James J. Fenton ______Production Designer/ Art Director / Asst

Total Page:16

File Type:pdf, Size:1020Kb

James J. Fenton ______Production Designer/ Art Director / Asst James J. Fenton _____________________________________________________________ Production Designer/ Art Director / Asst. Art Director 397 Bainbridge St., #1 Brooklyn, NY 11233 917.353.6018 [email protected] www.jamesjfenton.com Employment History ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Production Designs for Film/Television Badmouth Films Avenues [Pilot - NYTVF] Dir: Jason Chaet 2017 Al Filo detu Amor [Music Video: Carlos Vives] Dir: Carlos Philipe Montoya 2017 Sublets [Web Series – S.2, Ep.8] Dir: Tricia Brouk 2016 Speakvolume Productions Random Legal Move [Short Film] Dir: Noah Hutton 2017 Art Director for Film/Television Netflix/Avalon Iliza Shlesinger Sketch Show PD: Maggie Ruder 2019 Single Cel/KCET‐PBS Vireo [Episodic Web Opera‐Grammy] Dir: Charlie Otte 2016 Asst. Art Director for Film/Television NETFLIX Hit and Run(Codename: Hollyhock) AD: John Cox 2019 HULU High Fidelity AD: John Cox 2019 CBS The Code AD: Andrew Eklund 2019 APPLE TV Dickinson AD: C.J. Simpson 2018 TBS The Last OG AD: Kristina Porter 2016 NBC God Friended Me [Pilot.] AD: Naomi Munro 2018 HBO Wizard of Lies [TV Film – Emmy, GG nom.] AD: Ryan Palmer 2016 NBC Blindspot [Pilot] AD: Sam Froeschle 2015-16 STARZ Power AD: Charly Beal 2016 Production Designs for Live Music Flosstradamus US Tour 2014 ‐ HDYNATION Prod: MGMT 2014 Australian Tour 2015 – WLDBYZ Prod: MGMT 2015 World Tour 2015 ‐ HI DEF YOUTH Prod: MGMT 2015-16 US Tour 2017/18 ‐ MONUMENT Prod: MGMT 2017-18 Tcami x Malaa US Tour 2017/18 ‐ NO REDEMPTION Prod: MTheory 2017-18 Dylan Francis Scouts vs. Zombies [Movie Premier Event] Prod: MGMT 2016 Associate Designer for Theatre 8 Hands High Radio City Rockets Summer Spectacular SD: Patrick Fahey 2012-14 Julliard School of Vocal Arts Cendrillon, Gianni Schicci, L’Huere Espangnola SD: Don Eastman 2011-13 Kommilitonen! SD: Robert Innes Hopkins 2012 Papermill Playhouse A Chorus Line SD: James Dardenne 2012 NY City Opera Monodramas: La Machine, Erwartung, Neither SD: Michael Counts 2011 John Arnone Designs The Grand Manner (Lincoln Center) 2008-11 A Delicate Balance, A View from the Bridge (Guthrie) The Grapes of Wrath, A Funny Thing Happened… (Stratford Shakes) The Three Musketeers (Seattle Repertory Theatre) American Conservatory Theatre 25 + Productions AD: Carey Perloff 2005-07 Oregon Shakespeare Festival 20 + Productions AD: Libby Appel 2001-03 James J. Fenton _____________________________________________________________ Scenic Designer 397 Bainbridge St., #1 Brooklyn, NY 11233 917.353.6018 [email protected] www.jamesjfenton.com Employment History ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Scenic Designs for Professional Theatre The NY Public Theatre Southern Comfort, the Musical Dir: Tom Caruso 2016 Merrimack Repertory Theatre Haunted Life Dir: Sean Daniels 2019 Christmas at Pemberley[IRNE Nom. – Best Set Design] Dir: Sean Daniels 2018 Silent Sky[IRNE Nom. – Best Set Design] Dir: Sean Daniels 2017 Abigail/1702 Dir: Tlaloc Rivas 2016 The Outgoing Tide Dir: Charles Towers 2015 The Devil’s Music Dir: Joe Brancato 2014 Mrs. Mannerly Dir: Mark Shanahan 2013 Commonwealth Shakespeare Co. Beckett in