Ipa-Lagos-Final-Report-2018.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Publishing & the Book in Africa
Publishing & the Book in Africa: A Literature Review for 2017 Hans M. Zell [email protected] Copyright © Hans Zell Publishing Consultants 2018 This is the third in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa. The previous annual literature reviews can be found as follows: 2016: https://www.academia.edu/31441110/Publishing_and_the_Book_in_Africa_A_Literature_ Review_for_2016 (pre-print version) Print/online version published in The African Book Publishing Record 43, no. 2 (May 2017): 120- 170. https://doi.org/10.1515/abpr-2017-0004 2015: https://www.academia.edu/20432811/Publishing_and_the_Book_in_Africa_- _A_Literature_Review_for_2015 (pre-print version) Print/online version published in The African Book Publishing Record 42, no. 1 (March 2016): 11-37. https://doi.org/10.1515/abpr-2016-0003. Extensively annotated and/or with abstracts, the present list brings together new literature published during the course of 2017, a total of 157 records. Also included are a small number of articles and other documents published in 2016 or earlier, and which have not hitherto been included in previous annual literature reviews or in the Publishing, Books & Reading in Sub-Saharan Africa online database (see also below). The literature review covers books, chapters in books and edited collections, journal articles, Internet documents and reports, theses and dissertations, interviews, audio/video recordings and podcasts, as well as a number of blog postings, with their posting dates indicated. Newspaper articles and stories are not generally included, unless of substantial length or of special significance. Records are grouped under a range of regional/country and topic-specific headings. -
Contemporary Nigerian Fiction and the Return to the Recent Past
BEARING WITNESS TO AN ERA: CONTEMPORARY NIGERIAN FICTION AND THE RETURN TO THE RECENT PAST Juliet Tenshak Thesis submitted for the degree of PhD in English Studies School of Arts and Humanities, University of Stirling. December 2017. Acknowledgements The Ph.D journey has been long, very challenging but rewarding. On this journey, I got fresh and startling insights to the meaning of the word „Help‟. I made it to this point because of the help I have received from so many people in various ways, and at different times. I am humbled. My first expression of gratitude goes to my supervisor Professor David Murphy, whose support, PATIENCE, and encouragement is in large part the reason I made it this far. I would also like to thank my second supervisor Dr. Gemma Robinson who has been unfailingly supportive and encouraging. I am also grateful to the school administrator Alison Scott for the support I received from her in the course of my study. I owe a debt of gratitude to the British Federation of Women Graduates, who provided much-needed financial support for the final year of my Ph.D. To my husband Fidel Odhiambo Wayara, you are my exceedingly great reward. Thank you for loving and pushing. To my girls; Walsham, Naannaa and Kiyenret, thank you for putting up with my absence. Thank you for making motherhood a thing of joy and fulfillment for me, and thank you for the sacrifices you individually and collectively made for me to do this. I love you girls more than the whole world and back! To my mother Dr. -
Borders Review of the 2019 Pen Anthology
BORDERS REVIEW OF THE 2019 PEN ANTHOLOGY SILVER LINING In 2003, the Nigerian chapter of PEN International published Melody of Stones, its first anthology of Nigerian writing. Silver Lining, is PEN Nigeria’s second anthology. Published by University Press Plc in the second half of 2019, Pen Nigeria President, Folu Agoi and Professor Akachi Adimora-Ezeigbo, the editors, spoke in their Editorial about the need to REVIEW OF SILVER LINING (Borders copyright ©2019 - Olatoun Gabi-Williams) Page 1 put together a ‘robust’ work of Nigerian literature; one which will project, as ‘one vibrant voice’, an intergenerational caucus of artists and thinkers: early career, mid- career and veterans. No legislated themes or approaches: writers were asked to make their own choices about what to express and how. Before I begin my review of Silver Lining, I would like to take a quick look at examples of the world-wide campaign to mainstream African literature. It continues to gain ground. France-based Nakiri – Rights Solution and digital distributor, Italy- based StreetLib , two stakeholders in the success of African publishing, have come together to scale the sale of foreign rights and distribution of francophone books across international and linguistic boundaries, leveraging expertise in rights trading and cutting-edge digital technology. Individual linguists across Africa and community resources such as the Red Sea Cultural Centre, Hargeysa, Somaliland, are translating books and short stories into local languages to encourage consumption of African literature by the widest possible local audience. The Mabati Cornell Kiswahili Prize for African literature was inaugurated for the purpose of translating texts from, between and into African languages and to promote writing in African languages. -
