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FEBRUARY2018

FILM LIVES HERESM

FESTIVALS & EVENTS THE OF RAÚL RUIZ (PART 2) AN EVENING WITH SALLY POTTER COMMENT SELECTS NEIGHBORING SCENES: NEW LATIN AMERICAN CINEMA

NEW RELEASES A FANTASTIC WOMAN 24 FRAMES TIME REGAINED WESTERN

ELINOR BUNIN MUNROE FILM CENTER 144 WEST 65TH STREET WALTER READE THEATER 165 WEST 65TH STREET FILMLINC.ORG SERIES Life Is a Dream: The Films of Raúl Ruiz (Part 2)

Klimt Epo-Film/Kobal/REX/Shutterstock

FEBRUARY 9–18 Arguably Chile’s most internationally renowned and prolific director, Raúl Ruiz completed over 100 works in numerous national cinemas. His mind-bending movies are obsessed with questions of theology, philosophy, psychoanalysis, literature, and visual expression; wildly experimental and slyly humorous; surrealist, magical-realist, gothic, and neo-Baroque. To see one of Ruiz’s films is to go on an adventure full of humor, intellec- tual curiosity, and artistic daring; to see several is to land on a new continent, where his many obsessions find their delirious expression in the most surprising ways and where reason and madness are delightfully, terrifyingly indis- tinguishable. The Film Society is pleased to present the second part of an ongoing retrospective devoted to Ruiz, including a weeklong revival run of one of his most beloved films, Time Regained (1999), in a new digital restoration. See more and save with a 3+ film package or All-Access Pass!

The Blind Owl / La chouette / Comédie rarely screened adaptation of Dostoevsky’s The aveungle de l’innocence Eternal Husband is one of his most elliptical and Switzerland/France, 1987, 16mm, 97m, subtitles France, 2000, 35mm, 100m, subtitles intriguing works. Saturday, February 10, 9:00pm In one of Ruiz’s signature films of the 1980s, a A 9-year-old boy insists that a mentally . Thursday, February 15, 9:00pm Parisian film projectionist receives a surprise unstable violin teacher is his real mother in visit from his Apollinaire-reciting uncle and falls this consummately Ruizian tale of madness The Insomniac on the Bridge / in love with a dancer who appears in a movie and mistaken identity, loosely adapted from L’éveillé du pont de l’Alma he projects, triggering a delirious succession of a Massimo Bontempelli novella and starring France, 1985, 35mm, 85m, subtitles Sharing stories within stories. Saturday, February 10, and . Sunday, an inability to sleep, a voyeur and a hunch- 4:00pm . Monday, February 12, 6:30pm February 11, 6:00pm . Friday, February 16, backed boxer decide to rape a pregnant 4:30pm woman, who then throws herself into the Ce jour-là Seine, only to return in new, horrifying forms. France, 2003, 35mm, 105m, subtitles Ruiz Fado, Major and Minor / Fado This barbed avant-garde tale of trauma and mastered the absurdist black comedy with this majeur et mineur delirium is one of Ruiz’s most confrontational whiplash-inducing parody of the ensemble France/Portugal, 1994, 35mm, 110m, subtitles visions. whodunit in which a Swiss aristocrat hires a After blacking out, a tour guide returns to his Screening with: Dog’s Dialogue / Colloque psychopath to kill his equally maniacal daughter apartment and finds a mysterious intruder who de chiens in order to free up her inheritance from his holds him accountable for his lover’s death. France, 1977, 35mm, 22m, subtitles previous marriage. Friday, February 16, 6:30pm Toggling modes of farce and tragedy (and Monday, February 12, 8:45pm . Thursday, . Sunday, February 18, 2:00pm punctuated by Iberian sea shanties), Ruiz’s February 15, 6:30pm

