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Revolutionary Drama in Postcolonial Nigeria: the Theatre of Femi
REVOLUTIONARY DRAMA IN POSTCOLONIAL NIGERIA: THE THEATRE OF FEMI OSOFISAN by Chima Julius Osakwe A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Drama, Theatre and Performance Studies University of Toronto © Copyright by Chima Osakwe (2014) Abstract Revolutionary Drama in Postcolonial Nigeria: The Theatre of Femi Osofisan Chima Julius Osakwe, Doctor of Philosophy (2014) Centre for Drama, Theatre and Performance Studies University of Toronto This work examines the use of theatre as an instrument of socio-political revolution in selected works (Morountodun, The Chattering and the Song, No More the Wasted Breed, and Aringindin and the Nightwatchmen) by Femi Osofisan. Osofisan is the indisputable leader of Nigeria‘s second generation of playwrights. Driven by Marxist ideology, this generation, which also includes Bode Sowande and Kole Omotoso among others, rose to prominence in the 1970s after the nation‘s civil war. Since then, it has continued to produce revolutionary dramatic works calling for the immediate transformation of Nigeria‘s repressive socio-political order. Although the concept of revolution as dramatized in the works of these playwrights has been influenced by the political notion of revolution, especially the Marxist notion that revolution is the substitution of one ruling class for another after a class struggle resulting in the enthronement of communism, my study‘s theorizing of revolutionary drama has not been strictly determined by the political theory of revolution. The most important criterion used to determine what constitutes revolutionary drama in this study is the liberatory intent rather than the actual liberation accomplished in a given play, although the selected Osofisan titles all conclude with the liberation of the oppressed. -
A History of the Republic of Biafra
A History of the Republic of Biafra The Republic of Biafra lasted for less than three years, but the war over its secession would contort Nigeria for decades to come. Samuel Fury Childs Daly examines the history of the Nigerian Civil War and its aftermath from an uncommon vantage point – the courtroom. Wartime Biafra was glutted with firearms, wracked by famine, and administered by a government that buckled under the weight of the conflict. In these dangerous conditions, many people survived by engaging in fraud, extortion, and armed violence. When the fighting ended in 1970, these survival tactics endured, even though Biafra itself disappeared from the map. Based on research using an original archive of legal records and oral histories, Daly catalogues how people navigated conditions of extreme hardship on the war front and shows how the conditions of the Nigerian Civil War paved the way for the long experience of crime that followed. samuel fury childs daly is Assistant Professor of African and African American Studies, History, and International Comparative Studies at Duke University. A historian of twentieth-century Africa, he is the author of articles in journals including Journal of Imperial and Commonwealth History, African Studies Review, and African Affairs. A History of the Republic of Biafra Law, Crime, and the Nigerian Civil War samuel fury childs daly Duke University University Printing House, Cambridge CB2 8BS, United Kingdom One Liberty Plaza, 20th Floor, New York, NY 10006, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia 314 321, 3rd Floor, Plot 3, Splendor Forum, Jasola District Centre, New Delhi 110025, India 79 Anson Road, #06 04/06, Singapore 079906 Cambridge University Press is part of the University of Cambridge. -
Counting the Tiger's
