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Released in 1987 on vinyl. No bootleg CD has 18 Sep 1968. been made of this release. Back cover of album 9.Yer Blues (Lennon/McCartney) From Rock 'n' sleeve has the supposed original sketch of the Roll Circus 11 Dec 1968. THE BEATLES LITTLE RED ALBUM THE BEATLES 'White Album' cover-a Mt. Rushmore style 10.Goodbye (Lennon/McCartney) Paul demo for drawing of The Beatles, above a sea, with a ship Mary Hopkin, Feb 1969. in the foreground, penned by Jacques and Pierre 11.Not Guilty (Harrison) (unidentified)(date [?] unknown) Side 1: 12.Heather (McCartney) Postcard Sessions Nov 1.Back In The USSR (Lennon/McCartney) The 1968 with Donovan. Beach Boys with Ringo in Washington 4 July 13.What's The New Mary Jane (Lennon/ 1984. McCartney) Take 4, 14 Aug 1968. 2.Ob-La-Di, Ob-La-Da (Lennon/McCartney) Take 14.Good Night (Lennon/McCartney) (unidenti- 5, 5 Jul 1968, acoustic w/ bongos. fied) (date unknown) From the Wedding Album. 3.While My Guitar Gently Weeps (Harrison) (unidentified) (date unknown) Acoustic. Either Side 3: Esher demo or take 1. 15.1968 Xmas Disc (unknown) Xmas (date 4.I'm So Tired (Lennon/McCartney) Get Back unknown).| Session, 3 Jan 1969. Paul singing instead of 16.John And Paul On US Educational TV John! With strong allusions to alcohol. Paul also (unknown) (unidentified) 1968. imitates John's mumble at the end of the released 17. Interview On Johnny Carson Show 1968 version. (unknown) (unidentified) 1968. Paul comments 5.Blackbird (Lennon/McCartney) (unidentified) on US educational TV. (date unknown) From Paul's Backyard film. 6.St. Louis Blues (Handy) (unidentified) (date Side 4: unknown) Listed as "When The Sun Goes Down". 18.John And Paul On US Educational TV From Experiment On TV. (unknown) (unidentified)(continued from Side 3) 7.Hey Jude (Lennon/McCartney) (unidentified) (date unknown) From Experiment On TV. For more info go to: THE BEATLES LITTLE RED ALBUM THE BEATLES Side 2: http://www.bootlegzone.com/ 8.Birthday (Lennon/McCartney) This is the stereo album.php?name=sapcor38&section=4 LP mix - 180 degrees out of phase recorded on.

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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image.
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Für Sonntag, 21
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