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Aug. 8 & 15, 2016 Price $8.99 Aug. 8 & 15, 2016 Price $8.99
PRICE $8.99 AUG. 8 & 15, 2016 AUGUST 8 & 15, 2016 4 GOINGS ON ABOUT TOWN 19 THE TA L K OF THE TOWN Steve Coll on Russia’s election games; Gloria Allred; Morgan Freeman; pub rock; James Surowiecki on executive action. ANNALS OF POLITICS Jill Lepore 24 The War and the Roses The lessons of the party Conventions. SHOUTS & MURMURS Ian Frazier 33 Outdone THE SPORTING SCENE Sam Knight 34 Prance Master The star rider who is transforming dressage. A REPORTER AT LARGE Jon Lee Anderson 40 The Distant Shore What made an isolated Peruvian tribe kill? PERSONAL HISTORY Lauren Collins 52 Love in Translation Marriage to a Frenchman. SKETCHBOOK Barry Blitt 59 “Behind the Scenes at the D.N.C.” FICTION Te s s a Ha d l ey 62 “Dido’s Lament” THE CRITICS POP MUSIC Kelefa Sanneh 68 Gucci Mane’s “Everybody Looking.” BOOKS Adelle Waldman 72 Jay McInerney’s “Bright, Precious Days.” Dan Chiasson 75 Jana Prikryl’s “The After Party.” 77 Briefly Noted ON TELEVISION Emily Nussbaum 78 “BoJack Horseman.” THE CURRENT CINEMA Anthony Lane 80 “Jason Bourne,” “Little Men.” POEMS Nicole Sealey 31 “A Violence” James Richardson 47 “How I Became a Saint” COVER Mark Ulriksen “Something in the Air” DRAWINGS Paul Noth, Edward Steed, Jason Adam Katzenstein, Avi Steinberg, Sam Marlow, Roz Chast, Amy Hwang, Will McPhail, Darrin Bell, Liam Francis Walsh SPOTS Ben Wiseman THE NEW YO R K E R , AUGUST 8 & 15, 2016 1 CONTRIBUTORS Jill Lepore (“The War and the Roses,” Jon Lee Anderson (“The Distant Shore,” p. -
James J. Fenton ______Production Designer/ Art Director / Asst
James J. Fenton _____________________________________________________________ Production Designer/ Art Director / Asst. Art Director 397 Bainbridge St., #1 Brooklyn, NY 11233 917.353.6018 [email protected] www.jamesjfenton.com Employment History ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Production Designs for Film/Television Badmouth Films Avenues [Pilot - NYTVF] Dir: Jason Chaet 2017 Al Filo detu Amor [Music Video: Carlos Vives] Dir: Carlos Philipe Montoya 2017 Sublets [Web Series – S.2, Ep.8] Dir: Tricia Brouk 2016 Speakvolume Productions Random Legal Move [Short Film] Dir: Noah Hutton 2017 Art Director for Film/Television Netflix/Avalon Iliza Shlesinger Sketch Show PD: Maggie Ruder 2019 Single Cel/KCET‐PBS Vireo [Episodic Web Opera‐Grammy] Dir: Charlie Otte 2016 Asst. Art Director for Film/Television NETFLIX Hit and Run(Codename: Hollyhock) AD: John Cox -
Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 1 of 126 Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 2 of 126
Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 1 of 126 Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 2 of 126 EXHIBIT A Case 20-11719-CSS Doc 103 Filed 10/19/20 Page 3 of 126 Exhibit A Core Parties Service List Served as set forth below Description Name Address Email Method of Service Counsel to the Wilmington Trust, NA Arnold & Porter Kaye Scholer LLP 250 West 55th Street [email protected] Email New York, NY 10019 [email protected] First Class Mail [email protected] Notice of Appearance and Request for Notices ‐ Counsel to Ad Hoc Ashby & Geddes, P.A. Attn: William P. Bowden [email protected] Email Committee of First Lien Lenders 500 Delaware Ave, 8th Fl P.O. Box 1150 Wilmington, DE 19899‐1150 Notice of Appearance and Request for Notices Ballard Spahr LLP Attn: Matthew G. Summers [email protected] Email Counsel to Universal City Development Partners Ltd. and Universal Studios 919 N Market St, 11th Fl Licensing LLC Wilmington, DE 19801 Counsel to the Financial Advisors BCF Business Law Attn: Claude Paquet, Gary Rivard [email protected] Email 1100 René‐Lévesque Blvd W, 25th Fl, Ste 2500 [email protected] First Class Mail Montréal, QC H3B 5C9 Canada Governmental Authority Bernard, Roy & Associés Attn: Pierre‐Luc Beauchesne pierre‐[email protected] Email Bureau 8.00 [email protected] First Class Mail 1, rue Notre‐Dame Est Montréal, QC H2Y 1B6 Canada Notice of Appearance and Request for Notices Buchalter, PC Attn: Shawn M. -
ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN on the BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work
