 · 8:7 · 4:3 7:6 4:5 Ê · Â- ‚ (gliss. with r j · - ‰ nœ > ‚ „ - > 3:2 r #e 4:3 „ ° -™ ‚ bœ #œ- -  > nœ ‚- nœ-bœnœ - #e „ nœ- >-  - tremolo bar) #œ bœnœ- bœ - nœnœ™ bœ- bœ #œ- nœ >- #œ nœ œ e gtr ¢& nœ œ nœ - -nœ œ nœ - - nœ - #œ >- >- nœnœn-œ R R nœ™ - - #œ nœ #O nœ >- ‹ n-œ#œ - >- #-œ nœ œ #-O R ] > >- fff Ü Ü Ü Ü Ñ 9 psp 5 7 pizz arco pst psp nat mrsp ° msp 5:4 j 3:2 8 8 8 ‰ ‰ Œ ‰ ≈ ‰ vn 3-4 & Bœ ™ ™ ™ nœ µœ Bœ nœ Bœ Bœ Bœ µœ nœ nœ - n-œ Bœ Bœ n-œ nœ n-œ bœ nœ nœ #œ #œ ' ' ' ' ' ' - - > > p f f sfz sfzmp f p ff psp pst pizz arco 6:5 nat msp nat 3:2 3:2 j j 6:5 æ & ≈ ‰ Œ nœ ‰ ‰ ≈ ‰ Œ ‰ ≈ æ vn 5-7 µœ Bœ #œ nœ #œ nœ™ bœ nœ ™ bœ™ Bœ #œ nœ nœ nœ #œ µœ #œ nœ n-œ - - - nœ >- >- f f sfz mp sfzmp ff mp mp
msp nat ‰ ‰ æ æ æ æ Œ™ ‰ vn 8-11 & Bœ #œ nœ æ æ™ æ™ æ™ µ nœ™ Bœ nœ #œ Bœ nœ nœ #œ nœ µœ µœ #œ nœ µœ #œ nœ n-œ™ œ ' ' ff mp mp ff j nat msp Æ Æ Æ µÆ µœÆ Æ Æ Æ Æ Æ Æ B µœ‰ ‰ nœ- ™ #œ ™ ™ nœ≈ ‰ Œ ‰ #œ µœ Bœ œ #œ nœ #œ nœ µœ nœ ‰ ‰ Œ va 3-6 nœ æ æ æ æ æ æ æJ æ æ æ æ æJ J J p p f mp f psp
j ? nœ ™ #œ ™ vc 3-5 ¢ & nœ ™ bœ™ Bœ µœ µœ µœ Bœ nœ #œ µœ nœ ff pst psp msp arco psp msp j 3:2 3:2 3:2 nat æj 5:4 ° j ‰ æ æ vn 12-13 & ‰ ‰ Œ æ ≈ ‰ ‰ ‰ ≈ Œ #œ µœ Bœ #œ µœ nœ µœ nœ nœ nœ µœ™ ™ bœ nœ nœ #œ #œ Bœ n-œ - - -n-œ >- nœ >- nœ - ' ' ' ' ' ff mp mp ff pst sfz sfzp f mp mp f nat msp psp pizz 7:6 arco r j æj æj nat 3:2 msp ‰ ‰ æ æ æ æ æ Œ ‰ Œ ≈ ‰ ‰ ‰ ≈ ‰ vn 14-16 & æ™ æ æ Bœ #œ nœ Bœ nœ µœ nœ nœ µœ Bœ ' µœ nœ µœ B-œ -œ -œ -œ -œ #œ nœ - nœ µ-œ - ' ' ' ' ' ' > > mp ff ff sffz f mp sffzmp p p f psp pizz arco r msp 7:5 7:5 3:2 j Œ Œ™ ≈ ‰ Œ nat Œ Œ msp ≈ ‰ ‰ Œ vn 17-20 & nœ bœ nœ Bœ nœ bœ bœ Bœ Bœ bœ nœ ' nœ Bœ ' µœ #œ µ-œ ------#œ nœ >- ' ' ' ' ' ' ' ' ' - mp f f sffz mp f mp psp
Bœ nœ Bœ µœ #œ nœ #œ Bœ #œ nœ Bœ #œ Bœ Bœ nœ #œ #œ nœ Bœ va 7-10 B nœ ™ µœ #œ µœ nœ #œ Bœ µœ
f psp
nœ nœ Bœ µœ Bœ µœ nœ µœ nœ µœ nœ Bœ µœ µœ nat ? ‰ Œ™ æ vc 6-8 & Bœ nœ æ ¢ µœ nœ nœ #œ µœ bœ µœ µœ Bœ µœ µœ nœ bœ bœ n-œ f mp mp 20
7 Ü Ñ Ñ 3 5 Ü Ñ 5 7 Ü Ñ Ñ 3
9:6 5:4 . >- 96 n>œ- nœ- . r r #œ >. r #œ r ° 8 4 8 5:4 4 nœ #œ . #œ 8 . - 4 ‰ ‰ ‰ nœ- ≈ ≈ >. ≈ ≈ ≈ ≈ ≈nœ ≈ ≈nœ. ≈ ≈ ≈ ‰ ≈#œ ‰ ≈ ‰ nœ ≈ ‰ ≈ fl & nœ nœ. #œ #œ n-œ J J R R . R R R R . R R R mf œ™ j #œ™™ œ™ #œ œ™ #œ > #œÆ engl & ≈ ≈ ≈ >- ≈ ‰ ‰ Ó hn nœ™ œ œ nœ œ nœ >- J >- R fff fff > œ™ j nœ™™ œ™ nœ œ™ nœ #œÆ bass & ≈ ≈ ≈ ≈ ‰ ‰ Ó ob ¢ #œ™ œ œ #œ œ #œ >- J >- >- R fff fff ¯ 4:3 4:3 r r 9:6 j j 5:4 r r r r r r r r j ° 3:2 3:2 ≈ Œ #œ- ≈ Œ ≈ Œ ≈ ‰ Œ™ ≈ ≈ ≈#œ ≈ ≈ ≈ ≈ ≈nœ. ≈nœ ≈ ‰ horn 2 & #œ #-œ #œ. . nœ . >- R n-œ #œ > #œ. nœ. >. R nœ. - #œ. nœ. mf 5:4 5:4 . r r 9:6. r nœ - > r -3:2 #œ > nœ œ nœ- 3:2- ≈ ‰ nœ ≈ ‰ ‰ ≈#œ- Œ ≈ ≈ ‰ nœ. ≈ ≈ ‰ ≈ ‰ nœ- ‰™ nœ- ≈ ≈ ‰ ≈ ‰ ‰ nœ horn 3 ¢& #œ nœ nœ >- R #-œ R R R . R J R R - R mf
™ æj æ ™™ ™ æ ™ j ° œ æ æ nœ œ æ nœ œ >- nœ perc 2 & æ ≈ ≈ ≈ #œ ‰ ‰ Ó ¢ æ #œ™ œ œ #œ œ #œ > æ æ æ > æ æ æ æ æ > æ æ æJ æ æ æ æ æ fff fff >Æ ° with plectrum: percussive, damped immediately b œ nœ ≈ ‰ ‰ Ó e gtr ¢& n œ ‹ R fff
7 Ü Ñ Ñ 3 5 Ü Ñ 5 7 Ü Ñ Ñ 3 arco psp r 3:2 . 5:4 . r 9:6 5:4 r 3:2- ° 8 4 8 . r #œ r nœ 4 n>œ- r nœ- - 8 j #œ 4 B ≈ nœ ≈ ≈nœ. ≈ ≈ ≈ ≈ ≈ ≈ Œ ≈ Œ ≈ ‰ ≈ ≈ #œ ‰ Œ™ ‰ ‰ ‰ va 2 nœ nœ. nœ. nœ #œ >. R #œ. R R R R - R >- R n-œ R mf
3:2 5:4 9:6 5:4 3:2 3:2 arco psp r r r r r r 3:2 r r r >. #œ. - >- >. r B ? #œ ≈ ‰ ≈ ‰ ≈nœ. ‰ ≈ ≈ ‰ ≈ ‰ #œ ≈ ‰ ≈ Œ nœ ≈ ‰ ≈ Œ nœ≈ ≈nœ. ≈ ≈ ≈ ≈ vc 1 ¢ nœ #œ n-œ nœ nœ bœ. nœ R . #œ. R R - R #-œ R R . R . nœ. . mf psp pst arco msp psp pizz msp nat æj 4:3 j nat r j 3:2 ° æ æ æ vn 3-4 & nœ ‰ æ æ B ‰ ‰ µœ µœ ‰ µœ ‰ ‰ bœ ‰ nœ nœ≈ ‰ #œ nœ™ µœ nœ Bœ nœ µœ nœ œ nœ Bœ nœ - - -#œ - - - ' ' ' ' ' - J > > mp ff ff sffz sffzmf mp mp ff ff mp ff pst pizz arco j j 4:3 j æ æ msp psp nat msp æ æ ‰ ‰ Œ Œ ‰ Bœ Œ ‰ Œ ‰ vn 5-7 & ™ µœ nœ µœ #œ Bœ nœ µœ µœ nœ µœ nœ µ-œ µœ n-œ ' ' ' ' ' ------> > mp ff ff sffz sffzmf ff mp ff pst rK psp pizz arco r j j msp r j ≈ ® ≈ ‰ ‰ ≈ ‰ ‰ ‰nat ‰ ‰ ≈ ‰ vn 8-11 & #œ™ ™ ™ #œ™ µœ™ ™nœ™ Bœ nœ µœ œ œ œ œ œ µœ nœ B-œ µœ #œ nœ™ ' µœ #œ™nœ ' ' Bœ ' ' ' ------#œ > >- ' ' ' ' ff mp ff sffz mp ff sffzmf pst arco pizz msp psp nat 4:5 4:5 > >- #œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- #œ Bœ µœ Bœ µœ nœ #œ- Bœ ™ µœ va 3-6 B ‰ Œ ‰ Œ Œ ‰ J ff sffz mf mp ff ff sffzmf
nœ µœ Bœ bœ µœ Bœ bœ Bœ nœ Bœ nœ BœÓ vc 3-5 ¢& Bœ nœ µœ Bœ #œ #œ nœ nœ nœ µœ nœ Bœ µœ nœ Bœ #œ µœ nœ µœ nœ mf
pst psp arco pizz msp nat msp 4:3 j j ° nat j j 4:3 4:3 æ æ Æ psp ‰ ‰ Œ ‰ ‰ æ æ™™ ≈ ‰ nœ nœ bœ ‰ Bbœ- - - - vn 12-13 & nœ Bœ µœ #œ #œ nœ µœ nœ #œ nœ nœ Bœ nœ #œ Bœ nœ #œ µœ >- >- - ' ' ' ' J ff sffz sffzmp ff mf ff mf psp
6:5 6:5 najt msp æ æ æ 3:2 bœ ‰ ‰ æ æ æ™ Œ Bœ vn 14-16 & ™ #œ Bœ Bœ nœ Bœ Bœ nœ bœ bœ Bœ nœ bœ Bœ B-œ nœ #œ nœ ' ' ' ff mf mf ff ff pst psp
nat j j æ æ æ æ msp 4:3 ‰ Œ æ æ æ æ™ ≈ ‰ ‰ Bœ bœ vn 17-20 & nœ™ #œ Bœ #œ µœ #œ Bœ Bœ nœ µœ µœ #œ nœ nœ Bœ >- - ' ' ' ' sffzmp ff mf mf ff ff Æ Æ n-at µ ™ nœ msp µœÆ nœÆ Æ µœ Æ Bœ B nœ µœ µœ‰ Œ ‰ œ œ ‰ Ó ‰ #œ µœ va 7-10 æ æ æ æ æ æ æ æ æ æJ æ æ æ æ æ æ æ æJ ff mp mp ff r æ æ æ æ æ æ æ æ msp æ æ æ æ æ æ æ æ æ æ ≈ ‰ Œ Ó Bœ nœ vc 6-8 & ™ æ æ #œæ æ æ ™ #œ nœ µœ µœ #œ nœ ¢ ' ' ' ' ' ' ' ff ff 21
3 9 Ü Ü Ü 7 Ñ Ñ Ü 4 101 4 -4:3 8 8 >Æ 4 ° nœ nœ ™ fl & Œ ≈ ‰ ≈ Œ ≈ ‰ Œ Œ R R fff fff >Æ engl & nœ ≈ ‰ Œ Œ™ hn R ff>f nœÆ bass & ≈ ‰ Œ Œ™ ob R fff n>œ-™ œ™ nœ œ™ n>œ- œ nœ n>œ- b cl & ≈ ≈ in Bb J J R f r ppp ff j ppp j fff ppp cb cl & ≈ ≈ in Bb bœ bœ ˙™ bœ œ™ bœ bœ >- >- >- f ppp j j ff ppp r fff ppp ? ≈ ≈ bsn ¢ n˙™ œ™ nœ n˙ œ nœ >- >- >- f ppp ff ppp fff ppp > 4:3 r Æ ° r nœ ‰ ≈ ‰™ ≈ Œ ≈ ‰ Œ Œ™ horn 2 & n-œ n-œ R fff fff > r 3:2 r . 4r:3 nœ. nœÆ ≈ ≈ ≈#œ≈ ≈ ≈ Œ ≈ ‰ Œ Œ™ horn 3 & nœ nœ. #œ >. R . R R fff fff ¯ + ¯ + ¯ + plunger mute r j j via sord. bass tpt & #œ ≈#œ ˙™ #œ™ ≈#œ œ #œ in Bb ¢ >- >- >- f ppp ff ppp fff ppp ° ‰ Ó perc 2 & nœ > fff thundersheet (single shake each time) ? ™ Ó™ Œ ‰ perc 3 ¢ / >œ >œ >œ f ff fff
∏ ∏
∏
∏ ∏ nœ™ nœ ∏ nœ
∏ ∏
∏
∏ ∏ n œ™ n œ ∏ n œ
& ∏ ∏
∏
∏ ∏ ™ ∏
∏ ∏ #œ ™ #œ ‰ ∏ #œ
∏ ∏ Ó Œ ∏
∏ ∏ hp 1 ∏
∏ ∏ ™ ∏
∏ ∏ ? #œ #œ ∏ #œ
∏ ∏
∏
∏ ∏
∏
{ ∏ ™ ∏ nœ nœ ∏ nœ
∏ ∏
∏
∏ ∏
∏
∏ ∏ f ∏ ff fff r ° sim. ≈ ‰ Œ Œ™ e gtr ¢& nœ ‹ nn œœ >' fff 3 9 Ü Ü Ü 7 Ñ Ñ Ü 4 >Æ 3:2 4:3 r r nœ ° 4 œ #œ. >. 8 8 4 B >. ‰™ ‰™ ≈#œ ≈ ≈ ≈ ‰ Œ Œ™ va 2 nœ #œ R . R nœ. R fff fff 4:3 - r >Æ ? ™ nœ œ nœ ™ vc 1 Œ ‰ ‰ ≈ & ≈ ‰ Œ Œ R R nœ. R fff fff arco mst n >œ-™ œ n œ œ™ n >œ- n œ œ œ n >œ- B #œ™ œ ≈ #œ œ™ #œ ≈ #œ œ œ #œ ? vc 2 ¢ J f Rppp R J ff ppp fff ppp psp pst pizz arco msp 6:5 nat 3:2 3:2 nat msp psp nat msp Æ3:2 ° - Æ Æ Æ -- - bœ >- >- nœ Bœ Bœ-™ BœÆ bœ nœÆ nœ bœ µœ Bœ nœ ‰ Bœ ™™ nœ≈ ‰ nœ µœ nœ ‰ bœ µœ ≈ ‰ ‰ µœµœ≈ ‰ #œ ™ nœ µœ nœ Bœ µœ ‰ #œ≈ ‰ vn 3-4 & #œ µœ æ æ æ æ æJ æ J J R J æ æR mf fff fff f mf mf ff mf fff sfffz sfffzmf fff f f fff psp pst pizz arco nat msp Æ Æ Æ5:4 Æ Æ Æ p-sp - - - - - nat 4B:3 msp > >- bœ µ Bœ µœ Bœ nœ‰ nœ- ™ nœŒ #œ Bœ Bœ nœ #œ µœ ‰ µœ Bœ Œ ‰ #œ#œ œ µœ ‰ ‰ µœ-nœ Œ™ bœ vn 5-7 & œ nœ nœ æ æ æ æ J J J ff mf fff mf mf fff fff sfffz sfffzf psp mf ff arco msp pizz msp nat Æ Æ 4:Æ5 Æ ps-p - - - nat 3nœ:2 µ>œ- bœ Bœ µ Bœ bœ nœ Bœ B #œ Bœ nœ ‰ ‰ µœ-™ Bœ≈ Œ Bœ µœ #œ #œ Œ µœ bœ Œ Bœ #œ ‰ œ≈ vn 8-11 & œ nœ œ nœ æ æ æ æ æ æ æ æR R mf ff mf fff fff f f fff fff sfffz psp 4:3 4:3 4:3 nat 4:3 Bœ - 5:4 bœ nœ Bœ nœµœ Bœ #œ µœ Bœnœ nœ nœ nœ Bœ Bœ µœ µœBœ #œ ™ Bœ mspµÆ Æ Æ Æ Æ B Œ æ æ æ æ ≈ ‰ Œ œ bœ µœ nœ #œ va 3-6 æ æ æ æ æ & æR mf ff mf fff fff nat msp Æ Æ Æ Æ Æ Æ BœÆ Æ Æ Œ bœ- nœ nœ™ ™ ™ #œ Bœ Œ Œ™ Œ ‰ µœ nœ #œ Bœ nœ nœ Bœ µœ vc 3-5 ¢& æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æJ J mf fff fff pst psp msp arco arco pizz 4:5 6:5 pizz msp r msp nat Æ psp 4:3 ° nat 4:3 > > Æ nœ Æ nœÆ -- - - Bœ- nat nœ n>œ- #œ ≈ ‰ ‰ nœ #œ ‰ ‰ nœ- Œ nœ- ™ nœ bœ bœ nœ nœ ‰ #œ- ™ Bœ≈ ‰ Bœ µœ Œ nœ ≈ ‰ ‰ Bœ nœ ‰ ‰ vn 12-13 & n-œ nœ #œ æ æ æ J J æJ æ æJ R J sffz sffzmf fff mf sfffz ff ff mf fff fff f f fff fff pst psp arco pizz nat 3:2 3:2 msp 5:4 3:2 psp Æ Æ3:2 Æ j psp nat > > 5:4 - msp Æ Æ Æ BœÆ Æ -B- #œ #œ -- -Bœ- nœ nœ- µ- #œ #œ nœ Bœ µœ #œ µœBœ bœ µœ nœBœ nœ nœ nœ œ vn 14-16 & µœ nœ ‰ nœ Œ BœBœ ‰ nœ≈ ‰ œ ™ ™ ™ µœ ‰ ‰ æ æ æ ™ ≈ ‰ ‰ æ æ æ ' ff R æJ J sffzmf fff mf mf ff sffz fff f f fff psp pst psp pizz arco 7:8 4:3 5:4 Æ Æ Æ Æ Æ nat msp >-™ >- bœ Bœ µœ µœ nœ nœ Bœ #œ Œ nœ Œ Œ #œ µœ Œ™ µœ nœ≈ ‰ Œ Bœ ™ µœ µœ Bœ bœ vn 17-20 & nœ #-œ ------Bœ #œ #œ J J mf ff ff sfffzf mf sfffz fff f pst psp arco Æ psp - pizz 3:2 msp >- >- ™ nœ µÆ nœÆ Æ BœÆ Bœ------µœ nat µœ #œ nœ nœ Bœ œ nœ 3:2 œ #œ ™ nœ bœ nœµœ nœ va 7-10 B ‰ Œ ‰ ≈ ‰ Œ Œ ≈ ‰ & J R J fff mf mf ff sfffz sfffzf fff Æ psp µœ nœ µœ nœ ™ Bœ------#œ- vc 6-8 & #œ µœ nœ #œ nœ Bœ #œ #œ nœ ‰ ‰ Œ ‰ ‰ ‰ Œ ¢ ' ' ' ' ' ' ' ' ' ' ' ' J mf mf ff 22 5 Ü Ñ 7 Ü Ñ Ñ 4 3 >˙-™ 107 ° ‹ 8 8 4 4 picc & > > f>ff nœÆ ™ nœÆ nœÆ fl & ≈ ‰ Œ Ó Œ ‰ ≈ Œ ≈ ‰ Œ Œ R R R fff fff fff n>œ-™™ nœ nœ œ >Æ > ™ nœ Æ ob & Œ ‰ ≈ Œ nœ ≈ ‰ Œ Œ R R R ff fff fff fff > > >Æ nœÆ Æ nœ engl & ≈ ‰ Œ Ó Œ™ ‰ #œ ≈ Œ ≈ ‰ Œ Œ hn R R R fff fff ff>f > > nœÆ nœÆ #œÆ bass & ≈ ‰ Œ Ó Œ™ ‰ ≈ Œ ≈ ‰ Œ Œ ob R R R fff fff fff r >Æ > ™ nœ #œÆ cl in Bb & Œ ‰ ≈ Œ ≈ ‰ Œ Œ nœ R #-œ™™ #œ œ R > fff fff ff fff >Æ >Æ r b cl & nœ ≈ ‰ Œ Ó Œ™ ‰ bœ ≈ Œ ≈ ‰ Œ Œ in Bb nœ R R >' ff>f fff fff nœÆ >Æ > bœ nœÆ cb cl & ≈ ‰ Œ Ó Œ™ ‰ ≈ Œ ≈ ‰ Œ Œ in Bb R R R fff fff fff >-™™ nœ > #œ nœ œ nœÆ >Æ sopr & Œ™ ‰ ≈ Œ #œ ≈ ‰ Œ Œ sax R R R ff fff fff fff #>˙-™ bari & sax fff >Æ >Æ > ? bœ ™ bœ Æ bsn ≈ ‰ Œ Ó Œ ‰ ≈ Œ nœ ≈ ‰ Œ Œ R R R fff fff fff ? b˙™ cbsn ¢ >- f¯ff ± B>-b23 ° ? #˙™ horn 1 & nœ& > > fff nœÆ nœÆ >Æ ™ nœ horn 2 & ≈ ‰ Œ Ó Œ ‰ ≈ Œ ≈ ‰ Œ Œ R R R fff > ff>f fff nœÆ nœÆ >Æ ™ nœ horn 3 & ≈ ‰ Œ Ó Œ ‰ ≈ Œ ≈ ‰ Œ Œ R R R fff fff ff¯f ± F>-23 ? #˙™ nœ horn 4 & fff #>˙-™ picc tpt & in Bb fff p+lunger ¯ r > > via sord nœÆ Æ tpt & #œ™™ nœ Œ™ ‰ ≈ Œ nœ ≈ ‰ Œ Œ in C >- nœ œ R R ff fff fff fff >Æ >Æ r bass tpt & nœ ≈ ‰ Œ Ó Œ™ ‰ bœ ≈ Œ ≈ ‰ Œ Œ in Bb nœ R R >' fff fff fff p+lunger ¯ r nœ r >-™™ nœ via sord ? nœ #œ #œ Œ™ ‰ ≈ Œ tbn nœ nœ ff fff >' fff cb ? tbn n˙™ >- nœ fff r r r ? Œ™ ‰ ≈ Œ ≈ ‰ Œ Œ tba ¢ nœ nœ ' nœ n-œ™™ > ' > nœ œ fff > fff ff fff n >˙™ ° › steel drum £A£A£A ## ˙˙™ perc 1 & & > > j f>ff Œ Ó Œ™ ‰ Œ Œ Œ perc 2 ¢& nœ #œ #œ fff fff fff plectrum/table sim. b>œ > sim. ? ‰ Œ Ó Œ™ ‰ bœ Œ n>œ ‰ Œ Œ hp 1 { J J J nœ fff fff fff with plectrum &
hp 2 fff l.v. {? E§F§G§A§ n˙™ BbC#D# > >Æ r > #œ ° # œÆ #œ ≈ ‰ Œ Ó Œ™ ‰ #œ ≈ Œ ≈ ‰ Œ Œ e gtr ¢& #nœ #œ nœ ‹ nœ R R ' > 5 Ü Ñ 7 Ü Ñ fff Ñ 4 3 fff fff arco psp >-™ bO ° 8 8 4 4 nn˙O ™ b œ vn 1 & arco nat msp fff r >Æ > nœ ™ nœ Æ vn 2 & #œ™™ Œ ‰ ≈ Œ nœ ≈ ‰ Œ Œ >- nœ œ R R ff fff fff fff >Æ > arco nat r msp nœ nœÆ B Œ™ ‰ ≈ Œ ≈ ‰ Œ Œ va 1 nœ™™ nœ >- #œ œ R R ff fff fff fff > > > nœÆ nœÆ nœÆ ™ va 2 B ≈ ‰ Œ Ó Œ ‰ ≈ Œ ≈ ‰ Œ Œ R R R ff>f ff>f ff>f nœÆ ™ nœÆ nœÆ vc 1 & ≈ ‰ Œ Ó Œ ‰ ≈ Œ ≈ ‰ Œ Œ R R R fff fff fff >Æ >Æ > ? bœ ™ bœ Æ vc 2 ≈ ‰ Œ Ó Œ ‰ ≈ Œ nœ ≈ ‰ Œ Œ R R R fff fff fff arco nat r msp >Æ r ? ™™ nœ Œ™ ‰ nœ ≈ Œ ≈ ‰ Œ Œ cb 1 n-œ nœ > nœ œ R >' fff fff ff fff arco psp & ? cb 2 ¢ ‹ n-˙™ bœ ‹ pst psp > fff arco msp arco pizz 4:5 pizz msp psp msp nat 3:2 Æ p-sp >- ° - - Bœ- nat n>œ- n>œ-™ #œ µœ #œ µœ-™ bœ µœÆ Æ Bœ bœ µœ- nat Bœ ‰ nœ ≈ ‰ nœ ‰ ≈ ‰ Bœ #œ ‰ æ ‰ µœ ‰ ‰ Bœ ‰ ≈ ‰ vn 3-4 & æ J R J R f f fff fff fff f fff sfffz sfffzf fff f fff sfffz psp arco msp pizz 5:6 msp nat 6:5 psp nat >- #œ - µœÆ µœÆ nœÆ #œÆ #œÆ BœÆ nœ- œ- œ- œ- œ- Bœ™ #œ™ µœ nœ™ µœ ˜œ nœ Bœ #œ nœ µ œ ‰ µœ æ #œ ≈ ‰ ‰ ≈ Œ ® ‰ ‰ Œ vn 5-7 & æ æ æ æ æR R J fff f fff f f fff f fff fff sfffz pst psp arco 4:3 pizz 4:3 4:3 nat msp Æ psp nat msp >- bœ bœ µœ #œ µœ- µœÆ BœÆ bœ BœÆ µœ- µœ- Bœ- nœ µ>œ- nœ µœ µœ nœ µœ #œ æ ™ nœ ˜œ vn 8-11 & ‰ ‰ æ æ æ ≈ ‰ ‰ ≈ ‰ ‰ ≈ ‰ æ æ æ J J J fff R J R fff f sfffzf fff f f fff sfffz arco 5:4 5:4 psp pizz 3:2 3:2 3:2 >- Æ Æ Æ Æ Æ Æ Æ ------Bœ- nat Bœ #œ µœ µœ msp #œ bœ nœ Bœ µœ bœ nœ Bœ ™ nœ ™ #œ nœ µœ Bœ #œ va 3-6 & Œ Œ Œ ‰ Œ ‰ ≈ ‰ Œ Œ B J R f fff sfffz f f fff arco psp pizz m>sp Æ BœÆ Æ Æ nœÆ Æ #œÆ µœ------nœ- nat nœ nœ nœ nœ- nœ µœ nœ Bœ nœ ‰ Œ™ ‰ ≈ ‰ Ó ‰ Bœ ‰ ‰ Œ ? vc 3-5 ¢& J J f f fff fff sfffz pst psp pizz arco nat msp Æ psp - nat >- ° >- nœ Bœ 6:5 nœ #œ-™ µœ nœÆ µœÆ nœ µœ- - - -Bœ nœ msp nœ bœ Œ nœ nœ µœ µœ‰ ≈ ‰ ‰ ‰ ≈ ‰ #œ ‰ ‰ Œ vn 12-13 & æ æ æ æR J J J J sfffzf f fff fff fff f f f fff fff sfffz psp pst arco pizz arco 5:6 pizz msp nat msp nat msp Æ 3Æ:2 psp - >- - nœ n>œ-Bœ n>œ- #œ µœ #œ µœ nœ Bœ- µœ Bœ nœ #œÆ µœ- - Bœ nat bœ nœ µœ nœ ≈ ‰ ‰ ≈ ‰ ™ ‰ æ Œ ‰ ≈ ‰ ‰ ≈ ‰ vn 14-16 & æ æ R J R æJ R J R sfffzf fff f fff f fff f fff sfffz f fff sfffz
pizz arco nat msp psp 5:4 > - BœÆ µÆ Æ Æ nœÆ bœ------µ- nat nœ Bœ #œ msp nœ-™ ‰ nœ nœ‰ ‰ œ nœ #œ ‰ ‰ œ ≈ Œ™ bœ nœ ‰ ‰ ≈ ‰ Œ vn 17-20 & æ æ æ æ æJ æ æ æJ J J f fff fff f f fff fff sfffz
3:2 nat arco 3:2 3:2 psp pizz msp 3:2 3:2 msp Æ Æ BœÆ - - - - > Bœ Bœ #œ nœ nœ nœ Bœ nœ nœ bœ bœ nœ µœ- µœ nœ µœÆ #œÆ nœ Bœ œ œ œ nat Bœ nœ #œ- nœ #œ µœ ‰ ‰ ™ ≈ ‰ ‰ ‰ ‰ ‰ ‰ ≈ ‰ B va 7-10 & æ æ æ æ J æJ æ æ æR J R f f fff fff f fff sfffz pizz nat µœ nœ Bœ µœ Bœ nœ arco msp #>œ-™ µœ ‰ nœ bœ Bœ nœ bœ #œ nœ ‰ ‰ Ó ‰ ≈ ‰ Œ ? vc 6-8 ¢& J R fff sfffz f nothing has changed 23
senza battuta (60") e=75-105 individually Each player in the outer string groups plays independently, beginning at the indicated point in the "loop" and repeating it until the conductor cues bar 113. Each player may vary his/her tempo freely between the given limits, abruptly or gradually and at any point, but especially avoiding any sense of coordination or synchronisation between instruments. An individual loop will be between 17 and 24 seconds long. On average therefore, each player will play his/her material approximately three times. There should be no variation in perceived dynamic level either between instruments or between different sounds on the same instrument, so that bar 112 is heard as a single dense sound-complex. Noteheads in brackets indicate that this pitch is not heard, but that the specified string is damped by the left hand at that point so that only the bow sound is heard.
