Remembering "Norris Buzz Johnson" November 2 1951 to February 11, 2014
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Claudia Jones Black History Month
Black History The information in this booklet is derived from Kwesi Bacchra’s review of “Claudia Jones, a life in exile” by Marika Sherwood. http://www.brothermalcolm.net/archivedsites/claudia_jones_exile.htm Claudia Jones “The Mother of Carnival in Britain” Name………………………… Date……… July 2011. Kindly contributed by Maudine Morris, Bolton College. Search for Maudine on www.skillsworkshop.org Page 1 of 14 Covers many aspects of E3-L1 Adult Literacy including reading comprehension, vocabulary and dictionary work, spelling, and writing. For related resources and further curriculum links visit the resource description page at skillsworkshop. Black History The information in this booklet is derived from Kwesi Bacchra’s review of “Claudia Jones, a life in exile” by Marika Sherwood. http://www.brothermalcolm.net/archivedsites/claudia_jones_exile.htm Early Life Claudia Jones was born in Belmont, Port of Spain, Trinidad, in 1915. Following the post war cocoa price crash, she went with her three sisters to join their parents who were in New York. Claudia was eight years old. Her mother died five years later. In the Depression, her father got a job as janitor of a run down apartment block in Harlem. Life was hard and they were so poor that the family could not afford to buy a “graduation outfit” she needed to collect the “Roosevelt Award for Good Citizenship” that she won in junior high school. Her formal education virtually ended in 1932 when she contracted tuberculosis which caused irreparable damage to her lungs. Doctors attributed the disease to the damp apartment the family lived in. In 1935 Claudia joined the Young Communist League, after reading how the communist party had defended nine Negro boys who were falsely accused of rape in Scottsboro, Alabama. -
Decolonising Knowledge
DECOLONISING KNOWLEDGE Expand the Black Experience in Britain’s heritage “Drawing on his personal web site Chronicleworld.org and digital and print collection, the author challenges the nation’s information guardians to “detoxify” their knowledge portals” Thomas L Blair Commentaries on the Chronicleworld.org Users value the Thomas L Blair digital collection for its support of “below the radar” unreported communities. Here is what they have to say: Social scientists and researchers at professional associations, such as SOSIG and the UK Intute Science, Engineering and Technology, applaud the Chronicleworld.org web site’s “essays, articles and information about the black urban experience that invite interaction”. Black History Month archived Bernie Grant, Militant Parliamentarian (1944-2000) from the Chronicleworld.org Online journalists at the New York Times on the Web nominate THE CHRONICLE: www.chronicleworld.org as “A biting, well-written zine about black life in Britain” and a useful reference in the Arts, Music and Popular Culture, Technology and Knowledge Networks. Enquirers to UK Directory at ukdirectory.co.uk value the Chronicleworld.org under the headings Race Relations Organisations promoting racial equality, anti- racism and multiculturalism. Library”Govt & Society”Policies & Issues”Race Relations The 100 Great Black Britons www.100greatblackbritons.com cites “Chronicle World - Changing Black Britain as a major resource Magazine addressing the concerns of Black Britons includes a newsgroup and articles on topical events as well as careers, business and the arts. www.chronicleworld.org” Editors at the British TV Channel 4 - Black and Asian History Map call the www.chronicleworld.org “a comprehensive site full of information on the black British presence plus news, current affairs and a rich archive of material”. -
Escaping the Master's House: Claudia Jones & the Black Marxist Feminist
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2017 Escaping the Master’s House: Claudia Jones & The Black Marxist Feminist Tradition Camryn S. Clarke Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Feminist Philosophy Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Clarke, Camryn S., "Escaping the Master’s House: Claudia Jones & The Black Marxist Feminist Tradition". Senior Theses, Trinity College, Hartford, CT 2017. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/608 Escaping the Master’s House: Claudia Jones & The Black Marxist Feminist Tradition Camryn S. Clarke Page !1 of !45 Table of Contents Acknowledgements i Abstract ii Introduction 5 To Be Black: Claudia Jones, Marcus Garvey, and Race 14 To Be Woman: Claudia Jones, Monique Wittig, and Sex 21 To Be A Worker: Claudia Jones, Karl Marx, and Class 27 To Be All Three: Claudia Jones and the Black Marxist Feminist Tradition 36 Conclusion 41 Bibliography 44 Page !2 of !45 ACKNOWLEDGEMENTS I cannot express enough thanks to my advisors for their support, encouragement, and enlightenment: Dr. Donna-Dale Marcano and Dr. Seth Markle. Thank you for always believing in me in times when I did not believe in myself. Thank you for exposing me to Human Rights and Philosophy through the lenses of gender, race, and class globally. Thank you. My completion of this project could not have been accomplished without the support and strength of the Black Women in my life: my great-grandmother Iris, my grandmother Hyacinth, my mother Angela, my sister Caleigh, and my aunt Audrey. -