A Reading of Recent Anglophone Nigerian Poetry
e-cadernos CES 12 | 2011 Outras Áfricas Poetry as Dialogue: A reading of recent Anglophone Nigerian poetry Sule Emmanuel Egya Edição electrónica URL: http://journals.openedition.org/eces/697 DOI: 10.4000/eces.697 ISSN: 1647-0737 Editora Centro de Estudos Sociais da Universidade de Coimbra Refêrencia eletrónica Sule Emmanuel Egya, « Poetry as Dialogue: A reading of recent Anglophone Nigerian poetry », e- cadernos CES [Online], 12 | 2011, colocado online no dia 01 junho 2011, consultado a 20 abril 2019. URL : http://journals.openedition.org/eces/697 ; DOI : 10.4000/eces.697 e-cadernos CES, 12, 2011: 75-92 POETRY AS DIALOGUE: A READING OF RECENT ANGLOPHONE NIGERIAN POETRY SULE EMMANUEL EGYA UNIVERSITY OF ABUJA Abstract: Recent Nigerian poetry in English seems to concern itself with the most pressing socio-political condition in Nigeria, especially the prolonged military despotism in the past decades whose consequences are still felt in the society. One of the strategies the poets use to dramatise and historicise the situation is the dialogic approach. Their poetry reveals a dialogue between the poet and the people, and between the poet and the despot. The poem that emerges from this act of dialoguing, it will be seen, is conditioned by how the poet perceives the personae with whom he dialogues, i.e. the dialogue between the poet and the people and the dialogue between the poet and the despot differ. The poem is also polyphonic, able to depict to a greater degree the social contradiction in an oppressed society. Using selected poems of younger Nigerian poets, I intend to show the process – and the possible effects – of this dialogisation in recent Nigerian poetry. -
Building Democratic Institutions
December 2018/January 2019 A publication of the U.S. Mission in Nigeria CROSSROADS BUILDING DEMOCRATIC INSTITUTIONS The 2019 Elections CROSSROADS | December 2018/January 2019 1 Assistant Secretary of State Visit to Nigeria November 7-8, 2018 Assistant Secretary (AS) of State for African Affairs, Tibor Nagy delivers a lecture to AS Tibor Nagy receives a gift presented by the leadership of ECOWAS students and faculty of Baze University, Abuja following acourtesy visit to the ECOWAS headquarters in Abuja AS Tibor Nagy met with the leadership of the All Progressive Party - Minister of Transportation, Rotimi Ameachi and AS Tibor Nagy addresses members of the press Deputy National Chairman (south), Otunba Niyi Adebayo during a press roundtable at Baze University, Abuja Ambassador Symington and AS Tibor Nagy hosted AS Tibor Nagy met with the leadership of the People’s Democraic Party - leaders of American business to a dinner meeting Senate president, Bukola Saraki and party chairman, Prince Uche Secondus AMBASSADOR’S NOTES In this issue, we describe some of the that is the electoral process. No ways we’ve partnered with Nigerians individual ambition, no political party’s to achieve that goal. We have engaged aspirations, are worth more than the with the Nigerian government, key right of citizens to freely choose who election stakeholders, political leaders, will represent them. civil society representatives, and members of the voting public. Our There are many stakeholders in this only candidate is the process itself. election. The most important are the Our goal is your goal: a process that voters themselves. Every eligible voter, is transparent, credible, free, fair, and registered with INEC and in possession peaceful. -
Nairobi Journal of Humanities and Social Sciences Journal
Nairobi Nairobi Journal of Humanities and Social Sciences Journal African Masculinities: Discussing the men in Shoneyin’s The Secret Lives of Baba Segi’s Wives (2013) and Adebayo’s Stay with Me (2017) Review article Faith Ben-Daniels 1 & Nathaniel Glover-Meni 2 Published in Nairobi, Kenya by 1 Royallite Global in the, Nairobi Department of Languages Education, COLTEK, University of Education, Journal of Humanities and Ghana Social Sciences 2 Department of General and Liberal Studies, University of Health and Allied Sciences, Ghana Volume 4, Issue 4, 2020 https://orcid.org/0000-0001-6564-9300 © 2020 The Author(s). This article Correspondence: [email protected] is distributed under a Creative Commons Attribution (CC-BY) 4.0 Abstract license. This essay undertakes an often-overlooked aspect of gender anatomy Article Information of African literature, bringing to the fore the challenges faced by a th Submitted: 17 August 2020 segment of African men. Using masculinity theories, it exposes instances Accepted: 30th September 2020 Published: 22nd October 2020 of fake men who cling to hegemony as the pathway to achieve glory, while hiding their infirmities—impotency and sterility. The paper makes Additional information is available the case that the concept of African masculinity should be open up to at the end of the article debate in order to bring to the fore tensions associated with it. It articulates the position that mimicry should no longer be used as a power and glory mask to overlook tensions in many families often https://creativecommons.org/licenses/ leading to tragic consequences granted that African men were to be by/4.0/ innovative to adopt Western health standards. -
