October 2017 New Releases
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2004 General Catalog
MASTERS SERIES Masters Series Lacquer Finish . Available Colors MMX MRX MHX BRX Masters Series Covered Finish . Available Colors MSX No.100 Wine Red No.400 White Marine Pearl No.102 Natural Maple No.401 Royal Gold No.103 Piano Black No.402 Abalone No.112 Natural Birch No.403 Red Onyx No.122 Black Mist No.404 Amethyst No.128 Vintage Sunburst No.141 Red Mahogany No.148 Emerald Fade No.151 Platinum Mist PEARL DRUMS No.152 Antique Gold No.153 Sunrise Fade m No.154 Midnight Fade o c . No.156 Purple Storm m No.160 Silver Sparkle u r d No.165 Diamond Burst l r No.166 Black Sparkle a e p No.168 Ocean Sparkle . w w w SESSION / EXPORT / FORUM / RHYTHM TRAVELER . Lacquer Finish Available Colors SMX SBX ELX Covered Finish Available Colors EXR EX FX RT www.pearldrum.com No.281 Carbon Mist No.430 Prizm Blue No.290 Vintage Fade No.431 Strata Black No.291 Cranberry Fade No.432 Prizm Purple No.292 Marine Blue Fade No.433 Strata White No.296 Green Burst No.21 Smokey Chrome No.280 Vintage Wine No.31 Jet Black No.283 Solid Black No.33 Pure White No.284 Tobacco Burst No.49 Polished Chrome No.289 Blue Burst No.78 Teal Metallic No.271 Ebony Mist No.91 Red Wine No.273 Blue Mist No.95 Deep Blue No.274 Amber Mist No.98 Charcoal Metallic No.294 Amber Fade No.295 Ruby Fade No.299 Cobalt Fade For more information on these or any Pearl product, visit your local authorized Pearl Dealer. -
The University of Chicago Tears in the Imperial Screen
THE UNIVERSITY OF CHICAGO TEARS IN THE IMPERIAL SCREEN: WARTIME COLONIAL KOREAN CINEMA, 1936-1945 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY HYUN HEE PARK CHICAGO, ILLINOIS AUGUST 2017 TABLE OF CONTENTS Page LIST OF TABLES ...…………………..………………………………...……… iii LIST OF FIGURES ...…………………………………………………..……….. iv ABSTRACT ...………………………….………………………………………. vi CHAPTER 1 ………………………..…..……………………………………..… 1 INTRODUCTION CHAPTER 2 ……………………………..…………………….……………..… 36 ENLIGHTENMENT AND DISENCHANTMENT: THE NEW WOMAN, COLONIAL POLICE, AND THE RISE OF NEW CITIZENSHIP IN SWEET DREAM (1936) CHAPTER 3 ……………………………...…………………………………..… 89 REJECTED SINCERITY: THE FALSE LOGIC OF BECOMING IMPERIAL CITIZENS IN THE VOLUNTEER FILMS CHAPTER 4 ………………………………………………………………… 137 ORPHANS AS METAPHOR: COLONIAL REALISM IN CH’OE IN-GYU’S CHILDREN TRILOGY CHAPTER 5 …………………………………………….…………………… 192 THE PLEASURE OF TEARS: CHOSŎN STRAIT (1943), WOMAN’S FILM, AND WARTIME SPECTATORSHIP CHAPTER 6 …………………………………………….…………………… 241 CONCLUSION BIBLIOGRAPHY …………………………………………………………….. 253 FILMOGRAPHY OF EXTANT COLONIAL KOREAN FILMS …………... 265 ii LIST OF TABLES Page Table 1. Newspaper articles regarding traffic film screening events ………....…54 Table 2. Newspaper articles regarding traffic film production ……………..….. 56 iii LIST OF FIGURES Page Figure. 1-1. DVDs of “The Past Unearthed” series ...……………..………..…..... 3 Figure. 1-2. News articles on “hygiene film screening” in Maeil sinbo ….…... 27 Figure. 2-1. An advertisement for Sweet Dream in Maeil sinbo……………… 42 Figure. 2-2. Stills from Sweet Dream ………………………………………… 59 Figure. 2-3. Stills from the beginning part of Sweet Dream ………………….…65 Figure. 2-4. Change of Ae-sun in Sweet Dream ……………………………… 76 Figure. 3-1. An advertisement of Volunteer ………………………………….. 99 Figure. 3-2. Stills from Volunteer …………………………………...……… 108 Figure. -
Cinema As a Tool for Development
MSc Thesis Cinema as a Tool for Development Investigating the Power of Mobile Cinema in the Latin American Context By Philippine Sellam 1 In partial requirement of: Master of Sustainable Development/ International Development track Faculty of Geosciences, Utrecht University Student: Philippine Sellam (3227774) [email protected] Under the supervision of: Gery Nijenhuis Utrecht, August 2014 Cover Picture and full page pictures between chapters: The public of mobile cinema/Fieldwork 2014 Title font: ‘Homeless font’ purchased from the Arells Foundation (www.homelessfonts.org) 2 Everything you can imagine is real - Picasso 3 Abstract During the last fifteen years, mobile cinema has sparked new interest in the cinema and development sectors. Taking cinema out of conventional theatres and bringing it to the people by