After Seminal Anthology, Busby Celebrates New Daughters of Africa
Home Nigeria World Politics Sport Opinion Business Technology Arts Guardian TV Literature After seminal anthology, Busby celebrates New Daughters of Africa By Olatoun Gabi-Williams 21 April 2019 | 4:19 am New Daughters of Africa at the WOW Festival, International Women’s Day 2019 Reports online are increasing about projects in the creative industries aimed not only at countering fear of the ‘other’ and resentment about the growing number of ‘others’ in our midst but at highlighting ways ‘others’ enrich and strengthen us. As nationalism and nativism rise across the globe, my cyber world is under siege. I am not complaining. Powerful images posted online from art biennials have stayed with me: Venice, Berlin, Dak’Art (Dakar, Senegal) and Art X in Lagos, Nigeria. Memorable, startling art, love- infused, aiming to transform the way I, we, see all kinds of difference: gender, race, culture and ability. Rarely can art claim immediate transformative power; what it can do is capture the imagination and plant seeds for a conversation and perhaps – ultimately – a conversion. Latest In this essay, I turn my thoughts away from arresting visual art to focus on a landmark Trump says Congress 'can't union: Margaret Busby OBE with Candida Lacey of Myriad Editions (UK) and 200+ 2 mins ago women from Africa and its diasporas. It is a great literary assembly put together for the purpose of reconstructing perceptions about Africa and her women, celebrating African Why Buhari administratio women in literature and showcasing the dazzling range of their work. Importantly, the delayed - Dogara women have assembled for the purpose of making a difference in black women’s lives 23 mins ago through the inauguration of the Margaret Busby New Daughters of Africa (NDOA) Award. -
Claudia Jones' Communism
Claudia's Communism We Communists adhere to the fundamental belief that complete and lasting equality of imperialist oppressed nations of peoples can be guaranteed only with the establishment of Socialism. CLAUDIA JONES, "ON THE RIGHT TO SELF-DETERMINATION FOR THE NEGRO PEOPLE IN THE BLACK BELT," 1946 For even with all the power your Honor holds, how can you decide to mete out justice for the only act which I proudly plead guilty, and one moreover, which by your own prior rulings constitutes no crime-that of holding Communist ideas; of being a member and officer of the Communist Party of the United States? CLAUDIA JONES, "SPEECH TO THE COURT, FEBRUARY, 1953" Claudia Jones offered a consistent and unabashed identification of herself as a communist, as Marxist-Leninist, even in situations when she was in grave danger from the state's punitive mechanisms. Her courtroom speech is ex plicit in making her philosophical and ideological positions clear in a public and official place; it was not a plea for leniency, but a demonstration that black women were also thinkers, held ideological positions, and could assert them. Claudia Jones joined the Communist Party USA in her youth because it provided her with the best interpretation of her experience of racism and because it explained best the larger social conditions which she had experi enced. The Communist Party at that time was actively engaged in the Scotts boro Boys case, 36 defending them from possible lynching and in the process providing examples of black men and women who were activists and com mitted communists. -
HANSIB PUBLICATIONS Catalogue 2008/2009
HANSIB PUBLICATIONS Catalogue 2008/2009 Catalogue 2008.p65 1 8/12/2008, 4:48 PM HANSIB PUBLICATIONS Hansib Publications launched its first title in 1971 – West Indian Throughout the 1980s, the company maintained its interest Digest, a monthly magazine that catered for Britain’s burgeoning in book publishing but it wasn’t until 1988 that it embarked Caribbean communities. In 1973, the company then acquired and upon a concerted programme to publish essential, Caribbean- re-launched the struggling West Indian World, a weekly, London- interest books. based newspaper that was also first launched in 1971. Hansib books are now available throughout Britain – in Throughout the 1970s, Hansib continued to publish West Indian bookshops, libraries, schools, colleges, universities and specialist Digest but had also added a handful of books to its repertoire. outlets. Its titles are also available from a number of online This included several editions of the annual West Indians in Britain, booksellers such as Amazon (UK), Waterstone’s and WH Smith. which was a ‘who’s who’ of leading members of Britain’s Caribbean A growing network of distributors in the Caribbean has ensured community. The title was later rebranded as Third World Impact that Hansib books are available in many countries of the region, in order to encompass all the ‘visible’ minority communities in including Antigua and Barbuda, Barbados, Dominica, Guyana, St Britain and to reflect their impact upon British society as a whole. Lucia and Trinidad and Tobago. And a number of selected outlets In 1979, Asian Digest was launched, which was a monthly in Canada and the United States are stocking Hansib titles. -
