Program the Haiti Illumination Project
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The English Department Writing Program and the Gayle Morris Sweetland Center for Writing Excellence in First-Year Writing 2011/2012
2011/2012 The English Department Writing Program and The Gayle Morris Sweetland Center for Writing Excellence in First-Year Writing 2011/2012 The English Department Writing Program and The Gayle Morris Sweetland Center for Writing Published in 2012 by MPublishing University of Michigan Library © 2012 Gayle Morris Sweetland Center for Writing Permission is required to reproduce material from this title in other publications, coursepacks, electronic products, and other media. Please send permission requests to: MPublishing 4186 Shapiro 919 South University Ann Arbor, MI 48109 [email protected] ISBN 978-1-60785-275-9 Table of Contents Excellence in First-Year Writing Winners list 6 Nominees list 7 Introduction 11 Feinberg Family Prize for Excellence in First-Year Writing 14 Matt Kelley Award for Excellence in First-Year Writing 56 Sweetland Prize for Outstanding Writing Portfolio 76 4 Excellence in First-Year Writing 2012 Excellence in First-Year Writing 2011/2012 EDWP Writing Prize Committee: Katie Will, Co-Chair Steve Engel, Co-Chair Tim Green Joe Horton Frank Kelderman Justine Niederhiser Melody Pugh Stephen Spiess Sarah Swofford Jessica Young Sweetland Writing Prize Committee: Alan Hogg Dana Nichols Administrative Support: Laura Schulyer Perry Janes Excellence in First-Year Writing 2012 5 Winners list Matt Kelley Award for Excellence in First-Year Writing Sarah Leddon: “The Public Woman’s Guide to Getting By: Navigating the Early 20th Century” nominated by Sara Lampert, History 195 Margaret Scholten: “Fate and Transition” nominated by -
Too Terrible to Relate: Dynamic Trauma in the Novels of Toni Morrison
ABSTRACT HUMANITIES STAYTON, COREY C. B.A. XAVIER UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1997 TOO TERRIBLE TO RELATE: DYNAMIC TRAUMA IN THE NOVELS OF TONI MORRISON Committee Chair: Daniel Black, Ph.D. Dissertation dated May 2017 This study examines fictional representations of trauma as reflected in Toni Morrison’s novels Sula, Song of Solomon, and Beloved. By utilizing the theoretical modes of new historicism and trauma theory, the veil of double consciousness is explicated. The modes also help to expose the climate of trauma in the novels which produce various forms of dysfunction in the individual and the community. The unspoken atrocities experienced as a result of slavery, Jim Crow, and physical and sexual violence in many of Morrison’s novels suggest the common thread of trauma in the lives of the characters who experience similar events in Morrison’s stories. The particular traumas depicted in Morrison’s novels, Sula, Song of Solomon, and Beloved, damage agency, leading to detachment and paralysis in the individual. The scope of this study is limited to the novels Sula, Song of Solomon, and Beloved as they best illustrate trauma in Morrison’s characters and the damage that the pathology causes to agency, leading to detachment and paralysis in general. TOO TERRIBLE TO RELATE: DYNAMIC TRAUMA IN THE NOVELS OF TONI MORRISON A DISSERTATION SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY COREY STAYTON DEPARTMENT OF HUMANITIES ATLANTA, GEORGIA MAY 2017 © 2017 COREY C. STAYTON All Rights Reserved ACKNOWLEDGMENTS There are many people who have made the writing of this dissertation a reality. -
After Seminal Anthology, Busby Celebrates New Daughters of Africa
Home Nigeria World Politics Sport Opinion Business Technology Arts Guardian TV Literature After seminal anthology, Busby celebrates New Daughters of Africa By Olatoun Gabi-Williams 21 April 2019 | 4:19 am New Daughters of Africa at the WOW Festival, International Women’s Day 2019 Reports online are increasing about projects in the creative industries aimed not only at countering fear of the ‘other’ and resentment about the growing number of ‘others’ in our midst but at highlighting ways ‘others’ enrich and strengthen us. As nationalism and nativism rise across the globe, my cyber world is under siege. I am not complaining. Powerful images posted online from art