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From Surrealism to Now
WHAT WE CALL LOVE FROM SURREALISM TO NOW IMMA, Dublin catalogue under the direction of Christine Macel and Rachael Thomas [Cover] Wolfgang Tillmans, Central Nervous System, 2013, inkjet print on paper mounted on aluminium in artist’s frame, frame: 97 × 82 cm, edition of 3 + 1 AP Andy Warhol, Kiss, 1964, 16mm print, black and white, silent, approx. 54 min at 16 frames per second © 2015 THE ANDY WARHOL MUSEUM, PITTSBURG, PA, COURTESY MAUREEN PALEY, LONDON. © WOLFGANG TILLMANS A MUSEUM OF CARNEGIE INSTITUTE. ALL RIGHTS RESERVED. FILM STILL COURTESY OF THE ANDY WARHOL MUSEUM. PHOTO © CENTRE POMPIDOU, MNAM-CCI, DIST. RMN-GRAND PALAIS / GEORGES MEGUERDITCHIAN CONTENTS E 1 FOREWORD Sarah Glennie 6 WHAT WE CALL LOVE Christine Macel 13 SURREALISM AND L’AMOUR FOU FROM ANDRÉ BRETON TO HENRIK OLESEN / FROM THE 1920s TO NOW 18 ANDRÉ BRETON AND MAD LOVE George Sebbag 39 CONCEPTUAL ART / PERFORMANCE ART FROM YOKO ONO TO ELMGREEN AND DRAGSET / FROM THE 1960s TO NOW 63 NEW COUPLES FROM LOUISE BOURGEOIS TO JIM HODGES / FROM THE 1980s TO NOW 64 AGAINST DESIRE: A MANIFESTO FOR CHARLES BOVARY? Eva Illouz 84 THE NEUROBIOLOGY OF LOVE Semir Zeki 96 LOVE ACTION Rachael Thomas WHAT 100 LIST OF WORKS 104 BIBLIOGRAPHY WE CALL LOVE CHAPTER TITLE F FOREWORD SARAH GLENNIE, DIRECTOR The Irish Museum of Modern Art (IMMA) is pleased to present this publication, which accompanies the large scale group exhibition, What We Call Love: From Surrealism to Now. This exhibition was initially proposed by Christine Macel (Chief Curator, Centre Pompidou), who has thoughtfully curated the exhibition alongside IMMA’s Rachael Thomas (Senior Curator: Head of Exhibitions). -
Human League Dare Mp3, Flac, Wma
Human League Dare mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Dare Country: Taiwan Released: 1981 Style: Synth-pop MP3 version RAR size: 1454 mb FLAC version RAR size: 1299 mb WMA version RAR size: 1116 mb Rating: 4.1 Votes: 573 Other Formats: AAC MOD XM MP2 TTA AU VOX Tracklist Hide Credits The Things That Dreams Are Made Of A1 4:14 Written-By – Wright*, Oakey* Open Your Heart A2 3:53 Written-By – Callis*, Oakey* The Sound Of The Crowd A3 3:56 Written-By – Buirden*, Oakey* Darkness A4 3:56 Written-By – Callis*, Wright* Do Or Die A5 5:23 Written-By – Burden*, Oakey* Get Carter B1 1:02 Written-By – Budd* I Am The Law B2 4:14 Written-By – Wright*, Oakey* Seconds B3 4:58 Written-By – Callis*, Wright*, Oakey* Love Action (I Believe In Love) B4 4:58 Written-By – Burden*, Oakey* Don't You Want Me B5 3:56 Written-By – Callis*, Wright*, Oakey* Companies, etc. Distributed By – Rock Records – RCHC186 Credits Engineer [Assistant] – Dave Allen* Producer – Martin Rushent, The Human League Synthesizer – Ian Burden, Jo Callis Synthesizer [Occasional], Other [Slides] – Philip Adrian Wright Vocals – Joanne Catherall, Susanne Sulley Vocals, Synthesizer – Philip Oakey Notes Official Virgin release distributed by Rock Records. Cassette inlay extends out of case and folds around the plastic case. Includes a fold out lyrics insert & a small Record label insert. Comes in company logo and text embossed clear cassette case. Other versions Category Artist Title (Format) Label Category Country Year The Human Dare (LP, Album, V2192 Virgin V2192 -
The Daily Egyptian, February 24, 1982