North Carolina Law Review March, 1996 *731
74 NCLR 731 FOR EDUCATIONAL USE ONLY Page 1 74 N.C. L. Rev. 731 (Cite as: 74 N.C. L. Rev. 731) North Carolina Law Review March, 1996 *731 NOVEL THEORIES OF CRIMINAL DEFENSE BASED UPON THE TOXICITY OF THE SOCIAL ENVIRONMENT: URBAN PSYCHOSIS, TELEVISION INTOXICATION, AND BLACK RAGE Patricia J. Falk [FNa] Copyright © 1996 North Carolina Law Review Association; Patricia J. Falk Criminal defendants increasingly claim that their criminal behavior was caused by social toxins that excuse or mitigate their guilt. In this Article, Professor Falk demonstrates that these claims are not aberrational doctrinal proposals, but rather are sophisticated extensions of existing criminal doctrine commensurate with scientific advancements. Unlike prevalent short- term causal explanations for criminal behavior, these novel extensions serve to elucidate long-term, diffuse effects of social toxins on the human psyche. In so doing, they provide otherwise unavailable insight into criminal behavior. Professor Falk urges the legal community to meaningfully consider these valuable new windows into the criminal mind, rather than fall prey to the common pitfall of reflexive "abuse excuse" rhetoric. Introduction ........................................................ 733 I. The Cases: Urban Psychosis, Television Intoxication, and Black Rage as Theories of Criminal Defense ................................... 738 A. Urban Psychosis ................................................ 738 1. Urban Psychosis .............................................. 738 2. Urban Survival -
Narrating the Empire Windrush
“Remember the ship”: Narrating the Empire Windrush Hannah Lowe Brunel University *Email: [email protected] Despite the ubiquity of the SS Empire Windrush as a symbol of postwar Caribbean migration to Britain, there are few literary evocations of its journey and arrival, and of those, the majority are literary commissions from 1998, the year in which the ship was to become legendary. The synthetic nature of the literary engagement with the ship confirms its own construction as an historical event made retrospectively famous. This article describes and interrogates the 1998 rise to prominence of the Windrush, before examining the relationship of the actual ship to literary/cultural criticism and literary works. It contends that the small body of poetic and fictional narratives about the Windrush both problematize elements of a dominant Windrush narrative while simultaneously confirming the ship’s primacy. Keywords: please add 6 Windrush, Caribbean migration, James Berry, Jackie Kay, Benjamin Zephaniah, John Agard In her short story “Out of Hand” (1998), Jackie Kay describes the Empire Windrush as a “huge fiction”, in reference to the history and arrival of that particular ship and its role in postwar Caribbean migration. Her revision of the iconic 1948 Pathé newsreel of the ship’s arrival (which had featured only male migrants) depicts a female protagonist, Rose, stepping from the ship on to British ground. The focus on Rose interjects a woman’s perspective into a historical narrative with a strong male bias, and Kay’s sense of the ship as a “fiction” is intricately tied to the false promise of the “mother country”, which rather than welcoming the young and optimistic Rose, subjects her to a battery of racism endured over decades. -
Left of Karl Marx : the Political Life of Black Communist Claudia Jones / Carole Boyce Davies
T H E POLI T I C A L L I F E O F B L A C K C OMMUNIS T LEFT O F K A R L M A R X C L A U D I A JONES Carole Boyce Davies LEFT OF KARL MARX THE POLITICAL LIFE OF BLACK LEFT OF KARL MARX COMMUNIST CLAUDIA JONES Carole Boyce Davies Duke University Press Durham and London 2007 ∫ 2008 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by Heather Hensley Typeset in Adobe Janson by Keystone Typesetting, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. CONTENTS Acknowledgments vii Preface xiii Chronology xxiii Introduction. Recovering the Radical Black Female Subject: Anti-Imperialism, Feminism, and Activism 1 1. Women’s Rights/Workers’ Rights/Anti-Imperialism: Challenging the Superexploitation of Black Working-Class Women 29 2. From ‘‘Half the World’’ to the Whole World: Journalism as Black Transnational Political Practice 69 3. Prison Blues: Literary Activism and a Poetry of Resistance 99 4. Deportation: The Other Politics of Diaspora, or ‘‘What is an ocean between us? We know how to build bridges.’’ 131 5. Carnival and Diaspora: Caribbean Community, Happiness, and Activism 167 6. Piece Work/Peace Work: Self-Construction versus State Repression 191 Notes 239 Bibliography 275 Index 295 ACKNOWLEDGMENTS his project owes everything to the spiritual guidance of Claudia Jones Therself with signs too many to identify. At every step of the way, she made her presence felt in ways so remarkable that only conversations with friends who understand the blurring that exists between the worlds which we inhabit could appreciate. -
Annual Report 2018