pitchless arco pitchless scrape, on bridge damping string at sul III & IV clb sul I notated position, arco tap body of damping strings instrument arco vn 3 begins here damping string stopping bow on arco on bridge arco at notated with finger flautando vary bow at notated string at end on bridge sul II & III msp position (vary sound clb sul IV vn 4 begins here psp/msp position position arco clb sul III sul I & II arco sul I & II each time pst➞msp msp mst msp each time) msp➞mst msp 112 - rK r j rK r r (tap)j r (tap) j r ° nnœO nO™ sul IV n-O™ sul III & IV n-O™ (tap) & í™ ≈ ® ≈ ® ≈™ ® ≈ ≈ b O™ ® ≈ bO ® ≈ ® ® ® ‰ ≈ ‰ ‰ b O™ ® ≈ ‰ vn 3-4 bO bO b -O ™ bO R R b-O ] b -O R ‹ bO ‹ b -O ] ‹ R ] ‹ ppp sempre pitchless clb sul III arco vn 5 begins here tap body of arco damping on bridge arco strike string pitchless scrape, instrument flautando arco sul I & II vn 6 begins here arco msp arco damping string at with finger psp/msp tailpiece msp at notated damping mst sul III & IV with wood (tail- position msp notated position, (vary sound vary bow sul I strings clb sul IV sul II clb sul I of bow piece) msp➞mst at notated mst➞msp (tap) clb sul II sul IV rK stopping bow eachj time) nœ- position r j r r mst psp rK pst➞msp r on string at end each time n-O position n-O™ - nO & í™ ® ≈ ‰ ≈ ‰ ® ® ≈ ≈ ® ≈ b O™ ® ® ® ® bO ® ® ® ® ‰™ bO ‰ ® ‰ vn 5-7 b-O ™ bO™ bO™ ] ‹ R 7 ÔR ] 7 R bO R ] J ‹ R -O ] ppp sempre arco mst sul II pitchless scrape, vn 8 begins here damping string pitchless tap body of clb sul III at notated arco instrument arco vn 10 begins here vn 9 begins here damping string position, on bridge with finger msp strike arco at notated (vary sound sul IV tailpiece flautando stopping bow sul I & II clb sul I arco arco arco vary bow clb sul II position each time) with wood psp/msp on string at end mst➞psp mst K mst (tail- on bridge position mst➞msp jmsp mst r rK j sul I of bow r rK j r j r - n-O™ O™ (tap) n-O sul III piece) sul II & III - each time (tap) & í™ ≈ bO ®b O™ ® ≈ ® ≈™ ≈ ≈ ≈™ ‰ ® ≈ ‰ ‰ bO ≈ ®nœ ® ‰ ® ® vn 8-11 bO ™ b-O b -O O R ] R ] ‹ b-O ] R ‹ R ] 7 ] 7 ] R ‹ ppp sempre
va 3 begins here pitchless scrape, damping strings va 4 begins here va 5 begins here pitchless arco at notated vary bow arco tap body of clb sul II on bridge strike position, position arco on bridge instrument damping string sul III & IV arco tailpiece stopping bow each time mst sul I & II with finger arco at notated clb sul I clb sul I mst with wood arco arco on string arco sul I & II (vary sound msp position pst➞msp msp➞mst sul I of bow flautando msp -at end - msp rK r r rK r r rK - r r rK b O b O sul III each time) sul III & IV (tap) mst➞msp (tap) bO bO psp/msp sul IV B í™ bO ® ≈ bO ® ≈ ® ≈ ≈ ‰ ™ ® ≈™ ≈ bO ‰ ≈ ‰ ® ≈ ® ‰ ≈ ≈ ≈ ‰ ® ® ≈ ® va 3-6 b-O bbO™ bO™ bbO n-œ O ÔR ] ÔR ] ‹ - ] ‹ R ‹ - R R ] 7 - ] ppp sempre pitchless arco vc 3 begins here pitchless scrape, clb sul II on bridge arco strike tap body of damping strings damping arco sul II & III msp tailpiece vc 4 begins here instrument at notated string at damping strings arco sul III with wood mst with finger position, notated arco clb sul III at notated msp & IV of bow clb sul I arco sul I j (vary sound r stopping bow position msp rK msp➞mst rK mst rK rpst➞msp position rK (tail- r r sul II j each time) on string at end mst psp j sul IV bO™ (tap) sul III b-O piece) (tap) (tap) ? í™ ® ® ≈™ bO ® ≈ ® ≈ ® ® ≈™ ‰ ≈ ≈ ‰ ® bO ≈ ‰ ® ‰ ®b-O™ ≈ vc 3-5 bO b-O bO b -O ‹ b -O ] J 7 b-O ] R ‹ ] R ] 7™ ‹ R ] ‹ ppp sempre pitchless arco on bridge cb 3 begins here tap body of sul III & IV clb sul III damping strings arco cb 4 begins arco instrument here pitchless scrape, damping string at notated arco mst flautando damping strings at with finger strike on bridge arco at notated position sul III & IV psp/msp notated position, position (vary sound tailpiece arco sul I arco clb sul IV vary bow arco msp clb sul I on stopping bow mst➞msp each time) with wood mst msp mst➞psp position bridge sul I & II r j rK r r rK r r msp➞mst r r sul I r b-Oon string at end of bow (tap) sul III b-O sul II bO™ each time (tap) ? í™ b O ≈ ≈™ ® ≈ ® ≈ ‰ ® ® ® ≈ b O ≈ ≈ b-O ® ≈™ ® ≈ ≈ ™ ® ≈ ® ≈ ≈ ≈™ bO™ ≈ cb 3-4 ¢‹ bO nbO b-O nO nbO™ nœ b -O R ] ‹ - 7™ ‹™ ] R ÔR ] - ] R - ‹ ppp sempre pitchless scrape, vn 13 begins here arco damping string at pitchless arco clb sul I arco flautando tap body of on bridge sul I arco strike notated position, instrument damping string msp psp/msp stopping bow damping strings at notated sul III & IV mst tailpiece vn 12 begins here with finger arco clb sul III vary bow arco on string at end arco at notated sul I & II with wood (vary sound mst position pst➞msp position msp K msp K position K msp➞mst K of bow j - each time)r sul IV r (tap)r r r (tap)r r (tap)r r ° nnœO each time sul I n-O sul III nO n-O & í™ ® ® ‰ ≈ ‰ ≈ ≈ ≈™ ‰ ® ≈ ‰ bO ≈ ≈™ ≈™ ® ≈ ® ® ≈ ®b O ≈ ‰ ® ® vn 12-13 b-O b -O bO ™ bO 7 R R ] ‹ b-O ] ‹ ] ‹ R b -O ] ‹ ÔR ] ppp sempre
vn 14 begins here pitchless scrape, damping string at clb sul I pitchless tap body of damping notated position, arco arco arco on bridge stopping bow instrument mst vn 15 begins here on arco string at strike arco bridge arco sul III & IV on string at end with finger sul III & IV sul II & III msp notated damping strings clb sul IV (vary sound tailpiece flautando vary bow clb sul I msp sul I & II arco (tap) position at notated pst➞msp each time) with wood psp/msp position mst➞msp clb sul II sul II msp➞mst r r mst r r of bow r rK #œ- r r rK nO position sul III each time mst psp - n-O & í™ ® ≈ ≈ ® ≈ ≈ ® ≈ ≈ ≈ ® ≈ ‰ ≈ ≈ ® bO ® ≈™ bO ® ≈ bO ≈™ ‰™ b O ® ‰ vn 14-16 bO™ ™ b-O™ bO bO b -O R b -O bO ] ‹ 7 b -O ] R J R ] ‹ ÔR ] ppp sempre pitchless arco vn 17 begins here arco pitchless clb sul II tap body of on bridge scrape, arco vn 18 begins here arco msp vn 19 begins here damping string at damping string strike instrument sul I & II mst tailpiece mst sul IV arco arco notated position, at notated arco clb sul IV with finger damping strings clb sul III arco sul I with wood sul I & II clb sul I on bridge mst stopping bow position msp msp mst (vary sound at notated mst➞psp on bridge rK of bow r r j pst➞msp r rK sul II & III r rK r sul III on string at end mst➞msp n-O sul III & IV n-O nO each time) position n-O r (tap) sul III & IV & í™ ® ≈ ® bO ® ≈ ® ‰ ® ‰ ® ≈ ®b O ≈ ® ≈ ≈ ‰ b O ® ≈ ® ≈ bO™ ® ® ≈ ® ‰™ vn 17-20 b-O ™ bO™ b -O™ bO™ bO ] R ÔR ] 7 b -O ] bO R ] R ‹ ÔR b-O ] ‹ n -O ppp sempre pitchless scrape, pitchless damping string at arco clb sul II va 9 begins here arco arco notated position, on bridge damping arco arco strike tap body of va 7 begins here msp va 8 begins here arco mst arco stopping bow sul III & IV string msp on bridge tailpiece instrument arco vary bow sul III on bridge sul IV (tail- msp on string at end at notated clb sul I sul I sul I & II with wood with finger flautando position sul II & III piece) sul I & II position pst➞msp of bow (vary sound psp/msp r each time - r r - - rK rK (tap) b O mst➞msp bO™ - bO b O j j each time) j B í™ ≈ ‰ bO ® ≈ ® ™ ≈™ bO ≈ ® ≈ ≈ ® ≈ bO ≈ ® ® ‰ bO ® ≈ ‰ ® ≈ ≈™ ‰ va 7-10 b-œ bbO™ b-O b O bO ppp sempre ÔR ] - R ] R R R ] ÔR - ] 7 ‹ 7 ‹
vc 6 begins here tap body of vc 7 begins pitchless instrument arco clb sul II strike arco arco pitchless scrape, arco here arco on bridge arco with finger msp damping string tailpiece on bridge mst arco damping string at msp sul II & III on bridge (vary sound sul III at notated with wood sul III & IV sul IV mst notated position, sul I & II clb sul I damping strings clb sul IV (tail- sul I & II each time) position of bow (tap) piece) sul III r stopping bow r r mst➞psp r rK msp➞mst rK at notated pst msp r r rK & IV on string at end b-O bO position j -O ? í™ ≈ ≈ ≈™ ® ® bO™ ≈ ≈ ≈™ ‰ b O ® ≈ ‰ ® bO ‰ ≈ ≈ ≈ ≈™ ≈ ® ≈ ≈ bO ‰ vc 6-8 bO b-O b -O bO™ b -O ] ‹ ] R 7 ‹ ÔR ] R bO 7 b -O b-O ] R ppp sempre pitchless arco on bridge cb 5 begins here tap body of arco sul I & II clb sul II instrument arco damping strings pitchless scrape, arco mst flautando damping string msp with finger psp/msp at notated cb 6 begins here arco strike arco damping string at at notated sul III notated position, sul I (vary sound clb sul IV position msp tailpiece msp position each time) vary bow clb sul I (tap) clb sul I sul III stopping bow mst➞msp position msp➞mst r mst➞psp sul II with woKod pst msp r r (tap)r r r r (tap)j of bow r & IV rKon string at end b-O each time b-O bO™ - ? í™ bO ® ≈ ≈™ bO ® ≈ ≈ ® bO™ ≈ ‰ ≈ ≈ ≈ b O ® ‰ ® ® ‰ bO ≈ ≈ bO ® ‰ ≈ ® cb 5-6 ¢‹ n O - nO nœ ™ - ] J R ] ‹ ] ‹ - ÔR R ‹ ÔR ] ‹ 7 ppp sempre
=
strike arco tailpiece arco arco mst (tap) with wood mst mst sul I r rK clb sul II r (tail- r ° n-O of bow sul II - mst➞psp sul III piece) & ® ≈ ≈ ≈™ ≈™ bO ≈ bO ‰ ≈ ‰ ® ‰ ™î vn 3-4 b-O ™ ÔR ] ‹ 7 ÔR ] R ] 7 (ppp sempre) arco arco arco on bridge on bridge mst vn 7 begins here sul III & IV sul II & III sul I & II (tap) arco (tap) j (tajp) rK mst r rK n-O r sul IV & ® b O ≈ ‰ ® ® ≈™ ‰™ ≈ ® bO ‰ ™î vn 5-7 bO b -O ‹ ÔR ] ‹ b -O ‹ -O ] (ppp sempre)
vn 11 begins here arco mst arco clb sul IV sul III & IV arco pst➞msp on bridge K msp j r r sul I & II r r (tap) sul III & IV (tap) n-O & ‰ ≈ ® ≈ ‰ b O ® ≈ ≈ ‰ ® ‰ ™î vn 8-11 bO bO™ ‹ b -O ] ‹ ÔR ] bO b -O ] (ppp sempre) arco va 6 begins here on bridge arco sul I clb sul III mst (tail- mst psp (tap) j sul II r (tap) j j ™ b-O b-O piece) ™ va 3-6 B ‰ ‰ b O ≈ ® ‰ ≈ bO ≈ ™î ‹ R ] R 7™ ‹ (ppp sempre)
vc 5 begins here arco on bridge clb sul IV arco arco arco vary bow sul III & IV mst➞msp on bridge mst flautando position r r sul I & II r sul I & II psp/msp r b-O™ (tap) -O each time ? ≈ ≈™ ® ≈ ≈™ b O™ ≈ ® ≈ ® O ‰ ® ® ‰ ™î vc 3-5 bO #œ ™ b -O bO R ‹™ ÔR ] - (ppp sempre)
arco arco mst (tail- r clb sul II (tarp) msp r r sul I b-O piece) pst msp sul IV (tap) ? ≈ ® ‰ ® ‰ ® bO ® ‰ ≈ ≈ ‰ ™î cb 3-4 ¢‹ nO ™ ÔR ] 7™ J ‹ - ] ‹ (ppp sempre) arco arco on bridge arco clb sul IV mst sul II & III sul II clb sul II (tail- rK on bridge r mjst psp mst➞msp ° piece) sul I & II n-O™ (tap) - rK & ≈™ ‰ b O™ ® ® ≈ ® ® ®bO™ ≈™ bO™ ≈ bO ® ≈ ™î vn 12-13 b -O 7 R ‹™ bO R ] R (ppp sempre) arco msp vn 16 begins here sul IV arco arco mst on bridge rK (tail- j r sul I r sul I & II j (tap) piece) (tap) n-O (tap) n-O & ≈ ® ‰ ® ® ≈ ‰ ® ≈™ b O ‰ ™î vn 14-16 ™ ™ ‹ b-O ] 7 ‹ ÔR ] ‹ ÔR (ppp sempre) arco vn 20 begins here mst arco vary bow (tail- sul II flautando position (tap) j r (tap) r (tap) r psp/msp r each time piece) - ™ vn 17-20 & ‰ ≈ ‰ ≈ ‰ bO ® ≈ ≈ ‰ ® ® ™î ‹ 7 ‹ ÔR ] ‹ b-œ (ppp sempre)
va 10 begins here clb sul IV arco arco clb sul III mst➞psp mst mst msp mst (tap) r r sul II r r j r (tap) b-O (tap) sul III & IV B ® ® ≈ ≈ ® ‰ ≈ ≈ bO™ ® ≈ bO ® ‰ ™î va 7-10 bO O™ ™ ‹ ÔR ] ‹ - ] ‹ (ppp sempre)