Nigerian Writers
Society of Young Nigerian Writers Chris Abani From Wikipedia, the free encyclopedia Jump to: navigation, search Chris Abani The poem "Ode to Joy" on a wall in the Dutch city of Leiden Christopher Abani (or Chris Abani) (born 27 December 1966) is a Nigerian author. He is part of a new generation of Nigerian writers working to convey to an English-speaking audience the experience of those born and raised in "sthat troubled African nation". Contents 1 Biography 2 Education and career 3 Published works 4 Honors and awards 5 References 6 External links Biography Chris Abani was born in Afikpo, Nigeria. His father was Igbo, while his mother was English- born.[1] He published his first novel, Masters of the Board (1985) at the age of sixteen. The plot was a political thriller and it was an allegory for a coup that was carried out in Nigeria just before it was written. He was imprisoned for 6 months on suspicion of an attempt to overthrow the government. He continued to write after his release from jail, but was imprisoned for one year after the publication of his novel, Sirocco. (1987). After he was released from jail this time, he composed several anti-government plays that were performed on the street near government offices for two years. He was imprisoned a third time and was placed on death row. Luckily, his friends had bribed government officials for his release in 1991, and immediately Abani moved to the United Kingdom, living there until 1999. He then moved to the United States, where he now lives.[2] Material parts of his biography as it relates to his alleged political activism, imprisonments and death sentence in Nigeria have been disputed as fiction by some Nigerian literary activists of the period in question. -
Zulfiqar Chaudhry, Sadia (2014) African Women Writers and the Politics of Gender
Zulfiqar Chaudhry, Sadia (2014) African women writers and the politics of gender. PhD thesis. http://theses.gla.ac.uk/5202/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] African Women Writers and the Politics of Gender Sadia Zulfiqar Chaudhry Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy English Literature School of Critical Studies College of Arts University of Glasgow December 2013 Sadia Zulfiqar 2013 ii Abstract This thesis examines the work of a group of African women writers who have emerged over the last forty years. While figures such as Chinua Achebe, Ben Okri and Wole Soyinka are likely to be the chief focus of discussions of African writing, female authors have been at the forefront of fictional interrogations of identity formation and history. In the work of authors such as Mariama Bâ (Senegal), Buchi Emecheta (Nigeria), Chimamanda Ngozi Adichie (Nigeria), Tsitsi Dangarembga (Zimbabwe), and Leila Aboulela (Sudan), there is a clear attempt to subvert the tradition of male writing where the female characters are often relegated to the margins of the culture, and confined to the domestic, private sphere. -
SPECIAL ISSUE: AFRICA RISING Experts at the IPA’S Second Seminar on African Publishing Discuss Opportunities and Issues in the Book Business
RIGHTS DEALS 1 Special Issue on African Publishing NAIROBI, KENYA JUNE 2019 SPECIAL ISSUE: AFRICA RISING Experts at the IPA’s second seminar on African publishing discuss opportunities and issues in the book business. View from Nairobi Puku Foundation Audio from Accra Words and Music Kenya Publishers Association South Africa’s bid to save Telling African stories ‘in Twins in Nigeria create president Lawrence Njagi on endangered languages with our own voices’ at Ghana’s Publiseer to help creators challenges ahead. Page 4 » children’s books. Page 8 » AkooBooks. Page 10 » monetize content. Page 18 » Subscribe FREE: Sign up to receive Publishing Perspectives’ daily email news at publishingperspectives.com/subscribeJUNE 2019 2 LETTER FROM THE EDITOR From the Editor: Listening for the Future n creating the agenda for the International from Lawrence Njagi about the challenges IPublishers Association’s (IPA) “Africa Ris- to be discussed, and from Gbadega Adedapo ing” seminar in Nairobi, IPA vice president about the Lagos Action Plan’s potential to Publishing Perspectives is the leading source of Bodour Al Qasimi and her colleagues at the address them. information about the global book publishing Kenya Publishers Association are guided We have even more coverage of this business. Since 2009, we have been publishing by a bold mission statement for the Africa seminar’s speakers and issues online at daily email editions with news and features Seminars series: to transform the future of Af- publishingperspectives.com, where we re- from across the book world. rican publishing. port on the world publishing industry five Our mission is to help build and contribute With its 81 member-associations of days a week. -
Program the Haiti Illumination Project
