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Kate and Kilimanjaro
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Kate and Kilimanjaro John Nirenberg University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Nirenberg, John, "Kate and Kilimanjaro" (2007). University of New Orleans Theses and Dissertations. 1066. https://scholarworks.uno.edu/td/1066 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Kate and Kilimanjaro A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by John Nirenberg B.A. University of Connecticut, 1968 M.S. Southern Connecticut State College, 1971 Ph.D. University of Connecticut, 1975 May, 2007 © 2007, John Nirenberg ii Acknowledgements This seemed like a good story to tell. My partner Allyson Villars encouraged me to tell it and gave me the encouragement and support throughout this late-in-life academic indulgence to finally put it to paper. -
'Out of Sight, out of Mind? Australia's Diaspora As A
Out of sight, out of mind? Australia’s diaspora as a pathway to innovation March 2018 Contents Collaborating with our diaspora .........................................................................................................3 Australian businesses’ ‘collaboration deficit’ .......................................................................................4 The diaspora as an accelerator for collaboration .................................................................................7 Understanding the Australian diaspora’s connection to Australia ......................................................14 What now? .......................................................................................................................................27 References ........................................................................................................................................30 This report has been prepared jointly with Advance. Advance is the leading network of global Australians and alumni worldwide. The many millions of Australians who have, do, or will live outside of the country represent an incredible, unique and largely untapped national resource. Its mission is to engage, connect and empower leading global Australians and Alumni; to reinvest new skills, talents and opportunities into Australia; to move the country forward. diaspora di·as·po·ra noun A diaspora is a scattered population whose origin lies within a smaller geographic locale. Diaspora can also refer to the movement of the population from -
Bodygrip Traps on Dryland: a Guide to Responsible Use
2017 Bodygrip Traps on Dryland: A Guide to Responsible Use Furbearer Conservation Technical Work Group Table of Contents Acknowledgements ................................................. 2 Introduction ...................................................... 3 History: Bodygrip Trap or Conibear? .................................... 4 Trap Research .................................................... 6 Trap Set Location .................................................. 7 Bait and Lure Use .................................................. 9 Trap Size ....................................................... 10 Trigger Type, Position and Shape ...................................... 11 Trap Set Type. 13 Other Considerations .............................................. 17 Hunter Awareness ................................................ 18 Conclusion ...................................................... 18 References ...................................................... 19 Acknowledgements This document was produced by the Association of Fish and Wildlife Agencies (AFWA) Furbearer Conservation Technical Work Group, in consultation with representatives from trapping organizations. We especially acknowledge Matt Peek of the Kansas Department of Wildlife, Parks and Tourism for serving as primary author on this document. Significant contributions in authorship were also made by Dave Hastings of the Fur Takers of America and Matt Lovallo of the Pennsylvania Game Commission. We wish to acknowledge Bob Noonan for writing the history of the bodygrip -
Development of Optical Trapping Techniques for in Vivo Investigations
