This Serialized Poem Is About American Murder. It Is a Generality That Came up By
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Exclusive: A&F's New Ruehl
SOUNDS OF STYLE, A SPECIAL REPORT/SECTION II WWDWomen’s Wear Daily • TheTHURSDAY Retailers’ Daily Newspaper • September 2, 2004 • $2.00 Sportswear A knit display in A&F’s latest format, Ruehl. Exclusive: A&F’s New Ruehl By David Moin informally more like a big man on campus than the NEW ALBANY, OHIO — The chairman wears jeans and flip- company chieftain, the approach to brand-building is flops to work and his 650 associates follow suit at the anything but casual. The intensity is as evident as sprawling, campus-style Abercrombie & Fitch ever with A&F’s latest retail brand and its Teutonic- headquarters here. sounding name, Ruehl. That’s just the veneer, though, because for Michael And Ruehl is just the first of three new retail Jeffries and the youthful army of workers he greets See New, Page 4 PHOTO BY DAVID TURNER DAVID PHOTO BY 2 WWD, THURSDAY, SEPTEMBER 2, 2004 WWW.WWD.COM WWDTHURSDAY Hilton Launches Jewelry With Amazon Sportswear By Marc Karimzadeh GENERAL Paris Hilton in A&F ceo Michael Jeffries lays out the strategy for Ruehl, the firm’s latest chain “It’s just being a girl; every girl NEW YORK — her multicross aimed at post-college shoppers, set to open Saturday in Tampa, Fla. loves jewelry.” necklace. 1 It’s as simple as that for Paris Hilton, who on U.S. textile groups fired up the pressure on the Bush administration, saying Wednesday launched the Paris Hilton Collection of 2 they will file dozens of petitions to reimpose quotas on Chinese imports. jewelry in an exclusive agreement with Amazon.com. -
Countryladies 1257 Titel, 3,2 Tage, 7,71 GB
Seite 1 von 49 -CountryLadies 1257 Titel, 3,2 Tage, 7,71 GB Name Dauer Album Künstler 1 Tupelo 3:40 Wildflower - Lauren Alaina - 2011 (RS) Alaina Lauren 2 The middle 3:56 Wildflower - Lauren Alaina - 2011 (RS) Alaina Lauren 3 Like my mother does 4:08 Wildflower - Lauren Alaina - 2011 (RS) Alaina Lauren 4 Dirt road prayer 4:14 Wildflower - Lauren Alaina - 2011 (RS) Alaina Lauren 5 Honeysuckle sweet 4:38 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 6 This world is crazy 4:13 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 7 Everywhere 3:59 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 8 Reasons to run 4:27 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 9 The long way 3:51 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 10 Canyon prayer 4:24 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 11 Baby, I Lied 3:35 Memphis Princess - Deborah Allen - 2006 (RS) Allen Deborah 12 Ain't that something 3:53 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 13 Bad girl blues 3:49 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 14 Didn't you know how much i loved you 4:03 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 15 Forever to go 3:58 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 16 I need a man 3:14 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 17 I'm going back 3:22 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 18 Straight to the bone -
TOP HITS of the EIGHTIES by YEAR 1980’S Top 100 Tracks Page 2 of 31
1980’S Top 100 Tracks Page 1 of 31 TOP HITS OF THE EIGHTIES BY YEAR 1980’S Top 100 Tracks Page 2 of 31 1980 01 Frankie Goes To Hollywood Relax 02 Frankie Goes To Hollywood Two Tribes 03 Stevie Wonder I Just Called To Say I Love You 04 Black Box Ride On Time 05 Jennifer Rush The Power Of Love 06 Band Aid Do They Know It's Christmas? 07 Culture Club Karma Chameleon 08 Jive Bunny & The Mastermixers Swing The Mood 09 Rick Astley Never Gonna Give You Up 10 Ray Parker Jr Ghostbusters 11 Lionel Richie Hello 12 George Michael Careless Whisper 13 Kylie Minogue I Should Be So Lucky 14 Starship Nothing's Gonna Stop Us Now 15 Elaine Paige & Barbara Dickson I Know Him So Well 16 Kylie & Jason Especially For You 17 Dexy's Midnight Runners Come On Eileen 18 Billy Joel Uptown Girl 19 Sister Sledge Frankie 20 Survivor Eye Of The Tiger 21 T'Pau China In Your Hand 22 Yazz & The Plastic Population The Only Way Is Up 23 Soft Cell Tainted Love 24 The Human League Don't You Want Me 25 The Communards Don't Leave Me This Way 26 Jackie Wilson Reet Petite 27 Paul Hardcastle 19 28 Irene Cara Fame 29 Berlin Take My Breath Away 30 Madonna Into The Groove 31 The Bangles Eternal Flame 32 Renee & Renato Save Your Love 33 Black Lace Agadoo 34 Chaka Khan I Feel For You 35 Diana Ross Chain Reaction 36 Shakin' Stevens This Ole House 37 Adam & The Ants Stand And Deliver 38 UB40 Red Red Wine 1980’S Top 100 Tracks Page 3 of 31 39 Boris Gardiner I Want To Wake Up With You 40 Soul II Soul Back To Life 41 Whitney Houston Saving All My Love For You 42 Billy Ocean When The Going -
Kent Academic Repository Full Text Document (Pdf)
