Constructing Aischunē in Menander's Samia And
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander It is a truth universally acknowledged that the plays of Menander owe a great debt to Classical Athenian drama: connections between plays such as Aristophanes’ Cocalus and Menander were noted in didascalia, and similarly the thematic and structural similarities between New Comedy and the works of Euripides were already recognized in Hellenistic scholarship (Arnott 1972; Csapo 2000; Hunter 2011). Sophocles, on the other hand, is rarely included in this discussion of dramatic influence, more often regarded solely for his role as the pinnacle of tragic poets. It is the purpose of this paper to reanalyze possible connections between the corpus of Sophocles and that of Menander by examining both the Antigone and the Dyscolus as plays employing one of the most familiar stock characters of ancient comedy: the “blocking” father figure. This father figure—whose earliest incarnation arguably belongs to Old Comedy, such as Strepsiades from Clouds—is perhaps best known for his characterization in the plays of Greek New Comedy and their later, Latin iterations. Generally an old and intransigent father, the “blocking” figure is generically defined by his interference in the life of his young offspring; in New Comedy, this interference takes the form of intervention in the budding romance of two young lovers, whose inconvenient marriage will inevitably bring about the typical finale. This character, at first glance, may appear to be a creature created solely for light-hearted drama. Creon of the Antigone, however, whose stubborn and belligerent character has been carefully surveyed for his role within the tragedy itself (see Roisman 1996), additionally shares many features with the father of Menander’s only intact play, Knemon of the Dyscolus. -
Menander: Personal Address and Addressing the Audience
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UTokyo Repository Menander: Personal Address and Addressing the Audience journal or 東京大学西洋古典学研究室紀要 publication title volume 8 page range 103-133 year 2013-12 URL http://doi.org/10.15083/00078898 Menander: Personal Address and Addressing the Audience*1 Adele C. Scafuro 1 Introduction Studies of personal address have become increasingly visible in the field of Classics as a part of the larger methodological camp of Discourse Anal- ysis. Classical scholars have long paid attention to personal address in Menander, even if, as we shall soon see, Menander is rather sparing in his use of it. Sandbach and Gomme, for example, were particularly sensitive to its nuanced appearances in their grand commentary published in 1973. This is evident, for example, in their comments on Act IV of Epitrepontes. At this point in the play (at lines 853-877), Pamphile is already onstage after a heart-rending discussion with her father; he wants her to divorce her husband Charisios. Unbeknownst to her father, Pamphile had been raped before she married (this happened before the play began); she had *1 I am grateful to Prof. Y. Kasai for arranging my visit and the occasion for the pre- sentation of this (now revised) paper at the University of Tokyo in March 2013; I am also grateful to the audience for its attentive responses, and especially to Profs. M. Kubo and M. Sakurai for their observations. Further thanks are due Oxford Univer- sity Press for permission to repeat and expand, in sections 3 and 4 of this essay, a portion of chapter 10 ‘Menander’ (pp.218-38) in The Oxford Handbook of Greek and Roman Comedy, eds. -
Greek Dramatic Monuments from the Athenian Agora and Pnyx
GREEK DRAMATIC MONUMENTS FROM THE ATHENIAN AGORA AND PNYX (PLATES 65-68) T HE excavations of the Athenian Agora and of the Pnyx have produced objects dating from the early fifth century B.C. to the fifth century after Christ which can be termed dramatic monuments because they represent actors, chorusmen, and masks of tragedy, satyr play and comedy. The purpose of the present article is to interpret the earlier part of this series from the point of view of the history of Greek drama and to compare the pieces with other monuments, particularly those which can be satisfactorily dated.' The importance of this Agora material lies in two facts: first, the vast majority of it is Athenian; second, much of it is dated by the context in which it was found. Classical tragedy and satyr play, Hellenistic tragedy and satyr play, Old, Middle and New Comedy will be treated separately. The transition from Classical to Hellenistic in tragedy or comedy is of particular interest, and the lower limit has been set in the second century B.C. by which time the transition has been completed. The monuments are listed in a catalogue at the end. TRAGEDY AND SATYR PLAY CLASSICAL: A 1-A5 HELLENISTIC: A6-A12 One of the earliest, if not the earliest, representations of Greek tragedy is found on the fragmentary Attic oinochoe (A 1; P1. 65) dated about 470 and painted by an artist closely related to Hermonax. Little can be added to Miss Talcott's interpre- tation. The order of the fragments is A, B, C as given in Figure 1 of Miss T'alcott's article. -
