Theodore Harry Mcmillan Gellar
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander It is a truth universally acknowledged that the plays of Menander owe a great debt to Classical Athenian drama: connections between plays such as Aristophanes’ Cocalus and Menander were noted in didascalia, and similarly the thematic and structural similarities between New Comedy and the works of Euripides were already recognized in Hellenistic scholarship (Arnott 1972; Csapo 2000; Hunter 2011). Sophocles, on the other hand, is rarely included in this discussion of dramatic influence, more often regarded solely for his role as the pinnacle of tragic poets. It is the purpose of this paper to reanalyze possible connections between the corpus of Sophocles and that of Menander by examining both the Antigone and the Dyscolus as plays employing one of the most familiar stock characters of ancient comedy: the “blocking” father figure. This father figure—whose earliest incarnation arguably belongs to Old Comedy, such as Strepsiades from Clouds—is perhaps best known for his characterization in the plays of Greek New Comedy and their later, Latin iterations. Generally an old and intransigent father, the “blocking” figure is generically defined by his interference in the life of his young offspring; in New Comedy, this interference takes the form of intervention in the budding romance of two young lovers, whose inconvenient marriage will inevitably bring about the typical finale. This character, at first glance, may appear to be a creature created solely for light-hearted drama. Creon of the Antigone, however, whose stubborn and belligerent character has been carefully surveyed for his role within the tragedy itself (see Roisman 1996), additionally shares many features with the father of Menander’s only intact play, Knemon of the Dyscolus. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Messmer High School from 1926-2001 Rebecca A
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects Doctrina, Fides, Gubernatio: Messmer High School from 1926-2001 Rebecca A. Lorentz Marquette University Recommended Citation Lorentz, Rebecca A., "Doctrina, Fides, Gubernatio: Messmer High School from 1926-2001" (2010). Dissertations (2009 -). Paper 75. http://epublications.marquette.edu/dissertations_mu/75 DOCTRINA, FIDES, GUBERNATIO: MESSMER HIGH SCHOOL FROM 1926-2001 by Rebecca A. Lorentz, B.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December, 2010 i ABSTRACT DOCTRINA, FIDES, GUBERNATIO: MESSMER HIGH SCHOOL FROM 1926-2001 Rebecca A. Lorentz, BA, MA Marquette University, 2010 In 1926, the Archdiocese of Milwaukee opened its first Diocesan high school, hoping thereby to provide Milwaukee‟s north side with its own Catholic school. By 1984 the Archdiocese claimed that the combination of declining enrollment and rising operating costs left it no option other than permanently closing Messmer. In response, a small group of parents and community members aided by private philanthropy managed to reopen the school shortly thereafter as an independent Catholic school. This reemergence suggested a compelling portrait of the meaning given to a school, even as ethnic, religious, and racial boundaries shifted. Modern studies tend to regard Catholic schools as academically outstanding -
THESIS for T H E D E G R E E of a .3 V COLLEGE of LITERATURE and ARTS
