LSUG Oct. 7Th 2012 Lennon
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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon... -
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. -
Es La Fecha En Que El Mundo Se Despidió De John Lennon
piado para esta campaña que estas simples pero directas palabras Gimme Some Truth”. EL ÚLTIMO DISCO DE JOHN Yoko agregó: “Double Fantasy Srtipped Down nos permitió enfocarnos en la sor- prendente voz de John. La tecnología ha avanzado tanto que, a la inversa, quise usar las nuevas técnicas para enmarcar estas canciones y la voz de John de la manera más simple. Al despojar algo de la instru- mentación, el poder de las canciones brilla a través de una mayor claridad. Double Fan- tasy Stripped Down es complementado con el disco original en un set de 2 CDS. Mien- tras trabajaba en esta nueva versión fui afectada emocionalmente, porque fue el úl- 8/12 /1980 timo disco que John lanzó antes de morir”. PARA COLECCIONISTAS Es la fecha en que el DE HUESO COLORADO mundo se despidió de Junto a este gran lanzamiento, se presentó la caja de lujo para coleccionistas con 11 CDS John Lennon conteniendo los discos remasterizados, ra- rezas y sencillos no incluidos en los álbu- NO. 1 DE VENTAS mes, titulada “John Lennon Signature Box”. De igual manera están disponibles los álbu- · The Beatles ya han vendido más de dos mes: “Plastic Ono Band”, “Imagine”, “Some millones de canciones y más de 450 mil Time In New York City”, “Mind Games”, álbumes a través de iTunes, tienda digi- “Walls and Bridges”, “Rock ‘n’ Roll”, “Double tal de música y vídeo que, por primera Fantasy Stripped Down” y “Milk and Honey”. vez, colgó el catálogo de la banda de Li- Los discos han sido remasterizados verpool el pasado 16 de noviembre. -
A Study of the Representation of Marriage and the Family in the Film Muriel's Wedding
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2003 A study of the representation of marriage and the family in the film Muriel's wedding Zoe Chambers Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Family, Life Course, and Society Commons Recommended Citation Chambers, Z. (2003). A study of the representation of marriage and the family in the film Muriel's wedding. https://ro.ecu.edu.au/theses/1298 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1298 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
Gender and the Collaborative Artist Couple
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Summer 8-12-2014 Gender and the Collaborative Artist Couple Candice M. Greathouse Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Greathouse, Candice M., "Gender and the Collaborative Artist Couple." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/art_design_theses/168 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. GENDER AND THE COLLABORATIVE ARTIST COUPLE by CANDICE GREATHOUSE Under the Direction of Dr. Susan Richmond ABSTRACT Through description and analysis of the balancing and intersection of gender in the col- laborative artist couples of Marina Abramović and Ulay, John Lennon and Yoko Ono, and Chris- to and Jeanne-Claude, I make evident the separation between their public lives and their pri- vate lives, an element that manifests itself in unique and contrasting ways for each couple. I study the link between gendered negotiations in these heterosexual artist couples and this divi- sion, and correlate this relationship to the evidence of problematic gender dynamics in the art- works and collaborations. INDEX WORDS: -
Download Booklet
