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The Best According To
Books | The best according to... http://books.guardian.co.uk/print/0,,32972479299819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that. -
Globalism, Humanitarianism, and the Body in Postcolonial Literature
Globalism, Humanitarianism, and the Body in Postcolonial Literature By Derek M. Ettensohn M.A., Brown University, 2012 B.A., Haverford College, 2006 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in English at Brown University PROVIDENCE, RHODE ISLAND MAY 2014 © Copyright 2014 by Derek M. Ettensohn This dissertation by Derek M. Ettensohn is accepted in its present form by the Department of English as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ___________________ _________________________ Olakunle George, Advisor Recommended to the Graduate Council Date ___________________ _________________________ Timothy Bewes, Reader Date ___________________ _________________________ Ravit Reichman, Reader Approved by the Graduate Council Date ___________________ __________________________________ Peter Weber, Dean of the Graduate School iii Abstract of “Globalism, Humanitarianism, and the Body in Postcolonial Literature” by Derek M. Ettensohn, Ph.D., Brown University, May 2014. This project evaluates the twinned discourses of globalism and humanitarianism through an analysis of the body in the postcolonial novel. In offering celebratory accounts of the promises of globalization, recent movements in critical theory have privileged the cosmopolitan, transnational, and global over the postcolonial. Recognizing the potential pitfalls of globalism, these theorists have often turned to transnational fiction as supplying a corrective dose of humanitarian sentiment that guards a global affective community against the potential exploitations and excesses of neoliberalism. While authors such as Amitav Ghosh, Nuruddin Farah, and Rohinton Mistry have been read in a transnational, cosmopolitan framework––which they have often courted and constructed––I argue that their theorizations of the body contain a critical, postcolonial rejoinder to the liberal humanist tradition that they seek to critique from within. -
Donations to the Library 2000S
DONATIONS TO THE LIDRARY 277 DONATIONS TO THE LIBRARY Michael Andrews (BA 1960) The birth of Europe, 1991; The flight of the condor, 1982; The life that lives on Man, 1977 13 May 1999 - 12 May 2000 Anthony Avis (BA 1949) The Librarian is always delighted to hear from any member of the Gaywood past: some historical notes, 1999; The journey: reflective essays, College considering a gift of books, manuscripts, maps or photographs 1999 to the College Library. Brigadier David Baines Abdus Salam International Centre Documents relating to the army career of Alan Menzies Hiller A. M. Hamende (ed.), Tribute to Abdus Salam (Abdus Salam Memorial (matric. 1913), who was killed in action near Arras in May 1915 meeting, 19-22 Nov. 1997), 1999 D.M. P. Barrere (BA 1966) David Ainscough Georges Bernanos, 'Notes pour ses conferences' (MS), n. d. Chambers' guide to the legal profession 1999-2000, 1999 P. J. Toulet, La jeune fille verte, 1918 Robert Ganzo, Histoire avant Sumer, 1963; L'oeuvre poetique, 1956 Dr Alexander G. A.) Romain Rolland, De Jean Christophe a Colas Breugnon: pages de journal, Automobile Association, Ordnance Survey illustrated atlas of Victorian 1946; La Montespan: drame en trois actes, 1904 and Edwardian Britain, 1991 Ann MacSween and Mick Sharp, Prehistoric Scotland, 1989 Martyn Barrett (BA 1973) Antonio Pardo, The world of ancient Spain, 1976 Martyn Barrett (ed.), The development of language, 1999 Edith Mary Wightrnan, Galla Belgica, 1985 Gerard Nicolini, The ancient Spaniards, 1974 Octavian Basca Herman Ramm, The Parisi, 1978 Ion Purcaru and Octavian Basca, Oameni, idei, fapte din istoria J. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Contemporary Nigerian Fiction and the Return to the Recent Past