FOR TICKETS VISIT FILMLINC.ORG Klimt into pulp is a Hitchcockian shadow play of SPECIAL EVENT Austria/UK/France, 2006, 35mm, 131m, doubles that turns a paperback-worthy premise subtitles Described by Ruiz as “a fresco of real into a Rorschach-blot interrogation of the self and imaginary characters revolving around and the unconscious. Friday, February 16, An Evening a single point of focus,” Klimt is less a biopic 8:45pm . Sunday, February 18, 8:30pm of the notorious 19th-century painter than a deep dive into laviscious fin de siècle Vienna. Vanishing Point / Point de fuite with Sally Potter . Saturday, February 10, 6:30pm Saturday, France/Portugal, 1984, 16mm, 78m, English TUESDAY, FEBRUARY 13 February 17, 2:00pm subtitles Filmed on the Portuguese island of Madeira, where Ruiz was simultaneously The director joins us for a double Life Is a Dream / Mémoire des making , the noir homage bill of her latest and her greatest apparences Vanishing Point is a rib-tickling breadcrumb trail France, 1986, 16mm, 104m, subtitles Using of repetitions and allusions about an unnamed Pedro Calderón de la Barca’s 17th-century man in a seaside town who witnesses a Spanish play La vida es sueño as jumping-off murder . . . or was it just a dream? Wednesday, point, Ruiz tackles the 1971 coup in his February 14, 8:30pm . Saturday, February 17, homeland of Chile as well as interrogates the 8:30pm dubious feedback loop between experience and thought. Saturday, February 17, 6:30pm NORTH AMERICAN PREMIERE The Wandering Soap Opera / La Telenovela errante France, 1986, 16mm, 65m Cryptic, transfixing, Raúl Ruiz & , Chile, and suffused with the director’s signature play 1990/2017, 80m, subtitles Shot in 1990 but The Party with space and time, Ruiz’s film of Jean-Claude unfinished until nearly six years after Ruiz’s Gallotta’s nine-person experimental ballet about death, The Wandering Soap Opera is a wildly SNEAK PREVIEW! “full-fledged doubt” is one of his most abstract inventive, episodic satire born of Ruiz and his The Party yet accessible works. Wednesday, February 14, wife and collaborator Sarmiento’s attempt to Sally Potter, UK, 2017, 71m In Sally Potter’s 7:00pm view Chilean political life through the sublime new dark comedy The Party, Janet (Kristin and ridiculous prism of the telenovela. Friday, Scott Thomas) is hosting an intimate gathering / La noche February 9, 7:00pm . Sunday, February 11, of friends in her London home to celebrate de enfrente 2:00pm . Saturday, February 17, 4:45pm her political ascension, while her husband, Bill Chile/France, 2012, 110m, subtitles In Ruiz's (Timothy Spall), seems preoccupied. Janet’s playfully elegiac final masterwork, loosely EXCLUSIVE RUN! acerbic best friend, April (Patricia Clarkson), adapted from the fantastical short stories of Time Regained / Le temps arrives and others follow, some with their own Chilean writer Hernán del Solar, an elderly retrouvé, d’après l’oeuvre de dramatic news to share, but an announcement office worker begins reliving memories from Marcel Proust by Bill provokes a series of revelations that his past, both real and imagined, including a France/Italy/Portugal, 1999, 163m, subtitles gradually unravel the sophisticated soiree, and a childhood trip to the movies with Beethoven Ruiz’s most ambitious literary adaptation—an night that began with champagne may end with and listening to tall tales from Long John Silver. attempt to condense all of Proust’s In Search gunplay. A Roadside Attractions release. An NYFF50 selection. Sunday, February 11, of Lost Time into a single feature, using the 6:30pm (Q&A with Sally Potter) 8:00pm . Sunday, February 18, 6:15pm seven-part novel’s last installment as a kind of frame—is also one of his most transporting 25TH ANNIVERSARY SCREENING / Het dak van reflections on the movies’ power to seize and Orlando de Walvis preserve moments of time. Featuring Catherine Sally Potter, UK/Russia/Italy/France/ Netherlands, 1982, 90m, subtitles Deneuve, Emmanuelle Béart, and John Netherlands, 1993, 35mm, 93m Twenty-five Shot in Holland in roughly a week and without a Malkovich. An NYFF37 selection. A KimStim years after its premiere in the 49th Venice script, Ruiz’s delirious, visually stunning satire of release. Opens February 9, 3:00pm and International Film Festival, Potter’s bold re-work- imperialism and the social sciences focuses on 6:45pm daily ing of Virginia Woolf's classic novel endures an anthropologist who ventures with his family as a remarkable love story and an incisive tour Organized by Dennis Lim and Dan Sullivan into the Patagonian wilds to study a strange, through English history, while directly and deftly Acknowledgements: Association des Amis de Raoul Ruiz; dying language. Friday, February 9, 9:00pm National Council of Culture and Arts of Chile; Cultural Services addressing modern concerns of gender and of the French Embassy; Institut Français; La Cinémathèque . Sunday, February 11, 4:00pm . Sunday, française; La Cinémathèque de Toulouse; Embassy of Chile; identity. Shortly before the death of Elizabeth I, Valeria Sarmiento; Chamila Rodriguez. February 18, 4:15pm an innocent aristocrat, Orlando (, in a profoundly subtle performance), is promised a generous fortune by the Queen provided that USA/Canada/UK, 1998, 35mm, 102m he “not grow old.” He then goes on to live for Ostensibly an erotic thriller starring Anne centuries, first as a man, and then as a woman. Parillaud and William Baldwin, Ruiz’s final foray 8:30pm (Introduction by Sally Potter)