1 In My Liverpool Home 5.18 9 The Gateway to the Atlantic 5.09 17 Danny Boy 2.57 Words and music: The Spinners Words: Roger McGough Words: Frederic Weatherly arr. Carmel Smickersgill Music: Richard Miller Music: Traditional ‘Londonderry Air’ arr. Stephen Hough 2 Amazing Grace 3.01 10 Liverpool Lullaby 7.04 Words: John Newton Words: Stan Kelly-Bootle 18 The Last Rose of Summer 3.57 Music: Anon. (1829) ‘New Britain’ arr. Bethan Morgan-Williams Words: Thomas Moore arr. Armand Rabot Music: Traditional ‘Aislean an Oigfear’ or 11 Johnny Todd 1.51 ‘The Young Man’s Dream’ arr. Benjamin Britten 3 My Native Land 1.27 Words and music: Traditional [Roud 1102] Words: Traditional arr. Armand Rabot 19 The Leaving of Liverpool 4.44 Music: Charles Ives Words and music: Traditional [Roud 9435] 12 What Will They Tell Me Tonight? 4.17 arr. Richard Miller 4 Homeward Bound 4.28 From the opera Pleasure Words and music: Traditional [Roud 927] Words: Melanie Challenger 20 All Our Different Voices 4.25 arr. Marco Galvani Music: Mark Simpson Words: Mandy Ross Music: Timothy Jackson 5 Song to the Seals 3.59 13 Madam and Her Madam 0.59 Words: Harold Boulton Words: Langston Hughes 21 You’ll Never Walk Alone 4.04 Music: Granville Bantock Music: Stephen Hough From the musical Carousel Words: Oscar Hammerstein 6 I Saw Three Ships 2.56 14 The World You’re Coming Into 2.17 Music: Richard Rodgers Words and music: Traditional carol [Roud 700] Words: Paul McCartney arr. Grace Evangeline Mason Music: Paul McCartney and Carl Davis 75.03 7 Sea Fever 2.20 15 Blackbird 2.45 Words: John Masefi eld Words and music: John Lennon and Paul McCartney Music: John Ireland arr. -
John Lennon & Yoko Ono Double Fantasy Mp3, Flac
John Lennon & Yoko Ono Double Fantasy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Double Fantasy Country: US Released: 1980 Style: Pop Rock MP3 version RAR size: 1612 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1546 mb Rating: 4.4 Votes: 233 Other Formats: XM ADX AC3 AAC DTS MPC DMF Tracklist Hide Credits 1 (Just Like) Starting Over 3:55 2 Kiss Kiss Kiss 2:41 3 Cleanup Time 2:57 4 Give Me Something 1:34 5 I'm Losing You 3:58 6 I'm Moving On 2:19 Beautiful Boy (Darling Boy) 7 4:01 Steel Drums – Robert Greenidge Watching The Wheels 8 3:59 Cimbalom [Hammered Dulcimer] – Matthew Cunningham I'm Your Angel 9 3:08 Arranged By [Horns] – Tony Davilio 10 Woman 3:32 11 Beautiful Boys 2:54 12 Dear Yoko 2:33 13 Every Man Has A Woman Who Loves Him 4:02 14 Hard Times Are Over 3:20 Companies, etc. Phonographic Copyright (p) – Yoko Ono Lennon Copyright (c) – Yoko Ono Lennon Licensed To – Capitol Records, LLC Recorded At – The Hit Factory Remixed At – The Hit Factory Remixed At – Record Plant, N.Y.C. Mastered At – Sterling Sound Remastered At – Sterling Sound Manufactured By – Capitol Records, LLC Credits Art Direction – John Lennon & Yoko Ono Artwork – Art Hotel, Christopher Whorf Artwork, Design – P. Linard Marketing And Advertising Ltd Backing Vocals – Benny Cummings Singers, Cas Mijac, Eric Troyer Bass Guitar – Tony Levin Concertina [English] – Randy Stein Drums – Andy Newmark Engineer – Lee DeCarlo Engineer [Assistant] – James Ball*, Jon Smith , Julie Last Guitar – Earl Slick, Hugh McCracken Guitar, Keyboards – John Lennon Horns – David Tofani*, George "Young" Opalisky*, Grant Hungerford, Howard Johnson , John Parran*, Roger Rosenberg, Ronald Tooley*, Seldon Powell Keyboards – George Small Mastered By [Original] – George Marino Percussion – Arthur Jenkins, Jr.* Photography By [Additional] – Allan Tannenbaum, Bob Gruen, David Spindel, Kishin Shinoyama, Lilo Raymond, Nishi F. -