transporting screening equipment on trucks, bicycles or trains and setting up ephemeral cinemas in the public space. Widening the diffusion of local films can provide strong incentives to a region or a country’s cinematographic industry and stimulate the production of independent films on socially conscious themes. But the main ambition of most mobile cinema projects is to channel the power of cultural community encounters to trigger critical social reflections and pave the way for social transformation. Just as other cultural activities, gathering to watch a film can bring new inspirations and motivations, which are subjective drivers for actor-based and self-sustained community change. Research is needed to substantiate the hypothesis that mobile cinema contributes to social change in the aforementioned sense. Therefore, the present work proposes to take an investigative look into mobile cinema in order to find out the ways and the extent to which it contributes to actor-based community development. -
The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM
Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM ISSN 1554-6985 VOLUME XI · (/current) NUMBER 2 SPRING 2018 (/previous) EDITED BY (/about) Christy Desmet and Sujata (/archive) Iyengar CONTENTS On Gottfried Keller's A Village Romeo and Juliet and Shakespeare Adaptation in General (/783959/show) Balz Engler (pdf) (/783959/pdf) "To build or not to build": LEGO® Shakespeare™ Sarah Hatchuel and the Question of Creativity (/783948/show) (pdf) and Nathalie (/783948/pdf) Vienne-Guerrin The New Hamlet and the New Woman: A Shakespearean Mashup in 1902 (/783863/show) (pdf) Jonathan Burton (/783863/pdf) Translation and Influence: Dorothea Tieck's Translations of Shakespeare (/783932/show) (pdf) Christian Smith (/783932/pdf) Hamlet's Road from Damascus: Potent Fathers, Slain Yousef Awad and Ghosts, and Rejuvenated Sons (/783922/show) (pdf) Barkuzar Dubbati (/783922/pdf) http://borrowers.uga.edu/7168/toc Page 1 of 2 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM Vortigern in and out of the Closet (/783930/show) Jeffrey Kahan (pdf) (/783930/pdf) "Now 'mongst this flock of drunkards": Drunk Shakespeare's Polytemporal Theater (/783933/show) Jennifer Holl (pdf) (/783933/pdf) A PPROPRIATION IN PERFORMANCE Taking the Measure of One's Suppositions, One Step Regina Buccola at a Time (/783924/show) (pdf) (/783924/pdf) S HAKESPEARE APPS Review of Stratford Shakespeare Festival Behind the M. G. Aune Scenes (/783860/show) (pdf) (/783860/pdf) B OOK REVIEW Review of Nutshell, by Ian McEwan -
Gary Moore: Ohne Bluesrock Kein Erfolg
EUR 7,10 DIE WELTWEIT GRÖSSTE MONATLICHE 05/07 VINYL -/ CD-AUKTION Mai Gary Moore: Ohne Bluesrock kein Erfolg. 2 Oldie-Markt 5/07 Schallplattenbörsen Plattenbörsen 2007 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, dass sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeitschrift monatlich den aktuellen Börsenkalender. Folgende Termine wurden von den Veranstaltern bekannt gegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 28. April Mannheim Rosengarten Wolfgang W. Korte (061 01) 12 86 60 28. April Halle Händelhalle First & Last (03 41) 699 56 80 29. April Trier Europahalle Wolfgang W. Korte (061 01) 12 86 60 29. April Braunschweig Stadthalle First & Last (03 41) 699 56 80 29. April Ulm Donauhalle Robert Menzel (07 31) 605 65 29. April Innsbruck/Österreich Hütterheim Werner Stoschek (085 09) 26 09 5. Mai Passau X-Point Halle Werner Stoschek (085 09) 26 09 12. Mai Karlsruhe Badnerlandhalle Wolfgang W. Korte (061 01) 12 86 62 12. Mai Regensburg Antonius Halle Werner Stoschek (085 09) 26 09 13. Mai Leipzig Werk II First & Last (03 41) 699 56 80 13. Mai München Elserhalle Skull Concerts (089) 45 67 87 56 19. Mai Salzburg/Österreich Kleingmainer Saal Werner Stoschek (085 09) 26 09 20. Mai Köln Theater am Tanzbrunnen Wolfgang W. Korte (061 01) 12 86 62 27. Mai Neerkant/Holland De Moost Oldies Club (00 31) 774 65 35 69 Achtung! An Alle Leser! Einsendeschluss für die Aution 343 ist der 14. -
Media Arts Design 1