Page i → “With this book Toyin Falola joins a band of distinguished and special historians who participated in the making of history they narrate. I found this book as enjoyable as Trotsky’s history of the Russian Revolution. While the scale of the two historical incidents are different, the writing is as close to the guts and as stirring of the senses as any personal history can be. This book also distinguishes itself as a modern classic in which one culture (Yoruba rebellion) is successfully written in the language of another (English). A unique reading experience.” —Kole Omotoso “Chronicles the cultures and traditions of Yorubaland of the 1960s, including the predominance of African traditional religions; Christianity; Islam; polygamy; agriculture; education; work ethics; and sacrifice . a must- read for scholars of African life-writing, history, sociology, economics, politics, and gender studies, as well as those interested in African, Diaspora, comparative studies, and the autobiographical genre.” —Adetayo Alabi, University of Mississippi “‘When an old man dies, a library is burned,’ said the late Hampate Ba. Book by book, Toyin Falola is building a library for Africa and the world, fashioned from his memories, wit, and wisdom. His are the tales of a generation who came of age at the same time as their nations. The tales are compelling, fierce, and funny, to be read and cherished.” —Aminatta Forna, author of The Memory of Love “Counting the Tiger’s Teeth shines astonishing light on a major rebellion so poetically as to make the reader relive the experience with the author. Toyin Falola’s indelible memory makes the story fresh and no doubt a unique mirror of a particular teenager with a sharp sensibility.” —Tanure Ojaide, University of North Carolina at Charlotte “I read A Mouth Sweeter Than Salt with my mouth agape at its mesmerizing storytelling. -
National Open University of Nigeria School of Arts and Social Sciences
NATIONAL OPEN UNIVERSITY OF NIGERIA SCHOOL OF ARTS AND SOCIAL SCIENCES COURSE CODE :-PCR 331 COURSE TITLE:- HISTORY OF CONFLICTS IN NIGERIA. PCR 331 HISTORY OF CONFLICTS IN NIGERIA COURSE GUIDE PCR 331 HISTORY OF CONFLICTS IN NIGERIA Course Developer/Writer Dr. Raheed Olaniyi Department of History Faculty of Arts University of Ibadan Course Editor Professor Remi Anifowose Department of Political Science University of Lagos Course Coordinator Oyedolapo B. Durojaye National Open University of Nigeria ii PCR 331 HISTORY OF CONFLICTS IN NIGERIA NATIONAL OPEN UNIVERSITY OF NIGERIA National Open University of Nigeria Headquarters 14/16 Ahmadu Bello Way Victoria Island Lagos Abuja Office No. 5 Dar es Salam Street Off Aminu Kano Crescent Wuse II, Abuja Nigeria e-mail: [email protected] URL: www.nou.edu.ng Published by National Open University of Nigeria Printed 2009 ISBN: 978-058-882-5 All Rights Reserved iii PCR 331 HISTORY OF CONFLICTS IN NIGERIA CONTENTS PAGE Introduction……………………………………..……… 1 Course Aims…………………………………………..... 1 Course Objectives……………………………………… 1 Working through this Course......................................... 2 Course Materials……………………………….………. 2 Study Units…………………………………….………. 2 Textbooks and References…………….……….……… 3 Assessment ………………………………….………. 3 Tutor-Marked Assignment……………………………. 4 Final Examination and Grading…………………..……. 4 Course Marking Scheme ………………………………. 4 Course Overview …………………………………………… 5 How to Get the Most from this Course ……………….. 6 Facilitators/Tutors and Tutorials ……………………….. 6 Summary………………………………………………… 7 Introduction Welcome to PCR 331: History of Conflicts in Nigeria. PCR 331 is a three unit course that has minimum duration of one semester. It is suitable for all students of Peace Studies and Conflict Resolution. The course consists of seventeen units and a course guide. The course has been developed to explain in details the nature of conflict situations in Nigeria. -
Power of the Masses