Southern Illinois University Carbondale OpenSIUC February 1982 Daily Egyptian 1982 2-24-1982 The aiD ly Egyptian, February 24, 1982 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_February1982 Volume 67, Issue 105 Recommended Citation , . "The aiD ly Egyptian, February 24, 1982." (Feb 1982). This Article is brought to you for free and open access by the Daily Egyptian 1982 at OpenSIUC. It has been accepted for inclusion in February 1982 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Daily 'Egyptian Wednesday, February 24, 1982-Vol. 67, No. 105 Southern Illinois University Plan says city must fund.,,- social. services By Belt BaadIlJ'llllt ~..lrograms are lunded IocaI social service programs at S&aff Wrker D~70~ the federal Community the same level, it would take a More funding sources for Deve opme1tnt woulBIOCd IE.... Grant property tax levy as great as $1 program. n: tran- Del' $100 assessed valuation, but Carbondale social service sferred to the states under f'f don't ."'_L. the programs Deed to be found at President Ronald Reagan's will stand;:." that =~ the local level, city ad- New Federalism propoll8.l. costs," be said. mini&trators told the City But the city is unsure whether Stalls told the c:ouncll that the Council MOIlday. the state would issue block repoI1 was still being reviewed A fiAal draft of the Car- grant funds and is expecting m by several consultants aod bondaJe HUIDIlD Services Plan further block ~nts from the ask..."Jd for any criticism of the =::m!~ ~::= f:; ~.:- 5.~te~flYernmeota ~'dG not Human Resources Director This .... -
Drink IT Loveit Tasteit
2 M.E.N. SATURDAY, AUGUST 8, 2020 manchestereveningnews.co.uk tO DO LISt read IT TRENDING harlots BBC2’s raunchy period drama Trump’s misleading post about prostitutes in Georgian London starring Lesley Manville and donald trump Downton abbey’s Jessica Brown FaCEBOOk removed a post by BOOK IT Findlay, right, has been praised President Trump – and Twitter by critics and fans alike. Not for suspended his campaign THE Human LEaguE is celebrating the the easily shocked, but it’s account – after he shared a 40th anniversary of the release of DaRE obscenely enjoyable. video of his own interview next year by performing the classic claim that children are ‘almost album in its entirety on tour. iN a world full of busy emperor penguins immune’ from Covid-19. The 80s favourites will also be playing adults, can one child find ELEVEN new colonies of Facebook said the post violated hits from their extensive back catalogue her voice? emperor penguins have been its policy against spreading as part of their uK tour taking place in The Weight Of Small discovered in antarctica after misinformation about the December 2021. Things is the debut a study using satellite mapping coronavirus. DaRE was released on October 16, 1981, novel of Julie Lancaster technology. The “exciting and contained four hit singles including and follows nine-year- old Frankie appleton’s discovery” means the known painkillers the number one hit Don’t You Want me. population of the birds has PaiNkiLLErs from opioids to The sheffield group are one of the investigation into her swelled by around 5%-10% paracetamol should no longer most highly played bands on mTV own mother’s death. -
The Hilltop 10-31-1986
Howard University Digital Howard @ Howard University The iH lltop: 1980-90 The iH lltop Digital Archive 10-31-1986 The iH lltop 10-31-1986 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_198090 Recommended Citation Staff, Hilltop, "The iH lltop 10-31-1986" (1986). The Hilltop: 1980-90. 161. http://dh.howard.edu/hilltop_198090/161 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1980-90 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. • ·• •• i Policy. board 42_.10 upset victory unable to hold meeting due to Bi s o n defeat N • C.A&T By Stanley R. Verrett ' play 85-yard drive. The BisOn got the from 30 yards out, and Wootson fail- Hilltop S1aff Reporter ball right 'back two plays later on an ed from 25 to give the Bison the ball • absenteeism ~- interception by Thomas Jones that at their: o~n- ~0-yard line.. - . • The Bison amasseC! 