Kent Academic Repository Full text document (pdf) Citation for published version Alexander, Camille S (2017) Giving Backchat: Gendered Social Critiques in Anglo-Caribbean, Migrant Female Literature. Doctor of Philosophy (PhD) thesis, University of Kent,. DOI Link to record in KAR https://kar.kent.ac.uk/63874/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html GIVING BACKCHAT: GENDERED SOCIAL CRITIQUES IN ANGLO-CARIBBEAN, MIGRANT FEMALE LITERATURE Thesis submitted for the degree of Ph.D. in English by Camille S. Alexander Department of English, University of Kent Canterbury August 2017 i ABSTRACT Giving backchat is a popular term in the Anglophone Caribbean and is locally considered a form of gendered speech. This form of discourse is like the African American concept of talking back with the exception of intent; giving backchat is not intended to convey disrespect whereas backtalk is impertinent. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Recor Lprogra M Ming -71M
pi/y_C/od§Wor) recorlprogram ming -71m today's top record talent than ks everyone! C O N NUE S GREATEST HITS • I \ 1 e CONNIE FRANCIS COWRY & WESTERN BOLDEN HITS !!` TOURING THE CONTINENT *1 4 4- AGAIN IN MAY. OIL 'zike CONNIE FRANCIS exclusively FUN SONGS FOR CHILDREN M -G-M RECORDS Pawns I .• 4,11V : ROCK N ROLL MILLION SELLERS personal management GEORGE SCHECK 1619 Broadway N.Y.C. 1>and greatest HIT SINGLE J,fr[! -g grIverfirtt ét 1)/wif arranger—conductor TORRIE ZIT O From Joshua Logan's "TALL STORY" A WARNER BROS. RELEASE L ATC O 6161 EXCL USIVELY O N 42 SPRIN G SPOTLIGHT ON REC ORD PROGRA M MIN G MARCH 14, 1960, THE BILLBOARD THE NEW ul" TIMES, SUNDAY, FEBRUARY 21. 1960. SHOWM N IN SOME POP SINGERS • <III h 00v1Oug aaset a th By A MIN B. W11110 in z zczdsulteherzost's-triking .74shes she had been 4 A" •..,are.neaa or • , . shownlanship can tenai t of .. ..only'the workbecause of Etobbybe is he lDafriunhdnoith singer with all the asnsurY°"g projection and casua/ craftines rof an old pro but-2-what is rnosts emarkable-- because he gained "n'his rollfirst popularityr in th e rock scamble. i. EffectiveMr. e Darin made it evident CRITICAL lthat h had much more to offer 1than a rock 'n'. in ACCLAI M i his recording lastroil appeayear lof i'lefack the Knife' on which followed the arrangement popu-he severallarized yearsby Louisearlier Armstrong a vocal style patternedand clos usedely on Frank Sinatra's. highly effective pe lt was a but it lef t the listenerrf ormanwonder-ce . -
NEWMEDIA Jocks’ Journal June 1-30,2021 “Australia’S Longest Running Radio Industry Publication” Lisa Barnes Departs 6PR After 13 Years
Volume 33.No 11-12 NEWMEDIA Jocks’ Journal June 1-30,2021 “Australia’s longest running radio industry publication” Lisa Barnes Departs 6PR After 13 Years Postal Address: Lisa Barnes, 6PR News director has announced she is leaving PO Box 2363 the station.“Barnsy from the burbs” has worked in the news Mansfield BC Qld 4122 team for the last 13 years. “I am sad to be leaving the 6PR www.newmedia.com.au family and obviously all our beautiful listeners,” she said. Email: “But it’s a new chapter in my life and I am really looking [email protected] forward to what I do next. I’m going to a highly regarded PR company here in Perth, Profile Media.“ The mother of two Phone Contacts: - who is currently on maternity leave from her job as news Office: (07) 3422 1374 director — joined Gareth Parker on Breakfast to announce Mobile: 0407 750 694 her resignation from the station. Radio News Cameron Smith has signed with SEN. He will co-host the weekly There’s been another shake- show, ‘The Captain’s Run’, every up at Mix 102.3. Richie Wednesday at noon, alongside Wright has been moved on from retired NRL playerDenan Kemp. his role as content director. Each Thursday Smith will join Wright had been in the role Pat Welsh and Ian Healy on for Mix and Cruise 1323, SEN’s QLD ‘Breakfast with Pat which are both owned by ARN and Heals’, heard on 1053 (Australian Radio Network). He Brisbane, 1620 Gold Coast, and Sami Lukis has returned Editor & Assistant to returned from holidays to be across regional QLD on the SEN to radio. -
Rhythm & Blues...60 Deutsche
1 COUNTRY .......................2 BEAT, 60s/70s ..................69 OUTLAWS/SINGER-SONGWRITER .......23 SURF .............................81 WESTERN..........................27 REVIVAL/NEO ROCKABILLY ............84 WESTERN SWING....................29 BRITISH R&R ........................89 TRUCKS & TRAINS ...................31 INSTRUMENTAL R&R/BEAT .............91 C&W SOUNDTRACKS.................31 POP.............................93 COUNTRY AUSTRALIA/NEW ZEALAND....32 POP INSTRUMENTAL .................106 COUNTRY DEUTSCHLAND/EUROPE......33 LATIN ............................109 COUNTRY CHRISTMAS................34 JAZZ .............................110 BLUEGRASS ........................34 SOUNDTRACKS .....................111 NEWGRASS ........................36 INSTRUMENTAL .....................37 DEUTSCHE OLDIES112 OLDTIME ..........................38 KLEINKUNST / KABARETT ..............117 HAWAII ...........................39 CAJUN/ZYDECO ....................39 BOOKS/BÜCHER ................119 FOLK .............................39 KALENDER/CALENDAR................122 WORLD ...........................42 DISCOGRAPHIES/LABEL REFERENCES.....122 POSTER ...........................123 ROCK & ROLL ...................42 METAL SIGNS ......................123 LABEL R&R .........................54 MERCHANDISE .....................124 R&R SOUNDTRACKS .................56 ELVIS .............................57 DVD ARTISTS ...................125 DVD Western .......................139 RHYTHM & BLUES...............60 DVD Special Interest..................140 -