Personification in Ovid's Metamorphoses
Personification in Ovid’s Metamorphoses: Inuidia, Fames, Somnus, Fama Maria Shiaele Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics August 2012 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ©2012 The University of Leeds Maria Shiaele yia tovç yoveiç /lov for mum and dad IV Acknowledgements Throughout all these years of preparing this dissertation many people stood by my side and supported me intellectually, emotionally and financially to whom I would like to express my sincere thanks here. First of all, my deep gratitude goes to my supervisors Professor Robert Maltby and Dr Kenneth Belcher, for their unfailing patience, moral support, valuable criticism on my work and considerable insights. I thank them for believing in me, for being so encouraging during difficult and particularly stressful times and for generously offering their time to discuss concerns and ideas. It has been a great pleasure working with them and learning many things from their wide knowledge and helpful suggestions. Special thanks are owned to my thesis examiners, Dr Andreas Michalopoulos (National and Kapodistrian University of Athens) and Dr Regine May (University of Leeds), for their stimulating criticism and valuable suggestions. For any remaining errors and inadequacies I alone am responsible. Many thanks go to all members of staff at the Department of Classics at Leeds, both academic and secretarial, for making Leeds such a pleasant place to work in. -
The Development of Greek and the New Testament. Morphology, Syntax, Phonology, and Textual Transmission
Wissenschaftliche Untersuchungen zum Neuen Testament Herausgeber / Editor Jörg Frey Mitherausgeber / Associate Editors Friedrich Avemarie • Judith Gundry-Volf Martin Hengel • Otfried Hofius • Hans-Josef Klauck 167 ARTI BUS Chrys C. Caragounis The Development of Greek and the New Testament Morphology, Syntax, Phonology, and Textual Transmission Mohr Siebeck Chrys C. Caragounis, born 1940; Professor in New Testament Exegesis at Lund Univer- sity, Sweden. ISBN 3-16-148290-5 ISSN 0512-1604 (Wissenschaftliche Untersuchungen zum Neuen Testament) Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data is available in the Internet at http://dnb.ddb.de. © 2004 by Mohr Siebeck, Tübingen, Germany. This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher's written permission. This applies particularly to reproductions, translations, microfilms and storage and processing in electronic systems. The book was printed by Guide-Druck in Tübingen on non-aging paper and bound by Spinner in Ottersweier. Printed in Germany. Eenvfj (xvnjxrj Suoîv eùicXeecxàxoiv mòìv ' EM,â8oç reapyíú) XatÇiôàKi (1848-1941) K ai 'Avtcovío) riávvapi] (1852-1909) oí Tr]v 7C£pi x<5v Ypa(i|xáT©v éXXtiví8a é7tiaxiín.r|v éicóa^íiaav yXròxxav àx0i8a xe Kai úaxépav Kai veooxépav ctKpißrög ripewriGav aa<|)fiv tt|v evóxnxa coiàoTiç Trjç x<öv ' EXXr|V(ov <|>(ôvnç KaxaSeiÇavxeç f|YOÚ|J.evoi TCÔCTI yevó|xevoi xoîç ÈÇ áei IIÉWIOUOIV gjceaöai xinfiç ëveKa àvaxi&ri|ii Preface The working title of the present investigation during the period of writing has been A Diachronic and Acoustic Approach to the New Testament. -
Women and Property in Ancient Athens: a Discussion of the Private Orations and Menander Cheryl Cox University of Memphis
Women and Property in Ancient Athens: A Discussion of the Private Orations and Menander Cheryl Cox University of Memphis There has been a great deal of discussion in the past two decades or so among social historians and anthropologists of the proposition that women in European societies, both in the past and in the present, have informal power at the private level of the household. Women’s interests were reflected and expressed in succession practices and in the management of the household economy. Central to the status of women was the dowry because of its place in the conjugal household and the negotiations over its use and transmission. A large dowry ensured the woman’s important role in the decisions of the marital household and thus helped to stabilize the marriage. Because the dowry, as the property of the woman’s natal kin, would ideally be transmitted to the man’s children, the man could become involved in the property interests of his wife’s family of origin.1 In a material sense, in classical Athens the wife’s dowry allowed for the cohesion of two households (oikoi): the oikos of her marriage and that of her natal family. The dowry in legal terms belonged to the woman’s natal family, as it had to be returned to her family of origin either on divorce or on the death of her husband and her remarriage. Much of the information we have for dowries pertains to elite families. Because the woman’s dowry could be inherited by the children, it was worth fighting for, especially if she had not received her full share (Dem. -