607 yards in was returned to the A&T 39-yard ~~-ya rd ~41! consisted of 14 plays, \ total offense, including 429 yards on line. including 12 rushes as the Bison push- the ground en route to a 42-10 upset Epps scored from 21 yards out ed their way.down the field. The two By Alonza L. Rober1son victory over the North Carolina State three plays later, and John H3rvell's passes were a 13-yarder from Debose Hill1op Staff Reporter A&T Aggies Saturday at Greerle extra "point put the Bison up 14~. -
Synthpop: Into the Digital Age Morrow, C (1999) Stir It Up: Reggae Album Cover Art
118 POPULAR MUSIC GENRES: AN INTRODUCTION Hebdige, D. (1987) Cut 'n' mix: Identity and Caribbean MUSIc. Comedia. CHAPTER 7 S. (1988) Black Culture, White Youth: The Reggae Tradition/romJA to UK. London: Macmillan. Synthpop: into the digital age Morrow, C (1999) StIr It Up: Reggae Album Cover Art. San Francisco: Chronicle Books. Potash, C (1997) Reggae, Rastafarians, Revolution: Jamaican Musicfrom Ska to Dub. London: Music Sales Limited. Stolzoff, N. C (2000) Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham, NC, and London: Duke University Press. Recommended listening Antecedents An overview of the genre Various (1989) The Liquidators: Join The Ska Train. In this chapter, we are adopting the term synthpop to deal with an era Various (1998) Trojan Rocksteady Box Set. Trojan. (around 1979-84) and style of music known by several other names. A more widely employed term in pop historiography has been 'New Generic texts Romantic', but this is too narrowly focused on clothing and fashion, Big Youth ( BurI).ing Spear ( and was, as is ever the case, disowned by almost all those supposedly part Alton (1993) Cry Tough. Heartbeat. of the musical 'movement'. The term New Romantic is more usefully King Skitt (1996) Reggae FIre Beat. Jamaican Gold. employed to describe the club scene, subculture and fashion associated K wesi Johnson, Linton (1998) Linton Kwesi Johnson Independam Intavenshan: with certain elements ofearly 1980s' music in Britain. Other terms used to The Island Anthology. Island. describe this genre included 'futurist' and 'peacock punk' (see Rimmer Bob Marley and The Wailers (1972) Catch A Fire. -
Smash Hits Volume 64
^#^ 35p USA $1-75 May 14-27 198 DEPARTMENT S ;t HIT LYRICS including WHEN HE SHINES I WANNA BE FREE KIM WILDE-UNDERTONES in colour >OR*HUMANLEAGUE*HONEYBA . Vol. 3 No. 10 I^^St^ I WANT TO BE FREE AVAST THERE, me hearties! Capn speakin'. Welcome aboard, scaoby landlubbers, to another voyage of me crusty bark "Ye Smashe Hittes" upon the salt-stained briney. Gadzooks! Be that a galley-load of rum-soaked reviews o'er yonder, or the brow of a Tenpole Tudor feature? And — egad! — foamin' in its wake, those scurvy seadogs The Human League with an Undertones colour spread up the crows nest. But, soft! Keel-haul me over a weed-encrusted Star Teaser if that irons. ain't a Books Round-Up and Fact Is Page a-clamberin' up the grappling Save yer doubloons! There's booty a-plenty to be won! Thrash asunder the baccy-chewin' Vaughn Toulouse and second mate Honey Bane and earn yerselves a Tenpole LP while firing in the direction of the Madness Poster Offer. Don't 'e read it all at once . -. 2 ! WANNA BE FREEToyah..,.,....,.-....... CARELESS MEMORIES Oyran Duran.. -...7 SWORDS OF A THOUSAND MEN Tenpole Tudor ......... J STARS ON 45 Star Soynd .....................10 on Safari Records DON'T SAY THAT'S JUST FOR WHITE BOYS Way Of The West........................ - H I'm bored THE SOUND OF THE CROWD Hmnan Uagse 11 to school 23 I don't wanna go LOVE GAMES LeveJ 42.......... Don't wanna be nobody's fool CHEQUERED LOVE Kim Wilde 27 I wanna be me, I wanna be me n' neat 27 I don't wanna be sweet PERFECT TIMING KM Oee. -