@FILMLINC . #FILMLIVESHERE FESTIVAL Film Comment Selects

FEBRUARY 23–27 Film Comment’s movie showcase returns in its 18th edition with a selection of titles ­curated by the magazine’s editors, offering strikingly bold visions, mixing New York premieres of new films and long-unseen older titles that deserve the big-screen treatment. Synopses written by FC contributors. See more and save with a 3+ film package or All-Access Pass! Plus, all FCS attendees will receive a compli- mentary one-year subscription to the Film Comment App!

On Body and Soul Ildikó Enyedi, 2017, Hungary, 116m Winner of the Golden Bear at the Berlin International Film Festival, Ildiko Enyedi’s visually imaginative film embellishes upon the highs and lows of an oddball romance with exuberant abandon. Film Comment celebrated Enyedi’s “ludic, freewheeling storytelling” with last year’s home-video release of her 1989 favorite My Twentieth Century, and her newest marks a triumphant return. A Netflix release.Monday, February 26, 6:45pm

NORTH AMERICAN PREMIERE Sarah Plays a Werewolf Katharina Wyss, Switzerland/Germany, 2017, 86m “Berlin-based Katharina Wyss’s heady Life and Nothing More debut feature centers on Sarah, a young woman channeling her powerful depth of OPENING NIGHT feeling into the artistic and psychological Life and Nothing More Gutland outlet of theater. As the 17-year-old protagonist Antonio Mendez Esparza, USA/Spain, 2017, Govinda Van Maele, Luxembourg/Belgium/ in a staid Swiss town, Loane Balthasar is 114m “The African American single mom and Germany/France, 2017, 107m “A stranger unnervingly transparent, giving herself over to teenage son at the center of this drama are wends through twilit wheat fields in the exquisite her character—and, like Sarah, 20 times more lifelong residents of northern Florida but remain, opening moments of Govinda Van Maele’s fiction present than anyone around her. The film’s title at best, provisional citizens of their own country. feature debut [with Phantom Thread’s Vicky captures a life fraught with energy.” —Nicolas Rendering characters they developed in tandem Krieps] ... By the following morning he’s courted Rapold, Jan-Feb 2018 Sunday, February 25, with their director, these non-professional but by an elder who finds him a gig and lodging— 7:00pm astoundingly gifted performers convey so much and then Gutland quietly maunders from folktale of what matters in so many working-class black to pastoral noir to Polanski-esque uncanny and, Wild Boys lives.” —Nick Davis, Dec 2017 Friday, February finally, back to folk tale.” —José Teodoro, Nov- Bertrand Mandico, France, 2017, 110m 23, 6:30pm Dec 2017 Saturday, February 24, 6:45pm “Some might be quick to suggest Mandico’s similarities with Guy Maddin due to his new U.S. PREMIERE Mrs. Fang film’s whacked-out , alienating use of The Family Wang Bing, China, 2017, 86m “Wang Bing’s lat- studio sets, and brusquely outré acting. Exiled Rok Biček, Slovenia/Austria, 2017, 106m est documentary trains its camera very tightly on teenagers are sentenced to hard labor on a “Biček started The Family as a film-school the face of a bedridden elderly woman suffering mysterious island, left to their own devices and student and proceeded to film a life in full: a from Alzheimer’s in a small rural Chinese village. then transformed... All the teens are played by boy, seen growing up, watching his father die For a while, it seems as though Wang is content actresses, with ever-fearless, weather-beaten and becoming a father himself, breaking up to use the camera as a tool to unflinchingly Elina Löwensohn leading the way. Little else in with his girlfriend, and battling her for child record a human being close to her final breath. 2017 was quite as exhilarating, eye-popping, custody. A twist on observational cinema, Biček’s Yet Wang goes into different territory, somehow intoxicating, seductive, carefree, funky, sexy, portrait defies stereotypes of working-class and more and less tangible than a portrait of dying.” and fun.” —Olaf Möller, Jan-Feb 2018 dysfunctional families” —Tina Poglajen, Nov-Dec —Michael Koresky, Sep 2017 Sunday, February Saturday, February 24, 9:30pm 2017 Tuesday, February 27, 6:45pm 25, 9:30pm