Brief [E. Norton Award – Best Production] Dir: James Seymour 2017 59E59 Switzerland Dir: Dan Foster 2019 Small World Dir: Joe Brancato 2017 Kunstler Dir: Meagan Faye 2017 Fall to Earth [NY Premiere] Dir: Joe Brancato 2012 Arkansas Repertory Theatre Peter and the Starcatcher Dir: Mark Shanahan 2016 Barrington Stage Company Kunstler Dir: Meagan Faye 2017 Dancing Lessons [World Premiere] Dir: Julianne Boyd 2014 Southern Comfort [World Premiere] Dir: Tom Caruso 2013 Third Rail Projects Midnight Madness Dir: Jeannine Willett 2015 Momento Mori [World Premiere] Dir: Zach Morris 2013 Theatre at St. Clement’s Drop Dead Perfect [NY Transfer] Dir: Joe Brancato 2015 Royal Manitoba Theatre Center The Devil’s Music Dir: Joe Brancato 2015 InProximity Theatre Promising [World Premiere] Dir: Terry Berliner 2015 Navy Pier [NY Premiere] Dir: Bryn Boice 2011 Sight Unseen Dir: Dorothy Lyman 2010 Orange Flower Water Dir: Bryn Boice 2009 Theatre Squared Around the World in 80 Days Dir: Mark Shanahan 2014 Penguin Rep Drop Dead Perfect [World Premiere] Dir: Joe Brancato 2014 How the World Began 2013 The How and The Why 2013 The Hound of the Baskervilles [NY Premiere] Dir: Mark Shanahan 2012 Scenic Designs for Academic Theatre LaGuardia School of the Arts 42nd Street Dir: Harry Shiffman 2017 CAP21 On The Town Dir: Tom Pacio 2014 Urinetown/Rent Dir: Larry Arancio 2013-14 Professional Performing Arts School West Side Story, Chicago, Hello Dolly, Cabaret Dir: Kyle Pleasant 2012-14 Our Town, The Story, DNA Dir: Greg Parente 2011-13 Salome and the Moon [World Premiere] Dir: Knud Adams 2013 Cyrano de Bergerac Dir: Lee Sunday Evans 2012 Missouri State University‐Tent Theatre Musical Comedy Murders of 1940, Oklahoma! Dir: Robert Westenburg 2011 .
Recommended publications
  • Aug. 8 & 15, 2016 Price $8.99 Aug. 8 & 15, 2016 Price $8.99
    PRICE $8.99 AUG. 8 & 15, 2016 AUGUST 8 & 15, 2016 4 GOINGS ON ABOUT TOWN 19 THE TA L K OF THE TOWN Steve Coll on Russia’s election games; Gloria Allred; Morgan Freeman; pub rock; James Surowiecki on executive action. ANNALS OF POLITICS Jill Lepore 24 The War and the Roses The lessons of the party Conventions. SHOUTS & MURMURS Ian Frazier 33 Outdone THE SPORTING SCENE Sam Knight 34 Prance Master The star rider who is transforming dressage. A REPORTER AT LARGE Jon Lee Anderson 40 The Distant Shore What made an isolated Peruvian tribe kill? PERSONAL HISTORY Lauren Collins 52 Love in Translation Marriage to a Frenchman. SKETCHBOOK Barry Blitt 59 “Behind the Scenes at the D.N.C.” FICTION Te s s a Ha d l ey 62 “Dido’s Lament” THE CRITICS POP MUSIC Kelefa Sanneh 68 Gucci Mane’s “Everybody Looking.” BOOKS Adelle Waldman 72 Jay McInerney’s “Bright, Precious Days.” Dan Chiasson 75 Jana Prikryl’s “The After Party.” 77 Briefly Noted ON TELEVISION Emily Nussbaum 78 “BoJack Horseman.” THE CURRENT CINEMA Anthony Lane 80 “Jason Bourne,” “Little Men.” POEMS Nicole Sealey 31 “A Violence” James Richardson 47 “How I Became a Saint” COVER Mark Ulriksen “Something in the Air” DRAWINGS Paul Noth, Edward Steed, Jason Adam Katzenstein, Avi Steinberg, Sam Marlow, Roz Chast, Amy Hwang, Will McPhail, Darrin Bell, Liam Francis Walsh SPOTS Ben Wiseman THE NEW YO R K E R , AUGUST 8 & 15, 2016 1 CONTRIBUTORS Jill Lepore (“The War and the Roses,” Jon Lee Anderson (“The Distant Shore,” p.