The London School of Economics and Political Science Power of the Masses Group Size, Attribution, and the Politics of Export Bans in Africa Daniel Nicolai Schulz A thesis submitted to the Department of International Development of the London School of Economics for the degree of Doctor of Philosophy, London, November 2019 1 Declaration I certify that the thesis I have presented for examination for the PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 97,373 words. 2 Abstract This thesis sets out to answer the question why African governments aiming to industrialize their economies introduce export bans on some processable commodities and not on others. It makes the argument that policy-makers avoid imposing export bans on commodities produced by a large share of the population because bans create a context in which politically dangerous producer mobilization is very likely. Export bans severely reduce producer prices. Since these are imposed at the border, beyond producers’ usual field of vision, producers normally struggle to see the origin of these price distortions. -
FEDERALISM Muslim Civic Cultures and Conflict Resolution The
A SABAN CENTER AT THE BROOKINGS INSTITUTION BOOK Muslim Civic Cultures and Conflict Resolution The Challenge of Democratic Federalism in Nigeria John N. Paden 6817-6 ch Frontmatter 9/15/05 12:02 PM Page i Muslim Civic Cultures and Conflict Resolution 6817-6 ch Frontmatter 9/15/05 12:02 PM Page ii 6817-6 ch Frontmatter 9/15/05 12:02 PM Page iii Muslim Civic Cultures and Conflict Resolution The Challenge of Democratic Federalism in Nigeria John N. Paden brookings institution press Washington, D.C. 6817-6 ch Frontmatter 9/15/05 12:02 PM Page iv Copyright © 2005 the brookings institution 1775 Massachusetts Avenue, N.W., Washington, D.C. 20036 www.brookings.edu Library of Congress Cataloging-in-Publication data Paden, John N. Muslim civic cultures and conflict resolution : the challenge of demo- cratic federalism in Nigeria / John N. Paden. p. cm. Summary: “Examines how a diverse country with a significant Muslim population is working to make the transition to a democratic society, balancing rule-of-law concerns against rising communal tensions” —Provided by publisher. Includes bibliographical references and index. ISBN-13: 978-0-8157-6817-3 (pbk. : alk. paper) ISBN-10: 0-8157-6817-6 (pbk. : alk. paper) 1. Democratization—Nigeria. 2. Islam and politics—Nigeria. 3. Federal government—Nigeria. 4. Conflict management—Nigeria. I. Title. JQ3090.P33 2005 320.9669—dc22 2005022911 9 8 7 6 5 4 3 2 1 The paper used in this publication meets minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials: ANSI Z39.48-1992. -
Wole Soyinka
Wole Soyinka 9781501375750_txt_rev.indd 1 15-06-2021 19:55:35 BLACK LITERARY AND CULTURAL EXPRESSIONS Bloomsbury’s Black Literary and Cultural Expressions series provides a much-needed space for exploring dimensions of Black creativity as its local expressions in literature, music, film, art, etc., interface with the global circulation of culture. From contemporary and historical perspectives, and through a multidisciplinary lens, works in this series critically analyze the provenance, genres, aesthetics, intersections, and modes of circulation of works of Black cultural expression and production. SERIES EDITORS Toyin Falola and Abimbola A. Adelakun, University of Texas at Austin, USA ADVISORY BOARD Nadia Anwar, University of Management and Technology, Lahore, Pakistan Adriaan van Klinken, University of Leeds, UK Alain Lawo-Sukam, Texas A&M University, USA Nathaniel S. Murrell, University of North Carolina, Wilmington, USA Mukoma wa Ngugi, Cornell University, USA Bode Omojola, Mount Holyoke and the Five College Consortium, USA Nduka Otiono, Carleton University, Canada Bola Sotunsa, Babcock University, Nigeria Nathan Suhr-Sytsma, Emory University, USA VOLUMES IN THE SERIES: Wole Soyinka: Literature, Activism, and African Transformation by Bola Dauda and Toyin Falola 9781501375750_txt_rev.indd 2 15-06-2021 19:55:35 Wole Soyinka Literature, Activism, and African Transformation Bola Dauda and Toyin Falola 9781501375750_txt_rev.indd 3 15-06-2021 19:55:35 BLOOMSBURY ACADEMIC Bloomsbury Publishing Inc 1385 Broadway, New York, NY 10018, USA 50 Bedford Square, London, WC1B 3DP, UK 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in the United States of America 2022 Copyright © Bola Dauda and Toyin Falola, 2022 For legal purposes the Acknowledgments on p. -