For Immediate Release March 13, 2012 ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN ON THE BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work Einstein on the Beach 2012-13 trailer: http://www.youtube.com/watch?v=OZ5hTfDzU9A&feature=player_embedded#! The Robert Wilson/Philip Glass collaboration Einstein on the Beach, An Opera in Four Acts is widely recognized as one of the greatest artistic achievements of the 20th century. Although every performance of the work has attracted a sold-out audience, and the music has been recorded and released, few people have actually experienced Einstein live. An entirely new generation—and numerous cities where the work has never been presented—will have the opportunity during the 2012-2013 international tour. The revival, helmed by Wilson and Glass along with choreographer Lucinda Childs, marks the first full production in 20 years. Aside from New York, Einstein on the Beach has never been seen in any of the cities currently on the tour, which comprises nine stops on four continents. • Opéra et Orchestre National de Montpellier Languedoc-Roussillon presents the world premiere at the Opera Berlioz Le Corum March 16—18, 2012. • Fondazione I TEATRI di Reggio Emilia in collaboration with Change Performing Arts will present performances on March 24 & 25 at Teatro Valli. • From May 4—13, 2012, the Barbican will present the first-ever UK performances of the work in conjunction with the Cultural Olympiad and London 2012 Festival. • The North American premiere, June 8—10, 2012 at the Sony Centre for the Performing Arts, as part of the Luminato, Toronto Festival of Arts and Creativity, represents the first presentation in Canada. -
Opera SAN JOSÉ
2018 | 2019 SEASON Opera SAN JOSÉ Celebrating 35 YEARS of Excellence Message from General Director Larry Hancock I suspect that it is impossible to say in few words what Melville’s Moby- Dick is about. It seems to be about everything. It may be doubtful that anyone can say precisely what any great work of literature is about. In Search of Lost Time, War and Peace, Middlemarch, Great Expectations, Moby-Dick…The words string along, leading into deeper knowledge page after page, clearer understanding character by character, so that after 800 pages of, say, Middlemarch, you put the book down and know…what? That humanity is…what? That life is lived… how? By whom? But you know you’ve learned something. The search for a more concise meaning is a bit easier after epic literature has been put in the crucible of opera and rendered. Opera, using music, with its layered emotions, penetrates instantaneously on many levels and at once. The sounding of a single chord can convey a whole page of description. Composer Jake Heggie and librettist Gene Scheer have distilled Melville’s epic from 24 hours and 38 minutes (the duration of the audiobook) to three hours of music. Anything that is not essential to the narrative, and a great portion of Melville’s revolutionary novel is not narrative, has been set aside, and as a stage doesn’t provide scene changes by beginning new paragraphs, some words that were spoken in different times and other places have been moved into the here and now, and realizations in the novel that emerge only after long introspective monologues are expressed in a flash, expanded in meaning by an entire orchestra. -
Season Opener Celebrating 10 Years of Musical Innovation
SEASON SEPTEMBER 12, 2019 7pm OPENER St. Paul’s Chapel TRINITY CHURCH WALL STREET SEASON OPENER CELEBRATING 10 YEARS OF MUSICAL INNOVATION Colleen Daly, soprano Melanie Long, mezzo-soprano Brian Giebler, tenor Soloists from the choir The Choir of Trinity Wall Street NOVUS NY Julian Wachner, conductor SEPTEMBER 12, 2019 7pm St. Paul’s Chapel PROGRAM Given Sound Trevor Weston (b. 1967) Part 3 “learn to fly” from these broken wings David Lang (b. 1957) “Flowers” from Anthracite Fields*† Julia Wolfe (b. 1958) “Anna’s aria” from Anna Christie Edward Thomas (b. 1924) Source Code Jessie Montgomery (b. 1981) “Boy Angel’s aria” from Angel’s Bone* Du Yun (b. 1977) “Credo and Sanctus” from Imaginary World of Wild Order: A Mass Paola Prestini (b. 1975) “Blood Rubies” and “Beyond Paradise” from REV. 23 Julian Wachner (b. 1969) “Lumee’s Dream” and “Lost in the Blue” from prism* Ellen Reid (b. 1983) XII. Dedication from Symphony No. 5 Philip Glass (b. 1937) *Winner of the Pulitzer Prize for Music † Featuring members of Bang on a Can SEASON OPENER: CELEBRATING TEN YEARS OF MUSICAL INNOVATION Trinity celebrates the release of six major recordings this year and reflects on a legacy of commissioning, premiering, and recording multiple new works that Trinity Church Wall Street helped pioneer and develop, including three that won the Pulitzer Prize in Music. Many of these works’ thematic materials focus on Trinity’s core values and mission, exploring issues ranging from climate change and water justice to human trafficking and gender equality. This long weekend of events showcases these works alongside Trinity’s quintessential performances of early and sacred music. -