Development of optical trapping techniques for in vivo investigations Andrew C. Richardson Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Supervisor: Lene Oddershede Optical Tweezers Group The Niels Bohr Institute University of Copenhagen Denmark 31st of December 2008 I hereby declare that the content of this thesis is entirely my own work and contains no material which has been accepted for the award of any other degree or diploma at any University. The thesis comprises a discussion and summary of the work I carried out between September 2005 and September 2008 at the Niels Bohr institute as part of my PhD studies. To the best of my knowledge and belief, this dissertation contains no material previously published or written by another person, except where due reference has been made. —— The image on the front cover is of a ’Golden apple’ which is one of three such apples that levitate from the fountain at Gammeltorv in the centre of Copenhagen, on occasions such as the Queens birthday and Denmark’s constitutional day. Although the golden apples are not confined by optical forces like those used to trap gold nano-particles, it is a jovial and light hearted comparison to the microscopic equivalent. ii Contents Preface ix List of abbreviations xiii 1 Optical Trapping 1 1.1 Abriefhistoryofopticaltrapping . ..... 1 1.1.1 Opticaltweezing ............................. 2 1.2 Forcesinopticaltrapping . ... 3 1.2.1 Mieregime ................................ 3 1.2.2 Rayleighregime ............................. 6 1.2.3 Absorption ................................ 7 1.2.4 Intermediateregime ........................... 8 1.3 Calibration .................................... 8 1.3.1 Opticaltweezerssetup . 9 1.3.2 Calibration by power spectral analysis . -
Downloadable from the Itunes Store As “Ihologram”
Three dimensional touch and vision for the micro-world Richard W. Bowman Thesis submitted in fulfilment of the requirements for the degree of Ph.D. School of Physics and Astronomy University of Glasgow G12 8QQ, UK October 12, 2012 Acknowledgements This thesis would not have come into being were it not for the help and sup- port of many wonderful people. Firstly I would like to thank my supervisor, Miles Padgett, for years of sage advice, knowing when to let me keep playing, and teaching me how to check my H-index. I’d also like to thank my second supervisor at the Institute of Photonics, Amanda Wright, for her guidance and support, and for introducing me to biology. The members of the Optics group past and present, have taught me much, endured many enthusiastic but silly questions, and made our corner of the basement a very fun place indeed. Thanks go to Johannes for talking physics whilst running up hills, Jonathan for teaching me never to forget the Jaffa cakes, Martin for many enjoyable arguments, Graham for giving me my first balldriver, Maria for ex- cellent cake, Arran for introducing us to ThorLabs, and Mike for admitting that a great many things aren’t his field. There are a few students and postdocs with whom I have worked particu- larly closely, and who have contributed to the work set out in the forthcoming chapters. Graham Gibson has taught me a great deal about how to build robust, stable optomechanics, and has assisted in the building of many of the experimental set-ups used during my PhD. -
The Production of Gospel Music: an Ethnographic Study of Studio-Recorded Music in Bellville, Cape Town
The production of gospel music: An ethnographic study of studio-recorded music in Bellville, Cape Town A mini thesis submitted in partial fulfillment of the degree of Master of Arts in Anthropology Robin L. Thompson Department of Anthropology and Sociology University of the Western Cape November 2015 Supervisor: Professor Heike Becker Table of Contents Abstract ................................................................................................ ......................................................... i Declaration ................................................................ ................................................................................... ii Acknowledgements ..................................................................................................................................... iii CHAPTER 1: Introduction ...........................................................................................................................1 1.1 The prevalence of Pentecostalism and music in Christian households, churches and media in Cape Town .............................................................................................................................................................4 1.2 Rethinking the idea of genre through ‘Pentecospel’ music ....................................................................8 1.3 Going forth ............................................................................................................................................10 1.4 Chapter Outline -