arco vc 8 begins here arco msp clb sul III arco vary bow mst sul I mst➞msp (tap) flautando r position sul II b-O™ r r psp/msp each time (tap) j (tap) r ? ® ® ≈ ≈ ‰ ≈ ® b-O ‰ ® ‰ ™î vc 6-8 bO™ n-œ R ] ‹ ‹ ÔR ] ‹™ (ppp sempre) arco arco mst mst sul IV arco sul I & II arco on bridge (tail- on bridge rK r r rK sul III & IV r b-O (tap) sul II & III piece) ? ‰ ® b O ® ≈™ ‰™™ bO™ ≈ ® ® ≈ ≈™ ® ≈ ™î cb 5-6 ¢‹ b -O nO nbO R ] ‹ 7™ - ] - (ppp sempre) 24 7 q=49 3:2 113 5:4 >. ° ‹ 4 j µœ & Œ ≈ ‰ nœ ˙ Œ Ó picc - J p mp 5:4 B>œ. 3:2 j r Œ ‰™ ≈ Ó ‰ ‰ ≈ ‰ Œ fl & bœ œ mp R p - 5:4 - 7:6 µœ ˙ ˙™ ˙ œ™ j j #œ-™ ob & Œ ≈ ‰ ≈ #œ™ œ ˙ œ J J - pp ppp p Bœ- œ œ™ ˙™ - engl & ≈ Bœ™ œ ˙™ w hn pp ppp J pp 3:2 -™ bass & ∑ nœ ‰ Ó ∑ Ó ≈ #œ ob - J 5:4 j p pp >. ™ µœ cl in Bb & Œ ≈ ‰ Ó ∑ Ó ≈ ‰ R p n-œ ˙ mp j b cl & ∑ Bœ ˙ w ˙ ≈ in Bb - nœ™ pp - >- 5:4 ™ ppp p Bœ œ ˙ - cb cl & Œ ≈ ≈ Bœ™ œ ˙™ w in Bb J pp ppp pp 5:4 µ>œ. r sopr & Œ ≈ ‰ ≈ Ó™ ≈ ‰ Œ sax nœ. mp R mp > Ÿ~(B~~b~~ k~~e~y~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r nœ-™ œ ˙ œ 7:6 bari & ∑ Œ ≈ ‰™ ‰ Ó ≈ nœ ‰ sax . J mp> 5:4 j p 7:6B-™ ™ ? Œ ≈ ‰ Ó™ Ó Œ œ œ ˙ œ œ bsn n-œ ˙ p pp J J j 7:6B>œ. ? ∑ Œ ≈ ≈ ≈ ‰ Ó™ cbsn ¢ nœ™ œ ˙ œ p - mp R ¯ j 3:2 -¯ >. ° ± F2 B ™ nœ ≈ œ œ œ œ w ˙ ≈ ‰ horn 1 & Bœ œ œ™ ˙ œ™ - J R pp ppp pp ppp mp > 5:4 ¯ ± Bœ. 3:2 ™ ? - ™ horn 2 & Œ ≈ ‰ Ó Œ nœ œ ‰ Œ J mp R p R ± r 5:4 -+ ™ 7:6 Œ ≈ ‰™ Ó™ ≈ #œ œ ˙ œ ‰™ ‰ Ó™ horn 3 & µœ mp >. p J ± nœ-¯ ™ œ ˙™ w & ≈ horn 4 Bœ œ œ™ ˙™ pp - J ppp pp harmon mute 7:6 5:4 j j (stem extended) B>œ. pedal tone! #œ™ picc tpt & Œ ≈ ‰ ≈ Ó™ Ó Ó Œ - in Bb mp R nœ™ œ ˙ œ p - harmon mute 5:4 3:2 ‘ (stem removed) j j “ tpt & Œ ≈ ‰ Ó Œ µœ œ œ™ œ w ˙™ in C nœ - p - pp 7:6 straight mute r j j bass tpt & ∑ Œ ≈ Bœ ‰ Œ Ó Œ nœ™ œ ˙ œ œ™ in Bb >. - harmon mute mpr pp (stem in) 7:6 > ? ∑ Œ ≈ ‰ Œ Ó Œ Bœ. ≈ ≈ ‰ Ó™ tbn µœ. 5:4 r mp > mp R straight mute j cb ? Œ ≈ ‰ Ó ≈ ‰ Ó ∑ Ó™ tbn µœ. p nœ p > straight r - 3:2 j j ? mute ≈ ‰ Ó™ Œ ≈ tba ¢ µœ œ œ™ œ w ˙ #-œ™ mp nœ - p >. pp ppp sandpaper blocks ("high") - maraca ("high") - wind machine continuous circular motion always 7:6 continuous circular motion always 3:2 j j r ° 5:4 œ- œ ‰ ‰ Ó ‰ Ó Ó Œ ‰™ perc 1 / -œ œ™ œ ˙ œ / ppp R shell chimes ppp floor tom - hold bunch of twigs against drumhead and roll them to produce "crackling" sound - ~~~~~~~~~~ 3:2 for indicated duration ppp string drum (slowly!) - 5:4 j r j Œ ≈ œ ‰ Ó Œ ‰™ Œ ∑ Ó ≈ perc 2 / œ œ ™ / J - -œ ppp ppp sizzle cymbal (large) ppp 5:4 (return to (both soft-headed beaters held in one hand above and below cymbal so as to damp easily with the other hand) rainstick ("low") j horizontal) ¡A¡A - Œ ≈ ‰ Œ ≈ œ™ œ ˙ œ 7:6 ‰™ ‰ Ó™ perc 3 / œ ˙ æ æ æ æ ] / ¢ - æ æ æ æ ppp 3:2 J b>œ. ppp r secco ? ≈ ‰ Ó Œ Ó hp 1 { nœ œ & - J mp ] mp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ secco 5:4 3:2 j #œ bœ ˙ œ Œ ≈ ‰ ‰? Ó hp 2 & nœ & { >. pp J J ppp mp ° ebow* 5:4 ebow 3:2 nœ œ Œ Ó ‰ Ó e gtr ¢& nœ ‹ p R ] - ] * retain same effects settings from here until the end: as in bars 13-20: bright, precise sound without much compression so as to respond well to both plucking and ebow, p perhaps with a subtle very slow phasing/flanging-type modulation so that the sound isn't too unvarying and mechanical q=49 7 1 pizz µ>œ. >j 2 arco sul III msp 2 arco** >- 5:4 2 pizz mp 7:6 - ne 1 (arco) #œ ne ™ r ° 4 sul II ‰ j ≈ ‰ ≈ ™™ ≈ Ó Œ ™ ‰™ vn 1-2 & nO O O #œ Ó nO O O O 2 con sord mp R p - ‰ J (1 senza) pp ppp 3:2 p p-p 1 arco** - 5:4 - 1 #œ œ 2 arco nœ œ™™ 2 Bœ ˙ w ˙™ mst B ‰ ≈ µœ™ va 1-2 & ≈ 2 con sord R J Bœ ˙ w ˙ J (1 senza) p - pp ppp - pp ppp pp > 5:4 7:6 > - mp ≈ j j j #œ™ 2 pizz ‰ Œ 2 arco pp 2 arco ? Œ Bnœ œ w œ ˙ œ #Bœœ™ œ ˙ ≈ vc 1-2 ≈ ™ ≈ 2 con sord 1 arco mst** - J J J (1 senza) 5:4 1 pizz pp ppp mp pp 1 arco > 1 arco** j 3:2 1 pizz Bœ - 5:4 2 pizz - ? ‰ ≈ #œ ‰ Ó ‰ bœ œ ‰™ Œ ? cb 1-2 ¢ & #œ 2 con sord J J > J R (1 senza) mp p mp p Each player in the outer string groups plays independently, beginning at the indicated point in the "loop" and repeating it, ignoring e=75-105 individually conductor and barlines, until the conductor cues bar 120. ** group 1 strings: arco always "nat" unless otherwise indicated Each player may vary his/her tempo freely between the given limits, abruptly or gradually and at any point, but especially avoiding any sense of coordination or synchronisation between instruments. An individual loop will be between 10 and 14 seconds long. On average therefore, each player will play his/her material approximately four times. “” vn 4 begins here arco arco arco vn 3 begins here arco gettato arco flaut. gett. arco arco arco arco flaut. msp arco flaut. pst psp pst msp arco flaut. mst Bœ- flaut. Bœ- mst Bœ- Bœ-™psp Bœ-™™ Bœ-™ Bœ- œ Bœ™ Bœ-™pst Bœ- Bœ™ ° con sord divisi n œ pst œ œ pst œ™ œ™™ œ™ œ œ œ™ œ™ œ œ™ & í™ ≈ ® æ ≈™ æ ® ® ® ® vn 3-4 æ æ o ] o o o oo ] p sempre vn 7 begins here vn 5 begins here vn 6 begins here arco arco arco arco gettato arco arco gett. arco arco arco arco flaut. gett. flaut. msp pizz nat. flaut. psp msp - arco - flaut. - psp > -mst - pst msp - - -pst µœ mst µœ µœ™ µœ µœ µœ µœ™ œ™ µœ µœ pst µœ™ µœ™ µœ con sord #µ œ #µ œ pst #µ œ™ #µ œ #µ œ #µ œ #µ œ™ œ™ #µ œ #µ œ #µ œ™ #µ œ™ #µ œ divisi í™ vn 5-7 & ™ ≈ ≈ æ ® ® ≈ ® æ ≈ R æ æ ] ] p sempre o o o o o o
vn 8 begins here arco vn 9 begins here vn 10 begins here flaut. arco gettato arco arco gett. arco flaut. arco arco arco flaut. flaut. pizz arco flaut. pst msp pst msp arco con sord divisi B ™™ Bp-st™ B-™psp B- mst B-™ B ™ B-pst B>nat. B-p™ st B-p™ sp B- í™nB œ™™ B œ™ B œ™ ≈ B œ ®B œ™ œ B œ™ B œ B œ B œ™ B œ™ ®B œ vn 8-11 & ™ #œ™™ #œ™ #œ™ #œ #œ™ œ #œ™ #œ #œ #œ™ #œ™ #œ æ R æ æ ] æ o o o o o o o p sempre arco va 4 begins here va 5 begins here va 3 begins here gettato arco arco flaut. arco arco arco arco psp arco gett. arco flaut. gett. flaut. msp pst psp arco flaut. rarco æ æ msp pst msp pizz nat. pst mst pst con sord divisi mst æ æ B í™b Bœ ≈ ®bBœ bBœ™ bBœ™ bBœ™ ® ®bBœ bBœ bBœ Bœ ®bBœ bBœ ® ≈™ bBœ va 3-6 nµœ µœ µœ™ µœ™ µœ™ µœ µœ µœ µœ µœ µœ µœ - ] - o- - oo o > o - ] o p sempre o vc 5 begins here vc 3 begins here arco arco vc 4 begins here arco arco flaut. gettato flaut. gett. arco flaut. arco arco arco arco arco pst msp pizz nat. pst msp pst rmst r psp psp psp rmst con sord divisi æ æ æ ? í™ ® æ ≈ æ ® ® æ ® ® ® ≈ vc 3-5 ™ nœ œ™ œ œ œ œ™™ œ œ™ œ œ œ™ œ Bn œ Bœ™ Bœ œ Bœ Bœ™™ Bœ Bœ™ Bœ Bœ Bœ™ Bœ - ] - - - > - - ] - - o o o o o p sempre cb 4 begins here arco arco arco arco cb 3 begins here arco psp arco arco arco flaut. gettato flaut. gett. flaut. arco gett. pizz arco r psp pst msp pst msp pst psp msp nat. æ rmst con sord divisi æ æ æ ? í™ Bœ™ ® ® Bœ™ œ™ Bœæ™ ≈ Bœ ≈ ≈ Bœ ™ Bœ™ Bœ™ Bœ Bœæ™ ® Bœ™™ Bœ cb 3-4 ¢‹ µ -œ™ µ -œ™ œ™ µ -œ™ µ -œ µ œ µ -œ™ µ œ™ µ -œ µ -œ™ µ œ™™ µ œ p sempre o ] o o o o o > “” vn 12 begins here arco vn 13 begins here arco arco gettato arco flaut. gett. arco arco flaut. gett. arco arco arco arco msp pst msp psp pizz nat. pst msp nœ œ-™ œ œ œ-™ œ- mst >œ™ œ- œ™ œ-mst œ-™psp œ-™™ flaut. œ ° con sord divisi n œ œ™ œ œ œ™ œ œ™ œ œ™ œ œ™ œ™™ pst œ í™ ® ® ≈ ® ≈ ® vn 12-13 & æ æ æ R æR o o o ] o ] o p sempre vn 15 begins here vn16 begins arco arco arco here vn 14 begins here gettato arco gett. arco arco flaut. arco flaut. gett. arco gett. arco pizz nat. msp msp psp - arco flaut. > -pst - arco - pst msp - mst msp - flaut. Bœ™™ pst Bœ Bœ œ Bœ™ Bœ mst Bœ™ Bœ œ™ Bœ Bœ Bœ Bœ™ pst Bœ con sord divisi nB œ™™ B œ B œ œB œ™ B œ B œ™ B œ œ™ B œ B œ B œ B œ™ B œ í™ ‰ ≈ ®® æ vn 14-16 & æ o o o ] o o o ] o o p sempre vn 17 begins here arco arco arco arco arco psp flaut. vn 18 begins here arco flaut. arco vn 19 begins here pst gett. arco flaut. gettato flaut. arco pst arco pst gett. arco msp msp pst pizz nat. r psp ™ æ psp æ msp mst r æ con sord divisi bœ™ bœ™ œ™ bœ™ bœ™ bœæ™ bœ œ bœæ™ bœ bœ bœ™ bœæ™ bœ & 홵µ œ™ µµœ™ œ™ µµœ™ µµœ™ µµœ™ ® ® µµœ œ µµœ™ ®µµœ µµœ ≈ ® µµœ™ ≈ µµœ™ ® µµœ vn 17-20 nœ™ -œ™ œ™ œ™ -œ™ -œ™ -œ œ -œ™ œ -œ œ™ -œ™ -œ o o oo o o ] > o p sempre arco va 7 begins here arco arco arco va 8 begins here arco arco psp flaut. va 9 begins here flaut. arco gettato flaut. gett. arco arco flaut. gett. msp pst msp pizz nat. pst msp pst arco pst psp mst con sord divisi æ ™ æ B í™ Bœ™ Bœ œ™ Bœ™ Bœ Bœæ™ ® Bœ œ Bœ™ Bœ™ Bœ ≈ ≈ Bœ œ™ Bœæ™ ≈ va 7-10 Bn œ™ B œ œ™ B œ™ B œ B œ™ B œ œB œ™ B œ™ B œ B œ œ™ B œ™ #œ™ #-œ œ™ #œ™ #œ #-œ™ #-œ œ #œ™ #-œ™ #œ #-œ œ™ #-œ™ o o o > o o o ] o p sempre arco flaut. vc 8 begins vc 7 begins here here vc 6 begins here arco arco pst arco arco flaut. arco arco flaut. arco flaut. gettato arco gett. arco arco pst psp pst psp pst msp mst psp mst msp con sord divisi r æ æ æ ? í™ ≈ ® æ ≈ ® æ ≈ æ vc 6-8 ™ bœ bœæ™ bœ bœ™ œ™ bœ™ bœ™ bœ™ bœ™ œ bœ™ bœ bœ Bnœ B œ™ B œ B œ™ œ™ B œ™ B œ™ B œ™ B œ™ œB œ™ B œ B œ - ] - - ] -o - -o - -o o -o p sempre o cb 6 begins here arco cb 5 begins here arco arco arco arco gettato arco flaut. arco gett. psp arco arco arco flaut. arco gett. flaut. mst msp pst msp r psp rmst pst psp msp pst con sord divisi æ æ æ ? í™ æ ® ≈ ® ® ≈ ® æ ® ™ æ ® cb 5-6 ¢‹ nµœ™ µœ µœ™ œ™ µœ µœ µœ™ µœ™™ µœ œ µœ™ µœ™ µœ - - ] - - ] - - - - p sempre o o o o o o 25
- 115 ‹ Bœ ˙™ œ œ™ ° ™ - ™ picc & Ó Ó ‰ nœ œ ˙ w œ œ ≈ pp J ppp R J J µ>œ. pp µ>œ. 4:3 ™ ™ ™ fl & Œ ≈ ‰ ≈ Ó Ó Ó ≈ ‰ Ó mp R mp R Ÿ(~B~b~~ k~~e~y~~)~~~~~~~~~~~~ - 3:2 4:3 #œ œ œ œ ™ ™ ob & ≈ ‰ ≈ Ó Ó Ó ‰ Ó R p j4:3 nœ- œ 3:2 engl & œ ≈ ≈ ≈ Ó™ Ó Ó™ ‰ Ó hn b-œ ppp p p 4:3 r r bass & œ ≈ ≈ ‰ Ó Ó™ ob #œ œ œ w œ ˙™ w œ œ pp - r ppp 4:3 - ™ ™ ™ cl in Bb & Œ ≈ ‰ nœ œ ˙ œ ‰ Œ Ó Ó ≈ ‰ p R R J #œ mp >. 4:3 - r Bœ œ ˙™ œ œ œ ˙™ w œ œ j 3:2 b cl & ‰ ≈ ‰ Œ in Bb œ œ pp R R R nœ ˙™ œ ppp - j j 3:2b>œ. p cb cl & w œ œ ≈ ‰ Ó in Bb bœ œ ˙™ œ œ ppp R - J pp ppp mp B>œ. 3:2 j r 3:2 j sopr & Ó Ó™ ‰ ≈ Œ Ó™ Œ Œ nœ œ œ ‰™ ∑ Œ Œ Œ sax - nœ mp R p mp >. - nœ- œ ˙™ nœ™ œ™ bari & Ó Ó™ ‰ Ó™ ≈ ‰ Ó Ó™ sax J >. 4:3 p J p Bœ 3:2 µ>. j ? œ ≈ ‰ ≈ Ó™ ‰ œ ≈ Œ Ó™ Œ Œ bsn nœ œ œ œ™ w ˙™ R R - ppp mp mp pp 4:3 r r 3:2 - 3:2 - B>- ? Œ ≈ ≈nœ œ ˙™ œ œ ‰ Bœ œ œ œ™ w œ œ ‰ œ œ cbsn ™ æ æ æ æ æ ¢ #-œ œ œ ˙ œ æ æ æ æ æ J J J pp J J ppp ppp pp ppp pp¯ ° + 3:2 j Ó™ Ó™ ≈ nœ-™ œ™ ‰ Ó™ Œ horn 1 & nœ œ - p J pp ¯j ¯ r ? Ó Ó™ ‰ Ó™ ≈ ‰ horn 2 & n-œ œ ˙™ #œ + p mp >. 4:3 r 3:2 r r j j Œ ‰™ nœ œ ˙™ œ œ œ ˙™ œ œ ‰ nœ œ œ ‰™ horn 3 & - - ¯ pp + >. ppp p F23 >. 4:3 #œ œ Bœ ™ ™ ™ ? horn 4 & ≈ ‰ ≈ Ó Ó Ó ≈ ‰ Ó ppp mp R mp R 4:3 3:2 >. œ œ ™ ™ nœ picc tpt & ≈ ‰ ≈ Ó Ó Ó Œ Œ Ó & in Bb R mp J 4:3 r r >. 3:2 j Bœ ™ tpt & œ ≈ nœ œ œ w œ ˙™ w œ œ ≈ Ó Œ bœ œ in C - J - ppp pp p ppp mp j 4:3 Ÿ~~~~~~~(~3~/~~1~~2~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 j - ™ ™ bass tpt & œ œ ≈ #œ #œ œ ˙ œ œ œ ˙ œ ≈ in Bb R R J #œ œ œ ˙ w ˙™ ppp - pp ppp pp (o/+ rapid opening and closing of harmon) ~j~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ - 4:3 ? Œ ≈ nœ ≈ ≈ Ó™ Ó Ó™ Ó™ ≈ tbn µœ™ œ™ œ ˙™ ˙ p J - pp 4:3 r r j 3:2 j r j 3:2 j ? ™ cb Œ ≈ ‰ ‰ Œ Ó Bœ œ œ ˙ œ œ ≈ tbn - p nœ œ ˙™ œ Bœ ˙™ œ œ œ - pp ppp - pp (1/13) 4:3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r bœ- ˙™ œ 3:2 ? ≈ ‰ ≈ Ó™ Ó Œ™ bœ ‰ Œ tba ¢ œ œ p J glass chimes ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 - 3:2 j ° 4:3 - ™ sleighbells œ œ œ rainstick ("high") / Œ ‰™ œ œ ˙ œ ‰ Œ Ó™ Œ Œ ‰™ Œ™ ‰ Ó™ Œ œ œ perc 1 J - ppp R R ppp J R ppp 4:3 floor tom - scrape edge of small cymbal against drumhead (return to r j for indicated duration rainstick ("medium") j horizontal) / ≈ ‰ ≈ Ó™ ‰ Ó™ ≈ œ™ œ™ ‰ Ó™ Ó perc 2 œ œ -œ œ ˙™ - ~~~~~~~~~ ppp ppp bass drum - place large flat stone on drumhead and make slow ~~~~~~~~~~~~~~~~~~~~~~~ circular movements against it with another similar stone for (remove j4:3 wood chimes 3:2 thunder sheet - indicated duration j 3:2 stone!) / Œ ≈ ≈ ≈ ∑ Œ Ó™ œ œ ‰ Ó Œ™ ‰ Œ perc 3 ¢ -œ -œ ˙™ œ ppp ppp ppp 4:3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ ≈ nœ- ≈ ≈ Ó™ Ó Ó™ Ó™ ?≈ #œ-™ bœ œ™ œ ˙™ ˙ hp 1 {& p J ] J J pp 4:3 #>œ. 3:2 j Œ ‰ ≈ ≈ Ó™ Ó Ó™ Ó™ ≈n nœœ-™ œœ™ ‰ Ó™ Œ hp 2 {& # œ™ œ™ J nœ œ mp R p p - ebow ° ™ nœ- œ ˙ œ™ 3:2 e gtr & Ó Ó ‰ ≈ ‰ Ó ¢ J J nœ œ ‹ pp - ] > p 1 pizz µœ 1 - 3:2 j ° arco sul IV ne & Ó Ó™ ‰ ≈ Œ Ó™ vn 1-2 nO O O O O ~ O O O mp R pp 4:3 3:2- j ppp p- ™ 1 arco p j œ œ ≈ r r j ‰ Œ Ó 3:2 j sul IVj n e nO O O O O 2 pizz 1 arco B œ œ œ œ™ n œ œ ˙w œ œ œ ˙ œ™ B Œ Œ va 1-2 & µœ nO O J ≈ J ‰ nœ œ œ œ™ w œ œ ‰ ppp . - II J > pp mp ppp pizz > mp ppp 4:3 r (2) 3:2 1 arco mst œ œ œ™ œ w œ ˙™ œ œ 2 pizz j -™ ™ ™ 3:2 j 1 arco msp n O ™ O ™ O O ™ O ? #œ ‰ Œ ≈ nœ œ œ ˙ œ ‰ vc 1-2 ‰™ ≈ Œ ∑ b>œ µœ œ 1 pizz mp R J J J J - mp pp > pp ppp 4:3 4:3 -r r j 1 arco p ™ 3:2 2 pizz nœ œ ˙ œ 2 pizz div. pizz j 1 pizz j ? nœ ™ ™ >™ ™ ™ ? cb 1-2 Œ ‰ Œ Ó Ó &≈ nœ Œ µBœœ Ó Œ Œ ¢ ‰™ > B>œ mp R mp J mp > mp <“> arco arco pizz gett. gett. n>at. msp arco msp Bœ Bœ Bœ-™ psp Bœ™ ° œ œ œ™ œ™ ™ ≈ ® ™î vn 3-4 & æ ™ æ R o o arco o (p) gett. - arco -arco msp µœ™ flaut. µœp™sp µœ™ #µ œ™ pst #µ œ™ #µ œ™ ™ ™ vn 5-7 & æ ≈ ™î æ J oo o (p) vn 11 begins here arco arco gett. gett. arco msp arco msp œ Bœ™ Bœ-mst Bœ Bœ-™psp œ nB œ™ B œ ® ≈ B œ B œ™ ≈ ™î vn 8-11 & œ #œ™ #œ #œ #œ™ ™ ™ æ ] æ o æ (p) o va 6 begins here arco gett. arco arco msp psp flaut. æ jpst B œ Bœ™ Bœæ™ ® ® Bœ™™ ™î va 3-6 œ bn œ™ b œ™ b œ™™ ™ œ µœ™ µ-œ™ µ-œ™™ o o (p) arco arco gett. arco flaut. gett. arco msp pst msp flaut. pst ? ™î vc 3-5 B nœ™ Bœ™ Bœ Bœ™ ™ n œ™ -œ™ œ -œ™ oo o o (p) arco arco arco flaut. gett. flaut. arco pst msp pst mst ? ‰ Bœ Bœ Bœ œ bœ ®™î cb 3-4 ¢‹ µ -œ µ œ µ œ œµ -œ o o o ] <“> (p) arco arco arco flaut. gett. arco -p™sp -p™ st ™ msp™ ™ flaut. nnœ™ œ™ œ™ œ™ œ™ pst ° ™ vn 12-13 & æ ® ™î æ o o o o (p) arco arco arco œ™ Bœ-™psp Bœ-™flaut. Bœ-™psp œ™ nB œ™ B œ™pst B œ™ æ ≈ æ ®≈ ™î vn 14-16 & æ æ o (p) vn 20 begins here arco gett. arco arco msp flaut. mst ™ pst œ bœ bœ™ bœ™™ & œ µµ œ ≈™ µµœ™ µµœ™™ ™î vn 17-20 œ n-œ œ™ -œ™™ ] o o (p) va 10 begins here arco gett. arco flaut. arco msp arco pst mst æpsp ™ æ B ≈ Bœ Bœ ≈ Bœ Bœ™ ≈ ™î va 7-10 Bn œ B œ B œ B œ™ #-œ #-œ ] #œ #-œ™ (p) o o arco gett. arco flaut. arco pizz nat. msp pst gett. msp ? ™î vc 6-8 bœ bœ bœ bœ™™ ™ Bnœ B œ B œ B œ™™ > o -o o (p) pizz arco flaut. arco gett. arco flaut. nat. pst msp pst ? ™î cb 5-6 ¢‹ œ µœ™ µœ œ µœ µœ™ > o- o o (p) 26