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25TH ANNIVERSARY SCREENING Silverlake Life: The View from Here FIVE FILMS BY PAPATAKIS Tom Joslin & Peter Friedman, USA, 1993, “It’s become a cliché to call a filmmaker ‘rebellious,’ but from Gance to Eisenstein to Pasolini to Buñuel, 99m We're pleased to bring back one of the the 20th century saw true rebels who fiercely defied the cinematic and political establishments. Born cornerstone documentaries about the AIDS in Addis Ababa to an Ethiopian mother and a Greek father, Nikos Papatakis (1918–2010)—nicknamed crisis. “Silverlake Life is about a couple, and Nico in France—holds a profound and unique place in this lineage through a body of work that blends one of the guys is filming his boyfriend, who anarchic fury with visceral and transcendent poetry.” —Yonca Talu, Sep-Oct 2017 is ill and dying. I didn’t want to represent the disease too much [in BPM (Beats Per Minute)], Les Abysses in Papatakis’s psychedelic political allegory. because I thought it was so real in Silverlake France, 1963, 90m This allegorical portrait of Sunday, February 25, 1:45pm Life. It was real and it's a very, very moving the Algerian resistance was inspired by the story film. I love it so much.”—, of the Papin sisters, two maids who brutally The Photograph director of BPM (Beats Per Minute), Jul-Aug murdered their employers in 1930s France—also Greece/France, 1986, 102m His most accessi- 2017 Sunday, February 25, 4:30pm the basis for Genet’s 1947 play and ble and poignant work is a meticulously crafted Chabrol’s 1995 thriller La Cérémonie. Friday, meditation on immigration and exile about SPECIAL EVENT February 23, 9:30pm a 26-year-old Greek man fresh out of prison Film Comment Free Talk: (where he was tortured for being a commu- Race and Representation The Shepherds of Calamity nist’s son) who leaves for France and strikes up Film Comment is launching a monthly series Greece, 1967, 96m An anthropological and a complicated friendship with a distant relative. of free talks with contributors and filmmakers, materialist study of a rigid rural community is Monday, February 26, 9:15pm to provide a forum for discussing ideas— contrasted with the forbidden romance between political, aesthetic, and beyond—central to a rebellious shepherd and a rich conservative Walking a Tightrope contemporary film culture. Many talks will family’s angelic daughter, engaged in an eroti- France, 1992, 128m The director’s final also be featured as episodes of the Film cally charged power game. Saturday, February film—starring as a fictional Comment Podcast. For this edition, inspired 24, 4:30pm version of Papatakis’s friend —is a by the series’ opening night selection Life and compendium of the themes that pervade his Nothing More, Editor-in-Chief Nicolas Rapold Gloria Mundi filmography, including the torturous nature of will moderate a talk about representations of France, 1976, 93m An actress prepares for a love, the suffering induced by exile, and suicide race in American and international cinema. role as an Arab terrorist in a film directed by as an act of rebellion. Tuesday, February 27, Saturday, February 24, 5:00pm her mentor and lover, a Palestinian militant, 9:15pm

PICK UP THE JANUARY–FEBRUARY ISSUE! ’s Phantom Thread . The Best and Worst of 2017 . Philippe Garrel . ’s The Post . China: The Mini-Mogul and the Multiplex

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February 6: Young Movie Love . February 13: Moviegoing in China . February 20: Valeska Grisebach February 27: Race and Representation

FESTIVAL Neighboring Scenes: New Latin American Cinema

FEBRUARY 28–MARCH 4 Neighboring Scenes is the Film Society’s annual showcase of contemporary Latin American cinema. This year's opening night film isAlanis , a poignant and compelling film from Argen- tinean director Anahí Berneri portraying three days in the life of a young Buenos Aires mother and sex worker who struggles to live under the same laws that are supposed to protect her. Co-presented with Cinema Tropical. Alanis

@FILMLINC . #FILMLIVESHERE NEW RELEASES View showtimes at filmlinc.org. Playing This Month Film Society members save $5 on all tickets!