The Sarasota News Leader. ARTICLE INCORRECTLY ATTRIBUTED
THE SARASOTA Vol. 2, No. 25 — March 7, 2014 COVER News Leader LET IT BE RAISING MORE CONCERNS A STRONG RESPONSE Inside Old school journalism. 21st century delivery. GET TO HELP KNOW US A.K.A. HELP MASTHEAD Rachel Brown Hackney Cleve Posey Editor and Publisher Production Manager / Graphic Designer [email protected] [email protected] Cooper Levey-Baker Robert S. Hackney Associate Editor Opinion Editor / General Manager [email protected] [email protected] Stan Zimmerman Advertising Sales City Editor [email protected] [email protected] Subscription Services Roger Drouin [email protected] County Editor Press Releases & News Tips [email protected] [email protected] Norman Schimmel Staff Photographer [email protected] Fran Palmeri Contributing Writer [email protected] Harriet Cuthbert Contributing Writer [email protected] Elinor Rogosin A&E Writer [email protected] John Riley Editorial Cartoonist [email protected] Vicki Chatley Copy Editor [email protected] Letters To the Editor [email protected] “The Sarasota News Leader” is a registered trademark of New Sheriff Publishing, Inc., which publishes The Sarasota News Leader. Copyright © 2014 Sarasota News Leader. All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Member - National Digital Press Association • P.O. Box 5099 • Sarasota, FL 34277 • (941) 227-1080 WELCOME Last week, as I was reflecting on potential content for this issue, it appeared the City Commission meeting would be the only sig- nificant source. Oh, how wrong was I proven to be. -
Friday, February 2, 2007 Chicago, IL
1 YAGP 2015 Semi-finals Atlanta, GA January 23 - 25, 2015 Dear Participants, Parents and Teachers, It is with great pleasure that we welcome you to the YAGP 2015 Semi-Finals in Atlanta, GA! We hope you will enjoy learning from each other as well as the many distinguished dance professionals gathered here. As many of you already know, we have designed the YAGP experience in such a way that every participant, regardless of their level of training or career goals, can benefit greatly from the multitude of educational and professional opportunities available throughout the event. Competition entries are organized by birth date starting with our youngest participants. The only exceptions to this order are special considerations due to costume changes. We are proud to say that in only 16 short years YAGP has become the largest student scholarship competition in the world. This is in large part due to the support of our participants and participating schools. In particular, we would like to thank the Atlanta, GA participating schools: A Class Act Dance Center, GA Ryen McGee Academie De Ballet, VA Anora Hummel, Melissa Moore, Andrei Yemelianov, Natallia Yemelianova Alabama Ballet, AL Tracey Alvey, Roger Van Fleteren, Michael Fothergill Alius Dance School, FL Alexia Adcock-Stanford, Alexa Mieses All American Classical Ballet School, FL Terri Howell, Julio Montano, Gissell Durand Andalusia Ballet, AL Meryane Martin Murphy, Laura Wells Atlanta Academy of Ballet and Dance, GA Susan Beebe, Candice Ulbrich, Rachel Truitt Atlanta Professional Dance -
Non-LGBT Magazine Cover Story Collection Coll2013.027
http://oac.cdlib.org/findaid/ark:/13030/c8mk6dp5 No online items Finding aid to the Non-LGBT Magazine Cover Story Collection Coll2013.027 Finding aid prepared by Michael C. Oliveira Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 821-2771 [email protected] © 2013 Finding aid to the Non-LGBT Coll2013.027 1 Magazine Cover Story Collection Coll2013.027 Title: Non-LGBT magazine cover story collection Identifier/Call Number: Coll2013.027 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 4.5 linear feet. Date (inclusive): 1953-2013 Abstract: The collection consists of mainstream magazines with cover stories on LGBT people or topics concerning the LGBT community. The magazines include popular business, entertainment, and news magazines as well as professional and religious titles. The magazines were culled from the ONE Subject Files collection and donations from patrons. Arrangement The magazines are arranged alphabetically by title and then chronologically by date. Preferred Citation [Box/folder #, or item name] Magazine cover story collection, Coll2013-027, ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California. Acquisition The magazines were culled from the ONE Subject Files and patron's donations. Administrative History The magazines were culled from the ONE Subject Files collection and donations from patrons. Conditions Governing Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. -