    [Show full text]
  • Edition 3 | 2018-2019
    WHAT'S INSIDE Welcome From the General Director & CEO ������������������������������������������������������������������� 5 Soldier Songs Sponsors ������������������������������������������������������������������������������������������������������������� 6 Composer’s Note ����������������������������������������������������������������������������������������������� 7 Opera ATX �������������������������������������������������������������������������������������������������������� 8 Staff ������������������������������������������������������������������������������������������������������������������� 12 Board ���������������������������������������������������������������������������������������������������������������� 13 Title Page ���������������������������������������������������������������������������������������������������������� 15 Cast List ������������������������������������������������������������������������������������������������������������� 16 Synopsis ������������������������������������������������������������������������������������������������������������ 17 Cast ������������������������������������������������������������������������������������������������������������������� 18 Creative Team �������������������������������������������������������������������������������������������������� 19 Postlude�������������������������������������������������������������������������������������������������������������27 Austin Opera Guild �����������������������������������������������������������������������������������������28
    [Show full text]
  • Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 1 of 126 Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 2 of 126
    Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 1 of 126 Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 2 of 126 EXHIBIT A Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 3 of 126 Exhibit A Core Parties Service List Served as set forth below Description Name Address Email Method of Service Counsel to the Wilmington Trust, NA Arnold & Porter Kaye Scholer LLP 250 West 55th Street [email protected] Email New York, NY 10019 [email protected] First Class Mail [email protected] Notice of Appearance and Request for Notices ‐ Counsel to Ad Hoc Ashby & Geddes, P.A. Attn: William P. Bowden [email protected] Email Committee of First Lien Lenders 500 Delaware Ave, 8th Fl P.O. Box 1150 Wilmington, DE 19899‐1150 Notice of Appearance and Request for Notices Ballard Spahr LLP Attn: Matthew G. Summers [email protected] Email Counsel to Universal City Development Partners Ltd. and Universal Studios 919 N Market St, 11th Fl Licensing LLC Wilmington, DE 19801 Counsel to the Financial Advisors BCF Business Law Attn: Claude Paquet, Gary Rivard [email protected] Email 1100 René‐Lévesque Blvd W, 25th Fl, Ste 2500 [email protected] First Class Mail Montréal, QC H3B 5C9 Canada Governmental Authority Bernard, Roy & Associés Attn: Pierre‐Luc Beauchesne pierre‐[email protected] Email Bureau 8.00 [email protected] First Class Mail 1, rue Notre‐Dame Est Montréal, QC H2Y 1B6 Canada Notice of Appearance and Request for Notices Buchalter, PC Attn: Shawn M.
    [Show full text]
  • ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN on the BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work
    For Immediate Release March 13, 2012 ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN ON THE BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work Einstein on the Beach 2012-13 trailer: http://www.youtube.com/watch?v=OZ5hTfDzU9A&feature=player_embedded#! The Robert Wilson/Philip Glass collaboration Einstein on the Beach, An Opera in Four Acts is widely recognized as one of the greatest artistic achievements of the 20th century. Although every performance of the work has attracted a sold-out audience, and the music has been recorded and released, few people have actually experienced Einstein live. An entirely new generation—and numerous cities where the work has never been presented—will have the opportunity during the 2012-2013 international tour. The revival, helmed by Wilson and Glass along with choreographer Lucinda Childs, marks the first full production in 20 years. Aside from New York, Einstein on the Beach has never been seen in any of the cities currently on the tour, which comprises nine stops on four continents. • Opéra et Orchestre National de Montpellier Languedoc-Roussillon presents the world premiere at the Opera Berlioz Le Corum March 16—18, 2012. • Fondazione I TEATRI di Reggio Emilia in collaboration with Change Performing Arts will present performances on March 24 & 25 at Teatro Valli. • From May 4—13, 2012, the Barbican will present the first-ever UK performances of the work in conjunction with the Cultural Olympiad and London 2012 Festival. • The North American premiere, June 8—10, 2012 at the Sony Centre for the Performing Arts, as part of the Luminato, Toronto Festival of Arts and Creativity, represents the first presentation in Canada.