YARI YARI NTOASO CONTINUING THE DIALOGUE INTERNATIONAL CONFERENCE ON LITERATURE BY WOMEN OF AFRICAN ANCESTRY ● ACCRA, GHANA ● 2013 ● ORGANIZATION OF WOMEN WRITERS OF AFRICA ● NEW YORK UNIVERSITY MBAASEM FOUNDATION THE WOMEN FOR AFRICA FOUNDATION 2 YARI YARI NTOASO CONTINUING THE DIALOGUE Thursday, 16 May through Sunday, 19 May 2013 Sponsored by The Organization of Women Writers of Africa, Inc. New York University Institute of African American Affairs Hosted by Mbaasem Foundation Lead Partner Fundación Mujeres por África/The Women for Africa Foundation Supported by New York University Africa House New York University Accra New York University Africana Studies Program The Haiti Illumination Project Planning support provided by: The New York Council for the Humanities a state affiliate of the National Endowment for the Humanities Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the National Endowment for the Humanities 3 CONFERENCE ORGANIZERS The Organization of Women Writers of Africa (OWWA) Founded in 1991 by African-American poet, performing artist, and activist Jayne Cortez and Ghanaian playwright and scholar Ama Ata Aidoo, the Organization of Women Writers of Africa, Inc. (OWWA) establishes connections between professional African women writers around the world. OWWA is a 501(c)(3) nonprofit literary organization concerned with the development and advancement of the literature of women writers from Africa and its Diaspora. OWWA is also a non-governmental organization associated with the United Nations Department of Public Information (UNDPI). www.owwainc.org and www.indiegogo.com/owwa - also on Facebook and Twitter #YariYari OWWA Co-Founders: Ama Ata Aidoo & Jayne Cortez Executive Board: J.e. -
Linguistic-Stylistic Study of Helon Habila's
LINGUISTIC-STYLISTIC STUDY OF HELON HABILA’S WAITING FOR AN ANGEL AND MEASURING TIME BY Philip Darshak’a Lar DEPARTMENT OF ENGLISH AND LITERARY STUDIES, AHMADU BELLO UNIVERSITY, ZARIA OCTOBER, 2018 i LINGUISTIC-STYLISTIC STUDY OF HELON HABILA’S WAITING FOR AN ANGEL AND MEASURING TIME BY Philip Darshak’a Lar PhD/ARTS/6840/2009-2010 A PhD THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, AHMADU BELLO UNIVERSITY, ZARIA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF DOCTOR OF PHILOSOPHY (PhD) IN ENGLISH LANGUAGE OCTOBER, 2018 ii DECLARATION I declare that the work in this thesis titled “Linguistic-Stylistic Study of Helon Habila’s novels: Waiting for an Angel and Measuring Time” has been carried out by me in the Department of English and Literary Studies, Ahmadu Bello University, Zaria. The information derived from the literature have been duly acknowledged and a list of references provided. No part of this thesis was previously presented for another degree at this or any other institution. _________________________ __________________________ Philip Darshak‟a Lar Signature & Date iii CERTIFICATION This is to certify that this study entitled, “A Linguistic Stylistics Study of Habila’s novels Waiting for Angel and Measuring Time” carried out by Philip Darshak‟a Lar meets the regulations governing the award of the degree of Philosophy (PhD) of the Department of English and Literary Studies, Faculty of Arts, Ahmadu Bello University, Zaria, in partial fulfilment of the requirements for the award of Doctor of Philosophy (PhD) in English Language from Ahmadu Bello University, Zaria and is approved for its contribution to knowledge and literary presentation. -
Babatunde Ayeleru University of Ibadan, Nigeria Linguistic
Babatunde Ayeleru University of Ibadan, Nigeria Linguistic innovation in the New West African Europhone novel: Between Interlanguage and Indigenization1 Abstract. Writers in West Africa have deployed innovative linguistic strategies to indigenize the language of the new West African novel. The novels of the Beninese writer, Adelaide Fassinou’s Modukpè: Le Reve brisé, Enfant d’autrui, fille de personne and Toute une vie ne suffirait pas pour en parler and the Nigerian author, Abimbola Adunni Adelakun’s Under the Brown Rusted Roofs are analyzed to demonstrate indigenous features that are applied in the European languages in which the novels are written. The paper posits that the language of the two writers is placed between their mother tongue, the Yoruba language, and the European languages (French and English) which they use to create their literary works. The paper concludes that African orature, translation, transliteration, metaphor, and metonymy constitute the strategies of linguistic innovation and indigenization employed by the writers. 1. Introduction From Obi Wali’s (1963) Makerere outburst, through Ngugi’s (1981) Marxist idealist position to Achebe’s (1965) moderate stance, African writers have been deploying different strategies to manipulate the European languages with which they create their texts. Language issue in African literatures has attracted an array of critical discourses by writers and critics such as Niyi Osundare (1983, 1984, 1995), Ahmadou Kourouma (1970, 1978), Gassama, Makhily (1995), Chantal Zabus (1991, 2007), Blachere, Jean-Claude (1993), Adewole Adejare (1992, 1998), Kayode Omole (1998), Bill Ashcroft (1998, 2001), Anatole Mbanga (1999), Herbert Igboanusi (2002), Femi Osofisan (2006), Ayo Kehinde (2009), and Jane Bryce (2010).