“NY Times Critic’s Pick! It's a fantastic movie. Quote me in the ads, with exclamation points if you must!” –A.O. Scott, New York Times A Fantastic Woman / Una Mujer Fantástica Sebastián Lelio, Chile/Germany/Spain/USA, 2017, 104m, subtitles Newcomer Daniela Vega delivers a poised and intense turn as Marina, a transgender waitress and aspiring singer coping with the untimely death of her boyfriend as she faces scrutiny from authorities and family members. A Fantastic Woman is a stylish, intelligent, and genre-bending drama from the Chilean director of 2013’s acclaimed Gloria and a watershed film for Vega. A Sony Pictures Classics release. Opens February 2

A Fantastic Woman “An elegant and moving last bow. Among his finest, most uplifting works.” –Deborah Young, The Hollywood Reporter EXCLUSIVE RUN! 24 Frames , Iran/France, 2017, 114m The final film from Iranian filmmaker Abbas Kiarostami is a wordless series of sketches elaborating on his lifelong fascination with photography. Consisting of 24 four-and-a-half minute sketches—each a digitally manipulated, fixed-frame view of a scene from nature—24 Frames allows the late Kiarostami to evoke the moments before and after a still image has been captured, and to explore the thin line between natural and artificial beauty. A Janus Films release.Opens February 2 (Q&A with Ahmad Kiarostami and critic Godfrey Cheshire on 2/2 at 6:15pm) 24 Frames “A movie of ravishing complexity, sophistication, and intelligence.” –Michael Wilmington, Chicago Tribune Time Regained Raúl Ruiz, France/Italy/Portugal, 1999, 163m, subtitles Ruiz’s transporting and ambitious adaptation of Proust’s is dominated by entrancing, sometimes tragic figures that drift in and out of its narrator's field of view: as former courtesan Odette; Emmanuelle Béart as Marcel’s young love Gilberte; as the closeted, mysterious Baron de Charlus. New restoration courtesy of Le Petit Bureau with support from the Centre national du cinéma et de l’image anime (CNC, France). An NYFF37 selection. A KimStim release. Screening in conjunction with our Raúl Ruiz series (see page 2). Opens February 9, 3:00pm and 6:45pm daily Time Regained (also pictured on cover) “Struck me immediately as a masterpiece.” –Andrew Chan, The Criterion Current Western Valeska Grisebach, Germany and Bulgaria, 2017, 119m, subtitles In remote rural Bulgaria, a group of German workers are building a water facility. Meinhard (Meinhard Neumann), the reserved newbie in this all-male com- pany, immediately draws the ire of the boorish team leader, not least for his willingness to mingle with the wary locals. German director Grisebach uses the Western as a template with which to draw out eternal human conflicts in this supremely intelligent genre update, her first feature in a decade. An NYFF55 selection. A Cinema Guild release. Opens February 16

Western New Releases programmed by Florence Almozini and Dennis Lim

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Lover for a Day / L’Amant d’un jour The Opera House Philippe Garrel, France, 2017, 76m, subtitles In Garrel’s poetic exploration Susan Froemke, USA, 2017, 108m Renowned documentarian Susan of relationships, desire, and fidelity, Jeanne (), after a painful Froemke (editor and producer on Grey Gardens) takes viewers through breakup, moves back in with her university professor father to discover the history of the Metropolitan Opera via priceless archival stills, footage, that he is living with a student who is the same age as Jeanne. An NYFF55 and interviews (with, among many others, the great soprano Leontyne selection. A MUBI release. Price). An NYFF55 selection. A release of The Metropolitan Opera.

Coming in March SERIES & FESTIVALS NEW RELEASES Rendez-Vous with French Cinema Claire’s Camera Our annual festival returns in March with another edition that exemplifies the Hong Sangsoo, France/South Korea, 2017, 69m A South Korean sales variety and vitality of contemporary French filmmaking, featuring films from agent and a French tourist (a delightful Isabelle Huppert) meet during the exciting fresh talents and established masters. Co-presented with UniFrance in Hong’s acclaimed comedy of manners. A Cinema Films. March 8–18 Guild release. Opens March 9

New Directors/New Films Ismael’s Ghosts Celebrating its 47th edition, the New Directors/New Films festival introduces , France, 2017, 132m Phantoms swirl around a filmmaker New York audiences to the work of emerging filmmakers from around () in the throes of writing a spy thriller in Desplechin’s the world. This is work from daring artists who are pushing the envelope. shape-shifting , also starring . A Magnolia Co-presented with the Museum of Modern Art. March 28–April 8 Pictures release. Opens March 23