4:3 118 ˙ œ œ (R123) 6:5 3:2 - ° ‹ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j #œ ≈nœ™ ˙ Œ Œ™™ nœ- ‰ ∑ ∑ Ó Œ picc & - nœ™ J R p R - p J p p ppp nœ- 3:2 4:3 - 4:3 j µœ™ ˙ œ œ™ µ>œ. fl & Ó ‰ ‰ æ æ æ æ ≈ Œ ∑ Ó Œ ‰ æ æ æ æ R nœ œ ˙ mp pp ppp p - - mp >. #œ ˙ œ ˙™™™ Bœ - 4:3 3:2 & Œ ≈ ‰ Ó Ó ≈ B˙ œ ‰ Œ ‰ Ó ‰ ob b-œ mp R pp ppp pp J pp n>œ. - 6:5 4:3 Bœ œ™ ˙™™™ j 3:2#œ- engl & Ó ≈ ‰ Œ Ó™ Œ™™ ≈ ≈ ‰ Œ ‰ Ó Œ æ hn n˙ œ æ mp R - mp æJ pp ppp mp j j 4:3 j 4:3 ™ 3:2 bass & Ó nœ œ Œ Ó ≈ Œ ∑ Ó ‰ Œ ‰ Ó nœ ‰ ob - nœ œ™™ n-œ - p p - p mp >. - 4:3 r µœ #˙ œ j & Œ ≈ ‰ Ó Ó ≈ ‰ ‰ µœ œ ˙ Œ cl in Bb nœ. J - mp > mp R mp p - 6:5 (R23+L123) 4:3 r 4:3 nœ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~ j b cl & Ó ‰ ‰ ≈ Œ Ó™ Œ™™ ≈ ‰™ ∑ ‰ µœ œ ˙ Œ in Bb #˙ œ - p J - mpnœ pp pp >. 4:3 j j - 6:5 j 4:3 æ æ æ æ æ nœ - 3:2 cb cl & Ó æ æ æ æ æ ≈ nœ™ ∑ ‰ Œ ‰ Ó ‰ in Bb n˙ œ n-œ œ œ™ ˙™ œ™™ - n-œ pp p p pp ppp p (R13+Eb key) Ÿ~~ - 3:2 - ™ B>œ. µw nœ sopr & ∑ ≈ ‰ Ó™ ∑ Ó Œ sax mp R pp mp J (R123) Ÿ~~ r 6:5 r µ>œ. 3:2 j bari & Ó #œ ≈ ‰ Œ Ó™ Œ™™ ‰ ‰™ ≈ ‰ Œ Ó ∑ Ó Œ nœ sax . nœ - > p - mp R mp - 4:3 pp - - 4:3 nœ 3:2 ? ≈#œ œ ≈#œ™ ˙ Œ Ó ‰ Œ ‰ Ó ‰ bsn ™™ æ æ œ J æ æ J nœ R p p p - ppp pp 6:5 ™ ™ ™™ r 4:3- ? œ ˙ ˙ œ ≈ Œ Ó Œ #œ œ ˙ Œ cbsn Bœ. ¢ > nw J ppp mp - mp pp ¯ ± F23 ¯ Bœ- ˙ œ w j 4:3 ° BbØ 3:2Bœ- & ≈ Ó ‰ Œ ‰ Ó Œ horn 1 œ ˙™ œ™™ B-œ ppp J ppp pp p pp ¯ 4:3 4:3 3:2 + j j µœ-™ ˙ œ ˙™ ˙™™™ + j ±j Ó Bb2 ≈ ‰ Œ ‰ Ó ? Œ horn 2 & n˙ œ µœ #-œ œ - - p pp sub. ¯ ppp p ¯ p + >± >. 4:3 3:2 j 4:3 Bœ. #œ j ± Ó ‰ ‰ ≈ ‰ Ó™ ≈ ‰ Œ Ó Ó ? ‰ Œ ‰ Ó Œ horn 3 & n-œ & Bœ nœ™ ˙ mp R mp R - p - ¯ mp pp ± j6:5 >. ± ? Ó µœ ≈ ‰ Œ Ó™ Œ™™ ≈ ‰™ µw horn 4 & b-œ - mp R p pp r 4:3 6:5 #œ 3:2 picc tpt & Ó ‰ ‰ µœ ≈ Œ Ó™ Œ™™ ≈ - ‰ ∑ ∑ Ó ‰ in Bb . nœ mp > p >. b-œ mp pp 6:5 (pedal tone!) j 4:3 Bœ- œ™ ˙™™™ tpt & œ Œ Ó Ó™ Œ™™ ≈ ≈ ‰ Œ ‰ Ó™ in C n˙ œ pp - ppp “‘ 6:5 pp 3:2 r 4:3 j j - #œ- bass tpt & ≈ Bœ ˙ ˙™ œ™™ ≈ Œ ∑ Ó ‰ Œ ‰ Ó Œ in Bb œ™ nœ J #œ ppp . p p - ~~~~~~~~~p~~p~~p pp mp > j 4:3 j ? n>œ- ˙ ˙™ œ™ - 6:5#œ-™ w tbn ≈ ≈ Bœ ≈ Ó Œ Œ œ™ J J #œ œ ˙ pp ppp ppp p ppp pp pp - ? cb ≈ ≈bw tbn µœ œ™ - ™ ™ - ppp w ˙ œ pp p ppp r 6:5 j 4:3 ? Œ Ó Ó™ Œ™™ ≈ Œ ∑ ‰ Œ ‰ Ó™ tba ¢ b-œ n˙ œ p p nœ - - mp snare drum rapid random plucking of snares (both soft-headed beaters held in one hand above and below (return to sizzle cymbal (small) ~~~~~~~~~~~ ¡A¡A cymbal so as to damp easily with the other hand) maraca ("high") - 3:2 ° horizontal) - 4:3 6:5 4:3 sleighbells œ Œ ‰ ‰ Œ Œ™™ ≈ œ- ‰™ ∑ j ‰ Œ ‰ Ó ‰ perc 1 / œ œ™ ˙ æ ] ˙ œ ppp æ - ppp æJ ppp ppp sizzle cymbal (medium) (both soft-headed beaters held in one hand above and below sandpaper blocks ("medium") - cymbal so as to damp easily with the other hand) continuous circular motion always j 4:3 shell chimes ~~~~ maraca ("high") - continuous circular motion always - 6:5 - string drum 3:2 - Œ Ó Ó ¡A¡A œ œ™™ ≈ ‰ œ™ ∑ Ó ‰ Œ ‰ Ó Œ œ perc 2 / -œ æ æ ] œ æ æ ppp J - ppp ppp ppp ppp J sandpaper blocks ("low") - continuous circular j 4:3 motion always maraca("low") - continuous circular motion always bass drum (stones)j bass drum ¡A¡A æj æ 6:5 4:3 Ó æ æ Œ™ Ó™ Œ™™ œ- ‰ - Ó ‰ ‰ Œ perc 3 ¢ / œ œ w œ œ ˙ - ppp R ppp - ppp ppp Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ bœ œ w 4:3- <Ÿ>~~~~~~~~~~~ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j #œ œ ˙ ? ™ nœ bœ ˙ ˙™ œ™ ? hp 1 œ & ≈ ≈ Ó ‰ Œ & { J J pp ppp R ppp mp #œ pp ppp pp - 3:2 Œ Ó Ó ? ≈ Œ ∑ Ó ‰ hp 2 {& & n-œ œ #w ] p ™™ p - mp n-œ œ nœ- œ™™ 6:5 -™ 3:2 j ° ebow ebow ebow nœ ebow Œ Ó Ó ‰™ ∑ ∑ Ó Œ e gtr ¢& nœ nœ - p J - ‹ p ] p ] ] -j p 6:5 ne 4:3 div. r 1 (sul I) j ™ 1 pizz 2 arco div. Œ pizz j 4:3 j ° 2 nO O nœ nw- arco pp ≈ ≈ ‰ ™ Ó Œ Œ vn 1-2 & #>œ µœ œ ˙ O™™ Bœ œ œ™ ˙™ œ™ nœ. mp n -œ œ ˙ J J mp > mp p ppp - 4:3 pp ppp sul II 6:5 p j pp - r (2) Ó 1 arco nœ œ™™ œ #e™ w 2 arco 1 arco (1) 2 arco mst - 4:3 ‰ - 4:3 j 3:2 B Œ ‰ ‰ µœ™ ˙ œ ˙™ w B˙ œ ‰ ‰ va 1-2 O & #O™ bœ œ ˙ BO pp J - B œ p mp - ppp p 4:3 2 pizz > 6:5 - mp j > Œ 2 arco 2 pizz >. 1 pizz µœ 3:2 p nœ ‰ ‰ Bœ Œ Œ Ó 1 arcoBBOe + 1 arco j 4:3 2 arco Bœ- ? ≈ ≈ ≈n>œ™ ‰ Œ Ó Ó ‰ Œ ‰ Ó ‰ vc 1-2 œ ˙™ ˙™ œ™ bœ R J J pp - pp ppp - 4:3 6:5 div. pp nœ j 2 arco j 2 arco ? Œ 2 pizz ‰ Ó Ó™ Œ™™ ‰™ Ó arco ‰ Œ ‰ Ó bœ- 3:2 ‰ cb 1-2 ¢ B Bœ™ w nœ >œ - J mp pp ppp mp mp ° via sord vn 3-4 & (p) via sord
vn 5-7 & (p) via sord
vn 8-11 & (p) via sord
va 3-6 B (p) via sord ? vc 3-5 (p) via sord ? cb 3-4 ¢‹ ( ) ° p via sord vn 12-13 & (p) via sord
vn 14-16 & (p) via sord vn 17-20 & (p) via sord
va 7-10 B ( ) p via sord ? vc 6-8 (p) via sord ? cb 5-6 ¢‹ (p) 27
-3:2 121 ‹ 5:4 Bœ™ ° ˙™ œ ™ picc & ‰ Ó ‰ ≈ J p J 5:4 nœ- œ Bœ- & Ó™ ‰™ Ó Ó™ Ó™ ‰ ≈ fl J pp pp R
5:4 - 7:6 Ó™ ‰™ nœ œ Ó Ó™ ‰ ‰™ ≈ ob & µ ™™ J -œ œ mp pp - 5:4 #œ ˙™ œ - 3:2 ™ ™ engl & æ æ Bœ- ‰ Œ nœ œ Œ Ó Ó ‰ ≈ hn æ æ J pp mp R pp j 3:2 nœ-7:6 œ™™ bass & ∑ Œ Œ Ó™ ‰ ‰™ ≈ ob #œ œ mp - mp nœ-3:™2 cl in Bb & ∑ Ó ‰ ≈ mp J j 3:2 b cl & ∑ Œ Œ in Bb bœ œ mp - 3:2 cb cl & ∑ Ó ‰ #-œ in Bb <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n-œ™ 5:4 - p mp nœ œ 7:6 ˙™ œ ™ ™ sopr & ≈ Ó Ó ‰ ‰ nœ œ™™ ≈ sax J - mp J mp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~5:4 bœ-3:™2 j #œ- bari & ˙™ œ ‰™ Ó ‰ ≈ Ó™ Ó™ ‰ ≈ sax J pp p R (R12) >- 3:2 Ÿ~~~~~ nœ œ bœ- ? ™ ™ bsn ∑ Œ Œ Ó Ó ‰ ≈ J mp mp R Bœ-3:™2 j j 7:6 ? ∑ Ó ‰ ≈ Œ Œ™™ ≈ cbsn ¢ p J n˙™ œ œ™ + mp - 5-:4 ° ˙™ œ #œ ™ horn 1 & ‰ Ó
mp j 5:4 ± j 3:2 -¯ ? ‰™ Œ µœ œ Œ Ó™ Ó™ ‰ ≈ #œ horn 2 ˙™ œ - & p pp R 5:4 + j -¯ 3:2 nœ- ¯ F23 bœ œ ™ B˙-™ œ œ™ 7:6 horn 3 & ≈ Œ ‰ ‰ Œ Ó ˙™ œ J p J pp R p J 5:4 ¯ F2 ± j j 7:6 Ó™ ‰ Bœ œ Ó µ˙™ œ œ™ Œ Ó horn 4 & - - #-œ pp pp 7:6 picc tpt & Ó™ ‰ ‰™ µœ œ™™ ≈ in Bb - pp 5-:4 j j 7:6 bœ 3:2 nœ- tpt & Ó™ ‰ ‰ Ó ‰ ‰™ B˙™ œ œ™ Œ Ó in C - p R mp R p j 5:4 j j j 7:6 Bœ- œ 3:2 bass tpt & ≈ nœ œ Œ Œ Ó in Bb ˙™ œ - J n˙™ œ œ™ p pp - 3:2 nœ- mp µ˙-™ œ œ™ 7:6 ? ™ tbn ∑ Ó ‰ ‰ Œ Ó p R p J J 5:4 ? 7:6 cb Ó™ ‰ bœ œ Ó Ó™ ‰ ‰™ µœ œ™™ ≈ tbn µ-œ - - pp pp 5:4r 3:2 r ? Ó™ ‰ ‰ Œ Bœ™ ≈ Ó™ Ó™ ‰ ≈ tba bœ nœ ¢ - - - mp mp nœ œ pp mp - glass chimes r ° sandpaper blocks ("high") 5:4 3:2 wind machine Ó™ ‰ ≈ œ- œ Œ ‰ ‰™ œ Ó™ Ó™ ‰ ≈ perc 1 / œ ppp J ppp R - ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 ppp maraca ("medium") j rainstick ("medium") j j 7:6 ™ 5:4 ˙ œ ‰™ Œ œ œ Œ ™ ™ Œ Ó perc 2 / - -˙ œ œ J ppp ppp 5:4 r 7:6 maraca ("low") sandpaper blocks ("low") -3:2 bass drum ¡A¡A æ æ / Ó™ ‰ œ ‰ Ó ‰ œ™ ≈ Ó™ ‰ ‰™ æ æ ≈ perc 3 ¢ - -œ œ™™ ppp ppp J ppp -3:™2 - ∑ Ó ‰bnbœœ™ ≈ Ó™ Ó™ ‰ ≈ nœ hp 1 {& J pp R b5œ-:4 mp j j 7:6 3:2 n œ- & Ó™ ‰ ‰ Ó ? ‰ ‰™ ## œœ Œ Ó hp 2 { b-˙™ œ œ™ p R mp R pp j 5:4 ° pizz3:2 #œ- ebow 7:6 & ˙™ œ ‰™ Ó ‰ ‰™ Ó™ ‰ ‰™ ≈ e gtr ¢ nœ œ™™ ‹ ] pp R mp - 2 msp -3:2 div. arco Œ pp j 2 arco r ° 1 (nat) ≈ & Ó™ Ó Œ ‰ Ó™ Ó™ ‰ ≈ vn 1-2 µœ œ ™ µœ p Bœ µœ - J ‰™ p - p -R 3:2 5:4 2 3:2 - 1 arco mst r div. arco r r 2 arco 1 ™ p 7:6 2 arco Ó™ ‰ µO ‰ Ó ‰ ‰ Ó™ ‰ ‰™ B va 1-2 & µ œ nœ µ ™™ nœ - ‰ bœ ‰ -œ œ - p J p p mp - 3:2 -7:6 5:4 - 3:2 - µœ œ™™ nœ œ 1 arco µœ ? ™ ™2 arco ™ ™ 2™ arco mst vc 1-2 Ó ‰ Œ ‰ ‰ Ó ‰ ‰ ≈ mp J pp R p 5:4 1 2 pp nœ- div. arco 3:2 1 - 7:6 1 arco 2 p j b˙™ œ œ™ 2 arco mst ? Ó™ ‰ ‰ Œ Œ bœ œ™™ ≈ cb 1-2 ¢ #µ-œœ œœ - mp R pp mp J J p
e=75-105 individually Each player in the outer string groups plays independently, beginning at the indicated point in the "loop" and repeating it, ignoring conductor and barlines, until the conductor cues bar 127. All sounds are produced with damped strings, high bow pressre and slow bowing (disintegrating into a sequence of clicks at low dynamics!), stopping the bow on the string at the end of the sound - no distinct pitches should be audible! Each player may vary his/her tempo freely between the given limits, abruptly or gradually and at any point, but especially avoiding any sense of coordination or synchronisation between instruments. An individual loop will be between 7 and 10 seconds long. On average therefore, each player will play his/her material approximately five times. vn 3 begins here vn 4 begins here arco sempre senza sord rK rK r r rK rK ° mst IV I n-O IV III IV I n-O II - I b-O III & í™ ® ≈ ® ® ® ≈ ≈ ® ® ≈ ® ≈ ‰ ≈ bO ≈ ≈ ® ≈ ™î vn 3-4 ™ b-O™ b-O b-O ] R ] b-O ] b-O ] pp ] b-O ] R ] ] mp ] mp p ppp pp mp p ppp p
vn 5 begins here vn 6 begins here vn 7 begins here arco sempre rK r r rK rK senza sord III IV j - II - III - mst í™ ® ≈ ≈ ® ≈ ® ® ≈ I nO ≈ ®b-O ® ≈ InO ® ≈™ ‰ ≈ I nO ≈ ™î vn 5-7 & ™ bO bO ™ - bO bO™ bO™ bO R R - mp ] - ] - ] - ] - ] ] R ] Ô ] mp] R ] ppp pp pp mp p p mp p vn 8 begins here vn 9 begins here arco sempre vn 10 begins here vn 11 begins here K senza sord r r I - IV r j - r I - IV r mst I™V I-I IV nO™ III I nO III nO ™ vn 8-11 & í™ ≈ ®bO ≈ ‰ ≈ ® ® ® ® ® ‰ ® ® ® ≈ ® ‰ ™î bO bO bO™ b-O b-O bO - ] ÔR ] - ] R ] - ] ppp ] ÔR ] p ] ÔR ] - ] p mp p pp pp mp mp mp va 4 begins here va 3 begins here va 5 begins here arco sempre va 6 begins here senza sord rK r - r rK r - - mst IV I bO III j II - IV III I bO bO™ B í™ ® ≈ ≈ ‰ ® ≈ ≈ ≈ ®bO ® ® ® ≈ ® ® ≈ ® ≈ ®™î va 3-6 bO bO b-O bO™ bO b-O - ] - ] ÔR ] ppp ] R ] - ] - ] p ] ÔR ] R ] mp p p pp mp pp mp vc 5 begins here mp vc3 begins here vc 4 begins here senza sord arco sempre rK r r j rK rK mst III IV II III IV I b-O b-O b-O IV ? í™ ® ≈ ≈™ ®b-O™ ≈ ≈ ® ® ® ≈ ≈ ® ‰ ≈ ® ‰ ™î vc 3-5 b-O b-O ] b-O™ ] R ] ] b-O ] b-O ] R ] R ] R ] b-O ] mp p mp Ô pp pp ppp p mp p mp cb 3 begins here cb 4 begins here arco sempre senza sord rK r rK rK r r mst IV I b-O III I b-O IV I b-O II IV ? í™ ® ≈ ≈ ™ ® ® ≈ ≈™ ‰ ® ≈ ≈ ® ® b-O ® ® ® ‰ ™î cb 3-4 ¢‹ nO b-O b-O nO nO™ nO - ] R ] pp ] mp ] ÔR ] - ] - ] ] - ] mp mp pp ppp p p mp p vn 13 begins here arco sempre vn 12 begins here senza sord j r r I rK rK rK ° mst III IV -™ III I - II IV I - í™ ≈ ≈ ≈ ®nO ≈ ® ≈ ® nO ® ®b-O™ ‰ ® ≈ ® ≈ nO ® ‰ ™î vn 12-13 & ™ bO bO ™ - ] bO ] bO ] R ] - ] R ] R ] bO ] bO ] R ] ppp - - mp mp - - Ô p p pp p pp mp mp vn 14 begins here vn 16 begins here arco sempre vn 15 begins here senza sord r r rK rK r j mst I n-O™ n-O IV III IV II III I n-O IV í™ ® ® ≈ ® ‰ ≈ ≈ ® ≈ ® ≈ b-O ≈ ≈ ® ‰ ≈ ™î vn 14-16 & ™ bO bO ™ bO™ - bO bO - bO R ] ÔR ] - ] p ] ] - ] - ] R ] p ] ÔR ] - ] pp mp pp mp mp p mp ppp vn 18 begins here vn 17 begins here vn 19 begins here vn 20 begins here arco sempre II K senza sord I I r rK rK r r mst n-O™ n-O IV n-O IV III IV III IV í™ ® ≈ bO ® ≈ ≈ ® ® ≈ ≈ ® ‰ ® ≈ ≈™ ® ‰ ™î vn 17-20 & ™ - bO bO ™ bO mp R bO™ - bO - bO R ] R ] - ] ] - ] mp ] - ] mp] - ] pp p ppp p pp mp p va 10 begins here arco sempre va 7 begins here va 8 begins here K va 9 begins here K senza sord r b-O™ j r r IV r b-O II IV r b-O mst IV I IV III I b-O I B í™ ≈ ≈ ® ≈ ≈ bO ® ‰ ®bO ® ® ® ≈ ® ≈ ® ≈ ≈ ≈ ™î va 7-10 bO bO - - bO™ bO - ] R ] - ] mp ] p ] - ] ÔR ] ÔR ] - ] R ] p ppp pp mp mp pp mp p vc 7 begins here vc 6 begins here vc 8 begins here arco sempre r r rK rK r r senza sord III I b-O b-O b-O II III IV ? mst í™ ≈ ® ® ≈™ ‰ ≈™ IV ® ≈ ® ≈ ≈ b-O ® ≈ ® ≈ ® ®™î vc 6-8 ™ bO bO ™ - bO bO - bO™ bO™ p ] p R ] ÔR ] J ] - ] - ] ÔR ] mp ] - ] - ] pp mp ppp p mp mp pp cb 5 begins here arco sempre cb 6 begins here senza sord r rK r I r mst Ib-O™ III IV I b-O II b-O III ? í™ ® ≈™ ® ≈ ® ≈ ® ≈ ® ® ≈ ® ≈ ®b-O™ ® ‰ ® ® ≈ ™î cb 5-6 ¢‹ b-O nO nO nO nO b-O R ] ] - - ] - ] - ] R ] R ] R ] ] p ppp mp p Ô Ô p pp mp pp mp 28