biennials have stayed with me: Venice, Berlin, Dak’Art (Dakar, Senegal) and Art X in Lagos, Nigeria. Memorable, startling art, love- infused, aiming to transform the way I, we, see all kinds of difference: gender, race, culture and ability. Rarely can art claim immediate transformative power; what it can do is capture the imagination and plant seeds for a conversation and perhaps – ultimately – a conversion. Latest In this essay, I turn my thoughts away from arresting visual art to focus on a landmark Trump says Congress 'can't union: Margaret Busby OBE with Candida Lacey of Myriad Editions (UK) and 200+ 2 mins ago women from Africa and its diasporas. It is a great literary assembly put together for the purpose of reconstructing perceptions about Africa and her women, celebrating African Why Buhari administratio women in literature and showcasing the dazzling range of their work. Importantly, the delayed - Dogara women have assembled for the purpose of making a difference in black women’s lives 23 mins ago through the inauguration of the Margaret Busby New Daughters of Africa (NDOA) Award. -
Hopwood Newsletter Vol
Hopwood Newsletter Vol. LXXVIX, 1 lsa.umich.edu/hopwood January 2018 HOPWOOD The Hopwood Newsletter is published electronically twice a year, in January and July. It lists the publications and activities of winners of the Summer Hopwood Contest, Hopwood Underclassmen Contest, Graduate and Undergraduate Hopwood Contest, and the Hopwood Award Theodore Roethke Prize. Sad as I am to be leaving, I’m delighted to announce my replacement as the Hopwood Awards Program Assistant Director. Hannah is a Hopwood winner herself in Undergraduate Poetry in 2009. Her email address is [email protected], so you should address future newsletter items to her. Hannah Ensor is from Michigan and received her MFA in poetry at the University of Arizona. She joins the Hopwood Program from the University of Arizona Poetry Center, where she was the literary director, overseeing the Poetry Center’s reading & lecture series, classes & workshops program, student contests, and summer residency program. Hannah is a also co-editor of textsound.org (with poet and Michigan alumna Laura Wetherington), a contributing poetry editor for DIAGRAM, and has served as president of the board of directors of Casa Libre en la Solana, a literary arts nonprofit in Tucson, Arizona. Her first book of poetry, The Anxiety of Responsible Men, is forthcoming from Noemi Press in 2018, and A Body of Athletics, an anthology of Hannah Ensor contemporary sports literature co-edited with Natalie Diaz, is Photo Credit: Aisha Sabatini Sloan forthcoming from University of Nebraska Press. We’re very happy to report that Jesmyn Ward was made a 2017 MacArthur Fellow for her fiction, in which she explores “the enduring bonds of community and familial love among poor African Americans of the rural South against a landscape of circumscribed possibilities and lost potential.” She will receive $625,000 over five years to spend any way she chooses. -
Program the Haiti Illumination Project
YARI YARI NTOASO CONTINUING THE DIALOGUE INTERNATIONAL CONFERENCE ON LITERATURE BY WOMEN OF AFRICAN ANCESTRY ● ACCRA, GHANA ● 2013 ● ORGANIZATION OF WOMEN WRITERS OF AFRICA ● NEW YORK UNIVERSITY MBAASEM FOUNDATION THE WOMEN FOR AFRICA FOUNDATION 2 YARI YARI NTOASO CONTINUING THE DIALOGUE Thursday, 16 May through Sunday, 19 May 2013 Sponsored by The Organization of Women Writers of Africa, Inc. New York University Institute of African American Affairs Hosted by Mbaasem Foundation Lead Partner Fundación Mujeres por África/The Women for Africa Foundation Supported by New York University Africa House New York University Accra New York University Africana Studies Program The Haiti Illumination Project Planning support provided by: The New York Council for the Humanities a state affiliate of the National Endowment for the Humanities Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the National Endowment for the Humanities 3 CONFERENCE ORGANIZERS The Organization of Women Writers of Africa (OWWA) Founded in 1991 by African-American poet, performing artist, and activist Jayne Cortez and Ghanaian playwright and scholar Ama Ata Aidoo, the Organization of Women Writers of Africa, Inc. (OWWA) establishes connections between professional African women writers around the world. OWWA is a 501(c)(3) nonprofit literary organization concerned with the development and advancement of the literature of women writers from Africa and its Diaspora. OWWA is also a non-governmental organization associated with the United Nations Department of Public Information (UNDPI). www.owwainc.org and www.indiegogo.com/owwa - also on Facebook and Twitter #YariYari OWWA Co-Founders: Ama Ata Aidoo & Jayne Cortez Executive Board: J.e. -