    [Show full text]
  • Opera SAN JOSÉ
    2018 | 2019 SEASON Opera SAN JOSÉ Celebrating 35 YEARS of Excellence Message from General Director Larry Hancock I suspect that it is impossible to say in few words what Melville’s Moby- Dick is about. It seems to be about everything. It may be doubtful that anyone can say precisely what any great work of literature is about. In Search of Lost Time, War and Peace, Middlemarch, Great Expectations, Moby-Dick…The words string along, leading into deeper knowledge page after page, clearer understanding character by character, so that after 800 pages of, say, Middlemarch, you put the book down and know…what? That humanity is…what? That life is lived… how? By whom? But you know you’ve learned something. The search for a more concise meaning is a bit easier after epic literature has been put in the crucible of opera and rendered. Opera, using music, with its layered emotions, penetrates instantaneously on many levels and at once. The sounding of a single chord can convey a whole page of description. Composer Jake Heggie and librettist Gene Scheer have distilled Melville’s epic from 24 hours and 38 minutes (the duration of the audiobook) to three hours of music. Anything that is not essential to the narrative, and a great portion of Melville’s revolutionary novel is not narrative, has been set aside, and as a stage doesn’t provide scene changes by beginning new paragraphs, some words that were spoken in different times and other places have been moved into the here and now, and realizations in the novel that emerge only after long introspective monologues are expressed in a flash, expanded in meaning by an entire orchestra.
    [Show full text]
  • The Flying Dutchman Wagner TABLE of CONTENTS
    PRESENTS The Flying Dutchman Wagner TABLE OF CONTENTS The Flying Dutchman Wagner WELCOME ....................................................................................................................................3 PRE-PERFORMANCE Activities Preparing Students for the Opera ...................... 4 CREDITS .........................................................................................................................................6 CHARACTER MAP Who’s Connected How .......................................................................7 SYNOPSIS What’s the Opera About? .................................................................................8 PRODUCTION NOTE In Depth Look at Dutchman ......................................................10 WAGNER About the Composer ......................................................................................... 12 CAST & CREATIVE Who’s Who? .........................................................................................8 SPOTLIGHT Richard Brady - Bass Trombone ................................................................ 19 BACKGROUND About Leitmotif .......................................................................................20 LEITMOTIF Activity .................................................................................................................. 21 OPERA 101 The Basics ........................................................................................................... 22 OPERA 101 Different Styles of Opera ..............................................................................
    [Show full text]
  • Max Silverman Resume 02:14:21
    Max Silverman Composer, Sound Designer, Online Theatrical Technical Director Phone: (303) 621-4282 [email protected] The Harvest American Acad. of Dramatic Arts New York, NY Dir. Hal Brooks Big Love Columbia University New York, NY Dir. Jennifer Pitt Romantic Fools New York Deaf Theatre New York, NY Dir. Joey Caverly Spiral* United Solo New York, NY Dir. Nikki DiLoreto Sylvia New York Deaf Theatre New York, NY Dir. Garrett Zuercher Cabaret Columbia University New York, NY Dir. Jonathan Seinen Mr. Parker* Penguin Rep Theatre Stony Point, NY Dir. Joe Brancato Her Naked Skin** American Acad. of Dramatic Arts New York, NY Dir. Barbara Rubin Kennedy: Bobby’s Last Crusade** Penguin Rep Theatre Stony Point, NY Dir. David Arrow Art Penguin Rep Theatre Stony Point, NY Dir. Joe Brancato Hoodoo* Creole Joe Experience Berlin, Germany Dir. Michael Counts After** Inproximity Theatre Company New York, NY Dir. Joe Brancato Fireflies* ** Atlantic Theatre Company New York, NY Dir. Saheem Ali Pride and Prejudice** Trinity Repertory Co Providence, RI Dir. Birgitta Victorson After* ** Penguin Rep Theatre Stony Point, NY Dir. Joe Brancato Bubble Boy 5th Floor Theatre Co New York, NY Dir. Nikki DiLoreto Proof Shetler Studios New York, NY Dir. Emma Rose Brooks The Prince and The Pauper Quintessence Theatre Group Philadelphia, PA Dir. Josh Carpenter Transfers** MCC Theater New York, NY Dir. Jackson Gay The Winter’s Tale** Theater for a New Audience New York, NY Dir. Arin Arbus TheNewOldHome* CLB Berlin Berlin, Germany Dir. Ashley Tata Relevance** MCC Theater New York, NY Dir. Liesl Tommy The Parisian Woman*** Hudson Theatre New York, NY Dir.