HONORING . APRIL 30, 2018 Photo by Giles Keyte

TICKETS ON SALE NOW! FILMLINC.ORG/GALA

OFFICIAL MEDIA SUPPORTING

This project is supported in part by an award from the National Endowment for the Arts. New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Cover image courtesy of Blufilm/Canal+/Gemini/Madragoa/Kobal/REX/Shutterstock

@FILMLINC . #FILMLIVESHERE FEBRUARY 2018 AT THE FILM SOCIETY

Sunday Monday Tuesday Wednesday Thursday Friday Saturday Life Is a Dream: The Films of Raúl Ruiz (Part 2) (EBM February 9–18) 1 2 3 Film Comment Selects (WRT February 23–27) New Releases Opens Today New Releases Neighboring Scenes: New Latin American Cinema (WRT February 28–March 4) screen at the Film screen at the Film Society every day! 24 Frames and Society every day! Special Events (WRT) . New Releases (EBM and WRT) A Fantastic Showtimes at Woman Showtimes at In-Person Appearance filmlinc.org filmlinc.org Screening daily! 4 5 6 7 8 9 10 New Releases New Releases New Releases New Releases New Releases 3:00 12:00 screen at the Film screen at the Film screen at the Film screen at the Film screen at the Film Time Regained Met HD: L'Elisir Society every day! Society every day! Society every day! Society every day! Society every day! 6:45 d'Amore Showtimes at Showtimes at Showtimes at Showtimes at Showtimes at Time Regained 3:00 filmlinc.org filmlinc.org filmlinc.org filmlinc.org filmlinc.org 7:00 Time Regained The Wandering 4:00 Soap Opera The Blind Owl 9:00 6:30 On Top of the Whale Klimt 6:45 Time Regained 9:00 Fado, Major and Minor 11 12 13 14 15 16 17 2:00 1:00 3:00 3:00 3:00 Opens Today 2:00 The Wandering Soap Met HD Encore: Time Regained Time Regained Time Regained Western Klimt Opera L'Elisir d'Amore 6:30 6:45 6:45 4:45 3:00 3:00 An Evening with Time Regained Time Regained Screening daily! The Wandering Time Regained Time Regained Sally Potter: 7:00 6:30 4:30 Soap Opera 4:00 6:30 The Party* Mammame The Insomniac on Comedy of 6:30 Innocence On Top of the Whale The Blind Owl 6:45 8:30 the Bridge Life Is a Dream 6:00 6:45 Time Regained Vanishing Point 9:00 6:30 8:30 Comedy of Innocence Time Regained 8:30 Fado, Major Ce jour-lá Vanishing Point 6:45 8:45 An Evening with and Minor 8:45 Time Regained The Insomniac on Sally Potter: Shattered Image the Bridge Orlando* 8:00 *Check filmlinc.org Night Across the for special pricing Street 18 19 20 21 22 23 24 2:00 New Releases New Releases New Releases New Releases 6:30 12:30 Ce jour-lá screen at the Film screen at the Film screen at the Film screen at the Film Life and Nothing Met HD: La Bohème 4:15 Society every day! Society every day! Society every day! Society every day! More 4:30 On Top of the Whale Showtimes at Showtimes at Showtimes at Showtimes at 9:30 The Shepherds of 6:15 filmlinc.org filmlinc.org filmlinc.org filmlinc.org Les Abysses Calamity Night Across the 5:00 Street Free Talk: Race and 8:30 Representation Shattered Image 6:45 Gutland 9:30 Wild Boys 25 26 27 28 BUY TICKETS 1:45 12:30 6:45 7:00 Online at filmlinc.org or via the Film Society App Gloria Mundi Met HD Encore: The Family Alanis In-person at FSLC box offices La Bohème MEMBERS 4:30 9:15 $10 Film Society Members Silverlake Life 6:45 Walking a Tightrope SAVE $5! $12 Students & Seniors (62+) 7:00 On Body and Soul filmlinc.org/ Sarah Plays a 9:15 $15 General Public member Werewolf The Photograph Note: Special pricing applies to select series and events. 9:30 Mrs. Fang EBM ELINOR BUNIN MUNROE FILM CENTER 144 WEST 65TH STREET WRT WALTER READE THEATER 165 WEST 65TH STREET FILMLINC.ORG • @FILMLINC • #FILMLIVESHERE