The Evolution of Masculinity and Mental Health Narratives in Rap Music
Man Down: The Evolution of Masculinity and Mental Health Narratives in Rap Music Rachel Hart,[1] Department of English, University of Bristol Abstract This article explores how one of the most typically hyper-masculine cultural arenas in Britain and America has evolved over the past 30 years, as rap artists decide to reject the stoicism of toxic masculinity in favour of promoting healthier conversations surrounding men’s mental health and associated coping mechanisms. Though rap has always been vocal about mental distress, its dominant narratives have evolved over the past 30 years to talk more specifically and positively about mental health issues. Over time rap has begun promoting therapy, medication, self-care and treatment, rather than self-medication via drugs and alcohol, or violence against the self or others. This is symbiotically informing and being informed by society’s changing ideas about masculinity and the construct of gender. In order to explore the evolution in discussions around men’s mental health from the 1990s to the present day, this article is split into three sections, each focusing on a different decade. I closely analyse the lyrics of one rap song in each chapter, which has been selected to represent rap’s general trends regarding discussions of mental health from that decade. I also briefly explore other songs that prove the decade’s trends. This article draws upon academic research as well as personal interviews undertaken with Solomon OB (2016’s National Poetry Slam champion), and Elias Williams, founder of MANDEM.com (an online media platform engaging with social issues and shining a light on young men of colour). -
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr. -
Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2018 POST AFRICAN FUTURES: Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology Bristow, Tegan Mary http://hdl.handle.net/10026.1/10848 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Post African Futures by Tegan Bristow POST AFRICAN FUTURES: Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology by Tegan Bristow A thesis submitted to Plymouth University in partial fulfilment for the degree of Doctor of Philosophy 1 Post African Futures by Tegan Bristow Copyright Statement for PhD thesis titled: POST AFRICAN FUTURES: Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology by Tegan Bristow (2018). This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. Signed by Author, 25th January 2018 2 Post African Futures by Tegan Bristow Abstract This thesis addresses the presence and role of critical aesthetic practices by cultural practitioners and creative technologists in addressing cultures of technology in contemporary African societies. -
Diplomarbeit Waltraud WOLFMAYR
“I sing my sorrow, and I paint my joy” An intermedial analysis of selected songs of the 1960s and 70s by Joni Mitchell Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Waltraud WOLFMAYR am Institut für Anglistik Begutachter: Ao. Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, 2015 The arts at their best... They make people look at things they wouldn’t ordinarily look at and maybe plant the seeds of difference, like a different way of looking at things... That’s my optimism… that art could change somebody’s course, change the way they look at things. Joni Mitchell Table of Contents 1 Introduction .................................................................................................................. 1 2 Popular Music Analysis ................................................................................................. 4 2.1 Singer-Songwriter: Between High and Low Art .......................................................... 6 2.2 Terminology ................................................................................................................ 8 2.2.1 Song Sections .................................................................................................. 8 2.2.2 Song Forms .................................................................................................... 10 2.2.3 Hook Line ....................................................................................................... 10 3 Introducing the Artist ..................................................................................................