Ryan Samuels Email: [email protected] Office Hours: by Appointment Location: Sever 112 Meeting Time: T
Classics 98 (Junior Tutorial): City and Country in Greek and Roman Literature Fall 2011 Instructor: Ryan Samuels Email: [email protected] Office Hours: by appointment Location: Sever 112 Meeting Time: T. 2:00-4:00 p.m. Description & Aims: Rarely in Greek and Roman literature may city and country be considered in isolation, as one is generally defined against the other (or, in the language of modern theory, “Other”). The countryside is alternately a place of toil and of rest, of backwardness and of purity, while the city on the other hand may represent in turn refinement or excess, high culture or degeneracy. As we trace its ambivalent development across Tale of the town mouse and the country mouse time, space, and genre, the binary discourse of city Woodcut by Giovanni Maria Verdizotti, 1577 and country will serve as a lens through which we The Warburg Institute will also consider such related discursive pairs as page 166 agriculture and commerce, free and slave, male and female,Work Type wealth and illustration poverty, public and private, work and leisure, the active and the contemplativeDate 1577 life , the competing philosophies of Stoicism and Epicureanism, capital and province, indigenous and foreign, past and present, old and young/new, progress and decline. Emphasis will be on the development of familiarity with theoretical approaches to Greek and Latin texts and of practical research skills. Expectations and Policies: Students will give weekly presentations on individual assignments and actively contribute to discussion. Assigned readings and presentations represent a minimum, and students are expected to bring the results of additional primary and secondary research to each class. -
Theodore Harry Mcmillan Gellar
SACRIFICE AND RITUAL IMAGERY IN MENANDER, PLAUTUS, AND TERENCE Theodore Harry McMillan Gellar A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2008 APPROVED BY: Sharon L. James, advisor James B. Rives, reader Peter M. Smith, reader © 2008 Theodore Harry McMillan Gellar ALL RIGHTS RESERVED ii ABSTRACT Theodore Harry McMillan Gellar SACRIFICE AND RITUAL IMAGERY IN MENANDER, PLAUTUS, AND TERENCE (Under the direction of Sharon L. James) This thesis offers a systematic analysis of sacrifice and ritual in New Comedy. Sacri- fice normally signifies a healthy community, often celebrating a family reunification. Men- ander, Plautus, and Terence treat sacrifice remarkably, each in a different way. In Menander, sacrifice seals the formation of healthy citizen marriages; in Plautus, it operates to negotiate theatrical power between characters. When characters use sacrificial imagery, they are es- sentially asserting authority over other characters or agency over the play. Both playwrights mark habitual sacrificers, particularly citizen females, as morally upright. Terence, by con- trast, stunningly withholds sacrifice altogether, to underscore the emotional dysfunction among the citizen classes in hisplays. Chapter 1 sets sacrifice in its historical and theatrical context. Chapter 2 considers how sacrifice might have been presented onstage; chapter 3 examines its theatrical functions. Chapter 4 focuses on gender and status issues, and chapter 5 moves out from sacrifice to rit- ual and religion overall. iii τῷ φίλῳ καί µοι ἐγγυηκότι optimis parentibus iv ACKNOWLEDGEMENTS I have endless gratitude first of all for Sharon James, my advisor, mentor, and role model, without whom my thesis simply could not be. -
Loeb Classical Library
LOEB CLASSICAL LIBRARY 2017–2018 Founded by JAMES LOEB 1911 Edited by JEFFREY HENDERSON NEW TITLES FRAGMENTARY GALEN REPUBLICAN LATIN Hygiene Ennius EDITED AND TRANSLATED BY EDITED AND TRANSLATED BY IAN JOHNSTON • SANDER M. GOLDBERG Galen of Pergamum (129–?199/216), physician GESINE MANUWALD to the court of the emperor Marcus Aurelius, Quintus Ennius (239–169 BC), widely was a philosopher, scientist, medical historian, regarded as the father of Roman literature, theoretician, and practitioner who wrote on an was instrumental in creating a new Roman astonishing range of subjects and whose literary identity and inspired major impact on later eras rivaled that of Aristotle. developments in Roman religion, His treatise Hygiene, also known social organization, and popular as “On the Preservation of Health” culture. This two-volume edition (De sanitate tuenda), was written of Ennius, which inaugurates during one of Galen’s most prolific the Loeb series Fragmentary periods (170–180) and ranks among Republican Latin, replaces that his most important and influential of Warmington in Remains of Old works, providing a comprehensive Latin, Volume I and offers fresh account of the practice of texts, translations, and annotation preventive medicine that still that are fully current with modern has relevance today. scholarship. L535 Vol. I: Books 1–4 2018 515 pp. L294 Vol. I: Ennius, Testimonia. L536 Vol. II: Books 5–6. Thrasybulus. Epic Fragments 2018 475 pp. On Exercise with a Small Ball L537 Vol. II: Ennius, Dramatic 2018 401 pp. Fragments. Minor Works 2018 450 pp. APULEIUS LIVY Apologia. Florida. De Deo Socratis History of Rome EDITED AND TRANSLATED BY EDITED AND TRANSLATED BY CHRISTOPHER P. -