123 ‹ 3:2 j - 4:3 5:4 j ° ™ nœ™ œ œ™ picc & Œ Œ nœ ˙ Ó ‰ ‰ ∑ ∑ ≈nœ™ ˙ - J J - p mp Bœ- œ œ pp œ œ 3:2 j 4:3 ‰ Ó ™ Œ™ ‰ Œ ∑ Ó ‰™ ‰™ Ó fl & B-˙ œ p pp (1.oct) R R Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r r - 4:3 ∑ Ó™ ‰ #œ™ œ œ™ 5:4‰ ∑ Ó ‰™ ‰™ Ó ob & nœ œ œ p J J - œ œ 3:2 j mp engl & nœ ˙ Ó™ hn - p 5:4 - 4:3 j j n˙ bass & ‰ ™ ™ ‰ ∑ Ó Ó™ ob n-œ œ œ mp mp 3:2 - Ÿ(~L~~3~+~~C~~~#~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4:3 #œ ˙ j nœ-™ Œ Œ Œ™ ‰ Œ ∑ Ó ≈ Œ Ó™ cl in Bb & n˙™ œ mp J - mp J mp 3:2nœ- ˙ (~L~~2~~3~+~~R~~~1~2~~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j 5:4 Ÿj ™ 4:3 b cl & Œ Œ Ó ‰ ‰ ∑ ∑ ≈nœ™ ˙ in Bb - mp J nœ™ œ œ™ pp - j p 5:4- cb cl & ‰™ bœ w Ó ≈ Œ Ó™ in Bb pp J pp #-œ™ 5:b4œ- w j sopr & Ó ‰™ ∑ ≈#œ™ ˙ sax - mp J mp 3:2 j œ œ nœ- ˙ bari & Ó™ Ó ≈ Œ Ó™ sax ™ pp J p b-œ <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 œ œ j 4:3 n>œ-™ ˙ ? ‰ Ó Œ™ ‰ Œ ∑ ∑ ≈ bsn n˙™ œ pp - J 4:3 mp æ æj µ-™ - ? ∑ æ æ Œ™ ‰ Œ ∑ Ó œ ≈ Œ ≈#œ™ ˙ cbsn ¢ n˙™ œ J J mp - pp p + ¯ j 4:3 ¯ ° 3:2 - F2 nœ- œ œ Œ Œ #œ ˙ B˙™ œ Œ™ ‰ Œ ∑ Ó ‰™ ‰™ Ó horn 1 & - J p pp R R mp ± n˙-¯ 3:2 5:4- œ œ ™ ? ™ Bœ w ™ horn 2 & ‰ Ó Ó Ó ‰ Ó Ó p J pp ± 5:4 4:3 j j -¯ F23 ? ‰ µœ™ œ œ™ ‰ ∑ B˙ Ó Ó™ horn 3 & - & p p + 3:2±j ¯ r & Œ Œ Ó™ Ó ‰™ nœ™ ˙ horn 4 µœ ˙ - pp - p nœ œ œ mp Ÿ~(Ø~~~/~~2~3~~)~~~~~~~~~~~~~~~~~~~~~~ - b˙- bœ j picc tpt & ™ ≈ Œ Ó™ in Bb n-œ 5:4 j mp mp tpt & Ó ‰™ in C Bœ w p - 5:4 j ~(~Ø~~/~~3~~)~~~~~~~~~~~~~~~~~~~~~~~ nŸ˙- bass tpt & Ó ‰™ Ó Ó™ in Bb nœ w mp - pp -™ - µœ ? b˙™ œ ™ 4:3 ™ tbn ∑ Œ ‰ Œ ∑ Ó ≈ Œ Ó pp J p J
cb ? nœ œ œ ‰™ Ó tbn - pp nœ™ R p n˙ - 5:4 - r r 4:3 j j ? 3:2 ‰ Ó Ó™ ‰ ‰ ∑ Ó ‰™ ‰™ Ó tba ¢ œ œ bœ œ œ ™ ™ - pp n-œ œ œ p
j j 5:4 ° 3:2 snare drum (as before) 4:3 sizzle cymbal (small) ¡A¡A - ‰ Ó Ó™ ‰ ‰ ∑ Ó œ™ ] ≈ Œ Ó™ perc 1 / œ œ œ™ œ œ™ æ - æ ppp ppp J floor tom (twigs as before) 5:4 3:2 j floor tom (cymbal as before) j sandpaper blocks ("medium") Œ Œ Ó™ Ó ‰™ Ó ‰™ œ- œ œ ‰™ Ó perc 2 / œ ˙ œ w - - ppp ppp ppp R R rainstick ("low") j 4:3 wood chimes ~-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sizzle cymbal (large) ¡A¡A - ∑ Œ™ ‰ Œ ∑ ˙ Ó ≈ œ™ ˙ perc 3 ¢ / ˙™ œ æ - æ æ ppp ppp ppp æJ 3:2 - 4:3 5:4 œ œ ‰ Ó Ó™ ‰ nœ™ œ œ™ ‰ ∑ ? Ó Ó™ hp 1 {& n-˙ & mp J J p 5:4- nœ w bœ-™ ? Ó ‰™ Ó ≈ Œ Ó™ ? hp 2 { & pp J mp J j 4:3 - ° ebow ebow nœ œ œ & ∑ Œ™ ‰ Œ ∑ Ó ‰™ ‰™ Ó e gtr ¢ b˙™ œ ‹ mp - mp R R 1 arco 3:2 4:3 2 (nat) (2) j (1) mst j div. r r ° 1 mst ‰™ pp Œ™ ‰ Œ ∑ Ó Bœ™ nœ œ œ ≈ ‰ Ó vn 1-2 & œ œ #œ ˙ ≈ Œ ≈ n˙™ œ p J - p - - 2 arco 5:4- 1 arco j 1 arco 3:2 mp - B ‰ Ó Ó™ ‰ 4:3 ‰™ ∑ ≈nœ™ ˙ va 1-2 œ œ - nœ w µœ™ œ œ™ J p J J ‰ pp 5:4 3:2 div.1 5:4 j (1) µœ- w 2 arco mst r r 1 arco -™ 4:3 2 pp ? Œ Œ nO O µ˙ œ Œ™ ‰ ‰™ #œ w Ó ‰™ ‰™ Ó vc 1-2 n -œ ˙ J p J nœ œ œ p p mp - 1 - div. B˙ div.1 1 arco msp - 4:3 5:4 2 pp 2 p j ? ™ #œ™ œ œ™ ? n˙ µœ™ ˙ cb 1-2 ∑ Ó & ‰ ‰ ∑ Ó & ≈ ¢ J J nœ™ ˙ pp mp mp - ° vn 3-4 & (ppp-mp)
vn 5-7 & (ppp-mp)
vn 8-11 & (ppp-mp)
va 3-6 B (ppp-mp) ? vc 3-5 (ppp-mp) ? cb 3-4 ¢‹ (ppp-mp) ° vn 12-13 & (ppp-mp) vn 14-16 & (ppp-mp) vn 17-20 & (ppp-mp)
va 7-10 B (ppp-mp) ? vc 6-8 (ppp-mp) ? cb 5-6 ¢‹ (ppp-mp) 29
>3:2 126 ‹ nœ. ° nœ-™™ ™ ™ ™ picc & œ ≈ Œ Ó Ó ‰ J ‰ Ó mp µœ- 6:5 mp 3:2 - æ æ æ æ æ æ Œ Œ™™ ‰ Ó™ Ó™ Œ µœ ˙ œ æ æ æ æ æ æ fl & bœ™ œ œ œ™ ˙™ ˙ p p J - nœ- 6:5 pp ™™ ™ ™ Bœ-3:2 œ ˙™ ˙ ˙™ œ™™ ob & Œ Œ ‰ Ó Ó ‰ ≈ pp pp ppp 3:2 b>œ. nœ-™™ engl & Œ ≈ Œ Ó™ Ó™ Œ Ó™ hn J p mp 6:5 j bœ-3:2 œ ˙™ œ r bass & Œ Œ™™ Œ nœ ˙™ Ó™ ‰ ≈ ‰ Ó™ Ó ob - nœ mp pp ppp >. mp - 6:5 >. n˙ & Œ Œ™™ ‰ Ó™ nœ ≈ ‰ Ó ∑ Ó Ó™ cl in Bb nœ mp - R pp m>.p <Ÿ>~~~~~~~~~~~~~~~ nœ r b cl & µœ™™ ≈ Œ Ó™ ≈ ‰ Ó ∑ Ó Ó™ ≈ ‰ Œ in Bb œ - pp R mp nœ. mp (L123+ R123) > 6:5 j Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ cb cl & Œ Œ™™ Œ Ó™ Ó™ ≈ nœ™ œ œ œ™ ˙™ ˙ in Bb - mp#œ ˙™ pp - #˙-™ œ 3:2 r sopr & œ ≈ Œ Ó™ ‰ ‰ Ó™ Œ ≈ ‰ Ó™ Ó sax ™™ nœ n-œ J >. mp p > mp 6:5 - nœ. bari & Œ Œ™™ Œ bœ ˙™ Ó™ Ó™ ≈ ‰ sax p J R 3:2 - mp œ 6:5 Bœ ˙ œ ? Œ™™ ‰ Ó™ Ó™ Œ ‰™ bsn #-œ mp p J R r æj æ æ ? œ Ó™ Ó™ Ó™ Ó™ ≈ æ æ æ ‰™ Ó™ Ó cbsn ¢ nœ™ œ œ ± p - 3j:2 + ° ™ #>œ. horn 1 & Ó ‰ ‰ Ó ≈ ‰ p µœ mp R ¯ - + -™ 3:2 ± 6:5 - n˙ œ j ? ™™ #œ ˙™ ™ horn 2 Œ Œ Œ ‰ ‰ Ó Œ ≈ Bœ™ ˙™ ˙ J J - mp p ± pp F1 ¯- ™ 3:2Bœ- ˙ œ œ™ ˙ ˙ œ™ B˙ horn 3 & Ó Œ ≈ J pp J p ppp ¯ + j œ Ó™ Ó™ n˙-™ œ œ ˙™ œ ≈ Ó horn 4 & #œ™ ˙™ pp ppp - 6:5 j p - µ˙-™ œ 3:2 B˙ picc tpt & Œ Œ™™ Œ ‰ ‰ Ó™ Ó Ó™ in Bb #œ ˙™ pp - J p 3:2 >. pp #œ-™™ 6:5 j bœ tpt & Œ ‰ Ó™ Ó™ Œ Ó™ Œ ≈ ‰ Ó™ Ó in C nœ. R pp mp #-œ mp > mp 3j:2 j ™ ™ bass tpt & Ó ‰ #œ ‰ Ó Œ ≈ in Bb >. mp pp n-œ™ ˙™ ˙ 6:5 - Bœ ˙™ 3:2 j r - ? Œ Œ™™ Œ Ó™ Œ ‰™ Ó Ó™ µ˙ tbn nœ ˙ œ p J - p j r p cb ? Ó™ Ó™ ≈ ‰™ Ó™ Ó tbn nœ™ œ œ p >- -3:2 ? Œ ≈ Œ Ó™ Ó™ ‰ Bœ œ ˙™ ˙ ˙™ ˙ tba ¢ nœ™™ p - pp glass chimes rainstick ("high") ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° ™ ˙-™ œ 3:2 s-an™dpaper blocks ("high") ™ ™ perc 1 / Œ œ™™ ≈ Œ Ó ‰ ‰ Ó ≈ œ œ œ ‰ Ó Ó - J J R ppp ppp string drum sizzle cymbal (medium) 3j:2 ppp j - 6:5 ¡A¡A floor tom (twigs) / Œ Œ™™ œ ]‰ Ó™ Ó™ ‰ ‰ Ó™ Œ ≈ Ó perc 2 æ -œ œ™ ˙™ ppp æ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ppp - 6:5 ppp j sandpaper blocks ("low") thundersheet thundersheet 3:2 - œ ]Œ™™ Œ Ó™ Œ œ ˙ œ ‰™ Ó Ó™ perc 3 / æ ™ ¢ æ -œ ˙ J -˙ ppp ppp R ppp nœ- 6:5 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 j Ÿj Œ Œ™™ ‰ Ó™ Ó™ ? Œ Ó™ Œ ≈ #œ™ bœ ˙™ ˙ hp 1 {& #œ - mp >. p j pp ? Œ ≈ Œ Ó™ ‰ Ó ∑ hp 2 { b-œ™™ & mp mp 3:2 nœ- 6:5 nœ. > >. r ° ebow pizz bœ Œ Œ™™ ‰ Ó™ Ó™ ‰ ‰ Ó™ Ó Ó™ ≈ ‰ Œ e gtr ¢& #œ. ‹ pp J mp > ] mp - p 6:5 - B˙ bœ ˙™ p - b ˙ 2 (nat) mp Bœ ˙™ Œ 1 arco msp ≈ j r ‰™ ° 1 (nat) p 2 arco mst Ó™ Ó Ó™ Œ Œ™™ Œ nœ™ œ œ vn 1-2 & µ˙™ œ œ ˙™ ˙ ˙ œ™ ≈ J - J - ppp pp - - 6:5 pp r -3:2 (2) - Œ 2 arco 2 (nat) p ≈ j Bœ™ œ p ‰ j ‰ ™ Œ p Ó pp ™ 1 msp n O Ó B œ Bœ ‰ Ó Ó™ nœ µœ™ ˙™ va 1-2 µœ Œ nœ ˙ œ œ™ ˙ ˙™ œ™™ ≈ (1) Œ™™ pp - pp J 6:5 - 3:2 ppp 3:2 - 1 Œ j ppp 2 arco 6:5n œ- ˙™ 2 pp j ? Œ Œ™™ 2 Œ µœ ˙™ Ó™ 1 Bœ ˙ œ œ™ œ ≈ vc 1-2 & nœ nœ µœ™ ˙™ ˙ pp J ‰ ‰ Ó pizz ≈ ‰ - J pp p - mp R 3:2 > - ppp 2 arco j Bœ™ œ œ œ™ ˙™ 1 piznzœœ™™ ≈ 1 Œ pp ≈ - (1) Ó™ Ó œ Bœ™™ ™ ? cb 1-2 & ≈ Œ Ó #˙™ œ œ ˙™ ˙ ˙ œ™ & ¢ œ J J - ≈ > ‰ Œ pp ppp mp ° vn 3-4 & (ppp-mp)
vn 5-7 & (ppp-mp)
vn 8-11 & (ppp-mp)
va 3-6 B (ppp-mp) ? vc 3-5 (ppp-mp) ? cb 3-4 ¢‹ (ppp-mp) ° vn 12-13 & (ppp-mp) vn 14-16 & (ppp-mp) vn 17-20 & (ppp-mp)
va 7-10 B (ppp-mp) ? vc 6-8 (ppp-mp) ? cb 5-6 ¢‹ (ppp-mp) 30 129 r - ° ‹ r n˙ ≈ ‰ Œ Ó Ó™ Œ™ ≈ Ó™ picc & nœ nœ. >. mp > p mp µœ- 3:œ2 œ œ w œ œ r7:6 æ fl & æ ≈ ≈nœ Œ ‰ w >. R ppp R ppp pp - mp r n˙ ˙™ w œ 3:2 j ™ 3:2 #-œ ˙ œ ≈ Œ Ó Œ™ ≈ ‰ Ó ob & nœ œ nœ nœ. - p R mp . J > p > pp ppp mp Ÿ(~E~~b~ ~k~e~~y~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 - 3:2 #>œ. r n˙™ œ œ ˙ engl & Œ ≈ ‰ Ó ≈nœ. Œ Ó Œ hn R > J mp mp pp - 3:2 #œ™ ˙ œ >. bass & Œ ≈ ≈ Œ Ó Œ bœ ≈ ‰ Ó Ó™ ob p J R R mp - 3:2 µ˙™ œ 6:5 3:2 µ- w n>œ. œ ™ cl in Bb & ≈ Œ Ó Œ ‰ ‰ Œ ‰ ppp R pp J p J mp > #œ. 7:6 -6:5 µœ-™ ˙ œ 3:2 r j bœ œ™ b cl & Œ ≈ ≈ Œ Ó ‰™ Œ Œ Ó ‰ Ó™ Œ ‰ in Bb J R nœ œ œ œ J p mp R p - pp Ÿ~(~L~2~~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ-~(~R~~1~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ <Ÿ>~~~~~~~~~~~~~~ ™ ™ 3:2 6:5 #œ ˙ œ œ ˙ œ nœ-™ œ ˙ ˙™ w œ j j cb cl & œ ≈ ≈ ‰ nœ œ Œ ‰™ in Bb J J J - ppp pp ppp p ppp pp µœ- œ™ œ™ œ ˙ œ œ r7:6 j sopr & ∑ Ó ≈Bœ œ œ œ Ó™ Ó™ sax - pp ppp R p bœ- œ œ™ ˙ ˙™ œ œ r r ™ ™ bari & ≈ bœ. ≈ Ó Ó Œ ≈ ‰ Ó Ó sax R > #œ. pp ppp mp > mp > r j #œ. ? ≈ ‰ Œ Ó Ó™ ‰™ ‰ Ó ≈ ‰ Ó bsn nœ >. bœ™ mp - mp R 3:2 3:2 > - r p - 7:6 nœ. ? µœ œ œ™ ˙ µœ œ cbsn ≈ Œ Ó ∑ ≈ Œ ‰ ∑ Œ Ó ¢ nœ. J J pp ppp > p mp mp+ B¯ b2 ± r3:2 r µœ- 7:6œ œ œ 3:2 j j ° ™ horn 1 & ∑ ≈ ≈ Ó Œ nœ œ œ œ w œ œ J Bœ œ œ™ pp - R pp - ¯ ppp p F23 - 3:2 -± 3:2 ? Bœ œ œ ? B˙™ œ horn 2 w &≈ Œ Œ ‰ Ó R ppp p ¯ p ± j ¯ F23B˙-™ œ 3:2 >6. :5 & ∑ Ó ≈ ‰ ? ‰ nœ ≈ ‰ ‰™ horn 3 µ-œ œ™ œ™ œ ˙ ˙™ œ™ & pp p R ¯ ¯ ppp F3 j j ± Œ ≈ ≈ horn 4 & Bœ™ ˙ œ œ™ ˙ œ #œ ˙ ˙™ w ˙™ - µ-œ™ - pp ppp pp pp ™ ™™ r œ œ œ ˙ œ j picc tpt & ≈ ≈ ‰ Ó Ó Bœ œ œ™ w ˙™ in Bb nœ. - ppp > pp mp j 7:6 6r:5 ™ µœ-™ œ œ™™ ™ tpt & ‰ ≈ ≈ Œ ‰ ∑ Œ ‰ nœ ≈ ‰ ‰ in C nœ œ >. pp ppp - mp p 3:2 6:5 j j r > bass tpt j ™ #œ. ™ & ≈nœ™ ‰ Ó Ó Œ ≈ ≈ ‰ ‰ in Bb - n˙™ œ œ œ R w ˙™ œ p - mp ppp pp ppp (o/+) -~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ œ™ œ µœ- ˙ j ? ™ 6:5 tbn ∑ Ó ≈ Ó ∑ Œ ‰ Bœ œ™ J - pp ppp p j r p - 7:6 cb ? ≈ ‰ ‰ Ó Œ ‰ nœ œ œ œ ˙™ ˙™ nœ œ œ™ ˙ ˙™ œ tbn - R J pp nœ ppp >. pp (3/34) mp Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j ? œ ≈ ≈ ≈ tba ¢ nœ™ nœ ˙ œ œ™ ˙ œ™ œ µœ œ™™ - - bœ œ œ™ w ˙™ ppp pp ppp pp - pp rainstick ("high") ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 6:5 r sleighbells - maraca ("high") j j ° œ œ™ sizzle cymbal (small) ¡A¡A - 7:6 / œ œ ‰™ Ó Ó ‰™ ‰ Ó œ œ ] ≈ Œ ‰ ∑ Œ œ œ Œ ‰™ perc 1 - æ æ - J ppp æ æJ ppp ppp rjainstick ("medium") r 3:2 ppp ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sizzle cymbal (medium) ¡A¡A shell chimes 7:6 sandpaper blocks ("medium") 6:5 Œ ≈ ≈ Œ Ó ‰™ œ-™ ‰ Ó Œ ‰ œ œ œ œ Ó™ Œ ‰ œ- œ™ perc 2 / œ™ ˙ œ æ ] - ppp æ J ppp æJ ppp R ppp J ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j maraca ("low") wood chimes - 3:2 bass drum (stones) 3:2 ∑ ≈ œ œ œ Œ Œ™ Ó™ Œ ‰ Ó perc 3 ¢ / œ ˙ ˙™ œ R - - ppp ppp ppp Ÿ~~~~~~~~~~~~~~~~~~~~~ - 3:2 nœ œ œ -6:5 <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r bœ #œ œ™ ? w ≈ Œ ∑ #œ ≈ ‰ Ó ∑ Œ ‰ hp 1 { >. & ppp R mp pp J >. p n>œ. r nœ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2- ≈ ‰ ≈ ‰ Ó Ó™ ∑ ≈ ‰ Ó ∑ ? Œ nœ bœ œ œ™ hp 2 {& bœ. > R mp R J J mp mp pp ° > > 7:6 ‰™ bœ. ‰ ‰ Ó Œ ‰ nœ. Œ ‰ e gtr ¢& ‹ > mp R mp R Œ piz≈z r ‰ w nœ Ó Ó™ Œ™ (1) 3:2 mp arco - Ó™ ∑ 1 - ° µœ œ œ œ w p j ˙™ œ™ pizz(2) 2 pp j j & nœ ˙ #œ Œ vn 1-2 ≈ nµœœ œœ œ™ ppp R J ≈ R ≈ ‰ Ó ppp > arco Œ ‰™ 3:2 p J J pp mp - 3:2 6:5 3:2 pizz arco - - 7:6 ppp > (1) j (1) r j j mp j 2 p ‰™ Œ ‰ pp ‰ Ó (1) sul II ∑ 1 nœ œ™ µ- 2 arco msp nœ œ œ œ ˙™ œ B Bœ œ Ó µ œO ˙O #œ nO O™ va 1-2 nœ ‰ ‰ - R ‰™ Ó pizz J Œ™ J Ó™ ∑ Œ pp - J p mp p > 6:5 > 7:6 Œ ‰ 6:5 j pizz r Œ ‰ 1 pizz > mp ∑ (2) j ‰ ‰™ 2 2 mp 1 µ#œœ œ œ œ ˙™ ˙™ ?≈ nœ ‰™ ‰ Ó Œ arco ™ vc 1-2 & w œ™™ # œ œ™ (nat)n-œ œ arco mst R J arco - J ‰ - p ppp p 7:6 pp - 3:2 2 arco ≈ r ™ 2 arco - 2 arco p Œ Œ j - Bœ œ œ pp & Bœ œ ‰™ Ó ? µœ ˙ ˙™ w n˙ œ˙™ cb 1-2 ¢ nœ œ™ ™ ™ ™ ‰ ‰ nœ œ™ R Ó 1 arco mst ‰ ‰ Ó Ó Œ 1 arco - p J p J p - - 3:2 6:5 e=75-105 individually Each player in the outer string groups plays independently, beginning at the indicated point in the "loop" and repeating it, ignoring conductor and barlines, until the conductor cues bar 134. Each player may vary his/her tempo freely between the given limits, abruptly or gradually and at any point, but especially avoiding any sense of coordination or synchronisation between instruments. An individual loop will be between 5 and 7 seconds long. On average therefore, each player will play his/her material approximately six times. * Granular crackling sounds, produced al tallone with maximum bow pressure and hardly any lateral bow movement but a tight irregular ”figure-of-eight” movement. clb sul I arco sul III & IV vn 4 begins here vn 3 begins here as before arco sul I & II on bridge r msp➞mst r ° as before j* nO j n-oOn bridge & í™ ≈ ≈ ® ≈ ‰ ®b O ≈™ ™î vn 3-4 bO™ © © © b -O ] ] J ] ] R ] pp sempre arco vn 7 begins here vn 6 begins here vn 5 begins here sul III & IV clb sul II j jon bridge r arco sul I & II r as before * as before no-On bridge msp➞mst & í™ ≈™ ≈ ‰ b O ® ≈ bO™ ≈ ™î vn 5-7 © © bO ©™ ] ] b -O ] J ] ] R pp sempre arco vn 11 begins here vn 9 begins here vn 10 begins here sul I & II vn 8 begins here clb sul III on bridge r j j arco sul IIIj & IV r as before as before n-O * on bridge mst➞msp & í™ b O ‰ ≈™ ≈™ ≈ ® ≈ ™î vn 8-11 © © © bO bO™ R ] ] ] ] b -O ] pp sempre va 4 begins here va 5 begins here arco va 6 begins here va 3 begins here clb sul IV as before sul I & II mst➞msp on bridge arco sul III & IV r j j b -O r r on bridge * bO as before B í™ ≈™ ≈ ® ≈ ≈™ bO ‰ ™î va 3-6 ™ bO b O © ] © ] J ] © ] - ] pp sempre arco sul III & IV vc 4 begins here vc 3 begins here clb sul III on bridge vc 5 begins here r jas before r jas before arco sul I & II j * msp➞mst b-O™ on bridge ? í™ ‰ ® ®‰ ®b O™ ≈™ ® ™î vc 3-5 © bO © bO © ] ] b -O ] R ] ] pp sempre
cb 3 begins here arco clb sul II sul I & II cb 4 begins here as before on bridge rarco sul III & IV msp➞mst b-O as before J * R on bridge ? í™ bO ≈™ b O ‰ © ®© ≈™ ™ ≈ © ≈ ™î cb 3-4 ¢‹ nbO™ J R ] ] ] - ] J ] pp sempre arco vn 13 begins here sul III & IV vn 12 begins here clb sul II on bridge arco sul I & II as before r on bridge j j r ° as before n-O * mst➞msp & í™ ‰ b O ® ® ®bO™ ≈™ ®‰ ™î vn 12-13 bO © © © b -O ] J ] ] ] R ] pp sempre vn 16 begins here arco vn 15 begins here sul I & II vn 14 begins here clb sul III arco sul III & IV on bridge r r j j as before ojn bridge as before n-O™ * msp➞mst & í™ b O™ ≈ ≈™ ≈™ ≈™ ≈ ≈ ™î vn 14-16 © © © bO bO R ] ] ] ] b -O ] pp sempre vn 18 begins here vn 17 begins here clb sul IV arco sul III & IV as before on bridge vn 19 begins here msp➞mst as before arco sul I & II vn 20 begins here r r r -on bridge j j í™ ≈™ ≈™ *‰ bnO ≈ ≈ ® ™î vn 17-20 & ™ ™ ™ bO™ © © © bO -O ] ] J ] ] ] pp sempre va 8 begins here va 7 begins clb sul I arco sul I & II va 9 begins here as before here on bridge arco sul III & IV va 10 begins here r mst➞msp a-s before ron bridge j j * bO bbO B í™ ‰ ® ‰ bO™ ≈ ® ≈™ ™î va 7-10 b O™ ©] J R ] - ] © ] © ] pp sempre