BEARING WITNESS TO AN ERA: CONTEMPORARY NIGERIAN FICTION AND THE RETURN TO THE RECENT PAST Juliet Tenshak Thesis submitted for the degree of PhD in English Studies School of Arts and Humanities, University of Stirling. December 2017. Acknowledgements The Ph.D journey has been long, very challenging but rewarding. On this journey, I got fresh and startling insights to the meaning of the word „Help‟. I made it to this point because of the help I have received from so many people in various ways, and at different times. I am humbled. My first expression of gratitude goes to my supervisor Professor David Murphy, whose support, PATIENCE, and encouragement is in large part the reason I made it this far. I would also like to thank my second supervisor Dr. Gemma Robinson who has been unfailingly supportive and encouraging. I am also grateful to the school administrator Alison Scott for the support I received from her in the course of my study. I owe a debt of gratitude to the British Federation of Women Graduates, who provided much-needed financial support for the final year of my Ph.D. To my husband Fidel Odhiambo Wayara, you are my exceedingly great reward. Thank you for loving and pushing. To my girls; Walsham, Naannaa and Kiyenret, thank you for putting up with my absence. Thank you for making motherhood a thing of joy and fulfillment for me, and thank you for the sacrifices you individually and collectively made for me to do this. I love you girls more than the whole world and back! To my mother Dr. -
Célia Maria Silva Oliveira 995 – 20
Universidade do Minho Instituto de Letras e Ciências Humanas 0) 1 Célia Maria Silva Oliveira 995 – 20 From the Margins into the Mainstream: y Williams and Black British Theatre (1 Roy Williams and Black British Theatre (1995 – 2010) tream: Ro he Mains he Margins into t rom t F Célia Maria Silva Oliveira 2 1 UMinho|20 outubro de 2012 Universidade do Minho Instituto de Letras e Ciências Humanas Célia Maria Silva Oliveira From the Margins into the Mainstream: Roy Williams and Black British Theatre (1995 – 2010) Dissertação de Mestrado Mestrado em Estudos Ingleses Trabalho realizado sob a orientação da Professora Doutora Francesca Clare Rayner outubro de 2012 Acknowledgments I would like to thank Professor Francesca Rayner for introducing me to the world of New Writing in Britain and leading me in a quest of discovery. Thank you for the support and for believing in me and in the work that I could do. Thank you for the always open office door and the kind words. Filipe Couto, thank you for seeing qualities in me that I was not aware they existed. Thank you for the image that I have in your eyes. Sérgio Oliveira, more than my brother, my best friend, thank you for the support and the technical help. Sometimes, writing a thesis might have moments of desperation and Daniela and Neuza were always at the distance of a phone call. Thank you for the readings and for listening to my monologues. I would also want to thank all the people that direct and indirectly helped me and were part of this journey. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Park-Finch, Heebon Title: Hypertextuality and polyphony in Tom Stoppard's stage plays General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hypertextuality and Polyphony in Tom Stoppard's Stage Plays Heebon Park-Finch A dissertation submitted to the University of Bristol in -
V.S. Naipaul: from Gadfly to Obsessive
V.S. Naipaul: From Gadfly to Obsessive Mohamed Bakari* All the examples Naipaul gives, all the people he speaks to tend to align themselves under the Islam versus the West opposition he is determined to find everywhere. It is all tiresome and repetitious. Edward W.Said The Man and the Prize : The announcement of the 2001 Nobel Laureate for Literature in October that year elicited the kind of reaction that was predictable, given the reputation and the choice, that of Sir Vidhiadar Surajparasad Naipaul. Of Indian ancestry, V.S. Naipaul is a grandchild of Hindu Brahmins who found their way to the Caribbean island of Trinidad as indentured labourers to escape the grinding poverty of Utterpradesh. Naipaul’s was just one of a stream of families that were encouraged to migrate to the West Indies from the former British colonies of India and Chinese enclaves in Mainland China. Slavery had been abolished in the British Empire in 1832 and the former African slaves were no longer available to