Media Arts Design 1 • Storyboarding Certificate (https://catalog.nocccd.edu/cypress- MEDIA ARTS DESIGN college/degrees-certificates/media-arts-design/storyboarding- certificate/) Division: Fine Arts Courses Division Dean MAD 100 C Introduction to Media Arts Design 3 Units Dr. Katy Realista Term hours: 36 lecture and 72 laboratory. This course focuses on the use of digital design, video, animation and page layout programs. This course Faculty is designed for artists to design, create, manipulate and export graphic Katalin Angelov imagery including print, video and motion design elements. This course is Edward Giardina intended as a gateway into the varied offerings of the Media Arts Design program, where the student can pursue more in-depth study on the topic(s) Counselors that most attracted them during this introductory class. $20 materials fee payable at registration. (CSU, C-ID: ARTS 250) Renay Laguana-Ferinac MAD 102 C Introduction to WEB Design (formerly Introduction to WEB Renee Ssensalo Graphics-Mac) 3 Units Term hours: 36 lecture and 72 laboratory. This course is an overview of the Degrees and Certificates many uses of media arts design, with an emphasis on web publishing for • 2D Animation Certificate (https://catalog.nocccd.edu/cypress- the Internet. In the course of the semester, students create a personal web college/degrees-certificates/media-arts-design/associate-in-science- page enriched with such audiovisual elements as animation, sound, video in-film-television-and-electronic-media-for-transfer-degree/) and different types of still images. This course is intended as a gateway into • 3D Animation Certificate (https://catalog.nocccd.edu/cypress- the varied offerings of the Media Arts Design program, where the student college/degrees-certificates/media-arts-design/3d-animation- can pursue more in-depth study on the topics that most attracted them certificate/) during this introductory class. -
Gründer Und Mastermind Der Band Ist Kein Geringerer Als Der Deutsche
Gründer und Mastermind der Band ist kein Geringerer als der deutsche Ausnahme-Drummer Bodo Schopf, der über viele Jahre fester Bestandteil der legendären Prog-Rock Band ELOY war und zudem für Größen wie Michael Schenker Group, Eric Burdon, Udo Lindenberg und Jack Bruce trommelte – nicht zu vergessen sein Engagement bei den kultigen Glam- Rockern The Sweet. Bodo weißt mehrere Chartplazierungen in Japan, USA, Deutschland, England, Spanien und Italien vor und erhielt Auszeichnungen in Gold und Platin. Den Sänger, David Readman (Pink Cream 69, Voodoo Circle, Almanac und Tank), lernte Bodo Schopf auf einer Tournee 2012 kennen. Er spielte dem Engländer einige seiner frisch komponierten Tracks vor, und Readman war auf Anhieb derart begeistert, dass er die Songs unbedingt einsingen wollte. Jedoch kurz danach, wanderten David nach Holland und Bodo nach Sardinien aus, so dass die beiden erst 2014 beginnen konnten, an den Songs zu arbeiten. Nach den ersten Aufnahmen waren sich David und Bodo einig, dies als Band weiterzuführen, dies war die Geburtsstunde von „Pendulum of Fortune“. Mit Bassist Franky R. holte sich Schopf einen guten, alten Bekannten an Bord, mit dem er bei der Michael Schenker Group zusammen gespielt hatte und der unter anderem auch schon für und mit solch großartigen Künstlern und Bands wie Ronnie James Dio, Kingdom Come und Vanden Plas gearbeitet hat. Bei der Suche nach einem Sologitarristen, stieß Bodo im Internet auf den unglaublichen Gitarristen Vladimir Shevyakov, ein Studio- und Livemusiker aus Moskau, er studierte Klassische Gitarre und spielte mit bekannten Künstlern aus Russland. Bodo schickte Vladimir 2 Songs übers Internet, dieser war total Begeistert und machte innerhalb einer Stunde seine Zusage als Sologitarrist bei Pendulum of Fortune. -
Lobotomy: Surviving the Ramones Free Download