Channel Four Television Corporation Report and Financial Statements 2018 Incorporating the Statement of Media Content Policy Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Channel 4 Annual Report 2018 Contents OVERVIEW FINANCIAL REPORT AND STATEMENTS Chair’s Statement 4 Strategic Report Chief Executive’s Statement 8 Financial review and highlights 156 The heart of what we do 13 Our principal activities 159 Remit 38 Key performance indicators 160 At a glance 40 People and corporate annualreport.channel4.com social responsibility 162 STATEMENT OF MEDIA CONTENT POLICY Risk management 164 Strategic and financial outlook 2018 programme highlights 42 and Viability statement 167 4 All the UK 46 Please contact us via our website (channel4.com/corporate) if you’d like this in an alternative Governance format such as Braille, large print or audio. Remit performance The Channel 4 Board 168 Investing in content 48 © Channel Four Television Corporation copyright 2019 Printed in the UK by CPI Colour on Report of the Members 172 Innovation 56 FSC® certified paper. CPI Colour’s Corporate governance 174 The text of this document may be reproduced free environmental management Young people 64 of charge in any format or medium provided that it is Audit Committee Report 179 system is certified to ISO 14001, reproduced accurately and not in a misleading context. Inclusion and diversity 70 and is accredited to FSC® chain of Members’ Remuneration Report 183 The material must be acknowledged as Channel Four custody scheme. CPI Colour is a Supporting creative businesses 78 ® Television Corporation copyright and the document certified CarbonNeutral company Talent 84 Consolidated financial statements title specified. -
Margaret Busby Poster
BLACK HISTORY MONTH 1 – 31 October 6 “ Write because you enjoy it” PIONEERING + INVENTIVE MARGARET BUSBY FIRST BLACK WOMAN NEU.ORG.UKPUBLISHER BLACK Lesson ideas HISTORY MONTH PIONEERING + INVENTIVE 1 – 31 October FAKE NEWS PUBLISHING Margaret talks about technology GROUND BREAKING PUBLISHER allowing people to be their own What is a publisher? What sort publisher. Margaret can see the 6MARGARET BUSBY of job would it be and would potential of the web for democracy. you like to do it? What kind of Link Margaret to your work on digital books would you publish? literacy and critical thinking. Margaret was born She started off with virtually Use original source materials in Accra in Ghana to no money but was determined about the black publishing parents who had roots in to print volumes of poetry to prescence in the UK since the Barbados, Trinidad and make them accessible and eighteenth century (see Black Dominica. affordable to young people Cultural Archives website). like Margaret. They produced 15,000 poetry books at 5 shillings. WOMEN WRITING Margaret became Britain’s first Black Ask your students to woman book publisher research and review one - and the youngest - Margaret and Clive of the pieces of writing when she co founded a stopped people on the in Busby’s ‘Daughters of publishing company in street and asked them to Africa’ book. 1967, Allison & Busby, buy their books, because with Clive Allison. internet didn’t exist. AFRICAN WOMEN Margaret believed the Women of African descent have made internet would enable huge contributions to literature, the more people to share arts and British culture. -
Statement by Sir Ronald Sanders at the Launch on “From Ranji to Rohan” by Professor Clem Seecharan at London Metropolitan University on 19Th November 2009
Statement by Sir Ronald Sanders At the launch on “From Ranji to Rohan” by Professor Clem Seecharan at London Metropolitan University on 19th November 2009 Ladies and Gentlemen, Friends, It is a great pleasure to be at London Metropolitan University to help launch the latest book by Professor Clem Seecharan, From Ranji to Rohan. Like most West Indians, I am an avid cricket fan, but alas no great player myself. My cricketing days ended when, as a teenaged batsman, a rather large and extremely quick fast-bowler contrived to get past my bat to a most delicate part of my anatomy that floored me for several agonising minutes in the most excruciating pain I ever experienced. I put away bat, pads and other questionable paraphernalia after that along with my enthusiasm for playing cricket, but my passion for the game never waned. In that connection, I believe I was among the first people to buy, directly from Hansib, the publisher of this book, one of the first copies of “From Ranji to Rohan”. Two things attracted me to it. First, I knew from the experience of reading Clem Seecharan’s previous works that this would be not just a scholarly study based on authoritative research, but also a highly entertaining account of Cricket and Indian Identity in Colonial Guyana. The second attraction was its focus on the exploits of Rohan Kanhai, who was the cricket icon of my childhood and early teenage years. Somewhere amongst the aging and dusty collection of my family albums is a photograph of me trying to imitate that famous Kanhai shot on the cover of this book that one cricket commentator described as “the triumphant fall” - a sweep shot to the leg side that culminated in Kanhai on his back but the ball either racing to the boundary for four or soaring past it for six.