the sugarcane plantations and labour had to be sought from somewhere. In their natural ingenuity the British devised the new institution of indentured labour, which was really a new euphemism for a new form of servitude. Whereas the slaves were forcibly repatriated against their will, the new indentured labourers had the carrot of landownership dangled in front of them, to lure them to places they had no idea of. The new immigrants added a new dimension to an already complex racial situation, by adding the Asian layer to the Carib, European and African admixtures created by Alternatives: Turkish Journal of International Relations, Vol.2, No.3&4, Fall&Winter 2003 243 waves of migration. -
Literary Studies
LITERARY STUDIES NEW BOOKS CATALOGUE 2018-19 ARDEN PERFORMANCE EDITIONS Taking you from page to stage Arden Performance Editions are designed with the practical All needs of actors and drama students in mind, while providing £6.99/ the trustworthy scholarship of the Arden Shakespeare. $9.95 9781474253888 9781474280143 9781474245197 9781474272094 9781474272346 432pp • 216x138mm 360pp • 216x138mm 264pp • 216x138mm 344pp • 216x138mm 408pp • 216x138mm PLAYTEXT “The Arden Performance Editions so far represent a much-needed and important contribution. In such a crowded market, it is remarkable to see editions that feel so fresh, relevant, and necessary.” Studies in Theatre and Performance FACING-PAGE NOTES Watch the series editors introduce the series at bloomsbury.com/ardenperformanceeditions www.bloomsbury.com/arden Arden_PE_catalogue advert_1.0.indd 1 31/05/2018 17:42 This year, Bloomsbury Academic celebrates ARDEN PERFORMANCE EDITIONS Contents our 10th anniversary In our short history, we’ve become an award-winning publisher across the humanities, social sciences and visual arts and combined Literary Studies the incredible publishing histories of Methuen Drama, The Arden Shakespeare, T&T Clark and Fairchild Books in one place. And we’re still growing: I.B. Tauris, a leading publisher in Middle East Studies, Shakespeare and Early Modern Drama ..........2 International Studies, History, Politics and Visual Culture joined Taking you from page to stage Bloomsbury in 2018! Contemporary Literature ..................................11 EBooks Arden Performance Editions are designed with the practical All Individual eBook: available for your e-reader Modernism .......................................................15 Library eBook: available for institution-wide access and also for pdf needs of actors and drama students in mind, while providing £6.99/ sale to individuals See the website for details of vendors, or to purchase individual the trustworthy scholarship of the Arden Shakespeare. -
WOLE SOYINKA: Politics, Poetics and Postcolonialism
This page intentionally left blank WOLE SOYINKA Politics, Poetics and Postcolonialism Biodun Jeyifo examines the connections between the innovative and influential writings of Wole Soyinka and his radical politi- cal activism. Jeyifo carries out detailed analyses of Soyinka’s most ambitious works, relating them to the controversies generated by Soyinka’s use of literature and theatre for radical political purposes. He gives a fascinating account of the profound but paradoxical affinities and misgivings Soyinka has felt about the significance of the avant-garde movements of the twentieth century. Jeyifo also explores Soyinka’s works with regard to the impact on his artistic sensibilities of the pervasiveness of representational ambiguity and linguistic exuberance in Yoruba culture. The analyses and evalu- ations of this study are presented in the context of Soyinka’s sus- tained engagement with the violence of collective experience in post-independence, postcolonial Africa and the developing world. No existing study of Soyinka’s works and career has attempted such a systematic investigation of their complex relationship to politics. is Professor of English at Cornell University. He is the author of The Popular Travelling Theatre of Nigeria () and The Truthful Lie: Essays in a Radical Sociology of African Drama (). He has written essays and monographs on Anglophone African and Caribbean literatures, Marxist cultural theory and colonial and postcolonial studies and has also edited several volumes on African drama and critical discourse. Series editor: Professor Abiola Irele, Ohio State University Each volume in this unique series of critical studies will offer a comprehensive and in-depth account of the whole œuvre of one individual writer from Africa or the Caribbean, in such a way that the book may be considered a complete coverage of the writer’s expression up to the time the study is undertaken. -