Topographies of the Obsolete
TOPOGRAPHIES OF THE OBSOLETE PHASE TWO: RHIZOMATIC TRAJECTORIES 1 PHASE TWO: RHIZOMATIC TRAJECTORIES Preface 1 Introduction 2 Re-activating Britain’s Ceramic Manufacturing Heritage University of Bergen, Staffordshire University, Bucks New University Introduction: The Salvage Business Laura Breen 10 Re-apprenticed Neil Brownsword 20 Watching the Hands (and Other Unregulated Movements in Real-Time) Ezra Shales 22 Factory Neil Brownsword 30 Obsolescence and Renewal Neil Brownsword 32 Nostalgia for a Lost Work Tim Strangleman 34 Distancing and Nearness Tan-dem 40 Pattern Book Neil Brownsword 50 Externalising the Archive Neil Brownsword 54 The Displacement of the Real Arild Våge Berge 56 The Digital Void Richard Harper 58 Is it on a List? Vicki McGarvey 60 Returns Nottingham Trent University, Sheffield Hallam University Introduction: A Series of Returns 66 Material Transcendence Andrew Brown 70 In the Midst and In-between Joanne Lee 72 Looping Back Danica Maier 74 On the Non-Verbal Transmission of Knowledge Christine Stevens 76 Soft Rebellions Sheffield Hallam University Introduction: The Soft Rebellions Chloë Brown 80 The following texts are by Grace Higgins Brown From Alfred Street to Temple Street 82 Dancing in the Street 83 The Detroit Dinner Service 84 A Toast to Detroit 85 The Clapping Piece 86 A Soft Rebellion in Paradise 87 Langenthal Project HEAD – Genève, Geneva School of Art and Design Introduction: Ghost Factory Magdalena Gerber, Katharina Hohmann 90 Flying Saucers and Falling Plates Eva-Maria Knüsel 94 Biographies 102 2 Topographies of the Obsolete: Phase Two: Rhizomatic Trajectories Preface First published by Topographies of the Obsolete Publications 2020 ISBN 978-82-93801-01-6 Topographies of the Obsolete is an artistic research project conceived in 2012 by Unless otherwise specified the Copyright © for text and artwork: University of Bergen Professors Neil Brownsword and Anne Helen Mydland, Laura Breen, Ezra Shales, Neil Brownsword, Tim Strangleman, Tan-dem, Arild Våge Berge, in collaboration with six European HEI’s1 and the British Ceramics Biennial. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
The Ithacan, 1983-10-06
Ithaca College Digital Commons @ IC The thI acan, 1983-84 The thI acan: 1980/81 to 1989/90 10-6-1983 The thI acan, 1983-10-06 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1983-84 Recommended Citation The thI acan, "The thI acan, 1983-10-06" (1983). The Ithacan, 1983-84. 6. http://digitalcommons.ithaca.edu/ithacan_1983-84/6 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1983-84 by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE THE ITHACAN 7,,...1.d 1119, , ·~ _ 0(.;1 1 A Student Newspaper For Ithaca College Fwml I 932 D 1983 lncarporared I 969 October li, 1983 Workshop Provides Leadership Skills By Barbara Richards rnrnplislunenl was for tlw t·d: making dt·rision!, and ov1·r n1t'mliers 10 learn new leader This past weekend fif1y-two rnming olls1<1rks: allowing student leaders representing ship skills along with an nwrnlwr!, ol each group 10 practically every organization understanding of !heir realiL<· !heir importance; juMl at Ithaca College ,lltended tlw orgamzation and motivalions. ing acaclcmic, personal and cx- Fall 198:i All Campus Leader· Also lhe studcnis were expos 1racurricular cornm1ttmcnts; ship Workshop. Under the ed to other leaders of difft'rent and approaching and evcn1ual direction of Sharon Policello dubs anrl cornm1t1<·es. ly getting rid of apa1hy in and Don Hoscnblum, Director Hopefully, a 1w1work will lw your~<'lf ancl your orgaruzat,on. -