vc 6 begins here clb sul III arco vc 7 begins here vc 8 begins here as before sul III & IV arco sul I & II mj st➞mspr* on bridge j on bridge r r as before b-O ? í™ ® ®‰ ®b O ® ‰ ≈™ ™î vc 6-8 ™ bO bO ™ © b O ©™ © pp sempre ] - ] J ] ] ]
cb 5 begins clb sul I arco sul I & II cb 6 begins here here as before arco sul III & IV on bridge on bridge R bO™msp➞mst b-aOs before R J j ? í™ © ≈*™ ≈™ b O ≈™ © ≈™ © ® ≈ ™î cb 5-6 ¢‹ nbO ] R J ] ] ] - ] pp sempre 31
4:3 132 ‹ - 4:3 - ° 5:4 nœ™ œ œ Bœ Œ bœ-™ ˙ ˙™ ≈ Œ ‰ Œ Ó™ #œ œ œ™ ˙ œ™ œ ‰ picc & - J p J pp ppp p p ppp ~(~L~~1~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 Ÿ 4:3 -™ 4:3 µœ-™ œ œ B˙ bœ-™ œ™ œ n>œ5. :4 j & Œ ≈ ‰ ‰ Ó Ó™ ≈ Œ ‰ ‰ ‰ ∑ fl nœ. J mp R p J mp > p mp -3:2 4:3 j Bœ ˙ œ œ™ ˙ -3:2 ™ ∑ ‰ ‰ nœ ˙ ∑ Œ™ Œ™ Bœ ob & - <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ pp ppp pp ppp pp w -3:2 j j 3:2 4:3 - Bœ ˙ œ 4:3 - #œ engl & ‰ ‰™ ≈ ‰ Bœ œ œ œ ˙™ ∑ nœ™ œ ‰ hn - J ppp p R pp ppp pp p (R3) - 3:2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ œ œ œ ˙™ 4:3 j -3:2 bass & ∑ ‰ bœ ˙ œ œ™ œ ≈ ∑ Œ™ Œ™ ob J nœ pp pp J ppp mp - ppp #œ-™ œ™ 4:3 œ 4r:3 r ≈ ‰ ‰™ Œ ‰ Œ ≈ ‰ Ó ∑ cl in Bb & nœ bœ >. >. pp J mp mp - 4:3 œ œ ˙ ˙™ ˙™ 3j:2 #œ™ œ™ œ b cl & ‰ ‰ Ó™ ∑ in Bb nœ J ppp mp >. mp j 3:2 5:4 nœ-3:2 cb cl & Œ nœ™ ˙ œ œ ˙ ˙™ ‰ Ó™ in Bb - pp ppp p Ÿ~(~B~~b~ k~~e~y~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (Eb key) 3:2 - 3:2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~r~~ >. nœ œ ˙ ˙™ 5:4 #œ ™ sopr & Œ nœ™ ˙ œ œ ˙ ˙ œ ≈ ≈ Œ Ó Œ ≈ sax - pp ppp R R mp pp Ÿ~(A~~~ k~~e~y~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5:4 Ÿ~(C~~~ k~~e~y~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >. j -(Bb key) 4:3 #œ ™ #œ™ œ™ œ bari & Œ ≈ ‰ ‰ Ó Ó Œ ‰ #œ œ œ ˙™ ∑ sax R - J mp pp ppp mp 4:3 r 3:2 -3:2 b>œ. ? ∑ ‰ nœ ˙ œ ‰ ≈ ‰ Œ ‰ Œ ≈ ‰ Ó Œ ≈ nœ œ ˙ ˙™ bsn nœ. - p > mp R mp mp 3:2 3:2 - ™ ? Ó™ ‰ Ó™ Œ ≈ bœ œ ˙ ˙ cbsn ¢ #œ - R ¯ p mp >. -¯ 4:3 r bœ ± nœ™ œ™ œ ° µ˙-™ horn 1 & ≈ ≈ ‰ ‰ Œ ∑ w ˙™ œ œ J R pp p ppp 5:4 + ±r ¯4j:3 j j nœ- œ œ™ ˙ ˙™ ? Œ ≈ ‰ ‰ Ó Ó™ ≈ ≈ horn 2 Bœ & nœ™ œ œ œ œ œ ˙ œ™ >. - mp pp ppp p ¯r + Ó ‰ ≈ Œ Ó™ horn 3 & #œ >. nœ œ œ™ ˙ ˙™ mp - ± mp 5:4 3:2 4:3 -± 3:2 j ± j j µœ œ œ ˙™ ¯r 3:2 ‰ Œ Ó ? ≈ ≈ Œ F3 ≈ horn 4 & œ Bœ™ œ œ œ™ & Bœ œ ˙ ˙™ Bœ™ ˙ œ - J J - - pp ppp ppp p ppp p pp 3:2 4j:3 4:3 j n>œ. (pedal!) picc tpt & w ‰ ‰ Ó ≈ ≈ Ó™ Ó™ #œ œ œ™ ˙ œ™ œ ‰ in Bb J #œ. ™ - ppp > mp ppp mp nœ mp mp “‘ - Ÿ~~(~2~/~~2~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ - 3:2 4:3 j ™ ™ bœ bœ œ ˙ œ™ œ tpt & Œ ‰ Œ Ó Œ ≈ ‰ Bœ in C #œ - - mp R ppp p p j j 3:2 4:3 j bass tpt & Œ™ Œ Œ Ó™ ‰ Bœ in Bb nœ œ œ™ ˙ œ™ œ - p #œ œ - pp - pp ppp - 3:2 5:4 µœ œ ? ™ ™ ™ B tbn œ Œ Ó Ó Œ Œ ‰ ‰ Œ Ó J J 4j:3 p cb ? w ˙™ ≈ Œ ‰ Œ tbn B˙™ ppp µœ™ œ œ - pp nœ œ œ™ ˙ ˙™ p - - pp j 5:4 j 3:2 r r 3:2 ? ≈ Œ Ó Ó ‰ ≈ Œ Ó™ Œ ≈ tba ¢ nœ œ ˙ ˙™ œ™ nœ™ ˙ œ nœ - - mp >. p ppp p 4:3 3:2 ~~~~~~~~~~~~~~~~~~~~ 4:3 r j j - 3:2 j ° rainstick ("high") 3:2 wind machine sleighbells œ œ wind machine ∑ ‰ ‰™ ≈ ‰ Œ Œ Ó™ ≈ Œ Ó Œ™ Œ™ perc 1 / œ ˙ œ œ œ œ - - R - ppp ppp ppp ppp 4j:3 floor tom (cymbal) r 3:2 5:4 maraca ("medium") 3:2 floor tom (cymbal) / œ Œ™ Ó Ó™ ≈ œ™ œ œ Œ ‰ ‰ Ó™ Œ ≈ Ó™ perc 2 - -œ -œ œ ˙ bass drum ppp ppp ppp 3:2 5:4 j maraca ("low") æ æ æ rainstick ("low") 4:3 / Œ ¡A¡A æ æ æ Œ Ó Œ™ œ ‰ Œ ˙™ ∑ œ™ œ™ ‰ perc 3 ¢ -œ™ ˙ œ - - ppp ppp Ÿ~~~~~~~~~~~~~~~~~~~ ppp - 3:2 <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ #œ œ œ™ œ œ ˙ ˙™ œ™ œ™ 4:3 hp 1 & ≈ ≈ ®‰ Ó { J J ppp nœbœ nœ ] ppp pp > #œ >3.:2 mp 4:3 Ÿ-~~~ <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ bœ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ ? w ? bœ œ œ™ ˙ œ™ œ hp 2 & ‰ ‰ Ó #œ ‰ { J ppp p J mp 5r:4 3:2 ppp pp ° j Œ ≈ ‰ ‰ Ó Ó™ Œ™ ‰ ‰ ‰ Ó™ e gtr & nœ ¢ >. bœ ‹ mp - ] mp #œ p >. pp 3:2 - ppp p msp - r 4:3 - 4:3 j (1) p ™ ™ Bœ œ œ™ œ™™ ‰ nœ ˙ œ ‰ ‰ Œ ‰ Œ div. arco (nat) 1 ≈ ° ppp Ó™ 2 Bœ™ œ™ œ vn 1-2 & w Œ™ bœ ‰ ‰ Bœ ˙™ Œ ≈ µœ œ ˙ ˙™ ∑ Ó™ (2) - R p - pp - 3:2 ppp 3:2 pp - 4:3 j pizz> p 2 . 1 -3:2 ™ ™ (1) Œ ™ mp j Œ pp div. arco 1 #œ œ œ O O O O O O O µ1 nœ 2 Œ #œ ˙™ ppp ∑ 2 B œ™ œ œ œ œ ‰ nœ va 1-2 ≈ µ˙™ µœ œ ˙ œ™ œ ppp J J arco Œ ≈ ‰ J - ppp - - p R pp4:3 >j p - 4:3 1 3:2 3:2 ppp mp > 2 pizz ™ ppp pizz j nœ ‰ ‰ Œ Ó w mp mp (1) B˙™ 2 arco mst - ™ ™ ? ‰ nœ ‰ Ó Œ™ nœ œ œ ˙ ˙ vc 1-2 œ nœ œ œ Œ™ Ó Œ 1 arco ‰ - mp pp J pp 5:4 - 3:2 ppp pp 3:2 ppp p - 4:3 - - 3:2 1 (nat) j pp (2) ≈ j j Œ Ó™ div. arco ppp Bœ ˙ œ œ™ œ œ™ 2 msp˜ µœ ™ œ™ œ ? ‰ (1) µnœ œ œ n˙™ ∑ œ œ ˙ ˙™ cb 1-2 ¢ wœ Œ™ Ó Ó™ Œ™ Œ J ‰ - Œ ≈ pp -R pp 3:2 pp 5:4 ppp 3:2 ° vn 3-4 & (pp)
vn 5-7 & (pp)
vn 8-11 & (pp)
va 3-6 B (pp) ? vc 3-5 (pp) ? cb 3-4 ¢‹ (pp) ° vn 12-13 & (pp) vn 14-16 & (pp) vn 17-20 & (pp)
va 7-10 B (pp) ? vc 6-8 (pp) ? cb 5-6 ¢‹ (pp) 32
3:2 - 5:4 135 ° ‹ ˙ œ œ ˙ œ µœ œ œ œ ˙ w ˙™ œ™ r r picc & ≈ ≈ nœ œ™™ œ œ J J J - R mp ppp ppp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~p~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 4:3 - ˙™ w ˙ œ r nœ œ ˙ œ œ™ ˙™ æ æ æ æj ≈ æ æ æ æ ≈ fl & nœ ˙ ˙ œ - R R ppp ppp mp p (R3) 3:2 r 5:4 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j - 5:4 Bœ™ ˙ w ˙™ -™ ™ ob & ˙ œ œ w œ ≈ ≈bœ œ ˙ J ppp ppp pp pp - ™ œ™ 5:4 ˙ œ 3:2œ w ˙™ œ™™ #˙ œ œ ˙ - engl & ≈ ≈ nœ œ™™ œ œ hn J ppp pp Jppp R R 4:3 - p 3:2 j j nœ œ ˙ 5:4 nœ- œ œ œ ˙ w œ bœ-™ œ ˙™ bass & ≈ ≈ ≈ ob ˙ œ œ ˙ œ R J R R ppp mp ppp mp p ™ 5:4 ˙ w œ r - 4:3 - ™ ™ & ≈ #œ™ ˙ w œ ≈#œ œ ˙ œ œ œ ≈ cl in Bb J J R R R ppp pp nœ œ ppp mp ppp pp - Ÿ(~R~~~3~+~~G~~~#~ ~k~e~~y~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ ˙ œ r Bœ- œ b cl & ≈ ≈ #˙ œ™ œ ˙ œ œ™ ≈ in Bb J ™™ - #œ œ œ œ ˙ œ pp ppp R ppp - p ppp p r 5:4 3:2- cb cl & Ó Œ bœ ˙ œ ≈ ≈ in Bb æ æ æ nœ œ œ œ ˙ w ˙™ ™ ™ mp æJ æ æJ - b-œ œ ˙ pp ppp pp 3:2 - 5:4 ˙ œ j B˙ œ™ œ ˙ µœ-™ œ ˙™ sopr & ‰ ≈ ≈ sax J #œ ˙ œ™ œ œ ˙™ œ™™ p - p ppp < >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~p~~p~~p~~ ppp pp Ÿ 3:2 j ˙ œ 3:2 - bari & ‰ ≈ nœ ˙ ˙ ˙™ w sax nœ ˙ œ™ œ œ ˙ œ J - R ppp mp ppp pp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2- j bœ ˙ œ™ œ œ ˙™ w œ 4:3 r r(L4 C#) ? bsn ˙ œ ‰ ≈ J J nœ œ ˙ œ œ™ ˙™ ppp - pp ppp mp ™ 5:4 j bœ- 5:4 r r ? ˙ w œ ≈ ≈ ≈ cbsn ¢ nœ™ ˙ w ˙™ bœ œ™™ œ œ R - J - ppp mp pp ¯ ppp mp + 3:2 r 5:4 - ° ˙™ w ˙ œ j nœ œ™™ œ œ ≈ ™ ™ ≈ horn 1 & #-œ ˙ ˙ ˙ œ ppp mp ppp pp R R 5:4 ˙™ w œ + j ¯ ? - ™ horn 2 & ≈ #œ™ ˙ œ™™ ≈ n˙ œ œ ˙ w R - -¯ ppp pp ppp p j Bb1Bœ œ œ œ ˙ œ™™ + horn 3 & ≈ ≈ n˙ œ™ œ ˙ w ˙™ ˙ œ R - ppp mp ppp pp +- 4:3±r r & ˙™ w ˙™ œ™™ ≈ n˙ œ ≈ horn 4 J µœ œ ˙ œ™ œ ˙™ ppp mp - p (3/13) 5:4 3:2 j j Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r r nœ nœ œ œ œ ˙ w ˙™ œ™ picc tpt & ≈ ≈ in Bb J #œ œ™™ œ œ ˙ œ œ ˙ œ pp R ppp - <“> Ÿ~(1~~/~~1~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p ppp 3:2 - 3:2 j nœ ˙ nœ ˙ ˙™ 5:4 tpt & ˙ œ œ w ˙ œ ≈ ≈nœ™ œ ˙™ in C - ppp p R ppp p 3:2 j 3:2 r j 5:4 nœ- œ™™ œ œ bass tpt & ˙ œ œ w ˙ œ ≈ ≈ in Bb bœ ˙ ˙ ˙™ œ™ ppp pp - R R ppp pp 3:2 - 5:4 µ ™ 4:3 r 5:4 - œ ˙ œ œ œ œ Bœ-™ ˙ œ™™ j nœ œ™™ œ œ B Ó Œ ≈ ≈ ? ≈ tbn n˙ œ™ œ œ ˙ œ™ J R J - R R pp ppp pp ppp ppp pp mp r 5:4 j j 4:3 r r r ? cb ≈ µœ™ ˙ w œ ≈Bœ œ ˙ œ œ™ œ™ ≈ tbn - - nœ œ ˙™ w œ p ppp pp ppp - ppp (1/13) mp 3:2 r j5:4 Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? ≈ ≈ ≈ nœ œ™™ œ œ tba ™ ¢ ˙ w ˙ œ n-œ R nœ ˙ ˙ ˙™ mp R ppp - mp mp ppp ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r ° 3:2 glass chimes 5:4- 3:2 sizzle cymbal (small) ¡A¡A 4:3 - 5:4 rainstick ("high") ‰ ∑ ‰ œ™ œ œ œ ≈ Ó Ó ‰™ œ œ ˙ œ ‰™ ≈ Œ™™ perc 1 / ˙ œ ] œ œ J R ppp - ppp R R R ~~~~~~~~~ ppp 3:2 sandpaper blocks 5:4 rainstick ("medium") j shell chimes j Ó Œ j ≈ Œ Ó ("medium") Œ 3:2≈ œ- ˙ Ó Ó™ ≈ ≈ Ó™ perc 2 / œ ˙ œ™ -œ™ - ppp R ppp ppp 4:3 wood chimes ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~5~~:4~ j - bass drum (stones) sandpaper blocks ("low") 5:4 - / Ó™ Ó ‰™ œ œ œ ‰™ Ó Ó ≈ ≈ Ó Œ œ œ™™ ≈ Œ perc 3 ¢ -˙ œ™ ppp R J ppp R Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ppp 3:2 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ- ˙ œ™ œ œ ˙™ ™™ Ÿ- Ÿ~~~~~~~~~~~~~~~~~~~~ nœ œ n˙ bœ œ™ œ ˙ œ œ™ r Ó Œ ≈ ≈ ? hp 1 {& #œ bœ œ pp J ppp ppp - 3:2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ mp 3:2 - <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ ˙ bœ ˙ ˙™ œ œ™ ~~~~~~~~~~~~~~~~~~~~~ ˙ bœ œ œ ˙ œ r Ÿ- ? ?≈ ≈ ≈ #œ bœ œ hp 2 { bœ #œ œ œ œ œ œ & J J - R R ppp mp ppp p ppp mp 3n:2œ- ˙ œ™ œ œ ˙™ œ™™ 5:4 ° ebow -™ ™ Ó Œ ≈ ≈#œ œ ˙ e gtr ¢& J n˙ œ™ œ ˙ ‹ mp ppp - ppp mp 3:2 r mp 5:4 ° ˙™ w ˙ œ j - ≈ ≈bœ œ™™ œ œ vn 1 & nœ ˙ ˙ ˙™ œ™ - R ppp pp ppp p R j nœ- œ œ œ ˙ w ˙™ œ œ™ r ≈ ≈ vn 2 & ˙™ ˙ œ µœ œ mp R ppp pp - ppp 5:4 r ˙™ w œ nO-™ O ~ O ™ O O ™ & ≈ n œ™ ˙ w ˙™ œ œ™ ≈ nœ œ va 1 J - ppp R mp ppp pp 3:2 j r 5:4µœ-™ ˙ w ˙™ w va 2 B ˙ œ œ w œ ≈ & J ppp p 3µ:2O- O O ™ O O O 5:4 j ? µœ ˙ œ™ œ œ œ vc 1 Ó Œ ≈ &nœ™ ˙ w ˙™ w J - p Rppp p 3:2 4:3 - msp - (nat) µœ œ ˙ 5:4 r ˙ œ Bœ ˙ œ™ œ œ ˙™ w œ nœ-™ œ œ™ ? ‰ ≈ ≈ ≈ vc 2 J J R µœ œ ppp J R p ppp - p ppp pp p 3:2 ˙™ w ˙ œ r j 4:3#œ- œ ˙ œ œ™ ˙™ ? ≈ ≈ cb 1 Bœ ˙ ˙ œ - R R ppp p ppp p ˙™ ˙ œ µœ- œ œ œ ˙ w œ 4:3 - r ? ≈ ≈#œ œ ˙ œ œ™ œ™ ≈ cb 2 ¢ #œ œ ‹ J R J R R - ppp ppp p p ppp mp 33
3:2 - 4:3 138 ‹ µœ ˙ œ ˙ œ™ ° j Bœ- ˙™ œ ˙™ w œ œ picc & ˙ œ ≈ ‰ ≈ J J ppp pp R Jppp Ÿ~(~L~~2~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ pp ppp Ÿ~(~R~~2~~3~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ - 3:2 œ œ j #˙ œ w œ œ j 4:3 j ≈ ≈ ‰ ≈ fl & bœ œ™ œ ˙™ œ™ R - J #œ ˙ œ ˙ œ™ mp ppp mp - ppp - ppp mp ppp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ ˙™ œ œ™™ 4:3 #œ-™ ˙ œ ≈ ≈ nœ- œ w w œ™ ≈ ≈ ≈ ob & n-œ™™ J J R ppp ppp mp mp J ppp p p (~R~~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ j r 3:2 j 4:3j Bœ- engl & ˙™ w œ™™ ≈ nœ œ w œ ≈ ≈ hn - ™ #-œ œ œ ˙ ˙ œ ppp mp pp ppp mp ppp nœ- œ 3:2 œ ˙ ˙ œ™ ˙ œ - bass & ≈bœ ˙™ œ ˙™ w œ ≈ ≈ ob J J pp R Jppp R J ppp - ppp nœ ˙™ œ ˙ œ pp 3:2 - j 4:3 ≈ ≈ nœ ˙™ œ œ™ œ œ ‰ cl in Bb & ™ œ™ œ œ R R J J n-œ ˙ œ ˙ ppp ppp p ppp ppp mp p ™ ™ ™ j r 3:2 j j 4:3 œ œ œ ˙ œ n˙- œ b cl & ≈ ≈ ≈ in Bb J J n˙ œ w œ ppp - #œ œ œ ˙ œ™ p ppp mp - ppp pp ppp j r - j j 4:3 j #˙ œ b˙- œ cb cl & ≈nœ ˙™ œ™ ≈ ≈ ≈ in Bb ˙ œ - R #œ ˙™ œ œ™ w œ™ p p - pp ppp ppp mp ppp B˙- œ w œ œ 3:2 ™ ™ ™ >- 4:3 ˙ ˙ œ nœ ˙ œ ˙ œ™ sopr & ≈ ‰ æ æ æ æ æ ≈ sax J J æJ æ æ æ æJ ppp p ppp p ppp - 7:6 j #œ ˙™ ˙ œ œ #œ- œ™ œ ˙™ ˙ 4:3œ™ bari & œ œ ≈ ≈ ≈ ≈ sax R #-œ œ™ œ ˙ œ™ J J J #-œ ppp mp p p mp ppp ppp ppp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~ - 3:2 r - B˙ œ w œ r j j ? ≈ bœ œ™ œ ˙™ œ™ ≈ ≈ ≈ bsn œ œ J J #œ œ œ ˙ ˙ œ™ pp ppp - ppp ppp ppp p pp nœ- œ 3:2 œ ˙ ˙™ Bœ- œ w œ ? ≈ æ æ æ æ ≈ cbsn ¢ ˙™ w œ™™ æ æ æ æJ R J ppp ppp p ppp + mp 4:3 ¯ ° ˙™ ˙ œ™ ¯ r j j #œ- ≈ ≈ nœ ˙™ œ œ™ w ˙ œ™ ≈ horn 1 & bœ ˙ œ - Jppp - mp pp + p ppp ppp j ±Bœ- ˙ œ ± ? µœ- ˙™ œ œ™ w ˙ œ™ horn 2 œ œ ≈ ≈ ≈ ≈ #-œ œ™ œ ˙ œ™ R J J Rppp pp ppp mp ppp pp ppp r ¯ - ™ ™™ + ¯r 3:2 j #œ œ œ w œ ? - horn 3 & œ œ ≈ ≈ #œ œ w œ ≈ & #œ œ œ ˙ ˙™ J - ppp mp mp ppp ppp p ppp -¯ 4:3 -¯ #œ ˙™ œ œ™ w œ™ + & ≈ nœ ≈ ≈ ?