    [Show full text]
  • Bam 2018 Annual Report
    BAM 2018 2 1ANNUAL REPORT 0 8 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—5 DanceMotion USASM, 32–33 GREETINGS Membership, 34—35 President & Board Chair Letter, 4 36—43 BAM Campus, 5 WHO WE ARE 6—35 BAM Board, 37 WHAT WE DO BAM Supporters, 38–41 2017 Next Wave Festival, 7–9 BAM Staff, 42–43 2018 Winter/Spring Season, 10–11 44—46 BAM Rose Cinemas, 12–17 NUMBERS First-run Films, 13 BAM Financial Statements, 45–46 BAMcinématek, 14–15 BAMcinemaFest, 16 47—50 HD Screenings, 17 THE TRUST BAMcafé Live | Also on BAM’s Stages, 18 BET Chair Letter, 48 BAM Hamm Archives, 19 BET Financial Statements, 49–50 Digital Media, 20 Education, 21–23 Humanities, 24–26 Visual Art, 27–28 Community, 29–31 Report covering July 2017—June 2018 2 TKTKTKTK Cover: 2017 Next Wave | Tanztheater Wuppertal Pina Bausch in The Rite of Spring | Photo: Stephanie Berger GREETINGS 3 TKTKTKTK Greetings2017 Next Wave | Olivier Py Sings Les Premiers Adieux de Miss Knife | Photo: Rebecca Greenfield Hello to friends new and old! The most recent year brought many Gabriel Kahane, Hofesh Shechter Company, in addition to screenings, featured engaging Chefer, Suzy Davis, Alexa Davidson Suskin, changes to BAM, but, at its core, Suzanne Bocanegra, and Rashaun Mitchell/ talks and special events with directors and Lorraine Lynch, and Emma Wolfe. we continue to grow as a home for Silas Riener/Charles Atlas. New productions collaborators, and first-run features entertain adventurous artists, audiences, and ideas. came from near and far, including Matthew audiences of all ages and interests.
    [Show full text]
  • Opera Project That Received NEA Funding
    Nov 2018 Under the Freedom of Information Act, agencies are required to proactively disclose frequently requested records. Often the National Endowment for the Arts receives requests for examples of funded grant proposals for various disciplines. In response, the NEA is providing examples of the “Project Information” also called the ”narrative” for a successful Opera project that received NEA funding. The selected examples is not the entire funded grant proposal and only contain the grant narrative and selected portions. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. The following narratives have been selected as example because it represents a diversity of project type and is well written. Although the project was funded by the NEA, please note that nothing should be inferred about the ranking of each application within its respective applicant pool. We hope that you will find these records useful as an example of a well written narrative. However please keep in mind that because each project is unique, these narrative should be used as reference, rather than templates. If you are preparing your own application and have any questions, please contact the appropriate program office. You may also find additional information regarding the grant application process on our website at Apply for a Grant | NEA . Opera Opera for the Young (Opera for the Young) Beth Morrison Project (Commissioning) Utah Symphony & Opera (Repeat Productions of Newly Premiered Works) Glimmerglass Opera (Opera Festival) Patrick G. and Shirley Ryan Opera Center (Young Artist Program) Opera Omaha (World Premiere) 16-973749 Attachments-ATT20-Project_Information.pdf Opera for the Young, Inc.
    [Show full text]
  • Giver of Light Music and Libretto by Adam Roberts a Guerilla Opera Production Encore Viewing February 18, 2021 - March 18, 2021
    Giver of Light Music and libretto by Adam Roberts A Guerilla Opera Production Encore Viewing February 18, 2021 - March 18, 2021 The Ensemble Jonas Budris as John Aliana de la Guardia as Elena/Mean Kid Brian Church as Darren Jennifer Ashe as Brian/Susan Amy Advocat Clarinets Kent O’Doherty Saxophone Mike Williams Percussion Javier Caballero Cello Rudolf Rojahn Electronics Production Staff Andrew Eggert Stage Director Anıl Çamcı Electronics Composer Julia Noulin‐Mérat Set Designer Tláloc López‐Watermann Lighting Designer Neil Fortin Costume Designer Giselle Ty Assistant Director Nicole Angell Stage Manager Anita Shriver Props Master Mark DiGiovanni Technical Director Liz Sherrier Assistant Set Designer Keithlyn Parkman Assistant Stage Manager Callan Bideau Assistant Costume Designer Tae Kim Rehearsal Pianist Holly Gordon Graphic Designer Administration Aliana de la Guardia, General Manager* / Artistic Director Julia Noulin‐Mérat, Director of Design and Production* / Artistic Advisor Mike Williams, Co‐Artistic Director* / Artistic Advisor Rudolf Rojahn, Co‐Artistic Director* Sarah Borgatti, Development Assistant* Keithlyn Parkman, Production Coordinator * denotes 2013 administration at the time of this production This world premiere production was filmed from live production at the Boston Conservatory at Berklee on May 23, 2013 Synopsis Giver of Light is an American tale of transcendence, based on the true life events of the 13th century Sufi mystic poet, Rumi. ACT I PRELUDE: Singers, acting as a Greek chorus, stand around the stage and recite: “If we would taste one sip of an answer, we could break out of this prison for drunks.” SCENE 1: Elena is at home preparing dinner. John enters and they discuss their day.