J7 (, 67 yS'U THE REFERENCES TO ROMAN MANNERS, CUSTOMS, LAWS AND HISTORY IN THE TRINUMMUS AND RUDENS OF PLAUTUS BY NELLIE BESORE THESIS FOR t h e d e g r e e of A .3 v COLLEGE OF LITERATURE AND ARTS: UNIVERSITY OF ILLINOIS. I8RA. i. BIBLIOGRAPHY. h<D 0 0 Ashmore's "Adelphoe" of Terence. Becker's "Charicle$." Becker's "Gallus." Harrington's "Captivi, Trinuramus and Rudens of Plautus." Morey's "Outlines of Roman Law." Riley's "Literal English Translation of the Comedies of Plautus." Sellar's "Roman Poets of the Republic." Slornan's "Phormio of Terence." Smith's "Dictionary of Greek and Roman, Antiquities." Texiffel's "History of Roman Literature," Vol. I. THE REFERENCES TO ROMAN MANNERS, CUSTOMS, LAWS AND HISTORY IN THE TRINUMMUS AND RUDENS OF PLAUTUS. Plautus modeled these two plays upon Greek come dies, the "Trinumtnus" upon a play by Philemon, the "Rudens" probably on one by Diphiius. But, though he took from them the outward conditions, much of the manner and spirit of the personages is Roman. To find the instances of his own ori ginality, of his independence of the Greek models, is the object of this thesis. In Italy as in Greece there had long existed the songs and dances of the harvest and vintage festivals, and the extemporized dialogues and rustic raillery of the fes tive gatherings where coarse, good-humored bantering was in terchanged. From such beginnings the Greeks developed a reg ular Comedy as early as the sixth century, B. C., but among the Romans these Fescennine Verses never rose above gross personalities and crude representations. -
Italian "Sondergötter." Author(S): H
Italian "Sondergötter." Author(s): H. J. Rose Source: The Journal of Roman Studies, Vol. 3, Part 2 (1913), pp. 233-241 Published by: Society for the Promotion of Roman Studies Stable URL: http://www.jstor.org/stable/296227 . Accessed: 17/06/2014 01:31 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for the Promotion of Roman Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Roman Studies. http://www.jstor.org This content downloaded from 188.72.126.181 on Tue, 17 Jun 2014 01:31:37 AM All use subject to JSTOR Terms and Conditions ITALIAN " SONDERGOTTER." By H. J. ROSE. Since Usener put prominently forward the theory of Sonder- g6tter,1 the idea has been subjected to trenchant negative criticism by two expertsin the fields of Greek and Roman religion respectively, Farnell2and Wissowa.3 The formerprotests, and rightly so, against the cheerfulassumption that, whenevera deity has a name describing a function, " Saviour," " Queen," " Victory," for example, we should regard him or her as a primitive Sondergott; since many examples teach us that such figures are often the products of a developed polytheism. -
CAMWS 2015 Handout
Serena S. Witzke, Ohio Wesleyan University March 26, 2015 [email protected] CAMWS Annual Meeting, Section III, Session H “I WENT IN A LOVER AND CAME OUT A BROTHER?” NEAR-MISS INCEST IN PLAUTUS’ COMEDIES I. Near-Miss Incest and Woman Sharing in New Comedy NEAR-MISS INCEST QUASI-INCESTUOUS WOMAN SHARING Father/Daughter Brother/Sister Menander Georgos Perikeiromene Samia1 Plautus Rudens Epidicus Casina Poenulus Curculio Asinaria Casina Mercator (Bacchides)2 II. Common Elements of Recognition Plots • child separated from parents through dramatic calamity or deliberate exposure • child suffers hardships derived from uncertain social status • anagnorisis: recognition via tokens (symboli) or verbal remembrance (signa) • salvation from sex labor, slavery, incest • emotional reunion with parents • reconciliation: reintegration of child into natal society (often a marriage occurs) III. Near-Miss Incest A. Rudens (892-94) Daemones: Bene factum et volup est, me hodie his It was well done and a pleasure that today I gave mulierculis help to these little ladies. I’ve obtained them as my tetulisse auxilium. iam clientas repperi, dependents and both are shapely and juicy. atque ambas forma scitula atque aetatula. B. Poenulus Prologus character: ilico omnis meretrices, ubi Pro: At once he locates all the meretrices, where quisque habitant, invenit; they live; he gives each one money, spends the dat aurum, ducit noctem, rogitat postibi night, asks where she’s from, what her birthplace und’ sit, quoiatis, captane an surrupta sit, is, was she captured or abducted, who is her natal quo genere gnata, qui parentes fuerint. (106-110) family, who were her parents. Hanno: Gaudio ero vobis. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