The Flying Dutchman Wagner TABLE of CONTENTS
PRESENTS The Flying Dutchman Wagner TABLE OF CONTENTS The Flying Dutchman Wagner WELCOME ....................................................................................................................................3 PRE-PERFORMANCE Activities Preparing Students for the Opera ...................... 4 CREDITS .........................................................................................................................................6 CHARACTER MAP Who’s Connected How .......................................................................7 SYNOPSIS What’s the Opera About? .................................................................................8 PRODUCTION NOTE In Depth Look at Dutchman ......................................................10 WAGNER About the Composer ......................................................................................... 12 CAST & CREATIVE Who’s Who? .........................................................................................8 SPOTLIGHT Richard Brady - Bass Trombone ................................................................ 19 BACKGROUND About Leitmotif .......................................................................................20 LEITMOTIF Activity .................................................................................................................. 21 OPERA 101 The Basics ........................................................................................................... 22 OPERA 101 Different Styles of Opera .............................................................................. -
Analyzing Gender Inequality in Contemporary Opera
ANALYZING GENDER INEQUALITY IN CONTEMPORARY OPERA Hillary LaBonte A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: Jane Schoonmaker Rodgers, Advisor Kristen Rudisill Graduate Faculty Representative Kevin Bylsma Ryan Ebright Emily Pence Brown © 2019 Hillary LaBonte All Rights Reserved iii ABSTRACT Jane Schoonmaker Rodgers, Advisor Gender inequality is pervasive in the world of performing arts. There are far more female dancers, actresses, and singers than there are male performers. This inequality is amplified by fewer numbers of roles for women. This document examines gender inequality in contemporary North American operas, including the various factors that can influence the gender balance of a cast, with focused studies on commissioning organizations and ten works that feature predominantly female casts. Chapter 1 presents the analysis of all operas in OPERA America’s North American Works database written and premiered from 1995 to the present. Of the 4,216 roles in this data, 1,842 (43.6%) are for female singers. Operas written by a female composer or librettist have 48% roles for female singers, operas with a female lead character have 51%, and intentionally feminist or female-focused operas have 53% roles for female singers. Chapter 2 considers ten companies devoted to the creation and production of contemporary opera in North America. Works premiered by these companies have an average of 47% roles for women, and companies with a female executive or founder are more likely to have a higher average. Companies that use language like “innovative” or “adventurous” in their mission statement are more likely to have greater female representation in the casts of their commissioned works. -
SYMPHONY No.5 PHILIP GLASS SYMPHONY No.5