#˙ œ horn 4 ˙™ w œ™™ J - R Jppp p ppp ppp mp pp 3:2 - ™ nœ- œ w œ œ #œ ˙ œ ˙ picc tpt & ≈ ‰ in Bb ˙™ w œ™™ J J pp ppp 4:3 ppp mp ppp (0/12/3) - 7:6 3:2 4:3 j Bœ ˙ œ (pedal!) j j j j Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ nœ ˙ œ ˙™ tpt & ˙™ ˙ œ™ ≈ ≈ ≈ ‰ in C #œ ˙ œ œ J p R - nœ œ™ œ œ ppp ppp ppp ‘ - mp “ mp ppp mp j 3:2 j ˙™ ˙ œ™ 4:3 bass tpt & ≈ ‰ in Bb ™ J n-œ ˙ w œ œ nœ ˙ œ ˙™ (o/+) mp ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ppp p - ppp - ppp ˙™ ˙™™™ b˙ œ w œ r 3:2 j j ? B ? tbn ≈ ≈ ≈ J µœ œ œ ˙ ˙ œ™ ppp pp ppp - p ppp j j 4:3 j cb ? ≈ ≈ ≈ tbn µ˙ œ™ ™ ™™™ B˙ œ w w œ™ - ppp œ œ œ ˙ - pp ppp p ppp 7:6 <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~~~~~j~~~ - 4:3 ? ˙™ ˙ œ™ ≈ (23/123) ≈ nœ œ™ œ ˙™ ˙ œ™ ≈ tba ¢ J #œ ˙™ ˙ œ œ J µ-œ - pp ppp p ppp pp ppp j j j 7:6 sandpaper blocks ("high") ° snare drum (as before) maraca ("high") 3:2 4:3 ™ ‰ Œ Ó™ Ó ‰ œ ˙ œ œ™ Œ Œ Œ œ- ˙ œ Ó™ perc 1 / œ -œ - ppp ppp J ppp sizzle cymbal (medium) string drum maraca ("medium") - ¡A ¡A floor tom (twigs) 7:6 j 4:3 Œ™ œ œ™ ≈ ∑ ˙ ] Œ Ó ‰ ‰™ ≈ Ó™ Œ Œ perc 2 / - œ œ™ ˙ - ppp - ppp sizzle cymbal (large) ppp ~~~~~~~~~~ ppp r 3:2 rainstick ("low") - ¡A¡A thundersheet j bass drum æ æ 4:3 Ó ‰™ œ ˙™ Œ Ó ‰ ∑ ‰™ æ æ ‰ Ó Ó™ perc 3 ¢ / ] œ ¡A¡A œ œ œ ppp - - - R ppp ppp ppp < >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ r - 4:3 bœ #œ œ™ œ ˙™ œ ˙ œ j j Ÿ~~~~~~~ ? ≈ ≈ ≈ #œ bœ hp 1 { œ œ & #œ bœ ˙ œ œ œ™ w ˙ œ™ - R ppp - pp pp p ppp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~r~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~4~:~3~~~~~~~~~~~~~~~~~~~~~~~~~ ™ ™ ™ - ™ ™ œ œ ˙ œ ≈ ≈ ?#œ bœ ˙ œ œ œ w œ ≈ bœ hp 2 {& #-˙ œ & J nœ #œ ˙ œ J J ppp - ppp mp ppp p p 7-:6 bœ œ™ œ ˙™ œ™ 4:3 ° ™ ™™™ ˙ ˙ ≈ b˙- œ ˙ œ œ™ ≈ e gtr ¢& ‹ J J J ppp mp ppp mp ppp #-˙ œ 6 b7œ-: œ™ œ œ 3:2 mp ppp - Bœ ˙™ ˙ œ œ B- ™ 4:3 ° ˙™ ˙ œ™ œ ˙ œ ˙ vn 1 & ≈ ≈ ‰ J J J ppp pp J pp J ppp ppp ppp pp 7-:6 r j j nœ œ™ œ ˙™ ˙™ & ≈ ≈ vn 2 œ™ œ œ n-œ ˙™ œ ˙™ ˙ œ œ ppp p ppp p ppp r r j 3:2 j nœ- œ™ œ w ˙™ w œ 4:3 va 1 & œ œ ≈ ≈ µO O ‰ BBœ ˙ œ ˙™ J µ -œ œ - ppp pp ppp pp p - 3:2 4:3 œ œ - Bœ œ œ ˙ ˙ œ™ ≈ ≈ Bœ œ w œ ≈ ≈ Bœ- va 2 & B ™ ™™ µ-œ œ œ w œ J J J Rppp ppp R ppp p p ppp p j j j 7:6 p - ˙™ ˙ œ™ ≈ ™ ™ nœ œ™ œ ˙™ ˙™ vc 1 & #-œ ˙ ˙ œ œ ppp mp ppp pp ppp - 4:3 r µœ- ˙ œ œ œ™ w œ™ µ˙ œ ? ≈ ≈ nœ- ≈ ≈ vc 2 œ œ µœ œ™ œ w œ™™ - R J J pp ppp pp ppp pp pp ppp - 7:6 4:3 - nœ ˙™ œ ˙™ ˙ œ œ mst nO ? ˙ œ µœ- œ™ œ ˙™ ˙ œ™ cb 1 ≈ ≈ ≈ J R J J p J ppp ppp ppp mp mp µœ- œ ˙ œ œ 7:6 - nmœ-st œ™ œ ˙™ œ™ 4:3 ? ≈#œ ˙™ œ œ™™ ≈ ≈ ≈ cb 2 ¢‹ œ™ œ œ b-˙ œ R J J J ppp ppp ppp pp mp ppp p pp ppp Each player in the outer string groups plays independently, beginning at the start of the "loop" and repeating it, ignoring conductor and barlines, until the conductor cues bar 141. e=75-105 individually Each player may vary his/her tempo freely between the given limits, abruptly or gradually and at any point, but especially avoiding any sense of coordination or synchronisation between instruments. An individual loop will be between 3 and 4.5 seconds long. On average therefore, each player will play his/her material approximately seven times. strike tailpiece * col legno tratto on damped string so that only the bow sound is heard - vary the position randomly on each repetition in the range between msp and mst so that the faint pitch changes with wood clt sul I* of bow (tail- ™ piece) j ° ™ nO ™ vn 3-4 & í™ - ≈ ™î 7™™ ] 7™™ pp sempre strike tailpiece with wood of bow ™ c-lt ™sul II* ™ vn 5-7 & í™ bO ≈ ™î J ] 7™™ 7™™ pp sempre strike tailpiece with wood of bow clt sul III* & í™ ≈™î vn 8-11 ™™ ™™ b-O™ 7 7 ] pp sempre strike tailpiece with clt sul III* j wood of bow B í™ bO™ ≈ ™î va 3-6 - ™™ ™™ pp sempre ] 7 7 strike tailpiece with wood clt sul II* of bow ? í™ b-O™ ≈™î vc 3-5 ™™ ™™ 7 7 ] pp sempre strike tailpiece with wood of bow clt sul I* (tail- j bO™ piece) ? í™ ≈ ™î cb 3-4 ¢‹ - 7™™ ] 7™™ pp sempre strike tailpiece with wood clt sul II* ° of bow & í™ bO™ ≈™î vn 12-13 ™™ ™™ - 7 7 ] pp sempre strike tailpiece with wood of bow clt sul III* (tail- piece)j & í™ ≈ ™î vn 14-16 b-O™ 7™™ ] 7™™ pp sempre strike tailpiece with clt sul IV* j wood of bow & í™ ≈ ™î vn 17-20 ™ ™™ ™™ b-O ] 7 7 pp sempre strike tailpiece with wood clt sul IV* of bow B í™ ≈™î va 7-10 bO™ 7™™ 7™™ - ] pp sempre strike tailpiece with wood cljt sul III* of bow ? í™ ≈ ™î vc 6-8 ™ bO™ ™ - 7™™ 7™™ pp sempre ] strike tailpiece with wood clt sul II* (tail- of bow piece) j ? í™ bO™ ≈ ™î cb 5-6 ¢‹ - 7™™ ] 7™™ pp sempre 34
- 3:2Bœ- ˙ 141 ° ‹ bœ œ™ œ œ œ nœ- ‰ Ó™ Ó ‰™ ‰ Œ picc & æ æ æ æ æ J pp æR æ æJ æ æJ J p ppp p - Bœ j -3:2 ‰ Ó™ ≈ Ó™ Ó ‰ #œ œ fl & n˙ œ™ J - pp p p > 3:2 µœ. bœ- œ nœ- œ™ ™ ™ ob & ≈ ‰ Œ Ó Œ ‰ J nœ™ ˙ ppp R pp - ppp pp pp mp >. - bœ engl & ∑ n˙ œ™ œ w œ™™ ≈ ≈ ‰ hn pp ppp R mp (Bb key) 7:6 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r - 3:2 r - nœ œ œ œ œ œ™™ ™ #œ™ bass & #œ œ ˙™ ˙™ œ œ ≈ ≈ nœ ≈ ‰ Œ ∑ ob - R J J >. pp ppp ppp mp p r #>œ3. :2 & ∑ Ó ‰™ ∑ Ó Œ™ Ó ‰ ‰ Œ cl in Bb #œ œ™ J mp #œ - mp >. p - 7:6 nœ œ œ œ™ œ ˙™ œ œ r b cl & ‰ ≈ nœ ‰ Ó Ó™ in Bb . J ppp R > pp mp >. n>œ. #œ cb cl & ∑ ≈ ‰ Ó Ó™ ≈ ‰ Ó™ in Bb mp R mp R (Bb key) - Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ œ™ (~C~~ ~k~e~~y~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r j Ÿ- - ™ ™ #˙ œ œ œ sopr & nœ œ ˙ ˙ œ ≈ nœ œ™ œ ˙ œ™™ ≈ Œ sax J - pp ppp pp ppp p pp r -3:2 ™ nœ œ bari & ∑ Ó ‰ nœ ∑ Ó nœ œ™ œ™ ˙ ‰ sax >. - mp pp ppp p r >. 7:6 r ? ™ bœ ™ ™ ? bsn bœ ≈ ‰ Ó & ≈ ‰ Ó Œ Bœ ‰ Ó Ó >. >. mp R mp mp n>œ. ? ‰ ≈ Ó™ Ó™ Ó™ cbsn ¢ mp R pp n-˙ œ œ œ ± ¯r F123 ¯ ° j -3:2 ‰ Ó™ ∑ Ó ? ≈ ‰ Ó™ Ó ‰ Bœ œ horn 1 & nœ™ œ & µ-œ œ œ - nœ. p p mp > p ±r ± >. ± ? ≈ ‰ Œ ≈ Bœ ‰ Œ Ó™ Ó™ Œ 3:2Bœ- ˙ Œ horn 2 µœ. > R J mp mp p >3:2 ¯ + Bb23 ¯µœ. & ∑ ≈ ‰ ‰ Œ horn 3 n˙ œ™ œ w œ™™ ™ ™ J pp - bœ œ œ ˙ - mp ppp pp ppp 3:2 - ¯ Bœ ˙ ? ‰ #œ- œ œ œ™ œ ˙™ ˙™ œ ‰ Œ horn 4 J pp Jppp J p r r 7:6r #>œ. ™ ™ picc tpt & ∑ Bœ. ≈ ‰ Œ ‰ ≈ ‰ Ó Ó in Bb > R mp pp #-œ œ œ Ÿ~(2~~/~~2~3~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 j 7:6 #œ- œ œ œ tpt & Œ™ #œ Bœ Ó™ in C . p R J > j mp r - - bass tpt & ‰ #œ œ ≈ ≈ nœ™ ∑ in Bb pp J ™ ™ ™ pp #-œ œ ˙ w ˙ œ œ p ppp ~(~o~/~~+~~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~7~:~6~ µ- 3:2 r n˙- œ™ œ œ œ œ œ œ œ ? ≈ ‰ Ó™ ≈ ‰ Ó™ tbn µœ >. R R J mp pp ppp p j r 7:6 -3:2 ? ™ ™ ™ ™ B cb ‰ Ó Ó ‰ ≈ ‰ Ó Ó Œ #œ™ ˙ ‰ œ œ tbn µ-œ - p ™ pp ppp p p n-œ œ - 3:2 j ? ∑ Ó ‰™ nœ œ™ 7:6 ≈ ‰ Œ Œ Œ tba ¢ #œ ˙ R p - snare drum (as before) p ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j 3:2 - maraca ("high") ° rainstick ("high") sleighbells œ ˙ 3:2 ‰ Ó™ ≈ Ó™ Œ Œ Ó™ j Œ Œ perc 1 / œ ˙ œ™ ˙ œ - - ppp J - ppp rainstick ("medium"r) ppp ppp j sizzle cymbal (medium) ¡A-¡A floor tom (twigs) maraca ("medium") 3:2 ‰ ‰™ Œ Ó ‰™ œ œ™ 7:6 ≈ ‰ Ó Ó Œ™ Ó ‰ perc 2 / œ œ œ æ æ ] œ œ™ œ œ - ppp æ æ - - ppp R ppp wood chimes -~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sandpaper blocks ("low") ppp rainstick ("low") Ó ≈ œ™ œ Ó™ Œ™ 7:6 œ- œ œ œ 3:2 ‰ Ó™ Œ™ ™ ∑ perc 3 ¢ / -œ ppp J ppp R J ppp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7:6 - 3:2 ™ ™ nœ bœ œ œ œ œ ˙ ˙ ˙ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3:2 Ó ≈ nœ-™ bœ œ ˙™ œ œ ≈ ‰ hp 1 & #œ bœ œ { J J - J ppp R R ppp pp - pp #œ œ œ pp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰™ Œ Ó™ Ó™ hp 2 {& #-˙ bœ œ œ œ p J R 3:2 - r pp ° ebow j ebow nœ ˙ œ œ œ pizz ∑ ≈ Ó™ Œ ≈ ≈ Œ ∑ e gtr ¢& n˙ œ™ ‹ - J R p nœ > ppp . >- 3:2 nœ mp > n˙ œ > r ° pizz pizz Bœ arco ‰ Ó™ Ó ‰ ≈ ∑ Ó n œ œ™ œ œ≈ Œ Œ vn 1 & ˜ -œ œ ™ œ œ mp J mp J R pp ppp p arco j r pizz j j & ‰ ≈ ‰ Œ Ó™ Œ™ µœ Œ ‰ Ó™ vn 2 > Bœ µ-œ œ œ mp > p mp j 7:6 - 3:2 j 1 arco 2 arco 2 arco Bœ œ œ œ 1 pizz > 3:2 B Ó ≈ - ≈ Œ™ ‰ Ó™ Œ™ Œ bœ ‰ Œ B ‰ Œ va 1-2 µ˙ œ™ & B Bœ™ œ J >œ J µœ p - J p R mp mp > p 3:2 mp > 2 - 3:2 j 1 arco 7:6 1 pizz. mp j Ó™ Ó™ div. arco j ‰ ‰ 1 pizz. 2 pizz > - ™ 1 ? µœ™ ™ µœ œ nBœœ ˙ œ ˙ œ™ ? µ˙ œ vc 1-2 ‰ Œ ≈ Œ Ó ‰ ≈ ‰ Œ & Œ Bœ Œ J J µ˙ œ > mp J R 2 arco msp pp ≈ ‰ ‰ mp p - ppp J 3:2 - - p 3:2 Bœ™ œ 2 arco 1 arco msp - p 1 pizz 7:6 3:2 ∑ ? Ó ≈ Ó™ Œ™ #œ- œ œ œ œ ˙™ œ œ ≈ Bœ™ ? cb 1-2 ¢ & n œ™ w p J R J J R - pp ppp pp 35
144 r4:3 (L234) ° ‹ Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ ≈ ‰ ≈ Œ ∑ Ó™ ≈ nœ™ ˙ œ picc & #œ. > J mp 3:2 ppp Bœ- ˙ œ pp œ œ œ™ œ w ™ ™ fl & ‰ ‰ Ó ppp p R œ œ œ™ œ w j3:2 ‰ nœ ‰ Ó ∑ ob & >. ppp mp r4:3 - engl & Œ ≈ nœ ‰ ≈ Œ ∑ Ó™ ≈ nœ™ ˙ œ hn . > J ppp mp #œ- œ™™ œ ˙ pp -3:2 bass & Ó ‰ ‰ bœ ˙ œ œ™ ˙™ ob pp J R pp ppp ppp 3:2 nœ- œ ™ cl in Bb & Ó Ó Œ ≈ p R j r - 3:2 b cl & Ó ‰ ≈ nœ™ œ œ œ ≈ Œ in Bb nœ œ™™ œ ˙ ˙™ J R - p pp ppp r cb cl & Ó™ ≈ ‰ Ó™ in Bb nœ <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ mp >. <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n>œ. ˙ œ sopr & ≈ ≈ ∑ sax Rppp R 3:2 œ œ 4:3 mp j bari & ‰™ ≈ Œ ∑ ‰ ‰ Ó ∑ sax R nœ. - mp > nœ™ ˙ œ j4:3 ? Œ ≈ ‰ ∑ Œ Ó ≈ bsn nœ™ œ œ - pp J ppp p r #œ- 3:2 ˙ œ œ™ ˙™ ? ≈ ‰ ‰™ Œ 6:5nœ- ˙ œ cbsn ¢ ˙ œ J J pp ppp p ppp ¯ 6:5B>œ. ° ™4:3 ™ BbØ horn 1 & œ œ ‰ ≈ Œ ‰ Œ ≈ Ó R R ¯ mp + >. >. ? bœ ™ nœ ™ horn 2 Ó ‰ ≈ ∑ Ó ≈ ‰ Ó mp R R j j mp + 6:5 & Ó ‰ ‰ Ó horn 3 #-œ œ™ œ p ± ± - 3:2 r ? Bœ œ™ œ 6:5 ™ ™ horn 4 Ó ‰ ‰ Ó ‰ Bœ ˙ œ ‰ Ó & J J - p p j4:3 3:2 - nœ œ™ œ 6:5 nœ œ picc tpt & Œ ≈ - ‰ Ó Ó™ Ó Œ ≈ in Bb bœ™ œ œ p - pp R p r 3:2 - tpt & Ó ‰ ≈ ∑ Ó™ Ó Œ ≈#œ œ in C #œ. (Ø/3) pp R > 6:5 j4:3 mp j j Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ- nœ ˙ œ œ ˙ w bass tpt & Œ ≈ nœ™ œ œ œ œ™ œ™ ≈ in Bb - J pp ppp pp ppp -4:3 r nœ™ œ œ œ w 3:2 ? Œ ≈ ‰ µœ ˙ œ ‰™ Ó™ tbn J - pp ppp p r 3:2 r 4:3 cb ? œ œ ‰™ ≈ Œ ∑ Ó™ ≈ ‰ Œ Œ ≈ tbn Bœ œ R mp nœ p - 6:5 3:2 . j j > 3:2 - ? Ó™ ‰™ Œ Œ Ó Ó Œ ≈nœ œ tba ¢ p pp R b-œ ˙ œ 6:5 glass chimes ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sandpaper blocks ("high") ° - ™ - 3:2 / Ó ‰ œ œ œ ‰ Ó Ó™ ≈ œ™ œ œ œ ≈ Œ perc 1 J J ppp J ppp R 4:3 sandpaper blocks ("medium") 3:2 r floor tom (cymbal) r ‰™ ≈ Œ ‰™ Œ 6:5 œ- ˙ œ Œ 3:2 Ó Ó Œ ≈ perc 2 / œ œ œ œ 4:3 ppp J J ppp - maraca ("low") j bass drum (stones) r Œ ≈ œ™ œ œ ‰ ∑ ‰ 3:2 ‰™ Ó™ perc 3 ¢ / - œ ˙ œ ppp ppp - < >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ 3:2 ? ‰ #œ bœ ˙ œ œ™ ˙™ hp 1 {& œ œ œ™ œ w - & pp ppp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~p~~p~~p~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j 6:5 j ?≈ hp 2 {& ˙™ œ™ œ™ nœ bœ ˙ œ œ ˙ w ppp - pp ppp 3:2 n>œ. ° ebow -4:3 pizz Œ ≈ #œ™ œ œ ‰ ∑ Ó™ Ó Œ ≈ Œ e gtr ¢& ‹ J ] mp R p - 3:2 r 1 arco p j 6:5 j ≈ ° 2 arco mst µœ™ œ œ œ ≈ & Ó™ ‰™ Œ Œ vn 1-2 n-œ ˙ œ œ ˙ w pp ppp ppp 3:2 > 4:3 r j j - 2 pizz mp 2 arco (2) msp nœ œ™™ œ ˙ ˙™ ˙ œ ≈ Œ va 1-2 B Œ ≈ nœ™ œ ≈ nœ #œ & - J ‰ Œ Œ ∑ pp pp R 1 pizz > 3:2 6:5 mp 3:2 r 2 pizz µ> 1 pizz ? Ó™ ‰™ Œ œ Ó Ó™ Ó Œ ≈ Œ vc 1-2 µœ mp J > mp ppp p 6:5 - 3:2 (2) j j arco j j 3:2 - 1 r ˙™ œ™ œ™ div. ≈ nœ ˙ œ Œ Œ Œ 1 arco ≈ 2 2 arco- p ? Ó ≈ #œ™ ˙ µœ œœ cb 1-2 ¢ #œ™ ™ µœ J Œ 1 pizz ≈ ≈ Œ ‰ Œ pizz Ó ppp J mp J pp mp > > 4:3 6:5 36 4:3 n>œ. n>œ. n>œ. 3:2 146 ° ‹ j j j r Ó™ Ó Œ ™ ≈ ‰ ≈ ≈ ≈ Œ™ ≈ Œ ≈ ‰ picc & n-œ œ œ n-œ œ mf mf fff R R R fff fff #œ-™ #œ- > 5:4 > 3:2 > > 4:>3 ™™ nœ. ™ nœ. nœ. nœ. nœ. ™ fl & Œ ‰ ≈ Ó Œ Œ Œ ‰ ≈ ‰ ≈ ≈ Œ mf R f R ff J ff R fff R f f 3:2 >. >. 4:>3. nœ nœ nœ b>œ. & Ó™ Ó Œ Œ Œ™ ≈ ‰ ≈ ≈ Œ™ æ ≈ Œ ob æ nœ ff J ff R fff R R - ff - 4:3j r fff nœ œ æ æ engl & Œ™ ≈ æ æ Œ™ hn J #œ œ #-œ™ #-œ mf R ff - ff ff 5:4 >. 3:2 >. >. 4:>3. æ bass & Ó ‰™ #œ ≈ Œ™ ‰ Œ #œ ≈ Œ Œ™ #œ ≈ ‰ #œ ≈ ≈ Œ™ æ ob #œ™ #œ f R ff R ff R fff R - - ff ff 5:4 j 3:2 æj æj j r 4:3j r nœ-™ - nœ ™ æ æ æ ™ cl in Bb & Ó ‰ ‰ Œ æ ≈ ‰ ≈ Œ nœ œ™ nœ œ œ™ nœ œ nœ œ mf - f - f - ff - ff (ff) 5:4 3:2 j r 4:3 r æj æ j j j b cl ™ æ æ ™ & Ó ‰ nœ œ™ ‰ Œ nœ œ œ™ ≈ ‰ nœ œ ≈ nœ œ Œ nœ™ in Bb - - - - - nœ mp mf mf f - f ff 5:4 j 3:2 j j j r 4:3j r r r cb cl & Ó ‰™ nœ œ™ ‰ Œ nœ œ œ™ ≈ ‰ nœ œ ≈ nœ œ Œ™ ≈ Œ ≈ ‰ in Bb - - - - #œ #œ mp mf mf f >. >. fff fff #œ- - 4:-3 - sopr & Œ™ nœ œ ≈ nœ œ Œ™ nœ™ sax J J f R ff R (C key) (C key) ff f Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~ 4:3 ~~~~~~~~~~~~~~~~~~ 5:4 j 3:2 j Ÿj r Ÿj r j (C key) (C key) bari & Ó ‰™ #œ œ™ ‰ Œ #œ œ œ™ ≈ ‰ #œ œ ≈ #œ œ Œ™ sax - - - - ™ mp mf mf f #-œ #-œ f f (R thuŸm~b~~ Bb + R2) Ÿ~s~e~~m~~p~~r~e~ ~s~i~m~~~.~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r ? ™™ - ™ 5:4 - ™ 3:2 - ™ - 4:-3 ™ -™ bsn Œ #œ ‰ #œ œ ‰ Œ #œ œ œ ≈ ‰ #œ œ ≈ #œ œ Œ #œ ≈ ‰ p R mp J mf J J J R J R nœ. mf f f > fff 3:2bœ- œ œ™ bœ- œ 4:3j r ? Ó™ Ó Œ ≈ ‰ ≈ Œ™ cbsn ¢ J nœ œ nœ™ nœ f J f J R f - - - f f ¯ + 4:3 5:4 - 3:2 - r r ° #œ œ™ #œ œ œ™ ¯ j + j ¯ + Ó ‰™ ‰ Œ ≈ ‰ ≈ Œ™ horn 1 & #œ œ #œ œ #-œ™ #-œ J J J - - mf f mf f f f ± ± ± 4:3 5:4 - ™ 3:2 - ™ - ± - ± ± ? ™ µœ œ µœ œ œ µœ œ µœ œ ™ Bœ-™ Bœ- horn 2 Ó ‰ ‰ Œ ≈ ‰ ≈ Œ J J J J R J R mf f f ff ff ff 5:4 r 3:2 r 4:3 + ¯ F23 ¯ ¯j ¯ ¯ >. >. >. Ó ‰™ ≈ Ó Œ Œ Œ™ ≈ ‰ bœ ≈ ≈ Œ™ bœ ≈ Œ bœ ≈ ‰ horn 3 & µœ. µœ. µœ. f > ff > ff > R R R fff fff fff r 5:4 3:2 4:3 ¯ + r ¯j + r ¯r +r ¯r Œ™™ ‰™ ≈ Ó Œ Œ Œ™ ≈ ‰ ≈ ≈ Œ™ ≈ Œ ? ≈ ‰ horn 4 & nœ nœ nœ nœ nœ nœ nœ >. >. >. >. >. >. >. mf f ff ff fff fff fff (Ø/1) Ÿ(Ø~~~/~~1~/~~2~3~~)~~~~~~~~~ nŸœ-~™~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ- picc tpt & ∑ ‰ in Bb 4:3 f f 3:2 j n>œ. n>œ. n>œ. n>œ. tpt & Ó™ Ó Œ µœ Œ Œ™ ≈ ‰ ≈ ≈ Œ™ ≈ Œ ≈ ‰ in C >. R ff (Ø/23) ff R fff R R Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ fff fff 3:2bœ- œ œ™ j r 4:3j r bass tpt & Ó™ Ó Œ ≈ ‰ ≈ Œ™ in Bb bœ œ bœ œ bœ™ bœ f J J - - f - ff - 3:2 ff ff µ>œ. 5:4µ>œ. µ>œ. µ>œ. 4:3j r ? Œ™™ ‰™ ≈ Ó Œ Œ Œ™ ≈ ‰ Œ™ tbn nœ œ n-œ™ n-œ J - mf R f R ff ff R f f f 4:3j r cb ? Ó ‰ Œ™ tbn ™ f n-œ œ n-œ n-œ 4:3j r f f ? Œ™™ nœ- ‰™ 5:4nœ- œ™ ‰ Œ 3:2nœ- œ œ™ ≈ ‰ nœ- œ ≈ Œ™ tba ¢ R J J J J mp mf f f R b-œ œ b-œ™ b-œ ff ff ff wind machine 4:3j r ° sizzle cymbal (small) ¡A¡A 5:4 - 3:2 - - Ó ‰™ œ œ™ ‰ Œ œ œ œ™ ]≈ ‰ œ œ ≈ Œ™ perc 1 / æ æ ] æ æ æ æ æ ] œ œ œ™ œ æJ æ æJ æ æJ æJ æ - - - mp mp R mf mf mf p 3:2 j j j r 4:3j r string drum sizzle cymbal (medium) £A£A - - Ó™ Ó Œ ≈ ‰ ≈ Œ™ œ™ ] œ ] perc 2 / œ œ œ™ œ œ œ œ - - - mp mp ~~~~~~~~~~~~~~~ mf ~~~~~~~~~~~~~~~~ mf mf sizzle cymbal (large) j r 4:3j r ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ bass drum ¡A¡A- 5:4 - 3:2 - thundersheet æ / Œ™™ œ ] ‰™ œ œ™ ] ‰ Œ œ œ œ™ ]≈ ‰ ≈ Œ™ æ £A£A perc 3 ¢ æ æ æ æ æ æ œ œ œ œ œ™ -œ æ æJ æ æJ æ æJ mp - mf - - R mp mf mf pp p Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ “” 3:2 4:3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > - - - ∏ n œ bœ bœ bœ - bœ ∏ # # œœ #œ œ œ™ #œ œ #œ œ #œ™ ∏ b n œœ