Second Annual Louise Meriwether First Book Prize Winner Announced
FEBRUARY 2018 • FOR IMMEDIATE RELEASE • THE FEMINIST PRESS For more information contact Lucia Brown, Feminist Press • [email protected] • 212-817-7928 SECOND ANNUAL LOUISE MERIWETHER FIRST BOOK PRIZE WINNER ANNOUNCED NEW YORK, NY—The Feminist Press, TAYO Literary Magazine, and distinguished judges Bridgett M. Davis, Melissa R. Sipin, and Jamia Wilson are honored to award the 2018 Louise Meriwether First Book Prize to Claudia D. Hernández. In Knitting the Fog, Hernández shares the story of her family’s migration from Guatemala to the United States, fusing poetry and narrative essay. The book will be published by the Feminist Press in 2019. “This is a book of our times, a story of struggle and resilience, a warrior song that refuses to look or run away,” says Melissa R. Sipin, TAYO editor in chief. “Knitting the Fog brings us the immigrant experience in a refreshingly new light,” explains judge and author Bridgett M. Davis. “How exciting that Hernandez’s voice joins the canon of contemporary Latina stories.” The Feminist Press and TAYO Literary Magazine established the prize in 2016 to honor landmark African American feminist author Louise Meriwether and her 1970 novel Daddy Was a Number Runner. One of the first American novels to feature a young black girl as the protagonist, the book inspired the careers of writers like Jacqueline Woodson and Bridgett M. Davis, among countless others. The Louise Meriwether First Book Prize annually seeks the best debut work by women and nonbinary writers of color. “We celebrate and invest in extraordinary emerging writers from communities whose stories are often unheard or undersupported,” says Feminist Press executive director Jamia Wilson. -
Remembering "Norris Buzz Johnson" November 2 1951 to February 11, 2014
Eulogy: Remembering "Norris Buzz Johnson" November 2 1951 to February 11, 2014 Memorial Service Saturday March 1st. 2014 at 1 pm All Saint's Church Haggerston Road Hackney London E8 4EP I recall Buzz gave me a birthday gift many years ago and it was a book entitled “Return to the Source” written by the late Amilcar Cabral. My words today will be in the form of a journey where I briefly return to the source of our brother’s foundations in Tobago and then Trinidad and the journey here to the UK and his growth and development and he will be making his final journey when the body returns to Tobago. Return to the Source: Norris Chrisleventon Johnson was the first and only son of Mrs Adwina Johnson nee Phillips and the late Cornelius Arthur Johnson. He was born in the fishing village of Buccoo in Tobago on November 2 1951. The family migrated to Fyzabad in South Trinidad, one of the villages that housed many workers from the oilfields in Point Fortin and its environs. His father Cornelius was on oilfield worker and was obviously influenced and inspired by a key political and labour activist and leader, Tubal Uriah Buzz Butler. He therefore called his son Buzz. That name has stuck with him ever since. The Fyzabad area was the main bastion of the Butlerite movement. Tubal Uriah Buzz Butler was a fierce defender of workers’ rights and earned his place in Trinidad and Tobago's history for his role during the turbulent days of June 1937. This was the period of the labour riots and the development of the trade union movement in Trinidad & Tobago and in particular of the Oilfield Workers Trade Union. -
Philosophy and the Black Experience