Menander's Characters in Context
Menander’s Characters in Context Menander’s Characters in Context: From the 4th Century BC to the Modern Greek Stage By Stavroula Kiritsi Menander’s Characters in Context: From the 4th Century BC to the Modern Greek Stage By Stavroula Kiritsi This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Stavroula Kiritsi All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-4017-0 ISBN (13): 978-1-5275-4017-0 TABLE OF CONTENTS Abbreviations ......................................................................................... vii Acknowledgements .............................................................................. viii Introduction .............................................................................................. 1 Part I Chapter 1 ................................................................................................. 18 The Conceptual World of Menander’s Comedies Chapter 2 ................................................................................................. 59 Epitrepontes Chapter 3 .............................................................................................. -
Trends in Classics – Supplementary Volumes
Generic Interfaces in Latin Literature Trends in Classics – Supplementary Volumes Edited by Franco Montanari and Antonios Rengakos Scientific Committee Alberto Bernabé · Margarethe Billerbeck Claude Calame · Philip R. Hardie · Stephen J. Harrison Stephen Hinds · Richard Hunter · Christina Kraus Giuseppe Mastromarco · Gregory Nagy Theodore D. Papanghelis · Giusto Picone Kurt Raaflaub · Bernhard Zimmermann Volume 20 Generic Interfaces in Latin Literature Encounters, Interactions and Transformations Edited by Theodore D. Papanghelis, Stephen J. Harrison and Stavros Frangoulidis DE GRUYTER ISBN 978-3-11-030368-1 e-ISBN 978-3-11-030369-8 ISSN 1868-4785 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2013 Walter de Gruyter GmbH, Berlin/Boston Logo: Christopher Schneider, Laufen Printing: Hubert & Co. GmbH & Co. KG, Göttingen ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgments The present volume brings together twenty-three papers originally delivered at a conference on Latin genre. The conference took place in Thessaloniki (May 2011) and was co-organized by the Department of Classics, Aristotle University, and Corpus Christi College, University of Oxford; all papers included have since been extensively revised. Publication would not have been possible without the invaluable help of our fellow-editor Stephen J. Harrison, who shared with us the task of editing the book. We take here the opportunity to thank all invited speakers, chairpersons, and participants for contributing to an event animated by many stimulating ideas and lively responses. -
Aristotle and Menander on the Ethics of Understanding
Aristotle and Menander on the Ethics of Understanding Submitted by Valeria Cinaglia to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Classics In January 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: 1 ABSTRACT This doctoral thesis explores a subject falling in the interface between ancient Greek philosophy and literature. Specifically, I am concerned with common ground between the New Comedy of Menander and aspects of Aristotle’s philosophy. The thesis does not argue that the resemblance identified between the two writers shows the direct influence of Aristotle on Menander but rather thay they share a common thought-world. The thesis is structured around a series of parallel readings of Menander and Aristotle; key relevant texts are Menander’s Epitrepontes , Samia , Aspis , Perikeiromene and Dyscolos and Aristotle’s Posterior Analytics , Nicomachean and Eudemian Ethics , De Anima and Poetics . My claim is that Menander’s construction of characters and plots and Aristotle’s philosophical analyses express analogous approaches on the subject of the relationship between knowledge and ethics. Central for my argument is the consideration that in Aristotle’s writings on ethics, logic, and psychology, we can identify a specific set of ideas about the interconnection between knowledge-formation and character or emotion, which shows, for instance, how ethical failings typically depend on a combination of cognitive mistakes and emotional lapses.