"Memory Is a Weapon"
"MEMORY IS A WEAPON": THE USES OF HISTORY AND MYTH IN SELECTED POST-1960 KENYAN, NIGERIAN AND SOUTH AFRICAN PLAYS. Yvette Hutchison PROMOTER: Prof. Temple Hauptfleisch CO-SUPERVISOR: Dr. Habil. Eckhard Breitinger November 1999 Drama Department University of Stellenbosch Stellenbosch University http://scholar.sun.ac.za DECLARATION: I, the undersigned, hereby declare that the work contained in this dissertation is my own original work and I have not previously in its entirety, or in part, submitted it at any university for a degree. Stellenbosch University http://scholar.sun.ac.za OPSOMMING In hierdie proefskrif word gekyk na die verwantskap tussen geskiedenis, mite, geheue en teater. Daar word ook gekyk na die mate waartoe historiese of mitiese toneelstukke gebruik kan word om die amptelike geheue en identiteite, soos deur bewindhebbers in post-koloniale Nigerie en Kenya geskep, terug kon wen of uit kon daag. Hierdie werke word dan vergelyk met die soort teater wat tydens die Apartheidbewind in Suid-Afrika geskep is, om verskille en ooreenkomste in die gebruik van historiese en mitiese gegewens te bekyk. Die slotsom is dat een van die belangrikste kenmerke van die teater in vandag se samelewing sy vermod is om alternatiewe historiese narratiewe te ontwikkel wat kan dien as teen-geheue ("counter-memory") vir die dominante narratief van amptelike geskiedenisse. Sodoende bevraagteken die teater dan ook 'n liniere en causale siening van die geskiedenis, maar interpreteer dit eerder as meervoudig en kompleks. ABSTRACT This thesis considers the relationship between history, myth, memory and theatre. The study explores the extent to which historic or mythic plays were used to either reclaim or challenge the official memories and identities created by those in power in the post- colonial Kenyan and Nigerian context. -
Women's Leadership in Peace Building
WOMEN’S LEADERSHIP IN PEACE BUILDING: CONFLICT, COMMUNITY AND CARE Edited by Mirjam van Reisen Women’s Leadership in Peace Building Women’s Leadership in Peace Building: Conflict, Community and Care International Colloquium on Women in Peace-building From Monrovia (2009) to Harare (2014) ======================== Copyright © 2015 Mirjam van Reisen All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher. Book and cover design: Lemlem Taddese Front cover picture courtesy of Milly Buchanan Copy Editors: Simon Stocker and Catherine Schook In Acknowledgment of the generous support from Cordaid ISBN: 978-1-59221-994-0 (PB) TABLE OF CONTENTS ========================== FOREWORD .......................................................................................... XI Ellen Johnson Sirleaf INTRODUCTION................................................................................ XIII Mirjam van Reisen PART I – WOMEN’S LEADERSHIP IN COMMUNITY PEACE BUILDING IN AFRICA CHAPTER 1. TO OFFER A GLASS OF MILLET-MILK IS TO OFFER YOU MY PEACE: THE RELATIONAL RELEVANCE OF FOOD IN ORGANIZING COMMUNITY PEACE ............................. 3 Primrose Nakazibwe CHAPTER 2. WOMEN’S PROTECTION AND MECHANISMS OF CONFLICT RESOLUTION IN ANKORE FAMILIES ...................... 17 Clementia Neema Murembe CHAPTER 3. UBUNTU AND PEACE: WITHOUT A MOTHER, THERE IS NO HOME ........................................................................... 37 Gertjan van Stam CHAPTER 4. WOMEN HAVE ALWAYS HAD THEIR SPECIAL PLACE IN HISTORY AS PEACE-MAKERS: WOMEN AND PEACE BUILDING IN THE GREAT LAKES REGION ................... 55 Pamela K. Mbabazi WOMEN’S LEADERSHIP IN PEACE BUILDING CHAPTER 5. THE POLITICS OF THE BODY IN CONFLICT: FOLLOWING WOMEN’S FOOTSTEPS: A HOLISTIC RESPONSE TO END SEXUAL VIOLENCE ...........................................................