Two Electric Car Charging Stations Come to Starkville out North Columbus Over the Past Few Weeks
ESTABLISHED 1879 | COLUMBUS, MISSISSIPPI CDISPATCH.COM 75 ¢ NEWSSTAND | 40 ¢ HOME DELIVERY FRIDAY | SEPTEMBER 20, 2019 City council UNDER THE BIG TOP recognizes CPD officers for response to burglary ring Shelton highlights role of community in working with police, reporting suspicious activity BY ISABELLE ALTMAN [email protected] Columbus Police Department Officer Melvin Shirley did not expect to be rec- ognized by the city council for his first ever foot chase. The patrol officer, Jennifer Mosbrucker/Dispatch Staff who just graduated Shirley Stephanie Luna, 14, prepares for a Luna Bros. Circus Tuesday evening along Highway 45 in Macon. The show is family owned and operated by Luna’s parents, Antonio and Erendira Luna. Stephanie runs a YouTube channel called “Teenage Circus” that from the police acad- documents life in the circus. emy and began pa- trolling with CPD in June, was one of sev- eral officers involved in the capture of a handful of juveniles accused of burglariz- ing homes through- Shelton Two electric car charging stations come to Starkville out north Columbus over the past few weeks. When Shirley responded to a call about Spruill: Stations fill a three suspicious young men in the Ridge Road area on Sept. 4, he demand that is ‘growing ended the call in about a 10-minute chase through the woods near Lion rapidly’ in Mississippi Hills Golf Course, ducking and BY TESS VRBIN dodging limbs and finally catching [email protected] See CPD, 7A Starkville Utilities in- stalled two charging sta- tions for drivers of plug- in electric cars Thursday in areas of the city that receive a great deal of traffic. -
James J. Fenton ______Production Designer/ Art Director / Asst
James J. Fenton _____________________________________________________________ Production Designer/ Art Director / Asst. Art Director 397 Bainbridge St., #1 Brooklyn, NY 11233 917.353.6018 [email protected] www.jamesjfenton.com Employment History ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Production Designs for Film/Television Badmouth Films Avenues [Pilot - NYTVF] Dir: Jason Chaet 2017 Al Filo detu Amor [Music Video: Carlos Vives] Dir: Carlos Philipe Montoya 2017 Sublets [Web Series – S.2, Ep.8] Dir: Tricia Brouk 2016 Speakvolume Productions Random Legal Move [Short Film] Dir: Noah Hutton 2017 Art Director for Film/Television Netflix/Avalon Iliza Shlesinger Sketch Show PD: Maggie Ruder 2019 Single Cel/KCET‐PBS Vireo [Episodic Web Opera‐Grammy] Dir: Charlie Otte 2016 Asst. Art Director for Film/Television NETFLIX Hit and Run(Codename: Hollyhock) AD: John Cox -
Absolutely Fabulous Et Le Grotesque Fanny Pothier Absolutely Fabulous Et Le Grotesque
ArmColin_992149_p168p189_SB 28/11/06 14:41 Page 168 médiamorphoses Les raisons d’aimer… 168 Absolutely Fabulous et le grotesque Fanny Pothier Absolutely Fabulous et le grotesque Fanny Pothier, université de Paris 3 vec plus de quinze millions de téléspectateurs malgré la longueur de ses jupes trop courtes pour son âge, au Royaume-Uni, la série britannique des entre 50 et 70 ans, Patsy est aussi héroïnomane et passe A années 1990, Absolutely Fabulous, AbFab pour son temps à se payer des gigolos. ses fans, s’est élevée au rang de série culte par des procé- A contrario de la plupart des sitcoms, la famille est ici dés qui sortent du cadre de la traditionnelle situation inexistante : le vrai couple réside dans la relation – amou- comedy. Diffusée entre 1992 et 2004 sur la BBC et en reuse, pour certains – entre Patsy et Edina. La difficulté France de 1994 à 2004, sur Canal+, Canal Jimmy et Arte, rencontrée pour diffuser ce programme à ses débuts, s’ex- ce programme d’une demi-heure semble dénoncer par le plique donc par ses particularités trop subversives qui limi- biais de ses dialogues débridés, ses parodies et ses private taient d’emblée son nombre de téléspectateurs : ce jokes la place de la beauté, du snobisme de marques et de contenu licencieux notamment sur la question de la dro- la célébrité. Mais par son énonciation grotesque, la série gue et de l’alcool et ses représentations hyper parodiques légitime ce qu’elle cherche à dénigrer. L’ambiguïté de la de la femme limitait les possibilités des producteurs à com- figure de l’« indisciplinée » confère à la série un double mercialiser AbFab.