    [Show full text]
  • Flying Dutchman)(1843) (1813–1883) Overture
    CONCERT PROGRAM Thursday, May 4, 2017 at 8:00PM Saturday, May 6, 2017 at 8:00PM David Robertson, conductor Alan Held, bass-baritone (The Dutchman) Marjorie Owens, soprano (Senta) Raymond Aceto, bass (Daland) Rodrick Dixon, tenor (Erik) Joy Boland, soprano (Mary) Paul Appleby, tenor (A Steersman) St. Louis Symphony Chorus Amy Kaiser, director S. Katy Tucker, visual design RICHARD WAGNER Der fliegende Holländer (The Flying Dutchman)(1843) (1813–1883) Overture Act I Scene 1: Introduction und Lied des Steuermanns – Scene 2: Recitativ und Arie – Scene 3: Scene, Duett und Chor – Act II Introduction – Scene 1: Lied (Chor der Spinnerinnen), Scene, Ballade und Chor – Scene 2: Duett – Scene 3: Finale. Arie, Duett und Terzett INTERMISSION Act III Entr’acte – Scene 1: Chor der norwegischen Matrosen und Ensemble – Scene 2: Finale. Duett, Cavatine und Finale 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. These concerts are presented by Mary Pillsbury. The concert of Saturday, May 6, is the Joanne and Joel Iskiwitch Concert. The concert of Thursday, May 4, is underwritten in part by a generous gift from Carolyn and Jay Henges. The concert of Saturday, May 6, is underwritten in part by a generous gift from Dr. and Mrs. Timothy J. Eberlein. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of Bellefontaine Cemetery and Arboretum and are located at the Customer Service Table in the foyer. SYMPHONY RETIREES The St. Louis Symphony would like to honor and thank percussionist John Kasica and bassist Warren Goldberg for their decades of dedication, generosity of spirit, and music making with the STL Symphony.
    [Show full text]
  • Ipsa Dixit Friday / Dec 09 / 8:00 Pm
    WET INK ENSEMBLE PERFORMS KATE SOPER’S IPSA DIXIT FRIDAY / DEC 09 / 8:00 PM the curtis r. priem experimental media empac.rpi.edu and performing arts center 518.276.3921 PROGRAM I. Poetics For voice, fute, percussion, and violin Text by Aristotle (trans. various, abridged/adapted Soper) and Sophocles II. Only the Words Themselves Mean What They Say For voice and fute Text by Lydia Davis IPSA DIXIT (2010-2016) i. go away Kate Soper ii. head, heart iii. getting to know your body Performed by the Wet Ink Ensemble III. Rhetoric Erin Lesser, futes For voice, fute, percussion, and violin Kate Soper, voice Text by Aristotle (trans. various, abridged/adapted Soper) Ian Antonio, percussion Josh Modney, violin IV. The Crito For voice and percussion Directed by Ashley Tata Text by Robert Duncan and Plato (trans. various, abridged Soper) Lighting Design by Anshuman Bhatia i. the dream of socrates Projection Design by Brad Peterson ii. the crito Costume Design by Nina Vartanian V. Metaphysics For voice, fute, percussion, and violin Text by Aristotle (trans. various, abridged/adapted Soper) VI. Cipher For voice and violin i. jenny holzer feat. ludwig wittgenstein ii. pietro bembo feat. michael drayton iii. introducing sigmund freud iv. guido d’arezzo presents sarah teasdale (feat. jenny holzer) I. POETICS For soprano, fute, violin, and percussion part one: poetics. What is art? Art is imitation. Art is imitation and the diferent arts may difer in their medium of imitation. In the music of the ute and of the lyre, harmony and rhythm are used, whereas in dancing only rhythm is used.
    [Show full text]