An Inquiry Into the Political Protest and Social Movement of Fela Anikulapo Kuti from 1973 to 1997
BEHAVIOURAL APPROACH TO POLITICAL PROTEST: AN ANALYSIS OF FELA ANIKULAPO KUTI, 1970-1997 BY EESUOLA, OLUKAYODE ‘SEGUN B.Sc. (Hons.), M.Sc. (POLITICAL SCIENCE), UNIVERSITY OF LAGOS A THESIS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF DOCTOR OF PHILOSOPHY (Ph.D.) IN THE DEPARTMENT OF POLITICAL SCIENCE, UNIVERSITY OF LAGOS DECEMBER, 2011 1 1 Page BEHAVIOURAL APPROACH TO POLITICAL PROTEST: AN ANALYSIS OF FELA ANIKULAPO KUTI, 1970-1997 BY EESUOLA, OLUKAYODE SEGUN B.Sc. (Hons.), M.Sc. (POLITICAL SCIENCE), UNIVERSITY OF LAGOS 2 2 Page School of Post Graduate Studies University of Lagos Certification This is to certify that the thesis Submitted to the School of Post Graduate Studies University of Lagos For the award of the Degree of Doctor of Philosophy (Ph. D.) in Political Science Is a record of original research carried out By EESUOLA, OLUKAYODE ‘SEGUN B. Sc. (Hons.), M.Sc. Political Science, University of Lagos Matriculation Number 950903023 …………………………………………………………….. ………………………………………. …………………… Author’s Name Signature Date …………………………………………………………….. ………………………………………. …………………… 1st Supervisor’s Name Signature Date …………………………………………………………….. ………………………………………. …………………… 2nd Supervisor’s Name Signature Date …………………………………………………………….. ………………………………………. ………………… 1st Internal Examiner’s Name Signature Date 3 3 Page …………………………………………………………….. ………………………………………. …………………… 2nd Internal Examiner’s Name Signature Date …………………………………………………………….. ………………………………………. ……………………. External Examiner’s Name Signature Date …………………………………………. ………………………………….. ………………… School of Post Graduate Studies’ Signature Date Representative DEDICATION To God: Olodumare, And Baba Kayode, Akinola Oniwere; Smart Akpan, Then all African ancestors 4 4 Page t ACKNOWLEDGEMENTS I am grateful to Olodumare, the creator, for giving me the portion of a doctoral degree holder during the course of my creation, and I salute Orunmila baba agboniregun, as well as the other irunoles, including Jesus, for guiding the destiny to maturity. -
Theatrical Visual Languages in Duro Ladipo's Three Yoruba Plays
1 CHAPTER ONE THE ORIGINS OF DURO LADIPO’S THEATRE Introduction There is no doubt that traditional Yoruba travelling theatre occupies a significant position in the sociocultural, political and religious milieu of the Yoruba people. This is because in most cases their ways of life, their world views and their being as a whole are commonly expressed through performance. This work seeks to investigate an aspect of Yoruba traditional theatre; this being the theatrical visual languages in the plays of Duro Ladipo - one of the most prominent of the 20th century Yoruba playwrights and actors. The need to embark on this work is motivated by the need to bring to light the intrinsic values contained in the visual theatrics of Duro Ladipo’s three Yoruba plays, namely Oba Koso,1 Oba Waja2 and Oba Moro3. The visual component of his plays takes one on a journey into understanding the aesthetics and expressions found in all aspects of Yoruba culture. It also explores the social, political and spiritual dynamics of Yoruba from an historical context and provides an extraordinary link into the life history of the avatars of Yoruba cosmology. The Eegun Alare (Alarinjo)4 theatre which is directly responsible for the birth of the Yoruba professional theatre, came out of the re-enactment of Yoruba legendary stories 1 Oba Koso means ‘the king did not hang’ in the Yoruba language, a term which refers to Sango, the legendary fourth king of Oyo and the Yoruba god of thunder and lightning. 2 Oba Waja is a term used for describing a deceased king in Yorubaland.