APA NEWSLETTER ON Philosophy and the Black Experience John McClendon & George Yancy, Co-Editors Spring 2004 Volume 03, Number 2 elaborations on the sage of African American scholarship is by ROM THE DITORS way of centrally investigating the contributions of Amilcar F E Cabral to Marxist philosophical analysis of the African condition. Duran’s “Cabral, African Marxism, and the Notion of History” is a comparative look at Cabral in light of the contributions of We are most happy to announce that this issue of the APA Marxist thinkers C. L. R. James and W. E. B. Du Bois. Duran Newsletter on Philosophy and the Black Experience has several conceptually places Cabral in the role of an innovative fine articles on philosophy of race, philosophy of science (both philosopher within the Marxist tradition of Africana thought. social science and natural science), and political philosophy. Duran highlights Cabral’s profound understanding of the However, before we introduce the articles, we would like to historical development as a manifestation of revolutionary make an announcement on behalf of the Philosophy practice in the African liberation movement. Department at Morgan State University (MSU). It has come to In this issue of the Newsletter, philosopher Gertrude James our attention that MSU may lose the major in philosophy. We Gonzalez de Allen provides a very insightful review of Robert think that the role of our Historically Black Colleges and Birt’s book, The Quest for Community and Identity: Critical Universities and MSU in particular has been of critical Essays in Africana Social Philosophy. significance in attracting African American students to Our last contributor, Dr. -
Publishing & the Book in Africa
Publishing & the Book in Africa: A Literature Review for 2017 Hans M. Zell [email protected] Copyright © Hans Zell Publishing Consultants 2018 This is the third in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa. The previous annual literature reviews can be found as follows: 2016: https://www.academia.edu/31441110/Publishing_and_the_Book_in_Africa_A_Literature_ Review_for_2016 (pre-print version) Print/online version published in The African Book Publishing Record 43, no. 2 (May 2017): 120- 170. https://doi.org/10.1515/abpr-2017-0004 2015: https://www.academia.edu/20432811/Publishing_and_the_Book_in_Africa_- _A_Literature_Review_for_2015 (pre-print version) Print/online version published in The African Book Publishing Record 42, no. 1 (March 2016): 11-37. https://doi.org/10.1515/abpr-2016-0003. Extensively annotated and/or with abstracts, the present list brings together new literature published during the course of 2017, a total of 157 records. Also included are a small number of articles and other documents published in 2016 or earlier, and which have not hitherto been included in previous annual literature reviews or in the Publishing, Books & Reading in Sub-Saharan Africa online database (see also below). The literature review covers books, chapters in books and edited collections, journal articles, Internet documents and reports, theses and dissertations, interviews, audio/video recordings and podcasts, as well as a number of blog postings, with their posting dates indicated. Newspaper articles and stories are not generally included, unless of substantial length or of special significance. Records are grouped under a range of regional/country and topic-specific headings. -
According to the South African Writer Nadine Gordimer, African Writers
The Grove. Working Papers on English Studies 24 (2017): 9-24. DOI: 10.17561/grove.v24.a1 THE RETURN OF THE BEEN-TO, THE BRINGER OF THE DIASPORA Isabel Gil Naveira Universidad de Oviedo Abstract Most male characters in the exile, analysed from a Post-Colonial perspective, were usually classified as either suffering from a neo-colonial process, and therefore rejecting tradition, or as keeping tradition and longing for going back to a patriarchal society. In this article, I aim to establish how Ama Ata Aidoo, in her play The Dilemma of a Ghost (1965), represents the feelings of unrootedness, loss and guilt associated to the main male character’s return to Africa. The use of the social and personal consequences that his comeback home to a matrilineal family has, will uncover the relation established between his family and his African American wife. In doing so, I will analyse how