LOBOTOMY: SURVIVING THE RAMONES FREE DOWNLOAD Dee Dee Ramone,Veronica Kofman,Legs McNeil | 256 pages | 28 Sep 2000 | Thunder's Mouth Press | 9781560252528 | English | New York, United States Lobotomy: Surviving the Ramones Also, he's a very good writer. Need to dig this out and read it again, if I've still got it. Dee Dee IS punk rock. I have to qualify that five star. I think I use it to yell at everybody. Apr 03, Ed Wagemann added it. But, I suppose there are other books dedicated to that. More Details I do wish the Lobotomy: Surviving the Ramones had more specific details about albums, tours etc. Just listen to the songs and music and it will tell you everything you need Lobotomy: Surviving the Ramones know. I found it to be interesting and well-written, as well as descriptive and smart. I have lived with a close family member's decades-long addictions, so I Lobotomy: Surviving the Ramones very surprised to find myself feeling sympathy and compassion for Dee Dee Ramone. Dee Dee was the son of a US soldier stationed in Germany and married to a local lady whose name Dee Dee cannot even be bothered to divulge. I read this book back in high school because I needed a non-fiction contribution to my culminating English project and this was the only one within arms reach three days before the due date. I recently revisited this old favorite. And he'd started making music, having left the Ramones behind for good. The story in Lobotomy: Surviving the Ramones about him uncovering a ring behind a brick in a wall is disturbingly fascinating. -
Carmina Gadelica : Hymns and Incantations with Illustrative Notes
X'M. rj.&"7 /^. 2! CARMINA GADELICA ORTHA NAN GAIDHEAL ^e^t-^Wt-^H- C ARMINA GADELICA HYMNS AND INCANTATIONS WITH ILLUSTRATIVE NOTES ON WORDS, RITES, AND CUSTOMS, DYING AND OBSOLETE : ORALLY COLLECT- ED IN THE HIGHLANDS AND ISLANDS OF SCOTLAND AND TRANSLATED INTO ENGLISH, BY ALEXANDER CARMICHAEL VOLUME I EDINBURGH PRINTED FOR THE AUTHOR BY T. AND A. CONSTABLE, PRINTERS TO HER MAJESTY AND SOLD BY NORMAN MACLEOD 25 GEORGE IV. BRIDGE 1900 Three hundred copies printed ORTHA NAN GAIDHEAL URNAN AGUS UBAGAN LE SOLUS AIR FACLA GNATHA AGUS CLEACHDANA A CHAIDH AIR CHUL CNUASAICHTE BHO BHIALACHAS FEADH GAIDHEALTACHD NA H-ALBA AGUS TIONNDAICHTE BHO GHAIDHLIG GU BEURLA, LE ALASTAIR MACGILLEMHICHEIL CONTENTS ACHAINE CONTENTS PAGE 13. Achanaidh Comhnadh Prayer for Protection 37 Bho is tu is Buachaill As Thou art the Shepherd 14. Eosai bu choir a mholadh Jesu who ought to be praised ;$!> Bu cho fus a dh' losa It were as easy for Jesu 15. Carraig nan Al The Bock of Rocks 43 Air Carraig nan al On the Rock of rocks 16. Sorchar nan Reul The Light'ner of the' Stars Feuch Sorchar nan reul Behold the Light'ner of the stars 17. Crois nan Naomh The Cross of the Saints 4? Crois nan naomh The cross of the saints 18. An t-Aingheal Diona The Guardian Angel 49 Ainghil Ulie a fhuair mo cliuram Thou angel of God who hast charge 19. Ruin Desires 51 Labhram gach la a reir do chear- May I speak each day according tais to Thy justice 20. Ora Ceartais Invocation for Justice 53 Ionulaidh mise m' aodann I will wash my face 21. -
Daniel Gildenlöw, Pain of Salvation, on the Upcoming Album, an Alter Ego and Flat Backflips
Daniel Gildenlöw, Pain of Salvation, on the upcoming album, an alter ego and flat backflips »Specific? Me? Nah!« In July 2016 Century Media released a special reissue version of Pain of Salvation‘s classic 2002 album “Remedy Lane” entitled “Remedy Lane Re:visited (Re:mixed & Re:lived)” via InsideOut Music. Furthermore the band is working on a new studio album called “In The Passing Light Of Day”. BetreutesProggen.de took the chance and asked bandleader Daniel Gildenlöw for more details (deutschsprachige Version des Interviews). Daniel Gildenlöw, 2016 is a stirring year. You have spent a lot of time working in the studio. Your long-time label- partner InsideOut published your album “Remedy Lane Re:visited (Re:mixed & Re:lived)“ on July 1st. And the reactions are very positive. How does it feel? It feels very good. I had a good feeling about this year. As some of my fans (who follow me on Facebook) know, I named this year Garbo. I simply came to the conclusion that years need to be named, baptized. More so than many other things we choose to baptize in the modern world, I’d say. Haha. Well, in any case, Garbo is strict but just. We have this thing going, me and her. We have an understanding. (laughs) You summarized the background of this re-mix project as follows: “Jens Bogren, aka Fascination Street Studios, approached us a few years after the release of “Remedy Lane“, saying he was a fan of the band and kindly offered his services. He was later involved in “BE” and “Scarsick“, but always in the periphery, since we were taking new directions in our sound and production by then. -