∏ Ó™ Ó Œ ≈ ‰ ≈ Œ™ ∏ hp 1 {& J J J J mf ] mf R ] f R ] f fff 3:2 j r 4:3r r ? Ó™ Ó Œ Œ Œ™ ≈ ‰ ≈ ≈ Œ™ ≈ Œ hp 2 { #œ. #œ. #œ. #œ. ff > ff > fff > > bnbœœ r 5:4 j 3:2 j j j r 4:3j r fff f > ° ebow Œ™™ ‰™ ‰ Œ ≈ ‰ ≈ Œ™ e gtr ¢& #œ #œ œ™ #œ œ œ™ #œ œ #œ œ #œ™ #œ ‹ mp - ] mf - ] f - ] f - ] - ] - - ] ff ff ff 5:4 - 3:2 - nœ- nœ œ™ nœ œ œ™ 4:3 div. arco 1 Bœ- œ ff Bœ- œ Bœ-™ Bœ- 1 arco f B œ œ (div.) B œ™ B œ ° ™™ ™ 2 mf ™ vn 1-2 & Œ ‰ ‰ Œ ≈ ‰ ≈ Œ J nœ œ œ™ nœ œ J p R mp ] ff R ] ff ] f J J J R ff f 1 pizz > 4:3 j ‰ 5:4 - 3:2 - > > fff 1 arco mst #œ- mst #œ œ™ mst #œ œ œ™ 1 pizz Bœ B>œ Bœ Bœ & Œ™™ ‰™ ‰ Œ ≈ ‰ ‰ ≈ Œ™ Œ # œ va 1-2 - p R mp J mf J J ] ff J ff J J 2 arco ] ff 4:3 fff nœ- œ 2 arco 1 arco msp r div. pizz 1 3:2 div. arco ff j ] 2 j j ] ? ™ - ™ ? ™ vc 1-2 Ó Ó Œ &nœ œ œ ≈ ‰ ≈ Œ Œ ‰ J J #œ œ µ#œ œ nµœœ nµœœ mf ] J > > mf R 1 pizz J fff > fff fff 4:3 4:3 2 j j j j 5:4 3:2 div. pizz 2 pizz > > 1 ? ™ nœ ™ nœ ™ nœ nœ ™ nœ nœ cb 1-2 Ó ‰ Œ ‰ Œ Œ Œ ‰ ≈ Œ Œ ‰ ¢ J J nœ nœ nœ nœ f ff > > > > e=75-105 individually ff fff fff fff Each player in the outer string groups plays independently, beginning at the start of the "loop" and repeating it, ignoring conductor and barlines, until the conductor cues bar 148. Each player may vary his/her tempo freely between the given limits, abruptly or gradually and at any point, but especially avoiding any sense of coordination or synchronisation between instruments. All should play legato possibile, bowing freely but without accentuation. An individual loop will be between 1.7 and 2.4 seconds long. On average therefore, each player will play his/her material approximately eight times. arco psp sul I bœ œ - ° ™ Bœ œ ™ vn 3-4 & í™ ™î
mf fff ] arco psp sul II µ œ œ ™ - ™ vn 5-7 & í™ Bœ œ ™î
fff ] mf arco psp sul IV ™ µ œ œ ™ vn 8-11 & í™ ™î b-œ œ mf fff ] arco psp sul IV B í™ B œ œ ™î va 3-6 B-œ œ mf fff ] arco psp sul IV ? í™ n œ œ ™î vc 3-5 B-œ œ
mf fff ] arco psp sul IV n œ œ ? í™ - ™î cb 3-4 ¢‹ µœ œ
mf fff ] arco psp sul II µœ- œ ° ™ nœ œ ™ vn 12-13 & í™ ™î
mf fff ] arco psp sul III í™ #œ œ ™î vn 14-16 & ™ - # œ œ ™
mf fff ] arco psp sul IV í™ ™î vn 17-20 & ™ nœ œ ™ - n œ œ mf fff ] arco psp sul IV B í™ bœ œ ™î va 7-10 - b œ œ mf fff ] arco psp sul IV ? í™ µœ œ ™î vc 6-8 ™ - ™ n œ œ
mf fff ] arco psp sul IV #œ œ ? í™ - ™î cb 5-6 ¢‹ nœ œ mf fff ] 37 K 148 ° r ∑ ‰™ ® Ó fl & #œ mp ' nœÆ engl & ∑ ‰™ ® Ó hn mp ÔR rK bass & Ó™ ® ≈ ‰ Ó™ ob #œ ' K mp r & ∑ ‰ ≈ nœ ® Ó cl in Bb ' p #œÆ cb cl & ∑ ‰™ ® Ó in Bb p ÔR #œÆ bari & ∑ ‰™ ® Ó sax ¢ p ÔR ¯ ° ™ nœÆ ™ horn 1 & Ó ® ≈ ‰ Ó R mp ÔÆ ¯ µœ ? ™ F13 ™ horn 2 Ó ® ≈ ‰ Ó ÔR ± pp rK ∑ ‰ ≈ ® Ó horn 3 & Bœ ' pp + ? #œÆ horn 4 ∑ ‰ ≈ ® Ó mp ÔR rK tpt & ∑ ‰ ≈ ® Ó in C #œ pp ' nœÆ bass tpt & Ó™ ® ≈ ‰ Ó™ in Bb p ÔR BœÆ ? B tbn ∑ ‰ ≈ ® Ó p ÔR rK cb ? ∑ ‰ ≈ ® Ó tbn nœ rK mp ' ? Ó™ ® ≈ ‰ Ó™ tba nœ ¢ ' mp 2 woodblocks £A£A ° ™ œ ™ perc 1 / Ó ® ≈ ‰ Ó p sempre ÔR 2 woodblocks £A£A ™ œ ™ œ perc 2 / ∑ ‰ ® Ó Ó Œ ‰ ≈ ® Ó p sempre ÔR ÔR 2 woodblocks £A£A œ Ó™ ® ≈ ‰ ‰ ≈ œ ® Ó perc 3 ¢ / #œÆ p sempre ÔR ÔR plectrum ∑ ‰™ ® Ó hp 1 {& pp ÔR K plectrum r ? ∑ ‰ ?≈ ® Ó hp 2 { nœ mp ' ° pizz Æ Ó™ ® bœ ≈ ‰ Ó™ e gtr ¢& ‹ pp ÔR nœÆ rK ° 1 arco div. ∑ ‰™ ® Ó ∑ ‰ ≈ ® Ó vn 1-2 & µµœœ mp ÔR 1 pp ' K 2 1 arco #œÆ 2 arco r p ∑ ‰™ ® Ó Ó™ ® ≈ ‰ Ó™ va 1-2 & Bœ p ÔR p ' µœÆ 2 arco 1 arco Æ ? ∑ ‰™ ® Ó Ó™ ?® Bœ ≈ ‰ Ó™ vc 1-2 ÔR pp pp ÔR 2 arco Æ 2 arco Æ ? ∑ ‰™ nœ ® Ó Ó™ ® nœ ≈ ‰ Ó™ cb 1-2 ¢ pp ÔR p ÔR
=
150 rK rK rK ° ‹ nœÆ Æ ®≈ ‰ Ó ∑ ®≈ ‰ Ó Œ ‰ ≈Bœ ®Ó Ó™ ® ≈ ‰ Ó ≈ ®‰ picc & nœ nœ Bœ ' R R ' ' pp Ô pp Ô mp pp p Æ K Æ #œ nœÆ r nœ ®≈ ‰ Ó ∑ ®≈ ‰ Ó Œ ‰ ≈ ®Œ ≈ ®‰ fl & #œ ÔR ÔR pp ÔR p ' pp Æ K Æ Bœ mp r Ó™ Œ ‰ ≈ Bœ ®Ó Ó™ Œ ‰ ≈ ®Ó Ó™ Œ ‰ ≈ ®Ó ob & nœ R R ' pp ÔK p Ô mp r #œÆ Æ engl & Ó™ Œ ‰ ≈ ®Ó Ó™ ® ≈ ‰ Ó™ Ó™ Ó ≈ ® nœ ‰ Œ hn nœ mp ' p ÔR pp ÔR rK nœÆ nœÆ bass & ®≈ ‰ Ó ® ≈ ‰ Ó™ Œ ‰ ® ≈ Œ ∑ ob #œ ' pp ÔR mp ÔR rK mp nœÆ ™ #œÆ cl in Bb & ®≈ ‰ Ó ∑ Ó Œ ‰ ≈ ®Ó Œ ‰ ® ≈ Œ ∑ nœ R ' mp ÔR pp Ô mp rK rK Æ nœ #œÆ b cl & ®≈ ‰ Ó ® ≈ ‰ Ó™ ®≈ ‰ Ó Ó ≈ ® ‰ Œ in Bb nœ R R ' pp#œ Ô mp Ô mp ' mp rK nœÆ rK cb cl & Ó™ ® ≈ ‰ Ó™ ®≈ ‰ Ó ® ≈ ‰ Ó™ in Bb #œ #œ R ' p ' mp Ô rK Æ nœÆ nœÆ sopr & nœ ®≈ ‰ Ó ∑ ®≈ ‰ Ó Œ ‰ ≈ ®Ó Œ ‰ ® ≈ Œ ∑ sax #œ p ÔR ÔR mp ÔR mp ' p rK #œÆ BœÆ bari & ®≈ ‰ Ó Ó ≈ ® nœ ‰ Œ Œ ‰ ® ≈ Œ ∑ sax R ' R Ô p p Ô K Æ mp Æ r ? ™ #œ ™ ™ ? nœ ™ ™ bsn Ó & ® ≈ ‰ Ó Ó Ó ≈ ® ‰ Œ Ó ® ≈ ‰ Ó & R R nœ p Ô mp Ô K pp ' K #œÆ Æ r r ? ®≈ ‰ Œ Œ ® nœ ≈ ‰ Ó™ ®≈ ‰ Ó Ó ≈ ® ‰ Œ cbsn Bœ ¢ ' #œ ÔR mp ÔR p ' mp ±Æ ¯ p ° Bœ nœÆ ™ Æ horn 1 & ®≈ ‰ Ó Ó ≈ ® ‰ Œ Ó Œ ‰ ≈Bœ ®Ó ÔR pp ÔR p ÔR ¯ pp + BœÆ ? ™ #œÆ ™ #œÆ ™ horn 2 Ó Œ ‰ ≈ ®Ó Ó Œ ‰ ≈ ®Ó Ó Ó ≈ ® ‰ Œ & ± R R K K p R BœÆ p Ô mp Ô + r r Ô ®≈ ‰ Ó ∑ Ó™ Ó ≈ ® ‰ Œ Ó™ Œ ‰ ≈ ®Ó horn 3 & nœ #œ R ' ' p Ô mp K pp + ±r ? ™ nœÆ ™ ™ BœÆ horn 4 Ó Œ ‰ ≈ ®Ó Ó Ó ≈ ®Bœ ‰ Œ Ó Ó ≈ ® ‰ Œ R ' R K K pp Ô p pp ÔK r r #œÆ r picc tpt & ®≈ ‰ Ó ® ≈ ‰ Ó™ Ó™ ® ≈ ‰ Ó™ Ó™ Ó ≈ ® nœ ‰ Œ in Bb nœ ' #œ ÔR ' pp p ' rK pp nœÆ rK mp rK tpt & Bœ ®≈ ‰ Ó ∑ Œ ‰ ® ≈ Œ ® nœ ≈ ‰ Ó ≈ ®‰ in C ' R ' mp nœ p mp Ô p ' rK rK #œÆ bass tpt & Ó™ Œ ‰ ≈ ®Ó Ó™ Ó ≈ ® ‰ Œ Ó™ Ó™ ≈ ®‰ in Bb #œ R #œ p ' mp Ô ' Æ BœÆ mp B ™ nœ ™ Æ ™ tbn Ó Œ ‰ ≈ ®Ó Ó ®nœ ≈ ‰ Ó Œ ‰ ® ≈ Œ ∑ mp ÔR mp ÔR p ÔR rK rK rK rK cb ? Ó™ ® ≈ ‰ Ó™ Œ ‰ ® ≈ Œ ® ≈ ‰ Ó ≈ ®‰ tbn µœ Bœ µœ ' pp ' ' pp pp µœ p ' K rK r nœÆ ? Ó™ ® ≈ ‰ Ó™ ®≈ ‰ Ó ® ≈ ‰ Ó™ tba ¢ nœ #œ ' R ' p pp Ô p ° œ œ œ œœ œ œ ™ œœ œ œœ œœ œ ™ œœ œœ perc 1 / ®≈ ‰ Ó ® ≈ ‰ ‰ ≈ ®Ó ®≈ ‰ Ó ® ≈ ‰ ‰ ≈ ®≈ ‰ Œ ®≈ ‰ ‰ ® ≈ Œ ® ≈ ‰ ‰ ≈ ®≈ ‰ ≈ ®‰ ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR œ œ œ œ œœ œ ™ œ œœ œœ œ œœ ™ œ œœ perc 2 / ®≈ ‰ Ó ® ≈ ‰ ‰ ≈ ®Ó ®≈ ‰ Ó ® ≈ ‰ ‰ ≈ ®≈ ‰ Œ ®≈ ‰ ‰ ® ≈ Œ ® ≈ ‰ ‰ ≈ ®≈ ‰ ≈ ®‰ ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR œ ®≈ ‰ Ó ® œ ≈ ‰ ‰ ≈ œ ®Ó œ ®≈ ‰ Ó ®œ ≈ ‰ ‰ ≈œœ ®≈™ œ ‰ Œ œœ ®≈ ‰ ‰ ® œ ≈ Œ ®œœ ≈ ‰ ‰ ≈œœ ®≈™ œœ ‰ ≈ œ ®‰ perc 3 ¢ / ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR #œÆ rK nœÆ fingers (non arp.!) # œ- plectrum al fine Ó™ Œ ‰ ≈### œœ Ó ®≈ ‰ Ó Œ ?‰ ≈ ®Œ ≈ ®‰ hp 1 {& ##œœ nœ R ' pp R K p Ô p rK mp ÔR fingers (non arp.!) n œ- plectrum al fine r ? ™ nnn œœ ™ ™ ? hp 2 Ó Œ ‰ & ≈ nnœœ Ó Ó Œ ‰ ≈nœ ®Ó Ó Œ ‰ ≈ ®Ó { ' #œ mp R #œÆ p mp ' rK rK ° Æ ®≈ ‰ Ó ∑ Ó™ ® ≈ ‰ ‰ ≈ ®Ó Ó™ Œ ‰ ≈#œ ®Ó e gtr & nœ ¢ #œ ' ‹ ' pÔR pp ÔR p Æ pp Æ Æ K Bœ nœ nœ 2 arco r 1 arco Æ 1 arco ° ™ ™ ™ 2 arco µœ 1 arco BœÆ 1 arcoµœÆ 2 arco vn 1-2 & Ó ® ≈ ‰ Ó Ó ® ≈ ‰ Œ ≈ ® ‰ Œ ®≈ ‰ ‰ ® ≈ Œ ® ≈ ‰ Œ ≈ ® ‰ Œ Bœ pp R R R R R pp ' ppÔR Ô Ô p Ô mp Ô mp Ô 2 arco Æ p div. arco2 rK Bœ rK µ œÆ 1 1 arco #œÆ 2 arco 1 arco Æ div. arco µœ Ó™ ® ≈ ‰ Ó™ Ó™ Œ ‰ ≈ ®≈™ ‰ Œ Œ B‰ ® ≈ Œ ® µœ ≈ ‰ Ó ≈ ®‰ va 1-2 & nœ µœ # œ R ' R R mp ' pp Ô pp ÔR pp pp Ô 1 pp Ô 2 p rK rK 1 rK 1 arco 2 arco Æ 1 arco div. arco Æ 1 arco Æ div. arco Æ 2 arco ? ™ ? nœ ™ 2 Bœ nœ ™ µµœœ ? vc 1-2 Ó Œ ‰ & ≈ Bœ ®Ó ®≈ ‰ Ó ® ≈ ‰ Ó µ œ ®≈ ‰ Ó Œ ‰ ≈ ®≈& ‰ ≈ ®‰ ' R #œ R R R µœ p Ô mp ' pp Ô mp Ô 1 pp Ô pp ' mp 2 p Æ 2 arco 1 arco #œ nœÆ 1 arco K Æ 2 arco 1 arco Æ µœÆ 1 arco r 2 arco #œÆ ? µœ ®≈ ‰ Ó ∑ ®≈ ‰ Ó ® ≈ ‰ ‰ ≈nœ ®≈™ ‰ Œ Ó™ ® ≈ ‰ ‰ ≈ ®Œ Œ cb 1-2 ¢ µœ R R R R R ' ÔR Ô Ô mp Ô p Ô p Ô p p pp pp 38
153 ° ‹ µœÆ ‰ ≈ ® Ó ∑ æ picc & nwæ ™™ pp R - Ô p sempre µœÆ Bw- ™™ fl & Œ ‰ ® ≈ Œ ∑ rK pp ÔR BœÆ pp sempre ™ ob & nœ ® ≈ ‰ Ó ® ≈ ‰ Ó ' p R mp nœÆ Ô rK #œÆ engl & Œ ‰ ® ≈ ≈ ® ‰ Ó ≈ ® ‰ Œ hn nœ p ÔR pp ÔR mp ' bœÆ Ÿ(~d~~o~u~~b~l~e~~ t~r~~il~l~ ~u~s~i~n~~g~ ~b~~o~~th~~ ~A~~b~ ~k~e~~y~s~)~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ bass & Ó™ Œ ‰ ≈ ® Ó nw™™ ob - pp ÔR mp sempre rK BœÆ #œÆ cl in Bb & nœ ® ≈ ‰ Ó Œ ‰ ≈ ® Œ ≈ ® ‰ ' R mp p Ô pp ÔR rK rK #œÆ b cl & #œ ® ≈ ‰ Œ ≈ ® ‰ Ó™ ≈ #œ ® ‰ in Bb ' p ÔR ' p rK pp #œÆ cb cl & ‰ ≈ ® Ó Ó ≈ ® ‰ Œ in Bb ÔR mp nœ mp rK ' rK µœÆ sopr & ‰ ≈ nœ ® Ó Œ ‰ ≈ ® Œ ≈ ® ‰ sax ' R #œ mp p Ô mp ' BœÆ rK bari & ® ≈ ‰ Ó Ó™ ≈ ® ‰ sax nœ ÔR ' mp K K mp r r Æ ? nœ bsn & ‰ ≈ nœ ® Ó ® ≈ ‰ Œ ≈ ® ‰ Œ ' #œ R mp K K mp ' pp Ô r Æ r ? ‰ ≈ ® ‰ ® #œ ≈ ≈ ® ‰ ∑ cbsn ¢ nœ nœ ' ÔR ' pp pp mp ¯ + Bb23 Æ ° #œÆ Bœ horn 1 & ® ≈ ‰ Ó Ó ≈ ® ‰ Œ p ÔR pp ÔR +K ¯K K r r ± r & Ó ≈ ® ‰ ® #œ ≈ ‰ Œ ≈ ® Bœ ‰ Œ horn 2 nœ ' ' ± p ¯ ' mp p µœÆ nœÆ horn 3 & ‰ ≈ ® ‰ ‰ ≈ ® ‰ ∑ p ÔR mp ÔR rK ± ¯ + BÆ F1 µœÆ ? ‰ ≈ ® Ó ® œ ≈ ‰ Œ ≈ ® ‰ Œ horn 4 #œ ' p p ÔR p ÔR (Ø/3) Ÿ-~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ µœÆ µœÆ nw™™ picc tpt & ‰ ≈ ® ‰ ® ≈ Œ ∑ in Bb R pp ÔR pp Ô rK #œÆ mp sempre ™ ™ tpt & Ó Œ ‰ ≈ nœ ® ≈ ‰ Œ in C ' rK pp mp ÔR nœÆ bass tpt & ® ≈ ‰ Œ ≈ ® ‰ ∑ in Bb nœ R p ' ™™ p Ô nw- K sempre nœÆ r pp B Œ ‰ ® ≈ Œ Ó ?≈ ® ‰ Œ tbn µœ ' mp ÔR rK p cb ? Ó™ Œ ‰ ≈ ® Ó tbn Bœ pp ' K rK r ? ® ≈ ‰ Ó Œ ‰ ≈ ® Ó tba ¢ nœ ' ™™ pp#œ mp nw- ' p sempre Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° œœ œœ œœ œœ œœ œœ œœ œœ w™™ œ perc 1 / ® ≈ ≈ ® ‰ ® ≈ ≈ ® ‰ ® ≈ ‰ ‰ ≈ ® ≈ ® ‰ ≈ ® ‰ ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ppp sempre Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œœ œœ œœ œœ œœ œœ œœ œœ w™™ œ perc 2 / ® ≈ ≈ ® ‰ ® ≈ ≈ ® ‰ ® ≈ ‰ ‰ ≈ ® ≈ ® ‰ ≈ ® ‰ ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ppp sempre Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œœ ® ≈ ≈ œœ ® ‰ ® œœ ≈ ≈ œœ ® ‰ ® œœ ≈ ‰ ‰ ≈ œœ ® ≈ ® œœ ‰ ≈ œœ ® ‰ w™™ œ perc 3 ¢ / ÔR ÔR ÔR ÔR ÔR ÔR ÔR ÔR ppp sempre nœÆ Æ ? Ó™ ® nœ ≈ ‰ Ó ≈ ® ‰ hp 1 { & mp ÔR mp ÔR Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #w- ™™ bœ rK ? bœÆ ™ hp 2 Œ ‰ ® #œ ≈ Œ & ® ≈ ‰ Ó { ' mp p ÔR mp sempre nœÆ K ° r & Ó ≈ ® ‰ ® ≈ ‰ Ó™ e gtr ¢ #œ Æ ‹ pp ' pp ÔR #œ 2 arco rK ° µÆ 2 arco µÆ 1 arco div. arco œ ® ≈ ‰ Œ ≈ œ ® ‰ Œ ‰ ≈ ® Œ ≈ ® ‰ vn 1-2 & µ#œ pp ÔR p ÔR mp ÔR 2 p ' Æ 1 pp K bœ 2 arÆco 1 arco r div. arco 1- arco msp B Bœ ® ≈ ‰ ‰ ® ≈ Œ Œ ‰ ≈ ® Ó Bw™™ va 1-2 nœ R #œ pp Ô p ' Æ 1 p R p sempre K nœ Ô 1 2 arco r 1 arco 2 mp div. arco B œÆ 2 µ ? Ó ≈ ® ‰ ® ≈ ‰ Ó ≈ œ ® ‰ vc 1-2 µœ pp ' pp ÔR p ÔR K nœÆ nœÆ K 2 arco r 1 arco div. arco 1 arco r 2 arco msp ? ‰ ≈ ® ‰ ® ≈ Œ ® ≈ ‰ Œ ≈ ® ‰ Œ µw- ™™ cb 1-2 ¢ µœ µœ µœ p ' mp ÔR 1 mp ÔR pp ' pp sempre 2 pp tap body of instrument with fingrer (vary soujnd each time) r rK r rK j ° ™ ™ ™ vn 3-11 & ‰ ® ≈ ® ≈ ‰ ≈ ‰ ≈ ‹™ ‹ ‹™ ‹™ ‹™ ‹ ‹ ‹ ‹™ p sempre tap body of instrument with fingrer (vary soujnd each time) r rK r rK j ™ ™ ™ va 3-6 B ‰ ® ≈ ® ≈ ‰ ≈ ‰ ≈ ‹™ ‹ ‹™ ‹™ ‹™ ‹ ‹ ‹ ‹™ p sempre tap body of instrument with fingrer (vary soujnd each time) r rK r rK j ? ™ ™ ™ vc 3-5 ‰ ® ≈ ® ≈ ‰ ≈ ‰ ≈ ‹™ ‹ ‹™ ‹™ ‹™ ‹ ‹ ‹ ‹™ p sempre tap body of instrument with fingrer (vary soujnd each time) r rK r rK j ? ‰ ® ≈ ® ≈™ ‰™ ≈™ ‰ ≈ cb 3-4 ¢ ‹ ‹™ ‹ ‹™ ‹™ ‹™ ‹ ‹ ‹ ‹™ p sempre tap body of instrument with fingrer (vary soujnd each time) r rK r rK j ° ™ ™ ™ vn 12-20 & ‰ ® ≈ ® ≈ ‰ ≈ ‰ ≈ ‹™ ‹ ‹™ ‹™ ‹™ ‹ ‹ ‹ ‹™ p sempre tap body of instrument with fingrer (vary soujnd each time) r rK r rK j ™ ™ ™ va 7-10 B ‰ ® ≈ ® ≈ ‰ ≈ ‰ ≈ ‹™ ‹ ‹™ ‹™ ‹™ ‹ ‹ ‹ ‹™ p sempre tap body of instrument with fingrer (vary soujnd each time) r rK r rK j ? ™ ™ ™ vc 6-8 ‰ ® ≈ ® ≈ ‰ ≈ ‰ ≈ ‹™ ‹ ‹™ ‹™ ‹™ ‹ ‹ ‹ ‹™ p sempre tap body of instrument with fingrer (vary soujnd each time) r rK r rK j ? ‰ ® ≈ ® ≈™ ‰™ ≈™ ‰ ≈ cb 5-6 ¢ ‹ ‹™ ‹ ‹™ ‹™ ‹™ ‹ ‹ ‹ ‹™ p sempre