SYMPHONY No.5 PHILIP GLASS SYMPHONY No.5 PHILIP GLASS Symphony No. 5 Requiem, Bardo, Nirmanakaya NOVUS NY THE CHOIR OF TRINITY WALL STREET 1. Movement I, Before the Creation DOWNTOWN VOICES 2. Movement II, Creation of the Cosmos TRINITY YOUTH CHORUS 3. Movement III, Creation of Sentient Beings Julian Wachner, conductor 4. Movement IV, Creation of Human Beings 5. Movement V, Love and Joy Heather Buck, soprano 6. Movement VI, Evil and Ignorance Katherine Pracht, mezzo-soprano 7. Movement VII, Suffering Vale Rideout, tenor 8. Movement VII, Compassion Stephen Salters, baritone 9. Movement IX, Death David Cushing, bass 10. Movement X, Judgement and Apocalypse 11. Movement XI, Paradise Recorded May 17 - 20, 2017 12. Movement XII, Dedication of Merit Trinity Church in New York City I. BEFORE THE CREATION II. CREATION OF THE COSMOS There was neither non-existence nor existence then; When He decrees a thing, “White clouds shall float up there was neither realm of space nor the sky which is He but says to it, from the great waters at the border of the world beyond. “Be,” and it is. clustering about the mountain terraces. What stirred? Where? In whose protection? They shall be borne aloft and abroad —The Qur’an 2:117 by the breath of the surpassing soul-beings, Was there water, bottomlessly deep? In the beginning by the breath of the children, There was neither death nor immortality. when God made heaven and earth, they shall be hardened and broken by your cold, There was no sign of night nor of day. the earth was without form and void, shedding downward, in rain-spray, the water of life That One breathed, windless, by Its own impulse. -
Max Silverman Resume 02:14:21
Max Silverman Composer, Sound Designer, Online Theatrical Technical Director Phone: (303) 621-4282 [email protected] The Harvest American Acad. of Dramatic Arts New York, NY Dir. Hal Brooks Big Love Columbia University New York, NY Dir. Jennifer Pitt Romantic Fools New York Deaf Theatre New York, NY Dir. Joey Caverly Spiral* United Solo New York, NY Dir. Nikki DiLoreto Sylvia New York Deaf Theatre New York, NY Dir. Garrett Zuercher Cabaret Columbia University New York, NY Dir. Jonathan Seinen Mr. Parker* Penguin Rep Theatre Stony Point, NY Dir. Joe Brancato Her Naked Skin** American Acad. of Dramatic Arts New York, NY Dir. Barbara Rubin Kennedy: Bobby’s Last Crusade** Penguin Rep Theatre Stony Point, NY Dir. David Arrow Art Penguin Rep Theatre Stony Point, NY Dir. Joe Brancato Hoodoo* Creole Joe Experience Berlin, Germany Dir. Michael Counts After** Inproximity Theatre Company New York, NY Dir. Joe Brancato Fireflies* ** Atlantic Theatre Company New York, NY Dir. Saheem Ali Pride and Prejudice** Trinity Repertory Co Providence, RI Dir. Birgitta Victorson After* ** Penguin Rep Theatre Stony Point, NY Dir. Joe Brancato Bubble Boy 5th Floor Theatre Co New York, NY Dir. Nikki DiLoreto Proof Shetler Studios New York, NY Dir. Emma Rose Brooks The Prince and The Pauper Quintessence Theatre Group Philadelphia, PA Dir. Josh Carpenter Transfers** MCC Theater New York, NY Dir. Jackson Gay The Winter’s Tale** Theater for a New Audience New York, NY Dir. Arin Arbus TheNewOldHome* CLB Berlin Berlin, Germany Dir. Ashley Tata Relevance** MCC Theater New York, NY Dir. Liesl Tommy The Parisian Woman*** Hudson Theatre New York, NY Dir. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Bam 2018 Annual Report
BAM 2018 2 1ANNUAL REPORT 0 8 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—5 DanceMotion USASM, 32–33 GREETINGS Membership, 34—35 President & Board Chair Letter, 4 36—43 BAM Campus, 5 WHO WE ARE 6—35 BAM Board, 37 WHAT WE DO BAM Supporters, 38–41 2017 Next Wave Festival, 7–9 BAM Staff, 42–43 2018 Winter/Spring Season, 10–11 44—46 BAM Rose Cinemas, 12–17 NUMBERS First-run Films, 13 BAM Financial Statements, 45–46 BAMcinématek, 14–15 BAMcinemaFest, 16 47—50 HD Screenings, 17 THE TRUST BAMcafé Live | Also on BAM’s Stages, 18 BET Chair Letter, 48 BAM Hamm Archives, 19 BET Financial Statements, 49–50 Digital Media, 20 Education, 21–23 Humanities, 24–26 Visual Art, 27–28 Community, 29–31 Report covering July 2017—June 2018 2 TKTKTKTK Cover: 2017 Next Wave | Tanztheater Wuppertal Pina Bausch in The Rite of Spring | Photo: Stephanie Berger GREETINGS 3 TKTKTKTK Greetings2017 Next Wave | Olivier Py Sings Les Premiers Adieux de Miss Knife | Photo: Rebecca Greenfield Hello to friends new and old! The most recent year brought many Gabriel Kahane, Hofesh Shechter Company, in addition to screenings, featured engaging Chefer, Suzy Davis, Alexa Davidson Suskin, changes to BAM, but, at its core, Suzanne Bocanegra, and Rashaun Mitchell/ talks and special events with directors and Lorraine Lynch, and Emma Wolfe. we continue to grow as a home for Silas Riener/Charles Atlas. New productions collaborators, and first-run features entertain adventurous artists, audiences, and ideas. came from near and far, including Matthew audiences of all ages and interests.