STATE TEMPLES INTRODUCED in ROME, 509-55 B.C.E
APPENDIX ONE STATE TEMPLES INTRODUCED IN ROME, 509-55 B.c.E. DEITY DATE CIRCUMSTANCES VOWER $ SOURCE DEDICATOR Saturn 501-493 N. R. N. R. N. R. N.R. Mercury 495 N. R. N. R. N. R. centurion Ceres, LiberIa 493 DROUGHT, WAR (Latins) dictator booty (Sen.) consul Castor & Pollux 484 WAR (Latins: Lake Regillus) dictator N. R. duumvir (son) Dius Fidius 466 N. R. Tarquin N. R. consul Apollo 431 PLAGUE Senate? N. R. consul Mater Matuta 396 WAR (Veii) dictator N. R. N. R. Juno Regina (II) 392 WAR (Etruscans) dictator N. R. N. R. Mars 388 WAR (Gauls) N. R. N. R. duumvir s.f. Juno Lucina 375 N. R. N. R. N. R. N. R. Juno Moneta 344 WAR (Aurunci) dictator duumviri N. R. Concordia (I) 304 reconciling Orders aedile fines curule aedile Salus 302 WAR (Samnites) consul N. R. dictator (self) Vica Pota 4th c. N. R. N. R. N. R. N. R. Bellona 296 WAR (Samnites/Etruscans) consul N. R. N. R. Jupiter Victor 295 WAR (Samnites) consul N. R. N. R. Venus Obsequens 295 N. R. aedile fines N. R. Victoria 294 WAR (Samnites) aedile fines consul (self) Jupiter Stator 294 WAR (Samnites) consul duumviri N. R. Appendix 1 (cont.) 1\.:) 0 0 DEI1Y DATE CIRCUMSTANCES VOWER $ SOURCE DEDICATOR Quirinus 293 WAR (Samnites) dictator N. R. consul (son) Fors Fortuna 293 WAR (Samnites/Etruscans) consul booty N. R. Aesculapius 291 PLAGUE N.R. Senate N. R. Summanus 278 lightning hits statue N. R. N. R. N. R. Cons us 273? WAR (Samnites et al.) consul? N. -
A New Athenian Gymnasium from the 4Th Centrury
Ada Caruso A New Athenian Gymnasium from the 4th Century BC? Summary Literary sources attest that the gymnasium of the Athenian rung der beiden Bauten. Es wird gezeigt, dass der Hof des süd- Academy was used from the 6th century BC to at least the 2nd lichen Baus in die Spätantike gehört und nicht als Palaestra century AD. The site, located based on texts and a horos stone, fungiert haben kann. Stattdessen ist der quadratische Bau, des- has been variously explored since 1929. Of the excavated struc- sen Peristyl von Räumen umgeben und der ins 4. Jh. v.Chr. zu tures, a rectangular courtyard building in the South has com- datieren ist, anhand von Plan und Inschriften als Palaestra zu monly been identified as the palaestra of the Academy gym- identifizieren. nasium, whereas a large square peristyle building (so-called Keywords: Athen; Akademie; Gymnasium; Palästra; Tetrago- Tetragonos Peristylos) in the North has received little atten- nos Peristylos tion. This paper critically revises the identification of these two buildings and argues that the southern building, whose court- yard belongs to the Late Antique period, cannot have func- For the accomplishment of this study many thanks are due tioned as a palaestra. Instead, the square peristyle building, to: Prof. Emanuele Greco, former Director of the Italian Ar- which was surrounded by rooms and dates to the 4th century chaeological School of Athens, who supported it, as well as BC, should be identified as a palaestra, due the plan and epi- Prof. Panos Dimas (Norwegian Institute of Athens); Dr. Aris graphic evidence. Koronakis, Effie Lygkouri Tolia, Effie Baziotopoulou-Valavani, and Dr. -
Plautus, with an English Translation by Paul Nixon
'03 7V PLAUTUS. VOLUMK I. AMPHITRYON. THE COMEDY OF ASSES. THE POT OF GOLD. THE TWO BACCHISES. THE CAPTIVES. Volume II. CASIXA. THE CASKET COMEDY. CURCULIO. EPIDICUS. THE TWO MENAECHMUSES. THE LOEB CLASSICAL LIBRARY EDITED BY E. CAPPS, PH.])