through an ‘insignificant’ song Aidoo tackles the controversial issue of the children of the diaspora and offers a solution to its rejection by the African population. Keywords: Africa; African American; exile; diaspora; identity; silence; neo- colonialism. Resumen La mayoría de los personajes masculinos en el exilio, analizados desde una perspectiva poscolonial, se solían clasificar en: aquellos bajo un proceso neocolonial, y que por tanto rechazaban la tradición, y aquellos que mantenían sus tradiciones y ansiaban volver a una sociedad patriarcal. En este artículo, intento establecer cómo Ama Ata Aidoo, en su obra The Dilemma of a Ghost (1965), representa los sentimientos de desarraigo, pérdida y culpabilidad asociados a la vuelta a África del personaje masculino principal. -
Contemporary Nigerian Fiction and the Return to the Recent Past
BEARING WITNESS TO AN ERA: CONTEMPORARY NIGERIAN FICTION AND THE RETURN TO THE RECENT PAST Juliet Tenshak Thesis submitted for the degree of PhD in English Studies School of Arts and Humanities, University of Stirling. December 2017. Acknowledgements The Ph.D journey has been long, very challenging but rewarding. On this journey, I got fresh and startling insights to the meaning of the word „Help‟. I made it to this point because of the help I have received from so many people in various ways, and at different times. I am humbled. My first expression of gratitude goes to my supervisor Professor David Murphy, whose support, PATIENCE, and encouragement is in large part the reason I made it this far. I would also like to thank my second supervisor Dr. Gemma Robinson who has been unfailingly supportive and encouraging. I am also grateful to the school administrator Alison Scott for the support I received from her in the course of my study. I owe a debt of gratitude to the British Federation of Women Graduates, who provided much-needed financial support for the final year of my Ph.D. To my husband Fidel Odhiambo Wayara, you are my exceedingly great reward. Thank you for loving and pushing. To my girls; Walsham, Naannaa and Kiyenret, thank you for putting up with my absence. Thank you for making motherhood a thing of joy and fulfillment for me, and thank you for the sacrifices you individually and collectively made for me to do this. I love you girls more than the whole world and back! To my mother Dr. -
Nation, Power and Dissidence in Third-Generation Nigerian Poetry in English by Sule E
Nation, power and dissidence in third-generation Nigerian poetry in English by Sule E. Egya TERMS of USE The African Humanities Program has made this electronic version of the book available on the NISC website for free download to use in research or private study. It may not be re- posted on book or other digital repositories that allow systematic sharing or download. For any commercial or other uses please contact the publishers, NISC (Pty) Ltd. Print copies of this book and other titles in the African Humanities Series are available through the African Books Collective. © African Humanities Program Dedication Fondly for: Anyalewa Emmanuella, Oyigwu Desmond and Egya Nelson. Love, love, and more love. About the Series The African Humanities Series is a partnership between the African Humanities Program (AHP) of the American Council of Learned Societies and academic publishers NISC (Pty) Ltd*. The Series covers topics in African histories, languages, literatures, philosophies, politics and cultures. Submissions are solicited from Fellows of the AHP, which is administered by the American Council of Learned Societies and financially supported by the Carnegie Corporation of New York. The purpose of the AHP is to encourage and enable the production of new knowledge by Africans in the five countries designated by the Carnegie Corporation: Ghana, Nigeria, South Africa, Tanzania, and Uganda. AHP fellowships support one year’s work free from teaching and other responsibilities to allow the Fellow to complete the project proposed. Eligibility for the fellowship in the five countries is by domicile, not nationality. Book proposals are submitted to the AHP editorial board which manages the peer review process and selects manuscripts for publication by NISC.