The Human League Romantic? Mp3, Flac, Wma
The Human League Romantic? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Romantic? Country: Japan Released: 2017 Style: Synth-pop MP3 version RAR size: 1427 mb FLAC version RAR size: 1876 mb WMA version RAR size: 1899 mb Rating: 4.9 Votes: 212 Other Formats: AAC FLAC DMF APE AU MP1 DXD Tracklist Hide Credits Kiss The Future 1 Engineer [Assistant] – David Dodd*Engineer [Extra] – Mike "Spike" DrakeMixed By – The 4:13 Creators Producer – Mark Brydon, Robert GordonWritten-By – Sutton*, Oakey* A Doorway? 2 Engineer [Assistant] – David Dodd*Engineer [Extra] – Mike "Spike" DrakeMixed By – The 4:21 Creators Producer – Mark Brydon, Robert GordonWritten-By – Sutton*, Oakey*, Dennett* Heart Like A Wheel 3 Engineer – Timm BaldwinEngineer [Mix] – Neil O'Connor Producer, Mixed By – Martin 4:30 RushentWritten-By – Reynolds*, Callis* Men Are Dreamers 4 Engineer [Assistant] – David Dodd*Mixed By – Bob Kraushaar, Danton SuppleProducer, 3:54 Engineer – Timm BaldwinWritten-By – Oakey*, Dennett* Mister Moon And Mister Sun 5 Engineer – Mike "Spike" DrakeEngineer [Assistant] – David Dodd*Mixed By – William 4:43 OrbitWritten-By – Sutton*, Oakey* Soundtrack To A Generation 6 Engineer [Assistant] – David Dodd*Mixed By – Danton SuppleProducer, Mixed By – Bob 4:36 KraushaarWritten-By – Sutton*, Oakey* Rebound 7 3:57 Engineer – Mike "Spike" DrakeMixed By – William OrbitWritten-By – Sutton*, Oakey* The Stars Are Going Out 8 Engineer – Mike "Spike" DrakeEngineer [Assistant] – David Dodd*Mixed By – William 4:05 OrbitWritten-By – Sutton*, Oakey* Let's Get Together Again 9 Engineer – Mike "Spike" DrakeEngineer [Assistant] – David Dodd*Mixed By – William 5:01 OrbitWritten-By – Shephard*, Rossall* Get It Right This Time 10 Engineer – Timm BaldwinEngineer [Mix] – Neil O'Connor Producer, Mixed By – Martin 4:12 RushentWritten-By – Rae*, Callis* Companies, etc. -
Combustible Celluloid Film Review - the Human League: Live at the Dome (2005), Dave Meehan, Philip Oakey, Susan Anne Sulley, Dvd Review
Combustible Celluloid film review - The Human League: Live at the Dome (2005), Dave Meehan, Philip Oakey, Susan Anne Sulley, dvd review New movie reviews, DVD reviews, interviews, and all things film. The Human League: Live at the Dome (2005) Rating: 2 Stars (out of 4) • Home Not Feeling Fascination • Reviews A-C • Reviews D-F By Jeffrey M. Anderson • Reviews G-J • Reviews K-M Buy The Human League: Live at the Dome on DVD. • Reviews N-Q • Reviews R-T • Reviews U-Z These new DVDs from Music Video Distributors document two 1980s dance bands gathering two decades later for • Harry Potter and the new concerts, and the discs do a Goblet of Fire *** good job demonstrating why • Sarah Silverman: Jesus certain concerts work and others Is Magic ***1/2 don't. The Human League, best • Walk the Line **1/2 known for their hits "Don't You Want Me" and "Fascination," can't quite ignite a spark during their staid • More performance. Part of the trouble is that they save their hits for the second half of the show, when the energy has begun to flag. On the other hand, The English Beat scatter their best known songs ("Hands Off She's • Cronicas Mine," "Tears of a Clown," "Twist and Crawl," "Mirror in the • The Dead (Region 2, Bathroom," "Save It for Later," etc.) throughout, and keep the energy PAL) pumping over a longer stretch of time. It helps that the latter band has • The English Beat: In more in the way of old-fashioned musicianship; people actually play Concert at the Royal instruments on stage, while most of the Human League do nothing more Festival Hall than sing or dance in place.