Inhaltsverzeichnis
INHALTSVERZEICHNIS John Winston Lennon 7 Rock 'n' Roll in G.D.R. 11 Rock Island Line 12 Hello Little Girl 16 My Bonnie 21 Please, Mr. Postman 29 Love Me Do 36 Please Please Me 42 She Loves You 46 Twist And Shout 53 John F. Kennedy 57 With The Beatles 62 I Want To Hold Your Hand 63 Meet The Beatles 68 Fever 73 Can't Buy Me Love 75 A Hard Day's Night 85 Hollywood Bowl Concert 87 Beatles For Säle 95 Money 100 Help • 106 Back In The U.S.A. 112 HerMajesty 117 Rubber Soul 120 Yeah, Yeah, Yeah in DDR 124 Paperback Writer 126 Run For Your Life 133 Revolver 136 I'm Only Sleeping 139 How I Won The War 142 Bad Boy 145 Strawberry Fields Forever 150 A Whiter Shade Of Pale 153 Sgt. Pepper's Lonely Hearts Club Band 158 All You Need Is Love 164 The Show Must Go On 168 Magical Mystery Tour 172 The Inner Light 177 Martin Luther King 183 Two Virgins 186 Revolution 189 Unfinished 194 Atlantis 201 The Beatles 203 Bibliografische Informationen digitalisiert durch http://d-nb.info/990791262 Rock And Roll Circus 203 LetltBe 211 The Ballad Of John And Yoko 214 Give Peace A Chance 220 Woodstock 223 Live Peace In Toronto 228 AbbeyRoad 231 ColdTurkey 235 War Is Over 239 Instant Karma 243 The Long And Winding Road 247 All Things Must Pass 251 John Lennon - Plastic Ono Band 256 Power To The Peopte 259 Concert For Bangla Desh 265 Imagine 271 John Sinclair 276 LuckOfThelrish 281 Angela 287 Sometime In New York City 289 Live In New York City 293 Living In The Material World 297 Mind Games 303 Walls And Bridges 310 Rock'n'Roll 318 Venus And Mars 322 Victory 328 Shaved Fish 333 The Last Waltz 308 Mull Of Kintyre 338 Back To The Egg 341 Coming Up 351 Double Fantasy 354 Literaturverzeichnis 358 Register Alben, LPs. -
MUSIC VIDEOS It Was Too Tough for Me to Choose Only 36 Music Videos from the Stash Archive and Compile Them Stash Media Inc
MUSIC VIDEOS It was too tough for me to choose only 36 music videos from the Stash archive and compile them Stash Media INC. Editor: STEPHEN PRice into this 2nd collection, so I did what any editor would do. I opened it up to let the best of the best Publisher: GReg ROBINS videos fight it out for victory in a totally gnarly, steel cage grudge match. Managing editor: HEATHER GRIEVE Associate publisher: MARILEE BOITSON Of course bets were placed on popular champions such as Kanye West’s “Welcome to Account managers: APRIL HARVEY, Heartbreak”, Radiohead’s “House of Cards”, and The Chemical Brothers’ “The Salmon Dance,” CHRISTINE STEAD Associate editor: ABBEY KERR but this year saw maniacal young bloods enter the ring with Flairs “Better Than Prince”, LeLe Business development: “Breakfast” and Wild Beasts “Brave Bulging Buoyant Clairvoyants”. And don’t forget the vicious PauliNE THomPsoN comebacks of seasoned prize-fighters like Grace Jones with “Corporate Cannibal” and Paul Music editor: STEVE MARCHESE Preview editor: McCartney with “222”, proving they still have the music video moves to make it to the top of our list. HEATHER GRIEVE Technical guidance: IAN HASKIN I know you’ll enjoy this new collection, just watch out for the blood spatter. MUSIC Heather Grieve Managing Editor Get your inspiration delivered monthly. VIDEOS Toronto, May 2009 Every issue of Stash DVD magazine [email protected] is packed with outstanding animation and VFX for design and advertising. Subscribe now: WWW.STASHMEDIA.TV ISSN 1712-5928 Subscrptions: www.stashmedia.tv. Submissions: www.stashmedia.tv/submit. Contact: Stash Media Inc. -
BWTB Valentines LOVE Show 2016
1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S.