., LL.J1. T. E. PAGE, litt.d. ^V. H. D. ROUSE, LiTT.D. PLAUTUS III "TTTu^^TTr^cJcuTr P L A U T U S LVvOK-..f-J WITH AN ENGLISH TRANSLATION BY PAUL NIXON PROFESSOR OF LATIN, BOWDOIS COLLEGE, UAINE IN FIVE VOLUMES III THE MERCHANT THE BRAGGART WARRIOR THE HAUNTED HOUSE THE PERSIAN LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM'S SONS MCMXXIV Printed in Great Britain THE GREEK ORIGINALS AND DATES OF THE PLAYS IN THE THIRD VOLUME The Mercator is an adaptation of Philemon's Emporos}- When the Emporos was produced^ how- ever, is unknown, as is the date of production of the Mercator, and of the Mosldlaria and Perm, as well. The Alason, the Greek original of the Milex Gloriosus, was very likely written in 287 B.C., the argument ^ for that date being based on interna- tional relations during the reign of Seleucus,^ for whom Pyrgopolynices was recruiting soldiers at Ephesus. And Periplectomenus's allusion to the imprisonment of Naevius* might seem to suggest that Plautus composed the Miles about 206 b.c. Philemon's Fhasma was probably the original of the Mostellaria, and written, as it apparently was, after the death of Alexander the Great and Aga- thocles,^ we may assume that Philemon presented the Phasma between 288 b.c. and the year of the death of Diphilus,^ who was living when it was produced. -
Greek Dramatic Monuments from the Athenian Agora and Pnyx
GREEK DRAMATIC MONUMENTS FROM THE ATHENIAN AGORA AND PNYX (PLATES 65-68) T HE excavations of the Athenian Agora and of the Pnyx have produced objects dating from the early fifth century B.C. to the fifth century after Christ which can be termed dramatic monuments because they represent actors, chorusmen, and masks of tragedy, satyr play and comedy. The purpose of the present article is to interpret the earlier part of this series from the point of view of the history of Greek drama and to compare the pieces with other monuments, particularly those which can be satisfactorily dated.' The importance of this Agora material lies in two facts: first, the vast majority of it is Athenian; second, much of it is dated by the context in which it was found. Classical tragedy and satyr play, Hellenistic tragedy and satyr play, Old, Middle and New Comedy will be treated separately. The transition from Classical to Hellenistic in tragedy or comedy is of particular interest, and the lower limit has been set in the second century B.C. by which time the transition has been completed. The monuments are listed in a catalogue at the end. TRAGEDY AND SATYR PLAY CLASSICAL: A 1-A5 HELLENISTIC: A6-A12 One of the earliest, if not the earliest, representations of Greek tragedy is found on the fragmentary Attic oinochoe (A 1; P1. 65) dated about 470 and painted by an artist closely related to Hermonax. Little can be added to Miss Talcott's interpre- tation. The order of the fragments is A, B, C as given in Figure 1 of Miss T'alcott's article. -
Plautus, with an English Translation by Paul Nixon
^-< THE LOEB CLASSICAL LIBRARY I FOUKDED BY JAMES IXtEB, liL.D. EDITED BY G. P. GOOLD, PH.D. FORMEB EDITOBS t T. E. PAGE, C.H., LiTT.D. t E. CAPPS, ph.d., ii.D. t W. H. D. ROUSE, LITT.D. t L. A. POST, l.h.d. E. H. WARMINGTON, m.a., f.b.hist.soc. PLAUTUS IV 260 P L A U T U S WITH AN ENGLISH TRANSLATION BY PAUL NIXON DKAK OF BOWDODf COLUDOB, MAin IN FIVE VOLUMES IV THE LITTLE CARTHAGINIAN PSEUDOLUS THE ROPE T^r CAMBRIDOE, MASSACHUSETTS HARVARD UNIVERSITY PRESS LONDON WILLIAM HEINEMANN LTD MCMLXXX American ISBN 0-674-99286-5 British ISBN 434 99260 7 First printed 1932 Reprinted 1951, 1959, 1965, 1980 v'Xn^ V Wbb Printed in Great Britain by Fletcher d- Son Ltd, Norwich CONTENTS I. Poenulus, or The Little Carthaginian page 1 II. Pseudolus 144 III. Rudens, or The Rope 287 Index 437 THE GREEK ORIGINALS AND DATES OF THE PLAYS IN THE FOURTH VOLUME In the Prologue^ of the Poenulus we are told that the Greek name of the comedy was Kapx^Sdvios, but who its author was—perhaps Menander—or who the author of the play which was combined with the Kap;^8ovios to make the Poenulus is quite uncertain. The time of the presentation of the Poenulus at ^ Rome is also imcertain : Hueffner believes that the capture of Sparta ' was a purely Plautine reference to the war with Nabis in 195 b.c. and that the Poenulus appeared in 194 or 193 b.c. The date, however, of the Roman presentation of the Pseudolus is definitely established by the didascalia as 191 b.c.